Performances Magazine Geffen Playhouse May 2012 by California Media Group

mAy 2012

MAGAZINE

THE AUDREY SKIRBALL KENIS THEATER AT THE GEFFEN PLAYHOUSE

The Geffen Playhouse and hershey felder PresenT The one More enTerTainMenT and Trevor hay ProducTion of

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contents

MAY12

6 inthewings

Long Beach Opera presents Osvaldo Golijov’s Ainadamar, with libretto by David Henry Hwang; marking its centennial, the Japanese Garden reopens at the Huntington.

21 program

Cast, who’s who, director’s notes, chairman’s letter and donors.

34 intheshops

10 dateline

An eight-hour verbatim enactment of F. Scott Fitzgerald’s The Great Gatsby in London; father figures loom large in three productions on Broadway.

On suddenly bustling Seventh Street downtown, west of the Jewelry District, Brigade L.A. boutique is one of the new hot spots.

38 ontheplate

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Behind the music at Cirque du Soleil’s Iris, with the composer of its score, Danny Elfman.

With Ricardo Zarate’s Picca, Peruvian cooking in Los Angeles finally moves from mom-and-pop eateries onto the trendy Westside dining scene.

42 onthevine

The experience can be everything when it comes to wine, elevating what’s in the glass or destroying it. Three simple things anyone can do to take tasting to another level.

44 home

New Haus Interior on West Third Street is a West Coast companion—approachable and fun—to young designer Nina Freudenberger’s Haus Interior in SoHo.

48 backpage

The Huntington, San Marino

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Published by SOUTHERN CALIFORNIA MEDIA GROUP

Publisher Jeff Levy Editor Benjamin Epstein Art Director Bree Berri Marketing Director Audrey Nimura Production Manager Ellen Melton Associate Art Director Heidi Schwindt Associate Editor Katie McCarthy Production Artist Ryan Furuya Account Managers Jane Abram, Melissa Wood, Nicole Bordges, Heather Howard-Heintz, Sara Kemp, Joanna McLean, Mali Mochow, Laura Napolitano Advertising Services Dawn Kiko Cheng Contributing Writers Joseph Elliott, Roger Grody, Maya Kroth, Joseph LeMoyne, Francis Lewis, Victoria Looseleaf, Priscilla Pollara, Libby Slate, Robert Whitley Administration Beth Moline, Leanne Killian, Christine Noriega, Christina Xenos Regional Representation Northern California: Christine Tye 707.939.0269 East Coast: Sandra Ourusoff 212.260.4883 Honorary President Ted Levy For information about advertising and rates, contact Southern California Media Group. 3679 Motor Ave., Suite 300 Los Angeles, CA 90034 Phone: 310.280.2880 Fax: 310.280.2890 Visit Performances Magazine online showgoer.com PERFORMANCES MAGAZINE is published monthly by Southern California Media Group to serve theatrical attractions throughout the West. All rights reserved. ÂŠ 2012 Southern California Media Group

California T h e at e r M e d i a Alliance

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Events + exhibits + performances

inthe wings

photography

DAIDO MORIYAMA came to prominence in the mid-1960s with his gritty depictions of Japanese urban

life. His highly innovative and intensely personal photographic approach often incorporates high contrast, graininess and tilted vantages to convey the fragmentary nature of modern realities. The Los Angeles County Museum of Art presents Fracture: Daido Moriyama, the photographer’s first solo museum exhibition in Los Angeles. The show features nearly 50 works, including black-and-white photographs, many important photo books and the debut of recent color work taken in Tokyo. “Daido Moriyama’s immensely inventive and prolific achievements make him one of the leading photographers of our era,” says curator Edward Robinson. “Moriyama continues to demonstrate a raw and restless exploration of the fractured realities of modern times.” 5905 Wilshire Blvd., L.A., 323.857.6000, lacma.org

cOLLECTION GLORIA KATZ AND WILLARD HUYCK

Daido Moriyama, Kagerou (Mayfly), 1972

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attractions

CELEBRATING ITS CENTENNIAL after a yearlong,

Zen Garden ginkgos at the Huntington

$6.8 million renovation and improvement project, the Japanese Garden reopens at the Huntington Library, Art Collections, and Botanical Gardens. among new features are a ceremonial teahouse, tea garden and waterfall. the Japanese Garden was developed by henry E. huntington (18500-1927) soon after completing his residence, now the huntington art Gallery. it includes koifilled ponds, a moon bridge and a Japanese house that together make up one of the region’s most frequently photographed landscape views. it also features a rakedgravel dry garden in the Zen Garden, a bonsai court, a display of suiseki (“viewing stones”) and a bamboo forest. “the Japanese Garden is arguably the most popular spot at the huntington and has drawn more than 20 million visitors since the institution opened to the public in 1928,” says botanical Gardens director James folsom. 1151 Oxford Road, San Marino, 626.405.2100, huntington.org

music

LEIF OVE ANDSNES makes his ojai debut, both

as music director of the 66th annual Ojai Music Festival, June 7-12, and as pianist. also making their ojai debuts are the norwegian chamber orchestra, pianist marc-andré hamelin, clarinetist martin fröst, mezzo-soprano christianne stotijn, violist antoine tamestit, conductorcomposer reinbert de Leeuw, and composer John Luther adams. Works include bent sørensen’s piano concerto no. 2 “La mattina,” receiving its U.s. premiere, and de Leeuw’s Norwegian Chamber Orchestra cycle of 21 reworked schubert and schumann songs, Im wunderschönen Monat Mai, with barbara sukowa. the festival opens with the West coast premiere of adams’ Inuksuit for 48 percussionists and closes with igor stravinsky’s two-piano version of Le sacre du printemps featuring andsnes and hamelin. Libbey Bowl, 210 S. Signal St., Ojai, 805.646.2053, ojaifestival.org PERFORMANCES MAGAZINe 7

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inthewings museums

AMERICAN MUSEUM-GOERS have the

rare opportunity to view a triptych by renaissance master maerten van heemskerck (1498-1574), one of the most admired netherlandish painters of the 16th century, when his Ecce homo altarpiece (1544) is displayed at the Getty museum. Drama and Devotion: Heemskerck’s Ecce Homo Altarpiece From Warsaw, opening June 5, presents the triptych outside Europe for the first time; it arrives from the national Maerten van Heemskerck, Ecce Homo (1544) museum in Warsaw, poland, for conservation and study to mark the museum’s 150th anniversary. “conservation and technical analysis can transform our understanding of the original appearance of a work of art like Ecce homo,” says Getty senior conservator of paintings Yvonne szafran. 1200 Getty Center Drive, L.A., 310.440.7300, getty.edu

opera

LONG BEACH OPERA presents Ainadamar, by

osvaldo Golijov with libretto by David henry hwang, may 20 and 26 at terrace theatre in Long beach. Ainagamar—arabic for “fountain of tears”—tells the story of spanish playwrightpoet federico García Lorca, who was executed in 1936 during the spanish civil War. Lorca’s life and death are told in ﬂashbacks by an actress (margarita xirgu, played here by suzan hanson) for whom Lorca (played by peabody southwell) wrote some of his greatest female roles. xirgu remembers him during the last moments of her own life, which ended in 1969. the opera, sung in spanish with English supertitles, is a gripping reﬂection on the faith of a people, the moral duty of the artist and the relationship between artistic and political freedom. “i am freedom. i am wounded and bleeding hope,” sings the dying xirgu at the opera’s cathartic close. 300 E. Ocean Blvd., Long Beach, 562.432.5934, longbeachopera.org

GETTY, MUZEUM NARODOWE W WARSZAWIE

Peabody Southwell, Suzan Hanson and Ani Maldjian

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Perf Ma

“When the people at First Republic say something is going to be done at a certain time, it’s done.” SUSAN PHILLIPS

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newyork

Philip Seymour hoffman in Death of a Salesman

An orphaned boy sets out to find a family, a beloved son seeks to sever the familial ties that bind and a public figure fights to keep his private life private. Father figures loom large on Broadway. Peter and the Starcatcher at the Brooks Atkinson Theatre takes Peter Pan on an imaginary journey of discovery before he became The Boy Who Wouldn’t Grow Up. In the revival of Death of a Salesman, Arthur Miller’s lacerating indictment of the American Dream, 30-something Biff Loman (Andrew Garfield) battles with his overbearing failure of a father, powerfully portrayed by Philip Seymour Hoffman. It runs through June 2 at the Ethel Barrymore Theatre. Joseph Alsop dominated the midcentury Washington political family like no other journalist before or since. When Joe Alsop spoke, presidents listened, as do audiences to John Lithgow in the role in David Auburn’s new play, The Columnist; it’s on at the Samuel J. Friedman Theatre through June 17.

BRIGITTE LACOMBE FOR NEW YORK MAGAZINE

dateline

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Cameron Mackintosh presents a new 25thanniversary production of Boublil & Schönberg’s legendary musical, Les Misérables, June 12-24 at Segerstrom Center for the Arts in Costa Mesa. With its new staging and reimagined scenery inspired by the paintings of Victor Hugo, the production is breaking box office records wherever it goes. The London Times hails the show as “a five-star hit, astonishingly powerful,” the New York Times deems it “an unquestionably spectacular production from start to finish.” July 13, the center presents Stephen Sondheim: In Conversation, featuring the master of American musical theater in an evening of story, with ASCAP’s Michael Kerker, and song, with special guests Christine Ebersole and Brian Stokes Mitchell.

While Baz Lurhmann puts the final touches on his highly anticipated film, don’t miss a very different take on The Great Gatsby in London’s West End. This Gatz may not have Leonardo DiCaprio and Tobey Maguire, but the eight-hour verbatim enactment of F. Scott Fitzgerald’s novel is an unmissable gem for Fitzgerald fans. (There are two intervals plus one for dinner.) Fresh from its sellout run on Broadway, the play opens at the Noel Coward Theatre on June 8. Vivienne Franzmann’s touching thriller The Witness, opening June 9 at the Royal Court Theatre, delves deep into the darkness that is Rwandan history. In Friedrich Dürrenmatt’s acclaimed 1962 play, The Physicists, opening June 7 at the Donmar Warehouse, we meet Albert Einstein, Johann Wilhelm Mobius and Isaac Newton in a sanatorium. When news of yet another murder begins to spread, just who is to blame? Is the brainy trio holding back fatal secrets? The satirical comedy runs through July 21.

(Above) Cameron Mackintosh’s 25th-anniversary production of the musical Les Misérables in Costa Mesa. (Right) Scott Shepherd in an eight-hour enactment of The Great Gatsy at the Noel Coward Theatre in London.

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Cirque du Musique Behind the music at Cirque du Soleil’s Iris with composer Danny Elfman, known for his scores for Tim Burton films and four Oscar nominations for others. By Libby Slate

The score for Cirque du Soleil’s Iris and composer Danny Elfman.

Had you attended a preview performance last summer of Iris, the Cirque du Soleil homage to cinema at the then-named Kodak Theatre, the show’s composer, Danny Elfman, was likely seated at the audio console. “I sat in there and mixed every show for a month,” says the Oscarnominated, Emmy-winning Elfman, known for scores for the films Alice in Wonderland, The Nightmare Before Christmas and Men in Black and the themes for TV’s Desperate Housewives and The Simpsons. Until 1995, he was lead singer and songwriter for the rock band Oingo Boingo. “It took that much work to battle the limitations of the Kodak and the complexities of the Cirque sound system,” Elfman says. “Normally, I mix in five channels—right, center, left and two surround. With Cirque, you mix in 21 or 22 channels—the sound is spread out really widely, throughout the entire house. And the Kodak is bone-dry—there are no acoustics.” A new acoustics system was installed in April 2011. Elfman made a nightly list of small improvements and would work for several hours after the Iris performance ended with mixers and musicians to rehearse and program the changes. The mixers completed the task ... by 4 or 5 am. “It’s the hardest job I’ve ever done,” Elfman continues. “It’s a huge, ambitious score”—as befits a huge, ambitious show combining acrobatics, dance, comedy, audience participation, projections and live music by seven musicians, plus a recorded orchestral score >CONTINUED ON PAGE 41

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mona golabek in The Pianist of Willesden Lane

From the artistic Director

WELCOME TO THE GEFFEN PLAYHOUSE Mona Golabek has an extraordinary story to tell about her mother, Lisa Jura. Like the stories of so many who escaped occupied Europe during Hitler’s reign, Lisa’s tale is one of strength, infused with a staggering sense of loss for family left behind. What is distinct about this story though is the choice of Lisa’s parents to save this daughter (one of three) because of her gift for music. Even in the darkest times of history, our desire to perpetuate and cultivate art can be as strong as our will to live.

Photo by Andrew Southam

And so we proudly present Mona Golabek in The Pianist of Willesden Lane. This project came to us through Hershey Felder, a member of the Geffen family with whom we have collaborated on numerous occasions. When he spoke to us of Mona’s extraordinary talent and conveyed the story of her mother’s life, we were immediately enamored. This production reminds us that in cultivating relationships with theater artists, we benefit from having them return home to the Geffen time and again. Hershey, who our audience knows is a perfectionist in his own work, has helped Mona hone this narrative into a mesmerizing evening of theater that transports us to Austria, England and, finally, the United States, incorporating performances of some of the most beautiful piano concertos ever written. As we wind down our first year of subscription in the Audrey we want to take this opportunity to thank you for being a vital part of what we do as theater artists. Your continued support makes these bold choices possible and it is our sincerest hope to continue this trend as we announce our upcoming season. We all look forward to what’s around the next corner. Enjoy the show,

Randall Arney Artistic Director

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BOARD OF DIRECTORS Frank G. Mancuso

FROM THE CHAIRMAN FRANK G. MANCUSO

Gilbert Cates * President

It is my pleasure to welcome

you to Mona Golabek in The Pianist of Willesden Lane, the third and final play in the Audrey Skirball Kenis Theater this season. We are honored to welcome back our dear friend Hershey Felder as the adapter and director of this world premiere theatrical event, which stars award-winning musician Mona Golabek. Amidst the backdrop of Nazi-occupied Vienna in 1938, this story follows young Lisa Jura as she pursues her dream to become a concert pianist against seemingly insurmountable odds. Music ultimately provides our protagonist with hope, even in the bleakest of circumstances. This powerful message — that art elevates, inspires, and enlightens us — is one I hold dear, and at the Geffen, we always strive to deliver the highest caliber of performing arts to the Los Angeles community, which is made possible through the support and generosity of patrons like you. One of the most rewarding and exciting opportunities to show your support is fast approaching: Backstage at the Geffen. I invite you to join us for this signature event on Monday, June 4. Backstage at the Geffen never fails to be an evening of laughter, music and never-before-told stories from the other side of the curtain. This year we are pleased to present Fox Filmed Entertainment Chairman and CEO Jim Gianopulos with our Distinction in Service Award, and the iconic Carol Burnett with our Distinction in Theater Award. Also, we are delighted to have City National Bank as our first ever Title Sponsor. With the participation of our extended family of actors, playwrights and directors, this event is always lively, fun and unforgettable — and also raises funds for a most worthy cause. Backstage supports our Geffen Playhouse education and outreach programs, which touch the lives of more than 22,500 underserved adults, children, seniors and veterans throughout Los Angeles each year. I hope you will join us for this one-of-a-kind occasion. To purchase tickets or to learn more about it, please contact Jessica Brusilow at 310.208.6500 ext. 141 or visit geffenplayhouse.com/backstage. Now sit back, relax and enjoy Mona Golabek in The Pianist of Willesden Lane. Respectfully yours,

Chairman

Patricia Kiernan Applegate Randall Arney dr. Gene d. Block Suzanne Deal Booth † Harold A. Brown Gil Cates jr. Mary Ann Cloyd Kirsten Combs † marcia israel-curley * Robert A. Daly † Dennis Doty John Ebey Mark Fleischer David Geffen † Herbert M. Gelfand Chairman Emeritus

Patricia L. Glaser Adi Greenberg Arthur Greenberg Martha Henderson Pamela Robinson Hollander Quincy Jones † Joan Kaloustian Jeffrey Katzenberg † Glorya Kaufman audrey skirball kenis * charles kenis * Dr. Gerald S. Levey carla malden Karl Malden * Susan Mallory Ginny Mancini Ron Meyer † Susanna Midnight Leslie Moonves † Jerry Moss † Ken Novice Steven A. Olsen Jerry Perenchio † Bruce M. Ramer † Founding Chairman

Loren Rothschild Linda Bernstein Rubin Teri Schwartz Richard Sherman Victoria Mann Simms † Andy Spahn Fred Specktor Steven Spielberg † deeanna staats Cynthia P. Stafford Howard Tenenbaum Steve Tisch † Edie wasserman † lew wasserman † Dr. Charles E. Young † Chairman Emeritus

Frank G. Mancuso

Chairman, Geffen Playhouse

Peter rosen

LEGAL COUNSEL, latham & watkins LLP

† Trustee * in memoriam P2 PERFORMANCES MAGAZINe

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BACKsTAgE AT tHE GeFfeN JUNe 4, 2012 h o n o r i n G

JIM GIANOPULOS

chairMan & ceo oF Fox FilMed entertainMent

DISTINCTION IN SERVICE AWARD and

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DISTINCTION IN THEATER AWARD a benefit to bring inspiration, hope and healing to over 22,500 students, at-risk youth, seniors and veterans. donâ&#x20AC;&#x2122;t miss this one-of-a-kind evening of hilarious anecdotes, intimate storytelling and song.

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For more information, please contact Jessica brusilow at 310.208.6500 ext. 141 or Jessicab@geffenplayhouse.com

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HOW HATE BREEDS HEROISM:

THE EVENTS LEADING UP TO THE kINDERTRANSPORT

June 9, 1938 nazis destroy the Munich synagogue by burning it to the ground.

October 5, 1938 the German government recalls all Jewish passports and marks them with a large, colored “J.” this is to prevent German Jews from passing as christians and smuggling themselves into switzerland.

lisa JUra’s story as told by her daUGhter, Mona Golabek, is one story oF thoUsands, many of which have never been heard. although each story is entirely unique, as is each person who lived through these horrors, there is a commonality in having survived what led to the evacuation of 10,000 children to england, now known as the kindertransport. the events leading up to the kindertransport began with nazi Propaganda Minister Joseph Goebbels who instigated wide spread pogroms (violent mob attacks against Jews) in Germany and other German-occupied areas in november of 1938. and although we could track violent anti-semitism further back, for the purposes of contextualizing the kindertransport we begin with Joseph Goebbels and his propaganda machine. When herschel Grynszpan, a young Jewish Pole, received news that his parents, residents of Germany since 1911, had been expelled from Germany along with thousands of other Poles, he was despondent. When the Jews tried to return back to Poland, they found they were not welcome there either, and were interned in a refugee camp to await a place to go. outraged by the treatment of his parents, Grynszpan sought revenge on the diplomatic official who had been assigned to help him and his family, and on november 7, 1938 he shot ernst Vom rath who died two days later. When the news of this reached nazi Propaganda Minister Goebbels, he

positioned the event as a conspiracy of the Jews, when all evidence pointed to the fact that it was simply one young man in desperate straits to save his parents. the Propoganda Minister assured the German people that if they were to take mob action against the Jews, steps would not be taken to stop or punish their actions. the statement from Munich, where the nazi leadership convened read: “demonstrations should not be prepared or organized by the Party, but insofar as they erupt spontaneously, they are not to be hampered.” two days later, the nazi Party and their supporters systematically attacked Jewish populations throughout Germany and the

occupied territories. in the span of a few hours, thousands of synagogues, Jewishowned businesses and Jewish homes were severely damaged or completely destroyed. the event came to be known as kristallnacht, translated to “the night of broken glass.” While the signs had been evident to the outside world all along that the nazi party sought to exile their Jewish populations, this singular event opened the eyes of many, most notably the british, who up until that point had resisted emigration en masse from Germany. the british government had recently denied the entrance of 10,000 children into Palestine, which was under british rule at that time, but in light of these blatant

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mona golabek in The Pianist of Willesden Lane

BY AMY LEVINSON atrocities, Britain’s leadership felt a duty to change their position, and thus the Kindertransport began. The British government agreed to permit an unspecified number of children (citizens under the age of 17) to come to the British Isles for the period in which the crisis in Germany and the occupied countries continued. Parents or guardians were not permitted to accompany their children, and they were required to post a £50 bond for each child. It was understood that these children were on temporary travel visas and would be returned to their families when it was thought safe to do so. The bond was to be used for their travel expenses home. The effort to organize these transports was painstaking work, and numerous organizations and individual British citizens answered the call. The first train left Germany on December 1, 1938. It arrived in Harwich from the Hook of Holland, carrying 200 children, all of them orphans, who had left Germany with just 24 hours notice, each with two bags of clothing. The Kindertransport was a remarkable humanitarian endeavor as approximately 10,000 children were rescued between

July 6-14, 1938 An international conference is called by U.S. President Franklin Roosevelt to deal with the Jewish refugee problem. The 32 nations attending decide that they will not permit large numbers of Jews to enter their countries.

December 1938 and September 1939. As violence continued to escalate, it became more and more difficult to remove the children. In September of 1939 the Germans ceased the issue of travel visas for Germany and the annexed countries, ending the opportunity for Britain to offer a safe haven to more children. The events are described in great detail on kindertransport.org: Children of the Kindertransport were dispersed to many parts of the British Isles. About half lived with foster families, the others in hostels, group homes and farms in England, Scotland, Wales and Northern Ireland. Those older than 14, unless they were fortunate enough to be sponsored by individuals and sent to boarding schools or taken into foster care, were frequently absorbed into the country’s labor force after a few weeks of training, mainly in agriculture or domestic service. Many families, Jewish and nonJewish, opened their homes to take in these children. Many of the children were well-treated, developing close bonds with their British hosts; however, others were mistreated or abused. A

Nazi Propaganda Minister Joseph Goebbels delivers a speech.

number of the older children joined the British or Australian armed forces as soon as they reached 18 years of age and joined the fight against the Nazis. Most of the children never saw their parents again. It should be noted that many individuals and organizations are recognized for their assistance in implementing the Kindertransport. The story of Mona Golabek’s mother, Lisa Jura, helps us to understand how many acts of valor are required to save only one life, and here tens of thousands were saved. In 1989, a group of Kinder, as they are now known, convened to create the Kindertransport Association (KTA) in order to reunite the people who had shared this experience, to revisit an often horrific past that was frequently unspoken by those who had survived it, and to create a written history so their families and the world outside might understand what it meant to be part of this rescue effort. Mona Golabek is a living beneficiary of what the Kindertransport did for generations of Jews. Her grandmother, who wanted so much to preserve the gift of music in the Jura family has certainly lived on in Mona’s extraordinary talent.

December, 1938 The British Cabinet allows 10,000 unaccompanied Jewish children into Britain in an action called the Kindertransport.

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Randall Arney artistic director ken novice ManaGinG director Frank G. Mancuso chairMan oF the board

THE GEFFEN PLAYHOUSE AND HERSHEY FELDER PresenT THE ONE MORE ENTERTAINMENT AND TREVOR HAY PRODUCTION of

scenic co-designers

David buess & trevor Hay

lighting designer

christopher Rynne

Projection designer

sound designer

Greg sowizdrzal

erik carstensen

Production stage Manager

Young Ji

adapted & directed by

Hershey Felder

based on the book The Children of Willesden Lane by

Mona Golabek & lee cohen

cAst

lisa Jura ........................................................................................................................Mona Golabek tiMe / settinG Vienna, 1938 and london, 1939â&#x20AC;&#x201C;1945 RunninG tiMe one hour and 40 minutes There will be no intermission

opening night: Wednesday, april 25, 2012 oPening nighT sPonsors

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mona golabek in The Pianist of Willesden Lane

WHO’S WHO IN THE CAST ABOUT THE PRODUCTION

MONA GOLABEK (Lisa Jura) American concert pianist Mona Golabek has appeared at the Hollywood Bowl, the Kennedy Center and Royal Festival Hall. A Grammy nominee, she has received numerous awards including the Avery Fisher Prize. She has been the subject of several documentaries including Concerto for Mona with conductor Zubin Mehta. Ms. Golabek’s syndicated radio program, The Romantic Hours, combines music with poetry. Her recordings include Carnival of the Animals and Ravel’s Mother Goose Suite featuring Meryl Streep, both recorded with Ms. Golabek’s sister, Renee Golabek-Kaye. Both daughters were taught by their mother, Lisa Jura, who is the subject of Ms. Golabek’s acclaimed book, The Children of Willesden Lane. Ms. Golabek founded Hold On To Your Music, a foundation devoted to spreading the message of the power of music. With the help of the Milken Family Foundation and the Annenberg Foundation, she created educational resources which, with her book, have been adopted into school curricula across America. HERSHEY FELDER (Director/Adaptation) Broadway, London’s West End: George Gershwin Alone (Helen Hayes Theatre, Duchess Theatre). Composers Sonata 1999-2012 (George Gershwin Alone, Monsieur Chopin, Beethoven, As I Knew Him and Maestro: The Art of Leonard Bernstein) at dozens of theaters across the U.S. and around the world. Winner

of 2007 Los Angeles Ovation Awards Best Musical and Best Actor for George Gershwin Alone. Compositions include Aliyah, Concerto for Piano and Orchestra; Fairytale, a musical; Les Anges de Paris, Suite for Violin and Piano; Song Settings; Saltimbanques for Piano and Orchestra; Etudes Thematiques for Piano; LINCOLN: An American Story for actor and orchestra. Worldwide live broadcasts, George Gershwin Alone. Mr. Felder has been a Scholar in Residence at Harvard University’s Department of Music and is married to Kim Campbell, former Prime Minister of Canada. DAVID A. BUESS (Scenic Co-Design) In his 10 years in theater, David has served as scenic designer, scenic painter, props artisan, carpenter, prop master and stagehand with Local 122. In addition to more than 35 shows at the Old Globe, he has worked with theaters including the La Jolla Playhouse, San Diego Rep, North Park Theatre and Sledgehammer. He is credited for set design on a new play Lord Derby’s Giant Eland and has designed spaces for many art exhibits around San Diego County. David holds a degree in Fine Art from San Diego State University. TREVOR HAY (Scenic Co-Design/ Production Manager) Currently Union Steward and Properties Master of the Globe Stage at the historic Old Globe Theatre in San Diego, Mr. Hay has led aspects of production on more than 70 presentations, including the Broadway productions of Jack O’Brien’s Damn Yankees, How the Grinch Stole Christmas and Twyla Tharpe’s The Times They Are A-Changin’. Included in his 22 seasons at the Old Globe are 11 seasons of the Summer Shakespeare Festival Repertory. This past season,

Mr. Hay worked on Tracy Letts’ August: Osage County directed by Sam Gold as well as Hershey Felder’s George Gershwin Alone, Maestro and Lincoln: An American Story. CHRISTIAN THORSEN (Scenic Construction) Christian is a Seattle native whose experience in tech theater dates back to high school. He is a graduate of the Pacific Conservatory of the Performing Arts with a degree in Theatre. He has served in numerous capacities during his more than 20 years with San Diego’s Old Globe Theatre, including master carpenter and master rigger. His extensive experience in set, props and furniture construction has brought him to the Eighty Eight LLC/One More Entertainment production team. CHRISTOPHER RYNNE (Lighting Designer) Chris’ theater and opera lighting credits include designs for The Old Globe, San Diego Opera, Pasadena Playhouse, South Coast Rep, Houston Grand Opera, San Diego Rep, Michigan Opera Theatre, Madison Opera, Cygnet Theatre, North Coast Repertory Theatre and San Diego Musical Theatre. Chris also designs lighting for museum exhibitions, special events and lighting systems for new venues. GREG SOWIZDRZAL (Projection Design) Greg is a native of Orange County, CA. A member of IATSE Local 122, he has filled the roles of stagehand, master electrician, video engineer, audio engineer and carpenter. As an automation operator with PRG, he has toured the U.S. on shows including The Grinch Stole Christmas, Chitty Chitty Bang Bang, Robin and the Seven Hoods and The First Wives Club. He recently made his graphic design debut on Hershey Felder’s Lincoln: An American Story.

ERIK CARSTENSEN (Sound Design) Erik has been Master Sound Technician at the Old Globe since 1997 as well as Production Engineer on over 60 productions at the Globe, including Floyd Collins, Dr. Seuss’ How the Grinch Stole Christmas!, The Full Monty, Dirty Blonde, Dirty Rotten Scoundrels, Chita Rivera: The Dancer’s Life, A Catered Affair, Robin and the Seven Hoods and Hershey Felder’s George Gershwin Alone, Monsieur Chopin, Beethoven, As I Knew Him and Lincoln: An American Story. Erik is a member of IATSE Local 122. YOUNG JI (Production Stage Manager) Geffen Playhouse: The Jacksonian, Radiance: The Passion of Marie Curie, The Elaborate Entrance of Chad Deity, Extraordinary Chambers, In Mother Words, Love Loss & What I Wore, Ricky Jay: A Rogue’s Gallery; Louis & Keely: Live at the Sahara. Center Theatre Group: The Cherry Orchard (Taper); Wrecks, Trial of the Catonsville Nine, Pyrenees, A Very Old Man with Enormous Wings, Apollo, Flight, New Works Festival (Kirk Douglas Theatre); Speak to Me (CTG P.L.A.Y. in-school program). Other Los Angeles includes Antaeus Company: Cousin Bette, King Lear, The Autumn Garden (Producer); La Ronde, The Glass Menagerie (Director); American Tales, Tonight at 8:30, Phaedra (Getty Villa), ClassicsFests 04, 06, 08, 10, Mother Courage and Her Children, Pera Palas, The Dickens Project, Chekhov X 4 (Production Stage Manager). LA Theater Works: Secret Order, Sonia Flew, Work Song; Matrix Theater: Dealing with Clair; Theatre@ Boston Court: A Winter People. Tour: Jerry Quickley’s Live from the Front in Finland: Urban Festival, NYC: Public Theater, Apollo Theater, Portland: TBA Festival, Seattle: Bumbershoot Festival, and others; Mariachi Los Camperos De Nati Cano; Fiesta Navidad ’06. PErFORMANCEs MAGAZINE P7

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WHO’S WHO IN THE CAST ABOUT THE production

RANDALL ARNEY (Artistic Director) Randall Arney has been a theater professional for over 30 years, and has served as Artistic Director of the Geffen Playhouse since 1999. In addition to his artistic programming and oversight at the Geffen, Arney has helmed more than 10 productions for the theater, most recently Superior Donuts, The Female of the Species, The Seafarer, Speed-the-Plow and All My Sons. Arney is an ensemble member and former Artistic Director of Chicago’s Steppenwolf Theatre where his directing credits include: The Seafarer, The Beauty Queen of Leenane, Death and the Maiden, Curse of the Starving Class, Killers and The Geography of Luck, among others. Arney also directed Steppenwolf’s world premiere of Steve Martin’s Picasso at the Lapin Agile, as well as the subsequent national and international acclaimed productions. Mr. Arney’s acting credits with Steppenwolf include Born Yesterday, Ghost in the Machine, The Homecoming, Frank’s Wild Years, You Can’t Take it with You, Fool for Love, True West, Balm in Gilead and Coyote Ugly. As the Artistic Director

for Steppenwolf from 1987 to 1995, he oversaw the, creation of a new state-of-the-art theater which is Steppenwolf’s current home. Broadway transfers under his leadership include The Rise and Fall of Little Voice, The Song of Jacob Zulu (six Tony Award nominations) and The Grapes of Wrath (1990 Tony Award, Best Play). Mr. Arney has an MFA degree in Acting from Illinois State University and has taught master classes and workshops at UCLA, Steppenwolf, around the U.S. and in Tokyo.

KEN NOVICE (Managing Director) Ken Novice’s career in the professional theatre spans 25 years and over 250 productions. Prior to joining Geffen Playhouse, he served as Managing Director and Director of External Affairs at Pasadena Playhouse where his credits include the revival of Fences starring Laurence Fishburne and Angela Basset and the world premieres of Sister Act the Musical, Ray Charles Live, Stormy Weather starring Lesley Uggams and many others. He was Director of Marketing and Public Relations for San Diego’s Tony Awardwinning Old Globe Theatre

where his credits include Jack O’Brien’s acclaimed revival of Damn Yankees, the Tony Awardnominated musical The Full Monty, Henry IV starring John Goodman and Sheldon Epp’s Tony-nominated hit Play On! among many others. His credits also include marketing and public relations for the Tony Awardwinning Denver Center Theater Company and New York’s Circle Repertory Company. As Director of Programming for YouthStream Media Networks he developed national marketing and public relations programs for most of Hollywood’s major motion picture studios. Novice also served as Head of the Theatre Management MFA/ MBA program at California State University, Long Beach and has been a guest lecturer at San Diego State University and the University of California, San

Diego. He holds a BA from the Pennsylvania State University and an MBA from San Diego State University. EIGHTY EIGHT LLC/ONE MORE ENTERTAINMENT, LLC (Producer) Eighty-Eight Entertainment was created in 2001 by Hershey Felder and is devoted to the creation of new works of musical theater. Current projects include The Pianist of Willesden Lane, LINCOLN: An American Story, and the Composer Sonata. Recordings include An American Story (recorded with the Ars Viva Orchestra and conducted by Alan Heatherington), Love Songs of the Yiddish Theatre, Back from Broadway, George Gershwin Alone, Monsieur Chopin and Beethoven, As I Knew Him.

a note from mona golabek My mother, Lisa Jura, was my best friend. She taught my sister, Renee, and me to play the piano. We loved our piano lessons with her. They were more than piano lessons — they were lessons in life. They were filled with stories of a hostel in London and the people she knew there. Her stories were our folklore, bursting with bits and pieces of wonderful characters who bonded over her music. Sitting at the piano as a child, I would close my eyes and listen to her lilting voice and imagine her world. She always believed “each piece of music tells a story.” Her legacy has inspired my music and my life. I pass along her story in the hope that it may enrich the passion and music that lie in each of us.

The Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission. This project was also funded in part by the Department of Cultural Affairs, City of Los Angeles. The Geffen Playhouse, a non-profit theater company, is proudly affiliated with the University of California at Los Angeles.

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GEFFEN AT A GLANCE ADDRESS

ACKNOWLEDGEMENTS

Geffen Playhouse 10886 Le Conte Avenue Los Angeles, CA 90024 Administrative Offices.......... 310.208.6500 Weekdays.........................10:00 am — 6:00 pm

PRODUCTION STAFF FOR MONA GOLABEK IN THE PIANIST OF WILLESDEN LANE Production Manager Trevor Hay Scenic Construction Christian Thorsen Production Electrician Dan Tuttle Sound Board Operator Michael Gunderson Wardrobe Supervisor Leah A. Lewis Production Assistant Jessica Manning Dramaturgs Cynthia Caywood, Ph.D. & David Hay, Ph.D. ACKNOWLEDGEMENTS Set provided by Scenic Highlights Lighting Equipment provided by Entertainment Lighting Services Sound Equipment provided by Jon Sound Inc. SPECIAL THANKS UCLA School of Theater, Film and Television Scene Prop, Sound and Costume Shops; London Cleaners; Peet’s Coffee & Tea; Mark Felt

Box Office Phone Line........... 310.208.5454 Daily......................................7:00 am — 6:00 pm Subscriber Hotline.................. 310.208.2028 Weekdays.........................10:00 am — 6:00 pm Weekends........................ 12:00 pm — 6:00 pm Please visit geffenplayhouse.com for hours, parking and more information TICKET SERVICES Box Office Window When shows are not in performance, the box office window is open: Weekdays.........................10:00 am — 6:00 pm Weekends........................ 12:00 pm — 6:00 pm During the run of a show, the window will be open until curtain. Please note: the box office is unable to process exchanges and future sales one hour prior to curtain time on any performance day. access

UCLA SCHOOL OF THEATER, FILM AND TELEVISION The Geffen Playhouse is affiliated with the University of California at Los Angeles, specifically the UCLA School of Theater, Film and Television. The Geffen Playhouse values its role as an important educational resource by providing students with master classes, workshops and internships. Students are also able to work and learn from distinguished visiting Geffen artists such as Alan Ayckbourn, Jon Robin Baitz, Annette Bening, Ed Harris, David Ives, Neil LaBute, David Mamet, Donald Margulies, Terrence McNally, John Rando and Kathleen Turner in areas of directing, playwriting, acting, design, dramaturgy, management and production. The Geffen Playhouse also draws upon the distinguished experts in the university to enhance the theater’s programs and research. The actors and stage managers employed in this production are members of Actors’ Equity Association; The Union of Professional Actors and Stage Managers in the United States. The director is a member of the society of Stage Directors and Choreographers, Inc., an independent national labor union.

special thanks from mona golabek I offer my gratitude to the following individuals who have journeyed with me through the years with enormous love, support and kindness: Richard Burkhart, Christine Burrill, Lee Cohen, Chuck Hurewitz, Steve Robinson, Pebbles Wadsworth, Doug Ordunio and Julie Anderson. Thank you to my beloved family. You give me strength and inspire me every day. Jackie (for her unparalleled dedication), London, Jesse, Manny and to my beloved sister’s children: Michele, Sarah, Jonathan, and Rachel who continue the musical legacy passed down by their grandmother, Lisa Jura. I am grateful to everyone who has entered my life in connection with The Pianist of Willesden Lane: Howard Fine, the staff of the Geffen Playhouse, Sam Voxakis, and the incomparable Hershey Felder who believed in the story “of the little girl who was sent away and told to hold on to her music.”

ASL

Accessible Accommodation The Geffen Playhouse is fully committed to ensuring a satisfying theater experience for our patrons with special needs or disabilities. Please contact the box office or an usher to discuss your needs.

AT THE THEATER Late Seating Should you arrive late to the theater or vacate your seat during the performance, please expect to be held in the lobby until an appropriate pause in the action on-stage. To minimize disturbance to other patrons, you may be sat into the first available location by the house staff even if different from your assigned seat. Be advised that some productions or circumstances may not allow for late or return seating.

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DONOR SPOTLIGHT

conan oâ&#x20AC;&#x2122;brien performs with the Geffen Playhouse story Pirates.

the GeFFen PlayhoUse thanks J.P. MorGan Many thanks to Presenting sponsor J.P. Morgan and to everyone who attended story Pirates and Friends hosted by conan oâ&#x20AC;&#x2122;brien on March 9. this event supported our story Pirates Play/Write program, which brings writing and performing arts education to more than 20 title 1 school students in los angeles county. We are deeply grateful to J.P. Morgan for supporting the story Pirates, one of our crucial education and outreach programs which reach more than 22,500 underserved adults, children, veterans and seniors each year.

Photos by Jordan strauss

tony Pritzker, J.P. Morgan Managing director Michael Walsh, his wife deborah and Geffen Playhouse artistic director randy arney at the J.P. Morgan private event in the cynthia P. stafford room

ellen catania and her son dylan smile for the cameras before walking the purple carpet

Geffen Playhouse advisory board member and event co-chair stephanie carson with husband Jim and son avi

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SATURDAY SCENE TheaTer for KIDS of all ages Free post-show snacks generously provided by Gelson’s Market and Pretzel crisps

A t-ReX is loose!

SATURDAY, JUNE 9 AT 11:00AM the natural history Museum’s walking, stalking t-rex roarrrs into the Geffen Playhouse in this all-new story Pirates show. a core mission of the Geffen Playhouse is providing educational programs that benefit the community at large. earlier this year our education and outreach department visited the los angeles natural history Museum to meet the creators of Dinosaur encounters featuring the amazingly life-like tyrannosaurus rex puppet, hunter. an idea formed — what would it be like for this t-rex to interact with our very own puppet masters: the story Pirates? be the first to see this world premiere production!

TICKETS SELLING FAST! BUY NOW!

LIKE ‘GEFFEN PLAYHOUSE FAMILY FUN’

GEFFENPlaYHOUSE.COM/FAMILY GEF_PROG_0512-Pianist.indd 11

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ANNUAL DONORS The Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund. Donors are listed at the Associate level and higher for gifts made between October 1, 2010 and February 15, 2012.

CHAIRMAN’S CIRCLE $50,000+

Anonymous Patricia Kiernan Applegate Audi of America, Inc Ben/Joyce Eisenberg Foundation City National Bank ClearEdge Power Mary Ann Cloyd Creative Artists Agency Susan & John Ebey Edgerton Foundation Joyce Eisenberg-Keefer & Melvin Keefer Herbert M. & Beverly J. Gelfand Adi & Jerry Greenberg Guggenheim Partners Carole & Bill Haber Martha Henderson J.P. Morgan Private Bank Marilyn & Jeffrey Katzenberg Glorya Kaufman Keyes Automotive Group Sandra Krause & William Fitzgerald Latham & Watkins LLP Lincy Foundation Los Angeles County Arts Commission Ginny Mancini Fay & Frank Mancuso Donna McKenna & Flynn Chernos Ron & Kelly Meyer Ann & Jerry Moss OneWest Bank Ralph M. Parsons Foundation PricewaterhouseCoopers Madeline & Bruce Ramer Linda Bernstein Rubin & Tony Rubin Richard & Barbara Sherman Shubert Foundation Skirball Foundation Kate Capshaw Spielberg & Steven Spielberg DeeAnna Staats, Staats & Co. Cynthia P. Stafford & Lanre Idewu Jodi & Howard Tenenbaum Tropicana Las Vegas The UCLA Dream Fund Deborah & Michael E. Walsh Judy & Chancellor Charles E. Young

EXECUTIVE PRODUCER

$25,000 — $49,999 Anonymous A&E Television Networks Arlene & Alan Alda Stephanie & Jonathan Carson CBS Corporation Classic Party Rentals The Douglas Foundation Greater Los Angeles New Car Dealers Association Harold & Mimi Steinberg Charitable Trust Dan Hartman Arts & Music Foundation Hilton Bora Bora Nui Resort & Spa Marcia Israel Foundation, Inc. The Lear Family Foundation Los Angeles magazine Louis XIII de Remy Martin Susanna Midnight & Charlie Midnight Montage Hotels & Residences Leslie Moonves & Julie Chen Napa Valley Grille Nikki Beach The Edward A. & Ai O. Shay Family Foundation Sony Pictures Entertainment Judith & Bruce Stern Shel & Cynthia Stone Universal Studios W Hotel Westwood The Walt Disney Company Westime

PRODUCER

$10,000 — $24,999 Ariel Investments, LLC Bacara Resort & Spa Charles A. Black, Jr. Annette Blum The Eli & Edythe L. Broad Foundation Brotman Foundation of California Eileen & Harold Brown Mark Burnett & Roma Downey Capital Group Companies Celine Dion Foundation Valarie de la Garza & Michael Centeno City of Los Angeles Department of Cultural Affairs Shelley Wike Cranley Carole Bayer Sager & Robert A. Daly Dwight Stuart Youth Fund Susan & Mark Fleischer Four Seasons Fox Entertainment Group G.E. Foundation Gagosian Gallery Inc Gang, Tyre, Ramer & Brown, Inc. Patty Glaser & Sam Mudie Arthur Greenberg C. Curtis Grisham, Jr. Guy D. Gundlach * In Memory of Morrie Hazan HBO Films Eric & Samantha Heer Mellody Hobson InterActive Corp (IAC) Wendell & Bernice Jeffrey Joan Kaloustian Michael Kong & Anastasia Twilley Yvonne & Jason Lee Leo S. Guthman Fund Carla Malden Mona Malden Malibu Family Wines Susan & Peter Mallory Nancy & Michael McClelland Sandra E. Milken Hope Mineo & Jeffrey Kitchen Kenneth T. & Eileen L. Norris Foundation Northern Trust, NA Anna K. Nupson Occidental Petroleum Corp Christine Marie Ofiesh Lee & Lawrence J. Ramer Rollin Ransom & Chris Lacroix Readers Fine Jewelers Resnick Family Foundation Pamela Robinson Hollander & Robert Hollander Ronen Levy Events Loren Rothschild & Hon. Frances Rothschild Richard Ruskell The Vidal Sassoon Foundation Patricia & Stanley Silver The Simms/Mann Family Foundation Sotheby’s Fred Specktor & Nancy Heller Tanino Ristorante Steve Tisch Transamerica Insurance & Investment Group Union Bank W Fort Lauderdale Warner Bros. Entertainment Fred & Mary Willard William Morris Endeavor Entertainment Angela Wommack Ruth Ziegler Anthony P. Zinge

DIRECTOR

$5,000 — $9,999 J.J. Abrams & Katie McGrath Jehan F. Agrama & Dwora Fried Jack & Hilary Angelo Mara & Jonathan Blum

Bobcat Productions, Inc Linda & Jerry Bruckheimer Marcy Carsey & Leo Yoshimura Jo Champa Creative Intelligence Incorporated Larry & Sophie Cripe Bill & Kate In Honor of Blanch Schimmel John Dittmar DreamWorks Studios Fielding Edlow & Larry Clarke George Hoag Family Foundation Priscila Giraldo Gloria & Peter Gold Jay Gordon & Meyera Robbins Barbara Grenell Hachette Book Group Lynne & Michael Heslov Hilton Moorea Lagoon Resort & Spa Cindy & Alan Horn Vicki Iovine Dora & Neil Kadisha Mannon Kaplan Sally & Dr. Manny J. Karbelnig L & N Andreas Foundation Paul Lester Marlene & Sandy Louchheim Frank Mancuso Jr. & Kim Mancuso Barbara & Garry Marshall Todd M. Morgan Morgan Stanley Morris & Libby Singer Foundation Susan Bay Nimoy & Leonard Nimoy Pelican Hill Resort Kay & Bob Rehme Jane Rissman & Richard Sondheimer Monica & Phil Rosenthal Jay D. Roth & Sherry E. Grant Thomas L. Safran Steve Sauer Jody & Arthur Schmid Sidley Austin, LLP Simon Strauss Foundation Gussie Sitkin Sondheimer Foundation Sports Club/LA St. Regis Princeville Resort Tanaz Assil Jewelry Heather Thomas & Skip Brittenham David Tillman, MD & Karen Zoller, MD Miranda Tollman Tribune Direct U.S. Bank John & Marilyn Wells Rita Wilson & Tom Hanks Richard & March Wiseley Elena & Drew Zager Gail Zappa Ruth & Stan Zicklin

EDUCATION ADVOCATE $1,000 — $4,999

Anonymous (5) 23rd Street Jewelers Harry & Gay Abrams/Abrams Artists Agency Dr. Richard A. Ackerman & Miriam Shakter Janis Adams & John Lyons Joanna Adler Miriam Aguiar AIG Matching Grants Program Olga S. Alderson Richard Alonso Laura & Harvey Alpert Charitable Foundation Katherine Amber Amgen Foundation Patti & Harlan Amstutz John Antoni Margaret & Howard Arvey Avion Tequila Hank Azaria Shelli Azoff Badrutt’s Palace Hotel Brandon Bailo

D.C. & Carol Ann Bakeman Alec Baldwin Heather Barlow Robert E. & Maria H. Barron Mike Baxter Richard & Shelley Bayer Norman Beil Peter Benedek Patricia Benjamin Shelly & Libby Bergen Wendy & John Bergquist Jason Berk Helen Bing Caron Block Chancellor Gene D. Block & Mrs. Carol Block Pamela & Bill Bohnert Susan Booth The Bordy & Leibovic Families Jeff Borris Greg & Elizabeth Borrud Brenda & Alan Borstein Deanne Bosnak Brentwood Gardens Brentwood School Dr. Wallace P. Brithinee Robert Broder Carolyn & Gerald Bronstein Robert Brook & Jacqueline Kosecoff James Brooks Wendy & David Brotman Mr. & Mrs. Todd Brown & Family Ross G. Brown Michael Bunin Dianne Burnett & Joan Minerva Jason Calacanis Canine Companions for Independence Cliff Cantor Henry Capanna Chancellor Emeritus Albert Carnesale & Mrs. Robin Carnesale Dr. Fanya Carter & Dr. Harold J. Delchamps Jane Cates Josh Chait Lisa, Michael & Rachel Chalfin Frank Chiocchi & Jessica Rich Cirque du Soleil Laurel & Aaron Clark Jon Cohen Linda & John Coleman Lou Colen Terri Konheim Cooper Creative Brand Jeremiah Cuertas Nancy A. Cypert Daedalus Foundation, Inc Sandy Daneshrad Ruth Daugherty Shirley Lu & Norman Davidson Pam Dawber Sky Dayton Deluscious Cookies Dawn DeNoon Jonathan DeRosa Dr. Udayakumar Devaskar Vin Di Bona & Erica Gerard The Dillon Fund Nicolina Clark & Robert Dinlocker Carolyn Dirks & Brett Dougherty Dr. Laura’s Wholesome Junk Food Jan & Thea Drayer Steven Dubin Gerald & Sally Ducot Richard Duffy William Duncan Marilyn P. Dunn Rich S. Eisen Dr. & Mrs. Paul Eisenberg Colleen M. Ellis Terri & David Elston Kevin Watts & Christine Enlow Carl & Courtenay Enright Daniel Erickson Mica Ertegun Carol & J.B. Esterkin Bill Fagerbakke Mark Feldman

Alex Ferrari Fidelity Charitable Gift Fund Gloria & Morton Field Rabbi Harvey & Sybil Fields Randy & Steven Fifield Robert Finkelstein Eric Flamholtz & Yvonne Randle Joan & Charles Fox Steve Freedman Fresh Sarah Leonard Fine Jewelers Carol & Paul Frimmer Tomas Fuller & Bill Kelly Future Lighting Mike Gainey Sharlene & Sol Galper Kathleen Garfield Inez Gelfand Rick Genow Mr. & Mrs. Fereydoon Ghaffari Paul & Cheri Gienger Harry A. Gilbert Rose Gilbert Kiki & David Gindler Benita & Bert Ginsberg Cherna & Dr. Gary Gitnick Jackqueline Glass Charlotte Gold Dr. & Mrs. Lee B. Gold Dr. Irene Goldenberg Marion Goldenfeld Abner & Roz Goldstine Christopher Gorelik Adrienne Grant & Paul Jennings Green Dot Films Jack Grossbart & Marc Schwartz Allen Grubman The Guerin Foundation Aliza & Marc Guren Kathryn Hahn Monty & Marilyn Hall Audley Harrison Julian Hart Michael Hauptman Mr. & Mrs. William Hellman Mel & Faith Henkin David & Lisa Hernand Grant & Lysa Heslov Jean Himmelstein & David Coleman Dr. John D. Hofbauer & Dr. Laura E. Fox Mrs. Dorothy Hoffman Rand Hoffman & Charlotte Robinson Gail & Stanley Hollander Roger & Linda Howard Toni Hoyt Thomas Pryor & Vincent Imhoff Lynn Hunt & Margaret Jacob Terry & Marc J. Jacoby Joshua Jahnke Melina Jampolis Jerome & Linda Janger Jewish Community Foundation Paul Johansson Jack & Cindy Jones Mr. & Mrs. Vernon D. Jones Jordan Strauss Photography Joseph B. Gould Foundation Linda & David Kagel Mr. & Mrs. Bernard Kamine Michael Kane Karney Guren Family Foundation Sabrina Kay Charitable Foundation Patricia Keating Kelly Kellner Lenny & David Kelton Tamara Keough Shelah Kidd Chris King Barbara & Stuart Klabin Kent Klavens Joe Klemash Lisa Klingenberg Ron Kolar Leslie & Norman Koplof Hrag Kopooshian Thea & Neal Koss Wolf Kramer Carol Krause

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mona golabek in The Pianist of Willesden Lane

annual donors Krol Vodka Seth Krugliak Robin & Seth Kugler Eric & Melissa Kurtzman Helene & Arthur Laub Steven Lee Steve Lehrer Michael Lembeck Phyllis & Ken Lemberger Drs. Gerald & Barbara Levey Alan Levin Ed & Betsy Levine Carla & Rodney Liber Rodney Liber Mae & Hugh Lichtig Victor Lieberman John Liebes Steven & Nancy Lippman Steve Lipscomb Elisabeth Lipsman Kevin Lipton Judith Locke & Dennis Massie Mr. & Mrs. Kalman Loeb Jennifer LoPata Robert LoPata Karen & Frederick Lorig Lost Iguana Resort & Spa Marcia E. Williams & Gene Lucero Robert Luketic Meyer & Renee Luskin Neil L. & Ora D. Macfarlane The Jennifer & Greg Malins Foundation Gary Malouf Brian Mann Marie Marciano Eric G.C. Mark MarketCast Marlborough School Dan Marrow Paul Martino Max Mashour Lesia & William Maxwell John McCrite & Juan Lopez Janis B. McEldowney Sue McHugh & Herb Seese Mona Metwalli Barbara & Fred Miller Philip Miller Andrew & Laura Mintzer G2 Graphic Service, Inc. Dr. Kirstin Moerk, Mr. Neil E. Woodburn, Mr. Malcolm R. Down, Kenneth R. Johnson & In Memory of Larry G. Mathis MOCA Foundation Joanne & Joel Mogy Laurie & Chuck Mondrus Robert Moore Carol Moran Lowell M. Morgen Garry Morris & Kent Harrison Hayes David Morse Lon Morse & Toni Hollander Morse Rio & Frank Morse Kate Mowlene Benjamin & Hedy Nazarian Joan & Fred Nicholas Albert & Barbara Nichols Mike Nichols & Diane Sawyer Shelby Notkin Gerald & Gail Oppenheimer Steve & Judy Orich Pearl O’Rourke Guy Oseary Carol & Bill Ouchi Charles Pacheco London, Alex & Marty Padilla Laurie MacDonald & Walter Parkes Michael Parks & Judith Hayward Philip & Leslie Paton Jennifer Peltz Julie Piepenkotter Herbert & Marilyn Piken In Memory of Michael Piller Mitch Pindus Paula, Lauren, Nicole, & Joseph Pinhas Marilyn Pinzur Robert Pisano David Plastik Polachecks Peggy & George Polinger Jack & Jane Pollock Ruth Popkin Popland Studios Jeanne McDonald-Powers & Travis Powers

Pure Cheesecakes Richard Rasiej & Joan Herman Parviz Razavian Michele Reiner Donald B. & Susan F. Rice In Memory of Frances Richman Esther & Howard Richmond Linda & Manny Rider Beth Roberts & Warren Smith Doug Robinson James Roday Dolores Rogers Raymond Rogowski Susan Rose Brad & Nancy Rosenberg Kenneth & Rochelle Rosenberg Sue Weiss Rosenwasser & Joseph Sinay Todd Rubenstein Blanche & Bruce Joel Rubin Kathleen Hughes Rubin & Stanley Rubin Paula & Allan Rudnick Lawrence Rudolph Russ, August & Kabat David A. & Karen Richards Sachs Bob Safai Richard & Amber Sakai Daphna Salimpour Janet Salter In Memory of Hon. Maxwell Hillary Salter Mark San Filippo Barry & Nancy Sanders Wendy Schneider Schwab Charitable Fund In Loving Memory of Elayne P. Bernstein Schwartz Jonathan Schwartz Steve & Paula Schwartz Cynthia Sears Jed Seidel Michele & Peter Serchuk Andrew Shack Martin Shafer Tony Shalhoub & Brooke Adams George Shapiro Robert Shapiro Lowell Sharron John & Lori Shaw Traci Shelton Dora R. Sher Diane Sherman-Smith In Memory of Gordon A. Smith Sussan & Michael Shore Showtime Networks Inc Holly & Larry Shulman Rita & Jose Sigal Greg & Amanda Silverman Ron Silverman & Soraya Ross Dine with Nine Catering & Events SLS Hotel at Beverly Hills Lisa Smelkinson In Loving Memory of Arnold Smith Nancy & Victor Snider Randy & Susan Snyder Snyder Family Foundation Drs. Matthew & Marion Solomon Bruce & Patti Springsteen Jonathan St Clair Mitch & Sherry Stein Thomas & Lisa Stern Stephen Philibosian Foundation Roger Stoker Eric Strom & Eileen Goodis Aaron Stroud Eric Suddleson Sugarfish Alec Sulkin Kathryn & Mark Sullivan Elaine & Radoslav Sutnar Judd Swarzman Fred Tatasciore Family Anne C. Taubman & David Boyle John Teeples & Nicolas Martinez, Jr. Larry Tenan Audri & Stan Tendler William & Karen Timberlake Daniel Tongbai Jenno Topping The Lodge at Torrey Pines Kenny Tran Francine & James Travers Laura Trice, M.D. Larry Tull UBS Financial Services University Scholarship Foundation

Susan & Peter Van Haften Alan Van Vliet Stayce & Robert Wagner Peter & Denise Walsh Craig Ali Adam Ware David Weber David Weil Sander Weiner & Marcia Gilbert In Memory of Sylvia & George Weiner Joanne & Ken Weinman Adam Weiss Gelena & Seth Weissman Adrian Wenner Westin Kierland Resort & Spa Alison Whalen & Steven Marenberg Leslie White & Al Limon Sandy & Jon Willen Chris Williams Marcia Williams & Gene Lucero Winnick Family Foundation Fred Wolf Karen & Rick Wolfen Mimi & Werner F. Wolfen James Wong Ms. Patricia Youngman Yves Saint Laurent Andrew & Kimberly Zakanych Dean Zander Debra Zavala & Alpha Zavala Barbara & Stanley Zax Marcie & Howard Zelikow Ellen & Arnold Zetcher David & Ellie Zuckerman Adam Zwicker

ARTISTIC ADVOCATE $500 — $999

Anonymous (6) The Adams-Cohen Family Dale Adrion Geraldine & Harold Alden Nancy Antoniou The Paul Apel Family Steven D. Arias Barbara & Ethan Aronoff Bert & Ruth Arons Marc & Betsy Axelrod Lynne & Lee Babbitt Janet & Irwin Barnet Billie Baron & Edward Marcinko James W. Baugh Terry & Lionel Bell Karen Bell Laurie & Bill Benenson Joanne Benickes Carole A. & Charles Bennett Roger P. Berg Beverly Bierer Stu & Lucy Billet Adrienne & Michael Blackman Ronald & Jamie Blackstone Sherry Borkgren Frances & Les Boxer Robert Boyne Lionel Brown Janet & Mark Brown Dr. R.W.G. Bugental Marcia Burnam Bush Gottlieb Singer Lopez Kohanski Adelstein & Dickinson Bruce Carr Ms. Martha Chase Judy & Mike Fantasia Robert Cochran Donell Cohen Donald & Zoe Cosgrove Michael & Arline Covell Craft Los Angeles Patrick Cranley Valerie & Donald Cravitz Robert Cushnir & Perry Lewis Hedva & Dudley Danoff Sharon Darnov Diana Davidow & Deborah Constance Jeffrey S. Davidson Ruth B. Davis & Pearl Schultz Atum DeMonte Daniel & Gayle Devin Kevin & Elizabeth Dill James Dixon

Wil* & Glorya Dixon Suzanne & Bruce Dodds Carol Jean Doehring Jonathan & Susan Dolgen Fred & Marilyn Dorer Dee Dee Dorskind Daryl & Paul F. Doucette Anne Dougherty & David B. Dobrikin The Milton L. & Betty J. Dranow Family Foundation Doug Endicott Elizabeth A. Evans Exxon Mobil Corporation/ Matching Gifts Programs Earl I. Feldhorn Gladys Fellman Marjorie & Arthur Fine Sydney M. Finegold, M.D. Lisa Finkelstein Dr. Barbara Fish Meg Fisher Michael & Lynne Flynn Burt & Nanette Forester Lorraine Frankel Fran Fredella & Scott Rubin Lora Fremont Dottie Frieband Andrew & Jennifer Friedman Franky & Art Friedman Kenneth J. Friedman & Marilynn J. Friedman Family Foundation Gwen & Jacob Friend Sandy Gage Helena Galatolo Brian Gelt Charles Gerber Diane Glazer William & Charlene Glikbarg Richard & Lori Glucksman Francine Golden & Marvin Schlossman Louis & Linda Goldsman Good Works Foundation Lori & Robert Goodman Ellie Goodman Susie & Bruce Goren Gotta Have S’mores Julie C. Graham, Olivia C. Zeiden, Liam D. Zeiden Diana & Ronald Granit Carolyn & Bernard Hamilton Ms. Linda Hanada Robert Harding Kay Harrington Penny & Steve Held Murray & Gail Heltzer Neal Hersh & Lynda Klein Kathryn Hibbs Marion & Todd Hindin Steven Hochstadt Cina Hodges Kelley M. Hogan Dr. Sharron Holman Adrienne & Elliott Horwitch Robin Hursh & Family Harold & Evelyn Igdaloff Robert & Gail Israel Fred & Nancy Jacobus Nancy & Len Jacoby Steve, Alex & Emma Jaffe Trudy & Albert Kallis Susan & Greg Kay Mr. & Mrs. William Keast Nam Kim & Jeff Kateman Richard Kind Mr. & Mrs. William King Ann & Jonathan Kirsch Irwin Kishner Suzanne Klein Phyllis Klein Laurie & Milton Klorman Joe & Karen Knott Andrew Knox Jay Kogen Barbara & Stan Krasnoff Rodger & Jennifer Landau Joan & Christopher Larkin Jeanne & Christopher Lavagnino Larry Layne & Sheelagh Boyd The Lederer Family Alexandra Leichter Burton & Anita Levinson Lydia Levy Warren & Brenda Lincoln Mrs. Monte E. Livingston Steven Llanusa & Glenn Miya

Leslie & Adam Lobel Joe Lotruglio Vincent Lupo Michael Lynton Joann Magidow Messer Malibu Beach Inn Sacha Malin & Dori Levanoni Jeannette & Mervyn Mandelbaum Elizabeth Marcellino Ruth K. March & Family Mickey McDermott Dr. & Mrs. King M. Mendelsohn Regina Miller Jean Miyamoto Trudy Monro Susan Moore Bill Morino Gail Morino Caroline Moss Bill Mullins John & Sandy Murdock Max Mutchnick Sherri Nelson Andrew Newman Andy Newman Timothy Noonan Rick Nyholm Dr. Ronald & Iris Onkin Palace Head Foundation In Honor of Eunice, widow of Art Director Ross Bellah Mr. & Mrs. Herman Pass Donald Passman Naidu & Jane Permaul Fran & Bruce Peters Frank J. Pfizenmayer & Josh Brown Lisa Pierozzi Lou & Berta Pitt Lily & Rick Pollack Kevin Pollak Andrea Pourmoradi Gary & Gail Rachelefsky Edward B. Rasch Jeralyn Refeld Harvey & Joyce Reichard Timothy Reuben Ricki & Marvin Ring Carlene Ringer Richard Robertson Jill Schary Robinson Barbara & David Rognlien Marie Rolf Fred & Ronda Rose Ruth & Larry Rosen Linda & Marvin Rosenfeld Beverly & Melvin Rosenthal Joyce & Deane Ross Lori & David Rousso Joyce Hokin Sachs Nancy & Ted Sanborn Karen & Nathan Sandler Charlene & Victor Sands Susan & Kenneth Sarno Bonnie Saylor Malcolm Schneer & Cathy Liu Jane & Bill Schopf Mr. & Mrs. John Schumann Susan & Peter Schwab David & Margaret Schwanke Susan Schwartz Dr. & Mrs. Jack Schwartz Elizabeth & Justin Schwartz Rodolfo Segovia Diana Seidman Mildred Seigle Danelle Sherrod Yossi Sidikaro Carol & Arthur Silbergeld Robin & Robert Sills Dr. Leigh Silverton In Memory of Ross Hunter & Jacque Mapes Joseph Sinay Ms. Gerry Sinclair Martin & Leah Sklar Marcia L. & Mark J. Smith Karen Smits Trudy Sokol Melvin Spears Debra & Bruce Spector Roberta Spero Rita Spiegel Cori Steinberg Arthur Stern Sally Stevens

PErFORMANCEs MAGAZINE P13

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ANNUAL DONORS Mr. & Mrs. Robert Sugar Kayser & Renee Sume John & Eva Sutton Keith & Judy Swayne Mr. & Mrs. David Tann Robert Thompson Mr. & Mrs. Art Tompkins Joyce & Josh Trabulus Brigitta B. Troy Deborah Valdez Daniel & Shauna Valenzuela Katja van Herle Carole Wagner-Vallianos & Peter Vallianos Ira & Laurie Waldman Shirley Wargon Marcia & Dr. Charles Wasserman Seymour Waterman Elisa & Brad Wayne Annette Weil Roberta Weintraub Marsha & Steven Weiss Fred & Marlene Weissman Linda Wenglikowski Elayne & Walter Wentz Pat West Linda A. Wilson Herbert Wise Elaine & Donald Wolf Cherie Wrigley Karen & Frank Wurtzel Thelma & Sam Yellen Arnold Zane Lynn & Meir Ziv Sandy Zwirn

ASSOCIATE $250 — $499

Anonymous (7) Herbert Ehrmann & Constance Abell Jeffrey & Linda Abell Norman & Toshka Abrams Terry & Richard Abrams Drs. Helen & Marvin Adelberg Cathy & Alan Adelman Tamara Aden In Honor of the Birth of Leo Jacob Alexander In Memory of Malena Shladovsky John Alksne Helen Allan Charles & Annick Allen Sylvia Almstadt Arthur Alper Suzanne Altfeld Irving Anderson Robert C. Anderson Elise Andrews Philip Angerhofer & Stephen A. Jones Eloise Appel Charles & Kayatana Axelrod Ross & Lindsey Avner Deborah Baine Sheila & Raymond Bangs Lucia Barbaro Irene Baron Anne Barry Patricia Barry Cecile Bartman Ruthlee Becker Michael Bedner & Kathy Eldon Dawn & Marshall Bein Delores & Roger Berg Ellen Bergeron & Gary Ottoson Karen Berko-Gibson Bunny Wasser & Howard Bernstein Stuart Bernstein David Bilovsky Wesley Bilson Ava Bise Mr. & Mrs. Ronald Bitzer Marjorie Blatt Ruth & Jake Bloom Sandra Blum Ruth & Donald Blumkin, Pharm D. Frances & Thomas Booth Toby Bornstein Mary Boulware Paula Brand Helen Breitwieser & James Jacks Shelli & Bill Broder Dennis & Bobbi Brown

Susan & Roy Brown Gerald Buckberg Suzanne Budd & Vicki Dellaverson Allen & Carola Bundy Audrey Tawa & Jeffrey Burbank David Burke Arden Burstein & Todd Griffiths Laurie J. Butler Jon Byk Marlene & David Capell Andrew Carlberg Cindy Carlin & Jeff Rousso Jill Carmona Wilma Chung Ken Coelho Dr. Judy Cohn Elsbeth Collins Michael Collins Ira & Marsha Coron Susan Georgine Craig Sarah Daniels Jaye T. Darby & David Foster Eileen Dardick Joel Davidman & Cheryl David Julie & Don Davis Chris & Lindsey Deems Hal & Roberta Delevie Linda Levenson Delsack & Kurt Delsack Steven Deming Alan & Debbie Virginia DiBona Mr. & Mrs. Dennis Dietz Richard & Lauren Donner Drs. Don & Donna Dorsey Paul Dowling Susan B. Downey Mr. & Mrs. Ed Dreyfus Mr. Chris Easley Rachel & John Edwards Pat & Marvin Elliot Dr. Robert & Natalie Engelkirk Mauricio & Lidia Epelbaum Allan Erdy Lisa Erspamer Norma Lorene Evans Alan & Barbara Faiola Justice & Mrs. Robert Feinerman AnonyMoose Foundation Mimi Feldman Arnold Anderson & Conchata Ferrell Karen Fertman Abby & Malcolm Field Mrs. Eva Field William & Elisabet Fleischman Edward Flores Suzanne Follmer Charles Fonarow Janet Fourticq Glenn & Jane Fowler Joseph Francis Nadia & Ray Freed Barbara & Louis Friedman Norman Friedmann L.T. Friesen Ms. Laurelle Frome Yuri & Yelena Furham Kathy Garmezy Pamela Gerken EBS GGW Direct, LLC Laura Gibson Willie R. Gibson Glaceau Water David & Denise Goldberg Lorain Goldberg Sy Goldberg Marilyn & Allen Golden Dr. Peter Goldman Patricia Goldman Gene Goldstein Mrs. Mae Goodson L. Newton Goodwell In Memory of Eugene S. Goodwin Jo-Ann Gordon Mark Gordon Ruth & Alison Grabell In Memory of Jack Green Ruth & Steve Greenbaum Tiki Greenberg Feris Greenberger & David Dolinko Alan Greenstadt Pam Grissom Marcy & Edgar Gross In Loving Memory of Eileen Flood Jez Guito Eve Haberfield & David Johnson

Mary & Alan Halkett Peter E. Hall Evelyn & Nat Handel Cindy & Jason Harlem Ms. Tess Harper Ms. Arlene Harris Sheila Hasday Dr. & Mrs. Samuel Haveson Lois & Harold Haytin Irene Hazon-Argamany Ms. Marg Helgenberger Scott Shagrin & Dr. Jacqueline Heller Jackson Henry Carla & Alan A. Herd Robert Herman Diana & Joe Hilberman Karen Hill-Scott Cina Hodges Gail & Stanley Hollander Paula Holt Dale & John Hopmans Ada & Jim Horwich Carol Hove-Ahmanson Lonnie Levi Israel Craig Jacobson In Memory of Roger Javor Michael Jenkins Marcia Jindal Sherrill Johnson & Albert Moore Jewell Jones Daniel & Carolyn Jordan Nancy Josephson Kenneth & Roneet Kahan Seymour Kahn Ruth & Marvin Kalin Mark Kaluk Drs. Elaine & Jeff Kamil Joyce Kaplan Mr. & Mrs. David Kaplan Owen Kato Eleanor K. Kaufman Kevork & Cecile Keshishian David T. Kessler Shirlee Kessler Annette & Charles Kleeman In Honor of Leni Jane Knapp Judy Knapp Charles Kolstad Donald Kottler Howard & Vivian Krepack Janice White & Eugene Krieger Christina Kummer Hardt Carol & Richard Kurland Frumeh Labow Suzanne Lake Aleyne Larner Fawcett Jill & Michael Lasky Bill & Tiiu Jacobson Dr. & Mrs. Eric Leibovitch Ginger Leibovitz David & Karen Leichenger Betty & Ron Leiter Ann Leland Gail J. Levine Jeff & Joyce Levine Marla E. Levine Sheldon & Marion Levy Nan Lewis David Licht In Memory of Wee-Luang Lim Martha Lindberg Victor & Madeline Lindenheim Irma & Allen Lipin Lori & Tom Low Arlene Ludwig Dianne Lum Loris & Kory Lunsford Anne L. Lynch Liz Lytle Teresa L. Maguire Guillaume Maillet Mike & Millie Maloney Lynn Marks Don & Terry Maxwell Stewart Mayeda

David Israeli & Dr. Marie Mazzone Georgianna McBurney Diane & Dennis McCaustland Patrick W. McDivitt Cathy & John McMullen Betty & Estelle Mednick Barbara S. Meister Kimberly Meye Natalie Milani Susan Millis Pamela & Mark Mischel Amie Mitchell Allan M. Mohrman Jr. Andrew Molasky Michael Mooney Dion & Glynis Morrow Susan & Robert Morse Deborah Myman Bonnie Nash Drs. Ronald & Ariane Natale Dr. Deborah Natoli & Justin Natoli David Neilan Dena Nelson Sheila Newman Lillian & Joseph Nizinski Napoleon & Afra Nobay Elad Offer Robert & Monica O’Hagan Susan R. Opas PHD Mr. & Mrs. David Ostrove Allen Pack & Rikki Gordon Joseph Pannone Bob Paris Edward Parker Council Member Bernard C. & Bobbie Parks Tracy Parsons & Keith Grossman In Memory of Robert & Stephen Paskus Abhilash & Kelly Patel Dara & Greg Payne Michael & Leslee Perlstein Carol F. Phillips Phyllis Piano & Roy Jones Beverly Pine Dr. Ronald & Alyson Podell Gregory Poirier Ms. Kim Pompey Mr. David Posner Andrea Pourmoradi Michelle Prinvale Philip Pritchett Mr. & Mrs. Howard Privette Joan Ransohoff Edward B. Rasch Joan Redlich Harvey Reichard Mildred Reid Vicki Reiss Holly Rice & Vince Gilligan Linda & Steve Richman Ellen Riley David Robbins Mr. & Mrs. Avi Rojany Barry Rosen & Neil Bokal Lynne W. Rosenberg Janet & Lenny Rosenblatt Kathleen & Dale Rosenbloom Dr. & Mrs. James Rosenblum Brendan & Jill Ross Lawrence Ross & Linda Nussbaum Mishelle Owens Lisa M. Rowley Ms. Francoise Rozzell Terry Ryan June & Melvin Sattler Alice Sauls Maxine Savitz Marilyn Sayegh Carole & Michael Scheinberg Carole Scherzer Mr. Bernard Schiffer The Schifino Family Steven & JoAnna Schilling Gary & Karen Schneider Nancy & Steve Schneider

Stacy Schrier John Schwartz Arlene & Arthur Schwimmer Annette & Leonard Shapiro Dr. & Mrs. William Shark Thom & Judy Sharp Jill Shear Dorothy Shepherd Jeff Sherman Muriel F. Sherman Stacey Shieh Netta & Uri Shohet Jama & Gary Siegel Seymour & Dorothy Siegel Steven Siegel & Lilly Carey Chuck Simon Satori Communications Dr. & Mrs. Sylvain Smadja Diane Good & Frank Smith Dr. Jerry & Marci Smith James Smith Laura Snoke & Ed Orrett Joyce & Al Sommer Dr. & Mrs. Sidney C. Sperling Kalee St. Clair Mark Stankevich Roger & Jacqueline Stanton M.L. Stearns Ron & Elaine Stein Mr. & Mrs. Tom Stempel Joannie Stern Chambers Stevens The Stewart Family Trust Edith L. Stoell & Linda Gach Ray Sybil Stoller Arthur Streeter William Stringer Brian Studler Robin & David Swartz Amy Sweeney Lance & Maureen Tan The Tauber Family Troy Thompson Art & Judy Tompkins Judith Toscano Joan Townsend Jean & Hal Trifon Pia & Steve Vai Jane & Theodore Valentine Anthony Vasek Carol & Arnold Vinstein Andrew Kevin Walker Cory Walkey John J. Waller, Jr. Ann W. Wang Judge & Mrs. Joseph Wapner Berna Lynn Warner Marcia & Dr. Charles Wasserman Dr. George & Pat Watson Julie Waxman Louise Weber & Sean Lavery Julie & Peter Weil Paul J. Weiner Brian Weinstock Jackie & Fred Weintraub Donna & Jason Weiss Jacqueline Weitz Jessica Wen The Wexler Family Richard & Joyce Wickline John Willey Rae Jeane Williams David Wintroub Rowie & Jeffrey Wolf Pam & Leo Wyler Gene & Margaret Yates You Rock Guitar Mark Young & Patty Everett Carol & Kenneth Zelden Vicki Ziegel Mr. & Mrs. Mark Zimmerman Dayle & Abram Zukor *In Memoriam

Have we made an error? To report a misspelling or omission in these listings, please contact the Development Department at 310.208.6500 ext. 128

P14 PERFORMANCES MAGAZINe

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COMING UP AT THE GEFFEN PLAYHOUSE audrey skirball kenis TheaTer

kinross anneX SATURDAY 2:00PM

gil cates TheaTer

the flagship show Monday

tUesday

saturday scene theater for familes 2:00pm

story pirates the flagship show

8:00pm

the pianist of willesden lane

3 2 8:00pm

the pianist of willesden lane

8:00pm

the pianist of willesden lane

8:00pm

2:00/7:00pm

the pianist of willesden lane

2:00/7:00pm

the pianist of willesden lane

8:00pm

11 8:00pm

the pianist of willesden lane

8:00pm

good people

3:00/8:00pm

the pianist of willesden lane 3:00/8:00pm

good people

12 8:00pm

the pianist of willesden lane

3:00/8:00pm

the pianist of willesden lane 3:00/8:00pm

good people

8:00pm

the pianist of willesden lane

8:00pm

the pianist of willesden lane

25 8:00pm

the pianist of willesden lane

1 8:00pm

the pianist of willesden lane

8:00pm

the pianist of willesden lane

8:00pm

3:00/8:00pm

the pianist of willesden lane

2 8:00pm

the pianist of willesden lane

3:00/8:00pm

the pianist of willesden lane

26 8:00pm

the pianist of willesden lane

june 9

the pianist of willesden lane

8:00pm

8:00pm 8:00pm the pianist superior of donuts willesden lane

24 8:00pm

8:00pm

the pianist of willesden lane

8:00pm

2:00/7:00pm

the pianist of willesden lane

good people

extraordinary chambers 8:00pm

good people

2:00/7:00pm

gooddonuts people

17 2

2:00/7:00pm

the pianist of willesden lane

8:00pm

the pianist of willesden lane

good people

willesden lane 8:00pm

superior 8:00pm

satUrday

8:00pm

the pianist of willesden lane

extraordinary 8:00pm thechambers pianist of

8:00pm

good people

the pianist of willesden lane

8:00pm

2:00/7:00pm

good people

Friday

8:00pm

good people

9 8:00pm

2:00/7:00pm

the pianist of willesden lane

thUrsday

good people

may

11:00am

Wednesday

june

sUnday

3:00/8:00pm

the pianist of willesden lane

9 8:00pm

the pianist of willesden lane

3:00/8:00pm

the pianist of willesden lane

may 12

11:00am

a t-rex is loose!

Please note that talk back tuesday events are for Good People ticket holders. Please visit geffenplayhouse.com for more on signature series events.

PErFOrMANCEs MAGAZINE P15

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geffen playhouse staff Randall Arney Artistic Director

Ken Novice Managing Director

Behnaz Ataee General Manager

ARTISTIC

PRODUCTION

Mary Garrett Artistic Manager Amy Levinson Literary Manager/Dramaturg Phyllis Schuringa Casting Director & Assistant to the Artistic Director Shannon Noel Artistic Coordinator Kristina Leach Literary Associate Jen Fingal Literary Intern

Daniel Ionazzi Jill Barnes Matthew Carleton Rich Gilles James Grabowski Darren Rezowalli Leah A. Lewis

DEVELOPMENT

COMMUNICATIONS

Regina Miller Development Director Ellen Catania Director of Major Gifts & Corporate/Foundation Partnerships Jessica Brusilow Associate Director of Donor Relations Jamie Sherman Development Manager Liz Sellier Development Associate Scott Kriloff Development Assistant Benjamin Lowy Development Assistant

Allison Rawlings Chelsey Rosetter

EDUCATION Debra Pasquerette Education & Outreach Director Connor White Resident Teaching Artist & Education Associate Michael Faulkner Education Coordinator

ADMINISTRATION Frankie Ocasio Executive Assistant to the Managing Director Maryam Meehan Staff Accountant Janet Huynh Staff Accountant Marguerite Harris Receptionist

FACILITIES MANAGEMENT Miguel del Castillo Victor Cueva De Loera Mario Santillan-Perez

Facility Manager Maintenance Custodial

Frank G. Mancuso Chairman of the Board

Production Manager Associate Production Manager Technical Director Properties Master Sound Master Master Electrician Wardrobe Supervisor

Director of Communications Communications Coordinator

MARKETING & SALES Joseph Yoshitomi Marketing Director Karen Gutierrez Associate Marketing Director Mark San Filippo Ticket Services Director & Database Administrator Stephanie Strand Audience Services & Subscription Manager Brian Dunning Graphics / Production Artist Jodi Feigenbaum Advertising & Promotions Assistant Paul Millet Group Sales Janice Bernal Associate Box Office Manager Bryan Martin Associate Box Office Manager Janet Huynh Assistant Box Office Manager Korie Benavidez, Audrey Cain, Zack Hamra, Richard Martinez, Lilach Mendelovich, Ryan Sandoval, Martin Wurst Box Office Staff

FRONT OF HOUSE Jeni Pearsons Events Coordinator David Gerhardt Supervising House Manager Amy Farkas, Tommy French, Jessica Kummer, Kimberly Legg, Julianne Tveten, Zack Schultz House Managers Abdoulaye N’Gom Head Usher Hunter Bird, Michelle Cantrell, Adam Carr, Caroline Harrison, Lyndsi Larose, Rebecca Leigh, Nathaniel Meek, Katie Mitchell, Leah Munson, Lindsay Nyman, Erik Odom, Jonathan Schwartz Ushers

This theater operates under agreement between the League of Resident Theaters and Actors Equity Association, the union of professional actors and stage managers in the United States. The scenic, costume, lighting and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE. P16 PERFORMANCES MAGAZINe

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12 |13 sEASON THE TWO FOSCARI DON GIOVANNI

VERDI

MOZART

MADAME BUTTERFLY

PUCCINI

THE FLYING DUTCHMAN CINDERELLA TOSCA

6 PRODUCTIONS NEW TO LA!

WAGNER

ROSSINI

PUCCINI

AND

RENÉE FLEMING AND SUSAN GRAHAM IN RECITAL PRESENTED IN PARTNERSHIP WITH LA PHIL

greater than

the sum of its arts

REBECCA ROTENBERG

213.972.8001

33-37_SHOPPING_PLA 0512.indd 33

LAOpera.com

PLÁCIDO DOMINGO ELI AND EDYTHE BROAD GENERAL DIRECTOR

JAMES CONLON RICHARD SEAVER MUSIC DIRECTOR ofﬁcial timepiece of la opera

4/11/12 10:19 AM

Scapin Pee Your Pantaloons

SPENDING TIME

intheshops

Also playing in 2012

June 21 — October 20

The Merry Wives of Windsor Mary Stuart Titus Andronicus Les Misérables To Kill a Mockingbird Hamlet Stones in His Pockets Brigade L.A. downtown

800-PLAYTIX www.bard.org

The recession certainly slowed downtown’s momentum, with marquee developments such as the Frank Gehry-designed Grand Avenue project put on hold. But others, such as the Broad Art Museum—with a stunning Diller Scofidio + Renfro design that will rival even neighboring Disney Hall—and the flashy, light mural-clad Wilshire Grand development are still moving ahead. On suddenly bustling Seventh Street, west of the Jewelry District, one of the new hot spots is Brigade L.A. Owner Kuo Yang describes his boutique as a slice of Robertson Boulevard in downtown. Stepping through its doors, it’s hard to argue with that characterization or to think that it is somehow out of place on this stretch of Seventh Street. But when you consider rows of vibrantly colored macarons and elegant gold-leafed chocolate tarts in display cases at Bottega Louie’s a few doors down, you realize how much this block has changed. Sophisticated-looking Soi 7 Thai eatery and the futuristic Neihulé salon, next door to Brigade, offer further evidence. Yang, whose background is in marketing, has created a brilliant white space with a contrasting black ceiling from which hangs a trio of dramatic black crystal chandeliers. A couple of flamboyant Hollywood Regency

34 PERFORMANCES MAGAZINe

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chairs complete the look. In the rear is an area with seductively lit shelves showcasing shoes that suit the theatric ambience. Adjoining are three dressing rooms with as much attention paid to aesthetics as to function. Yang explains that his clientele is composed of several distinct segments. “On a given day we might have 25 customers from out of the country—Germany, Russia, New Zealand, China— then the next we might have lots of students from USC and FIDM [Fashion Institute of Design & Merchandising],” says Yang, noting that there’s a steady stream of professionals from the Financial District and growing numbers of downtown residents. Committed to the center-city renaissance, he explains that the gentrification makes it more attractive for Westsiders to venture downtown. Yang pegs his clients as “chic, confident and centered.... We’re not too far right or too far left.” As for Jeffrey Campbell’s Night Walk shoes—outrageously curvaceous, with 6-inch heel and 2-inch platform in glitter or crimson suede—he says, “You have to be bold to wear those—they are very Gaga.” From Alice + Olivia, a sleeveless, blouson-style Rosie Godet minidress ($367) with a slightly flared skirt provides a layered, flirty look in fuchsia-colored silk. Washed lamb leather jackets from British brand Muubaa range from $300

TAIX_1-6h.pdf

7/22/11

11:50 AM

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Open Late Wed-Sat ‘til 1:00 am

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www.taixfrench.com

PERFORMANCES MAGAZINe 35

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world-class performances

to $600. These ultra-soft zippered jackets in intriguing colors such at the valley performing arts center as subtle grape and mauve are supple flatteringly tailored. ItÕ s never too lateand to take While some items are aggresIANO sively ESSONS fashion-forward, others are tame and office-friendly, such as dresses from Diane von Furstenberg or Milly by New York’s Michelle Smith; Yang refers to Smith’s smartly tailored items as “very Breakfast at Tiffany’s.” ANNOUNCING OUR NEW BOOK! Footwear includes Melissa for Westwood; its plastic U N UPPPPEERR H HAAVivienne ND DSS PPIIA AN NO O:: Lady Dragon Heart line features A METHOD FOR outlandishly bold hearts on the ADULTS 50+ toes. There’s denim from J Brand TO SPARK THE MIND, Barbara Cook and Current/Elliott, the latter HEART SOUL and leopard prints in & polka-dots The Acting Company The Acting Company Julius Caesar* The Comedy of Errors* AVAILABLE ON ($198). With far OUR WEBSITE : less fabric—7 Tue., May 1 • 8:00pm Sat., May 5 • 8:00pm inches long including frayed Wed., May 2 • 8:00pm Sun., May 6 • 3:00pm UpperHandsPiano.com hem—are highly distressed One Stars of the Russian Ballet John Pizzarelli Quartet • Fri., May 4 8:00pm and Jane Monheit Teaspoon denim shorts, playfully 310.384.8042 Sat., May 12 • 8:00pm by Aussie G A ILIdubbed S C H OETrashwhores, N Barbara Cook *Performances take place in the designer Jamie Blakely. Plaza del Sol Performance Hall Sat., May 19 • 8:00pm Among accessories at the boutique are House of Harlow jewelry and handbags from the hot ValleyPerformingArtsCenter.org Dutch line of Vlieger & Vandam, twitter.com/VPACatCSUN facebook.com/ValleyPerformingArtsCenter many of which are embossed with the less-than-subtle, full-scale outline of a pistol. You’ll also find VPAC_Performances_Ad_0512_rev.indd 1 3/23/12 11:29 AM ItÕ s never too late to take ANNOUNCING OUR NEW BOOK! iPhone cases ($125) from Lucien Elements, whose eye-popping IANO ESSONS U UPPPPEERR H HAAN ND DSS PPIIA AN NO O:: colors and Swarovski crystals will A METHOD FOR get you noticed even if your 7-inch ADULTS 50+ heels or shorts don’t. TO SPARK THE MIND, —Joseph LeMoyne

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Causa at Picca

Lima, Peru, is suddenly one of the world’s hottest culinary capitals. Its distinctive cuisine reflects eclectic influences from Spain, Japan, China, West Africa and even Italy. The natives harvest hundreds of varieties of potatoes from the Andes and net exotic seafood from the country’s 1,500-mile Pacific coast. With Picca, Peruvian cooking in L.A. has finally moved from mom-and-pop eateries onto the trendy Westside dining scene. Picca is the second L.A. restaurant of Peruvian chef Ricardo Zarate, who wowed diners at Mo-Chica, a cult favorite on downtown’s edge. Far more ambitious Picca is a sleek, two-level restaurant with soaring ceilings and rustic wood tables lined along smoky mirrored glass panels etched with definitions of Peruvian culinary terms such as ceviche or causa. A bar is jammed with a fashionable crowd sipping pisco sours; a marble counter attracts solo diners or couples enjoying a view into Zarate’s open kitchen. The menu of small, shareable plates is extensive; servers well versed in Zarate’s dishes provide valuable guidance. Three to four plates per person are appropriate. The antichucos (yakitori-like skewers) tend to be smaller, the stews larger and heavier. Nobu Matsuhisa was the first chef in L.A. to introduce Peruvian influences into his sushi menu; it’s no surprise to 38 PERFORMANCES MAGAZINe

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see Zarate return the favor with Japanese influences at Picca. In fact, much of Zarate’s restaurant experience, in both London and L.A., has been at Japanese venues. The best Japanese-influenced options are the tiradito dishes, in which sashimi-like slices of tuna or sea bass are treated with Peruvian love. The pristine, ultralight sea bass is bathed in a soy-lemon sauce with very mild heat, crowned with a dollop of sweet-potato mash and sweet-potato crisps. Tuna tartare and sushi-like items called causas, with potatoes standing in for rice, are also offered. Artfully plated and treated with delicacy, some of these dishes will make you forget your favorite sushi chef for a while. Naturally, traditional Peruvian dishes such as ceviche and papa a la huancaina are available. The latter is presented as an antichuco, skewers of potatoes and quail eggs draped with a velvety cheese sauce that reappears on other dishes including a snow crab causa. Other antichucos include black cod, beef with sea urchin butter and garlic chips, and traditional beef hearts with spicy walnut pesto. Chicharrón de costillas (crispy pork-rib chunks) are piled on baguette crostini with sweet potato puree, feta cheese sauce and salsa criolla (onion garnish). A French influence appears in duck confit nestled in a bowl of cilantro rice. As with any good duck confit, the meat pulls right off the bone, and this version’s black

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beer sauce adds an earthy note. Quinoa is offered not because it’s trendy in L.A., but because it’s the “mother grain” of the Incas. Laced with Parmesan and studded with pumpkin, corn and tomato, it makes an addictive stew topped by a fried egg. Three bay scallops, in their shells and perched atop mountains of decorative sea salt, are layered with spinach, covered with Parmesan and gratinéed, suggesting oysters Rockefeller—not particularly Peruvian, but the salty, gooey experience is hardly unwelcome. The moderately priced wine list features selections from Argentina, Chile and Spain; the bar does a marvelous job with Peruvianinspired cocktails, from concept to execution and presentation. Finish with a trio of churros filled with a pastry cream flavored with lúcuma, a tropical South American fruit, or a pisco-infused vanilla-bean flan served with a fire-roasted, brandied strawberry and dulce de leche. It’s hard not to like what Zarate and company have done at Picca. There’s something for everybody on the talented chef’s expansive, playful menu. It’s worth reporting, by the way, that downstairs in the very same building is another notable new restaurant, the unpretentious but impressive Sotto, known for stellar pizzas. —Roger Grody

Picca 9575 W. PICO BLVD., L.A., 310.277.0133, PICCAPERU.COM 4/4/12 10:43 AM

4/11/12 10:13 AM

>ELFMAN’S IRIS, CoNtiNuEd FroM pAgE 14

by 85 players. Elfman estimates there is 80 to 85 minutes of music, and just a few minutes of downtime. It’s not just Elfman’s film pedigree that made him the ideal choice as Iris composer. He started out as a violinist with a French avantgarde theater troupe, Le Grand Magic Circus. Later, in Los Angeles, he was, of all things, a street-performing fire breather—as Cirque founder Guy Laliberté had been in Montreal—in his brother’s multimedia theatrical revue, The Mystic Nights of the Oingo Boingo. Though Iris incorporates familiar film genres—musicals, gangsters, science fiction, westerns—composing for it differed from a film. “In a movie, I have something to look at. I respond to something I’m seeing. Here, there were just drawings—no movement,” says Elfman, whose influences include Bernstein, Gershwin, jazz and world music. He consulted with Iris writerdirector Philippe Decouflé but initially “started writing with no understanding of how it would fit in.” Elfman then watched acrobats and dancers and “got a sense of why what I wrote was not working. Every group had something they needed to get the most from their performance.” He coordinated with acrobatic performance designer Shana Carroll to determine each act’s requirements: for the male aerial straps duo, more masculine music, for the hand-to-hand balancing performers “something almost mechanical- >CoNtiNuEd oN pAgE 47 PERFORMANCES MAGAZINe 41

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May 10 – June 10, 2012

EAST WEST PLAYERS

TIM DANG, PRODUCING ARTISTIC DIRECTOR WITH GENEROUS SUPPORT FROM THE

S. MARK TAPER FOUNDATION ENDOWMENT FOR EAST WEST PLAYERS PRESENTS

WINE WORTH TASTING

onthevine

Music and Lyrics by

Stephen Sondheim Book by

Hugh Wheeler Directed by

Tim Dang Musical Direction by

Caroline Su Choreography by

Reggie Lee Orchestrations by

Jonathan Tunick

A white-wine glass, not a flute, is best for bubblies

Ingmar Bergman

Originally Produced and Directed on Broadway by

Harold Prince

East West Players The Nation’s Premier Asian American Theatre

www.EastWestPlayers.org (213) 625-7000 David Henry Hwang Theater 120 Judge John Aiso Street in the Little Tokyo district, downtown L.A.

A LITTLE NIGHT MUSIC is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684

If you’ve ever dined at a mom-and-pop Italian restaurant, you may have sipped wine from a jelly jar. It’s not always about the wine. Sometimes it’s the experience—in this case, a rustic, Old World experience. For sheer elegance, on the other hand, it’s hard to beat sipping Champagne from a delicate crystal flute. The experience can be everything when it comes to wine, elevating what’s in the glass if the experience is positive, or destroying the wine if the experience strikes an off note. Here are three simple things anyone can do that can take the wine-tasting experience to another level: 1) “Season” the wine glasses. I learned this on an early trip to Italy. Stemware, no matter how carefully stored, can pick up off-putting aromas from kitchen or pantry. You cannot detect these smells without poking your nose into each glass, which might annoy those at the dinner table. To solve this problem without resorting to the time-consuming practice of polishing the crystal before company arrives, simply pour a splash of the wine into one glass and give it a vigorous swirl. Then pour the splash of wine from the first glass into the second and repeat, then the third glass, and so on, until each glass has been rinsed with the wine you will serve.

ISTOCKPHOTO.COM/MARCO TESTA

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“Seasoning” the glasses is easy and effective; it also adds dramatic flair to the dinner service. 2) When serving fine Champagne or above-average domestic sparkling wine, avoid Champagne flutes, no matter how elegant you think they are. Better bubblies have subtle aromas and textures that are utterly lost when served in a flute-shaped glass. The more common practice in the Champagne region is to serve the better bubblies in a white-wine glass, which allows for swirling, which will accentuate and bring up the flavors and aromas that would be missed in a traditional flute. You might be surprised at how full and rich the bouquet is in a glass of Champagne liberated from the straitjacket of the flute. 3) Take care to serve your wine at the proper temperature. White wines need not be ice-cold, and red wines need not be “room temperature,” particularly if the room is 70 degrees or above. White wines such as chardonnay or Rhone blends are more expressive when served cool rather than cold. Warm red wine can be flat, tannic, alcoholic, bitter or all of the above. A few minutes in an ice bucket will make a world of difference, particularly with lighter reds. Of course, if all you can muster from the pantry is a jelly jar and a bit of wine from a box, that’s OK, too. It’s just a different experience. —Robert Whitley

Rose Tree Cottage A Regal English Afternoon Tea by reservation

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626-793-3337

•

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ACCESSORIES FOR LIVING

Tuesday–Saturday May 29–June 2, 2012

home

Join us when 15 of the finest young classical guitarists on the planet converge on Malibu for this thrilling competition with $65,000 in cash awards at stake. The excitement culminates in the final round on Saturday, June 2, when the three finalists perform with the Young

Haus Interior on Third Street

Musicians Foundation Debut Orchestra.

Final Round and awaRds CeRemony saturday, June 2 7:30 pm $70 • $60 • $40

Smothers Theatre, black tie optional

To order tickets, please call

310.506.4522 or visit

arts.pepperdine.edu

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Haus Interior shares a busy block of West Third Street with popular breakfast joint Toast, Indian eatery Electric Karma and William B + Friends mobile boutique. Shaded by an elegant gray awning, the small space is a new West Coast companion—approachable and fun—to young designer Nina Freudenberger’s Haus Interior in SoHo. Munich-born, Long Island-bred Freudenberger, 32, created Haus to ﬁll a niche in the affordable interior decor market. “I think it’s really important that high design does not exclude people based only on price point, and the store is my answer to that,” she explains. “Typically, the Haus Interior customer is quite knowledgeable about interior design and is excited to see our affordable prices matched with quality materials,” explains the entrepreneur. Once inside the narrow, glass-ensconced storefront, shoppers are confronted by a seductive space bathed in varying shades of gray. One long wall is covered with floor rugs that make unique wall hangings, another with more conventional art. Tables neatly cluttered with objets d’art and books are illuminated by stunning chandeliers composed of clusters of glass globes pierced by perforated nickel cylinders. The rugs, from Dwell

4/2/12 1:22 PM

4/11/12 10:05 AM

Charles Fox and Friends present

Studio, skew toward grays and browns, dominated by stripes and other geometric patterns. Eightby-10-foot rugs range in price from $450 to $850, which, like most of the merchandise, is quite reasonable. While many showrooms on Third, Beverly and Melrose cater to the affluent, Haus actually accommodates people who live in studio apartments or drive Toyotas. Furniture leans toward northern European midcentury, such as the sleekly styled Jensen chair ($1,725) whose winglike arms and timeless design are best matched by earthtone linen upholstery. The furniture can be customized to suit any taste, with delivery in six to eight weeks. Paying homage to the same place and time are the Cooper chair, with exaggerated wings at ear-level, and a tufted but clean-lined sofa with wooden legs. These items are ideal for a contemporary loft space but with the right accessories could complement more vintage settings. Nautical rope is woven into a casual ottoman ($275), and French oak is paired with vintage brass to create a trilevel, cross-structured Crosby library table ($1,020) reflecting midcentury Italian design. There’s an incredible abundance of interesting accessories that suit young professionals craving affordable style. For no more than $50, a couple can take home a doorstop crafted from the same nautical rope as the ottoman, an 11-inch Scandinavian glass carafe with spherical wooden stop, or a set of dazzling

The Songs of Our Lives volume v

a Concert to Benefit

Please join the Fulfillment Fund for an exclusive evening of music featuring performances by:

BURT BACHARACH

What the World needs now is love (Jackie deshannon) Raindrops Keep Fallin’ On My Head (B.J. Thomas) • Alfie (Dionne Warwick) do You Know the Way to san Jose (dionne Warwick) This Guy’s in love With You (herb alpert)

Kenny “BAByfACe” edmonds

When Can I See You (Babyface) • I’m Your Baby Tonight (Whitney Houston) I’ll Make Love to You (Boyz II Men) • Don’t Be Cruel (Bobby Brown)

ARTHUR HAmILTon

Cry Me a river (ella Fitzgerald; Barbra streisand) Sing a Rainbow (Peggy Lee) • He Needs Me (Peggy Lee)

seRGIo mendes

Real in Rio • The Fool on the Hill • Scarborough Fair • Mas Que Nada

BILLy sTeInBeRG

Like a Virgin (Madonna) • True Colors (Cyndi Lauper) So Emotional (Whitney Houston) • Eternal Flame (Bangles) Other great songwriters/performers to be announced!

Tuesday, May 22, 2012 • 7:30 p.m. Geffen PLAyHoUse - GIL CATes THeATRe

(Proceeds from this event do not benefit the Geffen Playhouse) For sponsorship packages and to purchase tickets please call (323) 900-8761 or www.fulfillment.org/concert

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4/11/12 10:05 AM

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Watch as actors and intricate sets magically transform into life-size masterpieces of living art...right before your eyes! For tickets PageantTickets.com Nightly July 7-August 31 • Tickets start at just $15 Ask about group rates • For info call 800-487-3378 ©2012 Festival of Arts. A non-profit organization. Proceeds support the Arts.

hand-painted birch place mats from L.A.-based Wolfum, a venture of designer Annabel Inganni. Other modestly priced decorative items include hand-woven baskets, hourglasses and reclaimed industrial lightbulbs—the ornate ﬁlaments no longer glow—on walnut bases. The bulbs, which beg contemplation of their former utility—make fascinating paperweights or conversation pieces, especially when juxtaposed with 21st century technology. Compelling wall hangings include circular mirrors with iron frames ($410) that hang by leather straps from a polished nickel stud, and a series of 8-inch-square paintings ($175 each) by Marie Freudenberger, the owner’s mom. Every miniature canvas is brushed in complex blue or aqua hues, each inspired by the color of the ocean at a different place and time. The location (e.g., Malibu, Long Beach) and the weather conditions are recorded on each, and when half a dozen or more are lined up in a row, column or matrix, they create an intriguing study of the Paciﬁc. For bigger budgets, Haus carries images by San Francisco-based photographer Michael Light, whose favorite subjects include the City of Angels and whose preferred perspective is from the clouds. An aerial nighttime shot of the Golden State Freeway ($2,500) is spectacular. —Roger Grody

Haus Interior

8211 W. THIRD ST., L.A., 323.951.0151, HAUSINTERIOR.COM

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>ELFMAN’S IRIS, coNtINUEd FroM pAgE 41

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sounding, with a snap to it.” The orchestral score was recorded in sections to give the live musical ensemble latitude within each performance. Those musicians are in theater boxes stage right and left, where they can see the action on stage and get cues from interim music director Seth Stachowski. “We have to be a little more flexible,” says Stachowski, who plays keyboard, alto sax and clarinet. “If someone gets injured, or misses or repeats a trick, we may have to go shorter or longer or skip a section. An act isn’t going to be the same number of measures every day.” Visit us in celebration of Stachowski cues his colleagues verour anniversary here in bally via their own sound system the Pasadena Playhouse and controls playback of the score. District. The performers also adjust You will not want to miss their tricks to accommodate the a fine selection of suits, music, says cellist-keyboard player sports coats, trousers, Amanda Zidow. “They know ... that leathers and accessories they have to follow the music and at 1/2 off the original get to a certain part.” Zidow’s Iris price! audition was memorable: After submitting two rounds of tapes, she 589 E. Green St. at Madison 626.578.7382 was interviewed by and performed Pasadena, CA 91101 Piscitelli2@aol.com for the Montreal casting panel— from her L.A. living room via Skype. The musicians stay focused on PLA_mpiscitelli_0412v2.indd 1 2/29/12 the stage, where risk of artist injury heightens awareness and adrenaline. The emotion evoked by the performers’ physical feats, Zidow says, infuses her own performance. Elfman agrees: “This show really is human. The heart and soul of this ensemble is so remarkable. The intensity and commitment of what they do inspired me.”

1/2 off

2:34 PM

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THE HunTingTon, SAn MARino / PHoTo by Edwin SAnTiAgo

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