Performances Magazine | La Mirada Theatre, November 2024

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P1 Program

Cast, performances, who’s who, director’s notes and donors

6 In the Wings

Once Upon a Mattress at Ahmanson Theatre; Paper and Light and Exploring the Alps at the Getty; year-end events with Los Angeles Master Chorale at Walt Disney Concert Hall.

12 Have Instrument, Will Travel ... Carefully

When visiting musicians play a recital or solos with an orchestra, chances are they travel with their prized violin or cello. That journey is easier said than done

16 Paris via Tokyo

New Camélia, from the owners of Echo Park's beloved Tsubaki, combines the best qualities of a French bistro and Japanese izakaya in downtown's Arts District.

32 Parting Thought

Performances’ program platform for shows and concerts can be accessed from any digital device.

PUBLISHER

Jeff Levy

EDITOR

Benjamin Epstein

ART DIRE CTOR

Carol Wakano

CONTIBUTING WRITERS

Roger Grody, Sherry Stern, Caleb Wachs

PRODUCTION MANAGER

Glenda Mendez

PRODUCTION ARTIST

Diana Gonzalez

ADVERTISING DIRECTOR

Walter Lewis

ACCOUNT DIRE CTORS

Kerry Baggett, Jean Greene, Liz Moore

CIRCULATION MANAGER

Christine Noriega-Roessler

BUSINESS MANAGER

Leanne Killian Riggar

MARKETING/ PRODUCTION MANAGER

Dawn Kiko Cheng

DIGITAL PROGRAM MANAGER

Audrey Duncan Welch

DIGITAL MANAGER

Lorenzo Dela Rama

Contact Us

ADVERTISING

Walter.Lewis@ CaliforniaMediaGroup.com

WEBSITE Lorenzo.DelaRama@ CaliforniaMediaGroup.com

CIRCULATION Christine.Roessler@ CaliforniaMediaGroup.com

HONORARY PRESIDENT

Ted Levy

For

Phone: 310.280.2880

Fax: 310.280.2890

Visit Performances Magazine online at socalpulse.com

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WESTSIDE BALLET OF SANTA MONICA PRESENTS

A Celebration of Music ON THE DANUBE

Experience the rich musical heritage of the “Blue Danube” with an array of included excursions on AmaWaterways’ Celebration of Music river cruises. Walk in the footsteps of renowned composers during guided tours in Budapest and Bratislava. Visit the historic Mozart residence in charming Salzburg and find inspiration during an evening of live music at one of Vienna’s elegant venues.

Contact your travel advisor or scan the QR code for dates and details.

MAKING LIGHT OF LOVE

FAIRYTALE MUSICAL COMEDY

Once Upon a Mattress, an update of Hans Christian Andersen’s The Princess and the Pea, brings catchy melodies such as “Shy” and “In a Little While” and new delights to the Ahmanson Theatre Dec. 10-Jan. 5. The show comes direct from Broadway, where The New York Times variously described it as “zany,” “joyful” and “ebullient.” Sutton Foster, two-time winner of the Tony Award for Best Actress, stars as Princess Winnifred alongside Michael Urie as

Prince Dauntless and Ana Gasteyer as tyrannical Queen Aggravarian. Winnifred, who goes by Fred, is a free spirit loose in a repressed medieval kingdom, which she charms and transforms through willpower and honesty and a little help from her friends; legendary comedian Carol Burnett originated the role in 1959. The new adaptation by Amy ShermanPalladino (The Marvelous Mrs. Maisel) is directed by Tony Award-nominated Encores! artistic director Lear deBessonet (Into the Woods). 135 N. Grand Ave, downtown, 213.628.2772, centertheatregroup.org

Cast of Once Upon a Mattress

Olafur Eliasson

Image: Olafur Eliasson, Kaleidoscope for plural perspectives, 2024; Installation
view: Studio Olafur Eliasson, Berlin; Photo: Studio Olafur Eliasson; Courtesy of the artist; Tanya Bonakdar Gallery, New York/Los Angeles; neugerriemschneider, Berlin © 2024 Olafur Eliasson
Presented by

Of Light and Height

ARTISTS HAVE FOR CENTURIES explored the interaction of paper and light. Paper and Light, an exhibition of drawings at the Getty through Jan. 19, charts innovative ways in which the two media were creatively used together. Works include the Museum’s extraordinary 12-footlong transparency by Carmontelle— essentially an 18th-century motion picture—which will be shown lit from behind as originally intended. Drawings by more contemporary artists including Vija Celmins will

join sheets by Tiepolo, Delacroix, Seurat, and Manet to explore representations of light and themes of translucency. Opening Nov. 12 at the Getty: Exploring the Alps. Giovanni Segantini’s monumental pastel study for “La Vita,” depicting the peaks that ringed his home in the Engadine Valley in Switzerland, highlights different ways in which later 19th-century artists depicted the region. 1200 Getty Center Drive, L.A., 310.440.7300, getty.edu

Edgar Degas, Après le bain (Femme s’essuyant), pastel on paper on board, about 1886. Top: Bisson Frères, Ascent of Mont Blanc, albumen silver print 1860.

LIGHTSCAPE AND SONG

LOS ANGELES MASTER CHORALE brings the year to an end with a flurry of engagements at Walt Disney Concert Hall. Nov. 16, in collaboration with the Los Angeles Philharmonic, Marciano Art Foundation and artist Doug Aitken, innovative multimedia artwork Lightscape has its world premiere under the baton of Master Chorale director Grant Gershon; the feature-length event is part of the region-wide PST Art: Art & Science Collide and the L.A. Phil’s daylong festival Noon to Midnight: Field Recordings Other engagements include All You Need Is Love | L.A. Sings!, a mega singalong Nov. 10 led by Gershon with Muse/Ique director Rachael Worby, the Festival of Carols on Dec. 7, HandelMozart Messiah Dec. 15 and Messiah Sing-Along Dec. 16. 111 S. Grand Ave, downtown, 213.972.7282, lamasterchorale.org

CHORAL
Still from Doug Aitken’s Lightscape. Below, Festival of Carols

WHAT'S A DAF? IT'S A WAY TO GUARANTEE YOUR GOOD INTENTIONS.

A DONOR ADVISED FUND, a DAF, is like a charitable checking account. You can use it to recommend grants to the charities you select, Jewish or otherwise. It’s affordable, user friendly and maximizes your philanthropic impact.

Our name tells our story. We’re the Jewish Community Foundation of Los Angeles. We can help guide you through strategic planning and explain the tax laws clearly.

With over $1 billion of assets and 1400+ client families, we’ve helped people like you develop tax e ffi cient charitable accounts for more than 70 years, like a Donor Advised Fund. You can use it to support numerous nonprofits, including those providing emergency relief for the crisis in Israel.

Connect with us. It couldn’t hurt.

jcfla.org

This year, come home to the Jewish Community Foundation.

Have instrument,

will travel . . . carefully ‘H

When visiting musicians play a recital or solos with an orchestra, chances are they have to travel with their prized violin or cello. Making that journey is easier said than done. / BY SHERRY

OW DO YOU GET TO CARNEGIE HALL?” goes the old joke.

“Practice, practice, practice” might be the punchline, but in reality the answer for musicians is complicated, challenging, and quite serious.

Whether going to that storied New York venue or to any other concert hall in the world, a player arriving at a performance likely brings along a beloved and often valuable instrument.

Margaret Batjer, Los Angeles Chamber Orchestra concertmaster and a member of the Los Angeles Piano Trio

FIND YOURSELF IN CHERISHED COMPANY.

“There’s stress every single time I travel,” says Margaret Batjer, concertmaster for Los Angeles Chamber Orchestra and a member of the Los Angeles Piano Trio.

Batjer owns a violin made in 1685 by Italian luthier Nicolò Amati that was later repaired or rebuilt by Amati’s apprentice, fabled violinmaker Antonio Stradivari. Wherever Batjer goes, she carries her Amati-Strad.

Musicians have a unique connection with their instruments, she explains.

“You’re not the owner of these instruments, you’re the custodian,” she says. “These instruments are going to be passed on for generations. My violin is really, truly like a part of my family.”

If there were any doubt about her relationship with her Amati-Strad, Batjer recalls the day in 1988 when she happened upon the instrument in London and knew within minutes it had to be hers.

“After trying it, I went back to the hotel. My husband looked at me and said, ‘Oh my god, you’ve fallen in love.’”

When flying to a performance, Batjer pays extra to be in the first group to board the plane so she can secure prime

LA MIRADA THEATRE FOR THE PERFORMING ARTS and McCOY RIGBY ENTERTAINMENT present

JASON ALEXANDER

Based on the Sholom Aleichem stories by special permission of Arnold Perl

Book by Music by Lyrics by JOSEPH

STEIN JERRY BOCK SHELDON HARNICK

Originally produced on the New York stage by HAROLD PRINCE Original Broadway production directed and choreographed by JEROME

ROBBINS

Starring VALERIE PERRI

ANTHONY CANNARELLA RYAN DIETZ AVA GISELLE FIELD EMERSON GLICK BAILEY HERSKOWITZ GWEN HOLLANDER MICHAEL JAMES JEAN KAUFFMAN HAYDEN KHARRAZI BRUNO KOSKOFF

REMY LAIFER CATHERINE LAST GAVIN LEAHY CAMERON MABIE CHARLEY ROWAN McCAIN

DONOVAN MENDELOVITZ NICHOLAS MONGIARDO-COOPER MARC MORITZ GREGORY NORTH RON ORBACH SAWYER PATTERSON DAVID PROTTAS RACHEL RAVEL MARK C. REIS

MICHALIS SCHINAS HANNAH SEDLACEK ALANNA J. SMITH DANIEL STROMFELD

EILEEN T’KAYE CHAD A. VAUGHT DANA WEISMAN MICHAEL WELLS

Scenic Design Based on Original Costume Design by Lighting Design Sound Design Properties Design ANNA LOUIZOS CATHERINE ZUBER JAPHY WEIDEMAN JONATHAN BURKE KEVIN WILLIAMS

Wig/Hair/Makeup Design Casting Associate Director Associate Choreographer KAITLIN YAGEN MICHAEL DONOVAN CASTING NINA GOODHEART MICHAEL JAMES MICHAEL DONOVAN, CSA

RICHIE FERRIS, CSA

Fight Choreographer Associate Lighting Design Assistant Director Technical Director ERIK GRATTON KEN WILLS JORDAN GOODSELL KEVIN CLOWES

Production Management Company Manager Production Stage Manager Assistant Stage Managers Publicist SHANON MILLS HABELOW DAVID NESTOR JOHN W. CALDER, III LISA PALMIRE DAVID ELZER TI M WOODS KATHRYN DAVIES DEMAND PR CHAD SMITH

Music Direction by ALBY POTTS

Jerome Robbins Original Choreography reproduced by LEE MARTINO

Directed by LONNY PRICE

Fiddler on the Roof is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

OPENING NIGHT NOVEMBER 8, 2024

LA MIRADA THEATRE FOR THE PERFORMING ARTS www.LaMiradaTheatre.com

CAST OF CHARACTERS

Tevye, a dairyman JASON ALEXANDER*

Golde, his wife VALERIE PERRI*

The Daughters

Tzeitel RACHEL RAVEL*

Hodel ALANNA J. SMITH*

Chava EMERSON GLICK*

Shprintze CATHERINE LAST

Bielke AVA GISELLE FIELD

Yente, a matchmaker EILEEN T’KAYE*

Motel, a tailor CAMERON MABIE

Perchik, a student REMY LAIFER

Lazar Wolf, a butcher RON ORBACH*

Rabbi MARC MORITZ*

Mendel, his son HAYDEN KHARRAZI

Avram, a bookseller ...................................................................................................... RYAN DIETZ*

Grandma Tzeitel, Golde’s grandmother ........................................................... JEAN KAUFFMAN*

Fruma-Sarah, Lazar Wolf’s first wife............................................................... GWEN HOLLANDER*

The Fiddler/Yussel, the hatter .............................................................................. DAVID PROTTAS*

Mordcha ................................................................................ NICHOLAS MONGIARDO-COOPER*

Nachum, the beggar....................................................................................... DANIEL STROMFELD Constable............................................................................................................ GREGORY NORTH*

Fyedka, a young man ...................................................................................SAWYER PATTERSON*

Russian Soloist ....................................................................................................... MICHAEL JAMES*

Shaindel, Motel’s mother ...................................................................................... DANA WEISMAN

Fredel ............................................................................................................... HANNAH SEDLACEK

Russian Dancers ....................... ANTHONY CANNARELLA, BRUNO KOSKOFF*, GAVIN LEAHY, MARK C. REIS*, MICHALIS SCHINAS, CHAD A. VAUGHT, MICHAEL WELLS

Bottle Dancers .................... GAVIN LEAHY, MARC C. REIS*, MICHALIS SCHINAS, MICHAEL WELLS

Villagers .................................. ANTHONY CANNARELLA, MICHAEL JAMES*, BRUNO KOSKOFF*, GAVIN LEAHY, MARK C. REIS*, MICHALIS SCHINAS, CHAD A. VAUGHT, MICHAEL WELLS

UNDERSTUDIES & SWINGS

Understudies and Swings never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

For Golde/Shaindel: GWEN HOLLANDER*, for Yente: JEAN KAUFFMAN*, for Tzeitel/Hodel/Chava: HANNAH SEDLACEK, for Motel/Perchik: HAYDEN KHARRAZI, for Lazar Wolf: NICHOLAS MONGIARDO-COOPER*, for Fyedka: MICHAEL WELLS, for Constable: MARK C. REIS*, for Grandma Tzeitel/Fruma-Sarah: DANA WEISMAN, for Rabbi/Mordcha: RYAN DIETZ*, for Avram: DANIEL STROMFELD

Swings: BAILEY HERSKOWITZ, CHARLEY ROWAN McCAIN, DONOVAN MENDELOVITZ

Production Stage Manager ............................................................................... JOHN W. CALDER, III*

Assistant Stage Managers ..........................................................LISA PALMIRE*, KATHRYN DAVIES*

Dance Captain/Fight Captain ................................................................................... MICHAEL JAMES*

There will be one 15-minute intermission during this performance.

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Any video and/or audio recording of this performance is strictly prohibited.

MUSICAL NUMBERS

ACT I

“Prologue: Tradition” .................................................................... Tevye and the Villagers

“Matchmaker, Matchmaker” ..................................................... Hodel, Chava and Tzeitel

“If I Were a Rich Man” ................................................................................................. Tevye

“Sabbath Prayer” Tevye, Golde, and the Villagers

“To Life” ...................................................................... Tevye, Lazar Wolf and the Villagers

“Tevye’s Monologue” ................................................................................................. Tevye

“Miracle of Miracles” ................................................................................................. Motel

“Tevye’s Dream” Tevye, Golde, Grandma Tzeitel, the Rabbi, Fruma-Sarah and the Villagers

“Sunrise, Sunset” ................................... Tevye, Golde, Perchik, Hodel and the Villagers

“The Wedding” ...............................................................................................The Villagers

ACT II

“Entr’acte” ............................................................................................................. Orchestra

“Now I Have Everything” ...................................................................... Perchik and Hodel

“Tevye’s Monologue” (Reprise) ................................................................................. Tevye

“Do You Love Me?” ................................................................................. Tevye and Golde

“The Rumor” .................................................................................. Yente and the Villagers

“Far From the Home I Love” ..................................................................................... Hodel

“Chavaleh” ................................................................................................................... Tevye

“Anatevka” .......................................................................................................The Villagers

ORCHESTRA

Music Director/Conductor - Alby Potts

Concertmaster: Jen Choi Fischer; Violins: Elizabeth Johnson, Ashoka Thiagarjan; Viola: Xander Knecht; Cello: Ginger Murphy; Bass: David Hughes; Flute/Piccolo: Rachel Mellis; Oboe/English Horn: Michele Forrest; Clarinet: Brett McDonald; Clarinet/Bass Clarinet: Will Vargas; Bassoon: Lieza Kallin; French Horn: Lisa McCormick; Trumpet: Tim Rubottom, David Pittel, Miles Mcallister; Trombone: Charlie Morillas; Guitar/Lute/Mandolin: Brian Silverman: Accordion/Celeste: Patrick Tice-Carroll; Drums/Percussion: Bruce Carver; Orchestra Contractor: Eric Heinly

A NOTE FROM THE DIRECTOR

There are only two shows I think directors and choreographers shouldn’t try to improve upon when they are revived:  West Side Story  and  Fiddler on the Roof . The reason is simple — I don’t think one can improve upon Jerome Robbins’ (the original director and choreographer) work on these musicals. I believe it to be definitive. Stephen Sondheim once told me he only worked with one genius: Jerome Robbins. (They collaborated on West Side Story  and Gypsy .) The reason he gave was “endless creativity.” What is so astonishing to me (aside from the sheer beauty of his work) is Mr. Robbins’ inventiveness — a brand new and distinctive movement vocabulary for every show he worked on. Unlike, say, the great Bob Fosse, whose style is undeniably recognizable in all of his work. Not so with Mr. Robbins. The movement in West Side Story  is an utterly different language than that of  Fiddler ,  The King and I , or  Gypsy . What you will see tonight is an homage to Mr. Robbins’ work on  Fiddler . Our choreographer, Lee Martino, and I have painstakingly tried to re-create what he imagined and realized in 1964, beginning with his notion that the show is based on circles and community. You can see it everywhere, including how the set moves, beginning with a turntable.

Add to that the utter joy for me of being reunited with my old friend, Jason Alexander, a consummate actor who I believe defines “Tevye” for a new generation. So, what you have tonight is the brilliant work of Mr. Robbins, book writer Joe Stein, composer Jerry Bock, and lyricist Sheldon Harnick — all at the peak of their power — in what I believe to be one of the (if not the) best musicals ever written. To say nothing of Mr. Alexander’s extraordinary gifts. It has been an honor to be in the room with the work of these giants.

Enjoy!

WHO’S WHO

JASON ALEXANDER (Tevye) If you are reading this bio, it likely means you are here with us in Anatevka. Thank you for coming. You are also most likely aware that I’ve been lucky enough to be a working actor, director, writer, producer and teacher for over fifty years. I also have a pretty cool podcast called Really No Really that you might enjoy. If you are truly interested in the other particulars of my resume, I invite you to visit Wikipedia or IMDB as they do a pretty thorough job of chronicling my professional life. But again, if you’re here, there is a good chance that you’ve seen some of my past work and decided to come see me try my hand at this. So instead of listing my credits, I want to share with you that Fiddler is the first Broadway show I ever saw when I was five years old. When I told my parents I wanted to be an actor, they were understandably concerned until I promised my mother I would play “Tevye” someday. This production has allowed me to finally keep that promise. It is only possible because of McCoy Rigby Entertainment and La Mirada Theatre to whom I am ever grateful. And it is enhanced by the fact that my old friends, Lonny Price and Lee Martino, have guided us here with love and genius. Fiddler is about many things. It is about Jewish history and tradition. In this time of rising antisemitism and anti-immigrant sentiment, I am proud to tell this story of both Jews and immigrants and salute La Mirada Theatre for producing it. It is a story of community. We are all part of one and part of many. They are to be cherished. I want to personally thank this community of actors, designers, technicians and musicians for their enormous talents and hearts. It is also about family. My family includes circle upon circle of dear friends. And at its heart is my beloved wife, Daena and my sons, daughter-in-law and grandson. From my family to yours – love, peace, health and happiness. And lastly, I have sat in rapt awe as I watched dozens of “Tevyes” over the years. Each one has left an

indelible impression on me. Thank you. I am honored to join your ranks. L’chaim!

VALERIE PERRI (Golde) began her career working with Harold Prince starring as Evita in two Broadway National Tours, then with Jerome Robbins in the Broadway National Tour of Jerome Robbins’ Broadway. Select stage highlights: If I Forget (Fountain Theater, dir. Jason Alexander), Beautiful: The Carole King Musical (McCoy Rigby, Cape Playhouse), Ragtime (Pasadena Playhouse), Hello, Dolly! (3DT), Sunset Boulevard (MTW, Moonlight Amphitheater). TV: “Monsters: The Lyle and Erik Menendez Story,” “Truth Be Told,” “Criminal Minds.” Film: Grease, The Out of Towners, George of the Jungle, Dickie Roberts. Concerts from Carnegie Hall to London Palladium. Recipient of LA Drama Critics, and Ovation Awards. valerieperri.com Reps: AMT Artists, Momentum Talent Management.

ANTHONY CANNARELLA (Villager, Russian Dancer) Of Madison WI, trained with Rock School and Dance Wisconsin. Formerly Sacramento Ballet, Smuin Ballet, and Amy Seiwert’s Imagery. Principal roles: Peter Pan (Ron Cunningham), Hamlet (Stephen Mills), and Zorro (Michael Smuin). Theater: Mush in Newsies (Musical Theater West), Action in West Side Story (Bombay Beach), Young Frankenstein with Sally Struthers (Ogunquit Playhouse) and Aida (LA Opera). MV: Sour Prom with Olivia Rodrigo. @a_cannarella

RYAN DIETZ (Avram, u/s Mordcha, u/s Rabbi) LA Theatre: Ragtime (Pasadena Playhouse), Bright Star (MTW), The Nerd (Norris). TV: Dennis on “Reboot” (Hulu), “Orville” (Fox), “The Mick” (Fox). NYC: Illyria (Prospect), Star Messengers (La Mama). Tours: 1776 , All t he Great Books (abridged). Regional: Paper Mill Playhouse, Great Lakes Theater, Cleveland Playhouse, Geva. Lots of commercials. Favorite role: Dada to Helena and Olivia. www.ryandietz.net | @ officiallyryandietz

AVA GISELLE FIELD (Bielke) is thrilled to be making her La Mirada debut. She’s nine years old and in the 4th grade. Theatre highlights: Annie (Annie), The Sound of Music (Marta), The Little Mermaid (Flounder), Frozen Jr. (Young Anna), Miracle on 34th Street (Susan). Thank you to Michael Donovan Casting and McCoy Rigby for the opportunity, LA Talent Agency and to her mom, dad and dog Dixie. @avagisellefield

EMERSON GLICK (Chava) is excited to join this company for her fifth Fiddler! National Tour: Fiddler on the Roof (Bielke). Regional: Fiddler on the Roof (Chava; MUNY), Fiddler on the Roof (Bielke; Paper Mill Playhouse), Matilda (Matilda; Syracuse Stage), Stoos Gumbo (Jen; Hangar Theatre), Ice Queen (Maya; 92NY). Thanks to her family, Resolute, Lisa Calli, and Caitie. Proud Syracuse graduate! IG: @emerson__glick

BAILEY HERSKOWITZ (Swing) is a thirdgeneration actress from Los Angeles. She graduated from Boston Conservatory at Berklee, with a BFA in Musical Theatre. She is a member of the sketch comedy group ‘Nope That’s A Toe.’ Bailey is thrilled to work with this fantastic cast and creative team. Special thanks to her family, boyfriend, friends, and (most importantly) her two puppies. Ahavah!

GWEN HOLLANDER (Fruma-Sarah, u/s Golde, u/s Shaindel) Select TV/Film: Showtime’s “Kidding” (with Jim Carrey), Hulu’s “Future Man” (with Seth Rogen and Josh Hutcherson), “Partners” (with Kelsey Grammer and Martin Lawrence), Marriage Material (Searchlight Pictures - Best Actress, Florida Comedy Film Festival), T-R-O-U-B-L-E! opposite Anthony Rapp. Favorite theatre: Broadway/National Tour of Little Women (Amy, Carbonell Award), Les Misérables (Eponine, Carbonell Award), Beauty and the Beast (Belle).

MICHAEL JAMES (Associate Choreographer, Villager, Russian Soloist, Dance Captain, Fight Captain) Center Theatre Group (A Christmas

Story), McCoy Rigby (Waitress, The Little Mermaid, Mystic Pizza, Newsies, Mamma Mia!), Musical Theater West (The Wizard of Oz), Musical Theatre Guild (Follies), Goodspeed Opera (Bye Bye Birdie), Pittsburgh CLO (Altar Boyz, Newsies, Mamma Mia!), Maltz Jupiter (West Side Story, How to Succeed…, Chicago), Sacramento Music Circus (Mamma Mia!). TV: “The Marvelous Mrs. Maisel. ” Point Park Alumni. Love to everyone who got me here! @itsmichaeljamesbrown

JEAN KAUFFMAN (Grandma Tzeitel, u/s Yente) Regional: The Flamingo Kid (Hartford Stage), Sweeney Todd (Mrs. Lovett), Hamlet (Gertrude), Oklahoma! (Aunt Eller), On the Town (Arena Stage). SoCal: A Gentleman’s Guide to Love and Murder (Lady Eugenia), Ragtime (Emma), Funny Girl (Mrs. Brice), Urinetown (Pennywise), Assassins (Sara Jane Moore). Tours: Beauty and the Beast, CATS, On the 20th Century, A Chorus Line. TV: “Poker Face,” “What Love Sees,” “Bitter Blood.”

HAYDEN KHARRAZI (Mendel, u/s Motel, u/s Perchik) is honored to play in this legendary show! Recent credits: Grease (TACFA), Exit Wounds (ICT), and Cindy and the Disco Ball (Garry Marshall Theatre). Hayden thanks the creative team for this incredible opportunity and his teachers, Sean Alexander Bart, and the faculty of LAMTS. Hayden also thanks his family for their undying support. www.haydenkharrazi.com

BRUNO KOSKOFF he/him (Villager, Russian Dancer) is thrilled to be making his La Mirada debut! He is currently pursuing a BFA in Musical Theatre from USC. Recent credits: Ensemble in Rodgers & Hammerstein’s Cinderella (5-Star Theatricals), John Wilkes Booth in Assassins (USC), and Mark in A Chorus Line (USC). Thank you Mom, Dad, Auggie, my extended family, and my friends for your constant support! @brunokoskoff

REMY LAIFER (Perchik) is delighted to be making his debut with La Mirada! TV: “New Amsterdam,” “The Food That Built America.” National Tour: Fiddler on the Roof. Off-Broadway: Hazing U (AMT). Regional: Summer Theatre of New Canaan. Listen to his electronic/dance music on all platforms under REMY QUINN. Proud Northwestern graduate. Thank you family, friends, and Sherry. www.remylaifer.com | @remylaifer

CATHERINE LAST (Shprintze) Favorite roles: Waitress National Tour (Lulu); CCAE’s  Sunday in the Park with George  (Louise);  The Secret Garden (Mary Lennox), Chance;  The Sound of Music  (Brigitta), Highlands;  The Wizard of Oz, MTW; Joseph…, La Mirada Theatre. TV/Film: MGM’s “Mr. Mom,” Jerry Seinfeld’s Unfrosted (Netflix), ABC’s “Home Economics,” “Bugs Bunny Builders” (HBO Max). Thank you Kara, Sherry, Domina, Sloane, Stephanie, Michael, Richie and the MRE/Fiddler team! @thelastkids

GAVIN LEAHY (Villager, Russian Dancer, Bottle Dancer) is thrilled to be making his La Mirada debut! Past stage work includes Something Rotten! , Tell Me I’m Gorgeous... , Sweet Charity  (UCLA); 9 to 5 , The Music Man (Interlochen). Proud UCLA TFT and Interlochen alumnus. IHSMTA Best Actor, 2020. @gavinnleahy

CAMERON MABIE (Motel) is originally from Independence, Missouri, and is proud to be making his La Mirada debut! A BFA Acting Graduate from Missouri State University, Cameron has a multitude of credits in film, tv, stage, and voiceover work. Some favorite stage credits include Moritz in Spring Awakening, Claudio in Much Ado About Nothing, and Robert Conklin in The Rimers of Eldritch. Cameronmabie.com

CHARLEY ROWAN McCAIN (u/s Shprintze, u/s Bielke) is thrilled to make her La Mirada

debut. Recent credits: Charlie (Willy Wonka), Matilda ( Matilda ), Youth Ensemble ( Oliver! ). Film: Maxine Miller ( MaXXXine ) A24 Films. TV: “NCIS,” ”S.W.A.T,” “Erin & Aaron.” VO: Marvel, Nick and Disney animation. Thanks to Michael, Richie, and Lonny, Mak, CESD, her parents, friends, and the cast & crew - SO grateful to be a part of this proud TRADITION! @charleyrowanmccain

DONOVAN MENDELOVITZ ( Swing ) is beyond grateful to be a part of the Fiddler on the Roof family. Recent credits: Jersey Boys (CCAE), Rock of Ages (SATB), and La Cage Live! (Hollywood Roosevelt). This show is for his Papa and the Papas before him. Thank you to the whole creative team, McCoy Rigby, Michael and Richie. Rep: ATB Talent. donovan-mendelovitz.com

NICHOLAS MONGIARDO-COOPER (Mordcha, u/s Lazar Wolf) Off-Broadway: Rothschild & Sons, Lonesome Traveler, Julius Caesar. Regional: A Wicked Soul in Cherry Hill (Geffen), The Tempest (ASF), The Play That Goes Wrong (PSC), Oliver!, Matilda (5-Star), Sweeney Todd, Shakespeare in Love, Once (SCR), King Lear (Rubicon), Holmes and Watson, Harvey (Laguna), Of Mice and Men, Words By… (NCRT). TV: “Law & Order: SVU,” “Ghosts,” “The Connors,” “The Fairly OddParents,” “Danger Force,” “Fuller House,” “Superstore,” “Casual.” nicholasmongiardocooper.com

MARC MORITZ (Rabbi) is thrilled to be reunited with his “old friends” from 1981’s OBC of  Merrily We Roll Along where he originated the role of Talk Show Host. Theatres: Goodman, Pittsburgh Public, Idaho Shakespeare, Cleveland Playhouse, Long Wharf, Riverside Shakespeare, Human Race. Credits: Mushnik  in Little Shop of Horrors, Chairman in Drood, Turpin in Sweeney Todd, Otto in  The Diary of Anne Frank, Malvolio in Twelfth Night, Claudius in Hamlet, Al in Sunshine Boys.

GREGORY NORTH (Constable) La Mirada: Young Frankenstein , Grumpy Old Men. Broadway: Into the Woods, Secret Garden, Grand Hotel opposite Cyd Charisse. Tours: The Phantom of the Opera, Show Boat, Les Misérables. Regional: Kennedy Center, Actors Theatre Louisville, Taper, South Coast, Pasadena Playhouse, Sacramento Music Circus, Laguna Playhouse, Arizona Theatre Co., Pioneer Theatre, Goodspeed, Madison Square Garden, Hollywood Bowl, Sting’s The Last Ship (World Premiere). Film/TV: “11.22.63,” “Elizabethtown,” ”ER,” “Criminal Minds: Beyond Borders,” “Feud: Capote’s Women.” Thanks Jason & CAM. gregorynorthactor.com

RON ORBACH (Lazar Wolf) Recently: The Chosen (Milwaukee Rep/Cincinnati Playhousein-the-Park). Broadway: Laughter on the 23rd Floor, Chicago (1st Amos Hart on 1st National Tour, Jeff Award, 1998). Regional: Bottom in Midsummer..., Chicago Shakes – Jeff Nomination, 2012; Tevye in Fiddler, Sacramento Music Circus. Also: The Goodman, Old Globe, La Jolla, Seattle Rep, Denver Center, The Alley, Cleveland Playhouse and McCarter. TV: “Law & Order,” “Platypus Man,” “Girls.” Film: Clueless, Culprit. Acting coach, and director (1996 Ovation Award). Delighted to make La Mirada debut, and to reunite with longtime friends, Jason, Valerie, Mark, Jeannie and Lonny.

SAWYER PATTERSON (Fyedka) is making his La Mirada debut. Recently seen on stage as Valvert in Cyrano de Bergerac at the Pasadena Playhouse and Edward Brocket in Alice, Formerly of Wonderland by Mark Saltzman at Ensemble Theatre Company in Santa Barbara. He has a BFA from Baylor University (Romeo in Romeo and Juliet ) and was an MFA Candidate at UC Irvine.

DAVID PROTTAS (The Fiddler, Yussel) After ten years with the New York City Ballet, David made his Broadway debut in the revival of Carousel . Other notable theater credits:

An American in Paris (1st National), Marie: Dancing Still (dir. Susan Stroman) and  West Side Story  (NCT). David is a graduate of the Actor’s Foundry in Vancouver and will appear in the upcoming Amazon series Etoile.  @davidprottas | davidprottas.com

RACHEL RAVEL (Tzeitel ) is honored to be part of this beautiful production. OffBroadway: The Panic of ‘29 (59e59), The Tycoons! (Less Than Rent Theatre). Regional: Chicago, Pride & Prejudice (Hangar Theatre). TV: “Halston” (Netflix). Creator and star of the BroadwayWorld Original Series “Rachel Unraveled,” “Sisters!” and the upcoming “Bliss Talent.” Love and gratitude to Mom, Ben, Maggie (x2), Barnett/Schaaf fam, and my therapist. For Dad.

MARK C. REIS (Villager, Russian Dancer, Bottle Dancer, u/s Constable) Well, after 19 years of auditioning for La Mirada Theatre, Mark is extremely proud to finally say he is making his debut in Fiddler on the Roof! Fosse (Broadway), Chicago (1st National Tour), The Prom (Film). Other credits include Frozen — Live at The Hyperion, and more recently, two new musicals The Mad Hatter and Dark of the Moon. #nevergiveup! #persistence!

MICHALIS SCHINAS (Villager, Russian Dancer, Bottle Dancer) is ecstatic to debut at La Mirada Theatre in the LA revival of Fiddler on the Roof and honored to join a stellar cast. Past credits include Cabaret, Beauty and the Beast, A Chorus Line, Newsies, Gatsby Redux, Pearl, Oliver! and Jubilee! He dedicates this performance to his family, who inspire him to keep going every day. @Michalisrise

HANNAH SEDLACEK (Fredel, u/s Tzeitel, u/s Hodel, u/s Chava) is ecstatic to make her La Mirada debut! Recently, Sedlacek performed in The Sound of Music at 5-Star Theatricals (Lisel). She graduated from Pepperdine University where her credits include The Music Man

(Marian Paroo), Into the Woods (Little Red), and Mamma Mia! (Sophie). She would like to thank her friends, family, and team for all their support! @hannah_sedlacek

ALANNA J. SMITH (Hodel) Recently starred in the Amazon Freevee Rom-Com, Love Afloat Regional: Walnut Street Theatre, Lantern Theater Company, Florida Studio Theatre, Peterborough Players, Media Theatre, Hangar Theatre, Fireside Theatre. Film: Chang Can Du nk . Television: “FBI: Most Wanted,” “Power Book II: Ghost,” “Evil Lives Here.” BFA Ithaca College. www.alannajsmith.me | @alannajsmith For Stella.

DANIEL STROMFELD ( Nachum, u/s Avram ) is a Nice Jewish Boy (NJB) from San Jose. Recently seen in Broadway Asia’s run of Natasha, Pierre, and the Great Comet of 1812 , covering the role of Balaga. Voiceover work includes commercials for Oreo and FOTRIC. Proud graduate of Northwestern University and Kellogg Graduate School of Management. Outside of performing, Daniel manages his own college admissions consulting business. @danielstromfeld

EILEEN T’KAYE ( Yente ) has just returned from a year on the road playing Mrs. Strakosh in the 1st National Tour of Funny Girl . Previous fun: Ruth Bader Ginsburg in Sisters in Law (World Premiere, Phoenix Theatre); Anne Marie in A Doll’s House, Part 2 (ICT); Hucklebee in The Fantasticks (Reprise!); and of course, Frieda in Tale of the Allergist’s Wife (La Mirada)! For Mama.

CHAD A. VAUGHT ( Villager, Russian Dancer ) is a Wichita, Kansas native. He graduated from New York University’s Tisch School of the Arts with a BFA in Dance in 2017. Credits include Hairspray , Chicago , 1st National Tour of Escape to Margaritaville and Ryan Murphy’s Prom on Netflix. IG: @chadvaught

DANA WEISMAN ( Shaindel, u/s FrumaSarah, u/s Grandma Tzeitel ) La Mirada debut! Recent roles include Myra in Hay Fever: The Musical , Donna in Mamma Mia! , Helen in Fun Home , Roz in 9 to 5 , Frau Blücher in Young Frankenstein and Blanche in Broadway Bound . NYU/Tisch and LaGuardia grad. Huge thanks to Michael and Richie @michaeldonovancasting and love to her hubz Jon and kids L, C and D. IG:@dewbeeuu

MICHAEL WELLS (Villager, Russian Dancer, Bottle Dancer, u/s Fyedka) is honored to join this incredible production, his first with La Mirada! Favorite credits: Footloose (Colony Theatre), West Side Story (Moonlight Stage), …Spelling Bee (Cedar St. Theatre). UCLA TFT BFA Class of 2020 - Go Bruins! Love and gratitude to his family, to his fiancé Katia, to Michael and Richie, and to this brilliant cast and crew!

J OSEPH STEIN ( Book ) Tony Award and Drama Critics Circle Award winner for  Fiddler on the Roof. Zorba  (Tony nomination, Drama Critics Circle Award);  Rags (Tony nomination);  The Baker’s Wife  (Olivier Award nomination, London);  Take Me Along  (Tony nomination);  Juno; Irene  (starring Debbie Reynolds);  The King of Hearts; All About Us; and Enter Laughing: The Musical (Lucille Lortel nomination, Outstanding Revival). Co-authored, with Alan Jay Lerner,  Carmelina; and with Will Glickman,  Mr. Wonderful (starring Sammy Davis, Jr.),  The Body Beautiful,  and Plain and Fancy. Plays:  Enter Laughing, Before the Dawn,  and  Mrs. Gibbons’ Boys. Stein grew up in the Bronx and first became a social worker while pursuing writing on the side. He began his career in TV and radio, writing for “The Sid Caesar Show,” “Your Show of Shows,” “Henry Morgan Show,” and many others, and for personalities including Tallulah Bankhead, Phil Silvers, Jackie Gleason and Zero Mostel. On Broadway he made his debut contributing to the theatrical revues  Lend

an Ear  (featuring Carol Channing) and  Alive and Kicking.  He wrote the screenplays of  Enter Laughing  and  Fiddler on the Roof,  for which he won the Screen Writers Guild Award. In 2008, he was inducted into the Theatre Hall of Fame

JERRY BOCK (Music) was born in New Haven, CT in 1928. Thirty years later, he and Sheldon Harnick gave birth to The Body Beautiful in Philadelphia. In between was Catch a Star. Next, Mr. Wonderful starring Sammy Davis Jr. The Bock and Harnick’s celebrated collaboration yielded five scores in seven years: The Body Beautiful, Fiorello! (Tony Award, New York Critics’ Circle Award and Pulitzer Prize); Tenderloin, She Loves Me; Fiddler on the Roof (nine Tonys, including Best Musical), The Apple Tree and The Rothschilds. In 1990, he was inducted into the Theater Hall of Fame, receiving the Johnny Mercer Award from the Songwriters Hall of Fame. He composed the score for A Stranger Among Us, wrote words and music for Pinocchio, Land of Broken Toys and A Show of Hands for the Children’s Theatre Festival, University of Houston, 2000-2006; Emmy winner, Best Original Song, Children’s and Animation for “A Fiddler Crab Am I” (2010).

SHELDON HARNICK ( Lyrics )  His career began in the 1950s with songs in revues (e.g., “The Boston Beguine,” “The Merry Little Minuet”). With Jerry Bock he created a number of memorable musicals, including Fiorello! (Tony Award, Pulitzer Prize); Tenderloin, She Loves Me (Grammy); Fiddler on the Roof (Tony); The Apple Tree; and The Rothschilds (subsequently revised as Rothschild & Sons). Other collaborations: Rex (Richard Rodgers), A Christmas Carol (Michel Legrand), A Wonderful Life (Joe Raposo), The Phantom Tollbooth (Arnold Black, Norton Juster), and The Audition (Marvin Hamlisch). He wrote three musicals himself: Dragons, A Doctor in Spite of Himself, and Malpractice Makes Perfect.

LONNY PRICE ( Director ) On Broadway, Lonny directed Glenn Close in Sunset Blvd., (also at the English National Opera),  Lady Day at Emerson’s Bar and Grill (also the film version for HBO, as well as the West End engagement), for which Audra McDonald won her 6th record-breaking Tony. Other New York productions include Sweeney Todd starring Emma Thompson and Bryn Terfel,  Company  (starring Neil Patrick Harris, Stephen Colbert, Patti LuPone),  Sondheim: The Birthday Concert  (Emmy Award), Stephen Sondheim’s Passion (Emmy Award), and  Candide, (starring Kristen Chenowith and Ms. LuPone.) On Broadway he directed Audra McDonald in  110 in the Shade; Danny Glover in Athol Fugard’s “Master Harold” ... and the Boys; Joan Rivers in  Sally Marr and Her Escorts (which he co-wrote with Ms. Rivers and Erin Sanders); Jenn Colella in  Urban Cowboy; and himself in  A Class Act, for which he also co-wrote the book (with Linda Kline) and was nominated for a Tony Award. Some of his Off-Broadway work includes Michael Mirnick and Adam Gwon’s  Scoltand, Pa. ,  Visiting Mr. Green , starring Eli Wallach;  Beautiful Girls, starring Zoe Caldwell, and Athol Fugard’s  Valley Song. He directed the documentaries, The Director’s Life, (for Great Performances), and The Best Worst Thing That Ever Could Have Happened (New York Film Festival) This one is for my grandparents, Sadie, Ben. Meyer, and most especially, Hilda.

LEE MARTINO ( Choreographer ) Regional: La Mirada Theatre/MRE’s First Date, Life Could Be a Dream, and Carrie: The Musical , also, Reprise! (Resident Choreographer under Artistic Director, Jason Alexander), The Last Five Years (Syracuse Stage), Rita Moreno: Life Without Makeup (Berkeley Repertory Theatre), Gateway Playhouse, The Phoenix Theatre, The Hollywood Bowl, Pasadena Playhouse, Lo s Angeles Theatre, Laguna Playhouse, Musical Theatre West,

and Rubicon Theatre Company, and more. Received four LA Theatre Ovation Awards, three LA Drama Critics Awards and the Joel Hirschhorn Award for Excellence in Musical Theatre. TV/Film: NBC, Warner Bros. Pictures, Sony Pictures , Target Films, Jenny Craig, Nickelodeon, and Bravo. Live events: Harley-Davidson, Ford Motor Company, Universal Studios, Disney International, The John Anson Ford Theatre, The Writers Guild, The Alzheimer’s Foundation, Les Girls Breast Cancer Benefit for the National Breast Cancer Coalition, and Actors’ Fund Benefits. Lee is on faculty at Mount San Antonio College and UCLA.

ALBY POTTS (Music Director) Delighted to be in La Mirada musical directing his first production for MRE. He’s an award-winning musical director of many LA productions including A Little Night Music (LA Drama Critics Circle Award) and  Singin’ in the Rain  (Ovation Award). Music Director of the Pageant of the Masters in Laguna Beach. Bachelor of Music from Boston Conservatory of Music, and Masters from Northwestern University.

MICHAEL DONOVAN ( Casting ) is the recipient of nine Artios awards, presented by the Casting Society of America for Outstanding Achievement in Casting. He has cast shows produced at the Ahmanson Theatre, Mark Taper Forum, Kirk Douglas Theatre, Hollywood Bowl, Walt Disney Concert Hall, Pasadena Playhouse, Laguna Playhouse, South Coast Repertory, the Soroya, Ebony Repertory, La Jolla Playhouse, La Mirada Theatre, Colony Theatre, International City Theatre, 5-Star Theatricals, Ensemble Theatre Company, Arizona Theatre Company, numerous tours, and much more. Michael is also President of the Board for the Foundation for New American Musicals.

RICHIE FERRIS (Casting) has been casting with Michael Donovan Casting for over 12

years and in that time has worked on the casting of well over 500 projects. He has been the recipient of three Artios Awards for Outstanding Achievement in Casting. He feels honored to have gotten to help put together the cast of this beautiful production. @richie_ferris @michaeldonovancasting

ANNA LOUIZOS (Scenic Designer) is a 3-time Tony Award nominee. Select Broadway designs: School of Rock (sets and costumes), In the Heights, Avenue Q, R&H’s Cinderella, Irving Berlin’s Holiday Inn, The Mystery of Edwin Drood, Honeymoon in Vegas, It Shoulda Been You, Irving Berlin’s White Christmas, High Fidelity, Curtains. Selected Regional/ International: West Side Story (current World Tour), Peter Pan (current US Tour). Illustrations for Rupert Holmes’ recent novel, Murder Your Employer

JAPHY WEIDEMAN (Lighting Designer ) Twenty shows on Broadway and five Tony nominations for lighting design. Select Broadway: Shucked!, Dear Evan Hansen, The Heart of Rock n’ Roll, The Visit, The Nance. OffBroadway: Lincoln Center Theatre, The PublicNYSF, NYTW, Second Stage, Playwrights Horizons, MCC, LAByrinth, The Vineyard, Ma-Yi, and others. West End: Dear Evan Hansen (Noel Coward), A Nice Fish (Harold Pinter Theatre), Blackbird (Albery Theatre). Other: Liz Phair’s Exile in Guyville (US National Tour), Hasan Minhaj’s The King’s Jester (Radio City and National Tour).

JONATHAN BURKE ( Sound Designer ) is a LA-based sound designer, mixer and educator. Over his 30+ year career, his work in Theater, Opera and Live Events has been heard in venues across the US including The Kennedy Center, Hollywood Bowl, MASS MOCA, Zellerbach Hall, The Geffen Playhouse, Disney Hall and Cincinnati Music Hall. He has designed over 100 musicals

in LA and mixed countless performances. jonathanburkesounddesign.com

KAITLIN YAGEN (Wig/Hair/Makeup Designer) is thrilled to be designing again for MRE. Design credits: Jersey Boys, Mystic Pizza, Beautiful: The Carole King Musical, Joseph…, The King and I, Grease, The Sound of Music, Beauty and the Beast, Peter Pan, Les Misérables, Miss Saigon, Carrie: The Musical. Kaitlin loves the work she does and the joy it brings to the audience. Thanks to baby Harvey, my husband and family for their continuous love and support.

KEVIN WILLIAMS ( Properties Designer ) works as a designer, fabricator and consultant. Past clients include Walt Disney Imagineering, Buena Vista Pictures, Discovery Cube, and Twentieth Century Fox. As Production Designer with theatre company, Delusion: Lies Within, Crimson Queen, Lies Within VR, Blue Blade and Reaper’s Remorse. He’s the Prop Department Supervisor for UCLA’s School of Theater, Film and Television and lives in OC with his incredible family.

ERIK GRATTON (Fight Choreographer) Erik’s directed fights seen in Paris, Bangkok, Tokyo, and all over the world. Recent fight direction: Off-Broadway’s A Turtle on a Fence Post, The MUNY’s Camelot, Lonny Price’s staging of West Side Story. He teaches violence and comedic movement workshops across the country. Onstage roles include “Hamlet,” “Rosalind,” “Buddy the Elf,” “Shrek,” “Homer Simpson,” “Billy Pilgrim” and “Wilbur the Pig.”

NINA GOODHEART ( Associate Director ) Director, producer, co-founder of Good Apples Collective. Recently: cunnicularii and cityscrape (world premieres, Sophie McIntosh), Gabriel Byrne’s Walking with Ghosts (resident director on Broadway), before the flood (World Premiere, Emily Bice), Wakeman (TBD

Theatricals, Jenn Grinels), Mindplay (Associate Director at Arena Stage). Previously: American Repertory Theater, Broadway’s Jagged Little Pill, Climan Producing. BA Yale. For Dad. ninagoodheart.com

JORDAN GOODSELL (Assistant Director) based in NYC. Directing credits: Off-Broadway: This Purple Fucking Pot (The Tank). Staged concerts/readings: Keith White’s EGO SHOW (Green Room 42), Leana Rae Concepcion’s Love Letters (Feinstein’s/54 Below), Ferdinand (developmental reading; co-book writer). Last seen on the La Mirada/McCoy Rigby Stage in 1776 as Charles Thomson. Deepest gratitude to Lonny, Nina, Matt, Tom and Cathy.

KEN WILLS (Associate Lighting Designer) has been an associate of Japhy’s for nine years. Broadway credits as an associate designer: The Heart of Rock and Roll , Shucked , Hangmen, Dear Evan Hansen, The Height of the Storm, Penn & Teller on Broadway, Jekyll & Hyde and more. Ken is an alumnus of NC School of the Arts and a Local USA829 member. www.kenwillsdesign.com

JOHN W. CALDER, III  ( Production Stage Manager ) 10th Fiddler On The Roof. MRE/ LMT: Joseph…, A Few Good Men, Young Frankenstein, In the Heights, 1776, Murder on the Orient Express, End of the Rainbow, Hunchback of Notre Dame. Others: Anything Goes (Chita Rivera), A Chorus Line (Donna McKechnie), Dreamgirls (Jennifer Holliday), Ragtime, Dial “M” For Murder (Roddy McDowall), Hello, Dolly! (Madeline Kahn), The Odd Couple (Tim Conway/Tom Poston).

KATHRYN DAVIES (Assistant Stage Manager) stage manages theatre, opera and live events across North America. Select credits: The Barber of Seville (LA Opera), The Marriage of Figaro (Hawaii Opera Theatre); Little Shop of Horrors, Million Dollar Quartet, Vietgone, All

the Way (South Coast Repertory); Dividing the Estate (Dallas Theater Center); Rigoletto (Tulsa Opera). Kathryn also works as Theatre Operations Manager at several international film festivals.

DAVID ELZER (Publicist) represents La Mirada Theatre, 5-Star Theatricals, Ensemble Theatre Company, Laguna Playhouse, Road Theatre Company, Rubicon Theatre Company. He is also an Ovation, Drama Desk, LADCC, LA Weekly, and Garland Award-winning theatrical producer and recipient of the LADCC Joel Hirschhorn Award for Outstanding Achievement in Musical Theatre. Productions include Justin Love, Having it All, The Marvelous Wonderettes and Winter Wonderettes at the El Portal, Life Could Be a Dream at the Hudson, and the Off-Broadway run of  The Marvelous Wonderettes. Many thanks to BT, Jane, Tom, and Cathy and thank you for supporting La Mirada Theatre!

ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFLCIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

McCOY

RIGBY ENTERTAINMENT (Tom McCoy & Cathy Rigby McCoy, Executive Producers) Broadway: Peter Pan starring Cathy Rigby, Jekyll and Hyde starring Deborah Cox. National Tours: Peter Pan starring Cathy Rigby, Camelot starring Michael York and Lou Diamond Phillips, Jesus Christ Superstar starring Carl Anderson, Annie Get Your Gun starring Cathy Rigby, Happy Days the

Musical by Gary Marshall and Paul Williams, Seussical The Musical starring Cathy Rigby. International: Miss Saigon (Macau), Dreamgirls (Tokyo), Peter Pan (Macau & Riyadh). Awards: Emmy Awards and Nominations, Tony Award Nominations, countless Ovation Awards and Nominations. La Mirada Theatre: 30th season having produced over 100 musicals, plays, concerts, special events. TV: Peter Pan (A&E), A Night with Janis Joplin and Peter Pan (Broadway HD).

LA MIRADA THEATRE FOR THE

PERFORMING ARTS The Tony-nominated theatre has been hailed by the Los Angeles Times as “one of the best Broadway-style houses in Southern California.” This beautiful state-of-the-art theatre has been producing quality productions since 1977. The theatre has produced several national tours and is the recipient of many accolades, including Tony, Emmy and Ovation Award nominations. For its 2012-13 season, it won the LA Stage Alliance Ovation Award for Best Season of the Year.

LA MIRADA CITY COUNCIL

JOHN LEWIS Mayor

ED ENG ......................................................................Mayor Pro Tem

STEVE DE RUSE Councilmember

ANTHONY OTERO ……...Councilmember

JEFF BOYNTON City Manager

SPECIAL THANKS

City of La Mirada and Friends of the La Mirada Theatre

LA MIRADA THEATRE FOR THE PERFORMING ARTS STAFF

BT McNICHOLL Producing Artistic Director

DEVIS ANDRADE .................................................... House Manager

JANE LYNCH Theatre Operations Supervisor

HELENE DUARTE Contracts Associate

ELIZABETH CARLOCK Ticket Services Manager

SARAH PETHER-HAMILL ........... Assistant Ticket Services Coordinator

KYLE DURAN Theatre Facilities Coordinator

WESLEY HUNT Production Manager

NICHOLAS MASSEY Technical Director

JOSH BESSOM ........................................................ Audio Engineer

MELISSA SKAU Master Electrician

JAVIER RUIZ, JAHAN WATKINS Assistant Technical Directors

ALYSSA BARRON, KEVEN BAUTISTA, STEVE BEARD, MICHAEL BENAVIDES, RAELONI BENDER, TAYLOR BOCKRATH, MEGAN BURKE, NICHOLE BORDEN, MEGAN BURKE, MARS CALDWELL, GUADELUPE CEBALLOS, WILLIAM CHINNOCK, PETER DERECICHEI, JESSE DIAZ, HUNTER DONOVAN, ILANA ELROI, CARLOS GARCIA, ROCHELLE GARCIA, CHARLIE GLAUDINI, LETICIA HERNANDEZ, IVAN HERRERA, MATTHEW JACKSON, CHRISTAL KENNEDY, CAMERON KLIPFEL, MAX LIZARRAGA, DANIEL MACIAS, JUSTINE MALADAGA, ANDREW MEEKS, FABIAN MONTES, JONATHON MUNROE, DEANNINE MUSTIN, CAITLYN NGUYEN, CARI NOEL, CHRISTIAN OCAMPO, BRYAN PEREZ, LEXI PEREZ, JESSICA PRUITT, IRELAND REESE, PAIGE ROBITAILLE, EMILY STARK Stagehands

JENNIFER REILLY Theatre Operations Associate

ADRIENNE MEDRANO ....................................... Graphic Designer

RACHEL BAILEY. Administrative Assistant

DAVID ELZER Publicist

TABLE 7 STRATEGY Marketing

CELINA RODRIGUEZ ................................. Box Offce Coordinator

AILEEN BELTRAN, IAN B. DE LEON, NANCY DENTON, MARY DUNNE, LORI JEAN, BEVERLY KIRTON, MARLON MAGTIBAY, ALETHEA MILLER, ELAINE REZA, MEGAN SINGER, KATIE SPARKS, DAISY TYE, CATHERINE VARTAN ............................................. Box Offce Associates

ALEXANDRA BRACCIO Assistant House Manager

LINDA COTA, TREVOR JONES Lead Ushers

MERCY BLUMBERG, HAZEL BUSCAINO, LOGAN CRAWFORD, JENNIFER DE LEON, TOMMY DODD, AARON ESPINOSA, ITZEL FALCON-VASSALLO, NORRIE FAULKNER,

SONJA JOHNSON, DIANE MARKWELL, DANA MARTIN, TATIANA MARTINEZ, JENNIFER NELSON, MARTHA REYES, MARCIA TOTTEN, GARY WONG Ushers

NEAL MYRON ANG, LUIS DIAZ, FRANCISCO FERNANDEZ, RAYMOND F. GARCIA, TIMOTHY HILL, JEREMY HUME, EDUARDO LOERA, JACOB MOLINA, RAY ROMERO .......Theatre Maintenance

McCOY RIGBY ENTERTAINMENT PRODUCTION STAFF

TOM McCOY AND CATHY RIGBY................. Executive Producers

DAVID NESTOR ................................................. Company Manager

SHANON MILLS HABELOW, TIM WOODS , CHAD SMITH Production Management

ANA LARA Offce Manager

BUCK MASON .............................................. Production Supervisor

CRAIG NAPOLIELLO Assistant Scenic Designer

JULIET PARKER Production Assistant/Props

ERIK GRATTON Fight Choreographer

ADAM RAMIREZ ............................................Costume Coordinator

ALYSIA SMITH Costume Supervisor

HANNAH ANDERSON, KIM ARNETT, DANIEL REYES, KRISTY YANNICH Dressers

KAITLYN YAGEN........................ Hair/Wig/Makeup Running Head

JESSA PRUITT Hair/Wig/Makeup Assistant

KEVIN CLOWES Technical Director/Head Carpenter

JEREMIAH YBARRA Master Carpenter/Crew Chief

AUSTIN BILLINS, GRANT CORNISH, PADEN HARVEY ......Deck Crew

JESSICA KOHN Production Electrician

ERIN CARLSON Assistant Production Electrician

W. ALEJANDRO MELENDEZ Lighting Programmer

TIM MONICH .............................................................. Dialect Coach

ALEXANDER GEORGAKIS Rehearsal Pianist

MARISSA HERRERA Diversity, Equity & Inclusion Consultant

ELISSA SZIEFF Production Accountant

VENDORS

NETworks - Costume Rental

Visit www.LaMiradaTheatre.com or call us at (562) 944-9801. Share photos of your experience with us on social media!

BECOME A VOLUNTEER USHER AT LA MIRADA THEATRE!

Love the Theatre? Join our team and become a part of the exciting season!

Past customer service experience a plus. For more information, contact House Manager Devis Andrade at (562) 902-2911.

Paris Via Tokyo

Camélia, in the Arts District, combines the best qualities of a French bistro and Japanese izakaya. / by ROGER GRODY /

Weathering building booms, pandemics and recessions, downtown Los Angeles is a study in renewal and reinvention. Diners who fondly recall Church & State, a classically styled bistro that pioneered the Arts District dining scene, have new cause for celebration. The space—filled briefly by Brazilian-themed Caboco—is now home to Camélia, a French-Japanese restaurant from the owners of beloved Echo Park izakaya Tsubaki.

Chef Charles Namba and beverage director Courtney Kaplan— restaurateurs whose Tsubaki and adjoining sake bar Ototo contributed

New Camélia down town and, below, its abalone-mussel pot pie

to the rebirth of Echo Park—opened Camélia at the Biscuit Company Lofts, in a ground-floor space originally built as a loading dock for Nabisco.

The dining room pairs the structure’s vintage brick with polished red oak; globe pendants hang from a high ceiling with exposed ducts above caramel-colored leather booths. An open kitchen enhances the bustling scene; the patio offers a more laid-back experience.

Namba’s innovative menu applies nostalgic French concepts to traditional Japanese ingredients. Consider his mashup of a croque madame sandwich, a bistro favorite, and go-to Japanese katsu sandwich. Bathed in béchamel sauce and crowned with a confited egg, it is among his most successful dishes.

Spaghetti Bolognese à la Japonaise is a reminder that Italian and Japanese cuisines can also be effectively combined, as they are at

itameshi restaurants, fusion concepts popular in Tokyo and spreading across the U.S.

From the raw bar, oysters are served with ponzu mignonette and yuzu cocktail sauce; uni-otoro toast with crème fraîche and fresh wasabi make a sharp turn East. Provençalinspired aioli garni features market vegetables and a variety of techniques—basil tempura and sweet plums were among memorable recent components—served with aioli and carrot vinaigrette.

Ground black sesame seeds give Parker House rolls a seductive ebonized hue; they’re presented like Japanese milk bread, paired with quality French butter and housecured salmon roe. A duck confit croquette is presented with smoked daikon remoulade. An abalonemussel pot pie capped with goldenbrown puff pastry pays homage to a former Church & State dish created by chef Walter Manzke, now chef/

French wine selections and, left, striped bass with Brentwood corn “succotash,” salmon roe and yuzu kosho butter sauce

owner at République. Beef cheeks in red wine sauce with creamed pearl onions ooze French soul, but are tweaked with wasabi-infused shredded nori.

The New York steak is plated with ginger-brandy sauce; a play on steak frites entails roasted duck breast with béarnaise sauce, duckheart yakitori and fries. Namba and company deliver a mostly American experience with a dry-aged burger with provolone and pickled jalapeño.

Courtney Kaplan has assembled a mostly French wine list with good values—Camélia is one of the few trending restaurants offering a number of bottles under $75—and a sake selection. As at a French bistro, a cheese plate is offered, as well as desserts revealing both French and

Japanese influences. Items on the daily changing menu might include a pistachio-berry tart with yuzuChartreuse cream or pudding with kokuto (black sugar) caramel.

Camélia has found an enthusiastic audience in the Arts District,

a reminder that downtown is never stagnant, and that divergent sides of its multicultural personality can be showcased on a single plate.

Camélia, 1850 Industrial St., downtown, 213.800.9750, cameliadtla.com

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The patio at Camélia

/CONTINUED FROM PAGE 14 space in the overheard bin. If the bin is too full, she says, “I can’t fly.”

It’s been legally her right to carry on her violin since 2012, when Congress passed a bill standardizing Federal Aviation Administration rules for stowing musical instruments on a flight.

Batjer keeps a copy of the regulation at the ready; she’s had to pull it out more than once. “A lot of the airlines will say, ‘Oh no, we don’t take violins.’ I’ll say, ‘Actually, you do. Here’s the FAA policy.’ ” Even so, she runs into

the occasional gate agent or flight attendant who insists that she must check her instrument. “It’s like if you had a child, and someone says, ‘We’ll just put it [in baggage] underneath the plane.’”

In-demand violinist Rachel Barton Pine also

carries a valuable instrument, a 1742 Guarneri del Gesú violin on lifetime loan from an anonymous benefactor. In the 19th century, Brahms personally selected the violin for one of his proteges, Marie Soldat, at that time a rare woman violin soloist.

Pine takes her instrument almost weekly on a flight from Chicago to another city or country for a performance and a few days later flies it back.

She follows strict guidelines for proper care of instruments that she shares via her Rachel Barton Pine Foundation.

“I was taught the basics of care when I was using a cheap rental at age 3,” she says; her first children’s violin was one-sixteenth the size of a standard instrument. That includes putting it back in the case after each practice session and never leaving it in the trunk of a car because it could get stolen, cold or

Rachel Barton Pine and her 1742 Guarneri del Gesú violin

JOY FOR ALL

Nochebuena: A Christmas Spectacular

Featuring Ballet Folkórico de Los Ángeles and Mariachi Espectacular with Special Guest Camila Fernández

$43–$138

Dorrance Dance: The Nutcracker Suite

Duke Ellington & Billy Strayhorn, arrangement

Pyotr Illyich Tchaikovsky, composer

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The World Famous

Glenn Miller Orchestra

In the Holiday Mood

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Lea Salonga: Sounding Joy

The Holiday Tour

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SWEET HONEY IN THE ROCK®

50th Anniversary Tour

Celebrating the HolyDays

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Dorrance Dance

Adventures In Caving

Robbie Shone, photographer and National Geographic Explorer

December 19, 2024

Untangling the Mind

Steve Ramirez, neuroscientist and National Geographic Explorer

March 27, 2025

Earth After Dark

Babak Tafreshi, photojournalist-cinematographer and National Geographic Explorer

May 8, 2025

Get tickets at broadstage.org

FEATURE overheated.

Pine carries the FAA regulations as well as the policy of the airline she’s flying and has had to pull out both more than once. “I’ve had amusing times where a flight attendant will say, ‘Don’t quote the law at me!’”

Pine has come across flight attendants and gate agents who she believes were just having a bad day.

One incident led to headlines across the internet, when she tweeted a photo of her husband and her young daughter on the floor of the Phoenix airport, asleep next to her violin case after the instrument was deemed too large for the overhead bin.

Reasoning with the agent went nowhere.

“I said, “I’ve flown this aircraft hundreds of times. I know it fits because I do it all the time.’” Pine offered to show the attendant how it could fit but was denied entry.

With their toiletries, pajamas and other luggage already on the plane, the trio camped out at the gate waiting for a morning flight. Pine and her husband took turns sleeping so that one of them could watch the Del

Gesú. They had no problem boarding the next day.

Speaking of her husband, Pine notes that airport employees who dismiss her demands often change their minds when her husband makes precisely the same argument “with his deep baritone and CEO body language.”

“They’ll be like, ‘OK, sir. I understand.’ That’s eyeopening. It’s very stark.”

Changing TSA policies can also make the situation a moving target.

Last spring, following a concert in Berkeley, Batjer came across a new challenge while going through Oakland TSA with cellist Andrew Shulman. Cellos are too large for the overhead bin, so cellists such as Shulman purchase a second seat and buckle in their instrument.

One of the more memorable traveling cellos belonged to the

Pacific Symphony double bass player Richard Cassarino

Rhapsody in Blue/ La Mer

late Lynn Harrell. He once wrote in his blog of buying Delta tickets for himself and for “Mr. Cello Harrell” for 11 years, collecting half a million frequent flyer miles for himself and his instrument in the process.

NOVEMBER 16, 2024

GERSHWIN RAVEL

One day Delta contacted him via “a rude letter,” he wrote, in which the airline revoked his and his cello’s miles.

At the Oakland airport, Batjer and Shulman were told that their instruments had to fit into new “tiny” bins that the musicians were certain would damage their valuable possessions.

They balked—which led to other problems.

“TSA said [the violiln] had to be hand-inspected. It was an hour-and-a-half ordeal. I almost missed my flight,” Batjer recalls.

TSA then carried the instruments to the other side of the X-ray machine, telling Batjer they would need to swab her violin.“I said, ‘Swab with what?’ ” Batjer learned that the swab would detect explosive materials‚ and again she refused.

“I can’t let you touch the varnish of my instrument, the varnish is where the value is,” she says she told them. “It’s not just in the craftsmanship.”

She allowed them to swab unvarnished parts of the violin and her case.

FEATURE

Batjer wonders if these smaller TSA bins will be coming to more U.S. airports. “That’s a little frightening to me,” she says.

Things are different for musicians with oversized instruments, such as Richard Cassarino, new principal bass player for Pacific Symphony.

As a high schooler who switched from an electric bass guitar to a double bass, Cassarino hadn’t considered the hassles

you’re starting out,” he says. “I just thought the bass looked cool, and I liked playing it. But even early on, it was a pain to lug that thing around.”

When possible, Cassarino drives.

Before he joined the Pacific Symphony, he was based in Alabama and after the pandemic went to many auditions.

He and a colleague carpooled to a number of tryouts—in Dallas, Philadelphia and Atlanta—and to one with the Chicago Symphony, where his friend is now the assistant principal bass.

“Driving is a lot less risk to the instrument, and a lot less expensive as well,” Cassarino notes. He figures his instrument, made in the 1850s, is valued between $20,000 and $30,000.

When he must fly, he obviously can’t carry on his bulky hard plastic white case. That means it needs to be checked.

Over time, he’s learned to always fly Southwest Airlines, which has a flat rate of $125 for oversized instruments. The airline’s limit is 100 pounds and his double bass in its case happens to squeak by at 99 pounds.

He’s had no mishaps yet, he says, but adds, “You’re always kind of rolling the dice when you check the bass.”

REPROGRAMMED !

Performances Magazine unveils a digital program platform for shows and concerts

DROP DOWN MENU Table of app contents.

REGISTER

Stay arts-engaged, access past programs.

THE ESSENTIALS Acts, scenes, synopses, repertory and notes.

CONTRIBUTORS

Donors and sponsors who make it all possible—you!

NO RUSTLING PAGES, no killing trees . . . The new Performances program platform, accessed on any digital device, is among the more enduring innovations to have come out of the pandemic. The platform provides the programs for 20 Southern California performing-arts organizations, from the Los Angeles Philharmonic and Ahmanson Theatre to San Diego Opera, where the app made its debut.

The touchless platform provides cast and player bios, donor and season updates and numerous other

arts-centric features. Audiences receive a link and a code word that instantly activate the app; QR codes are posted, too.

Screens go dark when curtains go up and return when house lights come back on. Updates—such as repertory changes, understudy substitutions and significant new donations—can be made right up to showtime, no inserts necessary. Other features include video and audio streams, translations and expanded biographies.

For those who consider printed

SEARCH

Find whatever it is you want to know—easily.

SIGN IN

Link to your performing-arts companies and venues.

THE PLAYERS

Bios and background for cast, crew and creators.

WHAT’S ON

What’s coming at a glance and ticket information.

programs to be keepsakes, a limited number, as well as commemorative issues for special events, continue to be produced. Collectibles!

Meanwhile, there is less deforestation, consumption of petroleum inks and programs headed for landfills. For the ecologically minded, the platform gets a standing ovation.

When theaters and concert halls reopened after their long intermission, the digital Performances was but one more reason for audience excitement. Activate your link and enjoy the shows. —CALEB WACHS

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