Performances Magazine | La Mirada Theatre, March 2023

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LA MIRADA THEATRE MARCH 2023 Scan to access digital program
#OpenAirOpera TOSCA Giacomo Puccini THE FLYING DUTCHMAN Richard Wagner PELLÉAS ET MÉLISANDE Claude Debussy RUSALKA Antonín Dvořák ORFEO Claudio Monteverdi World Premiere Orchestration by Nico Muhly MUSIC Claude Debussy LIBRETTO Claude Debussy adapted from Maurice Maeterlinck’s play Pelléas et Mélisande 8:30 pm July 15, 19, 28 8 pm August 3, 9, 18
et Mélisande
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Pelléas
Pelléas et Mélisande Illustration by Benedetto Cristofani
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contents

P1 Program

Cast, performances, who’s who, director’s notes and donors

6 In the Wings

L.A. Phil music directors past and present on the podium at Walt Disney Concert Hall; first "artist intervention" at the Hollyhock House; American Ballet Theatre premiere of Like Water For Chocolate

12 Cultural Conduit

Composer Reena Esmail's hybrid Western and Indian classical music creates connections among cultures, performers and audiences. She's artist-in-residence at the Los Angeles Master Chorale.

18 Kitchen Connection

Designer Caren Rideau's passion for family, food and wine inspires her kitchen designs just as homeowners rediscover the space.

24 Skewed to Perfection

H&H Steakhouses at Beverly Center and downtown make all-you-can-eat an art form via the Brazilian experience known as churrasco.

32 Parting Thought

Performances’ new program platform for shows and concerts can be accessed from any digital device.

P. 6 EMMA ZORDAN, P. 12 JAMIE PHAM, P. 24 CAROLINA KORMAN MARCH 2023 MAGAZINE 24 6
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2 PERFORMANCES MAGAZINE

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PUBLISHER

Jeff Levy

EDITOR

Benjamin Epstein

ART DIRECTOR

Carol Wakano

CONTIBUTING WRITERS

Roger Grody, Libby Slate, Hadley Tomicki, Caleb Wachs

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Glenda Mendez

PRODUCTION ARTIST

Diana Gonzalez

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Walter Lewis

ACCOUNT DIRECTORS

Kerry Baggett, Jean Greene, Tina Marie Smith

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LAOPERA.ORG • 213.972.8001 Tickets for ALL Budgets CHRIST OPHER KOELS CH JAME S CONLON RICHARD SE AVER MUSIC DIRECTOR PRESIDENT AND CHIEF EXECUTIV E OFFICER SEBA STIAN PAUL AND MARYBELLE MUSCO MAR 25–APR 16 THE MOST GORGEOUS MUSIC YOU’VE NEVER HEARD DEBUSSY's EXPERIENCE AN OTHERWORLDLY FAIRYTALE OF FORBIDDEN LOVE starring SYDNEY MANCASOLA, WILL LIVERMAN, FERRUCCIO FURLANETTO and SUSAN GRAHAM conducted by JAMES CONLON

SUCCESSION

IT ISN’T OFTEN that Los Angeles Philharmonic audiences can experience the visions of three of its leaders in as many months. Current music director Gustavo Dudamel leaves to assume that post at the New York Philharmonic in 2026; conductor laureate Esa-Pekka Salonen helmed the L.A. Phil from 1992 to 2009; conductor emeritus Zubin Mehta led it from 1962 to 1978. March 2-5, Mehta conducts Berlioz’s Symphonie fantastique and— with alto Gerhild Romberger and women’s and children’s

choruses—Mahler’s Symphony No. 3. May 18-21, Salonen oversees the U.S. premiere of his Sinfonia concertante for organ and orchestra, an L.A. Phil commission, plus Stravinsky’s Petrushka and Bartok’s The Miraculous Mandarin. May 25-27, Dudamel takes the podium for world premieres of two L.A. Phil commissions, Ellen Reid’s West Coast Sky Eternal and Gabriella Smith’s Lost Coast, and for Beethoven’s Symphony No. 7. Walt Disney Concert Hall, 111 S. Grand Ave., downtown, 323.850.2000, laphil.org

IN THE WINGS
CLASSICAL 6 PERFORMANCES MAGAZINE
ZOHAR RON AND, OPPOSITE, DINA REGINE
PERFORMANCES MAGAZINE 7
Gustavo Dudamel. Opposite: Zubin Mehta, above, and Esa-Pekka Salonen

Artists in the House

THE FRANK LLOYD Wrightdesigned Hollyhock House, a UNESCO World Heritage Site, presents its first “artist intervention,” Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House. The showing, through May 27, features new work inspired by and “in dialogue with” the site. Bonnet is known for portraits with grotesque features and exaggerated proportions on canvas or paper,

ceramicist Silverman for sculptural vessels and richly textured glazes. “With fused vessels and interwoven appendages,” says curator Abbey Chamberlain Brach, their work “resonates with the entanglements between Aline Barnsdall, her architect Frank Lloyd Wright, and the artists and architects who engaged with the house in the early 20th century.” 5905 Wilshire Blvd., L.A., 323.857.6000, lacma.org

IN THE WINGS
ART
PHOTOS JOSHUA WHITE
8 PERFORMANCES MAGAZINE
At Hollyhock House: Louise Bonnet painting and, here and below, Adam Silverman ceramics

WINTER @ THE WALLIS

MAR 3 The Last Sorcerer (LE DERNIER SORCIER)

MAR 4

An Evening with Isaac Mizrahi

MAR 9

Seth Parker Woods, Cello

MAR 16-18 Songs of Shanghai Sonatas

MAR 30

Lillias White with Seth Rudetsky HOST & PIANIST

APR 9 SUNDAY FUNDAY: Mostly Kosher, Dance Sunday with Debbie Allen & Friends: Salsa

APR 13-16

Hershey Felder as George Gershwin Alone

APR 22-23

Acoustic Rooster’s Barnyard

Boogie: Starring Indigo Blume

APR 27

Ulysses Owens, Jr. & J’nai Bridges: Notes On Hope

SINGLE TICKETS NOW ON SALE!

2022/2023 SEASON

GET YOUR TICKETS! TheWallis.org

ACOUSTIC ROOSTER’S BARNYARD BOOGIE: STARRING INDIGO BLUME SETH PARKER WOODS ISAAC MIZRAHI
DANCE THEATER FAMILY MUSIC THE WALLIS IS THE PROUD RECIPIENT OF GENEROUS SUPPORT AND RECOGNITION FROM:
SONGS OF SHANGHAI SONATAS

Magic in Movement

NOTHING COULD BE sweeter than the U.S. premiere of American Ballet Theatre’s Like Water for Chocolate for its engagement March 29-April 2 at Segerstrom Center for the Arts. Choreographer Christopher Wheeldon’s fulllength ballet brings the magical realism of Laura Esquivel’s novel to mouth-watering life. “Having Christopher and his team transform my story into a ballet is truly magical for me,” Esquivel says. It centers on a young Mexican woman whose upbringing prevents her from marrying until her mother dies. Overwhelmed by duty, her only form of expression is through cooking—with startling effects. When she falls in love with her wealthy neighbor, their forbidden passion has far-reaching, and devastating, consequences. 600 Town Center Drive, Costa Mesa, 714.556.2787, scfta.org

EMMA ZORDAN
Cassandra Trenary and Daniel Camargo in Like Water for Chocolate
DANCE IN THE WINGS 10 PERFORMANCES MAGAZINE

MAR 3 & MAR 4

Shamel Pitts

TRIBE

Touch of Red

Freud Playhouse

MAR 11

DakhaBrakha

The Theatre at Ace Hotel

MAR 25

Sam Green

32 Sounds

The Theatre at Ace Hotel

APR 29

Perla Batalla & Quetzal

Royce Hall

APR 30

Dream House Quartet

Katia & Marielle Làbeque, Bryce Dessner & David Chalmin

Royce Hall

2023 SPRING PROGRAMS

Tickets on sale now

Visit cap.ucla.edu/spring2023

MAY 7

Avery*Sunshine

The Theater at Ace Hotel

MAY 11

Quinteto Astor

Piazzolla

Royce Hall

MAY 12

The Small Glories

Royce Hall Terrace

MAY 21

Matthew Whitaker

The Theater at Ace Hotel

JUN 22

Dan Froot & Company Podcast

Royce Hall

Rehearsal Room

FEATURE 12 PERFORMANCES MAGAZINE

CULT UR A L

CONDUIT

Composer Reena Esmail’s Western and Indian classical music creates connections among cultures, performers and audiences.

When composer Reena

Esmail received a commission from the Los Angeles Master Chorale as its Swan Family Artist-In-Residence, she considered potential subject matter. After ruling out Covid-19 and women’s issues, she hit upon a topic that people living in drought-affected Los Angeles could relate to: a requiem for water. The work—about 30 minutes in length, untitled at press time—has its world premiere at the ensemble’s March 26 concert at the Walt Disney Concert Hall downtown; it’s paired with Gabriel Fauré’s 19th-century Requiem in D minor.

“We’re here in Southern California, and all of us are deeply affected by the fact that water is becoming scarcer and scarcer,” says Esmail, who grew up in L.A. after moving from her native Chicago at age three. She earned a bachelor’s degree in composition from Juilliard and a master’s and doctorate from Yale.

“I thought, what better way to really talk about this issue than to bring love

and care, and the mourning of the loss of that water, to a piece of music.”

Esmail’s inspiration came while attending a poetry reading by William O’Daly, known for his English translations of works by Chilean poet Pablo Neruda; O’Daly has written poems about water loss and is the lead writer for the California Department of Water Resources’ Water Plan. She reached out to O’Daly. “The requiem is a combination of Latin requiem [mass for the dead] texts, [O’Daly’s] English texts and a few Indian texts as well.”

The Indian texts will be sung by Esmail’s longtime collaborator, Saili Oak; the chorale orchestra is joined by Indian musician Abhiman Kaushal on the tabla, two drums played by hand. Unlike Western classical music, Indian music has little notation and is primarily improvised. The result, Esmail says, is more complex melody and rhythm than can be accomplished in a printed score.

Combining Western counterpoint and harmony with the improvised

JAMIE PHAM
Los Angeles Master Chorale artist-in-residence Reena Esmail
PERFORMANCES MAGAZINE 13

Indian music, she says, is “a matter of understanding a tradition and the ways that it works to its practitioners, then finding ways that those [elements] align.”

Aligning those two cultures through music has been the goal of Esmail, the daughter of Indian immigrants, throughout her career.

“As I got further into classical music,” she recalls, “I realized it would pull me further and further away from my Indian culture if I didn’t do something to be that connector. I started this journey of trying to understand Indian classical music, and trying to find ways I could bridge those

gaps—mostly because I loved being in both cultures, and I wanted both cultures to experience one another.”

Esmail received a 2011-’12 Fulbright-Nehru grant to study Hindustani music in India; experiencing the monsoon season there influenced her when writing her rain requiem for the chorale. She is a co-founder of Shastra, a nonprofit that promotes IndianWestern musical connections.

There’s a hint of destiny in Esmail’s connection to the Master Chorale: Her experience with choral music in L.A. began when she was a child attending St. Charles Borromeo Church in North

Hollywood, whose longtime music director Paul Salamunovitch led the Master Chorale from 1991 to 2001.

She recalls the wonder of hearing the church choir perform Morten Lauridsen’s O Magnum Mysterium, a 1994 Chorale commission, when she was 11. “It’s just amazing,” she marvels. “Morten wrote that piece when he was in the artist-inresidence position I’m in now!”

Esmail has held the position since 2020. She met chorale artistic director Grant Gershon at a choral conference where her work This Love Between Us was performed; they discovered they shared similar values and /CONTINUED ON PAGE 30

FEATURE
14 PERFORMANCES MAGAZINE
Still from Reena Esmail’s cross-cultural choral-and-dance celebration TaReKiTa

AVA

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04.05–05.07.2023

PRESENTING SPONSOR

WRITTEN BY ELIZABETH MCGOVERN DIRECTED BY MORITZ VON STUELPNAGEL

BASED ON THE BOOK THE SECRET CONVERSATIONS BY PETER EVANS & AVA GARDNER

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THE SECRET CONVERSATIONS
GEFFENPLAYHOUSE.ORG
ELIZABETH M c GOVERN AS AVA GARDNER PHOTO
BETTMAN
BY JUSTIN

LA

MIRADA THEATRE FOR THE PERFORMING ARTS and MB ARTISTS, Inc.

(Kevin Bailey and James J. Mellon, Producers) present

The World Premiere of

Book, Music and Lyrics by Developed and Directed by RANDY

ROGEL BT MCNICHOLL

Starring

STEVEN BOOTH VANESSA SIERRA ROSS HELLWIG KINGSLEY LEGGS KATHY FITZGERALD with

JOSH ADAMSON JAMIR BROWN JANNA CARDIA JAMES CALEB GRICE ASHLEY MONIZ

Scenic Design Costume/Wig/Makeup Design

Lighting Design

Sound Design

JOHN IACOVELLI ANN CLOSS-FARLEY DAVID LANDER CRICKET S. MYERS

Projection Design

Puppet Design

Properties Design

RYAN MARSH ARAN DE LA PEÑA PAMELA K. MARSDEN

Casting Publicist

Production Stage Manager

Technical Director

General Manager

DAVID ELZER/ BREE SHERRY GENE O’DONOVAN MATTHEW HERRMANN CHAD ERIC MURNANE, CSA DEMAND PR AMBER SNEAD, CSA

BINDER CASTING

Dance Arrangements

Orchestrations

Musical Supervisor

Musical Director

DAVID DABBON LARRY HOCHMAN KIMBERLY GRIGSBY ANDREW ORBISON

Choreographed by CONNOR GALLAGHER

OPENING NIGHT MARCH 18, 2023

LA MIRADA THEATRE FOR THE PERFORMING ARTS

www.LaMiradaTheatre.com

PERFORMANCES MAGAZINE P1

THE COMPANY

Steven Booth Ross Hellwig Kingsley Leggs Kathy Fitzgerald Vanessa Sierra Josh Adamson Janna Cardia James Caleb Grice Ashley Moniz Jamir Brown Lucas Blankenhorn
P2 PERFORMANCES MAGAZINE
Carlin Castellano

CAST OF CHARACTERS

Walter Paisley ...................................................................................... STEVEN BOOTH*

Carla ................................................................................................... VANESSA SIERRA*

Maxwell ................................................................................................ ROSS HELLWIG*

Leonard ............................................................................................. KINGSLEY LEGGS*

Mrs. Swickert KATHY FITZGERALD*

Lili Von Vondergraff ............................................................................ JANNA CARDIA*

Beatnik Girl .......................................................................................... ASHLEY MONIZ*

Detective Lou Raby .......................................................................... JOSH ADAMSON *

Beatnik Guy JAMES CALEB GRICE*

Clive, Mayor ............................................................................................. JAMIR BROWN

UNDERSTUDIES

Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

For Walter Paisley, Maxwell, Leonard, Raby, Beatnik Guy, Clive: LUCAS BLANKENHORN; For Carla, Mrs. Swickert, Lili, Beatnik Girl: CARLIN CASTELLANO

Production Stage Manager .................................................................... BREE SHERRY*

Assistant Stage Manager .............................................................. BRIDGET ROONEY*

PLACE & TIME

San Francisco, 1958.

There will be one 15-minute intermission during this performance.

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law.

PERFORMANCES MAGAZINE P3

MUSICAL NUMBERS

“That’s Art” .......................................................................................................Maxwell & Company

“The Older the Violin” ................................................................................................ Mrs. Swickert

“Why Don’t I Have Talent?” .................................................................................................... Walter

“It Don’t Get No Better Than That”.......................................................................................... Carla

“You’re an Artist” ..................................................... Walter, Leonard, Carla, Julie, Greg, Pigeons

“Did You See What Walter Paisley Did Today?”............................................................. Company

“She Kissed Me” ........................................................................................................ Walter & Carla

“That’s Art” (Reprise) ............................................................ Maxwell, Beatnik Guy & Beatnik Girl

“The Older the Violin” (Reprise) ................................................................................ Mrs. Swickert

“What Is Art?”........................................................................................................................... Walter ACT II

“Everybody Wants Art That’s Real” .................................................................................. Company

“One Hundred Dollars” ......................................................... Walter, Carla, Leonard & Company

“I’m Moving On” ........................................................................................................................ Carla

“It’s Gonna Be the High Life For Me” ................................................................................. Leonard

“He’s Gonna Getchya!” ........................................................................................ Animals & Walter

“The Older the Violin” (Duet)..................................................................... Walter & Mrs. Swickert

“There’s No One Else That’s Like You” .................................................................... Walter & Carla

“Walter Paisley’s Going to Hell” ............................... Maxwell, Lt. Raby, Mrs. Swickert, Company

“Everybody Wants Art That’s Real” (Reprise) ................................................................. Company

“That’s Art” (Reprise) ......................................................................................................... Company

ORCHESTRA

Conductor: Andrew Orbison;

Keyboard 1: Benet Braun; Keyboard 2: Amy Liu;

Bass: Julian Cantrell; Drums: Austin Farmer;

Guitar: Ian Felchlin; Woodwind/Reeds: Frank Fontaine

ACT I
P4 PERFORMANCES MAGAZINE

ARTISTIC DIRECTOR’S NOTES

So… DID YOU SEE WHAT WALTER PAISLEY DID TODAY?

Creating new work – from the blank page to the full stage – is always the most daunting, but frequently the most exciting, of theatrical endeavors. The journey is full of twists, U-turns, blind alleys, and – one hopes – a green light or two.

Randy Rogel, the multi-Emmy Award-winning composer/lyricist, brought the idea of the show to La Mirada Theatre just about three years ago. (I say “just” because, given the realities of play production these days, three years could be considered warp speed.) Randy and I had known each other for 20 years, when, wearing his actor hat, he played the lead in a rare but joyous 1915 Jerome Kern musical I directed at the Goodspeed Opera House. I mention this because that show, now that I look back, has some things in common with this show: it had a small cast, a brisk pace, a cornucopia of melody, and, we hope, that increasingly vanishing theatrical ingredient – charm. Now, how Kern arrived at his destination and how we arrived at ours a century later couldn’t be more different, since our show would be the kind of dark comedy that wasn’t in vogue in his day.

In Spring of 2020, La Mirada Theatre’s smallbut-mighty staff gathered on an empty stage to hear Randy’s first draft of Act I, and, based on their enthusiasm and positive input from the actors, we embarked on a series of internal readings to finish the show. As they say: musicals aren’t written, they’re rewritten – and the gifted performers who brought those developmental drafts to life deserve an ongoing standing ovation. Finally, we presented the show to newcomers – first, our beloved ushers (who are also discerning theatregoers) and then our valued subscribers in a concert reading in October 2021. Their further encouragement led the City of La Mirada to do something it hadn’t yet done in its already-impressive history of supporting the Arts: give the Theatre the opportunity to present a musical that it had developed from the ground up. For that, we will always be deeply grateful, and we imagine that everyone who loves the Arts feels the same.

Of course, the fact that so many magnificently talented theatre artists jumped on board – stellar designers, musical wizards, choreographic creators, and actors from Broadway and Los Angeles – working with the tireless producer Kevin Bailey (MB Artists) – has made the journey even more rewarding.

It’s a show with a long title – and a question.

But it’s one we’ve enjoyed answering.  Here’s hoping you will, as well.

Rehearsing a developmental workshop for WALTER PAISLEY
PERFORMANCES MAGAZINE P5
Randy Rogel

WHO’S WHO

JOSH ADAMSON (Detective Lou Raby) From Australia and now LA-based, he recently filmed the feature Book of Job starring as Job, “Almost Paradise” on Amazon Prime and “General Hospital.” Theatre credits include Big Fish (Theatre Critic’s Circle Nomination), The Producers, Catch Me If You Can, Aida, Funny Girl, Footloose, Annie , Taboo (original Broadway workshop) , Hook in the London 360 production of Peter Pan . Film & TV: “The Wedding Video,” “Unidentified,” “Look @ Me,” “Desert of Blood,” “Portal,” “Painting in the Rain, “First Landing, “The Clean Up Woman,” “Make It or Break It,” “Big Time Rush.” Thanks to DDO Artists Agency, friends and family for their love and support.

Instagram: @joshadamsonn

STEVEN BOOTH (Walter Paisley) Broadway: TINA – The Tina Turner Musical (Phil Spector/ Terry Britten), School of Rock (Ned), Glory Days (Will), Avenue Q (Princeton/Rod u/s). Off-Broadway: Dogfight (Gibbs). National Tours: Kinky Boots (Charlie Price), Happy Days (Richie Cunningham). Recent Regional: Elf The Musical (Buddy). Film/TV: “Modern Love” (Craig). Many thanks to Steve Maihack @ 44West Entertainment, and all my love to Molly, Maezie and Sawyer. Stevenbooth.net

JAMIR BROWN (Clive, Mayor) is a NYCbased actor from Houston, Texas, excited to be creating with this wonderful cast and team. Most recently seen in Stranger Sings! The Parody Musical at Playhouse 46 as Lucas. Many thanks to God, his parents and sister for their support, and Mr. Jones for laying the foundation. To all the black/brown queer

kids, you not only can, but WILL! Instagram: @jamir.jb

JANNA CARDIA ( Lili Von Vondergraff ) is overjoyed to be returning to La Mirada Theatre, last seen here in The Sound of Music (Frau Schmidt/Sister Sophia). While live theatre is Janna’s favorite medium, she’s also a TV/Film/commercial actress, audiobook narrator and Hot Yoga instructor! Tours: Cinderella w/Lea Salonga (Broadway Asia), Divorce Party (Kravis Center, Parker Playhouse, El Portal), The Wizard of Oz (CLO Tour), The Music Man with Shirley Jones. Regional: South Coast Rep, Musical Theatre West, PVPA, CVRep, Ensemble Theatre Company, 5-Star Theatricals, 3-D Theatricals, California Music Circus, Tuacahn Amphitheatre, Playwrights Horizon, Fulton Opera House, Stages St. Louis, Stages Houston, Riverside Theatre, Arkansas Rep, Auditorium Theatre Chicago.

www.jannacardia.com | Insta: @jannacardia

KATHY FITZGERALD ( Mrs. Swickert )

Broadway: Wicked (Madame Morrible), has performed over 2,000 performances, and the national tour. Charlie and the Chocolate Factory (Mrs.Gloop), The Producers (Shirley Markowitz), Swinging on a Star (Drama Desk nom), 9 to 5 (Roz, Outer Critics nomination).

Off-Broadway: Damn Yankees (Encores!), Disaster!, Donnybrook (Irish Rep). Regional: The MUNY, McCarter, Goodspeed Opera House. Regional Favorites: School for Wives, Search for Signs, Kathy & Mo, Twelfth Night, Tempest. TV/Film: “Smash,” “Mercy,” “One Life to Live,” “Curb Your Enthusiasm,” The Next Three Days, Our Idiot Brother and

P6 PERFORMANCES MAGAZINE

The Producers. Recent credits include Clue (Papermill Playhouse) and “Indoor Boys” (2020 Indie Award nomination).

JAMES CALEB GRICE (Beatnik Guy) is having a gas with these cool cats. Being a part of this world premiere has been everything plus! Television: “The Goldbergs” (ABC). National Tour: The Prom (1st Nat’l). Favorite Regional: West Side Story (VA Rep), Velvet the Show (NCL). Huge thanks to Bloc and the creative team. Endless love to Clay. For Mom. @jamescalebgrice

ROSS HELLWIG (Maxwell) is honored to be making his La Mirada debut in Did You See What Walter Paisley Did Today? West Coast credits include shows with The Old Globe, ETC Santa Barbara, Rubicon, Lamb’s Players, Kingsmen Shakespeare, B Street, International City Theatre, North Coast Rep, Intrepid, The Fountain, LA Theatre Works, A Noise Within, Sierra Rep, Palos Verdes Performing Arts, and Diversionary Theatre. Elsewhere he has worked with New Theatre, Pittsburgh Public, Southwest Shakespeare, Pittsburgh Irish & Classical Theatre, and Vienna’s English Theatre, among others. Film and television credits include The Selling, “Law & Order: SVU,” “Numb3rs,” and “Guiding Light.”

KINGSLEY LEGGS (Leonard) Last seen as Hassan in Goddess at Berkeley Rep (world premiere). Broadway: Pretty Woman, Sister Act, The Color Purple and Miss Saigon. OffBroadway: Little Shop of Horrors, The Bubbly Black Girl. Toured nationally and internationally with productions of The Gershwin’s Porgy and Bess, Sister Act, Miss Saigon, Ragtime, It Ain’t Nothing but the Blues and Forbidden Hollywood.

Film/TV: Hello Again, “The Americans,” “The Good Wife,” “Law and Order: SVU,” “One Life to Live,” “City of Angels.” Regional: Papermill Playhouse, Goodspeed Opera House, Baltimore Centerstage, Goodman Theatre, Alliance Theatre, North Carolina Theatre, Fifth Avenue Theatre, Denver Center Theatre and others. Kingsley holds a Bachelor of Music degree from Benedictine College.

ASHLEY MONIZ (Beatnik Girl) Last seen as Melanie in Grumpy Old Men: The Musical, Ashley is thrilled to be back at La Mirada. 1st National Tours: Kinky Boots, Sister Act (Sister Mary Robert), 9 to 5, Legally Blonde, High School Musical. Recent Regional: 9 to 5 (Judy Bernly, Musical Theatre West), Kinky Boots (Hollywood Bowl). TV: “South Park 25th Anniversary Concert,” “Beadies.” Favorite roles: Benet’s wife and Everly’s mommy. Endless gratitude to KMR, Binder, this dream production/creative team, and brilliant company. www.ashleymoniz.com | @ashleymonizb

VANESSA SIERRA (Carla) is thrilled to be making her La Mirada debut! She is a New Jersey-based performer and graduated last spring from Montclair State University with a BFA in Musical Theatre. Previous credits:  On Your Feet  (Rebecca, u/s Gloria Estefan, Paper Mill Playhouse),  West Side Story (Anita, Marriott Theatre - Jeff Award Nomination), The Nutty Professor (Dot, Ogunquit Playhouse). She would like to send love to her family, friends, and to Katie and Violet at Pantera/ Murphy the Agency. Proud Puerto Rican. Insta: @vanessa.auroras | vanessasierra.net

PERFORMANCES MAGAZINE P7

LUCAS BLANKENHORN (u/s Walter, Maxwell, Leonard, Det. Lou Raby, Beatnik Guy, Clive) is honored to be a part of this production. La Mirada debut! Previous credits: Newsies (3DT), She Loves Me (SDMT), Holiday Inn (MTW), West Side Story (Moonlight). BFA The Boston Conservatory. Much love to family, friends, and the creative team for their support! @lucasblanken

CARLIN CASTELLANO ( u/s Carla, Mrs. Swickert, Lili, Beatnik Girl) Regional: Sister Act (Sister Mary Robert), The Little Mermaid (Ariel), Holiday Inn, The Hunchback of Notre Dame, Les Misérables (Éponine), Fiddler on the Roof (Hodel), Titanic, The Wizard of Oz (Dorothy), Aladdin: A Musical Spectacular, Frozen — Live at the Hyperion , Mickey and the Magical Map (Disneyland Resort). Thank you to the creative team!

RANDY ROGEL (Book, Music & Lyrics) has won three Emmy Awards (nominated for ten), a Peabody Award, two Annie Awards, three Leo Awards, and an Ovation Award. Randy spent nine years on staff at Warner Bros. writing for such shows as “Batman,” Steven Spielberg’s “Animaniacs,” “Pinky and the Brain,” and at Disney Television he wrote and composed for  Monsters Inc., Peter Pan, Cinderella , Winnie the Pooh , Tarzan , The Seven Dwarves, and  101 Dalmatians. Randy is a West Point graduate with ten years of service as an officer in the combat arms. He has a BS in Engineering from the academy and a Master’s Degree in International Relations from Boston University.

BT McNICHOLL (Director) has been on the original creative teams of a dozen Broadway shows, including the Tony-winning hits Billy Elliot, Cabaret, and Spamalot, as the Associate Director

for Sam Mendes, Jerry Zaks, Stephen Daldry, David Hare, Rob Marshall, and the legendary Mike Nichols. Internationally, McNicholl won the Helpmann (the Australian Tony Award) for Best Direction and staged the European premiere of The Producers for Mel Brooks. A BMI awardwinning writer, his musicals have played OffBroadway (“The IT Girl” supervised by Tony winner Jerry Zaks), on national tour, and Madison Square Garden. He has developed new work at the Eugene O’Neill Theatre Center and directed award-winning productions for The Goodspeed Opera House (Best Musical), Walnut Street Theatre (Kleban Award), and Ogunquit Playhouse (Moss Hart Award). Additionally, he has directed at the Hollywood Bowl, was a Development Consultant for MGM On Stage, spent three years with the Shubert Organization, and wrote for the Associated Press Newswire.

CONNOR GALLAGHER ( Choreographer )

Broadway: Beetlejuice. Other: The Robber Bridegroom (Roundabout, Astaire Award), Disney’s Beauty and the Beast (Disney Dream, Brass Ring Award), Found (Philadelphia Theatre Company), Elf The Musical (Kennedy Center), The Twelve (Denver Center), Tangled (Disney Magic, world premiere), and productions at The Public Theater, Shakespeare Theatre Company, ACT, Two River, Westport Country Playhouse, TheatreWorks and Northern Stage. Currently developing two musicals as director: Miss Step (Playwrights/The Village) and a new project for The Walt Disney Company. Connor is a graduate of CCM, where in 2021 he received the Young Alumni Award. Spent a year on Broadway as a dancing rug. www.connorgallagher.com | @connorga

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ANDREW ORBISON ( Musical Director )

is a Los Angeles-based freelance music director, composer, musician, and arranger. Favorite credits include “It’s a Dog’s Life” Theme (Co-Composer, Disney+), The Final, Final Farewell Tour of Dick and Delores Del Rubio (Composer/Dick Del Rubio, US Tour/Edinburgh Fringe), Drag the Musical (Associate MD/Keys, World Premier - Bourbon Room), Ilcahuilia A Musical (Arranger/MD), Hairspray, All Shook Up (Conductor/KeysSDMT), Sister Act, 25th Annual Putnam County Spelling Bee (Music Director). Andrew also loves traveling, finding new restaurants, and puppy kisses. Love to his partner Gootz! www.andreworbison.com | @andreworbison

KIMBERLY GRIGSBY (Musical Supervisor) Music directing/conducting credits include, on Broadway: Flying Over Sunset, To Kill a Mockingbird, Head Over Heels, Amélie, Spider Man: Turn Off the Dark, Spring Awakening, The Light in the Piazza, Caroline, or Change, The Full Monty, You’re a Good Man, Charlie Brown, Twelfth Night. Off-Broadway: The Lucky Ones, The Fortress of Solitude, Here Lies Love, Coraline, Mother Courage and Her Children, Two Gentlemen of Verona, Songs from an Unmade Bed, Radiant Baby. Other collaborations include My Life as a Fairy Tale, Orphan of Zhao (Lincoln Center Festival), and Fiddler on the Roof (Lyric Opera of Chicago).

LARRY HOCHMAN (Orchestrations) Larry’s career spans over 40 years, encompassing theatre, film, recordings, concerts, and television. Orchestrations include over 100 shows and awards include the Tony, two Drama Desks, Outer Critics Circle, two Clios, five Emmys (composer of The Wonder Pets!),

and Manhattan School of Music Distinguished Alumni. 18 Broadway shows include Book of Mormon (Tony, Drama Desk), She Loves Me (Drama Desk), Pippin, Spamalot, Addams Family, Scottsboro Boys, Something Rotten. Nine Tony nominations, Eight Drama Desk nominations. 18 films including Marvin Hamlisch’s The Informant! and Netflix’s Over the Moon. Recordings/Concerts: Paul McCartney, Eric Idle, Audra McDonald, Boston Pops, NY Philharmonic.

DAVID DABBON ( Dance Arrangements )

Emmy nomination: HBO’s “Last Week Tonight with John Oliver”  Eat Shit, Bob! (Composer). Broadway: Bob Fosse’s Dancin’ (new music and dance arrangements). Beetlejuice – The Musical,  Funny Girl revival, and  Disaster! (dance arrangements).  Sondheim on Sondheim (additional orchestrations). Film: HBO’s Six by Sondheim (Arranger).  Off-Broadway: NYTW’s production of  The Events (Music Supervisor), Playwright Horizon’s  The Christians  (Music Supervisor). Composer: Game On (Pittsburgh CLO),  Surface (Dallas Black Dance Theatre). Orchestrator: Audra McDonald’s  Sing Happy  and  Go Back Home. Graduate of The Hartt School and Carnegie Mellon University. www.daviddabbon.com

JOHN IACOVELLI (Scenic Designer ) has designed 20 productions for Tom McCoy & Cathy Rigby here at La Mirada since their inaugural production of To Kill A Mockingbird in 1994. Then went with them onto Broadway with Peter Pan starring Cathy Rigby (Emmy Award) and the national tour of Camelot. Other Broadway: The Twilight of the Golds. Regional: over 450 productions — Steppenwolf, Geffen Playhouse, South Coast Repertory, Pasadena

PERFORMANCES MAGAZINE P9

Playhouse, Berkeley Rep, McCarter, Denver Center, Long Wharf, Seattle Rep, Center Theatre Group. He won the Distinguished Achievement Award in Scenic Design from the US Institute of Theatre Technology. MFA: NYU Tisch. Website: www.iacovelli.com.

ANN CLOSS-FARLEY (Costume/Wig/Makeup Designer ) The Pee-wee Herman Show (Broadway), Toy Story the Musical (Disney), What About Dick? (Netflix), A Christmas Karen (Pluto TV), The Bourne Stuntacular (Universal Studios), Because of Charley (Renaissance Entertainment), St. Valentines Massacre (National Geographic), Pirates of the Caribbean: Eye of The Storm (Disneyland Shanghai), Sail Away (Carnival Cruise Lines), TWA @JFK (Connie Cocktail Bar), Twelfth Night (Guthrie Theater), Zoot Suit (Mark Taper Forum), Hopscotch: A Mobile Opera (The Industry), and is currently an Assistant Professor of Costume Design at USC. Visit annclossfarley.com for updates.

DAVID LANDER ( Lighting Designer) La Mirada Theatre: Debut. LA Theater: Ahmanson Theatre, Mark Taper Forum, Kirk Douglass Theatre, Geffen Playhouse, among others. Broadway: The Lightning Thief: The Percy Jackson Musical, Torch Song with Michael Urie, The Heiress with Jessica Chastain, Bengal Tiger at the Baghdad Zoo with Robin Williams, 33 Variations with Jane Fonda, I Am My Own Wife , among others. Lander has designed extensively Off-Broadway and in regional theaters throughout the US. International Theatre and Opera: Caracas, Dublin, Delhi, London, Melbourne, Mumbai, Singapore, Sydney, Tokyo, among others. Awards: two Tony Award nominations, five Drama Desk Award nominations (one win), among many others.

CRICKET S. MYERS (Sound Designer) On Broadway, Cricket earned a Tony Nomination and a Drama Desk Award for her design of Bengal Tiger at the Baghdad Zoo . Regional designs include La Jolla Playhouse, The Ahmanson, The Mark Taper Forum, South Coast Rep, The Denver Center for Performing Arts, La Mirada Theater, The Kirk Douglas Theater, Pasadena Playhouse, and the Geffen Theater. She has earned 24 Ovation Nominations, as well as winning The Ruth Morley Award from the League of Professional Theater Women, The Kinetic Award for Outstanding Achievement in Theatrical Design, an LADCC and a Garland Award in Los Angeles. www.cricketsmyers.com

RYAN MARSH, he/him (Projection Designer) is designer whose work spans across theater, concerts, opera, and dance. Originally from Oceanside, his designs have been seen on both coasts and internationally. Some favorite designs include  Cinderella and Into the Woods: In Concert (Moonlight Stage Productions), Peter Pan  (McCoy Rigby Entertainment),  The Curious Incident of the Dog in The Night-Time, Cloud 9, and Bus Riley’s Back in Town  (NYU),  Cowgirls  (Columbia University). Ryan graduated from UCLA with a BA in Lighting, Sound, and Projection Design and is currently pursuing his MFA in Lighting Design at NYU.

ARAN DE LA PEÑA (Puppet Designer) is the founder and CEO of Pro Puppet Makers, a leader in puppet and practical effects design both on screen and stage. Theatrically, Aran has designed for Disney Theatrical, Pixar, and Dreamworks, among others. His designs are featured on Disney+ in both Encanto Live and Coco Live at the Hollywood Bowl, multiple shows for ABC, FOX, Netflix, and HBO, along with several commercials and music videos. Aran works with his team of artists out of his

P10 PERFORMANCES MAGAZINE

workshop in Orange County, who continue to strive to bring innovation and novelty to productions worldwide.

PAMELA K. MARSDEN (Properties Designer)

I’ve been working in props for 20 years, freelance until finding a home as Props Supervisor for CTSA at UCI in 2013. I fell in love with theater in the late 1980s as an audience member and unexpectedly found a way to make it a career. The creative, collaborative, exciting, and challenging world of theater makes my heart sing!

MICHAEL POLAK ( Fight Director ) has choreographed stage violence for South Coast Rep, La Mirada Theatre, North Coast Repertory Theatre, 3D-Theatricals, New Swan Shakespeare Festival, CSUF, Concordia University, and others as well. As an actor he has worked at the Mint Theatre in NYC and regionally at: Pioneer Theatre Company, Chicago Shakespeare, A.C.T., Philadelphia Theatre Company, The Shakespeare Theatre, Playmaker’s Rep, Ensemble Theatre Company, and Hartford Stage among others. Film and television credits include: “BelAir,” 86 Melrose Avenue, “The Chronicles of Jessica Wu,” and recently Mid-Century. He received his M.F.A. from Penn State University and B.A. from California State University, Fullerton. www.michaelpolakactorfd.com

BREE SHERRY (Production Stage Manager)

Off-Broadway: Atlantic Theater Company.

Regional: Pasadena Playhouse, Musical Theatre West,  South Coast Rep, Geffen Playhouse, Kirk Douglas, TACFA, San Diego Rep, Laguna Playhouse, Florida Rep, Merrimack Rep, The Washington Ballet, Studio Theatre, Triad Stage, and Yale Rep. Award

Shows: Latin Grammys, Drama Desk Awards. Television: “Euphoria,” “Encore” and “So You Think You Can Dance.” She’s faculty at CalArts

and earned her MFA in Stage Management from Yale University, School of Drama.

BRIDGET ROONEY ( Assistant Stage Manager) is excited to be a part of the Walter Paisley company. Recent credits include 44: THE unOFFICIAL, unSANCTIONED OBAMA MUSICAL (The Bourbon Room), The Wonderful Winter of Oz (Laguna Playhouse), Saturday Explorer Series (24th Street Theatre), The Wizard of Oz (TACFA), Into the Woods (College of the Canyons), Cries and Whispers (CalArts CNP), Little Women (Digital Workshop). MFA, California Institute of the Arts.

GENE O’DONOVAN (Technical Director) was the founder of Hudson Scenic Studio in 1980 and its President until 1994 when he left to pursue Production Management on a full-time basis as Aurora Productions. He retired in 2015 but remains a consultant. Gene taught Production Management at SUNY Purchase (20 years) and Columbia University (five years). He is presently a consultant to the Nederlander Organization on the renovation of the Palace Theater in NYC. He is the recipient of the Broadway Masters and Legends Award and a Tony Honors Award for Excellence in the Theater.

MATTHEW HERRMANN (General Manager/ Company Manager) Select Los Angeles

Credits: Drag: The Musical (Bourbon Room), Women Behind Bars (Montalban), In a Booth at Chasen’s (El Portal), Sweet Charity (Freud Playhouse), Prairie-oke! (Cavern Club), Tom and Barry (Lillian/HFF), I Only Have Eyes for You (Montalban). New York: JACK the Musical (York Theater). Regional: Into the Woods (Lincoln Amphitheater). Podcast: HAIR: the American Tribal Love Rock podcast. Faculty: California School of the Arts-SGV, Frostig School West, Citrus College. Proud member AEA and SAG/AFTRA.

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BINDER CASTING (Casting) was founded 40 years ago and is now part of RWS Entertainment Group. The office has cast  150+ Broadway, Off-Broadway, and National Touring productions, in addition to countless national and international projects spanning both stage and screen. Binder is a proud eleven-time recipient of the Artios Award for Excellence in Casting and is a supporter of Broadway Cares/ Equity Fights AIDS. The office holds a deep respect for their legacy, as well as a commitment to growth. To facilitate this growth, Binder has partnered with the Disruptive Equity Education Project (DEEP) to dismantle harmful practices and to carry this work into their organization, client relationships, and audition rooms. They acknowledge that the work is ongoing and strive to do better. www.bindercasting.com

DAVID ELZER ( Publicist) represents La Mirada Theatre for the Performing Arts, 5-Star Theatricals, Ensemble Theatre Company, Laguna Playhouse, Road Theatre Company, Rubicon Theatre Company. He is also an Ovation, Drama Desk, LADCC, LA Weekly, and Garland Award-winning theatrical producer and recipient of the LADCC Joel Hirschhorn Award for Outstanding Achievement in Musical Theatre. Productions include  Justin Love ,  Having it All ,  The Marvelous Wonderettes and  Winter Wonderettes at the El Portal and  Life Could Be a Dream, at the Hudson, among others. He also produced the Off-Broadway run of  The Marvelous Wonderettes. Many thanks to BT, Jane, Tom, and Cathy and thank you for supporting La Mirada Theatre!

MB ARTISTS (Kevin Bailey and James J. Mellon, Producers) MB Artists was formed in 1992 by partners Kevin Bailey and James J. Mellon. They owned and operated LA’s awardwinning NoHo Arts Center, producing over 30 new plays and musicals, including Ann, written

by and starring Holland Taylor. Ann made its Broadway premiere at Lincoln Center’s Vivian Beaumont Theater and garnered a Tony nomination for Ms. Taylor as Best Actress, and was most recently seen at The Pasadena Playhouse in 2022. MB Artists produced and represented Jaston Williams, Joe Sears and Ed Howard and their four highly successful plays in the Greater Tuna cycle, and represents and produces the solo works of Jaston Williams. Current projects include the new musicals, Belles Are Swingin’, 44 – The Barack Obama Musical and the play White Lies. Kevin and James are proud dads to their son William, and their lovable dogs Mia and Cooper.

LA MIRADA THEATRE FOR THE PERFORMING ARTS

The Tony-nominated theatre has been hailed by the Los Angeles Times as “one of the best Broadway-style houses in Southern California.” This beautiful state-of-the-art theatre has been producing quality productions since 1977. The theatre has produced several national tours and is the recipient of many accolades, including Tony, Emmy and Ovation Award nominations. For its 2012-13 season, it won the LA Stage Alliance Ovation Award for Best Season of the Year.

T A I E S IA U N I TEDSCENICARTI S ST •LOCALUSA829• UnitedScenicArtistsLocalUSA829 • of the International Alliance of Theatrical Stage Employes TheDesignersatthisTheatre areRepresentedby P12 PERFORMANCES MAGAZINE
LA MIRADA THEATRE IS A PROFESSIONAL THEATRE EMPLOYING MEMBERS OF ACTORS’ EQUITY ASSOCIATION. THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

WALTER PAISLEY PRODUCTION STAFF

Gene O’Donovan Technical Director

Matthew Herrmann General Manager

Isaac Katzanek Assistant Technical Director

Bridget Rooney .........................................................................................Assistant Stage Manager

Brendan Clifford Associate Director

Elyse Niederee Associate Choreographer

Mark Mendelson, Robert Frye ............................................................. Assistant Scenic Designers

Heather Graff Associate Lighting Designer

Wylder Cooper Pre-production Lighting Programmer

Benet Braun Associate Musical Director

Andrew Orbison ................................................................................................. Music Coordinator

Matthew Shane Audio Engineer

Ali Roustaei, Andrea Victoria Corona,

Atria Pirouzmand, Dylan Powell ..................................................................Assistant Prop Masters

Margaret Owens ...................................................................................... Assistant to the Producer

Michael Polak Fight Director

Pro Puppet Makers (Michelle de la Peña) Puppet Fabrication

Kis Knekt ..........................................................................................................Sculpture Fabrication

Michael Lee, Ryan O’Connell Synthesizer Programming

Nicole Marcus Rehearsal Drummer

Howard Begun Music Copyist

Shag ...................................................................................................................................... Poster Art

Alfred Gimeno Animal Cartoons Artist

Cassy Sottile,Clara King, Sam Millette ..........................................................Production Assistants

Music Editing and Promotional Video Audio Track by Marc Mann

Vocal Arrangements by Marc Mann, Kimberly Grigsby, Ryan O’Connell, and Randy Rogel TV promo commercial directed by Nicole Alexander; produced by Patrick Traylor

CASTING

BINDER CASTING

Mark Brandon, CSA

Chad Eric Murnane, CSA; Amber Snead, CSA Jarrett Reiche; Kyle Coker; Anthony Pichette

Part of RWS Entertainment Group

Ryan Stana, CEO

SPECIAL THANKS FROM THE WALTER PAISLEY PRODUCTION TEAM

Carolyn Carlson, McCoy Rigby Entertainment, Cynthia Ferrer, Lisa Gooding, Kiara Munoz, Christine Negherbon, Ryan O’Connell, Steven Young, Jerry Zaks

Performers in the Developmental Readings and Promo Video

Nichole Beeks, Lucas Blankenhorn, Kelly Bordley, Natalie Bordley, Joe Bwarie, Carlin Castellano, Roy De Oliveira, Chris Duir, Elizabeth Eden, James Everts, Michael Thomas Grant, Brandon Halvorsen, Derek Hoyden, Rebecca Johnson, Gabriel Kalomas, Austin Owens Kelly, Jeffrey Koch, Alec Lloyd, Katharine McDonough, Andrew Metzger, Lance Roberts, Noelle Roth, Steven Ruvalcaba, Michalis Schinas, Scott Spraags, Jamie Torcellini, Nick Tubbs, Chad Vaught, Marcus Wooling, Jensen Wysocki

PERFORMANCES MAGAZINE P13

LA MIRADA CITY COUNCIL

ANTHONY OTERO ................................................................................................................... Mayor

STEVE DE RUSE, D. MIN Mayor Pro Tem

ED ENG Councilmember

JOHN LEWIS........................................................................................................... Councilmember

ANDREW SAREGA Councilmember

JEFF BOYNTON City Manager

SPECIAL THANKS

City of La Mirada and Friends of the La Mirada Theatre

LA MIRADA THEATRE FOR THE PERFORMING ARTS STAFF

BT McNICHOLL ...................................................................................... Producing Artistic Director

DEVIS ANDRADE House Manager

JANE LYNCH Theatre Operations Supervisor

HELENE DUARTE Contracts Associate

ELIZABETH CARLOCK .............................................................................. .Ticket Services Manager

SARAH PETHER-HAMILL. Assistant Audience Development Coordinator

KYLE DURAN Theatre Facilities Coordinator

JOSH BESSOM ......................................................................................................... Audio Engineer

MELISSA SKAU Master Electrician

FLAVIO DIAZ, ANDREW RIVAS Assistant Technical Directors

STEVE BEARD, JONATHAN GUERRERO, LETICIA HERNANDEZ, CARI NOEL, PAIGE ROBITAILLE, JAVIER RUIZ,

JOHNNY STEIN, AARON STEVENS, JAHAN WATKINS Stagehands

JENNIFER REILLY Marketing Associate

ADRIENNE MEDRANO ........................................................................................ Graphic Designer

DONNA THEECK Administrative Assistant

DAVID ELZER Publicist

MICAH JOHNSON ...................................................................................... Box Office Coordinator

MARY DUNNE, BEVERLY KIRTON, BEATRIS LOERA, ALETHEA MILLER, CELINA RODRIGUEZ, MEGAN SINGER, ALEXANDRA VARESI, CATHERINE VARTAN Box Office Staff

ALEXANDRA BRACCIO.......................................................................... Assistant House Manager

DIANE MARKWELL, DANA MARTIN, PAT WRIGHT Lead Ushers

MERCY BLUMBERG, HAZEL BUSCAINO, LINDA COTA, JENNIFER DE LEON, ITZEL FALCON-VASSALLO, NORRIE FAULKNER, SONJA JOHNSON, TREVOR JONES, NOA MARTIN, TATIANA MARTINEZ, JENNIFER NELSON, MARTHA REYES, MARCIA TOTTEN, GARY WONG, DELIA YBARRA Ushers

AUSTIN CHAFFIN, LUIS DIAZ, RAYMOND F. GARCIA, JEREMY HUME, EDUARDO LOERA, REYMUNDO MORENO, RAY ROMERO ..................... Theatre Maintenance

Visit www.LaMiradaTheatre.com or call us at (562) 944-9801 Share photos of your experience with us on social media! P14 PERFORMANCES MAGAZINE

SUPPORTERS OF OUR 2022-2023 SEASON

$1,000 & Above

Ms. Cyndy Bailey Kenneth & Sherry Becker Jan Burnett La Mirada United Methodist Men

Mr. Robert K. Peirson

Lynnette Weiss Mahlon & Gwen Woirhaye

$500 & Above Bob & Marianne Hughlett Mr. James Kenzik

Ms. Kathleen LeClair

Ms. Joan M. Lewis Dave Michelsen In Memory of Mollie Schartoff

Ms. Alice Van Klaveren

& Marjorie White Steve & Cristina Zavatsky

$250 & Above

Mr. William G. Braden, Jr. Ivan & Eleanor Cranston Donald & Lucy Crumrine Ytzhak & Rhona Gewelber

& Connie Hershelman Anonymous

& Nina Iachelli

Mr. Larry W. Lamb Barbara Niklas

Mr. Glenn Osborne

& Larry Reddel

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Cathleen & Ron Stearns

Steven Wren & Andrea Morales

Mr. Gregg William Yost

$100 & Above Richard & Carol Abram

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Mr. Paul Bailey Robert & Virginia Ball Robert & Linda Barreda

Frank & Susan Beigbeder William & Rowena Beinbrech Marilyn Bradley

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Joseph & Barbara Chamberlain

Ms. Rhonda D. Cohen David & Julie Cole Dale & Mishael Croft Michael & Vicki Desler Ken & Alma Desowitz

Mrs. Sandra A. Dickinson Joel Drum James & Bonnie Freitag

Mr. Richard Freymond

Paul & Linda Geier

Don & Janice Glaser

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Michael Hegeman

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Michael & Helen Higgins

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In Memory of Marianna Robertson

Salvador Ongaro & Elizabeth Dyer

Bonnie Jo & Lee Panagos

Mrs Bonnie Poff

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Richard & Joan Redmayne

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In Memory of Marianna Robertson

by the Becky Rogers Family

Fausto & Cindy Rowlan

Ms. Rita Rubin

Linda & Jim Ruth

Ms. Kara Schilling

B. LaVerne Shaffer

Ms. Anne L. Shaw

Mrs. Hildegarde C. Shaw

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$50 & Above

Cheryl Alcorn

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Ken & Sandra Burmer

Ms. Jennifer Burton

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Meekyong Choe

Ms. Joan Choice

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Neil & Marlene Clements

Frederick Collings

Malvin Harold Conley

Sue Copsey

Suzanne Coulson

Matthew Crossland

Elizabeth Curtis

David & Irene Daleo

John & Patricia Desler

Inez Donovan Gary Earls

Ms. Jeanne Ellison

Mr. Ruben A. Flores

Mr. Eugene Fryling

Mr. & Mrs. Thomas Gaglio

Ms. Janet Garcia

Edsel & Lynne Glasgow

Ms. Dorothy Jean Gutierrez

Henry & Virginia Haindl

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Mallory Harris

Lanny & Pat Hawkinson

Douglas & Joan Heisler

Mr. Albert Hernandez

Robert & Diane Hernandez

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Gary & Karla Hufenbach

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Gary & Claire Jackson

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Ms. Gloria Regina Keating

Donna-Marie Kent

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Robert Klinkel

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Kenneth Lee & Sothy Tan

Joel & Devora Lowenstein

David Lynn

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Barbara Mater

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Anonymous

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Steve & Claire Page

Stephen Parker

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Greg & Michelle Peters

In Memory of Mollie Schartoff

In Memory of Adeline Meyer

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Scott & Kristin Ritsema

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Kristen Scott

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Carolyn Ann Small

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Sally Ann Smith

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William D. Wulf

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$25 and above

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James & Betty Cauley

Juana Ceniceros

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Lawrence Cua

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Marilyn Dancey

Marcie Dial

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Frank & Sandy Micheletti

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Alan and Karen Morrison

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Lisa Ohlund

In Memory of Pat Ruiz

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Jane Paulson

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Jim Rash

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Up to $25

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Shirley Allee

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Mario & Linda Avila

Cree B.

Jordan Ball

Arturo Banuelos

Mrs. Elizabeth Banuelos

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P16 PERFORMANCES MAGAZINE
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Kitchen Connection

Designer Caren Rideau’s passion for family, food and wine inspires her kitchen designs at a time when homeowners are rediscovering the space.

CAREN RIDEAU SPECIALIZES in reimagining the room whose versatility has become so much more appreciated in recent years: the kitchen.

to write, “Life rests in our homes, but finds its beat in the kitchen.”

In her new book, Caren Rideau: Kitchen Designer, Vintner, Entertaining at Home, Rideau conveys her emotional connection with the space. Her family’s Mexican and Louisianan heritage, and nostalgic memories of preparing tamales or gumbo with relatives, inspires her

Rideau is a native Angeleno whose Pacific Palisades studio, Kitchen Design Group, is favored by homeowners across the Westside but draws a national clientele.

The passionate home cook also co-founded Tierra y Vino winery in the Santa Ynez Valley with her partner, Andrés Ibarra, a veteran winemaker. Her love of food and wine

IMAGES MEGHAN BOB PHOTO
DESIGN
18 PERFORMANCES MAGAZINE
PERFORMANCES MAGAZINE 19
Sherman Oaks kitchen bathed in a serrano pepper-inspired color; opposite, its Belgian limestone-topped island

has consistently informed her threedecade specialization in kitchens.

When initiating client relationships, Rideau says, “I want to get to know them, how their family interacts in the kitchen and how many people are involved in the cooking.” She notes that priorities have changed since the pandemic. “People became more aware of the functionality of appliances, what special equipment they need for entertaining and what space their kids might require for homework.“

As a result, more family members get involved in these decisions.

According to Rideau, she addresses space planning and functionality first, then builds aesthetics upon that foundation; she constantly seeks input from the homeowners.

“I like my clients to get involved, to feel part of the process,” she states, embracing a collaborative approach that makes some designers apprehensive. “Ultimately, I’m going to leave and they’re going to be left with the product.”

Rideau is committed to making her work stand the test of time in a discipline that is usually at the

DESIGN
20 PERFORMANCES MAGAZINE
A vibrant kitchen, here and below, features the color of nopal, marble backsplash and La Cornue range.

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diverse textures; and the use of decorative lighting fixtures to create a homey vibe.

In Pacific Palisades, Rideau satisfied her client’s desire for a taste of New York in the kitchen with a striking blackand-white marble floor, white quartzite-topped island and sculptural chandelier by the Urban Electric Co. For a family of passionate cooks, the designer selected a powerful, professionalquality BlueStar range.

“As a designer I find

that colors stimulate, motivate and exude happiness,” writes Rideau in her book. She notes that although the colors she discovered in Morocco, Italy, Portugal, and Spain inspire her, it is the palette of Mexico that truly resonates with her. The designer’s judicious use of bold colors is reflected in multiple projects in her portfolio.

Into a kitchen in Santa Monica, Rideau injected a bold green inspired by the color of nopal— prickly pear cactus— balanced by a Calacatta Vagli marble backsplash, reclaimed terra cotta floor tiles from France, and a handcrafted highend La Cornue range.

In Sherman Oaks, she extended the home’s farmhouse style, bathing the kitchen in an even

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A black-andwhite kitchen in the Palisades, here and below, evokes a New York City vibe.

richer green reminiscent of serrano chile, then added a tumbled-limestone floor and oversized glass pendants from Visual Comfort & Co. (aka Circa Lighting).

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Skewed to Perfection

H&H Steakhouses make all-you-can-eat an art form.

For countless millennia,

our ancestors engaged in a brutal and perpetually perilous quest for carnivorous nourishment.

Today, it’s as easy as finding parking at Beverly Center. There, thanks to the Brazilian experience churrasco, you can be served boundless quantities of perfectly roasted, flame-licked skewered meats.

There are several lauded churrascarias in Los Angeles, notably Koreatown favorite M Grill and several locations of Fogo de Chao.

H&H Brazilian Steakhouse ups the ante on all of them.

Spread at H&H Steakhouse
DINING
IMAGES CAROLINA KORMAN PHOTO
24 PERFORMANCES MAGAZINE

For 50 years, California Institute of the Arts has been a place where creative individuals come together to experiment, practice, teach, and learn as a community of artists. Their impact and influence have transformed the cultural landscape of Los Angeles and beyond.

As we celebrate this milestone anniversary, we look to our artists to challenge what has come before and show us what could be for generations to come.

Celebrating California Institute of the Arts’ 50th Anniversary

O ering undergraduate and graduate degrees in: Art | Critical Studies | Dance | Film/Video | Music | Theater
Top right: Chris Ryan Williams’ (Performer-Composer MFA 18) recital Mehahn, a performative installation curated by the composer and featuring Film/Video, Dance, and Music students. Bottom right: Spring Dance Concert, with original work by faculty Julie Bour. Photo: Josh Rose.
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At left: From a CalArts School of Art practicum course titled Waste Not.

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No small feat. H&H boosts the opulence and indulgence quotients by its stately atmosphere and crisp service as well as the addition of grassfed meats and thoughtful regional menu touches.

H&H has two locations: H&H Beverly Hills, a multi-chambered streetlevel venue at Beverly Center, and majestic H&H Downtown L.A., inside the Mandel.

The churrascaria formula is a winning one. Diners ponder an elaborate salad bar that some decide is superfluous; order drinks; then welcome an unlimited procession of top-tier meats sliced at the table by Brazilian servers.

The skewer-to-plate succession can include 16 or more selections, with theoretically endless repeats encouraged.

Among them: babyback and beef ribs. Lusciously marbled Prime

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ribeye. Spirals of baconwrapped chicken. Lamb chops and leg of lamb. And Brazilian cuts picanha (Prime coulotte) and maminha (Prime tri-tip).

Oh, and cinnamonand-brown-sugar-roasted pineapple, straight off the skewer just like the meats.

Meals customarily begin with the glorious

Brazilian cheese bread pão de queijo and multiple trips to the above-mentioned salad bar; sides, also endless, include pasta or mashed potatoes and

addictive golden bananas. When patrons need a pause in the action, they merely flip a card from green to red. That respite will be welcome at

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PERFORMANCES MAGAZINE 27
The bar and, right, sides at H&H Steakhouse. Opposite: Picanha.

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many points between the time they enter and the moment they accede to the voice of reason.

The a la carte option at H&H is not an afterthought. Those indulgent options include Japanese A5 Wagyu steaks, 100ounce Brazilian short ribs, truffle-showered filets and lamb T-bones—as well as seabass.

Consider a classic Old Fashioned cocktail before your meal, a Brazilian cabernet during.

Some might reel from the red-meat phantasmagoria in the days immediately following, but most cherish the memories for a whole lot longer.

Beverly Center, 8500 Beverly Blvd., L.A., 424.284.7733; The Mandel, 518 W. 7th St, downtown, 213.266.8103; hhsteakhouse.com

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a desire to use the voice to learn about different musical cultures. Her residency was recently extended to 2025.

She has had shorterterm residencies throughout the U.S., received commissions from orchestras and chamber and choral ensembles, and earned awards and fellowships from entities such as ASCAP and the Kennedy Center.

Her compositional knack for making connections isn’t limited to cultures. “I also have pieces for people who are students and teachers, parents and children, and people who are in very different kinds of socioeconomic groups in the same city,” she says.

The latter includes works written for Street Symphony, the nonprofit ensemble founded by her husband, violinist Vijay Gupta, which brings music

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to homeless and incarcerated communities.

“All these different ways of interacting ... can sometimes help bring those people together,” Esmail says. She cites a mother and son who reunited after 20 years by singing a Street Symphony piece together over the phone.

“When we sing together, when we make music together, it can be the catalyst for the more difficult conversations, or for developing the kind of trust where you can start to have those difficult conversations,” she says. “I really think that is what can help us heal some of these divides that can feel very big otherwise.

“I certainly don’t take credit for [reunions]. But it is so amazing to know that something I’ve crafted with the idea that it can connect people really does.”

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Composer Reena Esmail and chorale associate artistic director Jenny Wong

reprogrammed !

Performances Magazine unveils a digital program platform for shows and concerts

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CONTRIBUTORS

NO RUSTLING PAGES, no killing trees . . . Of all the innovations to have come out of the pandemic, the new Performances program platform, accessed on any digital device, may be least likely to disappear in the foreseeable future. Not only had its time come—it had been long overdue.

Performances provides the programs for 20 SoCal performingarts organizations, from the Los Angeles Philharmonic and the Ahmanson to San Diego Opera, where the app made its debut.

The touchless platform provides cast and player bios, donor and season updates and arts-centric features. Audiences receive a link and code word that instantly activate the app; QR codes are posted, too.

Screens go dark when curtains rise and return with the house lights. Updates—repertory changes, understudy substitutions, significant donations—can be made right up to showtime, no inserts necessary.

Other features include video and audio streams, translations and expanded biographies.

For those who consider printed programs keepsakes, a limited number, as well as commemorative issues for special events, continue to be produced. Collectibles!

Meanwhile, there is less deforestation, consumption of petroleum inks and programs headed for landfills. For the ecologically minded, the platform gets a standing ovation.

Theaters and concert halls reopened after a long intermission. Stages are live, the excitement is back. Activate your link and enjoy the shows. —CALEB WACHS

COURTESY L.A. PHIL PARTING THOUGHT
REGISTER Stay arts-engaged, access past programs. THE ESSENTIALS Acts, scenes, synopses, repertory and notes. Donors and sponsors who make it all possible—you! THE PLAYERS Bios and background for cast, crew and creators.
WHAT’S ON What’s coming at a glance and ticket information.
Link to your performing-arts companies and venues. SEARCH Find whatever it is you want to know—easily.
32 PERFORMANCES MAGAZINE
DROP DOWN MENU Table of app contents.

DRUM ROLL

Sat Mar 4 | 3pm

Yamato–The Drummers of Japan

Hinotori: The Wings of Phoenix

Sun Mar 5 | 7pm

Sitkovetsky Trio

Premiere by Julia Adolphe and pieces by Rachmaninoff and Mendelssohn

ONSTAGE SESSIONS

Wed Mar 8 | 8pm

Kariné Poghosyan

CSUN Alumni Concert

ONSTAGE SESSIONS

Sat Mar 18 | 8pm

Charles Lloyd

85th Birthday Celebration

Sat Mar 25 | 3pm

Disney in Concert: Aladdin

30th Anniversary

Thu Mar 30 | 8pm

Kombilesa Mi with Jungle Fire

The Language Lives Through Music

Sun Apr 2 | 7pm

A Whole New World of Alan Menken

An Evening of Stories and Songs

Yamato Disney’s Aladdin In Concert Alan Menken Kariné Poghosyan Sitkovetsky Trio Kombilesa Mi Charles Lloyd
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