Centre for Nuclear Peace

Page 1

“Centre for Nuclear Peace” Sohan Mitra

Centre for Creative Peace-making… at the Shrine of Remembrance Supervisors: Anoma Pieris & Athanasios Tsakonas

M.Arch Thesis Booklet 1


Contents Research Thesis proposal

5

Thesis elaboration

7

Precedents

14

Way forward

24

Concept Design Nuclear stories meta data

38

Abstracting form

40

Metaphorical ground zero

44

Design parti development

46

Massing

48

Sketch Design Reworked design moves

64

Materiality

48

Sketch Design Drawings

48

2


Final Design Updated Materiality

112

Design drawings

116

Images

130

Conclusion

144

Reflection

145

Nuclear stories

156

Images list

168

Bibliography

172

3


4


Thesis Proposal/ Research I

5


“Centre for Nuclear Peace” I Thesis proposal

Fig. 0. Jonathan Kumintjarra Brown, Maralinga 1992 (detail) acrylic, sand and lizard skeleton on linen, 1992.

6


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7


Shrine of Remembrance I humanizing, self-reflection &...

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Fig. 1. (left) Sohan Mitra, Diagram showing the major developments at the Shrine of Remembrance, 2021.

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9

A


Hiroshima Peace Memorial I Tadao Ando

Hiroshima Children’s Peace Memorial I Kazuo Kikuchi

Fig. 2.

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10


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Fig. 2. Hiroshima city showing the peace memorial park. 2017. Fig. 3. A-Bomb Dome, also known as the Hiroshima Peace Memorial. 2017. Fig. 4. Yuji Sasaki, Sadako pictured with her father, July 18, 1955. Fig. 5. Tomiko Kawano, The Children’s Peace Monument is unveiled on May 5 (Children’s Day), in Hiroshima, 1958. .

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11


Nuclear Tests in Australia

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12


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FvlWolUMo]vPfiPTRCR]oo]vPE˘} }(OSNoSRuv˙o B }( OT}}vC}v˙X~HR'o] A UZX Fig. 6. Sohan Mitra, Diagram showing the nuclear fallout from tests conducted in Australia. 2021. Fig. 7. Sohan Mitra, Diagram showing the nuclear test conducted in the Pacific collaged with the tests done in Australia. 2021.

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13

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Maralinga I Frank Walker

Fig. 9 .

Fig. 8 .

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14


Fig. 8. Christabella Designs & Newspix, Cover of Maralinga: the chilling expose of our secret nuclear shame and betrayal of our troops and country/ Frank Walker, 2014. Fig. 9. Jessie Boylan, Yami Lester in Wallatinna Station in South Australia, 2006.

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Fig 10: Totem showing the test site.

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15

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Black Mist Burnt Country I Burrinja (Dandenong Ranges Cultural Centre)

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16


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National September 11 Memorial & Museum Daniel Libeskind & Handel Architects

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18


Fig. 15 .

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Fig. 14. View showing the cascading water, New York.

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Fig. 15. Competition Entry for the September 11 Memorial, New York.

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19

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The National Emergency Services Memorial I Aspect Studios

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20


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Fig 16: The National Emergency Services Memorial, Multi faceted wall.

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Fig 18: Tactile wall at the memorial

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22


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Fig 19: Sohan Mitra. Diagrams showing the building hidden in the landscape. Fig 20: Overhead view of the museum, 2006.

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Fallen LeavesI Menashe Kadishman

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24


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Fig. 21. People walking over the exhibit: Fallen Leaves by Menashe Kadishman. Fig. 22. Close-up view of the face cut-outs in the Fallen Leaves exhibit.

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26


Fig 23: (Left) Dancer walking over a collapsed wall rumble in the opening scene of Palemero Palemero by Pina Bausch, 1989.

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Hibakusha: A tribute to the 75th Anniversary of the Aatomic bombingsI Michael Koerner

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Fig. 26: Michael Koerner, Hibakusha Landscape #0416L, #0408C, #0412R, 2020. Fig. 27: Michael Koerner, Hibakusha Families #0448, 2020. Fig. 28: Michael Koerner, Hibakusha #0428, 2020

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31


Nuclear Activism I Transnational perspective

Fig. 29: “Statement and poem by Kathy Jetnil-Kijiner, Climate Summit 2014 - Opening Ceremony,” Kathy Jetnil-Kijiner, Dear Matafele Peinam, 2014.

32


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33


The Way Forward

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Fig 32: Diagram showing the way forward in this thesis project.

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36


Concept Design I

37


Nuclear Stories from Australia and the Asia-Pacific meta data bank

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Abstracting Themes I Key-words/ Phrases P}`

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39


Abstracting Form I based on the shortlisted keywords

“Toppling of Power”

“Struggle for Power”

“Struggle for Power”

40


“Fusion done by the Powerful”

“Fusion done by the Powerful”

“The powerful ~ secretive ”

41


“you havent done anything wrong unless you admit it ”

“An ancient temple carved into the hill, No! Its a nuclear waste repository ”

42


“Warped by a new~ divine force ”

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Metaphorical Ground Zero I Radiation thresholds for form development

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44


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Fig. 33: “NUKEMAP by Alex Wellerstein, 100 tons yield nuclear effects map at the Shrine of Remembrance, Melbourne input in Google Earth Pro. Fig. 34: “NUKEMAP by Alex Wellerstein, 10 tons yield nuclear effects map at the Shrine of Remembrance, Melbourne input in Google Earth Pro. Fig. 35: “NUKEMAP by Alex Wellerstein, 10 tons yield nuclear effects map plan view at the Shrine of Remembrance, Melbourne input in Google Earth Pro.

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Metaphorical Ground Zero Design Parti development

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Fig.37 .

46


Fig. 36: Sohan Mitra, sketching a power struggle between the shrine and the envisioned center for creative peacemaking to reveal a tension at the site. Fig. 37: Sohan Mitra, Fine tuned version of the sketch.

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47


Fig. 38: Establishment of the two points of struggle

Fig 39. Establishing the two points of power + contour lines

Fig. 40 Radiating power from the Shrine

48


Fig. 41 Radiating influences from both sides.

Fig. 42 Spillage of power (lines) from the Shrine.

Fig. 43 Return Spillage of Power from the CCPM center point.

49


Fig. 44 Considering the lines from both the points of origin and their intersections and site context, massing lines are drawn

Fig. 45 Waterbodies are drawn on both sides infront of the shrine, enhancing the tension and the image of both the buildings

Fig. 46 Considering the contour lines to crate a terraced platforms that are shaped by the lines of power spillage.

50


Fig. 47 Final Model achieved from the diagramming process

51


3D Views I Development from parti

Fig. 48. View from ANZAC station.

Fig. 49 Aerial view from the south-west site.

52


Fig. 50 View from the Shrine steps on the south side.

Fig. 51 View from Domain road.

53


3D Views I Development from parti

Fig. 52 Aerial view of from the south-west side.

Fig. 53 View of the central sculpture in realtion to human scale.

54


Fig. 54 View from the steps of the Shrine, south side.

Fig. 55 Aerial view/ Drone view: straight up from Domain road.

55


Metaphorical Ground Zero Massing Design Plan

I

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50

100 57

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Fig. 56 Site map with legend identifying program allocation


58


Sketch Design I

59


Reworked Design Moves I Geographically referencing sites of nuclear problems

Fig.58 .

Fig.57 .

60


Chernobyl, Ukraine (former USSR)

Atomic Bomb Dome, Hiroshima

Bikini Atoll, Marshall islands

Montebello Islands, Western Australia

Maralinga, South Australia

Fig. 57: Sohan Mitra, drawing lines from sites of nuclear problems to Shrine of Remembrance. Fig. 58: Sohan Mitra, Lines from nuclear sites at the Shrine .

South side, Shrine of Rememberance, Melbourne.

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Fig.60 .

Fig. 59: Sohan Mitra, Plotting the area requirements of the studio brief, i.e. ~2000sqm Fig. 60: Sohan Mitra, Re-plotting the area in a circle and initiating movement along lines plotted from nuclear problem sites.

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Reworked Design Moves I Geographically referencing sites of nuclear problems

Fig.61.

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Fig. 61: Sohan Mitra, Movement of forms along nuclear problem lines and form extrusion

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Materiality I Emblematic of the slow violence

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Fig.63.

Fig. 62: Pascual Bolufer ,Translucent concrete. Fig. 63: A prototype wall of LiTraCon, a translucent concrete product is shown in a photo provided by the National Building Museum. (Associated Press / The Spokesman-Review).

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Sketch design drawings Site Plan 1:2000 @A3

I

68


0 10

50

100

69

200 m


Sketch design drawings I Upper level plan 1:200 @A3

M ROO USE

REF

LIBRARY

PARENT ROOM/ BABY CHANGING ROOM

FEMALE TOILET

MALE TOILET

DISABLE TOILET

GALLERY

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1

70


Fig. 57: Sohan Mitra, drawing lines from sites of nuclear problems to Shrine of Remembrance. Fig. 58: Sohan Mitra, Lines from nuclear sites at the Shrine .

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Sketch design drawings I Lower level plan 1:300 @A3

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Legend 2: Library male & female toilet 3: Peace center office spaces 4: Staff kitchen 5: Staff common room 6: Communications room 7: Parents room 8: Gallery male toilet 9: Gallery female toilet 10: Gallery disabled toilet 11: Resturant 12: Resturant disabled toilet 13: Resturant male toilet 14: Resturant female toilet 15: Resturant parents room

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Sketch design drawings Section1 1:300 @A3

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Sketch design drawings Section 3 1:300 @A3

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Sketch design drawings I Front Elevation 1:500 @A3

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Sketch design drawings I Front Elevation 1:200 @A3

82


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Sketch design drawings I East Elevation 1:500 @A3

84


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Sketch design drawings I East Elevation 1:200 @A3

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Sketch design drawings I West Elevation 1:200 @A3

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Resolved Design Thesis I

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Updated Materiality I Connecting with the theme of “nuclear energy”

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I Upper Level Plan

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18 8.

17

16

7.

15

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2.

3.

1. Library entrance 2. Gallery entrance 3. Cloakroom 4. Restaurant entrance/ lobby 5. Self contained accomodation 6. Peace plaza 7. Open air amphitheatre 8. Central water feature 9. Cascading water feature 10. Pick up/ drop off 11. Refuse center

0

1

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10

20 m

N


Lower Level Plan

I

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2.

8.

9.

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1. Library 2. Gallery 3. Resturant 4. Kitchen with cool room 5. Staff room 6. Communication room 7. Management Office 8. Central water feature 9. First Aid Room 10. Parent Room 11. Visual Experience 12. Rehersal rooms 13. Store room

0

1

5

10

20 m

N


Section through central axis of Shrine

I

Relative Level of Shrine of Remembrance (roof top) 60.96 m

3.

1. SECTION B 1:250 @A3

1. Central water feature filteration tank 2. Cascading water pools filteration tank 3. Water pump

0

1

5

10

20 m

2.



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I

RL +9500

CL +7800

FFL 0

FFL -6000

SECTION A 1:250 @A3


0

1

5

10

20 m


Section through library and amphitheatre

I

RL +14750

FFL 0

FFL -5860

SECTION C 1:250 @A3


CL +13000

0

1

5

10

20 m


1:50 Detail

I


RL + 13000 Steel Plate supporting edge marbel panel Gutter Syphonic downpipe Exterior marbel cladding panel (25-30 mm) backlit with LED Kerf plate welded to steel angle supporting marbel panels Waterproofing membrane Exterior Insulation panel Warren truss structure

Furring channels supporting insulation panels (int.) Steel angle welded to marbel panel kerf plate Interior marbel panel

Raised flooring (150mm) with airconditioning ducts underneath Airconditioning floor vent Truss connected to concrete pad using chemset anchors Exterior floor grating

FFL 0

Post tentioned floor slab Aggregate base Basement retaining walls (500mm) concrete covering bored piles. Rendered with rammed earth in the interior. Backfill Concrete Pad (1200mm wide) Subsoil drainage Bored pile 600 diameter

FFL -6000

0

1

5m


118


119


Approach from ANZAC station exit

120

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121


South side approach

I

122


123


Central Peace Plaza

I

124


125


Central Peace Plaza

I

126


127


North-Eastern Pathway

I

128


129


North-Western Pathway

I

130


131


Reception/ Restaurant Entry

I

132


133


Library Entrance Shard

I

134


135


Library

I

136


137


Central Area/ leading to restaurant

138

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139


Gallery Space

I

140


141


Central Water Feature

I

142


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L}v}UR}vv]GXSC}vuovPRS]v.LP˙}(R}u] A B}uX_ ~ZPıWXR'PllRX}R}X}ulo}P]vX˘M]AAART˙AA}AAuANAAæıı æ]AAro]}AA]AAæX

M]'uvvUJvD]lUX Black Mist Burnt Country: Testing the Bomb, Maralinga and Australian ArtXU`˙P B]vi~Dvv}vPRvPCooCvIvXZUXR'Pllolu]v}v˙X}uXlX M]'uvvUJDXSA}u]TvP]vo]v A X A _ Black Mist Burnt Country: Testing the Bomb, Maralinga and Australian ArtXMo}vPB]vi~Dvv}vPRvPCoovC IvXZUXR'Pll```X olu]v}v˙X}uXl`r}vvlo}lıllBMBCro}Pr`X(X SN}voEuPv˙S]Mu}]onASPECTS]}X_MR A UXR'Pll```Xr ]}X}ul}ilv}voruPv˙r]ruu}]olX SN}voSuMu}]oWHvoR] A X_MR A UXR'PllRvoR]X }ul}ilv}vorurruu}]oMP]AAv}Rru]X SPvC vCR]ov[PM}vuvr 広島市公式ホームページX_MR A UX R'Pll```X]˙XR]}R]uXoPXil]lvPo]RlææXRuoX STvovC}vrPoB}o(n]A V]X_M˙ A UXR'Pll]]X }ulolvovr}vX

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and Australian ArtMaralinga and Australian ArtXMo}vPB]vi~Dvv}vPRvPCoovC IvXZUXR'Pll```Xolu]v}v˙X}uXl`r}vvlo}lıllBMBCro}Pr`X (X SRvRvvUTXSF}uTRIv}uoTR}unB]lX_B]lUJvUXR'Pll]luPX}ul(}ur Rr]v}uorR}ulX T˙o}UW]oo]uXSLWF}PPTRSR]v}(RuuvUIRo}uvvRH]P}( D]vX_ FabricationsæUv}X~æZPıæWXR'Pll}]X}P lXlXæXææX STRLKv}`vH]}˙}(RMo]vPNoTvvWRI [o]l}SvG}v}Z rABC N`X_MR A UXR'Pll```XXvXlv`lrrluo]vPrvorrP}vr }rorlv}`vrR]}˙lX Performance

T]UB˙}v]XSAu]ovuv B PEu}˙]vPL}]vRT`v˙rF]v˙ C X_ ParadigmUv}XO}~ıZPWX WolUFvlX

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T]UB˙}v]XSAu]ovuv B PEu}˙]vPL}]vRT`v˙rF]v˙ C X_ ParadigmUv}XO}~ıZPWX

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