Volume74issue11

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‘Orchard Development’ premieres

Pg. 6

Pg. 10

Club Profile: Softball

Preview: Entreprenoma Market Day

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Sonoma State Star SINCE 1979

APRIL 21 - APRIL 27, 2015

VOLUME 74 // ISSUE 11

SONOMASTATESTAR.COM

CineNoma:

A joyous pinnacle Ashley Martin Asst. A&E Editor

Review

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STAR // Gustavo Vasquez Sonoma State University students attended the ‘CineNoma’ film festival on Thursday where they had the opportunity to submit their films and receive awards at the event featuring a red carpet reception, live performances and film screenings.

any members of Sonoma State University’s growing film community came out of hiding Thursday evening, into the spotlight as the first CineNoma film festival showcased several student films on the big screen, many for the first time. The night, which consisted of a glamorous red carpet photo opportunity, featured eight student films that had been submitted for judging by industry professionals. “We feel great, but I’m glad we didn’t get first place,” said Alex Bretow of BaldoBretow Pictures. “All of the calls were made by people in the industry with honest opinions, and that means a lot.” Bretow and Mary-Madison Baldo’s film “Uproar” won Second Place for Best

Insight on the misconceptions of veiling Michelle Welling Staff Writer

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here’s a saying that one cannot understand the life of another until walking a mile in their shoes. Or as with the case of Sahar Amer’s lecture, “What is Veiling,” at Schroeder Hall on April 14, simply substitute “shoes” for “veil.” The professor and specialist of comparative, cross-cultural relations between Arab and Muslim societies and Western culture, conveyed the forming of a holistic understanding of the Islamic culture practiced by Muslims, particularly Muslims living within U.S. borders, must come from considering the experiences of those living with those beliefs, and without discrimination of sources. The University of Sydney professor spoke to a full audience at the Green Music Center lecture hall about little known aspects of Muslim veiling practices that are often neglected by Muslims and non-Muslims alike. A multi-media dance

theater performance preceded Amer’s talk. The expressive prelude performance portrayed the complexity of sisterhood and struggle felt by those who wear veils. What’s more, veiling is not exclusive to Islamic culture. In fact, some Christian and Jewish women, as well as Amish women, are also required to wear the veil and to dress modestly, she said. Where then do the similarities and differences of veiling in various religions lie? Throughout her discussion, Amer insisted neither religion nor politics alone can account for the multiple, and at times conf licting, reasons why some Muslim women veil. “Veiling can best be understood when contextualized within wider cultural, geographic, feminist, economic and artistic discourses and also when taking into account its practices in both Muslim majority, and Muslim minority societies” said Amer. “Indeed my research has revealed that only a multi-disciplinary and intersectional

approach to veiling can help us understand Muslim women’s veiling practices, and truly uphold their human and civil rights to choose what to wear.” To enforce this sentiment, Amer insists that examining veiling from a multitude of contexts and perspectives avoids a onedimensional interpretation of veiling. That is, viewing the practice of veiling only as a form of oppression or religious expression. Such binary concepts are counterproductive to cultural tolerance, as they fuel biased media on all sides, she said. Indeed the message communicated by the lecture is that if Western culture is to begin to understand the purpose behind the veil, it must come from contemporary practices of Muslim women themselves. The explanation is not cut and dry. In fact, many Muslim women now carry creative and consumerist practices See VEILING on Pg. 4

Picture. This film is the sequel to “Rampage,” one of two films the duo produced that were recently accepted into the prestigious Cannes Film Festival. The award for Best Picture went to “Insect,” directed by Jimmy Rich, a psychological thriller that documents the aftermath of a man’s brain being infiltrated by an insect, which leads him to having an urge to kill. Bretow teamed up with event coordinator Anna Luna of SSU-TV to assemble an event that would be a reunion for many talented and undiscovered students. Although the dress code of the evening was almost entirely formal, there was an underlying tone of familiarity among all of the attendees, as most of those who attended were directly involved with Sonoma State’s film community. See CINENOMA on Pg. 6

Student recipient of activist award J oshua Gutierrez Staff Writer

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onoma State University student Sandy Espino Valenciano will be recognized with the Mario Savio Award for student activism by the American Civil Liberties Union northern California chapter of Sonoma County on May 3 in Santa Rosa. As Northern California Coordinator of the California Immigrant Youth Justice Alliance, Valenciano has devoted herself to the fair treatment of undocumented persons. “I was very humbled,” said Valenciano. “But, it’s weird for me to receive this award. I don’t do things because I want to be rewarded or acknowledged. Something See AWARD on Pg. 4

STAR // Connor Gibson Sonoma State welcomed professor of the University of Sydney, Sahar Amer to lecture on the complex and often misunderstood concept of veiling.


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