Soojung Yoo Portfolio 06-16

Page 1

SOO JUNG YOO PORTFOLIO


A K L M

B

~

Q

F H

R G


CONTENTS COMPETITION WORKS

A Helsinki Linki, SE, 2012

STUDIO WORKS

B Passage of Contemplation, US Columbia University, 2015

J N

O

C

I

Very Fast Airport, US Columbia Universitiy, 2015

D Crystal Inc, US Columbia Universitiy, 2015 E

Modular Architecture, US Columbia Universitiy, 2015

F

Thesis_American Dystopia, US Cornell University, 2011

PRACTICE WORKS

I

Shanghai University of Electrical Power, CN, Samoo Architects and Engineers, 2013-2014

J

Ulaanbaatar New City Hall, MO Samoo Architects and Engineers, 2014

K Schwabisch Hall, DE Maxwan Architects and Urbanists, 2012 L

Park Barrier, BE Maxwan Architects and Urbanists, 2011

M Machelen Public Space, BE Maxwan Architects and Urbanists, 2012 OTHER WORKS N Exhibition_Emergence, 2014

O Exhibition_Addlip Jewelry Pop-up Store, 2013

G Incremental Mumbai, IN Cornell University, 2010

P

H Street Museum, US Cornell University, 2008

Q Congress Center, IT, Masimiliano Fuksas, 2010 R

Model_Zenith Hal Cornell University, 2009

UAE Federal National Council, Masimiliano Fuksas, 2010



I. COMPETITION HELSINKI LINKI



COMPETITION

HELSINKI LINKI Helsinki Central Library competition (honorable mention) Helsinki, Sweden 2012 Spring Team members, Matthew Jull, Leena Cho, Edward Nicholson , Giancarlo Mangone, Marcus Parviainen, Pierre Jean Le Maitre Responsible for concept development, drawing diagrams, 3D modeling, rendering, and collages

With the new Central Library for Helsinki, we envision an institution at the heart of the city that is a dynamic space for interaction between new media and old, between the young and the elderly, and between the historic city and the future of culture, education, social spaces, and ecologically intelligtent buildings in Finland. We believe that the design for the new Central Library for Helsinki must begin from the potential of the library program and the ambitions of the city to create a people-centered institution. We choose to adopt a simple box-like form that does not compete with the surrounding cultural institutions through formal importance. Instead, the focuses on programmatic potentials by creating a dynamic series of spaces that are focused on the

needs, desires, and ambitions of the staff and public that will use this occupy and use this space. The spaces inside contains a certain freedom, however: this is a space that permits a composite mix of various media that will continue to change and evolve against the backdrop of an information-centered age.


SITE STRATEGY

Our approach is to critically assess the contextual strengths of the site – its location, connections, views, and environment in order to integrate the new library into the systems in the existing urban and green fabric of the city. A key element of our proposal is the importance and potential of building siting and massing. Starting from the original long rectangular footprint of parcel 2014 - we propose a reconfiguration of the 32m×150m (4800m2) boundary to a 70m×70m square on the northern half of the block. We believe this relocation and change in footprint of the library site will not only maximize the urban and architectural potential, but also help create a new hub for social life among the local community and the city of Helsinki. There are several 1. MAXIMUM 1. MAXIMUM FLEXIBILITY FLEXIBILITY OF LIBRARY OF LIBRARY MAXIMUM 3. MAXIMUM SOLAR S G 2. SHARED 2. SHARED PARK AND PARK PARK AND VIEWS PARK VIEWS key aspects of this proposal that strengthen the potential for3. the new library, but also importantly for the adjacent government, cultural, and commercial buildings, and future below-grade development of the park west of block 2014.

1. MAXIMUM 1. MAXIMUM FLEXIBILITY FLEXIBILITY OF LIBRARY OF LIBRARY 3. MAXIMUM SOLARSOLAR GAIN GAIN 2. SHARED 2. SHARED PARK AND PARKPARK AND VIEWS PARK VIEWS3. MAXIMUM

Context Plan

4. MAXIMUM 4. MAXIMUM CONNECTION CONNECTION WITH WITH UNDERGROUND UNDERGROUND MULTIPURPOSE MULTIPURPOSE SPACESPACE


FUTURE TÖÖLÖNLAHTI BAY EXTENSION

ACCESS FROM FINLANDIA & HAKASALMI VILLA

ALVAR AALLON KATU

BLOCK 2016 LATEST DESIGN SCHEME

ACCESS FROM HELSINKI CULTURE PARK IN THE CENTRAL PARK

TÖÖLÖNLAHTI CAR-PARKING

LATEST TÖÖLÖNLAHDENKATU DESIGN SCHEME

COURT GREEN BKE PARKING (40)

DROP OFF

NATURE GARDEN

UNDERGROUND ACCESS PEDESTRIAN PROMENADE EAST ENTRANCE

BIKE PATH BAANA SPIRAL

LOADING EVENT STEPS (LINKED TO MULTI HALL)

CITY CENTRE TUNNEL ACCESS RESERVATION

PLAY GARDEN PAVILION / WINTER GARDEN BIKE PARKING ON ROOF (10)

H20 PAVILION

MAKASIINIPUISTO LIBRARY PIAZZA

PEDESTRIAN PROMENADE FLOWER GARDEN BAANA

TÖÖLÖNLAHTI FOUNTAIN (30CM DEPTH)

ICE SKATING POND (WINTER)

ACCESS FROM MANNERHEIMINTIE

ROOF TERRACE GARDEN

BLOCK 2015 LATEST DESIGN SCHEME

SHAFT ZONE

MINI SPORTS LAWN

GRILL CROSSING KANSALAISTORI PIAZZA

MINI SPORTS LAWN DROP OFF

SCULPTURE GARDEN

MANNERHEIMINTIE

COURT GREEN

N

1 : 200

ENTRANCE GROVE

0

4

2

6

8

10m

BIKE PARKING (80)

EERO ERKKO

N

0

BAANA

10

20

30

40

50

EXISTING BIKE PARKING

N

0

20

100

200m

60

70

80

90

100m

ACCESS FROM TRAIN/BUS STATION & ELIEL CAR-PARKING


SECTIONS & ELEVATIONS 2

1

1

2

East-West Section1

West Elevation

North-South North-South Section2 Section


CONCEPT & ORGANIZATION LIBRARY STRATEGY Our design has several key programmatic and circulation components: 1. A n open ground floor plan of 6m clear height that is accessible from four sides, encourages free circulation. Within this space, a mixture of program types creates a highly diversified experience for visitors to the library. 2. A compact collections level on Level 1 that houses the main book collections, providing a single quiet and tranquil room that resembles a forest, filled with soft light and a feeling of openness reminiscent of the outdoors. 3. Near the center of the collections, a large circular void provides connections to the ground floor and open skylight above. 4. A spiral ramp that is an extension of the historic Helsinki Harbor Rail line spirals through the library to the roof provides 24hr access and the ability to cycle to the top of the building to the elevated public square. 5. 6) A north-south band of services program along the eastern edge of the library that condenses and makes efficient the service and functioning of the library.

Program

Circulation

Roof Terrace

Learning and Doing 24 houraccess access(spiral ramp) 24 hour (Spiral Ramp)

Roof Terrace

Normal Visitor Circulation(walk) Normal Visitor Ciculation (Walk) Normal Visitor Ciculation (elevators) Normal Visitor Circulation (elevators)

Event Spaces Lobby and Central Service Spaces

Service Service

External Service Providers Library Logistics and Back of House

Collections Level

Staff Spaces

Collections Level

Library Collections

We st

We st

ce

h Nort

an Entr

(Se

rvic

e) E

e) E

ntra

nce

Ground Level

nce

We st

Entr

anc

e

anc

e

nce

ntra

th E

Sou

nce

ntra

th E

Sou

Entr

rvic

ntra

Ground Level We st

(Se

LOADING ACCESS

Basement Level

Basement Level Below-Grade Development (future)

Below-Grade Development (future)

L2

Collections Loop Lobby Loop Technical Space Loop

Roof: Spiral Ramp

L1

L0

Collections Loop Lobby Loop Technical Space B1

Ground Floor: Interactive

Basement: Directional

N

1 : 200

South Elevation

0

2

4

6

8

10m


PLANS: BASEMENT AND GROUND FLOOR

2

View from Parliament building / Mannerheimintie

Ground Floor - North Entrance north entrance

+3.00m

90m2

RESTAURANT/ SAUNA

602m2

297m2

Cleaning point 20m2

Cleaning point 20m2

sliding facade

independant access

Returns automat room 80m2 -4.20m

B1

Service and loading area 350m2

B2

354m2

+3.00m

ISTIC

308m2

1

1

23m2

207m2

N

49m2

0

1 : 20 614m2 -9.70m

+3.00m

0

67m2

4

2

8

6

10m

70 60

folding facade

50 40 2

30 20

N south entrance

B1

Basement Floor Plan (-4.2m)

ROOF

10 0

Ground Floor Plan (+3m)

cycle path

200m 100


PLANS: COLLECTIONS AND ROOF

Collection Level Interior

Collection Level Interior

View from Roof Toward Finnish Parliament

Cleaning point 12m2

+10.40m

+10.40m

+15.40m

+10.40m

+15.40m Cleaning point 18m2

N 164m2

0

1 : 20 0

4

2

8

6

10m

Alternate Collection Layouts

50 40 30 20

N

10 0

Collections Level Floor Plan (+9.4m)

Roof Plan (+15.4m)

200 100


BUILDING SYSTEMS

Ventilation

View from Ramp Toward South Entrance

Heating & Cooling

Lighting


View South from the Park Area North of Töölönlahdenkatu Street



III. STUDIO GRADUATE WORKS PASSAGE OF CONTEMPLATION V ERY FAST AIRPORT C RYSTAL INC MODULAR ARCHITECTURE UNDERGRADUATE WORKS A MERICAN DYSTOPIA INCREMENTAL MUMBAI STREET MUSEUM



STUDIO

PASSAGE OF CONTEMPLATION New York, NY, USA 2015 Fall, GSAPP Columbia Critics, Thomas Phifer and Gabriel Smith

The studio strives to examine a transcendent architecture, engaging individual’s experience through simple materiality and passing light. The program of studio is to build well-crafted contemporary Buddhist temple located in Fort Tryon Park, New York. The language of colonnades was used in the place where the life and death, divinity and human, and sky and earth meets. The colonnades form the loop, thus they repeat endlessly. Passage of colonnades expands and becomes the field, and as one walks endless rows of colonnades and trees, he forgets outside world, and focus on inner self.

I was walking through mountain in a very cold winter snow day. My feet were frozen to the point that it was about to fallen off from my body. I could see my breath, thousands of ice particles floating in the air. I wanted to walk towards the sky until I see no more trees. I wanted to the reach the end, the top of mountain. I was walking for countless hours. Sun was trying to hide behind the trees, but I could see its trace in the sky. My body was keep moving, and two arms and legs are swinging back and forth. When snowflake from tree fallen in my cheek, I was awaken. I realize I forgot about my frozen feet. I forgot about my eager to reach the sky. I was just ordinary human being among these trees. And I realize I was with these trees and I became one of them. With other trees, I was touching the sky, holding endless globe of clouds and cosmos.


FINDINGS FROM SITE

Flow of the River

Pause and Retrospect


Rhythms and Harmony

Passage


THEORIES OF MAKING

Rows of Colonnade

Field of Colonnade


Shield of Colonnade


Rows of Infinity


Field of Infinity



Plan

Section


JOINERY

Chidori : Wood Joinery Process The Building Attempted to endure no more than 20 years and touch down lightly, leaving little trace once removed. The idea of trasience was reflected on joinery where no glues nor nails were used to construct them.


COMPOSITION

Assemblage Process Wood component are prefabricated and can be assembled on site. Once Passage of Contemplation is disassembled, it can be assembled on the other site.


WOOD ARCHITECTURE

Wood Model 1"=1'



Passage of Contemplation i



Passage of Contemplation ii



Passage of Contemplation iii

Passage of Contemplation iv




STUDIO

VERY FAST AIRPORT Rokonkoma, NY, USA 2015 Summer, GSAPP Columbia Critics, Nanako Umemoto

The project explores the design of Low Cost Carrier Airport, looking at Islip Airport located in Ronkonkoma. The project explores an alternative set of architectural consequences for the contemporary airport, seeking new effects through a rigorous orchestration of sensory experience by pushing the envelope of material effects. needs, desires, and ambitions of the staff and public that will use this occupy and use this space. The spaces inside contains a certain freedom, however: this is a space that permits a composite mix of various media that will continue to change and evolve against the backdrop of an information-centered age.

Plastic bottles are used to analyze structural integrity of its usage and purpose. Modules of bottles are used to compose envelope and layers of volume within. The structural modules becomes external element, which is comprised of an outer, a middle, and an inner diatoms. Which creates sectional condition within the evelope which can be varied.


TRANSITION PROCESS

Structural Analysis Plastic bottle has its own structural integrity. Plastic bottles are analyzed to study how substance is structurally supported including its handles.

Compound Objects Volumetric configurations are manipulated into new and unforseen models. Plastic bottles are used to create a composite object from booleaning and intersecting.

Compound Envelope From composite object , compound skin is created by wrapping, folding, and forming paper around the object.


Unrolled Surface (right) After assemblaging modules of plastic bottles, composite objects were created to a compound skin by wrapping, folding, and forming paper around the object, developing a 2D pattern.


STRUCTURAL MODULE

3D printed Module Structural element are 3d printed to test its structural integrity

Plastic bottles are analyzed based on its structural integrity. Neck and handle part of plastic bottle become a module to generate composite volume. Module of plastic bottles are transformed into structure. Structural modules are made of beams, truss, and layers, which creates layers of volumes in between.


STRUCTURAL ENVELOPE

Assemblage Hierarchy Paper model is transformed into structural modules. The structural modules becomes external element, which is comprised of an outer, a middle, and an inner diatoms. Which will create sectional condition within the evelope which can be varied.


PLAN & CIRCULATION DIAGRAM

Ground Floor Plan

Second Level Plan


Commercial Space/ Shopping

Commercial Space/ Restaurant

Termimnal/ Departure

Check In

Baggage Claim Drop Off Zone

Third Level Plan

Circulation Diagram


ELEVATION & SECTION

South Elevation


Longitudinal Section


Interior view 01


Interior view 02



New York, NY, USA 2015 Fall, GSAPP Columbia Critics, Joseph Vidich Teammates, Melissa Balcazar, Jaewoo Park, Francisco Gonzalez-Calatayud

Crystal Inc, was the project from Surface, Screen & Structure, a digital fabrication course from GSAPP. We used crystal structure create modules of surface & structure system to anticipate and adapt to extrinsic variables such as light transmittance, wind, and the immediate surrounding urban condition. Adding a surface structure to existing New Inc Building next to New Museum, we also attempted surface as a brand identity to invigorate surrounding condition. The surface structure interact with users as platform, seating, and planting platform.

ELECTIVE

CRYSTAL INC.


Aluminum Cut Template

Envelope as Seating

Envelope as planting

Envelope as platform




2015 Fall, GSAPP Columbia Critics, David Wallance Teammates, Lin Su, Hillary Ho, Sungyeon Hwang

Given the restraints of modular design (dimensioning and transportation), we decided to embrace this fact and accentuate this aspect in the building form. The building’s u-shape creates a courtyard space looking towards the adjacent Gowanus Canal. On the exterior facing the street, the building takes on a uniformity through a curtain wall façade that aims to blend the transition between each module level. The double glazed glass façade maximizes sunlight exposure to each pod unit. In contrast, the form of the building changes greatly in the courtyard space. The building breaks down from a uniform mass and highlights each module unit. Smaller units are stacked on top of larger units continually towards the top to allow balcony spaces for the larger units. This jagged condition not only creates a duality in interior and exterior spaces, but it also creates different conditions of views for the occupants as well.

ELECTIVE

MODULAR ARCHITECTURE


Aggregation Diagram

Aggregation Diagram

Second Floor

Third Floor

Fourth Floor

Fifth Floor

Sixth Floor

Second Floor

Third Floor

Fourth Floor

Fifth Floor

Sixth Floor

10’

10’

10’

B

Utility

C

Utility

10’

10’

10’

A 10’

53’

A 10’

53’

A 10’

40’

A 10’

40’

40’

40’

A 10’

33’

B 33’

10’

C B

A

Utility

27’

A

27’

27’

20’

B A

A

40’

Module Depth

Balcony Balcony

Balcony

A

Balcony

A 10’

Seventh Floor

Eighth Floor

10’

10’

10’

B

Utility

C

Utility

10’

10’

10’

A 10’

53’

A 10’

53’

A 10’

40’

A 10’

40’

40’

40’

A 10’

33’

B 33’

10’

C B

A

Utility

27’

A

27’

27’

20’

B A

A

40’

Module Depth

Balcony Balcony

Balcony

A

Balcony

A 10’

Seventh Floor

Eighth Floor




STUDIO

AMERICAN DYSTOPIA American Dystopia Abandoned Drosscape, United States 2011 Spring, Cornell University Critics, Yehre Suh, Jonathan Ochshorn

“ The American Dream” is a form of spectacle. Traditional, detached, single-family housing on a large private lot is the symbol of stability and indication of social status. This ideal becomes the product to sell and increasing demand in the housing market actively causes the sprawl.

The project contaminates the picturesque vision of suburbia by reorienting it into a metropolis. The suburban city evolves with the passage of time, both horizontally and vertically with a network of high-tech favelas without loosening the grasp on the “American Dream.”


United State’s poluation movement 1.5% to 138.8% 1.0% to 1.4% 0.1% to 0.9% -0.2% to 0% -0.7% to -0.3% -100 to -0.8% Zero Population Chicago

Philadelphia

Baltimore

Detroit

Memphis

Memphis

St. Louis

Cleveland

Indianapolis

Milwaukee


Strong Decentralization Trend and Spill Over Trends of Blighted Inner city WORK

Town

City LEISURE

WORK

City

Town

Subtown

LEISURE

Prosperous Downtown Blighted Inner City Distressed Inner-ring Suburb Prosperous Outer-ring Suburb Sugie Lee and Nancey Green Leigh, Intrametropolitan Spatial Differentiation and Decline of Inner-Ring Suburb

City

Town

Previously, city and suburbia were linked through commuters. However, working place has started to move towards suburbia, and the uncontrolled growth of suburbia has dissolved the link between city and suburbia. With today’s cities developing rapidly, people have flocked to suburbia from the center of the city, inadvertently creating slum-like, abandoned areas inbetween. Thus, this project aims to bring population back to the neglected inner suburb ring, to revibrate and densify the area, making it a link between the city and suburbia. The city and suburbia then coexist mutually.



Project aim to densify sprawled programs of six transect and provide alternative possible interactions by verticalize different programs categorized by living, leisure, and working. Six transect includes central business district urban core to rural preserve where house becomes less dense. Decentralized and sprawled contemprary suburbia cannot commute anywhere without car. By verticalize programs, everywhere becomes walkable distrance while people can still keep their ‘American Dream’ with individual green lots.


Philadeliphia was chosen as a experiment site. The lower western area of Philadelphia is industrial district where there is less residential area. The designated site includes a many abandoned areas. The vision of the Verticalized Suburban city is imposed on top of the existing site. This project also challenges the existing building typology where homogenious slabs with core discontinue the activities from the ground plane. Instead, the slab of buildings is interpreted in an alternative way by using a seemingly unhomogeneous pattern, which has the ability to control circulation of pedestrian, cars and carriers. The pattern starts from 15-minuite walking precint with a radius of 1500’. The slabs can be multipled both horizontally and vertically.


PRIMARY MODULE It has 1500’, a distance people find comfortable to walk. This module includes approximately 190 houses.

ONE UNIT Four primary modules complete one unit. One unit is surrounded by driveway and parking lot on the periphery. Shortcuts for pedestrians and logistics are placed in the middle the unit.

EXPANDABLE UNIT Units can be expanded both horizontally and vertically.

HOUSING

LEISURE

COMMERCIAL

PEDESTRIAN

DRIVEWAY

CARRIER

This level is a residential area where people builds there own house. Lots on the periphery have larger areas.

This level includes flexible leisure programs, such as amusement park, sports facilities, theaters, and zoo.

This is a level for offices and stores.

This is a shortcut road to other modular units.

This car street leads to the residential area. Cars can be parked on the periphery.

This road is for logistics to deliver heavy items.


DRIVER’S CIRCULATION

VISITOR’S CIRCULATION

VISITOR+RESIDENT’S CIRCULATION

Circulation for car is located on the periphery of the unit. Thus the car is parked on the pheriphery, and the entire unit is designated for people

This level is designated for commercial and working purpose.

This level contains cultural activities and enjoyment, such as amusement park, zoo, or museum.


RESIDENT’S CIRCULATION Various sizes of approximately190 housing lots are located in this level, all within walking distance of 1500 feet.

To sum, there are three levels-living, resting, and working. Different programs and activities of each level are connected vertically, maximizing interaction among different levels.



Scenario 4 and 5



Scenario 2 and 6



Scenario 1 and 3





PRACTICE

INCREMENTAL MUMBAI Incremental Mumbai RTO+, Mumbai, India 2010 Fall, Cornell University Critic, Lily Chi Team member, Marcial Mora

India is the world’s second most populated city with approximately 18 million inhabitants. However, the number itself cannot describe India’s complex kinetic condition. There are the multiplicities of ethnicities, religions, cultures, and spaces that, compounded by economic/social segregation, create a seemingly incomprehensible landscape. The project aimed to understand the various housing typologies, live-work practices, spatial relationships and temporalities, and create urban framework that responds to Mumbai’s cultural congestions.

The project provides architecture as an armature where Mumbaikar can appropriate the space. In doing so, the project aims to answer an essential question: “How to apply architectural tools to non-architectural questions like poverty”


SITE VISIT-KOLIWADA, MUMBAI (FISHERMEN’S VILLAGE) To understand the kinetic landscape of Mumbai, I visited Koliwada, a fisherman’s village, with a group of other students and professors. The village was established before the British took possession, and maintains a similar landscape as Dharavi. It has evolved and developed over 450 years. On a tangible level, we tried to understand the interesting dynamics of streets (lanes, alleys), light penetration, and culturally, we tried to comprehend their communal interactions and how they influence street and housing culture that serve as a flexible, dynamic place for private life and work.

Washing

Selling

Teaching

Shaving

Community Working


The site, the immediate context where we are to define our project is a flat plot of trapezoidal geometry defined in each border by soft (light construction) one floor buildings which house the program for the RTO offices. The rest of the space is parking area for the vehicles waiting to be inspected.

The site is an island. The urban location, the surrounding plots and their uses, and the existing street system have made vsure that this particular plot keeps isolated from the exuisting urban fabric. There are four existing conditions that inform and define the character of the site today: 1. S lums and Low income housing on the south-east edge. 2. T he Wellingdon Golf Club on the north edge. 3. High Income housing on the west edge. 4. The RTO program on the current site. Mumbai transportation diagram

High income housing

Wellington Golf Club

Slum-Low income housing

Shawl-Low income housing


Stitching open Spaces

The need for open spaces has become a necessity for Mumbaikars. The proposal creates four bands of open spaces with different proportions and programs.

Weaving streets

Two Streets, one vehicular and one pedestrian will define the main circulations into and out of the site, bringing with it the livelihood of the slum streets into the proposal.

In order to pay for the site, and to maintain the network of opportunities offered by the city and strengthen the family economy, enough density should be achieved, 0.05 persons per sq/ft. A space allows communal interaction in order for fragile social conditions and relations to grow, and the building must provide framework for the supporting condition to facilitate the expansion process for the self-built part of each house.

Weaving Lanes

Lanes(about 9feet wide) connet the urban network of streets with each other within a slum.

Weaving Alleys

Alleys (about 4 feet wide) is the most intimate of the street system and mark the thresholds between the city’s urban condition and the slum’s medieval condition.

Knotting Incremental Housing

It gives a space that allow communal interaction in order for fragile social conditions and relations to grow. This has proven of being a key issue in the economical take off of a poor family in previous developments.


1. PLAN OF GROUP HOUSINGS

Initial housing plan

ground 3

Final housing plan

The house has 290 sq/ft of minimal space of simple, neutral shape of square, where the combination of simple shape can have horizontal and vertical interactions to allow adaptability for Mumbaikars to convert spaces into their home.

ground 2

2. INDIVIDUAL HOUSING UNIT

ground 0

Initial housing volume

Expanded volume

3. FOUR HOUSING UNIT volume on patterns

Initial housing volumes

Expanded volumes

4. TYPE OF HOUSES

ground 0 - small size unit for 3 housings

housing patterns

ground 1 - middle size unit for 1 housing

ground 2 - large size unit for 1 housing


Initial Housing

Open

Final Housing

Circulation

Commercial

Ground Level Plan

Second Level Plan

Third Level Plan

fourth Level Plan


Module Unit Axon

Section H-H

Section B-B


View A _ Entrance from east side of informal housing area


A

D C

B

View B _ Southern main street

View D _ Inside street view

View C _ Inside view



STUDIO

STREET MUSESUM Street Museum Williamsburg, New York, United States 2008 Fall, Cornell University Critic, Michael Silver

Williamsburg is filled with young spirits and their free minds. Thus architectural intervention should provide the space where their spirit can be exposed, not to be obstructed.

The building is the extension of street. The building becomes temporary containment of movement from the street, road, and excessive grid of Manhattan. The street wraps around various types of program volumes, and programs are organized to create dynamic space where juxtaposition of programs creates impromptu exhibitions or theatrical events, cross fertilization of ideas, and serendipities. Mixture of programs creates highly diversified experience for visitors.


Manhattan, New York Greenpoint

Nolita Little Italy

Wil Williamsburg liam sbu rg B Lowereast Side ridg e

Downtwon Brooklyn Brooklyn Heights

Compared to Manhattan, there aren’t many museums in Brooklyn, although Brooklyn is home to many artist communities. Thus, the project suggests that the museum be located in a waterfront site where artists can have open exhibitions. It will function as an artist studio and a gallery-museum at the same time. Also, since Bedford Avenue has very active street culture, the project aims to extend the street culture of Bedford avenue into the site, forming the ramp to naturally invite people into the building.


1. URBAN CONTEXT Urban Context-Merge of street orientation of Manhattan and Williamsburg is manifested on the Site.

2. S TREET MANIFESTATION Street is extended and wraps around program boxes, functioning as both floor slab and ceiling.

3. PROGRAM ORIENTATION

3. MODEL STUDY

Programs are determined according to site’s need and organized corresponding to surrounding site with three stripes: space for museum exhibition, space to be rent for public, and artist residence.

Rent for Public Public Owne d

EVENT SPACE H ybr

id

Museum Private

Birdeye view from waterfront Artist Residence

View from N10th st


Cafe/Bar

Art cannot exist by itself. It needs to be linked with viewers. In today’s art market, artists often sell their work through galleries or auction, but many have limited opportunities to showcase their work. By using their studio not only as place to work but also as place to showcase their work, artists can use their studio to interact with viewers more freely.

Restaurant Concert Hall

books

CONCERT HALL

books

INDIRECT PURCHASE Current cycle of artist-buyer relationship

books

Exhibition Hall

art lovers

gallery

purchase

artist

books

Private Owned Gallery

books

books

DIRECT PURCHASE

Exhibition Hall

Suggested cycle of artist-buyer relationship books

LIBRARY HALL

Museum Shop

art lovers

purchase

books

Exhibition Hall for Rent

Museum Shop

Museum Office

MARKET PLACE/ ART AUCTION

artist


Upon entering, visitors can move between floors through the ramp and stairs. The ramp makes the circulation and the floor levels become continuous surface. It can also serve as a hybrid space where diverse programs can be organized.


Level 2 Plan




PRACTICE II. WORK EXPERIENCE

K UNZ AREAL SCHWABISCH HALL SHANGHAI UNIVERSITY CAMPUS MASTERPLAN PARK BARRIER MLANBAATAR ACHELEN PUBLIC U NEW SPACE CITY HALL SHANGHAI UNIVERSITY CAMPUS K UNZ AREAL SCHWABISCH HALL MASTERPLAN PARK BARRIER U NEW SPACE CITY HALL MLANBAATAR ACHELEN PUBLIC



1,000 Communities

100 Quads 10 Colleges

1 Campus

SHANGHAI UNIVERSITY OF ELECTRONIC POWER CAMPUS MASTERPLAN

PRACTICE

10,000 Dreams

Shanghai University of Electronic Power 1st Prize Limgang New City, Shanghai, China 2012 Fall - 2014 Spring SAMOO Architects and Engineers, Junior Architect Responsible for concept design phase and schematic design phase. Assisted the design associate principal to design and develop gymnasium and student activity center. Preparing final submission panels, including drawing schematic design diagrams and creating prototype study models.Coordinating with environmental design agencies.

University Master Plan Competition is held by Shanghai University of Electric Power to extend existing university in the city center to Limgang New City. New Campus in Limgang will be 398,000m^2, including nine college clusters, central library, administration center, sport facilities, and dormitory, used by 11,000 students. The competition was held over two phase, and among nine teams, Samoo in collaboration with Tonji Architectural Design Group won the 1st prize.

The Campus consists of central spine of academic axis, adjacent with curved axis of cultural activities. Central library as the symbol of University is located in the center of main academic axis, while dining hall, sports facilities, and student administration center are organized along the curved axis. Each college cluster contains academic quad, where students attain intellectual creativity, and interlinked clusters of academic quad will encourage the formation of college communities to exchange their ideas. Design team aimed to create closely knitted community, sharing individual’s values, leading successful campus life.


SITE ANALISIS

LOCATION Located at the midpoint between Shanghai and Yangshan Port, Lin Gang New City is a global port city which will be China’s bridge to the future

URBAN AXIS The site is on the center of urban axis which connects Lingang New City to Shanghai

Industrial Zone Shanghai Science University Shanghai Marine Biology University

Lingang University

Tongji University

Lingang New City Center

Lingang New City Lake Lingang New City

URBAN QAUD Urban quad located in the University will be intersecting zone of Lin gang New City, Shanghai, and the Universities

Shanghai

Lingang New City

University Zone


ZONING 2nd phase construction areas and futureoriented facilities have been placed in anticipation of the planned regional development involving commercial/public facilities. The dormitory district is incorporated into the residential area near Hwa-back Road.

Main Entrance

Secondary Entrance

Living Zone

Gymnastic

Education Zone

Zone

Dormitory for International Student

Dormitory

Border Line of Lot Building Line

Innovation Zone

2nd Phase

Commercial Axis

Cafeteria

Main Entrance

NOISE REDUCTION

Agora

Lecture Hall

Event Plaza

College of Electricity

Administrative Center

Central Library

Central Plaza

Welcome Sqaure

Noise Reduction

Main Entrance

Living Zone

Lecture Hall Student Center

Dynamic spaces like the gymnasium that creates noise are placed in the periphery and quiet spaces like the library and study halls are constructed with soundproof material.

College of Mathmatics

Faculty Center

Quiet Zone

College of Electronical Information

Active Zone

Noise Reduction

College of Chemical Engineering

Cafeteria

Future Site

Campus Sports Garden

Gymnasium

Shanghai

Main Entrance

n gh Sha

2nd Phase

ai

CIRCULATION

Energy Center

Secondary Entrance

2nd Phase

Border Line of Lot Building Line

The rectangular inner circulation road that consists of car streets, sidewalks, and bicycles lanes makes the flow of human traffic efficient. The symbolic sidewalk that penetrates the center of the campus connects the campus to the commercial/ public facilities.


MASTER PLAN PROGRAM ZONING Living Zone

EXTENTION PLAN 1st Phase

site

Future Forwarding Zone

Gymnasium

Track

College of Computer SciCollege of Electricity ence

Innovation Center

Lecture Hall Lecture Hall

Administrative Center Library

L ecture Hall

Campus Core

Energy Center Innovation Center

2nd Phase

College Plaza

Student Center

Cafeteria Faculty Center

College

2nd Phase

Cafeteria Dormitory

Central Library

Administrative Center

Student Center

Soccer Field

Faculty Center

College of Mathmatics

College of Electronical Information 2nd Phase College Building

Soccer Field

Dormitory

Agora

Energy Center

Dormitory for International Student

Plaza College

Gymnasium

site

Lecture Hall

College

Education Zone

2nd Phase

Dormitory

2nd Phase College Building


LANDSCAPE DESIGN CONCEPT CAMPUS LIFE Functional spaces for lecture, study, and club activities Multi-purpose spaces for students

SYMBOLIC Campus central axis that accords with the city’s axis Key buildings around the central axis and Open Space

VARIOUS GARDENS Gardens of different sizes for each college Communal space for various events and resting space to foster open communication

ECO-FREINDLY Large forest area along the campus circulation road Utilization of rain to create aquatic plants biotopes Eco-friendly campus that uses aquatic plants for wastewater treatment.

URBAN LINK Independent campus area in harmony with the rest of the city Continuity with the city scene, Private space for students

CIRCULATION

LANDSCAPE

pedestrian entrance

Pedstrian

main entrance

Vehicle

forest water

sports small garden

open space urban connection

Zoning

Axis

Circulation

Inner Link

Urban Connection

Eco freindly

secondary entrance entrance

main entrance Bicycle

secondary entrance

pedestrian entrance

main emergency/service

Parking

parking entranc parking area secondary parking area

vehicle circulation emergency/service vehicle circulation student main circulation pedestrian circulation bicycle circulation

1. Create a water purification system that recycles rainwater 2. Utilize the smart grid for efficient usage of renewable energy 3. Create an eco-friendly environment through natural environment and bicycle road 4. Create better living conditions through air quality improvement

SHADING ANAYSIS


The project was developed mainly through building a site model. Each Member of team has quickly developed own strategy to analysize site through mass models. Two alternatives were selected to develope further, and final model was selected for competition submission.

STAGE 1 STUDY MODELS

STAGE 2 STUDY MODELS


FINAL MODEL_EXHIBITION FOR COMPETITION


Level 1 Plan

Section

Elevation

Level 2 Plan


GYMNASIUM After developing the site strategy, each member of team designed various buildings for campus. I mainly developed the gymnasium, with two objectives in mind: the facade facing inside should give a sense of dynamic campus, whereas the facade facing outside should give a welcoming image to the citizens of Lingang New City, and the volume is clearly divided into four parts to serve its main purpose as basketball, badminton, handball, and tennis court.

Tennis Court Handball Court

Basketball Court

Badminton Court



PRACTICE

ULAANBAATAR NEW CITY HALL Ulaanbaatar New City Hall Ulaanbaatar, Mongolia Summer-Fall 2014 SAMOO Architects and Engineers, Junior Architect Responsible for concept design phase, schematic design phase, and design development phase. Assisting the project architect with construction documents and details. Creating prototype study models for elevation. Coordinating with environmental design agencies. Involved with Concept Development, Making Models, Drawing Construction Document for Schematic Design+Design Development, Cross-Checking Drawing Sets with Sub-Contractors

The city of Ulaanbaatar plans to move its city hall to the periphery where the city plans to further develop a new town. The new city hall consists of offices, conference hall, city congress, and citizen service center. The eyeshaped city hall symbolizes the government’s role as a vigilant guardian of the city.

The project proceeded from Concept Design to Schematic Design, to Design Development, and produced a comprehensive set of documents for cost speculation in collaboration with Civil, Electrical, Fire Protection, and Landscape offices. Team from Samoo drew a comprehensive architectural document in Design Development Phase. I was mainly involved with 1) developing elevations through producing various alternative models, 2) drawing plans, sections, elevations, and part of sectional and elevation details.


Initial Mass Studies

Molgolia is very low in temperature, which goes down to negative 25 celsius degree in winter. Thus, the building should be designed to use energy effectively by using natural source such as sun light, and determine appropriate usage of facade material.


Level 2 Plan

Level 2 Plan

I assisted project architect to coordinate and develope floor plans, sections, elevation, as well as partial elevation and section details. Furthermore I was also involved with drawing project information document which includes area tabulation, fire compartment plan, and workscope plan. Level 2 Plan


Main Section


South Elevation


Alt 1

Alt 2

Alt 3


Wall Elevation and Section Detail

Stair #1,2 Section


Master Plan

Urban Development Cut


Schwabisch Hall Schwabisch Hall, Germany 2012 Spring Mawan Architects and Urbanists, Internship Responsible for concept diagram phase. Prepared presentation material (diagrams, plans, sections, and elevations, collaborative sketches and collages)

Ground Level Plan

Located between the Schwabisch Hall center and Hessental/ Dachswald, the site has significant characteristics that set the basis for future development. Currently filled with few recognizable postindustrial buildings and various low quality additions that served old industry, what is needed in the site is a high quality public space that will bind the buildings together and invite diverse users to work here and spend free time. It is necessary to create a strong visual link to the Kurz Strasse, which will bring most of visitors,. Various commercial, cultural, and art programs frame and fill the space to encourage its liveliness.

PRACTICE

KURZ AREAL SCHWABISCH HALL


PRACTICE

PARK BARRIER Antwerp, BE December 2011 MAXWAN Architects and Urbanists Responsible for Concept Design, making Diagrams, and Photorealistic Collages

VERBINDING The site is located in the large urban area of Antwerp, Belgium. The proposal provides an overall view on the quality of public realm in the city center for the next decades, and focuses on creating a green and vibrant landscape city. The aim of the design is to bring more unity into the fragmented space and increase quality of future investment for people to enjoy urban settings by providing open connection to the park.

PARK STAD

VERBINDING

parkplein floor plein

PARK STAD

PARK STAD

VERBINDING

parkplein floor plein

PARK STAD

PARK STAD

PARK STAD

DIAGRAM PLAN


PRACTICE

MACHELEN PUBLIC SPACE Machelen, BE MAXWAN Architects and Urbanists, Internship March 2012 Concept Design, Constructing 3D models, Renderings , Choosing plants and lightings

De Spoelberchplein is the realization scheme of Maxwan’s masterplan of MachelenDiegem. The square locates in the house area, where it should function as an amenity core of the neighborhood as well as a casual roundabout. For a pleasant atmosphere, this neighborhood square provides unified green park with a shared space of grainy red bricks. De

The square avoids separation between narrow pedestrian wals and asphalt car lanes. Instead, it aims for generous paths that run in a cozy park.

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Completed in 2013

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V. M ODELS / DRAWINGS / COLLAGES STRUCTURE MODEL ROME CONGRESS CENTER UAE FEDERAL NATIONAL PHOTO COLLAGE DRAWINGS SO SHE IS GONE AMERICAN DYSTOPIA



Structure Model Helsinki, Sweden 2009 Spring, Cornell University Arch 3603: Structural Systems Critic, Mark Cruvelier Teamwork with Erica Yong-Eun Cho Making Model for Zenith Music Hall(FR) by Fuksas Dimension: 65x85x22cm Material: Rockite, Iron Wire, Wood Method: CNC Mill, Wood Shop, Soldering

OTHER WORKS

STRUCTURE MODEL



Rome Congress Center EUR District, Rome, Italy 2010 Spring Massimiliano Fuksas, Internship Involved with building 1:50 scale model for Congress Center, and developing cloud structure

OTHER WORKS

ROME CONGRESS CENTER



Competiton Abudhabi, UAE 2010 Spring Massimiliano Fuksas, Internship Involved with building a final model

OTHER WORKS

UAE FEDERAL NATIONAL COUNCIL



IV. EXHIBITIONS EMERGENCE ADDLIP JEWELRY POP UP


Symbiosis_New York Digital C-Print 100Ă—100cm 2014


EXHIBITION

EMERGENCE Gana Art Space, Seoul, Korea Collaborative Exhibition with Tae Yeon Kim (artist), Moonki Go (urban Planner), and Si Hyung Kim (architect) 2014 July 23 – July 29

Emergence is a term used in science, art, philosophy, and complex theory, where a large collective behavior or system arises from smaller, simpler entities. Emergence is also associated with a system to generate seemingly chaotic patterns that in fact have selfgenerated and organizational system. The exhibition Emergence is a collaborative exhibition held by Artists, Architects, and Urban Planners, to develope their own idea of Emergence through painting, urban topography, and biological morphology.

My idea of Emergence was inspired by the idea of cell. If a cell is the smallest unit in Biology, a house would be smallest unit in Architecture. Thus, I regarded a house as a living unit, the cell, and imagine them going on a journey throughout major cities of the world -- NewYork, Shanghai, Rio De Janeiro, and Seoul. Houses congregate, extend with their own self-organizing and bio-morphological system, and clash, interact, and mingle with the formal, rigid city.


Symbiosis_Shanghai Digital C-Print 100Ă—60cm 2014


Symbiosis_Rio Digital C-Print 100×45cm 2014

Symbiosis_Seoul Digital C-Print 60×45cm 2014



ADDLIP Jewelery Pop up Store Seoul, Korea 2013 Summer Team members, Hae Yeon Koong and Evan Ahn Participated as Space Director Responsible for designing and installing jewellery exhibition space

Postcards, and posters of individual jewelry designers for promotion

ADDLIP is a design agency that organizes and promotes collaborations among artists, communities, and companies. Jewelry Pop-Up was organized by ADDLIP to exhibit and market works of 17 international jewelry designers. My primary responsibility was to design and organize the exhibition space.

EXHIBITION

ADDLIP JEWELRY POPUP


SOO JUNG YOO sy2619@columbia.edu www.soojungyoo.com 520W 112st 6B New York, NY 10025

EDUCATION 2015–2016 2006–2011 2002–2006

– Columbia University, New York, NY Master of Architecture Degree in Advanced Architectural Design – Cornell University, Ithaca, NY Bachelor of Architecture Degree at College of Architecture, Art, and Planning – Emma Willard School, Troy, NY

WORK EXPERIENCE

Oct 2012 – Apr 2015

– Samoo Architects and Engineers, Seoul, Korea Junior Architect Shanghai University of Electrical Power, Limgang New City, Shanghai, China Competition 1st Place Design Team. Responsible for concept design phase and schematic design phase. Assisted the design associate principal to design and develop gymnasium and student activity center. Preparing final submission panels, including drawing schematic design diagrams and creating prototype study models. Ulaanbaatar New City Hall, Ulaanbaatar, Mongolia Responsible for concept design phase, schematic design phase, and design development phase. Assisting the project architect with construction documents and details. Creating prototype study models for elevation. Coordinating with environmental design agencies. Amkor Technology Korea, Incheon, Korea Proposal Selected for Construction Responsible for coordination with consultants and making a business proposal.

Dec 2011 – Mar 2012

– Maxwan Architects and Urbanists, Rotterdam, Netherlands Architecture Intern Kurz Areal Schwabisch Hall, Schwabisch Hall, Germany Responsible for concept design phase. Prepared presentation material (diagrams, sections, elevations, and collaborative sketches and collages) Machelen Public Space, Machelen, Belgium Responsible for concept design. Assisted in designing street furniture, material Research, 3D modeling, and rendering Researching station areas in Schiedam and Laan Van Noi for Rotterdam Architecture Biennale, Responsible for research data and preparing presentation material (diagrams and data visualization)

Apr – Aug 2010

– Massimiliano Fuksas Architetto, Rome, Italy Architecture Intern Rome Congress Center, Rome, Italy Constructed 1:50 scale model of Congress Center, using shop and 3D printing UAE Federal National Council, Abu Dhabi, UAE 2nd Phase Competition, Constructing a final model for submission

Jan–May 2011

– Cornell University, Ithaca, NY Teaching Assistant for Professor Jerry Wells

Jul–Aug 2011

– O ffice of Urban Terrains, Brooklyn, NY Assisted Professor Yehre Suh through researching and preparing documentation for a architecture studio in Cornell


COMPETITIONS Mar–Apr 2012

– Helsinki Library International Competition, Helsinki, Finland Honorable Mention Participated with Matthew Jull, Leena Cho, Edward Nicholson , Giancarlo Mangone, Marcus Parviainen, Pierre Jean Le Maitre Responsible for concept development, drawing diagrams, 3D modeling, rendering, and collages

ABROAD EXPERIENCE

Summer 2008

– Travelling Studio in Spain and Portugal Visited various architectural and urban project sites and proposed architectural projects Critics_Leyre Asensio, David Mah, George Hascup

Summer 2009

– AA-SAKIA Summer School, Daejeon, Korea Participated in the adjunctive program with AA School of Daejeon University and the Korea Institute of Architects Critics_Shin Egashira, Peter Ferreto

Fall 2009

– Cornell Program in Rome International education program with field trips and informative lecture series Critics_Werner Goehner, Mark Cruvellier

Fall 2010

– Vertical Studio in Mumbai Visited Mumbai, India to developed a Mixed-Use Housing Proposal Critic_Lily Chi

Aug–Sep 2013

Jul 2014

EXHIBITION

– ADDLIP Jewelry Pop Up Store, Seoul, Korea Space Director for Jewelry Exhibition-Pop up Store Collaborated with Evahn Ahn and Hae Yeon Koong Responsible for designing and installing jewellery exhibition space – Emergence, Gana Art Space, Seoul, Korea Collaborative Exhibition with Artists, Architects, and Urban Planners Collaborated with Tae Yeon Kim, Moonki Go, and Si Hyung Kim

SKILLS

– Architectural Drawing, Autocad – Digital Modeling, Rhino, 3d Max (Vray), Revit – Physical Model Making, Laser Cut, CNC Milling, 3D Printing, Shop Modelling – Graphic Editing, Photoshop, Illustrator, Indesign

LANGUAGE

English (Fluent), Korean (Mother Tongue), Italian (Basic)



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