CONTENTS
Mul t i di s c i pl i na r yAppr oa c he st oUr ba nPl a ni ng ,Ar c hi t e c t ur e , I nt e r i o rAr c hi t e c t ur e ,a ndCo nc e pt ua lI ns t a l l a i o nAr tWo r k s .
Ac a de mi cWo r k s Ar c hi t e c t ur a l Wo r k s Ur ba nS c a l e Ar c hi t e c t ur ea ndI nt e r i o rS c a l e
I ns t a l l a t i o nWo r k s
Pr o f e s s i o na l Wo r k s
0 4
0 1La y e r sWo v e ni nTi me
1 6
0 2Re a r o us i ngMe mo r y
2 6
0 3I ndi r e c tCo mmuni c a t i o n
3 0
0 4Li s t e nt ot heAr c hi t e c t ur e
3 4
0 5I nBe t we e nS pa c e
3 8
0 6Ar c hi t e c t ur a l Ur ba nGa r de n
4 2
0 7Ti meCo ns umi ngS pa c e
4 6
0 8I nt e r a c t i v eWa l l
5 2
0 9I nt e r a c t i v eS pa c e
5 6
1 0Undene dS pa c e
6 0
1 1Di s t o r a t i o no fS pa c e
6 2
1 2Co nt r a c t i o no fS pa c e
6 6
1 3One +One =One
7 0
1 4HubHe a v e n
7 2
1 5ePl a y bo xPr o j e c t
7 4
1 6RhodeI s l a ndS c hool o fDe s i g n| Ex hi b i t i o nDe s i g n
7 6
1 7S o ng doLa ndma r kCi t y| S AMOOAr c hi t e c t
7 8
1 8Re dDo tAr tFa i r| Br a ndI de nt yDe s i g n, Ex hi b i t i o nDe s i g n
8 0
1 9Ar tNo wFa i r| Br a ndI de nt yDe s i g n, Ex hi b i t i o nDe s t i g n
Layers Woven in Time
PROGRAM Land Scape Design PERIOD 2014 MA PROFESSOR Wolfgang Rodolf
There are three death. The First is when the body ceases to function. The second is when the body is consigned to the grave. The third is that moment, sometime in the future, .... when your name is spoken for the last time. -David Eagleman ‘ Forty Tales from the after lives’
Translucent concrete experiment model, cement and optic fiber, 2014
Possible areas in the cemetery for adaptive reuse of this static area to avoid any destroy of existing condition.
In Newport, the cemetery area, which can be first impression of the city, divide the urban fabric not only physically but also functionally. The residential area next to the cemetery has been active and kept generating overlapping layers in respons to time. On the other hand, the cemetery area has not followed the time once it was built. Therefore, friction exist in the two dwelling area between "PRESENT HOUSE" and the "LAST HOUSE". To solve this friction, I suggest adding another physical layers to active the static place.
Invisible layers in urban fabric City is changing. As time goes by, different activities are generated in urban fabric and this makes story layers as a reaction of time. In Newport, the cemetery area, which can be first impression of the city, divide the urban fabric not only physically but also functionally and empathically. The residential area next to the cemetery has been active and kept generating new stories in response to time. On the other hand, the cemetery area, that are built by 18C has been static and has not produced new memories once it was full.
2000
1900
1800
1600
1700
1800
1900
Re-thinking the urban surface and it’s relationship to time based activity; weave the time layers. To solve this friction and as an adaptive reuse of deactivated space, I suggest adding another physical layers to make people relate to space in new ways and active the static place.
A City of Remembrance within a City
1700
Lighting up the columbarium is a methaphor for existing. More and more rooms are occupied, the city scape will be changed and it will become glows of memories.
2000
2100
2200
Re - arousing Memory
PROGRAM Installation PERIOD 2013 MA PROFESSOR Eduardo Duarte
Light is a material which varies with time. Our perception of a space, therefore, can be affected by intercepting and manipulating light over various times of day. In the Pombal palace in Lisbon, each room has distinctive colors. So, the reading of the palace can be considered as experiencing color. After experiencing the colorful rooms, visitors may remember the color as residual images. This installation references existing elements of the building. By experiencing the palace at a smaller scale, the visitor is made conscious of the existing colors, patterns, and textures throughout the building. These elements are shown as shadow and light according to the time of the day, and depending on the changes in the angle of the natural light in the space.
This palace has very distinctive colors for each room, which visitors experience when they walk through the building .These colors remain as residual memories. When visitors reach the final white room, the installation projects the various colors of the palace, which evoke and trigger these sensory memories.
Sun analysis Like a laser beam needs a fog in the space to be seen, light always needs a medium to reveal itself. When a designer controls this medium by adding different translucent panel, one can control the amount of light which is shown in the space. By doing this, layers of light allow viewers to perceive various spetial depth in a room.
Light effects in the space
Fabrication Process Plastic, Vacuum formed, 150X150mm each module, 12 modules assembled for a panel
By analyzing existing Baroque and unique patterns and colors from each room in the palace, each transparent panel projects the elements according to time. Visitor would see different patterns and colors depending on the time of their visit, and this educates visitors about existing historical elements of palace.
Perspective
Design process 01:00 pm
02:30 pm
04:00 pm
Analysis of existing light
Mirrors installed adjacent to the window
Colored and Patterned Panels installed
A
Reflectors placed to redefine the space
Large Scale _ Proposed Installation
The space changes with the light
01:00 pm
Projected color view from A
02:30 pm
04:00 pm
Layers of the rooms Just as viewers choose the circulation through the palace and experience different orders of color, viewers also experience different orders of color depending on their approach to the box.
View point changes
These overlapping layers of colors offer varying perspectives according to the angle of viewing. This visual disparity naturally encourages viewers to walk and take up new viewing positions. As a result, the space around the lightbox becomes alive through the viewers’ movements.
Small Scale _ Actual Inatallation
Light Box installation
Design method
Sunlight was studied over the course of the day. Reflectors were placed to project colored daylight within the room depending on the time of day.
Details A
B
D
Light Box
Video Link
Movement into Space “The space becomes alive when it interacts with i Sequence C
its surrounding and nature.�
Space changes B
Depending on the time of day, the room has different colors of the light, and this gives the room various atmosphere.
D C A
B
Listen to the architecture PROGRAM Housing PERIOD 2007 Sophomore PROFESSOR Gwanseok Lee
As music notes on a paper allow you to imagine and hear the melody, architecture lets people feel the rhythmic movement of space by placing different walls and slabs. Through the varying transition of depth of spaces, i suggest a residential space that can be turned into a such rhythmical place from a dry, boring space by its ability of letting you to experience different spaces according to your movements.
perspectives
56 soomin lee
Section
soomin lee 57
In-between space PROGRAM Museum PERIOD 2007 Sophomore PROFESSOR Jinwook Sung
A building site located region called Suwon-si, Youngtong-gu is filled with neighborhood living facilities and residential area and contains solely one green space called “Bandal Park” which is noticeably very narrow. Considering the condition that an art museum is being built in this park, I suggest an art museum that uses the top part of the building as the green space is used to be and having an easily-accessible community space within the park in a way that it’s on the minimum level of damaging the area of the green space.
1. Insert (
2. Conect (
50 soomin lee
)
)
Circulation Diagram
perspectives
soomin lee 51
Site plan site : 40-1, paldalgu, youngtongdong, suwonsi, Kyunggi-do, Korea area : 50mX60.2m
Plans
Sections
52 soomin lee
perspectives
0
1
2
3
6m soomin lee 53
ARCHITECTURAL URBANGARDEN PROGRAM PERIOD PROFESSOR
Housing 2009 Junior Daehee Jo
Concept
OLD (single house) New( Apt)
Situation “House with a garden” a rise of terrace houses. This is a response to demands for a personal green space even in sharing buildings,for instance, apartment buildings. However, terrace houses have an extreme defect that it can only happen on inclined areas. To solve this problem, i propose a brand-new type of residence form that is able to embrace sufficient area of green space through a combination of new, multi-applicable units.
54 soomin lee
Now (Single house + Apt)
perspectives
Unit mix
soomin lee 55
Applying
Unit Mix
Perspective Giving Shape
Circulation
56 soomin lee 0
5
10
30
40m
Floor plans
Unit plans
65
Time consuming space PROGRAM Cultural complex PERIOD 2011 Senior PROFESSOR Dooyeol Lee
The objective of Time consuming space is, with image and time, to explore a new dimension of spatiality. Space, in comparison to spatiality, is more related to physical material, dimensional volume and the effect of light. Spatiality, However, is not only related to what space is concerned with, but also related to memory and events, and remnants of its surrounding within space.
Site plan
46 soomin lee
Movement can be traced as an act of drawing within a space. This project frames human movement, rendering time physical. Movement itself becomes the exhibition.
Model view
Displaying street
Urban scenario
Diatant View
When this strategy is extended over the whole city, space itself becomes museumlike, where we can place past events within spaces of the city. In contrast to the traditional display of relics in a museum, this project brings the city alive by framing contemporary activity.
Street = Living museum
Section
Site plan
Birds eye’s view
Close View
Interactive WALL
Since then, walls were one of the factors that physically cut off from the space. This results in an extreme lack of communication between inside and outside. However, this cut-off space due to the interactive wall, the wall works as a connecting media between the two different spaces. Walls with these functions turn around the existing role of walls
Interactive space, space, light, mirror paper, mixed media 2m X 5m X 0.2m, 2012
28 soomin lee
soomin lee 29
Back View
30 soomin lee
An image of space made by the light reflected in different sizes and angles of walls, is distorted in the opposite space then it’s reflected. Therefore, it grants diversity and connectivity for the spaces to be interactive.
Digital Image
soomin lee 31
Movement creates interactive patterns Unexpected movement produces a new drawing on the wall. Interactive wall objectifies and portrays human’s movement like a drawing paper as well as it delivers the movement to the opposite space.
32 soomin lee
soomin lee 33
Interactive SPACE
spaces are perceived and separated by these physical boundary called “ walls”. However, in contrast,non-physical properties can also perform the same thing as physical boundary.Through this non-physical property, such as “light”, space boundary that is on a new and escalated level, is suggested and creating an interactive space that can be directly influenced by people’s movement.
Interactive space, space, light, fog, mirror 500cm X 800cm X250cm, 2012
Light acts as a “wall” which is devide spaces, but not physically.
24 soomin lee
Articulation of space should not exclude a changing of objects, their movements and participants status in the space. These changes do not stop flowing with time. resonance between masses, sculptural features and interpenetration of spaces, the aesthetics of space should include ones movement and memories.
Interactive space, space, light, fog, mirror 500cm X 800cm X250cm, 2012
soomin lee 25
Activity variations
Depend on the movement, the space which is created by the boundary of light keep changing. This is called interactive space.
Method of creating spaces Attached mirror on the body allows the light to be reflected in different ways according to the movement and guides the movement itself to become a changing tool of the space.
26 soomin lee
Movement creats space variation. Space interacts with human activities.
Space variations
Reflected light create changable space
Non-physical boundary that is created by lights, provides unrealistic sense of spaces to humans. Not a permanantly set boundary yet a new level of space that constantly changes in a response to a person’s movement, offers a sense of a fourdimensional space with a bit of a notion of time.
soomin lee 27
Indirect Communication
PROGRAM PERIOD PROFESSOR
Installation 2013 MA Markus Berger
“ Indirect Communication” from Soren Kierkegaard’s posthumous autobiography The Point of View for My Work as an Author (pp 39-41)
“One can deceive a person for the truth’s sake, and (to recall old Socrates) one can deceive a person into the truth. Indeed it is only by this means, i.e., by deceiving him, that it is possible to bring into the truth one who is in an illusion. Indirect Communication
Indirect Space
Fragment of Image
Site
By installing the mirror panels in abandoned space in Copenhagen, visitors will experience new sense of space and fragment image of themselves. Through this experience, this helps visitors to understand the principle concept of Kierkegaard’s philosophy “ Indirect Communication”.
Section
Detail structure
Light Changes
This space offers two distinctive areas to understand Kierkegaard’s philosophy. One is for experiencing the space and the other one is for reading room. Due to the angle of the reflectors, these give various images and lights in the experiencing space, on the other hand, the light does not interfere the reading room.
Light_Reading room
Light_Experiencing room
Undefined Space
Undefined Space, Tape,wood, Space, 5mX6mX4m,2014
Process
Distortion of SPACE
The city is constantly changing. May inflate the functions of the city and building a physical presence to the people by suggesting activities contractions can. Invisible to the eye, the change of the variable space reinterpret see through the distortion of the three-dimensional space.
distortion of the space, space, line, transparency film, 45cm X 45cm X45cm, 2012
20 soomin lee
space changes
distortion of the space, space, line, transparency film, 45cm X 45cm X45cm, 2012
Space repeatedly expands and contracts. It tends to make people feel like it’s changing due to speed, activity, people’s density as well as physical change. Since transition of a space influences other spaces to alter, space will modify in a consecutive way just like dominos
Details
soomin lee 21
08
Contraction of SPACE What are the boundaries of space and objects? Which range from the size of the objects from our space is recognized as the formative refuses to recognize? Space should be de ned depending on the scale of the observer. Segment can be one of the huge space, depending on the viewing position and this also can be looked into massive object.
e boundry between space and object
C
34
, space, chinese ink on wood, cement, 260cm X 320cm X260cm, 2012
Space exists in any part of the world. Spaces like Buildings exist within cities, rooms do as well in buildings, shoe racks are there in rooms and finally shoes are placed on the shoe racks. They are impossible to be limited as the absolute size.
Back view
Contraction of space, space, chinese ink on wood, cement, 260cm X 320cm X260cm,
soomin lee 35
Shows the constantly expansion and contraction that blurs the boundaries of space by allowing continuous space. 36 soomin lee
Points gathers to be a line, and the lines, to be a side surface and the surfaces to be three-dimensional object. Back in the process of one-dimensional, two-dimensional, three-dimensional space, the contraction of the three-dimensional space,it is often perceived solely as lines and points.
Details Space that exists inside the space as part of the debris off the line wrapped around the space again repeated and mass interaction is proposed.
soomin lee 37
One + One = One
location : Yongam-ri, Byeollaemyeon, Namyanju-si, Gyeonggido, Korea Won “The first Prize” and “The Owner Selection Prize” Members : Soomin Lee, Jiha Lee, Richard Lee, Soheun Han, Hyesung Yun, Hyunsuk Yun, Mikyu Park, Dahyun Lee, Sangmin Byun,
42 soomin lee
One + One = One, space, fabric, box, 100cm X 90cm X420cm (structure) , 2012
Details
Fabric Our main concept ‘one+one=one’ came from two conflicting use of the word ‘one’. A single person is counted as ‘one’, and a group of pe ople is also termed as ‘one’. In other words, independent ‘one’s build a relationship to make a new
The whole process to make the final piece was filmed and became an important part of the project. The performer carries a box which indicates ‘one’ and leaves trace with fabric. these ‘one’s from far distant starting points make new ‘one’ at the meeting point. this new structure has wrinkles which represent the soft property of fabric but it stands high which is
impossible for fabric itself.
soomin lee 43
44 soomin lee
00:00:00
00:00:05
00:00:10
00:00:20
00:00:25
00:00:35
00:01:00
00:01:20
00:01:40
00:02:00
00:02:15
00:02:45
00:03:00
00:03:30
00:04:00
00:04:15
00:04:45
00:05:00
· Size : 1m×0.9m×4.2m(structure) · Length of fabric : 15m~80m · Material : box(600mm×500mm×450mm) white fabric(width of1m &1.5m)
Making Film The whole process to make the final piece was filmed and became an important part of the project. The performer carries a box which indicates ‘one’ and leaves trace with fabric. these ‘one’s from far distant starting points make new ‘one’ at the meeting point. this new structure soomin lee 45
The Playbox project
CANADA WOOD WOKRSHOP PROGRAM Pavilion PERIOD 2011 Senior PROFESSOR Gwansoo Kim
Apply the theoretical knowledge learned from Architectural class and was made by step from start chopping wood nailed to a pavilion that you can actually use. Great learning experience to know the structure practically .
Lay down and downward together with friends
Have a free moment, leaning back and listening to music
Making process
Elevation LOOK+TOUCH+LEARN M A K E B E L I E V E R E D I S C O V E R I N G
Site donggwangwon, paldal-gu, youngtongdong, Suwon, Korea 54 soomin lee
sit face to face infront of table to study together or eat together
The shelves can use for putting toy or books
3D models
Final
soomin lee 55
Int|AR Grad Show Rhode Island School of Design PERIOD 2013-2014
Exhibition Design
Designing and installing module system for exhibition stand and three dimensional graghics for display.
Songdo Landmark City
Unit Plan
Site Plan Songo Landmark City A4BL
SAMOO Architect Jamsil, Seoul, Korea PERIOD 2011
Drawing construction documents, Designing community space, Designing Bus stop, 3D modeling fabrication (Sketch up model, Hand craft)
3D Modeling
Community Space
Bus Stop Design
Azerbaijan Baku S-Tower
SAMOO Architect Jamsil, Seoul, Korea
Drawing construction documents
Red Dot Art Fair GALLRIES & FAIRS, INC 525 W 26st, Ground Floor , NY PERIOD 2014 - Current
Red Dot Art Fair, taking place during Art Basel Miami Week is the 3rd largest fair in the art world. I am risponsible for all the floor plan designs of thented structure, the layout of all the booths, truss and lights. This includs interfacing with the contractors and subcontractors as well as the 63 art dealers which participated in the show.
Exhibition Design 50,000 square feet over 25,000 visitors 60 exhibitors
Structural Drawings
Brand Identity Design
VACCESS IP
RED DOT ART FAIR Tuesday, December 1, 6 PM - 10 PM Opening Reception Benefiting The National Multiple Sclerosis Society
INDD_BC_L..indd 1
Wednesday, December 2, 11 AM - 8 Thursday, December 3, 11 AM - 8 Friday, December 4, 11 AM - 8 Saturday, December 5, 11 AM - 8 Sunday, December 6, 11 AM - 6
5/12/15 11:37 AM
PM PM PM PM PM
NE 1st Ave & NE 31st Street, at The Shops at Midtown, Miami
917 273 8621 | info@reddotfair.com | reddotfair.com
Ad Graphics Miami Magazine, American Art Collector, Blouin Art Info, Craft Arts International, Art & Antiques, Art Nexus, Art Ltd., No. 3 Magazine, Santa Fean, Art Tour International, Visual Art Source, South Florida Luxury Guide, Around Town, Luxe Magazine, Arte Al Limite, Art Collecting, The Art Newspaper, Planet Fashion TV, Where Magazine, Art Forbes, Bureau of Arts and Culture Magazine, Barneby’s, Alma Magazine, Miami Living, Fine Art Connoisseur, Art Facts.Net, etc Red Dot Art Fair P.O. Box 20478, NY, NY 10011
Fair Hours: Wednesday, December 2, 11 AM - 8 PM Thursday, December 3, 11 AM - 8 PM Friday, December 4, 11 AM - 8 PM Saturday, December 5, 11 AM - 8 PM Sunday, December 6, 11 AM - 6 PM
Miami, Dec 1 - 6, 2015
VIP
Location:
3011 NE 1st Avenue (Midtown Blvd) & NE 31st Street, Midtown, Miami Directions to Red Dot Fair's Tent: Exit 2B on I-195, turn onto NE 36th St, left onto NE 1st Ave/Midtown Blvd to NE 31st Street or Exit N. Miami Ave, take N. Miami Avenue to NE 31st Street, South of Target and next to Petsmart at The Shops at Midtown. [GPS Coordinates: 25.8056, -80.1934]. We strongly suggest parking at the Target Garage and walking the two short blocks south to Red Dot Fair.
Dec 2 - 6, 2015 +1.917.273.8621 info@reddotfair.com REDDOTFAIR.COM
This invitation is your VIP PASS. Bring this invitation or cut out the dotted VIP card, either is acceptable for admission.
Fair Hours:
Tuesday, December 1, 6 PM - 10 PM Wednesday, December 2, 11 AM - 8 PM Thursday, December 3, 11 AM - 8 PM Friday, December 4, 11 AM - 8 PM Saturday, December 5, 11 AM - 8 PM Sunda Sunday, December 6, 11 AM - 6 PM
Opening Reception: December 1, 6 - 10PM Benefiting The National Multiple Sclerosis Society
REDDOTFAIR.COM
MIAMI, Dec 1 - 6, 2015
Publications
Brand Identity Design
Art Now Fair
P.O. Box 20478 New York, NY 10011
ART NOW FAIR FEBRUARY 25-28, 2016
CURATED BY JANE SAUER WWW.ARTNOWFAIR.COM
MIAMI BEACH
CONVENTION CENTER
Advertising Miami Magazine, American Art Collector, Blouin Art Info, Craft Arts International, Art & Antiques, Art Nexus, Art Ltd., No. 3 Magazine, Santa Fean, Art Tour International, Visual Art Source, South Florida Luxury Guide, Around Town, Luxe Magazine, Arte Al Limite, Art Collecting, The Art Newspaper, Planet Fashion TV, Where Magazine, Art Forbes, Bureau of Arts and Culture Magazine, Barneby’s, Alma Magazine, Miami Living, Fine Art Connoisseur, Art Facts.Net, etc
ART NOW CARD.indd 1
6/19/15 5:13 PM
A RT N O W FA I R A RT N O W FA I R . C O M
3 4 7 . 9 5 7 . 2 7 4 3
Art now business card.indd 1
5/27/15 1:49 PM