Southern Hollywood Magazine: ISSUE 1

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Contents

Corprate Code

Were James W Brashers III comes in to help!

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Author: Jordan Bradshaw

Keep It Lit

What the Game’s Been Missing: L.I.T (Live Indie Talent) Concert Series

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Author: Brittany Williams

ElleQ: Casting Atlanta

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Local casting director, LaQuanda Plantt Author: Brittany Williams

Autumn Bailey

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The Queen of Indie Film Making Author: Brittany Williams

Inside the Jungle

The most polished and well sought out plus size fashion designers behind what we now know as Lavender’s Jungle.

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Author: Iam Nikki P.

Thriftiques

Thrifting Techniques for the saving thrift shopper.

Author: Nickki P.

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Feature Kudzi Karidza is Sir. Garde A stylist/designer hailing from Zimbabwe Author: Jordan Bradshaw

Photographer:Kellem Marie Location: 1010Midtown Condos

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Letter from the Editor Hello, I’m DiShalon Johnson, b.k.a. “Dee”, Co-Founder and Creative Director of Southern Hollywood Magazine. I would like to thank you for taking the time to check out Southern Hollywood Magazine and I hope that you like what you find. It is my goal to change the perception of Atlanta’s independent entertainment industries and raise awareness of their happenings. Over a period of time you will see, as I have seen, that Atlanta has much more to offer to the world than what is being perceived as “Atlanta Culture” in mainstream media. Its time to get back to the core values that help make this city as great as it is today and shed more light on the TRUE “Atlanta Culture”...

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Corporatecode Author: Jordan Bradshaw

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key part to interviewing for a job is what you wear to the interview. Sometimes not wearing the proper fit will cost you the position all together. That is were James W Brashers III comes in to help! Back in 2008 James started a project where he asked some of his friends to search through their closets to see if they had any clothes to donate. At the time James was volunteering at a number of different homeless shelters, and by studying his surroundings he was inspired to make a difference. He saw many men in the shelters who were intelligent with the skills and knowledge needed to find employment. However, the men were in situations that did not allow them the means to make it through the interview process successfully, and so Corporate Code was established. James started a non-profit organization that helps men in the city of Atlanta with interview appropriate tailored suits.

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stated James, and knowing the men he was working with needed the look he was ready to provide. Now Corporate Code has had over 5,000 suits donated to the cause of helping men in Atlanta from all walks of life. The clientele ranges anywhere from college students, to the homeless, ex corporate CEO’s or men in job transitions. As long as the client has successfully completed the job training program they qualify for James’ assistance. Corporate Code has partnered with job training agencies, the department of labor, and other placement agencies to reach out to those who need his help. Once the men have reached the graduation stage of their job training they then have the opportunity to meet with James and his staff to get fit for a tailored suite, matching accessories, as well as some interview do’s and don’ts.

The part I found most interesting about Corporate Code is they do not only provide you with a suit for the interview, but James also incorporates his love for fashion into the project as well. James says translating fashion into corporate attire is all about the fit, and which is why his services are doing more than just throwing men in suits and wishing them well on their interviews. He taking the time to make sure each of his clients are fitted properly in the suits so they look and feel interview ready. When

asked what he feels his biggest accomplishment thus far has been he stated “raising awareness for the men in transition”. “Within the walls of these homeless shelters is a large number of men who are just looking for an opportunity to become a better person”, and James is giving these men more than just something to wear he is giving them the hope and a means to help change their lives.

Making a difference is the main message James would like to send through his philanthropy work.

It is important to him to “be a part of the solution” and he has done an excellent job at it so far by providing a service not many others have thought of.

Atlanta has one of the highest unemployment rates in the country and Corporate Code is doing their part to help change that. If you are able to get out and help in anyway you can you too could become part of the solution to some of the bigger problems society faces today. Not only can you donate to Corporate Code but James also would like to challenge our readers to “find a platform and stick with it”. No matter if it is simply helping a friend in need, volunteering your time, or campaigning for a cause your passionate about” Be the change you wish to see in the world!”

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Keep it Lit What the Game’s Been Missing: L.I.T (Live Indie Talent) Concert Series Brian “Flex”Wynder’s Media Mafia Productions, LLC pioneers a fresh new way to market and brand new, independent artists Author: Brittany Williams

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t appears that we have grown our very own SXSW right here in the city, tucked away in the burgeoning East Atlanta Village. The creator of Atlanta’s newest and most innovative approach to representing new, independent talent is taking the city by storm and reinventing the way independent artists are represented here, and perhaps, eventually, the entire country. L.I.T (Live Indie Talent), a concert series featuring some of the most buzzed about artists in the Atlanta area, has emerged and is quickly picking up momentum, mostly by word of mouth. The creator of this event, Brian “Flex” Wynder, originally had the vision to present the best of the best of indie talent in the Atlanta area, but with a twist: presenting new, up and coming artists, as though they are already mainstream.

At first this idea may seem unconventional, and to be quite honest, it’s pretty damn risky in today’s economy; however, after speaking with the Atlanta native who began his career as an artist, specializing in graphic design, I began to realize just how much of a creative genius he actually is!

After having worked as an artist with his own studio for about 8-10 years, Brian decided that the starving artist role wasn’t one he was willing to play. He began to write and produce a few songs for some well-known names in the music industry, and soon began to learn the ins and outs of the music industry, while also starting up his own digital media company, Media Mafia Productions, LLC. He revealed to me that his major drive for starting up an event like L.I.T. is simply because he wants to give back.

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What L.I.T. does is provide independent artists with a unique opportunity to actually have their very own concert, instead of just a showcase, which many new artists are forced to participate in if they want any shot of getting noticed at the local level.

Brian’s theory behind this is that a 20 minute concert is much more effective in comparison to a 5-10 minute showcase, where the artist may perform one or two songs, and may or may not be seen and heard because they may not even get a chance to step foot on the stage until 3 am. It allows the artists to “showcase their own style and get their own individual shine” Brian said.

For many independent artists struggling and competing for attention, this may sound all too familiar, and to make matters worse, they’re quite often required to foot much of the bill.

What L.I.T. does is give the independent artist access to all the tools and accoutrements that a mainstream artist would have, for free!

Yes, you read correctly, it’s all done on the house, compliments of Brian’s very own digital media company, Mafia Media, LLC. They’re footing the bill for each concert series, providing everything from lighting, special effects, VIP access, a full sized stage, and even food and meet and greet with local and national press as well as fans after their set.

“I’ve seen so many artists, that’ d done real work on the circuit, get taken advantage of with showcases that I had to do something where I could create an opportunity for others like myself to succeed.” — ­ L.I.T.

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“We want the artists to feel and be treated as though they are already A-List stars so that they become accustomed to the lifestyle of the industry.

We give them full creative license, and we provide VIP rooms for the artists to take pictures, meet with fans, and just be catered to” Brian said.

“It’s important that we put these artists on the same platform as mainstream artists and prove that as long as they push themselves, promote themselves, and take full advantage of what we’re offering, it’s a win win for everybody.”

I asked if it was difficult for some of these artists, especially lesser known artists, to get used to the high quality accommodations they were being provided with. He laughed and little, and said, “You’d be surprised how many artists come up to me afterwards asking what they owe me, and I tell them nothing. It’s hard for them to believe sometimes.”

However, with all of this first class treatment, some of the artists often begin to feel unworthy, Brian says.

“One of the problems we’ve had is that sometimes I wish they’d push themselves just a little harder. I often tell them that I understand you have a buzz in the city, but we’re trying to push you to the next level.”

What Brian wants to reiterate is that L.I.T. does not choose just anybody who says they can sing or rap.

No artist selection is arbitrary, and they take their selection process very seriously. Artists are required to submit songs along with forms to Brian and members of his team. If they like what they see and hear, they then do research on the artist, and if they feel that they meet their criteria and standard of quality as an artist, they are extended an invitation to perform.

However, don’t misunderstand the type of indie talent that L.I.T is trying to expose ya’ll to. They are not confined to just musical talent, but all types of talent. This summer, they plan to even feature a hip hop ballet act, various soloists, live bands, as well as a hip-hop violinist. L.I.T. plans to add more creative talent acts to the list as they move along and grow as a brand. L.I.T is definitely one

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of a kind, and while it may seem to be just another hipster movement hodgepodge, full of eclectic musicians and artists, it represents a more unified concept of artistry that wishes to push the envelope as far as independent talent is concerned. L.I.T. definitely wants to expose you to what you’ve been

missing. It’s sort of a revival of “what the game’s been missing” here in Atlanta, and Media Mafia has goals to eventually take the concert series on the road to share these artists with the rest of the nation as well.

After just finishing up their 5 th installment of the series, each concert has been different, yet consistent, featuring everyone from hip-hop artists, to r&b singers, to live bands. Part of what L.I.T. aims to do is to represent an array of styles, genres, and sounds, but they also don’t want you to think that they’re only about music.

L.I.T. also offers an opportunity for designers to market and promote themselves in their very on “Merch Mall,” which features designs and apparel

by Prints of Peace as well as Fishes and Loaves, the originators of the “Molly Wop” crewnecks that have been floating around the city lately. They encourage any and all local designers to bring in their stuff as well, as they are always looking for new, innovative and fresh talent to further enhance the L.I.T. brand.

“L.I.T. is all about independence, not just about music. Sure, the music is what ties everyone together, and brings unity, but we’re into a little bit of everything; sports, cooking, designs, artistry period.”

For many artists, especially those that are Atlanta natives, an event like L.I.T. is a dream come true.

For years, it has become increasingly difficult for new artists to escape the confines of Atlanta, being quickly labeled as “local” if they’re not associated with some other mainstream artist that has already made a name for themselves on a national or global scale, and for musical talents, getting played getting only local radio play on V103 or 107.9, yet remaining a mystery in most other parts of the country.

While L.I.T. does not profess to turn you into the next Future or T.I., one of their latest concerts featured Cyhi the Prince and Lil Scrappy, who perform right alongside lesser known indies such as singer Marian Mereba, and rapper CJ Da Fly Guy. A few other notable artists are Miloh Smith, Chiiirp, Rome Fortune, Alkebulan, Anstrumentalz, and Willie Hyn & the Rose Parade.

Currently, L.I.T.’s main goal is to increase awareness and expose more people to what they’re about and what they’re trying to do for indie talent in the city.

More than anything, though, Brian and his team want people to understand that what they are building is a brand.

“I hate to use the term ‘movement’ because it’s so cliché’. What we really are is a brand; a new way of marketing new artists, not just locally here in Atlanta, but to the entire nation. We’re building a new dynamic of artists and some of these artists don’t even fit one particular genre,” which for people like me, is exactly what I’ve been looking for.

Keep an eye out for the unique advertisements that could only come from the creators of an event such as L.I.T., featuring old ladies smoking cigars.

According to Brian, this is just another brand building element that has been successful so far. “We wanted to do something that would grab people’s attention and stand out. Something different. It had the humor element, and they become pretty

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popular. We actually discovered another company using something similar, but you just can’t duplicate originality,” Brian said proudly. “We love the old ladies. Everybody loves the old ladies. We’re keeping them.”

As for the future of L.I.T., Brian and his team only plan to expand the brand, making it bigger and better. They’ve already begun to get noticed by SXSW as well as a few other independent talent events.

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In the event you don’t run across one in the city, be sure to check out their website, www.liveindietalent.com and either submit to perform, or grab a couple of tickets to their next show! Keep in mind if you’re thinking of submitting and being a part of the L.I.T. brand, you’ve gotta’ push yourself! While they don’t mind providing the platform for you to succeed, it’s ultimately up to you to elevate yourself to the next level of stardom.

L.I.T. is definitely what the game’s been missing in Atlanta, and we’re definitely glad they’re here to stay.

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“LaQuanda Plantt:

Casting Atlanta” Author: Brittany Williams Local casting director, LaQuanda Plantt, decided to bring a much needed element to the Atlanta filmmaking industry by starting her very own casting company here in Atlanta: ElleQ. Plantt’s casting company was conceived in 2009 after an epiphany she had while working as an intern at a talent agency for a year. “I worked free for a year doing what I loved, learning everything I could, and one day I just woke up and thought, I could start my own casting company!” And that’s exactly what she did.

Plantt’s desire to become a casting director began upon the completion of her degree at the The Art Institue of Atlanta. When the opportunities she was looking for did not appear soon enough, she decided to take matters into her own hands, and do what she was truly passionate about. With Atlanta still being green to the film industry in many ways, the move towards starting a casting company here was a smart one.

“I saw the potential of what Atlanta can be for film.

When I started ElleQ Casting, I envisioned myself being one of, if not the top casting director in the

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south. I thought, why do what’s expected and move to LA or NY, when I can make my own mark in this industry right here in Atlanta?” Plantt is confident not only in her own abilities and skills as a casting director, but also in the future of filmmaking in Atlanta, and wishes to be a among the number of the many pioneers of Atlanta film production, that is rapidly putting Atlanta on the map as the new “Hollywood of the South.” While Plantt has had opportunities to work in NYC, she believes that she can grow her business in Atlanta, and possibly be even more successful by doing so. While she entertains the idea of being bi coastal, she affirms, “I am based here and will continue to grow my business here. The opportunities and the potential are here, and the industry in Atlanta is growing and changing every day.”

Plantt admits that major studio production decisions are still coming from LA, especially in terms of acting; however, many of the films that cast actors in LA are filming right here in the city. Plantt is not opposed to working in any of the other major filmmaking cities of NY, LA or Canada, but Atlanta is where she would like to make a name for herself in the film industry as a casting director.

ElleQ’s casting company specializes in Principal Casting for independent films, but also casts extras as well as for various local projects.

She is also casting a film with Supremacy Films, entitled “Curveball”, and was just signed on to do local casting and extras casting for Tommy Ford, who is working on a feature. She is also in negotiations for two films, one in New York, the other in Connecticut, which she says tentatively, may start production in late 2013, early 2014.

In addition to working as a Casting Director, Plantt stays busy by also working as a Producer. She has a couple of projects in the works, such as the web series’ “Osiris”, which will soon be a feature film with Pyramid Pictures.

When asked about potential growth of Atlanta’s film and acting industries in the next 5-10 years, Plantt replied, “ In the next 5 to 10 years, I expect to see many of the talented local filmmakers and

producers, many of whom I’ve had the pleasure of working with, being the “movers and shakers” in Atlanta. Every LA director or Producer has made an independent film at least once in their career, and I am expecting the major studios to start investing in the behind the scenes talent here and green lighting projects from Atlanta filmmakers.”

For those aspiring to follow in the footsteps of these Atlanta film pioneers, Plantt emphasizes the importance of internships. “Yes, most internships are non-paid,” she coyly admits, “but the experience you receive and the knowledge you gain is what is important. Also, working in the film industry is about who you know first and what you know second.” The opportunity to network and learn is major when trying to break into the film industry not only here in Atlanta, but in the other major filmmaking cities as well, and that is precisely what those in the Atlanta film industry stresses to those who dream of working in this field.

As for the type of actors that ElleQ Casting Company seeks to hire, qualities such as talent, dedication, drive and professionalism are at the top of the list.

Think you have what it takes to be cast in the next major production out of Atlanta? Here are some key points of advice from the ElleQ Casting Company on how to land an acting gig:

• Be prepared by training with a reputable acting coach...training is so important!

• Have professional headshots and a proper formatted resume.

• Enter the audition confident, professional,

and prepared to make me believe you are the character you are reading for. Make me believe you!

Plantt also states that while these are important components to landing a job, it is essential to keep in mind that talent and having the desired look are still top priority when being cast for a particular role.

To stay up to date with casting calls and other information concerning ElleQ Casting, be sure to check them out here:

“I would say out of 100%, 35, maybe 45% are Follow us on Twitter @ElleQCasting serious about their craft. They attend acting classes with a reputable acting coach; they study, and “Like” ElleQ Casting on Facebook perfect their acting skills. Although, they want to be Visit our website: www.elleqcasting.com paid, they are actors because this is their passion, not just a hobby. Money doesn’t drive them, the craft and art of being an actor is what motivates them.”

“Unfortunately the majority of Atlanta actors are motivated by making minimum wage just to be a stand in or girl #12 on a studio film or television show, just to receive a check. Sadly, the majority do not take the craft seriously, which makes it more difficult for the serious actors in this city, especially when it comes to receiving larger roles in the studio projects coming to Atlanta from LA.” So to any aspiring actors, the opportunity awaits you, right here in our very own city.

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Queen of Atlanta Indie film making:

autumn bailey Author: Brittany Williams

Q & A. f you’re looking to break into the independent film circuit here in Atlanta, Autumn Bailey is a name you definitely need to know! I recently got an opportunity to interview one of Atlanta’s most influential pioneers in the world of independent film production; Autumn Bailey. It was no easy task, as Mrs. Bailey is one of the busiest, hardworking producers in the Atlanta area with a passion for the independent film industry. Autumn Bailey Entertainment, LLC is her production company, based here in Atlanta, specializing in feature films, short films, and documentaries. The company also develops and produces for new media, performing arts, radio, and television programming, and Mrs. Bailey even has her own distribution company, partnering with IFLIXTV, an online film distribution company that allows access to both domestic and international films. The camera shy creator of “Get Connected,” is focused primarily on emphasizing networking as a tool that can make or break your career, and stands as a testimony to how it helped make her who she is today in the industry. While I’d prepared hella questions for Mrs. Bailey, her time schedule, which I was privileged to get a minute fraction of,

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permitted a brief Q & A session over the phone. It went something like this: Brittany: Hello Mrs. Bailey! This is Elyse Maverick with Southern Hollywood Magazine! How are you today?

Autumn: Hi, I’m Ok. I’m actually just finishing up a meeting right now. Can I call you back in 15 mins?

Brittany: 8 minutes later, my phone rings. Of course, I answer on the first ring.

Autumn: Hi, this is Autumn, you can go ahead with the interview now.

Brittany: Ok, great! I just had a “few” questions for you, Mrs. Bailey. This shouldn’t take long at all.

Autumn: Mm hmm.

Brittany: Ok, so I wanted to start by asking at what moment did you decide that film production was the right career path for you?

Autumn: I was eight years old. Even at that early age, I always wanted to be behind the scenes. I gained a passion for old classical films, like the AMC (American Movie Channel) films. I loved anything with Shirley Temple, Dean Marten, or Jerry Lewis and I knew that I wanted to do what they did, but I knew I didn’t want to act, so I decided that I’d rather be the creative person behind the scenes, helping to bring what the writer has down on paper, and helping to bring the vision to life.

Brittany: Do you have a favorite film?

Autumn: I’d have to say Dreamgirls because I’ve watched that move about 5 million times. I’m a musical person. I also particularly enjoy the old 1960s films, with Ron Howard. I also really like the old Eddie Murphy, like the Coming to America Eddie.

I’m not sure what he’s really doing these days, but his older stuff, I love.Eddie Murphy has definitely switched up on us with a lot of his contemporary stuff!

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Brittany: What about producers/directors?

Autumn: I really respect and admire Debra Martin Chase. I really loved The Princess Diaries in particular. Susan DePass, I really enjoy her work.

I really respect Spike Lee’s work and Francis Ford Coppola because I just enjoy the construction of the story line and the cinematography is great. Those are just a few that I can think of off the top.

Brittany: So how exactly did you get started?

Autumn: In 6 th grade, I joined the media club. I would always go out and interview people, and by 9th or 10th grade, I was known as the girl running around, out on the scoop with the microphone, asking everyone questions. I also participated in theatrical productions as well as performing arts, and plays, but I did this because of the technical experience. My preference is for film. So, pretty much since 6th grade, I was always a part of these type clubs and productions of some kind. People wanted me to be in front of the camera, but I always said no. I’d rather be behind it. I’m more of a behind the scenes person.

Brittany: So now that you’ve started your own entertainment company, how would you describe your creative process?

Autumn: Well the way I decide on whether or not I will work on a project is first, I read the script, and second, I ask do you have the money? I can’t work for free, because Sallie Mae don’t play!

Brittany: Haha! This is very true!

Autumn: Yes, so I would really, really have to like the script to work on it. But it’s not always the money either. Often I get approached with a project, and they may say, “hey, we have a budget of $500,000, are you interested in working as a producer, or creative director?” So I take on projects that way too, but I choose my projects very wisely. I have to really like it to actually work on it, and put my name on it.

Brittany: That’s very understandable. So what is a typical day like for you?

Autumn: Well, I like to do most of my work in the pre-production stages, so that on the day of actual production, I can pretty much just relax and oversee everything. In pre-production, I basically help develop, choose a director, cast, etc. I make sure the money is being budgeted properly as well.

Brittany: Is there any part of production in particular that you enjoy the most?

Autumn: No. I enjoy all of it, from start to finish.

What project are you currently working on right now?

Autumn: I’m actually working on a film titled Stepsisters, starring Kiki Palmer, Billy Woodruff, and couple of other names you may know. We’ll begin shooting here in Atlanta in July.

Brittany: Wow, I’ll be sure to look out for that one! I personally really enjoy watching good black films, but lately I’ve begun to notice that there just haven’t been a lot of successful black films. I’m thinking more of the films from the 90s, or even further back, such as the black exploitation films of the 70s. Why do you think that is?

Autumn: Honestly, I’m not really sure. Money could be a major reason. Also, distribution can be tricky. I’m in the independent market, so many of the projects I work on go straight to DVD, which I personally like because I see a quicker return on my investment. It could be too that people just don’t really support black films like they should. Marketing is also key. For example, the film Silver Linings Playbook cost 20 million to make, and only made 400,000 opening weekend. It’s only made 246 million to date, and I think that’s due to bad marketing.

People didn’t really know what the film was about until it began to get a lot of Oscar buzz, but when you look at the numbers, it doesn’t add up.

Brittany: That’s true. I know Oscar buzz is one of major reasons I decided it was something I should watch too. But, going back to the lack of support for black films, I can’t help but think of Tyler Perry, who has almost swept the box office market for black films at this time. Outside of Spike Lee, when it comes to the film industry, I can’t think of any

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other black film maker that has had the success and unwavering amount of support from his fan base. I know for a lot of black film buffs like myself, I don’t necessarily like Tyler Perry films, but I do love the fact that he is helping a lot of black actors get jobs and is revolutionizing the level of success that black films can achieve. So, here’s the question I’m getting at; how do you feel about Tyler Perry films?

Autumn: I respect him. I love the brand that he has built. I’ve actually had an opportunity to meet him and he’s a very nice guy, he’s headstrong, and he is providing a lot of opportunities for people who do what we do. I’m personally not a fan of plays; I’m a film person, but I do support him and his projects.

He’s supporting his actors, and putting a lot of black actors back to work, and I think that’s great.

Brittany: Ok, that’s good to know! And I definitely agree. Being that Tyler Perry really got his start here in Atlanta, I wanted to dovetail into the film industry specifically here in Atlanta. What do you think may be the biggest myth about getting started in the film industry here?

Autumn: The main thing to remember is that it’s all about who you know and networking. People think if you have 50 bucks you can go make a movie.

That’s not true. You have to know what you’re doing and take your craft seriously. Know what each part of the process does. If you get out and meet the people you need to meet and focus on your craft, or even ask to shadow someone who is currently working in an area you aspire to work in, you’ll eventually get to where you want to be. You gotta’ open your mouth and let people know you’re trying to get out there. Sure, you may get a lot of no’s, but you’ll eventually get that one yes that you need to move forward.

Brittany: And you actually studied film in college too, right?

Autumn: Yes, I have a BA in communications, film and TV production from Shaw University in Raleigh, NC. Brittany: Ok. I know that you’re very big on networking, and it is essential, especially in a city

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like Atlanta. I read about your collaboration with the Peachtree Village Film Festival, so did that come about through effective networking as well?

My goal in everything I do is to make a huge impact, and to have people take something from it when they leave.

Autumn: Well in a sense, yes. This will be my 5th year partnering with the Peachtree Village Film Festival and I’ve been involved as a director of panels and helping to conduct and organize workshops, as well as helping to bring in celebrities and network executives from networks such as TV1 and BET. It’s held annually in August. I’ll also be involved with the first annual Atlanta Television Festival in May. That’s very cool. It seems like ABE has a lot in store for us.

Brittany: That’s amazing. I will definitely be looking to attend these events in the very near future. As far as the films you’ve had the opportunity to see at these various events and festivals go, is there is there anything that you feel is missing, or that you’d like to see more of?

Brittany: Where do you see ABE in the future?

Brittany: Is there anyone you would like to work with or collaborate with on a project in the future?

Autumn: Most of them are dead now…but I guess I’d have to go with Oprah. I’d rather work with Whitney, but I have to be realistic so yeah, Oprah.

I don’t particularly care to work with Tyler, although I know many people would, but as I said before, I’m very versatile and open.

Autumn: One of my major events that I host is Get Connected, which is in its 3rd year. We have about 4-600 people come out on a Thursday of each month, from 6-11pm. I’m helping indie film maker’s network with different people that would normally get the opportunity to meet. Its $10 and we’ve had different celebrities come out, such as Tyson Beckford and Kenny Lattimore. We partner up with different charity events, such as feeding the homeless and also help fund film school for aspiring film makers and even help fund various indie film projects. We also help put film projects in film festivals and show local short films from local filmmakers. Get Connected is also a great tool to help cast different projects, help people find crew jobs, and just to get a true picture of the “who’s who” in the industry.

I’m very proud of that, and I see it going to the next level. Film makers and actors are being given an opportunity to reach their true potential. We’ve received a proclamation from the City of Atlanta as well as from DeKalb County. I also held the Georgia Entertainment Gala on Jan. 11th at the World Congress Center, which Southern Hollywood helped sponsor, and we had about 1200 people come out to that. Brian White came out, as well as a few of the stars from The Walking Dead. The proceeds went to a local elementary school. I’m looking to continue doing this event, and just make it bigger and better.

Autumn: No. I’m happy with everything. I’m very open and diverse, and I think that makes for better films. You shouldn’t be one dimensional.

Brittany: What advice would you give to upcoming and aspiring film producers in Atlanta?

Autumn: You’ve got to respect your relationships and so a lot of it is just keeping the faith. You can do it. I started by just getting out there and networking, and now I’m a business woman with my own distribution company that features an online platform with over 35,000 people. IFLIXTV, which I’m a part owner of, is $4.99 a month and features domestic and international films, so I’m still able to expose people to films they may never otherwise know about, but in a much different way. You can do it, you just have to really put yourself out there.

I always like to say that we’re one industry here in Atlanta. Let’s all work together and keep building this amazing community we have. Sky’s the limit!

You can find out more information about Autumn as well as the many projects and events she’s involved in by visiting her website, www.abentertainment05. com

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Sir.Garde Author: Jordan Bradshaw Photographer:Kellem Marie Location: 1010Midtown Condos

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tlanta is quickly becoming a new mecca for fashion and there are a lot of young designers coming into the industry to shake things up. Recently I had the chance to catch up with Kudzi Karidza, a stylist/designer hailing from Zimbabwe and living in Atlanta for about 13 years now. He is a well known stylist in ATL and has been interested in the fashion industry since he was about 6 years old.

His grandmother worked as a seamstress making the clothes he would wear growinng up, and his grandfather was a tailor of custom made suits. Naturally being raised around creative influences, Kudzi draws his inspiration and sense of style from his up bringing. Since starting off in the fashion industry, Kudzi’s dream has been to “create beautiful art and be a blessing to anyone I come across.” Having the ability to express himself through fashion, as well as help others express themselves in a way they might not be capable of doing ontheir own, is the reason why he feels he has been so successful. He has gotten to where he is today by staying true to himself, creating blogs on his websites to inspire others, and opening minds to think outside the box of self expression. Throughout his journey, the biggest accomplishment he feels he has made is having the ability to never give up no matter what obstacles he faces.

Kudzi compares his success to a ladder.

“You have to cl imb each rung of the ladder to get to the top and you will never reach the top if you stop cl imbing”.

Through his persistence and love for creativity Kudzi is set out to inspire the world. When I asked whether he preferred styling over design- ing he felt that they both work cohesively.

By trade he is a designer first, because that is what he went to school for, but he has just

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as much passion for styling too. Kudzi Karidza believes to be successful at designing you must be able to style as well because if you design some pieces and do not have the ability to style them correctly then your vision for your work will not be translated the way the designer intended it too. Although Kudzi admires other designers such as Riccardo Tisci “The Reinevtor of Givenchy” and Jeremy Scott, the creator behind some of the new ADIDAS designs, he doesn’t look to them for inspiration in fear he could subconsciously make a design too similar to another designer. Kudzi is all about his own personal style and always looking to present himself and his work in the best way p os s i b l e.

What makes Kudzi different from other stylist is the respect he has for his craft to be able to interpret things differently than others and translate that into his own unique style, but fashion is not always as glamorous as it seems. There is a lot of hard work and dedication that goes into being an up and coming designer and Kudzi has defiantly put in that work from a young age. One of the biggest challenges he faces is not being able to shop everyday. I know that sounds like every fashionistas biggest problem too, but on top of styling and designing, he is also a personal shopper. Not having the time on his hands to constantly be able to buy challenges the stylist to work even harder to please his clients since they trust in him with being able to improve their personal image. Kudzi is one of the stylist/designers that are going to help move Atlanta into a new lane in fashion.

“Atlanta is defiantly going to take fashion by storm” stated Kudzi. He believes that within a year ATL will be revolutionary in the fashion industry due to its melting pot of different cultures and styles that mesh so well together;

Photographer:Kellem Marie Location: 1010Midtown Condos

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but we have not been able to push the envelope yet to get the fashion industry in ATL to the level it has the ability to be. For all you up and coming stylist/designers out there some advice from Kuudzi to help you make it in the fashion industry would be to stay true to yourself and always believe in yourself. “All it takes is that one crazy parson that’s not afraid of anything.

That will be the person who changes the world, they will be revolutionary”, says Kuzdi. So just keep going! Fashion is one of the many creative outlets you can use to express your inner self. If you have the courage to share yourself with the world, you never know whose life you may change or the inspiration you can pass on to others. Look out for Kudzi as one of the next emerging fashion stars of Atlanta!

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Photographer:Kellem Marie Location: 1010Midtown Condos

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Photographer:Kellem Marie Location: 1010Midtown Condos

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Photographer: TS PhotoDesigns Designer: Lavender’s Jungle

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ho knew that Historic Roswell housed the cutest local boutiques and family owned eateries and that it would be the location for my latest interview. We met at the Fickle Pickle on Canton Street on a beautiful Sunday afternoon, wearing original pieces from her Mermaid’s Paint Collection, La Krisha Jospeh-Baker walked into the delicatessen as if she owned it. We were greeted, seated, and served a tasty lunch before we embarked on our interview. Being from small town Kansas, La Krisha always knew she wanted to leave the small town life for life in a big city and a real chance at making her dreams of being a fashion designer come true. After she suffered her job loss in 2012 from a lucrative Fortune 500 company, La Krisha felt it was the perfect time to step out on faith and start being one of the most polished and well sought out plus size fashion designers behind what we now know as Lavender’s Jungle.

Author: Iam Nikki P.

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Photographer: TS PhotoDesigns Designer: Lavender’s Jungle

Iam Nikki P: La Krisha, thank you for taking the time out from you very busy schedule to talk to me.

I really appreciate that.

La Krisha Joseph-Baker: No problem Hun. Nikki P: Okay, so I know you have been asked this question over and over again, hey I have even asked you in a prior interview, but for those who haven’t caught my interviews or have interacted with you (shame on them) would you please tell us again the inspiration behind the name Lavender’s Jungle.

La Krisha: [chuckles] When I was younger, school aged, I was often teased and made fun of. I was different because I was always the tallest, had big lips, tiny nose, big forehead and the kids would always refer to me as a tree. Well instead of seeing something negative about being called a tree, in my mind I created a keeper of the jungle, someone who kept all the different types of species together.

She was the keeper of the jungle that managed the harmony, balance, and equilibrium of the jungle and her name was Lavender, lavender coming from the essence of the flower and its tranquility. So Lavender’s Jungle explains different things being able to co-exist Nikki P: Being that the fashion industry is ever changing, for instance plus sizes use to start at a size 10/12, but now it is to the point where a size 8 is considered to be plus. What is your target market? What sizes do you specialize in?

La Krisha: Well my fashion line caters to women sizes 14 to 24; however I don’t really try to target one person or even exclude anybody. I have smaller women who come to me and say, “Can you make this in a size 4?” I think really I am just catering to sizes that are very limited as far as what women can find. I really want to bring runway style fashions to women who can’t find runway style clothes. You may have your big [fashion] houses that have size 0 to maybe a size 6 and if it is on special order a size 10, but why shouldn’t you be able to find high glamour, high fashion clothes in a size 20 if that is the size you wear? The majority of the population is not a size 0 or a size 6. The average woman is a size 12 and really moving forward sizes 14 and 16 is

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becoming the norm. However, with saying all that I am saying, that is not really my target, I’m just filling a gap there.

Nikki P: [chuckling] that’s one hell of a gap. Do you ever think that you would stop making clothes for the curvy woman?

La Krisha: No! No! You know I get approached and asked, “Can you make this design for smaller women and not put the Lavender’s Jungle label in it? Like do a private label?” I am flattered because smaller women do like my clothes, but for me it holds a certain weight when it’s available in a specific size range. I don’t want a woman who is a size 20 to ever feel like she can’t walk into a room and stop traffic. I want her to feel, when she walks in, that she can get the same looks and stares as the standard sized woman. If I start making clothes for everybody it wouldn’t feel special for her. Women sizes 0 to 2 have always been able to have certain things.

Everything comes in their size. They can always get things. From swim wear to whatever they want to wear. However, for a woman size 18+ it is very limited. My clothes make her feel that she has something that is very exclusive and unique and it is just for her.

Nikki P: I have personally had the pleasure of modeling and purchasing your clothes and I must say I do feel a keener sense of confidence and desirability when I am in ANY thing from Lavender’s Jungle, and trust the room does stop and stare when I walk into it. [laughing] Nikki P: Touching on making different things for the curvy woman, how do you go about finding the concepts for your collections?

La Krisha: Well I am a dreamer. When I was a kid, first of all, my zodiac sign is a Pisces.

So when I was a kid my family used to get so frustrated with me because they said that I spent more time dreaming rather than in reality. I was always somewhere making something up. I could tell a story that was completely fictional and my grandmother would be like, “Baby did that really happen?” and I would be like, “No, I just made

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Photographer: TS PhotoDesigns Designer: Lavender’s Jungle

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it up.” Really that is where my inspiration comes from. I can see a flower and I would want to be able to shape a dress that looks just like that flower.

That looks like a tulip and when the wind blows, I want the dress to open the same way. I spend a great deal of time with pattern making and it’s really in the world of imagination, my own little fantasy.

You know Mermaid’s Paint was a total fantasy. It was all about taking a trip underneath the ocean and this is what I came back with. That’s all it is about really.

Nikki P: Speaking of your collections, what has been your favorite collection thus far?

La Krisha: Mermaid’s Paint has definitely been my favorite collection thus far. The very first collection, the Black and Blue Collection, came about as a form of therapy for losing my job and really trying to pick myself back up. Even the name in it, Black and Blue, at the time I didn’t even realize I had named it as if I had been beaten black and blue and I was kind of coming out of it. My next collection after that was more of a fetish collection; it was a fun collection just for the models. It wasn’t something I was trying to promote; I just wanted my models to have fun. Of course the Holiday Collection came about kind of the same way, by accident. Someone had asked me to do a show and needed some clothes and wanted something different. I sat down for a week and made 12 pieces.

Nikki P: You made 12 pieces, a whole collection in a week?

La Krisha: In a week! That is how it kind of came about. This Mermaid’s Paint Collection is the very first collection that I sat down from scratch and planned. I planned what fabrics I wanted. I shopped from everywhere, from California to New York City to London. I even have some stuff [fabric] from Tahiti. I sat down and planned the clothes I wanted this collection to be the name, the music, everything! So this by far is my favorite collection because it was planned. I was actually aware and alert throughout the entire process.

Nikki P: Your next collection a fall collection?

Are we doing a fall collection?

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Photographer: TS PhotoDesigns Designer: Lavender’s Jungle

La Krisha: [smiling] Yes I am dabbling a little for the fall collection.

Nikki P: Will it be as planned as the Mermaid’s Paint Collection?

La Krisha: Absolutely! I am actually already considering some things for fall and kind of where I want to go with it, but yes it will definitely be a planned collection. I don’t think it will come about by accident.

Nikki P: Will the fall collection’s title be a reflection of how you are feeling like the Black and Blue Collection’s title was?

La Krisha: Well you know anything can inspire you. It’s kind of like an artist with a song. You know you might have something on your mind and you just need to get it out. So when you strategically plan a collection, you’re creating the marketing and everything around it. This next collection for fall, I am kind of leaning towards planning and then you know I kind of want to see what my feelings are. So it’s like two different things going on in my mind for fall and you know one is very girlie and proper and one is very edgy and not girlie and not proper. So you know we will see how that goes.

Nikki P: When you decide which direction you want to go in, do you often go back and second guess yourself or do you often stick to your first mind?

La Krisha: I don’t tend to have regrets when I am doing collection because I am the artist. I have the freedom of putting things in and taking things out at any given moment. Usually when I decide to go ahead and let something come through me that is really like the highest form of when I can touch God, when I am in this creative mode. This gift, that I realize now is really a gift, is like speaking to God directly in a secret language that He has programmed in me. So that’s why I say it’s not really me.

It’s kind of how God pours through me. So

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sometimes, yes I can sit down and plan it, write it down on paper but then sometimes I tell you, and I am not lying, I wake up and be like, “I made three dresses?” As if I wasn’t even present to make them.

It was like it was just coming through me. My eyes could have been closed and it still would have happened. So with this one, it’s whatever is coming through at the time. I am going to try to plain it, but whatever comes through I am rolling with it. I am not fighting it. I am excited about it.

Nikki P: With that being said, we have come to the end our interview, are there any closing remarks that you want to give?

La Krisha: Of course you can visit our website at www.LavendersJungle.com to see all of our collection and to stay current with us by any means, Twitter, Instagram, and Facebook, [chuckling] we are out there. I used to live for the day when I could say, “Google me”. Google my business name or my name La Krisha, I am out there. I love my customers and I love my models. I love everyone who comes into my circle. I have been receiving a lot of great feedback from this collection and I am so appreciative of all the love that I have gotten from the general public and everybody. You know that is what keeps me moving, it keep me doing what I do.

Nikki P: Well I am excited to see what is in store for Lavender’s Jungle as well as excited for you and thank you.

La Krisha: You’re welcome Huh, thank you.

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Th riftiques!

Thrifting Techniques for the savvy thrift shopper.

By: Iam Nikki P.

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n these hard economic times, people are finding more different and creative ways to cut down on spending. Family nights are becoming more popular, as well as extreme couponing and crafting.

Well in this case I am going to touch on Thrifting.

That’s right, thrifting! You all know the saying, “One man’s junk is another man’s treasure”, well that couldn’t be truer. People donate things for various reasons not just because they were eating and got a huge stain on it, or if the knob on the T.V. comes off. Weight-loss, spring cleaning, or just an upgrade to something newer are all valid reasons why items are available for re-sale at your local thrift stores and consignment shops and there is nothing wrong with them. I am here to give you a few helpful tips for you to use on your next thrifting adventure.

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• •

Set a budget! With anything you have to have some discipline and set a budget when you thrift. I usually go with a $20 budget and often I leave the stores spending under my allotted budget.

Look for coupons! Yes there usually coupons available for consumers online for particular thrift stores and consignment shops.

Call around to your area thrift store and ask, or just do a Google search to find them also.

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Go on sale days! To move inventory out and stock the newer inventory, thrift stores usually have a sale of week. I know different stores have either a color of the week sale or a colored tag sale. You can usually score up to 50% during these weekly sales.

Wear tight fitting clothes! Because fitting/dressing rooms are not always available when you thrift, wear tight fitted clothing so that you can try on your finds before you buy them because I have yet to visit a thrift store that does refunds.

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PATIENCE!!! Patience is a virtue my friends, especially when it comes to thrifting. Your next visit to the thrift store is not guaranteed to be a success, but in order to have the best chances at finding these hidden treasures you have to search for them, even if that means searching the whole store. I usually do not go into a thrift store unless I have at LEAST an hour to look through the merchandise.

Don’t give up. Your first couple of trips into the world of thrifting may leave you with a disappointed feeling, but remember DON’T GIVE UP! Like anything, you have to work at it to get better. You may go into a thrift store and leave with 20 pieces or you may go in and leave with none. But the more you work at it, the better and easier it will become, I promise!

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These are some tips that have helped me along in my thrifting journey. I am sure if you take good notes from this article, I guarantee, you too can be the next Thrifting Queen or King. I mean where else can you get a pair of authentic Christian Louboutins for under $200, I mean really..!!! I want to give a special shout out to Maria and her staff at B&R Thrift Store at 6650 Roswell Rd Sandy Springs GA 30328 for always being nice a courteous and giving me exclusive discounts whenever I come in the store.

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Special Thanks Tori Jackson Nikki “I Am Nikki P” Patterson Brittany Williams Jordan Bradshaw Tasha “BabyT” Allen Cameron Bradley Kudzi “Sir Garde” Karidza Yemie Ayele James Brashears Darryl White Kellen Marie DeAndre Gresham Kelvin Rashaad Shardé Nicole 1010 Midtown Condominiums B&R Thrift Store southernhollywood . com

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