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CONTENTS
55 AUG / SEP T 25
2022
FROM FIRESIDE TO BEDSIDE, BELLE STYLE MASTER STEVE CORDONY PICKS HIS FAVOURITE HOMEWARES.
CHIC AGENDA Steve Cordony reveals
what’s lighting up on his style radar.
35
R I G H T N O W A cool new venue in B E L L E B A Z A A R Maria Papantoniou
37
goes on the hunt for stylish vintage finds.
42
A RC H I T EC T U R E Karen McCartney
profiles Sydney architect Conrad Johnston.
46
D EC O R AT I N G A stylist divines prestige
furniture and accessories for his own home.
46
53
A RT Harry Roberts unearths all the must-see art shows and exhibitions.
54
M A N Cloth caps, tweed, knitted vests and
109 110
W O M A N Nostalgia rules, OK?
120
HOM ES F R A N C E Jean-Louis Deniot created a sophisticated but playful
island hideaway with a tongue-in-cheek brief from his sister.
Coke-bottle spectacles are right on trend.
55 56
L I B R A RY Reviewer Judy Pascoe takes
a snapshot of the latest design books.
59
130
SY D N E Y Bold paint choices, fabrics and wallpapers alongside the family’s art and antiques helped update this now glamorous abode.
140
M E L B O U R N E Pure Style Interiors selected a fashion-forward
scheme and graphic lighting for this newly expanded home.
C R E AT I VE S PAC E This art-filled co-
working space is worth writing home about.
73
eucalpytus and ocean blues to reflect its stunning environs.
D R I V I N G I N C A R S The classy new
Aston Martin turns heads in Melbourne.
67
N E W S O U T H WA L E S This “beach shack” got a makeover in
148
M E L B O U R N E Interior designer Greg Natale layered jewel-like hues and luxury finishes to maximise this apartment’s potential.
158
M E L B O U R N E Lashings of marble and stone lend luxe to a monumental home devised by interior designer David Hicks.
170
GA R D E N An historic convict sandstone wall and former stable
S M A RT S PAC E S Big ideas for small
footprints pay off for these six dwellings.
120
enclose this garden which has been freshly connected to the home.
100+
pages of IMPECCABLE INTERIORS FROM COLOUR MASTERS Arent & Pyke Cameron Kimber Greg Natale Jean-Louis Deniot
REGULARS 18
Masthead and Privacy Notice
21 178
Editor’s Letter
C L E V E R RO O M S W I T H T E X T U R E A N D ST Y L E
Layered elegance GETTING SMARTER
&
Achieve joy luxury in compact spaces
The Office ... Megan Dicks of Otomys.
OUR COVER Photography Prue Ruscoe.
16
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P H OTO G R A P H Y M I K E B A K E R ( P 3 7 ) , G EO RG I N A EG A N ( P 4 6 ) , A N S O N S M A RT ( P 1 2 0 )
Sydney’s Surry Hills is on the cards.
FURNITURE & HOMEWARES . INTERIOR DESIGN . PROPERTY STYLING
SYDNEY . MELBOURNE . BRISBANE . GOLD COAST . PERTH . CANBERRA . AUCKLAND . LOS ANGELES WWW.COCOREPUBLIC.COM.AU
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EASY TO SPOIL DAD
E D I TO R I A L
Editor-in-chief Creative director Deputy editor Senior copy editor Chief copy editor, Homes Art director, Homes Junior designer, Homes Art production Contributing editors
Tanya Buchanan Lauren Camilleri Harry Roberts Janice Hogg Sarah Pickette Marissa Foye Saffron Sylvester Matus Kundrat Steve Cordony (Style director-at-large), Karen McCartney (Architecture), Judy Pascoe (Library), Melissa Penfold, Carli Philips (Melbourne), Jean Wright (Design)
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CON T R I B UTO R S Brigid Arnott, Mike Baker, Hilary Board, Sharyn Cairns, Darren Christison, Jem Cresswell, Willem-Dirk du Toit, Georgina Egan, Elise Elliott, Tom Ferguson, Stephan Julliard, Alana Landsberry, Tim O’Connor, Maria Papantoniou, Chris Pearson, Ian Phillips, Mark Roper, Prue Ruscoe, Anson Smart, Kristina Soljo, Andrea Tomaz, Nicholas Watt, Dave Wheeler
A D VE R T I S I N G
Commercial manager, Homes Brand executive Advertising production manager Director of sales, agency & direct Head of direct sales, VIC, SA & WA Queensland head of sales Creative director Production planner Advertising production
Rhyl Heavener Amelia Paterson, (02) 9282 8038 Kate Orsborn, (02) 9282 8364 Karen Holmes, (02) 9282 8733 Will Jamison, Will.Jamison@aremedia.com.au Judy Taylor, (07) 3101 6636 Clare Catt, (02) 8116 9341 Sally Jefferys, (02) 8116 9385 Dominic Roy, (02) 9282 8691
M A R K E T I N G , R E S E A R C H & C I R C U L AT I O N
Marketing director Senior research and insights analyst Subscriptions campaign manager
Louise Cankett Ania Falenciak Jesvin Vincent, (02) 9263 9865
A R E M E DI A
Chief executive officer Group publisher, Homes National director of sales Business manager Circulation and insights manager Data and distribution manager
Jane Huxley Shane Sutton Andrew Cook Georgina Bromfield Nicole Pearson Joshua Blanshard
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OVERSEAS MODEL SHOWN
EDITOR’S LET TER THE MANY FACES OF DEPARTING BELLE DEPUTY EDITOR AND FASHIONISTA HARRY ROBERTS.
P H OTO G R A P H Y X X X X X X X X X
P H OTO G R A P H Y E DWA R D U R RU T I A ( L I B R A RY ) , A L A N A L A N DS B E R RY ( OF F IC E )
T
he media and the soothsayers have been warning it was going to happen – 2022 was going to be the year of meaningful change. According to pundits, post-pandemic, everyone was going to size up their situation, assess their life ledger and make seismic shifts. I usually have scant belief in these predictions, but now see this is a natural movement. Many industries, including publishing, are in perpetual pivot mode with experienced staff leaving or flexing their lifestyle. Is this the most significant change at work since the internet? Many architects, interior designers, public relations professionals, and design retailers I have spoken to lately face recruiting challenges. They are scrolling LinkedIn at all hours, trying to fi nd fabulous, talented and willing candidates. I had been half-heartedly empathising then, suddenly, our deputy editor, Harry Roberts, a fantastic talent with a photographic memory and encyclopaedic brain, decides it’s time to fi nish some study and take a spin around the globe to see what’s out there. And, so, my wonderful friend and right-hand man, who many of you will know from your dealings with Belle or from reading his intelligent and beautifully written Art pages, wittily designed Belle Man and Woman section or myriad pieces in the magazine, is moving on. He will still be a contributing editor and our Art editor, but he won’t be here every day. From the moment Harry walked into the Belle office 12 years ago, he made a statement. Turning up for work as an intern in a vintage fur-trimmed silver suede coat borrowed from his aunt, we knew that just watching his daily parade of ensembles would be compelling. But there was a lot more to this fashionista than met the eye – a keen intelligence, a passion for art, architecture and design and a thirst for learning about them, and a snappy way with words came with the glam package. And when most of his generation were dropping in and out of jobs and full-time employment like skittish guests at lacklustre parties, he has stayed the distance and carved out an impressive career. We will be watching from the sidelines to see his next move and dare say benefit from some global reporting from our man at large. Work is not the only thing up for review – many readers are looking at their concept of home – chic, compact and carefully curated are on the list for many – see p73. Lighting designer Nicci Green’s Melbourne base, p85, is superbly designed – a serene lock-up and leave retreat as she transits between New York and Melbourne. Editor of Wish magazine, David Meagher’s gorgeous Darlinghurst apartment designed by his friend, former architect and regular Belle photographer Tom Ferguson, is a thoughtfully conceived space – excellent for affording him a view of the comings and goings of the neighbourhood during the pandemic (p90). You can’t go past a yacht as a great space to stay (and escape), and the Infi nite Design team nailed the marine design on p78. I love the variety of houses in this issue, from the minimalist modernity of the David Hicks-designed home on p158 to the rich and dramatic layered decorating style of Cameron Kimber on p130. And, it’s terrific to get a jolt of international inspiration. The Jean-Louis Deniot project he designed for his sister and office manager, Virginie, on p110, is a joy to discover. I was lucky to get to Salone del Mobile in Milan with everyone of all ages enjoying food, wine, design and the fabulous sunshine. There were lots of Australians in Italy, and I ran into more design lovers over there than I have at home in a long while. I guess that’s another post-pandemic resolution – take the travel opportunities when and while you can! We will have a full report on Milan in the next issue.
Tanya Buchanan, Editor-in-chief Follow us
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21
Call for
ENTRIES
» In association with FANULI, Australia’s leading furniture and design brand, Belle is delighted to announce that entries are open for the 2022 INTERIOR DESIGN AWARDS. » Now in its 12th year, this prestigious awards program is committed to supporting the creativity and innovation of the local industry by celebrating and rewarding excellence in Australian interior design and decoration by individuals, partnerships and design practices at residential, hospitality and commercial levels.
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02_ACES HIGH
The first southern hemisphere property from the Ace Hotel group, the ultra-cool Ace Sydney, has arrived in Sydney’s Surry Hills. Flack Studio created the bespoke interiors, nodding to 1970s suburbia with sunken lounges and a vibrant palette inspired by the Australian desert. acehotel.com
01 01_HOME RUN
When luxury fashion takes on luxury furniture: Objets Nomades packs the ultimate in bespoke craftsmanship with its latest collection that includes the ‘Belt’ chair by Atelier Oï. louisvuitton.com
02 04_TOO TRUE BREW
The landscape of bougie toothpastes has become much broader of late and leading the pack is Aesop with aromas of mint, anise and spice. aesop.com
C
ONY
by
E EV
D OR
ed Edit
03
ST
03_CITRUS AID
When a fragrance bottle doubles as a piece of sculpture, you know it’s a winner. ‘Free 00’ by Vyrao layers fresh lemon, mandarin and orange flowers, making it the perfect scent for your European summer sojourn. mecca.com.au
C g
There are things to see, places to be: the latest destinations and designs unfailingly fire the creative mind of stylist Steve Cordony. Here’s what he has his eye on now ...
05 05_STACKS AND STACKS
Danish brand Hay’s new light-filled flagship store in Sydney’s Surry Hills is styled as an apartment and stocks its well-loved collections of homewares and furniture. hayshop.com.au
07_SWEET ‘N SENSUAL
One of my all-time favourite scents is ‘Lime Basil & Mandarin’, the signature fragrance of Jo Malone London. jomalone.com.au
08_POWER SAVER
Who needs air-con to keep you cool when you can waft around with Gucci’s ‘Geometric’ G-print fan, the most chic handheld device out there? gucci.com
06_TUNISIAN ANGLE
Tinja, the latest collection from Clo Studios, is the perfect study of shape and form in earthy tones and textures. The ‘Alfa’ dining chair encapsulates the theme flawlessly with sensual polished olive wood and bouclé materiality. clostudios.com.au
06
Chic Agenda
09
RIGHT NOW
09_CUTTING THE MUSTARD
With its sculpted spherical legs and classic linen upholstery, the ‘Mandi’ slipper chair’s relaxed profile will fit in everywhere from indoors to out. mcmhouse.com
11_WAXING LYRICAL
By working with the UK’s Natural History Museum, Carrière Frères has created a unique candle collection inspired by the museum’s botanical research and infused with one of three scents: Absinthe, Acacia, and Waterlily. libertineparfumerie.com.au
10
12_CANVAS SUPPORTER
The Givenchy ‘Antigona’ sports tote is not only the perfect gym bag, it will also carry you from daytime to night. givenchy.com
10_GO-TO GLOW
Hewn from solid alabaster and accented with bronze leaf details, Tigermoth Lighting’s ‘Alabaster’ pendant shade diffuses light and displays a swirling marbled texture when lit. montauklightingco.com
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RIGHT NOW
Chic Agenda 13_LEAFY OUTLOOK
I was lucky enough to host Alexander McKenzie’s showcasing of Palace of Palms (2020) at home during my recent masterclass. From his ‘Escape to the Palmeraie’ collection, the work was inspired by his travels to Marrakech. martinbrownecontemporary.com
13
14_WHOLE GRAIN
Taking utilitarian bags to the next level, and building on the brand’s ‘elevating the everyday’ ethos, Haulier recently launched the ‘Suede’ tote in a range of radiant earthy tones. haulier. international
14 15
15_BORDER FORCE
16 16_PUFFER FISH
The 1 Moncler JW Anderson ‘Penygarder’ jacket in denim, down and wool from the Genius collection is the ultimate winter must-have. moncler.com
28
The latest addition to Cadrys’ collaborative collections is Sydney-based interior designer Lucy Montgomery’s ‘LMC’ bordered rugs which come in a series of chic contrasting colours. cadrys.com.au
Overseas model shown. Vehicle shown not currently available in Australia.
As innovative as it is intuitive: the Mercedes-Benz MBUX Hyperscreen with artificial intelligence.
I N N O VA T I O N S B Y
RIGHT NOW
Chic Agenda
17
18_DON’T MISS A THING
17_CLIMATE CHANGE
Articolo has launched its first outdoor lighting collection, re-engineering the celebrated ‘Moni’, ‘Lumi’, ‘Eclipse’ (shown here installed in a project by Adam Kane Architects), ‘Slim’, ‘Float’ and ‘Ball’ ranges for the elements. articololighting.com
19_BIG APPLE APPEAL
Launched at this year’s Milan Design Week, the Cassina ‘Tramonto a New York’ screen was a stand-out that celebrated not only the brand, but also the city’s passion and vibrancy. mobilia.com.au
30
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A leader in crafting must-have bags, Bally’s latest releases from its AW22 collection are the perfect synergy of the trend for dual-purpose accessories that go from the office to yoga class and then a night out. bally.com.au
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Always timeless. Always true. Available at dedece Sydney and Melbourne dedece.com
1929 Ludwig Mies van der Rohe, Architect and Furniture Designer 2022 MR Collection, 1927
RIGHT NOW
Chic Agenda
20 20_ON TERRA FIRMA
21_TRIP ADVISOR
You’ll find the only carryon luggage you need for your next overseas sojourn among the latest Symbole collection from Prada. prada.com
21
23_CHEVRON CHIC
Resting lightly both on the earth and the floor, Armadillo rugs now include the hand-knotted ‘Babylon’ style which offers the softest landing place for any space. armadillo-co.com
22_COLOUR BLOCKS
Creating art for the floor, the latest SP01 rug range, including the ‘Khan’ (left) and ‘Kitty’ models, are the perfect starting point for an interior colour scheme or theme. spacefurniture.com.au
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P HOTO G R A P H Y S E A N F E N N E S SY ( A RT E D O M U S )
The second iteration of the New Volumes collection from Artedomus is crafted entirely in Cotto Manetti terracotta to form furniture, lighting and homewares that push the boundaries of function and form in a simple, honest and earthy way. artedomus.com; newvolumes.com
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Call 1800 615 4 40 or visit technogym.com Technogym Sydney, 20 McLachlan Avenue, Rushcutters Bay NSW
B E L L E P R OM O T IO N
E X PE R I E NCE T H E K I TCH E N See, touch and test all the perfect elements to your dream kitchen at our Sub-Zero and Wolf luxury showrooms.
F
ood lovers and cooks know there’s more to a good dish than ingredients alone. When it comes to creating a special meal, it all too often comes down to the specific shade of a golden-brown caramel; the exact texture of a French meringue; the perfect bounciness of a vanilla sponge tested with a knowing fingertip. Cooking is about more than just mixing together the right ingredients – and so is designing your dream kitchen. It’s all about feel. That’s why visiting a Sub-Zero and Wolf showroom is a crucial step in your design recipe. It’s an opportunity to visualise, touch and test the sights, sounds and tastes of your future kitchen, designed for your every culinary need by Sub-Zero, the food preservation specialist, and Wolf, the cooking specialist. The showrooms showcase a range of installation options in sleek modern settings, allowing home-owners, architects and designers to experience the feel of their perfect kitchen from conception to completion. It’s a chance to do more than just look at and research Sub-Zero’s unique refrigeration solutions – you can physically feel how they will fit into your everyday life, down to the curvature on the refrigerator handle. Take the time to wander through the showroom’s welcoming, interactive, creative spaces to get your own innovative ideas flowing, and enjoy live appliance demonstrations to learn about the unique performance functions of your kitchen’s future features. Sub-Zero and Wolf showrooms are more than a display centre – they’re an experiential journey, an in-depth design consultation, an educational experience and an insight into your creative vision. Sydney and Melbourne showrooms open by appointment, Mon-Fri 10am-4pm.
F O R M O R E , V I S I T s u b z e r o - w o l f. c o m . a u
THIS IMAGE AND TOP: Sydney showroom (designed by Adele Bates) 63 Foveaux Street, Surry Hills 2010. BOTTOM: Melbourne showroom (designed by Mim Design) 11-19 Bank Place, Melbourne 3000.
RIGHT N OW
Photography ANSON SMART
Architecture, vintage homewares, books, art, fashion, a spin in the new Aston Martin and a tour of a very creative workspace – there are bags of juicy reads ahead. HABITUAL HANGOUT OF THE GLOBETROTTING CREATIVE CROWD, THE ACE HOTEL HAS CHECKED INTO SYDNEY IN A 1916 BUILDING SET BACK FROM THE CBD AMID THE SNAKING LANEWAYS AND FORMER FACTORIES OF SURRY HILLS. ACE’S WINNING FORMULA FUSES AN INSIDER’S GRASP OF A CITY’S CULTURAL SCENE AND DOWNTOWN CHARACTER WITH ITS OWN BAR AND DINING OFFERINGS TO WHICH LOCALS INVARIABLY FLOCK. ANTIPODEAN TALENT ASSEMBLED FOR THE PROJECT INCLUDE P&V ON DRINKS DUTY, EFFICIENT SPACE SPINNING DECKS, FIONA LYNCH OUTFITTING THE MITCH ORR-HELMED ROOFTOP RESTAURANT, KILN, AND DAVID FLACK COLOURING IN GUEST ROOMS AND PUBLIC SPACES. ACEHOTEL.COM
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Photo : Aurélie Lecuyer
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1 Passionate and committed lovers of 20th-century design Courtney DeWitt (left) and Corine Auzou established Domestic Fantasies store in St Kilda. From the golden age of Hollywood, Regency Moderne dining table and chairs, POA. Celebrating 70s shagginess, Icelandic sheepskin rug in Stone, $760, and seat pads in Matcha, $85. Assembly of German glass objects, POA. Adding luxe accents to the store is a collection of vintage lighting including these Italian crystal chandeliers, POA. Febland ‘Rockedge’ étagére display cabinet in Mactan stone, $900. 1970s candlestick gilded lamp, $390. domesticfantasies.com 2 Mid-century bar by Willy Rizzo in suede and chrome with mirrored top, lights and built-in refrigerator, POA, from Smith Street Bazaar. smithstreetbazaar.com 3 Create draping drama with Shayne Fox Hardware ‘Skew’ T-handle curtain tie-back, POA, from Spark & Burnish. sparkandburnish.com.au 4 An artwork in itself, 1950s Italian wall light by Angelo Lelli for Arredoluce, POA, from Nicholas & Alistair. nicholasandalistair.com 5 Belle style editor Maria Papantoniou in an ivory suit from Balmain and Lanvin earrings at Vince and Melissa Ciolino’s art deco-influenced residence. 6 Funky asymmetric Louise Roe ‘Jewel’ vase in Blue, from $125/small, from Spence & Lyda. spenceandlyda.com.au 7 Molinari Living ‘Bibendum’ tables, from $3665, from Spence & Lyda. spenceandlyda.com.au
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Fashion-forward, trendsetting Melbourne never fails to intrigue with wonders old and new, from gritty to glamorous, to draw the eye and appeal to the heart.
Edited by MARIA PAPANTONIOU Photography MIKE BAKER Words JANICE HO GG
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gleaming chrome, and overarching bedroom pieces.
Amp up the bass with leather design
classics, hand-blown glass chandeliers rippled with
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1 Kariss Kenney in his Kenney & Co premises where he houses an extensive collection of vintage wares, from speakers, amplifiers and guitars to mid-century design classics. kenneyandco.shop 2 One of the sparkling gems to be unearthed from Kariss’s Italian lighting collection, this 1970s Mazzega Murano pendant light stars tulip shades in amber and clear glass with chrome accents, $1550, from Kenney & Co. kenneyandco.shop 3 A trio of good-looking Italians mingle in a sophisticated Castorina & Co setting, with vintage green Poltrona sofa by Giuseppe Munari, POA, 1940s Venini chandelier by architect Carlo Scarpa, POA, and Lumenform 1960s milk-glass table lamp by Claudio Salocchi, $4000. castorina.com.au 4 A clear winner, Louise Roe ‘Jewel’ assymetric vase in Smoke, from $125/ small, from Spence & Lyda. spenceandlyda.com.au 5 Back to the future: this glamorous white and gold dressing table from the 1980s with art deco-style swirls is too gorgeous to hide away in the bedroom, $995, from Kenney & Co. kenneyandco.shop 6 With a palette straight out of art deco, more curves are ahead on Cadrys ‘Slide Summer’ rug from the Supergraphics collection by Studio Shand and Cadrys, POA. cadrys.com.au 7 Sink into an ultra-cushioned, leathery embrace with this post-modern lounge chair in black leather with sled feet, $850, from Kenney & Co. kenneyandco.shop 8 This romantic pair are made for each other: early 1900s Argentinian art nouveau bust, $2350, and bespoke polished-travertine plinth, $1100, from Kenney & Co. kenneyandco.shop
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1 The octagon is calling: 1970s dining table by Willy Rizzo in black glass, laminated panels and lacquered brass trim will make every meal a sumptuous occasion, $4850, from Kenney & Co. kenneyandco.shop 2 Soak up space-age vibes at Domestic Fantasies on this Modernist red cube swivel chair, $1000, with Belle magazine from Jan/Feb 1981, POA. Kartell ‘Componibili’ modular storage unit by Anna Castelli Ferrieri, $290, with 1950s red rotary dial phone, $100, and mid-50s Ericofon ‘Cobra’ phone by Ericsson in Cream, $140. Tubular chrome shelf with grey fumé glass, $1100, with vintage chrome light fitting, $200. Icelandic sheepskin rug in Snow White, $190. domesticfantasies.com 3 A blast from times past, postmodern marble clock from the 1980s, POA, from Nicholas & Alistair. nicholasandalistair.com 4 Making waste live again: knobs and hooks made of ocean plastic in collaboration with Vert Design, POA, from Spark & Burnish. sparkandburnish.com.au 5 ‘Pyramid’ mirror by Bower Studios, from $2925, from Living Edge. livingedge.com.au 6 Ann Demeulemeester for Serax ‘Dora’ high glass, $95/set of four, and low glass, $60/set of four, from Spence & Lyda. spenceandlyda.com.au 7 A 1930s glass cocktail bar, POA, by Luigi Brusotti mingles with the mid-century Italian magic of the ‘Delfino’ lounge chair by Erberto Carboni, chandelier by Gino Paroldo and mirror by Cristal Art, all POA, from Nicholas & Alistair. nicholasandalistair.com 8 Three varieties of marble – Verde Alpi, Bianco Carrara and Fior di Pesco – mix with super-soft upholstery in ‘Helsinki’ fabric by Lelièvre on the La Chance ‘Marmini 1’ lounge chair, POA, from Living Edge. livingedge.com.au
Divinely minted, these gilt-edged finds signal a retro step in an avant-garde direction.
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1 Monochromatic elegance assembles at Nicholas & Alistair: ‘Baisity’ lounge chair by Antonio Citterio for B&B Italia in 1986, 50s floor lamp by Arredoluce, 30s chandelier by Ercole Barovier, leather-framed oval mirror by mid-century French designer Jacques Adnet, marble ‘Eros’ console designed by Angelo Mangiarotti for Skipper in 1971, hand-blown glass vase produced by Arte Vetraria Muranese (AVEM) in the 70s and 80s ‘Morphos’ mirror by Eugenio Carmi for Acerbis. nicholasandalistair.com 2+7 1975 ‘Air’ sofa lounge chair by Fabio Novembre for Meritalia, $1250, from Kenney & Co. kenneyandco.shop 3 ‘Oud’ organic stripe limited-edition towel, $220, from Bedouin Societe. bedouinsociete.com 4 Portrait by painter Caroline Zilinsky of businesswoman and philanthropist Emma van Haandel, POA. zilinsky.com 5 ‘Garbo’ string hanging lamp by Mariyo Yagi and Studio Simon, $6000, Willy Rizzo coffee table, $6000, B&B Italia ‘Le Bambole’ sofa in Mongolian sheepskin, POA, Vistosi wall light $4000, all from Castorina & Co, with shag rug from Halcyon Lake, POA. castorina.com.au; halcyonlake.com 6 ‘Ila Jaque’ waffle towel in Ochre, $159, from Bedouin Societe. bedouinsociete.com 8 Bedouin Societe ‘Minerale’ vintage-wash pure-linen flat sheet, from $340, fitted sheet, from $289, duvet cover, from $469, pair of pillowslips, from $120, and ‘Gauze’ throw on tan chair in Charcoal, $270. bedouinsociete.com
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Architecture CONRAD JOHNSTON WAS SHOT FOR BELLE IN HIS OFFICE AT STUDIO JOHNSTON.
TRACK
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Studying patterns of human movement informs the way this practice designs its thoughtful structures of serious scale.
Portrait AL ANA L ANDSBERRY Edited by K AREN McC ARTNEY
P H OTO G R A P H Y B R E T T B OA R DM A N ( E M M A L I N E A M E N I T I E S ) , A N S ON S M A RT ( W H A L E B E AC H ), DAV E W H E E L E R ( B ON DI H O U S E )
THE RE AREN’T MANY ARCHITECTS who can say that their reason for ending up in the profession was due to an inability to cope with the sight of blood. “I come from a family of doctors and there was, at one stage, a hope that I would follow suit,” says Conrad Johnston of Studio Johnston. Finding an alternative path had him consider how to best use his analytical brain alongside his creative impulses. Although he considered himself not adequately driven to be a career artist, his practical abilities led him to toy with the idea of being a carpenter. “I grew up in Sydney’s Pittwater and my family was friends with architect Richard Leplastrier. When he heard I was interested in architecture he invited me for lunch with some of his architect friends on his beautiful property in Lovett Bay,” recalls Conrad. During his student years he worked with another Pittwater architect, an extremely talented carpenter who built his designs from recycled surplus building materials. “I did learn practical skills and techniques such as how to cut the angle of the rafter and how to fit timbers in the Japanese style, which was a strong aesthetic at the time,” says Conrad. Another formative experience was the building of his father’s house, Cloudy Bay Retreat (1996) on Bruny Island, designed by Leplastrier with Tasmanian architect David Travalia and prefabricated in Sydney by builder Jeffrey Broadfield before it was shipped down to Tasmania. The house, which faces winds of the Roaring Forties, was described by Leplastrier as “like an oyster: rough and tough on the outside, but smooth and polished on the inside”. Camping on site and helping construct the house ensured Conrad knew how to build but as a fledgling practitioner it confirmed his view that he wanted a different type of architectural career – a path with a bigger, broader vision. This he achieved by working in the office of fjmtstudio in Sydney. Design director Richard Francis-Jones had critiqued Conrad’s final university scheme, liked it, and gave Conrad a job with him working on the Scientia building at the University of NSW, where he encountered two career-shaping characters. “The main contractor for Lendlease was Seamus O’Connell – a tough, experienced Irishman who took me under his wing – and a brilliant engineer called Richard Green who worked on a number of fjmt projects,” says Conrad. The steep learning curve to create buildings of serious scale was navigated with these collaborative colleagues. A brief stint in a London practice included working on a residential conversion of a warehouse in Leeds and ensured he found this to be a typology he enjoyed. When he returned to Sydney he worked on a similar scale project in Surry Hills. “This was a new concept for residential developments called Yoo, with Philippe Starck as the leading design identity for the project.” By 2004 Conrad was ready to set up on his own, and with Emili Fox they formed Fox Johnston (in 2020 Emili left the practice which re-named as Studio Johnston) tackling a competition for Paramount House in Surry Hills which came to fruition under the auspices of forward-thinking developer Ping Jin Ng.
This page, clockwise from top left In development is the Surry Hills Hotel on a Sydney site of existing architectural pedigree. Awardwinning Cook Park and Emmaline amenities. Sculptural form at Bondi House. Whale Beach House is positioned on an iconic coastal site. SRG House, Conrad Johnston’s home in Balmain, has garnered accolades for its sensitive revitalisation of an existing property.
Over time the practice brought together the strands of Conrad’s experience to projects, mixing high-end residential with multiresidential and boutique hotels. A personal achievement that has highly impacted the firm’s trajectory is Conrad’s own home, the much-awarded SRG House – a re-working of Victorian architect Sir Roy Grounds’ home in Balmain. “The design is forthright,” he says. “It is big-building thinking in a residential form but it doesn’t really relate to the topography – it is a very strong geometry applied to a naturalistic site.” The beauty of a successful project so closely aligned with the practice’s ethos is that it attracts clients who want to tap into the philosophy and aesthetic. “We recently hosted comedian Tim Ross’s show at the house and [one] of the audience has now become a client,” says Conrad. There is a sense that the same principles apply whatever the scale or type of project – hence in an apartment building in Erskineville they will weave in the amenity of a house and a sense of community with generous access to the outdoors, shared vegetable patches and an area for rooftop yoga. For a residential house scheme they will map the family’s daily movement and the design will emerge based on their tracks and patterns. In the pipeline is a return to Surry Hills with a new boutique hotel adjacent to Paramount House and the iconic Griffiths Teas building. It is an important enclave in the architectural landscape with work by Breathe, Anthony Gill Architects, PopovBass and now Studio Johnston’s scheme, which promises to enrich the locale even further. studiojohnston.com.au
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Architecture LOVE IS FOREVER A WEEKENDER THAT IS FUTURE-PROOFED AS A PERMANENT RESIDENCE, A COASTAL LOCATION THAT TEMPERS THE VIEW WITH INTERIOR ATMOSPHERE AND A CULTIVATED GARDEN THAT SEGUES TO THE NATURAL LANDSCAPE, ALWAYS BY KENNEDY NOLAN IS A HOUSE LOCATED IN FLINDERS ON THE MORNINGTON PENINSULA THAT ENJOYS ITS CONTRADICTIONS. KENNEDYNOLAN.COM.AU
MORNINGTON PENINSULA
B A L L A R AT
SONG LINES Looking at the stellar shortlist for the AIA 2022 Victorian Architecture Awards we have chosen some standouts including Nightingale Ballarat (above), which shows how Breathe architects’ pioneering agenda has gone from strength to strength. Creating one-, two- and three-bedroom apartments with a shared rooftop garden, community room, and café and office space, this building responds to the city’s goldrush heritage with elegant brick arches and robust materials that are recycled and locally sourced. The building achieves an 8+ Star NatHERS rating. breathe.com.au
Edition Office working with Milieu – a developer of interesting small-scale apartment blocks – have designed 231 Napier Street in Fitzroy (right). Taking their signature approach of care and craft, they have extracted memories of the locale and used raw concrete shells stacked simply as the architectural form. A more delicate inner skin of timber allows the interior volumes to be about air, light and cross breezes. edition-office.com
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M E L B O U R N E
M E L B O U R N E
STREET SCENE Somehow the Hilton Little Queen Street in Melbourne, by Bates Smart, encompasses much of what the city stands for in terms of urban renewal: a respectful but inventive reuse of the historic 1931 Equity Chambers Building, the activation of a little-used laneway with attendant street mural, and the future-focused 16-level tower that maximises city views. This image (above) of the striking mirror-faceted facade forms the entrance to the lobby via Little Queen Street. batessmart.com
OPEN AIR When a building is both your home and architectural practice’s office, it’s beholden to be something of a built manifesto. Jan Juc Studio (left) by Eldridge Anderson, on Victoria’s Great Ocean Road, was conceived as a large deck beneath a canopy of eucalypts. A veil of operable and permeable timber screens shelter the spaces while allowing the natural interaction of ocean breezes and light which permit the building to be “alive to the elemental qualities of the site”. Without specific rooms, there’s an inherent flexibility to the space, allowing for a number of interpretations as required. eldridgeanderson.com.au
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P HOTO G R A P H Y K AT E LONG L E Y ( N IG H T I NG A L E B A L L A R AT ) , RORY G A R DI N E R ( J A N J U C ST U D IO, E DI T IO N OF F IC E ), DE R E K SWA LW E L L ( A LWAY S )
SHELL LIKE
These pages Steve sits on the ‘Zaza’ outdoor sofa in Malibu Silver designed in collaboration with King by Charles Wilson, from $4338, with ‘Panama’ outdoor cushions in Malibu Blush and Malibu Sterling, from $142 each, all from King. ‘Luna’ outdoor chair in Eucalyptus with seat cover in Malibu Eucalyptus, from $1396, and ‘Monument Square’ table in Tundra Grey Ceramic, from $3590, both from King. On table, from left Glassware, stylist’s own. Bowl, POA, from The Vault Sydney. Small glazed planter, POA, from Garden Life. Flanking the fireplace, from left ‘Dagar’ Turkish terracotta planter, $875, from Garden Life. Tall terracotta planter, POA, from The Jardiniere Collective.
OPEN I N V I TAT ION Belle editor-at-large Steve Cordony selects key pieces that make a natural connection with today’s welcoming spaces. Photography GEORGINA EGAN Styling STEVE CORD ONY
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This page ‘Oliver’ tub chair in Whiteley Riverstone, from $940, from King. Throw, POA, from Mr Porter. ‘Jasper Cube’ ottoman in Sorrento Natural, from $408, from King. Rug, POA, from Armadillo. Sisal carpet, from $72/sqm, from International Floorcoverings. Urn on mantelpiece, POA, from Orient House. Visual Comfort ‘Clarkson’ floor lamp by Aerin,from $1935, from Becker Minty. Curtains made by Simple Studio. Opposite page ‘Jasper Bed’ in Positano Sago fabric and Congo timber, from $3790, from King. Angora and wool blanket, $849, from Bemboka. ‘Panama’ cushions in Preston velvet in Copper, from $132 each, and ‘Serenade’ bedside table in Congo timber with Carrara marble top, from $1420, both from King. ‘Lotus #2’ ceramic vase, $255, from Elso Collective.
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“I love creating a neutral palette with the hero items within a room, which allows you to inject an accent colour with interchangeable styling elements, such as cushions, throws or objets.”
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This page ‘Dainelli’ Tuscan desk in Congo timber, from $2290, and ‘Bongo High’ ottoman, from $392, both from King. ‘Sphere’ travertine incense burner, $330, from Addition Studio. Aerin ‘Éclat de Vert’ EDP, $320/50ml, from David Jones. Earthenware tofu pot, POA, from Orient House. Paperweight, $410, from Gucci. Visual Comfort ‘Clemente’ table lamp, $1450, from Becker Minty.
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“Taking cues from nature’s palette, calm hues and serene greens on supremely comfortable forms see King pieces gravitate to centrestage.” This page, clockwise from top ‘Zaza’ outdoor sofa in Malibu Silver designed in collaboration with King by Charles Wilson, from $4338, with ‘Panama’ outdoor cushions in Malibu Blush and Malibu Sterling, from $142 each, and ‘Zazina’ outdoor cushion in Malibu Blush, from $100, all from King. ‘Luna’ outdoor chair with seat cover, from $1396, and ‘Monument Square’ table in Tundra Grey ceramic, from $3590, both from King. Tall terracotta planter, POA, from The Jardiniere Collective. ‘Dagar’ Turkish terracotta planter, $875, from Garden Life. Small glazed planter on table, POA, from Garden Life. Bowl, POA, from The Vault Sydney.
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SY D N E Y
POSITIVE I N F LU E N C E For her first solo exhibition, ‘Muses’, Julia Gutman paid tribute to the friends, family and flatmates who propel her practice, refashioning their former clothing by hand into large-scale suspended works of patchworked portraiture, including Bed Politics (left). In doing so, the artist does away with retrogressive notions of the muse as a passive object of a male artist’s inspiration, instead reaching back to the muse’s mythical origins and re-inscribing her subjects as active agents in the creative process. July 28-August 13. sullivanstrumpf.com
S Y D N E Y
SACRILEGE! ‘No False Idols’ gathers a congregation of seven contemporary artists whose creative rituals explore ideas of worship, challenging the social structures upheld by symbols and monuments that instil piety and glorify the past. Artist/musician Kusum Normoyle’s performances (above) amplify guttural sounds to up-end the gallery’s reverent aura. August 13-October 2. 4a.com.au SY D N E Y
Magical thinking Works that speak to collective themes. ALL IMAGES COURTESY OF THE ARTISTS AND GALLERIES. PHOTOGR APHY BY SIMON HEWSON (JULIA GUTMAN)
Edited by HARRY ROBERTS SY D N E Y
MYSTIC PIECE S A series of one-off cast works (left) arranged sparingly on the gallery walls and floor, ‘Acheiropoieta’ by Hany Armanious takes its title from the Christian icons said to have been formed miraculously, rather than with human hands, reflecting his interest in the alchemical nature of the casting process. Until July 30. finearts.sydney
REEL TO RE AL Titled ‘Antonio’ after her newborn child, Nicola Smith’s recent series of watercolours on linen (right) represents a brief intermission from her previous cinematic studies – which froze subtly shifting moments from the movies of Chantal Akerman and other filmmakers – using similar methods to represent the slippery passage of time experienced in her own life as a new mother. Until August 6. sarahcottiergallery.com
B E N D I G O
THEN AND NOW
A L B U RY
SIGNS OF LIFE
A pair of exhibitions at Bendigo Art Gallery presents contrasting collections of Chinese art and design. ‘Treasures of Dai Gum San’ displays antiquities from the Golden Dragon Museum, many of which were brought to Bendigo during the 1850s goldrush by Chinese miners who called the area Dai Gum San (Big Gold Mountain). Qing Dynasty decor, ritual objects, furniture and costumes from the Cantonese Opera tradition offer a historical counterpoint to ‘In Our Time’, a series collected by Geoff Raby over the last 35 years that includes Sheng Qi’s The Movement (below). August 20-February 19. bendigoartgallery.com.au
‘Zombie Eaters’ celebrates the enduring vitality of figurative painting, despite the medium being declared dead many times. This artistic banquet centres on four artists – Fiona Lowry, Juan Davila, Kate Smith and Hamishi Farah, whose Matthew is shown (right) – alongside 28 more from 1960 to now whose practice is alive with the possibility of painting to contend with contemporary themes. Until October 16. mamalbury.com.au M E L B O U R N E
NIGHT MOVES Created between 1981 and 2018, the abstract paintings and collages comprising Jennifer Joseph’s latest show reflect a career of continually paring back. The artist works nocturnally to refine her minimalist compositions (left), which breathe new life into found materials. Until July 23. niagaragalleries.com.au
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Man/Woman
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Nicole Kidman and Stephen Dillane in The Hours (2002).
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Step back to a time of genteel dressing and leisurely pursuits. Produced by SAFFRON SYLVESTER
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1. Yellow planter, $114, from Matilda Goad & Co. 2 ‘Avery’ armchair, $9000, from Colefax and Fowler. 3 Oxford popover shirt in Olive Green, $225, from P.Johnson. 4 Borsalino flat cap, $277, from Farfetch. 5 19th-century Italian olive-wood table, POA, from roseuniacke.com. 6 Small brass lampshade, $307, and adjustable base, $613, from Matilda Goad & Co. 7 Ralph Lauren Fall 22 RTW. 8 ‘Woodfern’ fabric, POA, from Colefax and Fowler. 9 Maple & Co cane day bed, $6137, from roseuniacke. com. 10 ‘Toile de Jouy’ notebook, $110, from Dior. 11 Kuboraum ‘S2’ glasses, $794, from Matchesfashion.com. 12 China eggcup with lid, $150, from Feldspar.studio. 13 Métier leather backgammon set, $1254, from Matchesfashion.com. 14 ‘Amblewood’ wax jacket, POA, from Barbour. 15 Cotton-linen trousers, $350, from P.Johnson. 16 Suede boat shoe, $495, from P.Johnson. 17 Maison Margiela ‘Distressed Fair Isle’ wool-blend sweater vest, $1003, from Matchesfashion.com. 18 Penhaligon’s Portraits ‘The Inimitable William Penhaligon’ EDP, $408/100ml, from Libertine Parfumerie. 19 Folding trowel, $29, from thehubgeneralstore.com.au.
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A L L P R IC E S A P P ROX I M AT E . P HOTO G R A P H Y A L A M Y ( F I L M ST I L LS )
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1 Italian c1900 girandole, $3200, from The Vault Sydney. 2 Chloé Pre-Fall 2020. 3 ‘Jardinières & Citrus Trees’ wallpaper, POA, from de Gournay. 4 Loup Charmant ‘Lilo’ blouse, $412, from Matchesfashion.com. 5 Retrosuperfuture ‘Drew Mama’ glasses, $309, from Farfetch. 6 Heritage ‘Egyptomania’ special-edition fountain pen, $1380, from Montblanc. 7 Rosewood desk, $2895, from Angelucci 20th Century. 8 ‘Goji Bamboo’ handbag, $3195, from Jil Sander. 9 ‘Mira’ chair by George Nakashima, POA/set of four, from roseuniacke.com. 10 Dunhill gold-plated cigarette lighter, $532, from 1stdibs. 11+12 ‘Bedwyn’ lampshade, $162, and ‘Stoker’ lamp base, $578, from Fermoie. 13 French bronze spout, $1150, from Parterre. 14 Tod’s chain-link loafer, $1120, from Farfetch. 15 ‘India Lily’ tissue box cover, $60, from Piggott’s Store. 16 Maison Margiela leopard print gloves, $1930, from Farfetch. 17 Victoria Beckham ‘Alina’ pants, $560, from Net-a-Porter. 18 ‘Saturation’ agate earrings, $615, from Jil Sander. 19 The Elder Statesman cashmere sweater, $1310, from Net-a-Porter. 20 Penguin Modern Classic book Mrs Dalloway by Virginia Woolf, $17.50, from Booktopia. 21 ‘Orion’ pearl bracelet, $4850, from Kailis. 22 Sabre ‘Panda’ bamboo serving set, $135, from Becker Minty.
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Library
FAY E T O O G O O D : D R AW I N G , M AT E R I A L , S C U L P T U R E , L A N D S C A P E With her ‘Roly Poly’ chair considered an iconic piece and included in the permanent collections of museums around the world, prolific producer Faye Toogood roams the design spectrum from interiors and installations to furniture and fashion with extraordinary panache. This monograph explores her wit, originality, artisanship and unique creative process that has made her work so desirable and brought international acclaim. Alistair O’Neill, Phaidon, $140
Dream catchers Revel in the vivid imagery of these design titles.
ST YLE Many believe that style is innate, but proof that it can be cultivated and nurtured is in this book. Author and stylist Natalie Walton assures the stylistically challenged that following a few simple premises can indeed deliver a home that is beautiful and authentic. She guides the reader on a path of discovering their visual vocabulary, along the way showcasing interior schemes that are the epitome of restraint and purity. Natalie Walton, Hardie Grant, $60
C O M I N G H O M E T O N AT U R E K E R RY H I L L ARCHITECTS From a selection of luxurious Aman properties to spectacular apartments and cutting-edge commercial buildings, the body of work undertaken by Kerry Hill Architects (KHA) is broad and impressive. From its bases in Singapore and Fremantle in Western Australia, the awardwinning practice developed a tropical modernist style which has been widely emulated. This second monograph follows the death of the firm’s founder in 2018, and illustrates the unique approach taken by KHA with each project and the laudable sensitivity to needs and context. Geoffrey London (introduction), Thames & Hudson, $120
F R E N C H C H AT E AU S T Y L E Gallic flair is in abundant supply on the pages of this sumptuous book with a fascinating glimpse into some of the historic private chateaux dotted across the country from Provence to the Loire Valley. Many have been opulently restored by chic tastemakers – whether antique dealers, artists or collectors – while a more minimal touch has been bestowed on others with each property accorded impressive respect. Catherine Scotto, Prestel, $99
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The irresistible appeal of a simpler life is explored by three designer, journalist and stylist friends who escape to rural France with their families to live in elegant tranquillity, a trend called ‘countryfication’. Along with mesmerising pastoral images, the trio expound their stylish views on how to decorate and entertain, what to wear, grow and cook as their dream becomes a joyful day-to-day reality. Estelle Marandon, Gesa Hansen, Charlotte Huguet, Flammarion, $45
THE LIFE ECLECTIC Quirky, personality-fuelled room sets are the purview of this engaging book. Whether built up over years of curating and collecting ephemera or assembled on a whim, the homes of such aesthetes as UK interior designer Martin Brudnizki and Australian artist Greg Irvine are extraordinary for their brio and individuality. Nothing cookie-cutter here, just pure unadulterated vision. Each person’s eye is unique and whether they appeal or not they are all inspirational. Alexander Breeze, Hardie Grant, $60 Edited by JUDY PA SCOE
Model: 34400-84
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Driving in Cars
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This page Belle’s Maria Papantoniou and Elise Elliott with newly launched SUV, the Aston Martin DBX, at Heide Museum of Modern Art in Victoria. Abstract Labour (2014) sculpture by Emily Floyd.
E L I S E I S D R E S S E D BY T H E F L AT I RON L A B E L .COM . AU @ T H E F L AT I RO N L A B E L
Photography TIM O’CONNOR
Driving with
MARIA PAPANTONIOU BELLE STYLE EDITOR MARIA PAPANTONIOU CHANNELS THE MARQUE’S CINEMATIC MAGIC IN A STARRING ROLE IN WHICH SHE PUTS THE JUSTDEBUTED ASTON MARTIN DBX SUV THROUGH ITS SPORTY PACES. By motoring expert Elise Elliott @EliseElliott_Media
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Driving in Cars
There’s a hint of Bond woman about Belle’s Maria Papantoniou. She is charming, charismatic and cheeky. The husky-voiced dynamo wears towering Christian Louboutin suede booties and a stunning, shimmering mini skirt from Balmain. Maria’s style extends to sourcing exquisite vintage pieces. Fittingly, we’re driving an Aston Martin, a marque synonymous with 007. It’s not the DB5 coupé in Silver Birch from 1964’s Goldfinger, but it is the brand’s first SUV: the DBX in Lightning Silver. The British car maker was late to the SUV party, but just like Maria it has arrived in style. The DBX heralds a new era for Aston Martin. With its all-wheel drive system, the car fuses the versatility of an SU V with exceptional performance and unquestionable style. As they say, it’s an “SUV with the soul of a sportscar”. Maria puts that theory to the test, hurtling along Melbourne’s Eastern Freeway as if escaping villain Auric Goldfinger himself. The DBX, with its 4-litre, twin-turbocharged V8 engine, accelerates effortlessly in Sport mode. The V8 sounds refined rather than raucous. The biggest risk in driving this car is keeping our own heroine under the speed limit!
This page, clockwise from top left Arriving in Aston Martin style at Heide. Maria admires Mary Magadalene (1986) by George Baldessin. Elise and Maria find ceramic animals from the 1960s and 70s by Roberto Rigon at Angelucci 20th Century. Browsing the vintage and 20th-century homewares. At the wheel of the Aston Martin DBX.
HEIDE MUSEUM OF MODERN ART The DBX winds effortlessly through 6.5 hectares of parkland banking the Yarra River and secures a Bondworthy park out front of Heide Museum of Modern Art. Once a significant Wurundjeri gathering place, the Heide site later at t racted t he art ists of t he Aust ralian impressionist school before becoming the home of art patrons John and Sunday Reed in 1935. Today Heide is home to an impressive collection of more than 3500 works of art, from figurative to abstract, expressionist to realist. A particular highlight of the collection includes Jan Nelson’s work Listening to Music Played Backwards (Hazelwood), 2006. Maria owns an extensive record collection and is captivated by this work made from oil paint, polyurethane and, of course, vinyl. When we visit, the current major exhibition is ‘Bruce Munro: From Sunrise Road’, showing until October 16. The British artist is best known for his breathtaking large-scale installations inspired by his interest in the shared human experience, and combining spectacular indoor and outdoor experiential artworks with intimate story pieces. heide.com.au
This page, clockwise from top Jan Nelson’s 2006 work Listening to Music Played Backwards (Hazelwood) captures Maria’s attention at Heide. The DBX’s roomy 632-litre boot easily accommodates Maria’s selection of a handmade Danish ceramic lamp from Angelucci 20th Century in Smith Street, Fitzroy. Dean Angelucci and Maria admire the lamp’s volcanic glaze.
ANGELUCCI 20TH CENTURY The SUV, despite its substantial width, effortlessly reverse parks on Fitzroy’s swarming Smith Street. Our destination is Angelucci 20th Century, established in Melbourne in 1992 by Dean Angelucci. Dean is a pioneer, playing a pivotal role in Melbourne’s unique and evolving vintage and 20th-century furnishing and homewares scene. Here you will find a covetable collection of hand-picked pieces from Europe, includng Danish pendant lights by Fog & Mørup, ceramic horses by Roberto Rigon and Italian Cassina chairs. Dean has an exceptional eye and has carefully curated his store, an authentic step back in time, with a focus on the 1960s, 70s and 80s. Maria selects a Roberto Rigon horse and a handmade Danish ceramic lamp with a volcanic glaze. There is ample room for these pieces in the back of the DBX with its boot space a practical 632 litres. angelucci.net.au
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SMITH STREET BAZAAR Thanks to our luxury SUV we are delivered stirred, but not shaken, to our next destination, Smith Street Bazaar. Eddy Opmanis began 20th Century Pieces nearly 20 years ago in a smaller boutique on Greeves Street, then progressed to the more cavernous space on Smith Street five years later. Today, it has matured into a refined space, home to 10 vintage design traders who bring a wealth of experience. Eddy, and business and life partner Eryca Green, bring their own idiosyncratic tastes to the place. The pair is effortlessly cool and quirky. In their window stands the totemic, multi-coloured ‘Carlton’ room divider by Ettore Sottsass. Deeper inside, objects range from striking 80s pieces by Nathalie du Pasquier for Memphis Milano, tables by architect and sculptor Angelo Mangiarotti to sensational, show-stopping bars by renowned Italian furniture designer Willy Rizzo. Maria is dazzled by the latter but, unfortunately, the piece won’t squeeze into the Aston Martin, no matter how spacious the interior. smithstreetbazaar.com This page, from top left Elise stepping into the roomy front of the Aston Martin DBX. Maria at Smith Street Bazaar with the primaryhued ‘Carlton’ room divider (1981) by Ettore Sottsass. The all-wheel drive SUV tackles winding curves with aplomb.
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Driving in Cars Thanks to our luxury SUV we are delivered stirred, but not shaken, to our next destination ...
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SMITH ST BISTROT If you can’t take a bar with you, you can always visit one! It’s time to park the DBX and head across the street to the eponymous Smith St Bistrot. Step through the wrought-iron gates and enter a 1920s Parisian bistro, minus the insouciant service! The staff are helpful and warm, the food authentic, the ambience cosy and intimate, or, as the French say, douillet. Chef and restaurateur Scott Pickett’s passion for French cuisine runs deep, describing it as “romantic food that can either be very simple or painstaking to master – that’s the beauty of it”. The eclectic, seductive interior is the creation of Anthology Studio’s Sarah Townson. The floor-to-ceiling antique mirrors are hauntingly beautiful, the living moss wall crawling across the exposed brick is enchanting and the mismatched crockery from Le Bristol Paris is charmante. Patrons can indulge in a $120 dégustation du chef or dine à la carte with dishes including caviar classique with blinis, filet de steak au poivre and of course vol-au-vent d’escargot with parsley, garlic and puff pastry. Maria sits at one of the burgundy-leather scalloped banquettes in the window under an ornate gold chandelier and orders a plateau de charcuterie. A martini, shaken not stirred, is tempting, but we settle on two glasses of Guy Allion Les Perdriettes Gamay from the Loire Valley. scottpickettgroup.com.au; smithstbistrot.com.au
This page, from top left The DBX’s cabin has the air of a sportscar. Enjoying the fare at Smith St Bistrot. Eddy Opmanis and Eryca Green of Smith Street Bazaar. Striking 80s ceramics by Nathalie du Pasquier for Memphis Milano.
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Driving in Cars
MARIA’S THOUGHTS …
ASTON MARTIN DBX DESIGN
The DBX is in a class of its own: it’s sleek and elegant or “dapper”, as the English say. Its proportions are beautiful and Aston Martin has stayed true to its distinctive duck-tail design. The full-length glass panoramic roof is gorgeous. I love the rich, customised interior and its sexy, geometric curves and lines. The interior in black leather with contrast stitching paired with the silver exterior is understated and classy.
F U N C TI O N A LIT Y How brilliant to fuse luxury car craftsmanship with the practicality of an SUV. This car is incredibly spacious. Rear passengers are not treated like an afterthought. The 40:20:40 split folding rear seats and generous boot are perfect for carrying day-to-day cargo or bigger pieces such as art and furniture, which I often do in my work. The dashboard touchscreen is functional as are the push-button doorhandles and push-down seats.
D R I V E A B I LIT Y The engine felt powerful, smooth and comfortable. Despite its size the DBX had great aerodynamics and handling. In fact, it was so easy to drive you need a licence to thrill! astonmartin.com/en-au
This page, clockwise from top left Elise and Maria sample the delicious fare on offer at Smith St Bistrot. The sleek Aston Martin DBX looks right at home in bustling Fitzroy. The cabin’s push-button comfort. Hugging the curves.
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Creative Space
Work wonders
From Sydney’s North Shore to its new offering in the CBD, Kingsmede is elevating office life through its stylish co-working project, The Bureau.
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This page Natashia Steed (left) and Sarah Willcox of Kingsmede at The Bureau’s bar in the recently launched Bligh Street location. Timothy Oulton ‘Angeles’ bar stools and ‘Night Rod’ pendant lights from Coco Republic. Walls painted in Dulux ‘Celtic Rush’.
Photography JEM CRESSWELL
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Natashia Steed: My love for colour and its ability to transform a space. Colour is sometimes misunderstood – it’s seen as busy and overwhelming. Through The Bureau, I want to show people that using colour can be a fun experience, and it can add a sense of elegance, sophistication and timelessness. The Art Deco era was daring in its use of strong accents of vehement reds, cobalt blues and golden yellows – that’s where I find inspiration. HOW DID THE CONCEP T FOR THE BURE AU COME ABOUT? NS: Our first Bureau property in Pymble [on Sydney’s North Shore] focused on offering a space for people who no longer wanted to work from home and desired a change of pace nearby. We wanted to bring a type of luxurious comfort they experienced from their home office, so we looked at trying to replicate our Pymble space with a more CBD-focused approach. Sarah Willcox: We saw a gap in the market for premium-grade private suites built for the permanent professional. We wanted to bring [together] all the best elements of co-working: flexible terms, future-focused tech, collaborative zones and private suites elevated by decadent interiors at an affordable price. CRE ATIVE INFLUENCES?
WHAT WERE THE REQUIREMENTS FOR THE SPACE AND WHAT APPE ALED
SW: We’re right in the city’s financial core. We wanted to appeal to innovators, big thinkers, executives and everyone in between who wanted to be well-located and in something a little luxe with endless working options to get things done. NS: Due to the office spaces sitting at a lower level, we wanted to offer a creative, immersive space that will captivate you from the moment you step through the doors. We also wanted to preserve the architectural heritage and historic significance of the Savoy Theatre, originally constructed in the 1920s. We were inspired by its old-world charm, the lavish use of colour and the sophistication. ABOUT THE SITE ON BLIGH STREE T, SYDNE Y?
This page, from top A designer rug by Tappeti adds its sinuous curves to the floor of the Savoy Lounge at The Bureau in Bligh Street. ‘Night Rod’ pendant lights by Timothy Oulton from Coco Republic. Blue velvet ‘Luna’ swivel chair and leather ‘Pierre’ dining chair are from Coco Republic. Illuminated ‘Inception’ mirror by Timothy Oulton is also from Coco Republic.
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This page, clockwise from top left The walls throughout are adorned with a total of 220 artworks that were handselected by Richard Archer of Archer Design and framed by the team at Master Framing in Zetland. Crowd favourite, the wine room, was custom designed by Natashia Steed, with joinery by Finch Projects. The ‘Aleka’ table lamp from Coco Republic illuminates Wine Glasses by Patrick Caulfield. Sitting below the retro Leonetto Cappiello Nitrolian poster, the ornate chest of drawers is on loan.
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WHAT WERE THE CHALLEN GE S AND H OW D ID YOU RE SO LVE THEM?
NS: The biggest challenge was the lack of natural light. Tucked away in the middle of the CBD, our neighbouring buildings sit very close to us, so we needed to create an effective and interesting lighting scheme to comfortably and functionally illuminate the internal areas. We worked closely with [Coco Republic’s lighting adviser] Andre Tammes, and also implemented an amazing design that works with the body’s circadian rhythms. The team at Coco Republic did an extraordinary job assisting in selecting the furniture pieces. HOW WOULD YOU DE SCRIBE THE COMPLE TED SPACE? SW: Un-stuffy and full of personality. We moved away from beiges and greys, determined to deliver something bold, daring and a bit out-of-thebox, yet sophisticated. You get all the advantages of working in an enclosed office while being in a like-minded community. WHAT ARE SOME OF YOUR FAVOURITE PIECES, FEATURES AND SERVICES
SW: The instantly recognisable Del Kathryn Barton. This artist’s remarkable work gives you the sense that you’re not walking into any ordinary workplace. Prem Thapa, our butler (aka Magic Man), and the wine cellar are crowd favourites. The whole idea was to create a space where tenants don’t want to leave, where they can work through the day and ... [then] enjoy a glass of wine to clock off. NS: Our butler service is my favourite element. Prem greets you with your morning coffee when you sit down, and provides impeccable service for you and your clients during lunch in the boardroom. The art collection at The Bureau will also never cease to impress me. All 220 pieces were hand-selected by Richard Archer of Archer Design and framed by the team at Master Framing in Zetland. The range of artworks is a talking point: you discover a new favourite depending on where you choose to sit each time. I love the look on people’s faces when they first see it. It creates intrigue. The technology is also a show-stopper. You can sit or stand, there’s a charging cord for your mobile in every room, a charging pad that blends into the desk, individual air-flow controls within the suites, and automatic curtains to control privacy, as well as being able to select your own music. WHAT OTHER PROJEC TS ARE YOU LO OKING FORWARD TO? NS: We are constantly creating new spaces for our tenants moving into our commercial properties. We strive to make each one different from the next, with their own unique spirit and their distinct power to bring a lot of joy, inspiration and success to the people who use them. kingsmede.com.au IN THE SPACE?
This page, from top The range of working suites are connected by leisure spaces and gallery-like walls. Gilbert & George artwork on rear wall from Coco Republic. European oak flooring in French Grey from Madera Floors. The office chair and desk are from Krost, while the colourful ‘Noble’ lounge chairs are from Camerich. The ‘Tillary’ pendant light from Coco Republic hangs above the ‘Halo’ boardroom table from Krost. Eames management office chairs also from Krost. Cuſtom-made joinery by Finch Projects. Midnight-blue Edel Carpets ‘Honesty’ rug from Whitecliffe Imports.
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Photography NICHOLAS WATT
This page Pamela Makin of Les Interieurs pushed the boundaries in this Kurraba Point apartment. B&B Italia ‘Tobi-Ishi’ dining table from Space. Panton chairs from Living Edge. Apparatus ‘Highwire Tandem’ pendant light in blackened brass from Criteria. See p74.
By mining tricks of the light, pattern panache and colour wizardry, clever design can bring new life to even the most modest dwelling. 73
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Interior designer
Pamela Makin
H E L L O D AR K N E S S [ Kurraba Point ] Photography NICHOLAS WATT
KNOWN FOR HER DRAMATIC monochrome interior schemes, designer Pamela Makin of Les Interieurs doesn’t disappoint in her masterful decoration of this Sydney apartment located in harbourside Kurraba Point. Employing walls and shutters painted in a light-absorbing flat black to give depth and blur the boundaries of the small dwelling, Pamela cleverly created the illusion of more space. To complete the look, larger pieces of f u r n it u re, object s a nd ar t work s were used sparingly and judiciously placed so as not to crowd the rooms. How did you become involved with this project and what was the client’s brief ? The Kurraba Point apartment was the second project
This page B&B Italia ‘Tobi-Ishi’ dining table from Space. Panton chairs from Living Edge. Custom sideboard from Les Interieurs. Oluce ‘Atollo’ table lamp from Euroluce. Botanical wall sculptures by Alison Coates. Opposite page, clockwise from top left Living Divani ‘Extra Soft’ sofa from Space with hessian throw from Les Interieurs. Artwork by Camie Lyons. Side table from Les Interieurs. Living Divani ‘Frog’ leather chair from Space. ‘Bavaria’ jute rug from International Floorcoverings. ’Akari UF4-33N’ tall floor lamp in mullberry paper from The Noguchi Shop. Rain drum from Les Interieurs. ‘Highwire Tandem’ pendant light in blackened brass from Apparatus. Vintage fireplace and surround from Richard Ellis Design. Ebony and gold salon mirror from Parterre. Dramatic custom wallpaper from Pure Interiors and a wall in Dulux ‘Theatre Black’ feature in the entrance. Serge Mouille floor lamp from Cult. B&B Italia ‘Husk’ stool from Space. Travertine tiles on the floor.
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This page, from top B&B Italia ‘Tufty-Bed’ by Patricia Urquiola from Space with bed linen from Hale Mercantile Co. B&B Italia ‘Frank’ side table from Space. The owners sourced the armoire from France. Artwork by Sophie Cape from Olsen Gallery. African chair from Les Interieurs. Vintage chandelier from Camargue. ‘Gras 411’ floor lamp from Spence & Lyda. A table by Dylan Farrell topped with a feather sculpture from Les Interieurs sits in the living room on the first level. Looking into the master bedroom with Turkish urns from Les Interieurs and an artwork from Sophie Cape on a wall painted in Dulux ‘Theatre Black’.
we have designed for the clients who had just purchased a new apartment and requested an entirely new look. As a depart ure f rom t heir former home, which I had designed for them in white, we selected a scheme of black interiors wit h a unique mix of contemporar y furniture highlighted by beautiful pieces such as a gorgeous ebony and gold salon mirror from Parterre and a fireplace and vintage surround from Richard Ellis Design. What were the challenges of the space and how did you resolve them? The original space looked extremely dated. To refresh t he look, pale travert ine f loors were installed throughout and some of the formerly cream walls were painted in Dulux ‘Theatre Black’, which is a flat-black finish with minimal light reflection, for impact. We resurfaced the kitchen cupboards in Navlam oak veneer and eliminated all the outdated cabinets throughout the home. How would you desc ribe the completed interiors? The
interiors are a mi x of sophist icated modern pieces mixed with unique forms and found t reasures on t he ow ners’ frequent trips to Europe and New York. Large-scale artworks by Camie Lyons, Sophie Cape and Alison Coates complete the look. What are some of your favourite elements? The entrance on the ground level is unique and unexpected with the bespoke, attention-grabbing wallpaper from Pure Interiors. Design classics such as the Living Divani ‘Extra Soft’ sofa and ‘Frog’ chairs from Space ensure that t he l iv i ng space is welcom i ng a nd comfortable. Were there any devices used to maximise the feeling of space? The living area is tiny so we placed large, important pieces sparingly, such as t he ult racomfortable Living Divani sofa, to create maximum impact. Were the owners happy with the execution? How do they use the space? They say they love it – and they both live and work from the apartment. lesinterieurs.com.au
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Interior designer
Infinite Design Studio
MAR I N E CA L L I N G [ Sydney ] Photography PRUE RUSCOE
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This page, from top On deck, a Georg Jensen champagne bucket sits invitingly on a ‘Samurai’ leather tray from Pinetti. The custom marine decking was designed to match the interior flooring. Inside, the custom sofa by Infinite Design Studio was upholstered in Hermès ‘Terre d’H’ outdoor fabrics from South Pacific Fabrics. The tan ‘Embellish’ leather dining chairs are from Zuster and the custom stools designed by Infinite Design Studio. Moooi table lamp by Marcel Wanders and Tom Dixon cocktail shaker and glasses from Living Edge. Opposite page The bench seat and cushions are upholstered in Hermès ‘Terre d’H’ outdoor fabrics from South Pacific Fabrics. Custom solid-timber table by Infinite Design Studio and director’s chair from Analu.
ORGANICALLY FARMED, 100% ESTATE GROWN AND MADE WINES OF PLACE
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THE PALM-FRINGED, AQUA WATERS of the balmy Athens Riviera infused with the decadence of the 60s and 70s inspired these ultra-luxury yacht interiors. The constraints of space, weight and materials required for the vessel proved an exacting challenge but the sleek minimalist scheme that evolved was more than worth the effort for both owner and designer, says Michelle Macarounas, principal of Infinite Design Studio. What was the brief? I have worked with this client on a number of yachts as well as homes. It has been a joy to create beautiful unique interiors together. The client has a good understanding of what they require in design, along with a great level of trust and respect for our work. What were the challenges of the space and how did you resolve them? On yachts it’s all about maximising space – there is not an inch of unused room. This can be very difficult when trying to create a sleek, minimalist look for the interiors. It’s a great challenge and very rewarding when you get it right. We worked well with the national and international team involved in creating the yacht to ensure both these requirements were met. The other enormous challenge was the selection of materials. Firstly, to ensure they are fit for yacht certification and yet give a luxury feel to the interiors. Secondly, the weight of materials can affect the yacht’s performance, so it is extremely important to stick within the guidelines and parameters required. There is a lot of adding in and taking out to create the perfect weight and design – and many sleepless nights. How would you describe the completed interior? The yacht embodies an effortless luxury. The interior has a boutique hotel feel to it with functional spaces that have a grandeur not represented on many yachts today. She is well in a class of her own. We wanted to keep the interiors as pared back as possible to ensure easy living and a sense of larger flowing spaces. It was also really important to give these spaces a luxurious, connected feeling throughout. This page, clockwise from top left Striking Pinetti ‘Almeria’ leather baskets feature throughout, including on the ‘Tribute’ marble coffee table from Zuster. The minimalist kitchen features custom joinery and Fenix ‘Nanotech’ matt benchtop in Nero Ingo surface from Nover. The tapware is from Rogerseller. An elegant vase from Georg Jensen boosts the luxury feel of the interiors.
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This page, from top The bench seat on deck is upholstered in Hermès ‘Terre d’H’ fabric in Sable with cushions in Corail from South Pacific Fabrics. The custom table in solid timber matches the joinery in Ravenna veneer from Elton Group. Champagne bucket from Georg Jensen. ‘Samurai’ leather tray and ‘Almeria’ leather baskets from Pinetti. In the main bedroom the custom bedhead is upholstered in perforated leather and the bed linen is from Analu. ‘Husk’ chair in tan leather from Zuster at the custom desk with vases from Henry Dean. ‘Gypsy Water’ EDP from Byredo. The bathroom features ‘Eccentrico’ basins and ‘Pinch’ tapware from Rogerseller.
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This fits very well with the client’s required use of the boat – from a cosy weekend away to a full roaring entertaining vessel. What are some of your favourite elements? The master suite and ensuite are divine – a novel configuration with full-size, panoramic windows to hero the view and it feels as if you can touch the water from the bed. This element also promotes an abundance of light which is rare for bedrooms on a yacht. There is lots of cabinetry for every outfit, and a bathroom of a size that you would expect in a luxe residential home – it’s very spacious! There are four large cabins with berths so it feels as if you are in a five-star hotel. I also love the amount of entertaining space which is in four distinct areas. The main living and dining area is extra large for this 90-foot yacht, and allows for great entertaining options. On top we have an oversized fly-bridge that creates multi-level entertaining. Were there any devices employed to maximise the sense of space? Yes, down to the finest detail. The use of every nook and cranny is essential for storage or multipurpose designs, so balancing this with minimalist sleek features gave the clients an incredibly unique and versatile boat. What informed the selection of furniture, art, fittings and finishes? Furniture, art, fittings and finishes were chosen to evoke effortless luxury with inspiration from the Athens Riviera of the 60s and 70s. Everything that went into this design had been reviewed and revised over and over to ensure we had the perfect selection. Were the owners happy with the execution? How do they use the space? They are very happy and love, love, love the space. We have been on board over the holidays to celebrate with the owners. It was wonderful to see how well the spaces are used and how dynamic the entire yacht feels. infinitedesignstudio.com.au
Introducing a fridge that knows more about your wine than you do. We may not be known for our wines in Sweden, but how best to store them is another story. Case in point, the ASKO Wine Climate Cabinet. The technology inside is truly remarkable. Firstly, the inbuilt camera lets you easily scan the labels, so you can keep track of every bottle, right down to its exact location on the shelf. You’ll never misplace that 2012 Basket Press ever again. The companion phone app taps into Vivino’s extensive database, providing expert advice on storing, pairing and even when best to open and enjoy your wine.
It really is a virtual sommelier as well as the perfect place to store your wine. And storage is where the cabinet really shines. It has three separate, adjustable climate zones so your Muscat, Malbec and Moët can age happily together, all in the one place. This, plus features like humidity control and the elegant slide out serving area, means storing your wine is almost as enjoyable as drinking it. The ASKO Wine Climate Cabinet arrives in Australia in August. And just like drinking a perfectly aged wine, it’ll be well worth the wait.
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This page Soft muted walls in waxed polished plaster by Bishop Master Finishes reiterate the “quiet Belgian-style aesthetic” of the interiors. Porro ‘Metallico’ dining table in burnished brass and oak from Space with Cassina ‘Cab 412’ chairs in Naturale leather from Mobilia. ‘Scandal’ sconces in brass, mesh inlay and glass from Articolo. Curtains in ‘Kyoto’ linen in Mist from James Dunlop Textiles and made by DAAC. The flooring is a mix of ‘Wyndham’ limestone from Eco Outdoor and pale oak boards from Woodcut.
Interior designer
Studio Goss
M O O N S H A D OW [ Melbourne ] DESIGNED TO SERVE as a serene, light-filled refuge for Nicci Green, the founder and creative director of lighting company Articolo who lives between Melbourne and New York, this Armadale home is also simple to lock up and leave when she travels. Nicci says she engaged Studio Goss to design the interior “as I have a wonderful collaborative relationship with principal David Goss and his team”. The i nter ior ref lec t s a qu iet Belg ia n- st yle aesthetic, she explains, and features “soft layering, textures and confident volumes”. What were the requirements for your home and what initially appealed to you about the property? Nicci Green: I purchased the apartment as an empty shell before Covid struck. Downsizing
Photography WILLEM-DIRK DU TOIT
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from a large family home, I envisaged it as a city bolthole as I split my time between our showrooms in Melbourne and New York. What was the brief? David Goss: It was pivotal to design a home that was innately tranquil, where sophisticated materiality and mood coexist. We started with the north-facing central living, kitchen and dining spaces, then we located two private bedroom wings at either end of this central space. We designed a series of f u l l-height rec t a ng u la r element s to delineate the main areas. In various finishes, polished waxed plaster, rough scraped render and bleached white oak are amplified with pale textured timber and grey honed limestone, offering considered spaces for Articolo pieces to heighten ambience and intimacy. What were the challenges of the space and how did you resolve them? DG: One challenge was concealing the services to ensure that walls, joinery and ceilings were not broken up with grilles and unnecessary openings. Working closely with the joiner was also key to allowing the joinery to read as continuous wall elements creating
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This page, clockwise from top De Padova ‘Blendy’ sofa and armchairs, ‘Flying Landscape’ coffee table in Carrara marble and ‘Madison’ rug, all from Boffi. ‘Vent Contraire’ stool from Studio BrichetZiegler. ‘Heatseeker’ gas fireplace from Real Flame. Grey Tundra limestone from Signorino and joinery by Oakwood Kitchens in Eveneer ‘Xilo’ and ‘LikeWood ’veneers from Elton Group. ‘Scandal’ long pendant light from Articolo. Molteni&C ‘Woody’ stools from Hub. Barazza gas stove from Abey. Brodware ‘City Plus’ tapware from Mary Noall. View into the home office. Opposite page De Padova ‘Flying Landscape’ coffee table and ‘Combi’ cabinet from Boffi. Incense burner by Studio Henry Wilson from Aesop. ‘Fizi’ ball table lamp from Articolo.
This page, clockwise from top left In the ensuite, the Grey Tundra limestone on the vanity from Signorino also sweeps over the flooring. ‘Fizi’ round sconces from Articolo. Astra Walker tapware from Mary Noall. The landscape design by Myles Baldwin is also “beautifully layered and textural”, says Nicci, and “when illuminated at night with Articolo’s new outdoor lighting, the shadow play that dances across the plants and foliage is mesmerising”. Tribù ‘Kos’ slatted teak table from Cosh Living and Kettal ‘Net’ dining armchairs from Mobilia. ‘Wyndham’ limestone pavers from Eco Outdoor. In the walk-in wardrobe, ‘Westside’ ottoman from Poliform. Opposite page Molteni ‘Ribbon’ bed from Hub in the master bedroom. ‘Domi’ sconces from Articolo. ‘Fairfax’ armchair in custom linen upholstery from Kelly Wearstler. B&B Italia ‘Surface’ console from Space. Timber sculptures by Rocket Mattler. De Padova ‘Madison’ rug from Boffi.
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additional storage and extending the sense of space. How would you describe the completed interior? NG: My vision for the interior was always to be bespoke, handcrafted and intelligently designed. What are some of your favourite elements? NG: The study is the perfect space where I can quietly work or retreat and reset. It’s filled with natural light during the day and embraces a beautifully controlled ambience with Articolo ‘Fizi’ table lamps at night. A feature I love is the entire wall of bespoke bronze and pale oak bookshelf joinery – it’s sublime, timeless and elegant. The solid, timberpanelled floor-to-ceiling pivot doors leading into the bedroom wings are a masterpiece – they boast a gentle curved spine which creates an artful and sculptural entrance. I also love the hard-wax plaster walls with their soft, rounded corners. The garden design by Myles Baldwin is also beautifully layered and textural. When illuminated at night with Articolo’s new outdoor lighting, the shadow play that dances across the plants and foliage is mesmerising. Were there any devices employed to maximise the sense of space? DG: Being an apartment, the general footprint is limiting. We wanted to create an environment that would lead the eye just beyond the central living space and really exaggerate the feeling of a larger area. This was done with a careful edit of material junctions, full-height openings, joinery and feeling of continuity with materials. For example, we
created a glimpse of the study from the living dining area as the space extends beyond what is visible, yet maintained a level of privacy. What informed the selection of furniture, art, fittings and finishes? NG: The interior scheme was inspired by Articolo lighting fixtures and my philosophy as a designer more broadly – a showcase of the atmospheric qualities each piece brings to a space. The fittings and finishes were chosen to create a sense of calm and continuity. The soft, neutral palette is layered with subtle text ure to give a feeling of warmth and serenity. The dark bronze and brass fixtures throughout create a del iber ate tona l cont r a st . T he select ion of t he f u rn it u re was an extension of the base material palette. What do you enjoy about living here and how do you use the space? NG: I enjoy every detail. It is my refuge where I can unwind and relax. And, it’s only a short walk to High Street, Armadale, with its wonderful boutiques and enticing bars and restaurants, such as Auterra Wine Bar. articololighting.com; studiogoss.com.au
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Architect
Tom Ferguson
T W E N T I E S D AR L I N G [ Sydney ]
Photography TOM FERGUSON
This page The photograph of Sydney Opera House by Tom Ferguson is beautifully offset by the wall colour in Dulux’s ‘Whitsunday Island’. The Herman Miller moulded plywood lounge chair by Charles and Ray Eames is from Living Edge, while the ‘Mid-Century’ bookcase is from West Elm. The framed artwork at the end of the corridor is of the Guggenheim Museum, photographer unknown, from Stills Gallery. Opposite page A Japanese kimono stencil lightbox from Etsy serves as backdrop to the 1960s Danish rosewood extension table originally from David’s family home. The Fritz Hansen ‘Series 7’ chair by Arne Jacobsen is from Cult, while the black planter is from Country Road.
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DESPITE HAVING largely moved away from design and into photography, Tom Ferguson simply couldn’t pass up the opportunity to be involved with long-time friend – and editor of Wish lifestyle magazine – David Meagher’s home interiors project when offered, at the beginning of the 2020 lockdowns. The Sydney apartment within an elegant Claud Hamiltondesigned building had almost all of the original 1920s details intact, so the goal was to “retain the period feel and create a simple and clean aesthetic” where David’s mostly mid-century furniture would look right at home. What were some of the requirements for your home and what initially appealed about this property? David Meagher: It’s an unusually large onebedroom apartment with a really functional floor plan. I just wanted as much storage as possible and a place for a desk so I didn’t have to work from the dining table, as it was the beginning of the Covid lockdown. My previous apartment was tiny by comparison and never felt big enough to have people over, so I wanted space for a table and a kitchen where I wouldn’t have to store things on top of other things. What was the starting point for the interiors? DM: I kind of think of myself as a modernist and if I had the opportunity to build something from scratch, I would want it to be super-minimal. What were the challenges of the space and how did you resolve them? DM: I wanted cupboards, especially in the bedroom, as far as the eye could see. Tom thought it wouldn’t be practical to have them all the way up to the ceiling, mostly because the top cupboards wouldn’t be reachable, and also because they would look
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This page, clockwise from top left On the Carrara marble benchtop from Mediterranean Marble, a tea set and tray from Hermès. ‘Kit-Kat’ tile splashback from Surface Gallery. Hansgrohe ‘Talis’ mixer from Sydney Tap and Bathroomware. Oven and cooktop from Fisher & Paykel. The Vitra bird by Charles and Ray Eames from Living Edge draws the eye in the living room. Artworks, from left, by Tom Ferguson, Damian Bennett, James Cant and Leo Greenfield. ‘Alto’ sofa from West Elm and ‘Avalon’ cushion from Hermès. The Herman Miller pedestal table is from Living Edge as is the Tom Dixon ‘Form’ tray on the ottomans from Atelier. Flos ‘Snoopy’ lamp. Vase from Poho Flowers on the dining table. Opposite page 1960s Danish sideboard from David's family home. ‘Desert’ rug from Armadillo.
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too imposing. So he designed the cabinetry to appear as if it was floating off the ground, which makes it look lighter and more like furniture. The only other issue was the kitchen floor’s slate tiles. Removing them was going to be a big and costly exercise, so the kitchen was designed to match the existing floor. It ended up working so well that most people think the f looring choice was intent ional. Tom Ferguson: The apartment hadn’t been updated in many years and making the most of space was key. The kitchen needed to include a laundry, so carefully designing joinery and drainage to make this possible without being obvious was important. The black tiled plinth running under the window hides the laundry
pipes, with the appliances being concealed in the full-height joinery next to the integrated fridge. Perhaps the biggest challenge was that the bathroom design needed to be changed at the last minute when demolition revealed a floor waste hiding under the late 1960s bath enclosure. I had to flip the design and be creative with forms in order to hide the plumbing.The tiled shower seat covers this waste point. How would you describe the completed interior? DM: It’s an uncomplicated design that’s in keeping with the period of the building, while still seeming modern. What are some of your favourite elements? DM: Many of the apartments in this building have had period details removed over the years, but I
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love that this one still has them. One of the things that makes the apartment feel bigger is that it has a small entry foyer and hallway between the living room and bedroom. I love that I don’t enter the apartment in the kitchen or living room. TF: I [also] love the original features, including the picture rails and plaster vents. The building’s creator, Claud Hamilton, designed many prominent buildings in Potts Point, Elizabeth Bay and Darlinghurst. Were there any devices used to maximise the feeling of space? DM: The apartment has three-metrehigh ceilings, which automatically make the space seem generous. A simple colour palette of pale-grey walls and dark floors also makes the rooms feel big and light. TF: Keeping joinery down from the ceilings allowed the room perimeter to be retained, increasing the sense of space and height. Creating rooms within rooms (such as the study area in the bedroom) was also important for a sense of space. Doing a furniture layout [proved helpful], so we could be sure where to place lighting and power points, etc. What informed the selection of furniture, art and fittings? DM: Most of the furniture was from my previous apartment and acquired slowly over time. [Early on,] I measured up my furniture and Tom placed it on the floor plan and it miraculously all fit perfectly. What do you enjoy about living here and how do you use the space? DM: I moved into the apartment in August 2020 and loved working from home here as my desk looks out over the neighbourhood. The ability to see the comings and goings of the people of Darlinghurst made being confined to home that much easier. I love having separate rooms for every function making it feel like a much bigger apartment. tomferguson.com.au; tfad.com.au
This page, from top Sheridan ‘Abbotson’ bed linen with Sealy bedhead in Midnight. Marc Krusin table from Knoll. Anglepoise lamp from Cult. Artwork by Louise Tuckwell. The ‘Aero’ desk was custom made to fit the bay window. Fritz Hansen ‘Series 7’ chair from Cult. Dyson ‘CSYS’ task light. Cabin Craft ‘Nomads’ carpet from Carpeteria. 1960s tallboy from HFOC. Artwork from Stills Gallery. Herman Miller Hang-It-All’ coat rack from Living Edge.
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luxaflex.com.au | 13 58 92
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This page The hallway features a striking wall light custom designed by Phoebe Nicol and an iconic Pierre Jeanneret ‘Chandigarh’ chair. The walls were finished in micro-cement by The Artful Decorator. Flooring in Woodcut engineered boards in Pale Oak. Opposite page A creamy travertine-topped bench by Pierre Jeanneret is adorned with a vintage marble vase, bowl and objects from The Vault Sydney, including the bust and ceramic vessels. The mirror is a custom design. The charming plaster wall sconces were also custom-made in the UK.
Interior architect
Phoebe Nicol
H AR B O U R S I D E H AV E N [ Darling Point ] Photography DAVE WHEELER
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AFTER INITIALLY BEING taken aback with interior architect Phoebe Nicol’s minimalist concept, her client was overjoyed with the end result, which involved a total makeover of his top-f loor apart ment overlook ing Sydney Harbour. “We really pushed the boundaries,” Phoebe explains. “But I think the result is a home that encapsulates style, comfort and quality.” What was the brief? My client approached me i n November 2020 to work on h is Darling Point apartment. The brief was to do a complete overhaul of the interior to create a light-filled, open-plan home. What were the challenges of the space and how did you resolve them? Reconfiguring the floor plan to open up the space to its maximum potential [was t he m ajor c h a l lenge]. It ’s a top -f lo or apart ment on Darling Point Road w it h expansive views of the harbour, so we wanted to capitalise on the vista and bring an indoor/ outdoor flow throughout the interior. How would you describe the completed interior? [We
worked with builder Marshal Keen of Built by M K ] a nd t he re s u lt is a b eaut i f u l synchronisation of refined contemporary design and use of raw materialit y. It’s an em i nent ly ca l m space, w it h dept h a nd interest. W hat are some of your favourite elements? The entire apartment is finished in a fine Marmorino marble, which gives the walls a beautif ul refraction of light and tex t u re. T he blackened st a i n less-steel kitchen with dark granite benchtops creates a luxurious impact on the eye. Tactility and f u n c t i o n a l it y w e r e i m p e r a t i v e w h e n designing this home. Were there any devices employed to maximise the sense of space? I was very aware that the apartment didn’t have particularly high ceilings. It was imperative that every architectural detail exuded the illusion of space. The wall and ceiling junction throughout the apartment is square set and this detail encapsulates a crisp edge, plus the illusion of a higher ceiling. The internal timber doors span from f loor to
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This page, clockwise from top left A pair of rush stools from Tigmi Trading hug the kitchen island which is finished in Domino quartzite from CDK Stone that also clads the bench top and splashback. Bespoke cabinetry installed by Interex Custom Joiners with stainlesssteel fronts and pulls from Noble Elements. ‘Gessi’ tapware from Abey Australia. Table lamp sourced in Belgium. Bespoke dining table in white concrete with vintage chairs from The Vault Sydney. Artwork by Jenny Topfer from Fox Jensen. FontanaArte-style sconces from The Vault Sydney. Navurban timber veneer wall finish and shelving with terracotta objects from France. Custom desk with ‘Curtis’ table lamp from Paolo Moschino. Opposite page Custom sofas with cushions from Jardan. Custom metal coffee table. Floor lamp from James Said.
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cei l i ng. T he f ra meless door ja mbs ensu re t he plasterboard blends seamlessly with the wall and provide a f lush f inish, eliminat ing t he need for architraves [and ensuring the focus is on] crisp, clean lines. They were beautifully crafted by our carpenter to fit seamlessly into each opening. What informed the selection of furniture, art, fittings and finishes? We worked closely with our client to curate the perfect selection of furnishings and art that were reflective of his taste and lifestyle. We curated bespoke custom furniture pieces and a few antiques, and [paired those] with some unique contemporary art. We tasked Alex Boden of The Artful Decorator to carry out all painting and wall finishes. Was the owner happy with the execution? How does he use the space? The owner thoroughly enjoys sitting out on the balcony, taking in the harbour views, and entertaining with his friends and family. He is overjoyed with the result. It’s a place he says he loves to come home to. phoebenicol.com; builtbymk.com.au; theartfuldecorator.com
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This page, clockwise from top left Crisp clean lines characterise Phoebe’s approach to the decor. In the master bedroom, USM ‘Haller’ unit from Anibou. Burl box, client’s own. Mouton Bone chair from The Vault Sydney. Artwork by Erin Lawlor (2016). The ensuite vanity is clad in Domino quartzite from CDK Stone with tapware from Brodware and a custom mirrored shaving cabinet above. Wall light sourced in the US. The guest bedroom features an artwork by Geoff Thornley (2015) and an existing chair. In the guest bathroom, the bathtub surround is Domino quartzite from CDK Stone. Tapware from Brodware. Opposite page Phoebe designed the bedhead in the master bedroom where the bed is laid with ‘The Bed Cover’ from Elias Mercantile. Custom-designed bedside tables in walnut veneer with ‘Thin’ task lamp from Juniper. ‘Olive’ door hardware and joinery pulls from Noble Elements. Ceiling lights from JSB Lighting.
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Photography SHARYN CAIRNS
Interior designer
Studio Tate
VAN TAG E P O I N T [ Melbourne ]
These pages, from left The “calm, pared-back aesthetic” was devised so as not to upstage the 360-degree views over the city, Royal Botanic Gardens and Port Phillip Bay. Ligne Roset ‘Pumpkin’ armchairs and ‘Prado’ sofas, all from Domo. ‘Mode’ coffee table from Momu. Mattiazzi ‘Medici’ side table from District. ‘Zeus’ wool rug from Whitecliffe Imports. Ocean travertine from Apex Stone clads the column and bench. HC28 ‘Harley’ bar stool from Domo. Apparatus ‘Neo’ vessel in Nero Kinitra marble and aged brass bowl from Criteria. Flos ‘Glo-Ball’ floor lamp from Euroluce. Listone Giordano ‘Naturplus 2’ floorboards in Oak Cemento from Winspear Group.
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TACKLING TRICKY HEIGHT and space obstacles, and opening up this penthouse to expansive views of the city, gardens, sky and bay, Studio Tate interior architecture associate Liz Ride says she’s “extremely proud of the outcome and how our team intelligently worked together”. What was the brief? Our clients purchased the penthouse within The Melburnian apartment complex on St Kilda Road, Melbourne, seeking a space to better reflect their changing lifestyle and aesthetic sensibilities. What were the challenges of the space and how did you resolve them? The apartment was punctured by existing services risers and structural columns. When revising the floor plan, we were able to integrate certain elements within joinery or conceal them within new walls. Also, the extremely low ceiling heights in the corridor and kitchen resulted in squat looking joinery and a compressed sense of space. Through strategic manipulation we were able to gain significant height in these areas which dramatically impacted the overall volume. How would you describe the completed interior? The penthouse’s orientation was pivotal. Positioned on the far eastern end of the complex, it has 360-degree views of the city, Royal Botanic Gardens and Port Phillip Bay, and our clients desired to maximise each vantage point. We proposed a calm, pared-back aesthetic that did not compete with the views. The interior scheme was inspired by our clients’ collection of Australian art and the surrounding environment, resulting in an outcome comprising monolithic forms,
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This page, clockwise from top left Knoll ‘Tulip’ table and chairs from De De Ce. Large resin bowl from Dinosaur Designs. Oak veneer joinery in Black Japan. The owners love to entertain so a walk-in robe was converted into an earthy red butler’s pantry. The existing kitchen was opened up to reveal key sightlines. Ocean vein-cut travertine from Apex Stone on the column and bench. HC28 ‘Harley’ bar stools from Domo. Apparatus ‘Neo’ vessel from Criteria. Listone Giordano ‘Naturplus 2’ flooring in Oak Cemento from Winspear Group. Franke ‘Ancona’ double bowl undermount sink from Reece. Sussex ‘Voda’ chrome mixer from Reece. Fisher & Paykel integrated French-door fridge/ freezer and Miele induction cooktop, oven and steam/ microwave oven, all from E&S.
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These pages, clockwise from bottom left The Ocean travertine, as seen in the kitchen, is carried through to the bathroom. Laufen ‘Pro’ undercounter basin with ‘Scala’ curved wall outlet from Reece. ‘Ellisse’ robe hooks from Parisi. Lee Broom ‘Orion’ globe and tube pendant lights in opal glass and polished metal with objects from Danielle Segal Ceramics in the entry hall. Port Laurent stone on bench from Signorino. In the bedroom, bed linen from Sheridan. Louis Poulsen ‘AJ’ wall light by Arne Jacobsen from Cult. Artwork by Kerrie Warren. Floor sculpture by Morgan Shimeld from Otomys. Wall in Porter’s Paints ‘Fresco’. Joinery in Black Japan oak veneer. ‘Volley’ outdoor lounge chair from Tait on balcony.
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earthy yet subtle tones, and quality materials. Were there any devices employed to maximise the sense of space? As this was an amalgamation of two smaller apartments, we were able to revisit the spatial planning, enhancing living areas by removing a second powder room, and reorienting the home office to the views. The existing kitchen was opened up to reveal key sightlines, while a large walk-in robe was converted into an earthy red butler’s pantry indicative of the clients’ love of entertaining. A hidden door in the dining room facilitates a direct connection to the main bedroom suite, enabling the clients to freely circulate in the primary living spaces. To the south, a small bedroom was re-imagined as a home office, where the addition of a glazed partition wall offers uninhibited views across the living space to the city skyline. What informed the selection of furniture, art, fittings and finishes? Throughout, we drew on the clients’ artworks to inform an earthy, natural palette and a fundamental approach to form. The kitchen’s robust expression of vein-cut travertine presents a striated landscape of natural tones that tells the story of the material’s formation in the earth. This is balanced by blackened timber veneer reminiscent of burnt bushland, adding to a refined pairing of materials that flows through the interior. Desert-inspired tones punctuate the palette – red travertine and ochre-veined black marble, crimson lacquered cabinetry, tan leather and red upholstery. ‘Pumpkin’ chairs by Pierre Paulin sit alongside an Eames ‘Walnut’ stool, while beyond, a limited-edition orange
Flos ‘Snoopy’ lamp beacons from the home office. The permeability of the Ligne Roset ‘Prado’ sofa by Christian Werner was specifically chosen for its flexibility, reinforcing long sightlines across the apartment. The weighted backrests can be freely repositioned enabling our clients and guests to either focus towards the sweeping views or inwards to each other and the kitchen when entertaining. Were the owners happy with the execution? How do they use the space? Our clients enjoy a highly functional floor plan that caters to their easygoing lifest yle. It shows that a restrained palette and simple forms can be beautiful – especially when the quality of the materials is exceptional. The study is now positioned in a wonderful location with sweeping city views. They also love the newly arranged kitchen, luxury bar and butler’s pantry for their positive impact on daily life as these amenities support their love for entertaining, good food and wine. The new look meets their functional and aesthetic requirements and serves as a true reflection of their personal style. studiotate.com.au
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The Lismore L E G A C Y Seven Decades Encapsulated in Crystal
HOMES With interiors reprised for a new generation, these homes embody style, beauty, glamour and comfort. M A K I N G WAV E S French designer Jean-Louis Deniot refreshed his sister’s island seaside hideaway with a maritime-themed makeover. See Blue Rinse, p110.
Photography STEPHAN JULLIARD
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BLU E RI NSE Washed throughout in maritime shades, the decoration of this seaside retreat is deliberately dated in a cheeky nod to generations past. Words + production IAN PHILLIPS Photography STEPHAN JULLIARD
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This page Formerly, there was only a well in the courtyard but Jean-Louis Deniot and sister Virginie decided to install the pool, an unusual feature on the island. The vintage armchairs were designed by Guillerme & Chambron and have been reupholstered in an outdoor fabric from Dedar. Opposite page The boat in the entry hall is a model of the legendary 19th-century racing yacht America, which was created by one of the house’s former owners and offered to Virginie as a gift. The chest is a 1950s bamboo sideboard. The mirror with a bone frame is a custom design by Jean-Louis. The 1940s wrought-iron curule chair is upholstered in ‘More’ from Livio de Simone. The plaster wall lamps also date from the 40s and were originally designed for a theatre set.
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eptember will see the release of the second monograph published by Rizzoli dedicated to the work of Parisbased interior designer Jean-Louis Deniot. Destinations presents 18 of his projects, from Bangkok to Cali in Colombia. There is what looks like a mini-Versailles in New Delhi, whose owners refer to as their ‘farmhouse’, though there is nothing remotely rural about it, as well as his own house in LA’s Hollywood Hills. There’s also the dacha (seasonal residence) on Yves Saint Laurent’s former country house in Normandy, the Château Gabriel, which he has redecorated for its new owners. In many of the places Jean-Louis works, he tried to create a new paradigm of just how an interior should look there. For a loft project in Miami, he referenced the city’s status as one of the world’s art capitals and took inspiration from the reconstitution of sculptor Constantin Brâncusi’s atelier near the Pompidou Centre in Paris. But for this holiday home on the Île de Ré, off France’s west coast, he also decided to come up with a fresh new aesthetic. “The houses there tend to be pretty old-fashioned with lots of driftwood,” he says. “They look rather sad.”
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The project was of special significance to Jean-Louis because the house belongs to his sister (and office manager) Virginie. She first visited the Île de Ré 15 years ago and fell in love with it. “I love its temperate climate and the light is incredible,” she says. “There are vineyards, tractors and fields, and at the same time ports, beaches and sailing boats.” It’s those landscapes and kilometres of coastline that see the island as a sought-after holiday destination. The late Christian Liaigre famously had a house there and other visitors have included the likes of Vanessa Paradis and Katy Perry. The house Virginie found dates back to the 40s and was built for a family from the Bordeaux region, who had owned it ever since. Rather serendipitously, her husband was already acquainted with it. “He knew the family and had played inside the house when he was a small child,” she says. Little work had been done on it. There was just a sole bathroom for the whole house, with individual washbasins and bidets in each of the bedrooms instead. Jean-Louis says it was also very dark. “There were pitch pine walls and terracotta floors,” he says. Still, the property was not without its appeal. It had wooden ceilings, including the one in the »
These pages, clockwise from left In the dining area the painted bamboo chairs are 1940s neo-Gothic and were reupholstered in a fabric from Tangier. The custom banquette is covered in ‘Primavera’ by Josef Frank. The custom table has a distressed gold leaf and hammered iron base and stained oak top. The watercolours on the wall are by Frédéric de Luca. Vintage wall lights by Audoux Minet. In the living room, the ‘Julien’ sofa is from Jean-Louis’ collection for George Smith. The coffee table dates from the 50s and was bought in LA. The rug is Moroccan from Marrakech. Mid-century teak floor lamp by Jean Rispal. Vintage oak sideboard with a 70s wicker lamp from LA. The blue bottles on the mantel are mid-century glassware. Armchairs bought from Christopher Gibbs were reupholstered in a custom woven stripe from Tangier. The Brutalist vintage fish sculpture is by Ernie Abdelnour.
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“THE IDEA WAS TO GIVE THE IMPRESSION THAT THE HOUSE BELONGED TO ONE OF OUR AUNTS. WE WANTED IT TO LOOK DATED.”
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This page An artwork by an unknown French artist anchors the pantry. The bamboo chair dates from the 1950s and the wine basket is also vintage. The skirt curtain is made from a fabric by Paris-based textile designer Robert Normand. Opposite page The kitchen units were based on a salvaged 1940s model and have antique mirror inserts. The benchtops are Zimbabwe granite and the chequerboard floor tiles are a mix of the same granite and grey limestone. The wall sculpture of a donkey head dates from the 40s and is made from rope. The oven is from Miele. Tapware from Franke.
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This page Parisian decorative artist Florence Girette painted the sandstorm effect on the walls of the guest bedroom. Jean-Louis designed the bedspread with red pompoms. The lamp is vintage and the artwork of fish bones dates from the 1940s. The master bathroom vanity was custom-designed in Carrara marble and painted wood. The mirrors are also custom with a bone mosaic frame. The wall lights were designed by Jean-Louis who also created the shower tiles in crackled ceramic. Outdoor dining table, made from wooden planks, with bamboo French bistro chairs. Opposite page The custom sofa in the study is upholstered in ‘Notturno’ by Josef Frank. Vintage yellow rope table and floor lamps by Audoux Minet. Teak ‘Boomerang’ desk by Peter Løvig Nielsen. The photo is by Slim Aarons.
« living room that incorporates an old boat mast. There is also a turret and a south-facing courtyard that is not overlooked by any of the neighbours, despite being located slap bang in the centre of one of Île de Ré’s charmingly picturesque villages. Jean-Louis decided to anchor the interiors in the past. He replicated the existing doors, mouldings and other architectural details, and installed a stone floor in a traditional chequerboard pattern in the entry hall. He also integrated a number of more classical-looking pieces, including a sofa from his collection for the English manufacturer George Smith in the sitting room and a pair of 1940s wrought-iron curule chairs close to the front door. “The idea was to give the impression that the house belonged to one of our aunts. We wanted it to look dated. The last thing I wanted was that you could guess it belonged to someone of my age,” says Virginie. That’s not to say that they didn’t have fun. Part of their inspiration came from Belgian comic strip hero Tintin, which resulted in the use of lots of bright blue colours. They played around with pattern and prints, especially those created by the mid-century Swedish designer, Josef Frank. “There’s a kind of eccentricity to his style,” says Jean-Louis, who also decided to commission Paris-based decorative painter Florence Girette to paint the walls of one of the guest bedrooms on the ground floor with a motif meant to resemble a sandstorm. In the same room, a white bedcover was installed with a blue stripe down either side decorated with red pompoms. “It’s like a landing strip for sailors,” quips Jean-Louis. “After seeing »
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« the blue of the sea for so long, they’re happy to find themselves in the middle of a desert storm.” It is only one of a number of nautical references that run throughout the house. Others include the doorways framed by rope and the model of the legendary 19th-century racing yacht America in the entry hall. The canopy of the master bedroom is a nod to fishing nets. “For us, the project was like a breath of fresh air,” enthuses Jean-Louis. “It really brought Virginie and me even closer
together.” For him, however, the most important occupants of the house are his nephew and two nieces. “What I really wanted more than anything was to create a place that would conjure up wonderful memories of childhood holidays for them in later life,” he says. And he firmly believes the swimming pool he installed in the courtyard will contribute to that. “Pools are a rarity on Île de Ré,” he notes. “I knew they’d be the most popular children on the block.” # deniot.com
SPEED READ » Acclaimed French interior designer Jean-Louis Deniot took on a project close to his heart: his sister Virginie’s seaside holiday home on Île de Ré. » The pair aimed to bring comfort and amenity to the well-worn 1940s home with a deft update and redecoration. » Jean-Louis assembled a mix of classical furniture and sourced vintage pieces to give the impression the “house belonged to one of our aunts”. » Playful notes were added with the use of Tintin-inspired bright blues, vibrant patterns and prints, and twists of nautical rope on doorways and custom objects. » A swimming pool, a rarity on the island, completes the picture for the ultimate relaxing retreat for Virginie and her young family.
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This page, clockwise from above A crochet canopy inspired by fishing nets adds to the maritime ambience. The custom bedspread was made in Tangier. Local artist Erick Valencourt created the artwork. The custom bedside table features an integrated lamp. Vintage pieces include the 60s chest of drawers made in rattan and oak, bamboo mirrors and an armchair reupholstered in a Romo linen. In a child’s bedroom, the custom bunks are covered in a bedspread made in Tangier. Rope horse sourced in Morocco. ‘My Terrazza’ wallpaper from ENOstudio. Vintage armchair by German designer Hartmut Lohmeyer. The children’s bathroom is painted in Majorelle blue. The striking shower tiles are by Jean-Louis who also designed the wall lamps, mirrors finished in antique silver and the vanity topped in Carrara marble. Opposite page In one of the guest bedrooms on the ground floor, the straw headboard was designed by Charlotte Perriand. ‘Tweed’ wallpaper from Cole & Son. Vintage ship sculpture by Curtis Jeré.
MODER N H A BI TAT Words C ARLI PHILIP S Photography ANSON SMART Styling CL AIRE DELMAR
These pages, from left Floor-to-ceiling doors seamlessly unfold to the outdoor courtyard. The bedroom on the right doubled as a study during Covid. ‘Pretzel’ armchairs from Naturally Cane sit on a Khotan rug from Robyn Cosgrove in the ground floor living and rumpus area. On the ‘Stobie’ glass coffee table from Great Dane is a vintage Japanese vessel from Planet and a green-and-white bowl from Alex and Trahanas. Artwork by Mitch Cairns from The Commercial. Cassina ‘LC14’ wooden box from Space.
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This contemporary Australian beach shack has experienced a soulful second coming with subtle bush colours reflective of its surrounding environment.
he inquisitive owner of this contemporary beach shack on the Central Coast of New South Wales set about researching its origins soon after purchasing it in 2015. When he tracked down David Boyle – the architect who had drawn it up in 2006 – the two met and discovered that the house had only been partly realised as intended. They struck up a friendship and when designers Arent&Pyke commenced working on phase two of the interiors scheme, David was re-engaged to design a pergola, cladding materials and – together with Arent&Pyke – the window joinery. The fullcircle experience encouraged a subtle yet significant ripple effect, especially when it came to the surrounding landscape, explains Arent&Pyke principal Juliette Arent. “The influence of the coastal environment on the interiors had an impact in so far as David designed the home to open up to the bush and brought a golden, grassy glow into the home with its raked hoop-pine ceilings,” says Juliette. “In turn, our interiors and decoration responded to that architecture alongside the desire of the client to create a home that felt uniquely Australian. And, of course, the kitchen joinery in eucalyptus tones, and blues and greens throughout the home, echo the landscape and sea beyond.” Elsewhere, pink-tinged Santamargherita marble has been laid on the master ensuite floor but, overall, the idea was for colour to stand in modest isolation. “There’s big colour, but the »
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This page, clockwise from top ‘Eva’ armchair from Bonacina upholstered in Dedar ‘Margaritas’ fabric. On top of the left rear joinery unit, Flos ‘Gatto’ table lamp from Euroluce, Ignem Terrae vessel, Tania Rollond vessel, books and Kelly Wearstler Classic Legs. The home was originally drawn up by architect David Boyle and built semi-realised a number of years later by previous owners. Planting by Pangkarra. In the bedroom and study, Saarinen ‘Tulip’ dining table from De De Ce. Carl Hansen ‘CH24 Wishbone’ dining chair. Flos ‘Parentesi’ pendant light from Euroluce. Opposite page Flexform ‘Zeno’ sofa from Fanuli with a mix of cushions in Martyn Lawrence ‘Kabba Kabba’ fabric from Tigger Hall Design and from Maison de Vacances in the ground floor living and rumpus area. On the ‘Stobie’ glass coffee table from Great Dane is a vintage vessel from Planet and bowl from Alex and Trahanas. Artwork by Mitch Cairns from The Commercial. Cassina ‘LC14’ wooden boxes from Space. The sliding doors at the rear feature a cast bronze detail engraved with their daughter’s name.
These pages, clockwise from top left In the first floor living room, Spanish chairs by Børge Mogensen from Great Dane. Knoll ‘Krusin’ coffee table from De De Ce and burr bowl. Cassina ‘Réaction Poétique’ black side table from Space. ‘Segovia’ rug from Robyn Cosgrove. Cassina ‘Low’ table by Gianfranco Frattini with vintage Japanese vase from Planet. Akari Noguchi ‘55A’ pendant light from Living Edge in the stairway. Jardan ‘Wilfred’ sofa in quilted linen with cushions in Martyn Lawrence ‘Kabba Kabba’ fabric from Tigger Hall Design. Sancal ‘Elephant’ stools from Ke-Zu. ‘Segovia’ rug from Robyn Cosgrove. Knoll ‘Krusin’ coffee table from De De Ce. Artek ‘Aalto’ bar trolley from Anibou. Artwork by Nyapanyapa Yunupingu from Robyn Oxley9. The bedroom and study offers access to the courtyard.
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“... the kitchen joinery in eucalyptus tones, and blues and greens throughout the home, echo the landscape and sea beyond.”
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This page An extensive ‘Tree’ table from Great Dane with ‘Thonet ‘B9’ armchairs defines the dining area. Ceramic vessels from Planet. ‘Counterbalance’ wall light from JSB Lighting. The kitchen island has cupboards crafted from solid-timber vertical dowels with cast stone handles and at one end incorporates a breakfast bar finished in leather tiles with a brass strip. Mattiazzi ‘MC2 Branca’ counter stools. Green V-groove joinery at rear in Dulux ‘Tarzan Green’. ‘Lucia’ double sink from Abey with ‘City Stik’ mixer tap from Brodware. Opposite page, from top ‘Tree’ table from Great Dane with Thonet ‘B9’ armchairs. Artworks by John Reid (left) and Nyapanyapa Yunupingu from Robyn Oxley9. The garden has been a work in progress from 2015 in the front, but the back is new and designed and implemented by Pangkarra.
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« spaces are still beautiful and quiet. We didn’t want the materials to clash with a bunch of other ones and steered clear of anything with deep veining or character figuring – it needed to have a quiet materiality,” says Arent&Pyke design director Genevieve Hromas who steered the project. Arent&Pyke approached the first renovation five years ago with a light touch, sourcing furniture for the client who had just moved from abroad and was a bachelor at the time. This second phase, however, had to consider the addition of a young family. Even so, nonetheless the new brief slowly expanded to encompass more and more as the process progressed. “We went in with a few things but, in the end, we went right down to stripping the skirting and recessing them into the floor. It just grew and grew. Having said that, everything we did in that first iteration had stood the test of time. Nothing was re-done,” says Genevieve. Back then, the focus was on the first floor as the ground level was barely in use. “It was a bit of a no man’s land down there,” says Genevieve. “We created a bookcase wall to envelop the room. It’s now a cosy spot with a fireplace, a place to store the client’s records and big sliding doors so the space can be closed off. Now, it’s active and occupied, with three bedrooms, rumpus room, laundry and kitchenette which doubles as a self-contained set-up for visitors. While the master bedroom is on the first floor, the family decamped down here during the pandemic, turning a bedroom into an office and adding a Knoll ‘Tulip’ table as a desk. »
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« Upstairs, the staircase meets the living and dining areas which share a corner deck and new sliding doors overlooking the water. The biggest change involved reorienting, resizing and removing the kitchen bench from the wall so that it now sits like a true island, incorporating a breakfast bar at one end finished in leather tiles and a brass strip. Paired with Mattiazzi ‘MC2 Branca’ counter stools, the perspective is now outward looking towards the ocean. Crafted from solid timber dowels with cast stone handles, the vertical slats peer through to drawers storing handmade Japanese ceramics. “We were keen to bridge the living area and the kitchen with a sculptural element and this creates a lovely interplay of layers and lines – it’s a truly bespoke monument to craft and materiality,” explains Juliette. Behind the kitchen is a powder room followed by the master bedroom and ensuite, which was specified with a ‘Rockwell’ bath with feet from The Water Monopoly, the sensible floor plan bearing in mind the proximity of dinnertime to bathtime for the couple’s children. “This home was our client’s first foray into design and I think now he’s a bit addicted. He is a curious and gregarious human and was entwined in the process right from the start,” explains Genevieve. “The result is a calming, serene home that, come twilight, just glows.” # arentpyke.com; davidboylearchitect.com.au
This page ‘Rockwell’ bath in the ensuite from The Water Monopoly, Society Limonta hand towel and Loom bath towel. Cassina ‘Meribel’ stool from Space. Vanity in Santamargherita marble with ceramic by Andrei Davidoff, jewellery box from 1stdibs and Sara Morawetz artwork from Small Spaces. In the master bedroom, Pinch ‘Harlosh’ bedside table from Spence & Lyda. Opposite page, clockwise from top left Custom bedhead in ‘Jamawar’ fabric by Penny Morrison. Society Limonta bed linen from Ondene. Custom low table in silver travertine with a L’Objet vase from Becker Minty and brass dish from Studio Henry Wilson. Noguchi ‘Akari 10A’ floor lamp from Living Edge. Artwork by Antonia Perricone from Small Spaces. The walk-in robe features a seat in Carolina Irving ‘Aegean Stripe’ from Tigger Hall Design. Lightyears ‘Radon’ wall sconce from Cult. Sisal rug from Natural Floorcovering Centres. Walls in Dulux ‘Bottle Green’. The first-floor deck embraces the panoramic vistas. ‘Fred’ outdoor table from Jardan. Hurricane lanterns from Ondene.
SPEED READ » A contemporary beach shack built on the Central Coast of NSW five years ago entered its second phase of decorating to suit the former bachelor owner’s young family. » The updated brief called for the creation of a home that felt “uniquely Australian” but with colour in “modest isolation”. » Eucalyptus tones in the kitchen, blues and greens throughout, and a soft pink marble in the ensuite reference the vistas of the surrounding land and sea. » The ground floor was revitalised with bedrooms, a study lined with a bookcase wall plus a rumpus room, laundry and kitchenette. » The living and dining area combine on the first floor and share a corner deck overlooking the bush and coast beyond.
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PA L E T T E This family home showcases interior designer Cameron Kimber’s knack for blending bowerbird curation, playful colours and lashings of luxury. Words ANDRE A TOMA Z Photography PRUE RUSCOE
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This page Sitting pretty, the bergere chair has been reupholstered in Manuel Canovas ‘Pavillon de Bidaine’ fabric from Domus Textiles while the Soane armchair was re-covered in Fez Stripe in Indigo from Tigger Hall Design. Both the ottoman and curtains feature ‘Beauchamp’ velvet in Tabasco from James Hare with braid from Unique Fabrics. The Phillip Jeffries ‘Driftwood’ wallpaper in Cream is from The Textile Company. The ‘Manzanilla’ abaca rug in Blonde is from International Floorcoverings. The brass floor lamp is from Universal Lighting. Opposite page The staircase is red carpet-ready with the ‘Montecarlo’ runner in Firefly 55 from Fyber and an artwork by Dorothy Elaine Vicaji holding court against snow-white walls in Porter’s Paints ‘Cumulus’.
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These pages, from left A sense of arrival is absolute in the entrance hall, which exudes drama and definition. A Xue Mo artwork pairs with ebonised Regency side chairs and a hanging lantern from Laura Kincade that was resprayed in Dulux ‘Battery’. Comfort and luxury are united in the opulent but welcoming living room where the finer details mean everything. The sofa was reupholstered by Cameron Kimber Design in Manuel Canovas ‘Pavillon de Bidaine’ fabric and a Colefax and Fowler ‘Arlington’ bullion fringe in ‘Tomato’ from Domus Textiles. Woodwork painted in Porter’s Paints ‘Cumulus’. Artworks near the fireplace are by Salvatore Rosa (top) and Stephen Ormandy.
ameron Kimber is an interior designer who lives life in full colour – and he loves to layer art, textures, beautiful wallpaper and fabric prints. Making a bold decorating statement is just another day at the ‘office’ for Cameron, whose design hallmark is taking classic interiors and enlivening them by overlaying a mix-and-match ethos. Originally, this property was a “very pretty, small threebedroom bungalow”, which was replaced with an entirely new fivebedroom home with a bigger footprint that maximised its harbour views. The project came together through architect Daniel Boddam from The Studio, builder Andrew Severino from M&G Building, and landscape designer Anthony Wyer from Wyer & Co. “We worked very closely and collaboratively,” says Cameron. “It was a fantastic project.” With creative confidence and bold direction front of mind, a couple with three young children put the interiors of their home in Sydney’s eastern suburbs into his hands. “The clients wanted all the convenience and lifestyle of a contemporary home, but they also desired traditional charm, which suited me because I love classic interiors,” says Cameron. “Daniel’s original design was even more modern so we softened it with panelling, beams and mouldings. The look is slightly Los Angeles. I think that’s a great thing for a Sydney property, because LA does indoor/outdoor living so well too. Daniel created a »
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» great connection with how the spaces open up beautifully to those harbour views and the garden. It’s perfect for entertaining. The landscaping really ties the whole home together. It was just so important.” In decorating the interiors, Cameron says that comfort and luxury were of paramount importance and he focused on the finer details placed in every room in order to create enjoyable and easy day-to-day living. “To me, comfort and luxury are the same thing. It’s a featherdown sofa you can sink into, or somewhere to put your drink comfortably, or a wonderfully warm house.” When it came to the palette within the home, Cameron was given full creative expression. “She [the client] loves colour. And so do I, so I said, ‘Look, let’s not be afraid of it.’ So we used vibrant shades on walls in some rooms and big patterns mixed
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with neutrals. And they love it: from the tomato-coloured carpet on the stairs to the burnt-orange velvet curtains in the front living room, the vibrant floral sofa in the family room and the vivid green walls upstairs. They were all leaps of faith, but the clients trusted me because they know me. Taking those risks really paid off because it made it really exciting.” Taking a tour around the home is a visual adventure. Entertaining zones open widely to the outdoors. The sitting and lounge spaces are vibrant and floral, where velvet mixes with simpler materials such as printed cotton and raffia. The blue kitchen catches the eye and commands attention, but it also hides a big secret: it conceals a substantial scullery to handle all the big catering tasks that accompany parties and entertaining. “It was a very clever move from the architect,” says Cameron. »
These pages, clockwise from left A concealed television sits behind the Ray Crooke artwork. As this space connects to the dining area, Cameron designed it to be suitable for relaxed family downtime as well as glamorous ‘on-show’ entertaining when guests pay a visit. The artwork is by Lorna Ward Napanangka. Porter’s Paints ‘Breakwater’ adds depth. The armchairs were reupholstered in fabrics from Orient House and Domus Textiles. Vintage lamp from Conley & Co. All building work was completed by Andrew Severino from M&G Building. Exterior paintwork in Dulux ‘Beige Royal’. The garden, created by Anthony Wyer from Wyer & Co, was “such an important part of the project”, says Cameron. “It was key in building that indoor/outdoor feeling throughout the property, which is really what Sydney life is all about.”
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This page, clockwise from top The bright kitchen isn’t just beautiful, it cleverly harbours a connected and concealed scullery zone that is immensely valuable to the family. “They love to entertain and do charitable works, so it’s great that the house has that space,” says Cameron. The lower living area features a Bessie Pitjara artwork above the sofa on a wall painted in Porter’s Paints ‘Water Nymph’. The pool area adds quintessential glamour and conveys a blend of Sydney sensibilities with a touch of LA. “I chose the pool tiles in a very pale pink, which gives the water a soft, aqua glow,” says Cameron. “The landscaping by Anthony Wyer ... frames the whole structure in a series of courtyards. It really sets the house off beautifully.” Opposite page Artwork by Peter Poulet. Gold lamp from Conley & Co. ‘Manzanilla’ abaca rug in Blonde from International Floorcoverings.
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Above and opposite page The main bedroom, which enjoys leafy vistas and harbour views, includes a sitting room, walk-in wardrobe and an ensuite. Bedhead and cushions in Colefax and Fowler ‘Kendal’ print in Leaf Green from Domus Textiles. Striped carpet from Missoni, vintage lamps from Conley & Co and artwork by Thea Proctor. The adjoining sitting room is papered in Thibaut ‘Shang’ extra-fine sisal in Kelly Green from Boyac. Red cushion in Lee Jofa ‘Jag Trellis’ from Elliott Clarke. Below Drama, glamour and chinoiserie collide in the guest powder room, with walls in Pierre Frey Braquenié ‘Le Paravent Chinois Iris’ wallpaper from Milgate. Porter’s Paints ‘Granny Smith’ on joinery and a glossy black on cornices. Wall sconces with Vaughan shades from Domus Textiles.
« The glamorous guest powder room is a bold and moody space, which is quite different from other parts of the home. “It’s very dramatic,” says Cameron. “We wanted it to be a chinoiserie fantasy, a bit of fun and be a bit ‘out there’.” Meanwhile the spacious main bedroom suite, complete with dressing room, ensuite and sitting room, is a true retreat and is Cameron’s favourite space. Here, neutrals are mixed with vibrant striped Missoni carpet, touches of green on wallpaper and fabric, and leafy prints that echo the shades of the garden and harbour foreshore beyond, creating a space that’s all about seclusion, dreamy vistas and peace. What’s clear is that this luxurious home is both a grand entertainer and place for restful, private family time. Each room surprises and delights, telling a unique story through colour and furnishings that convey playful exuberance and warmth. “The house is alive,” says Cameron. “It’s a great house for young children, a great house to entertain in and it’s a great house to be alone in too. It’s beautiful.” # cameronkimber.com; danielboddam. com; mgbc.com.au; wyerandco.com.au
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SPEED READ » Interior designer Cameron Kimber collaborated with architect Daniel Boddam from The Studio, Andrew Severino from M&G Building and landscape designer Anthony Wyer from Wyer & Co to create this luxurious family residence in Sydney’s east. » Cameron harnessed bright colours, re-covered key pieces and plumbed the family’s art and antiques collection to create an unfussy home that’s luxurious and glamorous yet relaxed. » Spaces were opened up to embrace the garden while also creating a deep connection with the harbour. » This home is designed for private family time as well as big, beautiful parties. » Being bold with the interiors was always vital, says Cameron, who advises, “If it looks good, just do it. Be brave.”
This page In the open-plan living area, a custom sofa made by Edgeworks Upholstery in a Carlucci bouclé curves around a pair of ClassiCon ‘Bell’ tables by Sebastian Herkner from Anibou on a custom-designed rug. “We had to make sure [the rug] was positioned in exactly the right direction so you wouldn’t lose certain colours,” says interior designer Marina Pappas of its precise placement. Hay ‘Bowler’ side table. Arflex ‘Botolo’ chair by Cini Boeri from Space. An artwork by Tim Storrier is set against lashings of New York stone from Gladstones Granite & Marble, which covers the wall and juts out to form the bench and fireplace hearth. Opposite page An artwork by Charles Blackman hangs in the formal living room above a custom entry table made by Marc French & Co. Porta Romana lamp from South Pacific Fabrics. Bone inlay box from Minimax. ‘Float’ wall sconce from Articolo.
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A team effort has transformed a tricky Melbourne site into a fresh new home jazzed up with bold wallpapers. Words CARLI PHILIP S Photography SHARYN CAIRNS
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hen it comes to feature walls, this glamorous home runs the gamut. From marble slabs to pink Gucci wallpaper, Jean Paul Gaultier’s ‘Croquis’ design of scribbled faces and panels of Christian Lacroix’s serene landscapes, it’s totally fashion fabulous. “It’s something I was keen to explore in terms of texture and colour,” says Catherine Morris, who lives in the house with husband Cameron. “Using such beautiful wallpaper feels like additional artworks.” Coupled with their existing collection of paintings and sculptures, the provision of wall space was high on the agenda. Each piece was mapped out from the start, with designers Christine Casey of Pure Style Interiors and Marina Pappas of M1 Design Interiors specifying their placement. Christine and Marina had worked with the owners before, as had architect Christopher Doyle, who was responsible for the building’s design. With a covenant controlling the height, the opportunities for construction were somewhat limited. In fact, the site was so challenging that it had left a slew of previous owners, most of whom had given up and re-sold, in its wake. Christopher had, however, considered the block in detail for another client so he had an early start. He says that, pragmatically, “we were left with a single-level building above ground, and the obvious potential of going underground for additional floor area”. The house is accessed via a path of pavers opening to an entryway with an adjacent formal living room. This space features bold bolts of colour popping with B&B Italia’s ‘Mini Papilio’ armchair in a rich Bordeaux hue and two sharp Cassina ‘Utrecht’ armchairs in cornflower blue, divided by a graphic chequered side table. A big brass cocktail cabinet and a pendant light made with quartz crystals by Christopher Boots each provide a glint of »
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These pages, from left Framed by the arched glass door off the formal living room, a sculpture by Caleb Shea is a striking element in the front courtyard by landscape designer Lisa Ellis. ‘Float’ wall sconces from Articolo. The kitchen island was conceived as an impressive oversized block, carved from glamorous New York stone from Gladstones Granite & Marble and appearing to float thanks to the wraparound kickboard in brass. “We [were able to] make it look like a display because all the work is really being done in the butler’s pantry,” says Marina. Sink and splashback in Gioia marble from Artedomus. Aged brass rangehood. Gaggenau stovetop and oven. Wall sculpture by Anya Pesce.
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This page, clockwise from above A pendant light made with glittering quartz crystals by Christopher Boots is suspended above the formal sitting area. A large artwork by Dale Frank hangs above a Pierre Augustin Rose sofa from Studio ALM. The B&B Italia ‘Mini Papilio’ chair from Space is finished in a Bordeaux hue, which is echoed in the marble-like veining of the ‘Cracks’ rug from The Rug Establishment. Antara black-and-white artwork by Puna Yanima. “The sunken landscaped courtyard faces north, creating a beautiful wall of greenery,” says architect Christopher Doyle. Gucci ‘Heron’ wallpaper and an ‘Enchanted Forest’ floor lamp by Michael Aram make a romantic pair in the study. A ‘Little Tulip’ chair by Pierre Paulin attends the Knoll ‘Tulip’ table by Eero Saarinen from De De Ce. Glas Italia mirror by Piero Lissoni from Space.
« metallic glamour. It’s a space the couple use for entertaining before venturing down to the central gallery – past a powder room and the master bedroom – to the generous communal rear and bar stool-free kitchen. “We designed a block island bench rather than one with seating to show off the stone,” says Marina. “We [were able to] make it look like a display because all the work is being done in the butler’s pantry – not at the front.” To encourage dining together, the six-seater marble table is the only place for meals. Dominating the living room is an oversized navy bouclé sofa that Christine says the pair “agonised over”, even producing a cardboard template not only to gauge the size but also the practicalities of getting it on site. Underfoot, a customised rug was designed with absolute precision. “We were very considered with the colour placement,” says Marina. “We planned what could be seen from different vantage points of the sofa. We had to make sure it was positioned in exactly the right direction so you wouldn’t lose certain colours.” The joinery, designed in New York marble, serves both as a fireplace and as a wall from which to hang the couple’s prized artwork by Tim Storrier. » This page The brass cocktail cabinet by Marc French & Co is lit from within. The B&B Italia ‘Mini Papilio’ chair by Naoto Fukasawa is from Space. A Tom Dixon ‘Bones’ wire bowl from Living Edge sits atop a custom coffee table in pink Cristallo quartzite. A pair of Cassina ‘Utrecht’ chairs by Gerrit Rietveld from Mobilia are upholstered in cornflower blue and flank a Moooi chess table from Space.
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SPEED READ » Designers Christine Casey of Pure Style Interiors and Marina Pappas of M1 Design Interiors worked with architect Christopher Doyle, who had constructed this Melbourne home on a challenging site by going underground to create additional floor area on a second level. » The designers selected bold furniture in graphic colours from B&B Italia and Cassina, pairing them with beautiful lighting such as a Christopher Boots quartz crystal pendant light. » Vibrant wallpapers by Gucci, Christian Lacroix and Jean Paul Gaultier “feel like additional artworks” and complement the owners’ existing collection of paintings and sculptures. » Swathes of swirling marble in the kitchen, living area and bathrooms complete the luxurious look.
This page, from top To encourage everyone to come together, the six-seater Agape ‘Eros’ marble dining table from Artedomus is the only place for meals, leaving the kitchen a clean, uncluttered space. ‘Seattle’ chairs by Jean-Marie Massaud from Poliform. A pink fringed sculpture by Troy Emery is positioned on a marble plinth. In the living room, an oversized sofa in navy bouclé contrasts with the snowy-white fluffiness of the Arflex ‘Botolo’ chair by Cini Boeri from Space. ClassiCon ‘Bell’ tables from Anibou and a Hay ‘Bowler’ side table sit on the custom-designed rug. Opposite page, clockwise from top left A visual link to the kitchen and living space, lavish slabs of New York marble clad the bathroom. The walk-in robe showcases the owner’s handbag collection. In a bedroom, Jean Paul Gaultier’s ‘Croquis’ wallpaper of scribbled faces adds to the fashion-forward air. &Tradition ‘Flowerpot’ lamp from Cult.
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« The lower level has two more bedrooms, a study for Cameron and a home theatre with a cosy velvet-pile sofa surrounded by a panelled lavender and khaki wallpaper dreamscape. “Many rooms such as home theatres, cellars and laundries are perfectly suited to being subterranean, but it was an interesting proposition to locate two additional bedrooms and an office all below ground. The question was how to create spaces here with the same magic as those above,” says Christopher. “The answer was to provide a long sunken landscaped courtyard, which faces north, creating both a beautiful wall of greenery and ample light, an experience where you are almost not conscious of being subterranean.” To ensure the home remains comfortable and secure, one intelligent platform from Creston Home controls functions via multiple devices that can be located on a wall, counter, sofa or phone. Crowning the top of the home is an airy rooftop terrace that, given the height restrictions, not only commands a beautiful view to the eye-level mature oak trees lining the street but also acts as a natural privacy screen. Marina and Christine say the top-to-toe project was as much about the design as the openness of their clients. “We lucked out,” says Marina. “Catherine is one in a million and let us take the job to the next level. She wanted something with wow factor and that’s what we delivered.” # purestyleinteriors.com.au; m1designinteriors.com.au; christopherdoyle architects.com; davieshenderson.com.au; lisaellisgardens.com.au
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A minimalist Toorak penthouse has received a maximalist makeover in jewel-like tones and glittering finishes. Words CHRIS PE ARSON Photography ANSON SMART
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This page Gucci ‘Heron’ wallpaper, in Jaimee Belle’s cherished pink, blushes in the dining area. ‘Reform’ credenza, ‘Canaan’ table lamp and brass ‘Orb’ sculpture, all from Jonathan Adler. ‘Mies’ vase from Greg Natale. Limed American oak floor. Opposite page The brass curve in the fluted divider between the living and dining areas echoes the arches in the hallway. ‘Ether’ sofas, covered in Aalto ‘Rosa’ fabric from South Pacific Fabrics, and ‘Jacques Grand’ cocktail table, all from Jonathan Adler. On the table, ‘Niemeyer Rosso’ bowl from Greg Natale, and ‘Versailles Puzzle’ vase and ‘Orb’ from Jonathan Adler. ‘Caracas’ chandelier and ‘Lisbon’ sconces from Jonathan Adler.
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These pages, from left The dining room serves up lavish helpings of jewel-like hues, including ruby, sapphire and gold. Boca do Lobo ‘Fortuna’ dining table from Covet House. ‘Goldfinger’ dining chairs and ‘Lisbon’ sconces from Jonathan Adler. ‘Stella’ rug in custom colours by Greg Natale from Designer Rugs. Italian vintage glass Sputnik-style chandelier from Conley & Co. Custom artwork from Greg Natale. White fluted wall in Dulux ‘Lexicon’ quarter two-pack, and archway in matte brass finish, both supplied by builder. Flooring in limed American oak. The arched hallway, with its ceiling in Phillip Jeffries ‘Enlightenment’ wallpaper from The Textile Group, sets an elegant tone the minute you walk in the door. ‘Rinna’ custom runner by Greg Natale from Designer Rugs. ‘Lisbon’ sconces from Jonathan Adler. ‘Melange’ petite flush-mount burnished-brass ceiling lights, with alabaster shades, from Kelly Wearstler.
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ith seductive gemlike hues of ruby, sapphire and gold, and lashings of sheen, this multifaceted penthouse in Melbourne’s Toorak has all the alluring glamour and drama of a jewellery boutique. But perhaps that’s not surprising, as it is owned by James and Jaimee Belle Kennedy of Kennedy luxury jeweller fame. The couple bought the three-bedroom apartment shiny new in 2020. Its then-minimalist design had been masterminded by Sue Carr of Carr interior designers and architects, so it had quality bones and the flow of the spaces worked smoothly but, seeking more exuberance and energy, they asked designer Greg Natale to add his maximalist magic. As if draping jewels on a classic outfit, the designer added layers of colour and texture to make the spaces glow. And with the couple being young and now having a two-year-old son, they asked the designer to make it fun and flamboyant – as they have plenty of time for the more serious stuff as they get older. “I love working with minimalist spaces,” Greg says, “because they are a blank slate and lend so much scope”. The couple had already amassed a collection of Jonathan Adler furniture – with its retro lines and whimsy – of which Greg has been a perpetual fan. “It made us all a good fit,” he says. So, it became the appropriate starting point for the miraculous makeover. Appropriately, too, he was in Paris when he was given the nod for the project and that’s reflected in these bold, elegant spaces that don’t hold their punches. “It’s the city of maroon and arches,” he says. Greg enthuses about his love of television- and movie-set design, and the eclectic range of »
This page, above In keeping with the rest of the apartment, the kitchen joinery was resprayed in chic Dulux ‘Library Red’. ‘Reva’ counter stools from France & Son. DelightFULL ‘Laine’ suspension chandelier from Covet House. ‘Liza’ bowl and vase, ‘Pillar’ vase in Bianco and Nero, all from Greg Natale. Benchtop and splashback re-finished in Calacatta Viola marble. Tap from Brodware. Below and opposite page Boca do Lobo ‘Wave Center’ tables from Covet House sit in a corner of the living room. ‘Ziggurat’ brass bowl and ‘Plinth’ bowl from Greg Natale. ‘Pollock’ sectional sofas from Minotti. ‘Bacharach’ swivel chair, ‘Bond’ round table, ‘Canaan’ table lamp, ‘Lisbon’ wall sconces and ‘Sunburst’ hand-knotted rug, all from Jonathan Adler. ‘Petra III’ chandelier from Christopher Boots. ‘Emilio’ custom print from Greg Natale. Fireplace in Calacatta Viola marble. Walls in Dulux ‘Lexicon’ and ‘Library Red’. Joinery by RJR Shopfitting.
« influences also includes Alexis Carrington’s apartment in that 1980s potboiler Dynasty, here reprised in pops of pink, burgundy and gold. “When Greg Natale turns your home into a Dynasty set …” muses Jaimee Belle. The result is a treasure trove of colour, texture and pattern, with strong echoes of Memphis postmodernism, which Greg lovingly recalls from his youth. “As a child of the 80s, Memphis was one of the things that made me want to be an interior designer,” he recalls. It was the first major design style he encountered, with bold colours and vitality being its signatures, not to mention cheekiness. “It was playful, ironic, humorous, with lots of colour.” Greg left the floor plan, with the open-plan living areas along the south-western side accessed by a long hallway and the bedrooms and service areas on the other, largely untouched. The notable exception is a fluted dividing wall ingeniously obscuring a structural pillar in the open plan. The hallway is a succession of golden arches and mirrored panels, creating both a sense of arrival and expectation for what lies beyond. And those other rooms don’t disappoint. Greg resurfaced the kitchen bench with a rich burgundy marble, the luscious colour further highlighted by the two-pack joinery, which he resprayed, while the two bathrooms were also treated to lush maroon marble. Burgundy wallpaper in the »
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This page Pretty in pink – the guest bedroom is invitingly elegant. ‘Connery’ bed, ‘Harlequin’ drawers and ‘Blocks’ hand-knotted rug, all from Jonathan Adler. Custom quilt from BQ Design. DelightFULL ‘Norah’ chandelier from Covet House. ‘Stucco’ wallpaper by Greg Natale from Signature Prints. Artwork from Greg Natale. Joinery by RJR Shopfitting. Opposite page, clockwise from top left In the dressing room, ‘Couture Geometric Wien’ bench from Lorenza Bozzoli Design. ‘Maja’ rug by Greg Natale from Designer Rugs. In the powder room, Pierre Frey ‘Portor’ wallpaper from Milgate. Custom mirror from Greg Natale. ‘Helio’ wall sconces from Regency Distribution. Tap from Brodware. Vanity in Calacatta Viola marble. In the room off the main bedroom, the ‘Goldfinger’ dining chair is from Jonathan Adler. Joinery and walls in Dulux ‘Naked Lady’. ‘Bubbles’ thumb pulls from Spark & Burnish. Flos ‘Mini Glo-Ball’ lights from Euroluce.
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« main bedroom and the statement peachy pink ‘Heron’ wallpaper in the dining area lend colour and pattern. “I treated the apartment like a jewellery store,” explains Greg, reflected by the vast banks of joinery, both lacquered (“like a grand piano”) and mirrored, all suitably, perhaps, installed by shopfitters. The rich palette echoes that store’s precious merchandise, with Greg’s and Jaimee Belle’s shared passion for 1980s peachy pink added to the heady mix. Those lustrous surfaces are further highlighted by warm brass accents (“one of my signatures”) and luxe velvet sofas. Meanwhile, curves are celebrated in those golden archways and fluted joinery, the latter providing a strong visual contrast with the smooth lacquers. Jewel-like chandeliers and elegant sconces are also in on the act, in a project “that has drama and is designed to perform”. Meanwhile, Greg re-covered the couple’s cherished Jonathan Adler furniture in Memphis-inspired designs, but perhaps not wishing to gild the lily, he left the original limed floorboards untouched. “It’s not meant to be timeless,” the designer says of this fabulous flight of fancy. “It’s not James and Jaimee Belle’s forever home and they only spend part of the year here. It’s youthful and probably not what they would do if they were older, but they wanted it to be grand and elegant – after all, they’re in the jewellery business.” Be that as it may, the penthouse still offers hints of what we could see from Greg in the near future. “Style-wise, this is an evolution of everything that has gone before,” he says. Can we expect to see further elements of Memphis and postmodernism, as he draws more and more from his formative past? “Watch this space,” he says with a smile. # gregnatale.com; carr.net.au Greg Natale’s latest book, The Layered Interior, published by Rizzoli, $90, is due to be released in September.
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Melbourne This page Luscious burgundy and ruby tones create a cosseting feeling in the main bedroom. ‘Goldfinger’ lounge chair, ‘Teardrop’ brass side table and ‘Lisbon Torchière’ floor lamp, all from Jonathan Adler. Custom ‘Nova’ rug by Greg Natale from Designer Rugs. ‘Aurora’ prints from Greg Natale. Cabinets in Dulux ‘Library Red’. ‘Appia’ wallpaper in Wine Pearl by Greg Natale from Signature Prints. Flooring in limed American oak. Opposite page Oly ‘Diego’ bed from Coco Republic. Custom bedspread from BQ Design. ‘Bruna’ white-lacquer side table from James Said. ‘Canaan’ table lamp and art print above bed from Jonathan Adler. Italian vintage lights from Conley & Co. Custom ‘Nova’ rug by Greg Natale from Designer Rugs. ‘Appia’ wallpaper by Greg Natale from Signature Prints.
SPEED READ » James and Jaimee Belle Kennedy, of Kennedy luxury jewellery fame, bought a minimalist apartment designed by Carr designers and architects in Melbourne’s Toorak. » While the layout served them well and the apartment had quality bones, the couple were keen to give it an individual stamp and an after-five glamour. » They asked interior designer Greg Natale to add a maximalist touch, with playfulness and fun, perfectly suited to a young couple with a two-year-old son. » He layered the interiors with a bold palette of jewel-like ruby, sapphire and gold hues and sleek, luxe finishes, including velvet, lacquer, brass and mirror. » Greg drew his inspiration from a wide range of sources, from Memphis postmodernism with its echoes of art deco and that celebrated 1980s television extravaganza, Dynasty.
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ROCK OF AGES Words CHRIS PE ARSON Photography MARK ROPER
These pages, from left In the main living room, custom sofas by David Hicks have been upholstered in Kravet ‘Performance’ outdoor fabric to make them childproof. Custom coffee table by David Hicks in solid oak made by John Bastiras from In Good Company. ‘Alta’ plank premium flooring from Kustom Timber. V-groove ceiling treatment in painted cedar shiplap board from Cedar Sales. The house has a sense of monumentality yet is elegant at the same time. Classic honed travertine from Parthenon Marble. Mounds of topiarised buxus in the garden soften the imposing facade.
Taking many cues from Italian modernism, this four-level family home combines function and form with spectacular and imposing results.
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This page The V-groove ceiling lends gravitas to the dining area. Custom dining table made by John Bastiras from In Good Company. Knoll ‘Platner’ chair and Knoll ‘Saarinen Executive’ chairs in velvet, all from De De Ce. Custom credenza by David Hicks in polished stainless steel. Vintage Murano ‘Triedri’ chandelier from Peninsula Antiques E Moderno. Vintage Mazzega sconce from Nicholas & Alistair. Artwork by John Olsen. 101 Copenhagen ‘Guggenheim’ vase in Coffee from Becker Minty. Opposite page, from top Custom sofas upholstered in Kravet ‘Performance’ fabric. Custom coffee table made by John Bastiras from In Good Company. Knoll ‘Platner’ side tables from De De Ce. John Olsen artwork. Honed terrazzo flooring slabs from Signorino. ‘Alta’ plank timber on stairs from Kustom Timber.
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ith a commanding presence, this five-bedroom house has a monolithic quality owing to its sheer size and expanses of travertine both inside and out. Elegance and robustness, sometimes seemingly at odds, step out in tandem, proving that the owners can have active children – three in this case – without waving glamour goodbye. In 2018, the owners asked interior designer David Hicks to design them a home from the ground up to replace a humble brick dwelling that squandered a prized site. Tucked away in a cul-desac in Melbourne’s inner south-east, the elevated location soaks in sweeping views of the city, a serpentine loop of the Yarra River and parklands of mature eucalypts. “We were drawn to the unfettered views to east, north and west,” says the owner, who simply needed a house that would capitalise on those virtues. “We wanted a resort-style feel, where we could feel forever on holiday, but also stylish with attention to detail,” he adds. He drew inspiration from Melbourne modernist architect Wayne Gillespie, whose career spanned 30 years from the 1970s. “Wayne created homes with a box-like symmetry and a European feel,” says the owner of the pure uncluttered lines that meld with the features of classical Italian villas. But, while Wayne favoured masonry, the owner chose stone to bring the family’s new home to life. All of this made David a perfect fit for the project. “Being a simple modernist building, the design direction would be focused from the inside out, which is how we work,” he says. “This allows the windows and other structural elements to be positioned in sympathetic places, rather than working around these elements after the fact.” David worked closely with landscape designer Jack Merlo on the external finishes and final design. »
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« “The overall look was heavily based on brutalist Italian style. Repetition in the structure allows for a rhythm that flows through and gives a meditative feeling,” says David. That is also aided by the limited palette and natural hues. “The clients wanted something warm, subtle and minimal, but with glamorous elements using texture and neutral tones as the decorative layer.” On a practical level, the ground floor “had to be multipurpose”, he adds, “with a large open feel connecting with the outdoors, where the clients could entertain, stage a formal dinner party or simply hang out and watch TV. With three children, it had to also be ‘bombproof’.” Spanning four levels, the home includes a wine cellar, theatre, playroom and a gym in its basement. Here, too, David has included a day spa area complete with ice bath, golf simulator room and, yes, skateboard ramp. On the ground floor, to the right of the entry, are the living areas, with kitchen and dining at the rear, and to the left sit a guest suite, powder room and butler’s pantry. The first floor, meanwhile, features a master suite with generous walk-in robe and study area, together with three children’s bedrooms, all with robes and ensuites opening onto a TV area. The top floor, with its prize 360-degree panoramas, is entertaining central – a glass box complete with a barbecue and built-in dining table, a U-shaped bar and a spa bath floating alluringly in a reflection pond.
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With a brief for hardy surfaces, David and Jack introduced external cladding in travertine “to bring solidity to the structural elements and frame the glazing”, explains David. “We continued this monolithic treatment internally to meld inside and out. This minimal yet brutalist cladding, paradoxically perhaps, gives the house its decorative layer.” In keeping with the mid-century Italian feel, David specified terrazzo for the main entry and hallway flooring. “It is hard-wearing, textural, decorative and subtle, bringing a soft contrast to the travertine walls.” Oak flooring delivers warmth and family friendliness to the living areas, set down a couple of marble steps to foster the cosiness of a conversation pit. As the open plan is a large expanse, David wanted to avoid a ceiling that was “a sea of plasterboard”, so he introduced white timber panelling which is also carried through to the top-level bar and the basement gym. Beautiful Calacatta Oro marble lends luxe to the kitchen and bathrooms. “The white, cream and gold tones bring a freshness and glamour,” he says. While the palette layers warm neutrals, the formal lounge is “darker and moodier”, while the family areas are “lighter and fresh”. “It was a weaving together of whites, creams, tan, gold, nudes and bone colours, like a sophisticated chocolate éclair,” says David. To reconcile the client’s love of pale neutrals with the »
This page An interplay of terrazzo, marble and travertine is used to dramatic effect in the kitchen and informal dining area. Cassina ‘Cab’ bar stools from Mobilia. Knoll ‘Bertoia’ leather-covered dining chairs from De De Ce. Vintage Italian chandelier by Toni Zuccheri from Nicholas & Alistair. Honed terrazzo flooring slabs from Signorino. Joinery in oak veneer in custom stain and two-pack in Dulux ‘Natural White’. Calacatta Oro marble on benchtop from Parthenon Marble. Vola tap from Mary Noall. Opposite page With several eating areas, this house is geared towards entertaining large numbers of people. Custom table in Corian surface. Knoll ‘Bertoia’ leather-covered dining chairs from De De Ce. Calacatta Oro marble from Parthenon Marble.
D AV I D A N D J A C K I N T R O D U C E D T R AV E R T I N E EXTERNAL CL ADDING “TO BRING SOLIDIT Y TO THE STRUC TUR AL ELEMENTS AND FR AME T H E G L A Z I N G ”.
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This page The palette is darker and moodier in the front living room. Etel ‘Alta’ armchair by Oscar Niemeyer from Mama Casa. Vintage B&B Italia ‘Soriana’ chairs re-upholstered in Lelièvre bouclé. Vintage sofa re-upholstered in gold velvet. Custom ‘TRV’ coffee table from Willy Rizzo. Knoll ‘Tulip’ table by Eero Saarinen from De De Ce. David Hicks custom cantilevered lacquer side table. Custom ‘Crystal’ shag rug from RC+D. Custom rock crystal chandelier by Christopher Boots. Curtains in Dedar ‘L’Âge D’or’ fabric in col.1 De L’Aube Au Crépuscule from South Pacific Fabrics. Wall in Portoro marble from Parthenon Marble. Opposite page Ivy provides dense ground cover on a bank that slopes down to allow light into the underground gym.
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« ‘bombproof’ brief, he specified outdoor fabrics to keep the cream sofas pristine. Combining classic and contemporary pieces with an Italian bent, the chunky and curvaceous statement furniture lends a gravitas to match the architecture: vintage ‘Soriana’ chairs by Afra and Tobia Scarpa, ‘TRV’ coffee table by Willy Rizzo, an ‘Alta’ lounge chair by architect Oscar Niemeyer and vintage chandeliers. Perhaps the biggest challenge was the staircase, which illustrates the detail throughout. Extending through all four levels and forming the spine of the house, it is cantilevered, with only two fixing points per floor, as the owners wanted it to float off the travertine wall running through the middle, with a 50mm gap between the two. “Because of its sheer scale and precision, this house is breathtaking,” says David, whose favourite feature is the basement ice bath with a double-sided illuminated onyx wall that is experienced in the hallway on the other side while ensuring privacy. “I love everything about the house,” says the owner. “How the stone ties in with the glass, how it flows into the garden and all rooms connect to the view. It’s about the total environment rather than just the house itself.” # davidhicks.com; jackmerlo.com
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This page, clockwise from top left The custom oak-stained wine cabinet in the basement cellar is an entertainer’s dream. Terrazzo honed flooring slabs from Signorino. The powder room and the adjacent shower room in the basement serves the spa and also a home cinema. Mosaic floor tiles and Inax ‘Izumo’ wall tiles, all from Artedomus. ‘Lunar’ freestanding basin from Apaiser. Vola tap from Mary Noall. The ice bath in the basement with its illuminated double-sided wall in onyx from Parthenon Marble which glows in both this room and the hallway outside. In the basement gym, luxury equipment custom made by PENT. Opposite page The rooftop bar, with its district views, is a popular gathering place. David Hicks custom sofa upholstered in Kravet ‘Performance’ outdoor fabric. Knoll ‘Bertoia’ leather-covered bar stool from De De Ce. Vintage Melchiorre Bega side table from Nicholas & Alistair. Custom silk rug from Bayliss.
This page, clockwise from top A bold artwork, Visiting Mr & Mrs Andrews (2020), by Kate Bergin from Scott Livesey Galleries, provides an element of whimsy in the main bedroom. Crystal lamp base with silk shade from Cromwell. Vintage Italian stools from The Vault Sydney. Vintage console from Nicholas & Alistair. Murano chandelier from Peninsula Antiques E Moderno. Escape Velour carpet from Supertuft. Fabric wall panels in Rubelli ‘Swing Street’ from South Pacific Fabrics. In the dressing room, oak timber veneer with custom stain. ‘Hanmadang’ seagrass wallpaper in joinery panels from Domain Textiles. Vintage Murano chandelier from Smith Street Bazaar. In the ground-floor powder room, vintage Murano sconces from Nicholas & Alistair. Benchtops in Portoro honed marble from Parthenon Marble with ribbed oak joinery. Opposite page In the main ensuite, Calacatta Oro marble on floors and benchtop from Parthenon Marble. Vintage Rostrato chandelier from Peninsula Antiques E Moderno. Custom Nero Marquina carved-marble bath. Hydrotherm towel rack from Rogerseller. Inax ‘Izumo’ finger tiles from Artedomus.
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SPEED READ » When the owners bought this prime site in Melbourne’s inner south-east, a humble brick bungalow squandered the 270-degree views. » They asked interior designer David Hicks and landscape designer Jack Merlo to design them a home that did justice to the site, with an indoor-outdoor connection, that was also practical for an active family with three children while also stepping up for sophisticated adult entertaining. » Taking his cues from Italian brutalist modernist architecture, David presented them with a home that employs repetition and lashings of marble and stone, especially travertine, to lend luxe. Extending the theme, terrazzo flooring delivers a subtle contrast. » The calming neutral palette includes whites, creams, tan, gold, nude and bone hues. » The furniture inventory combines classic and contemporary pieces with an Italian bent, chunky and curvaceous statement items that lend gravitas befitting the architecture and interior finishes.
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These pages The historic sandstone walls on two sides give the garden a cosy, enclosed feeling. A climbing rose (Rosa ‘Lamarque’) softens the lines of the old stable while an existing crepe myrtle (Lagerstroemia indica) offers summer shade on the patio. The climbing rose, oakleaf hydrangea (Hydrangea quercifolia) and star jasmine (Trachelospermum jasminoides) offer seasonal colour. Miscanthus ‘Adagio’ grass adorns the boundary wall. Herb bowl from owners’ previous property. Tribù ‘Branch’ table and Kett ‘Arc’ side chairs from Cosh Living. Garden construction by Outside Signatures.
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STONE Heritage sandstone walls were defining elements in a garden that has bloomed into a tranquil, all-embracing retreat for its owners. Words CHRIS PEARSON Photography BRIGID ARNOTT
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hen the owner first walked into this back garden in Sydney’s eastern suburbs, she couldn’t believe her eyes. A historic twometre-high wall and a former stable, both crafted in convict sandstone, enclosed it on two sides. “I felt I was in a Tuscan courtyard. You could never replicate those features – they just did it for me,” she says. But while the backyard sealed the deal, the garden and the home’s industrial-style addition evoked rather less than bellissima for her and her husband. So they asked landscape architect Hugh Burnett, whom they had hired in the past, and landscapers Outside Signatures to give a makeover the green light. Meanwhile, interior designer Tonka Andjelkovic revamped the house to soften the connection between indoors and out. First, in 2018, Hugh revamped the front garden with a simple plan of grasses and sandstone paving focused on a water feature and an existing leopard tree (Libidibia ferrea), which provides a vertical element. The scheme includes a pared-back palette of mass-planted Lomandra longifolia ‘Tanika’, native violet (Viola hederacea) and prostrate rosemary (Salvia rosmarinus) enclosed by a fast-growing weeping lilly pilly (Waterhousea floribunda) for screening. Coral pink bougainvillea frames and softens the garage and windows. Then, the following year, Hugh embarked upon the backyard and was similarly smitten by its attributes. “The age, patina, warmth and lasting craftsmanship of the sandstone walls made the space really special,” he says. “The garden also had a lovely, elevated aspect, enjoying sun for most of the day. Neighbouring trees and plantings provided dappled sunlight while also offering a borrowed view that makes it feel private and protected.”
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This page, clockwise from top left The reflective pool, with its subtle jets in the base, creates a tranquil ambience. A serene corner of the front garden created by lilly pilly (Waterhousea floribunda) for screening and shaded by an existing leopard tree (Libidibia ferrera). Tribù ‘Branch’ table from Cosh Living. Lomandra ‘Tanika’ grass provides movement and hardy ground cover. The calming water feature at the front, from the owners’ previous property, reprises one at the rear. Endicott pavers from Eco Outdoor. The striking home with its sandstone cladding on the front facade was originally designed by Crawford Architects. Opposite page, from top Subtle foliage contrasts and a reflection pond with gently bubbling water complement the weathered beauty of the original walls. The front entry with its cedar gate and steel awning installed by Outside Signatures and Endicott pavers from Eco Outdoor. Bougainvillea softens the lines of the stonework.
Sadly, it sported concrete strips through the lawn as paving, as well as a large, curved and chunky screen for an outdoor shower. “The grass and ground cover between the pavers had not thrived,” says Hugh, adding that a “softer, warmer material was needed to connect the remodelled home to the garden and the sandstone”. The weighty shower screen no longer had a place. “It was all edgy and harsh, with little flow,” says the owner. “I wanted harmony, with nothing to jar the eye and to be able to scan the yard from the house and see seasonal shifts with deciduous trees and perennials.” Hugh says he honoured those heritage walls with a design that gently highlights their texture and warmth. “I wanted to celebrate and complement the beautiful sandstone with a soft, simple plant palette that changes with the seasons, together with the calming element of water.” Also, to design a garden that connected to the living rooms of the home, bringing the outside in and inside out. After removing the pavers, Hugh levelled a slope in the lawn by subtly raising new sandstone paving beside the house and slightly lowering garden beds at the back boundary. “The change was less than 150mm, but it made all the difference to the lawn and its connection to the house and garden,” he says. He retained an existing sandstone patio beside the former stable but, using sandstone recycled from the property, added a generous banquette for lounging and in-built seating. It enjoys a sunny aspect, shaded in the warmer months by the canopy of a mature crepe myrtle. A ‘Lamarque’ climbing rose frames the seat and softens the wall. Sightlines from the interior were intrinsic to the design. The living areas not only enjoy a panorama of the garden through wallto-wall glazing, but Hugh has also placed a reflective pond in tunnel view of the front door and hallway, creating a sense of expectation.
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“The pond introduces movement and sound into the garden, making the most of its walled garden feel. Its ceramic tiles, in a dark jade green, give an illusion of depth and reflection, while their handmade quality lends a lovely irregularity which complements the walls,” Hugh says. Three copper spouts on the base, set to a muted bubble, provide delicate sound and movement, engendering a sense of calm. Similarly, the old look-at-me shower is now screened by a matchstick-slatted cedar fence that has “silvered and quietly dropped back into the garden”. The scheme features a palette of silvers, greens, whites and greys to complement the sandstone and crisp white home, with massed plantings and layering for impact. White flowering perennials, such as the ‘Lamarque’ climbing rose, Japanese anemone and oakleaf hydrangea (Hydrangea quercifolia), provide seasonal interest in their staggered blooms and changing foliage. Layers of green include evergreen mounds of Indian hawthorn and the silvery foliage of European olive trees. The sandstone walls are softened by massed planting of miscanthus grass, which moves seductively with the breezes. “In autumn, it dries to a pale straw colour and a texture that works beautifully with the sandstone behind, the effect heightened at night with the garden lighting,” says Hugh. “It’s so peaceful and private with its running water, balance of plants, and flow of indoor and outdoor spaces,” says the owner. “It’s wonderfully quiet with the walls acting as buffers, leaving just the sounds of the kookaburras and lorikeets that often visit. It’s heaven.” hughburnett.com; outsidesignatures.com.au; tonkaandjelkovic.com This page, clockwise from top left In the front garden, the mature leopard tree is underplanted with Lomandra ‘Tanika’ grass and prostrate rosemary (Salvia rosmarinus). Native violet (Viola hederacea) flows between the Endicott stone pavers from Eco Outdoor. Bougainvillea trails along the facade. The existing copper outdoor shower is now placed behind a matchstick-slatted cedar fence that is being allowed to weather and silver to complement the sandstone. Bronze clothes hooks from Studio Henry Wilson. An olive tree (Olea europaea) sits on one side while Guinea flower (Hibbertia scandens) encloses it on the other. Looking along the side of the house towards the crepe myrtle (Lagerstroemia indica) in the rear garden. Star jasmine (Trachelospermum jasminoides) covers the boundary fence, while oakleaf hydrangea (Hydrangea quercifolia) shrubbery and Geranium ‘Biokovo’ ground cover creates a mass of foliage beside the herb bowl.
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BUYERS’ MARKET
±Prices shown are based on the average size in basic fabrics, finishes and standard operation. In this case, a 1510 x 1810 sizedblind.
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1 WATERFORD Artistry that breathes new life into an icon, the Waterford ‘Lismore Arcus’ two-piece statement vase showcases crystal-cut patterning inspired by the opulent interiors of Ireland’s Lismore Castle. RRP $819. waterfordcrystal.com.au 2 GREGORY CROXFORD LIVING Sparked by all things bright and uplifting, Armac Martin introduces matt white to its signature finishes to suit minimal and modern living. ‘Arbar’ t-bar handles, RRP $90 each. armacmartin.co.uk; gregorycroxfordliving.com.au 3 ILVE Show your true colours in the kitchen. Cooking is a way to express your personality and now your Ilve cooker can express your style in eight standard colours or 213 bespoke RAL colours. ilve.com.au 4 THE MONTAUK LIGHTING CO. Influenced by the forms of dunes and waves, ‘Sand & Sea’ evokes the textures of these natural features and their meeting point through luxurious precious metal finishes and translucent crystals. From $25,289. montauklightingco.com 5 LIEBHERR Available in the new range of integrated appliances, Liebherr’s most innovative solution yet, Hydrobreeze, delivers a fine mist over your fresh produce each time the fridge door is opened, providing long-lasting freshness. liebherr.com.au 6 VOLA The perfect representation of timeless design, the Vola ‘FS1’ connects water and wellness and goes beyond its intended purpose, creating a calm, relaxed ambience. Vola ‘FS1’ free-standing bath mixer, hand shower and swivel spout in Chrome, RRP $7246. en.vola.com 7 SPENCE & LYDA Designed to embrace every part of our lives, fabled Milanese label Missoni Home has its largest range at Spence & Lyda in Sydney. Wrap yourself in luxurious bath sheets and robes in an array of colours and patterns. From $45. spenceandlyda.com.au 8 TECHNOGYM Cross Personal is the cross trainer with Technogym’s live platform for personalised entertainment. Cross Personal turns training into a multi-sensory experience with eye-catching design by Antonio Citterio and cutting-edge technology, including surround sound. POA. technogym.com.au 9 LUXAFLEX Luxaflex® Duette® shades are an innovative window-covering solution that provide beauty as well as energy efficiency in both cold and warm climates. Visit your local Luxaflex showroom. RRP $1810±. luxaflex.com.au
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THE OFFICE
Before the pandemic I worked full time in the Otomys gallery but over the last few years, my studio – which we had built in the family garden many years ago – became my haven. It was designed to serve both as a working studio and to accommodate an overflow of guests. PROS AND CONS OF WORKING FROM HOME? I love the extra time with family and the moments between Zoom calls to walk the dogs or hang out the laundry. I often achieve more in a day working from home than I do in the gallery as there are fewer distractions. The idea of working from home is so comfortable and relaxing that our new gallery in Prahran, Melbourne, has been designed to blend the experience of a gallery with that of a home and workspace. It’s a place to relax with tea and conversation, to discuss projects and feel ‘at home’ viewing the art. Now when I’m at work I feel as if I’m working from home! DO YOU MOVE ARTWORK AROUND? I have an art hanging system installed throughout my home and studio, so I rotate certain pieces regularly – only several stay fixed. An art collection doesn’t need to match the aesthetic of the room. A fantastic work of art can hold its own in almost any setting – sometimes DO YOU WORK FROM HOME OR AT THE OFFICE?
it’s the dissonance with the palette of the room that sets up the feel of the space. I have a few large paintings that look amazing in my studio, the dining room, lounge and hallway, so moving them around allows us to view them from new angles and perspectives. WHAT ARE YOUR OFFICE ESSENTIALS? Music, from classic Max Richter to Frank Ocean. Laptop, art, a vast collection of books and magazines and, of course, my two lazy Jack Russell guard dogs, George and Albert. WORKING FROM HOME OFFICE ATTIRE? I usually dress for work but nothing too formal. Sometimes it’s a Zoom-friendly outfit with emphasis on the top over slouch pants and runners. If I’m going out I might wear a relaxed maxi floral dress with a wool jumper and a pair of my favourite Habbot sneakers. My high-heel days are over. IF YOUR STUDIO WERE LOCATED ANYWHERE ELSE WHERE WOULD THAT BE? I can’t imagine beating my location but it’s a fun question so I’d say by Fort Nepean in the Point Nepean National Park overlooking the opening to Port Phillip Bay. WHAT DOES 2022 HAVE IN STORE? It’s an exciting year on two fronts with our new gallery in Prahran and in October we are putting our home on the market, opening up new opportunities as empty nesters. otomys.com
Close to home A backyard office is the ultimate set-up for gallerist Megan Dicks. Photography SHARYN CAIRNS
CO-FOUNDER OF OTOMYS MEGAN DICKS IN HER HOME OFFICE WITH WEST AFRICAN WALL CARVING, BEN SHEERS SCULPTURE AND PAINTING BY JENNY LUNDGREN.
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