SPACES Nepal APR 2016

Vol 12 No. 03 April 2016

A R T

Ruby Ceiling The Park Hotel

A R C H I T E C T U R E

EXPERT's VIEWS ON The Right Practices of Construction

I N T E R I O R

Conversations on ethics of the built environment An interview with Kishor Thapa

The Identity of

Nepali Art and Architecture lies in its Tradition

OPINIONS ABOUT

CONSTRUCTION TECHNOLOGY IN NEPAL

Exhibitor’s Expectations

NEPAL BUILDCON and NEPAL WOOD

CONCEPT AND DESIGN DEVELOPMENT april 2016 SPACES / 1

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Contents Volume 12 NO. 03 | april

S PA C E S N E PAL . C O M

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Ruby Ceiling

Ceilings are a great medium for story telling, as they are interior the living example of the past. Stories evoke emotions because they offer a canvas for people to dream and get inspired. Delhi based space designer Preksha Baid has completed a ceiling installation ‘the ruby ceiling’ for the main lobby lounge of the Park Hotel, Hyderabad. Both at the design stage and at the execution stage, the ceiling was treated like a giant puzzle piece.

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Concept and Design Development

The thesis project by Ar. Animesh Shrestha aims to reinvent the modern architecture day German car brand car showroom in the form of a complex. The elevation of the complex is perceived from the shape of a car, which is shown below. Additionally the complex is infused with other car related attractions such as MOT facilities, exhibition/ training hall, showroom, library, workshop, training area and merchandise store to allow the site to become the prime destination for anyone interested in buying, viewing, researching, and dreaming about cars.

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OPINIONS ABOUT construction technology in Nepal

On a quest to document the opinions on the construction material, technology and economy in Nepal, we took the opportunity to interview industrial and business houses inside and outside the expo and hear how these businesses have prepared themselves for the journey after the earthquake. opinion

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Painting Our Life with Colors

Most often overlooked, colors have the greatest influence in crafting the atmosphere of our home. interior Because of the psychological effect, colors can affect our moods and emotions secretly shaping us over time. The choice of colors guides how we, our family and friends feel when they walk into the different rooms of our home. This is why it is important to choose colors wisely when it comes to our home.

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Heavy Equipment in Nepal

The heavy equipment industry was on the rise technology even before the earthquake due to the demand for newer construction to accommodate the growth of the nation. The power of heavy equipment and the range of uses for which they can be put into use make them vital for the disaster recovery and reconstruction work as the role played was large which included reopening of the roads and removal of the large quantities of rubble.

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Exhibitor’s Expectations Nepal BuildCon and Nepal Wood International 2016

The Nepal BuildCon and Nepal Wood International 2016 drew in various industrial and business houses from the local and international market. A compilation of views from the exhibitor’s point of view on the expectations from the expo, points, comments, suggestions and voices raised on current expo and for further raising the quality to benefit the country are summarized. opinion

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of Construction

The unethical practice of construction can be held accountable for the casualties brought by the 12 and 25 Baisakh earthquakes. Experts from the construction industry enlighten us about the construction technicalities and management issues that has been disregarded since decades, and how these issues can be guided towards mitigation, and reflect on these pointers for future. views

Conversations on ethics of the built environment AN INTERVIEW WITH KISHOR THAPA

As a secretary at ministry of Urban Development, Ar. Kishor Thapa was involved in numerous crucial governmental projects like rehabilitating post- conflict combatants after the Nepali civil war, planning new cities and municipalities, and preparing Kathmandu for the recent Saarc summit.

Currently he is a consultant for the Myanmar Government to help them put together up their National housing Policy, he has held numerous important positions in his career. conversation

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Expert views on the Right Practices

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the identity of Nepali Art and Architecture lies in its tradition

The identity of Nepali art lies in its tradition. It is widely believed that the art and architecture of Nepal are in a state of flux as traditional Nepali society gradually transforms into a modern one. However, the majority of the so-called ‘modern buildings’ in our immediate surroundings are huddled, functional blocks that evoke a sense of inhumanity, coldness, suffocation and a concomitant chilling sensation.

It is, therefore, crucial that we rethink our approach to comfort, ambience, interiors and aesthetics in relation to the structured environment and the cityscape. opinion

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O. Volume Volume 1212 NO.N01 03 | February | April

CEO Ashesh Rajbansh Ashesh Pradhan Rajbansh CEO Sarosh Editor-in-Chief Sarosh Pradhan Pravita Shrestha Director- productsEditor-in-Chief and Materials Ar.

Pravita Shrestha Director- products and Materials Deependra Bajracharya Creative Manager Ar. Bajracharya CreativeArt Manager Madan Chitrakar Contributing Editor Deependra

Madan ChitrakarArt Studio Contributing Art Editor Kasthamandap

Kasthamandap Amatya Art Studio Junior Editors Shreya Ms. Shreya Amatya Junior Editor Sristi Pradhan

Correspondent Correspondent Advisor Advisor Contributing Editor Contributing Editor

Photographer Photographers Interns

Intl. Correspondent Director- Operation & Public Relation Intl.

Correspondent Development Officer Director-Business Operation & Public Relation Assistant marketing officer Business Development Officer Accounts subs/admin officer Legal Advisor Accounts Legal Advisor

Sristi Pradhan Avantika Gurung Ms.Pawan Avantika Gurung Ar. Kumar Shrestha Ar. Pawan-Kumar President SocietyShrestha of Nepalese Architects President Society of Nepalese Architects Ar. Jinisha- Jain (Delhi) Ar. Jinisha JainShrestha (Delhi) (Sikkim) Chetan Raj Ar. Chetan Shrestha (Sikkim) Barun Roy Raj (Darjeeling Hills) Barun (Darjeeling PradipRoy Ratna TuladharHills) Pradip Ratna Tuladhar Ar. Kritika Rana Anisha Shrestha Amod Amatya Bansri Panday Ms. Anu Rajbansh Ar. Bansri Panday Debbie Rana Dangol Anu Rajbansh Priti Pradhan Debbie Rana Dangol Sunil Man Baniya Pramila Shrestha Yogendra Sunil Man Bhattarai Baniya Ad. Yogendra Bhattarai

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Regd. No 30657/061-62 CDO No. 41 SPACES is published twelve times a year at the address above. All rights are reserved in respect of articles, illustrations, photographs, etc. published in SPACES. The contents of this publication may not be reproduced in whole or in part in any form without the written consent of the publisher. The opinions expressed by contributors are not necessarily those of the publisher and the publisher cannot accept responsiblility for any errors or omissions.

Those submitting manuscripts, photographs, artwork or other materials to SPACES for consideration should not send originals unless specifically requested to do so by SPACES in writing. Unsolicited manuscripts, photographs and other submitted material must be accompanied by a self addressed return envelope, postage prepaid. However, SPACES is not responsible for unsolicited submissions. All editorial inquiries and submissions to SPACES must be addressed to editor@spacesnepal.com or sent to the address mentioned above.

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Contributors

Animesh Shrestha Ar. Animesh Shrestha, currently pursuing Urban design from Georgia Tech, he worked for the Ministry of Urban Development for the 18th SAARC Summit 2014.

Animesh's academic enthusiasm for architecture earned him numerous awards including Best thesis award and also being the overall topper for his batch."

He was published in Archiprix International Workshop - Worlds Best Graduation Projects, Haunter Douglas Award, Madrid, Spain in 2015.

Shreesha Nankhwa Ms. Shreesha Nankhwa is an aspiring environmentalist with a penchant for writing. She is interested in sustainable living, alternative energy and creating a better future for the planet.

Her works have been published in a number of magazines and publications in Nepal. She currently writes and edits blogs for IT companies while dreaming of trekking across the Himalayas.

Chandani K.C. Jebin Gautam Jebin Gautam is a freelance writer and researcher. He is a liberal arts graduate from Wabash College, USA. He is currently interested in issues of arts, culture and social sciences.

Ar. Chandani K.C. completed Masters of City and Regional Planning from University of City and Regional Planning from University of Texas at Arlington and Bachelors of Architecture from VNIT, Nagpur. She has worked in numerous urban planning projects in United States . Her interest includes urban research and regional development and she is keen to be involved in designing cities that are convenient, healthful and aesthetically pleasing.

Asha Dangol

Asha Dangol is a contemporary Nepali visual artist. He is co-founder of the Kasthamandap Art Studio and E-Arts Nepal. He holds Master’s Degree in Fine Arts from Tribhuvan University, and has been creating and exhibiting his art since 1992. He has 10 solo art exhibitions to his credit. Dangol has participated in numerous group shows in Nepal and his work has been exhibited in different countries outside Nepal. The artist experiments with painting, mixed media, ceramics, installation, performance and video.

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editorial

In this issue some of the highlights are the viewpoints on construction material, technology and economy in Nepal. As a media partner for the Nepal BuildCon International and Nepal Wood International Expo 2016, we have taken the opportunity to interview industrial and business houses that participated at the expo and other business houses. Enclosed is a feature interview on how businesses have prepared themselves for their journey after the earthquake, the responses from the general public, and opinions on the construction economy of Nepal.

We also have comments from experts within the construction industry - sharing construction technicalities and management issues that had been disregarded since decades, along with issues that can be guided towards mitigation. Nepal's construction practices, if viewed through the lens of the recent 2015 Gorkha Nepal Earthquake, provided a glimpse of the changing construction trends over the last decade. As Ananta Baidya shares that major aspects of construction practices such as “Public Safety for all including People with Disabilities and the Elderly” has been disregarded, while vertical growth in infrastructures have sporadically mushroomed all over Kathmandu Valley. While Badan Nyachhon shares that the last decade has seen positive changes in terms of consulting/utilizing the services of engineers, architects and designers. There is still plenty that needs to be done, and the bottom line should be not cutting corners in construction in terms of safety and respecting Mother Nature and the environment.

Conversations on ethics of the built environment – leads us to talk to Ar.Kishore Thapa, the current President of Society of Nepalese Architect. He shares that the built environment is also the responsibility and moral duty of the citizen, besides the government rules and regulations. On the note that disciplines of ethics and philosophy should be included in the curriculum of the architectural schools, he relevantly points out thy architecture students should not only be good architects but should also be good human beings. Humanities courses are now being included in the engineering curriculum, in order to realize this important aspect.

We also review two interesting events that have sparked a keen interest especially amongst the students - Organic Form making led

by Albert John Mallari and Parametric Environmental Analysis with Saurabh Shrestha. Besides the main objective of the Organic form-making workshop of playing with the materiality of bamboo and stretchable fabric to create a dimensional form for a luminaire fixture, the deeper note was perhaps to learn to experiment, play and understand materials and getting beyond the skin to make meaningful and relevant design. Therein lies the soul of good design, which further echoes the skills of indigenous people are a major part of the cultural heritage, contributing hugely to the sustainability and design.

We also feature interior designer Preksha Baid’s creatively crafted Ruby Celing at the Park Hotel and Animesh Shrestha’s Architectural thesis on a modern day Auto Showroom. Besides the interesting Ruby ceiling, what clearly echoes within the features is that it finally is the awareness and understandings of the designer as well the various people within the context and craft of the design that become tools for story telling. What does stand out in the design endeavor is to have a sustainable design approach having both innovative as well as a continuity in treasuring traditional and the skills of our craftsmen.

Much to learn and get inspired further…

Namaste!

Sarosh Pradhan / Editor in Chief

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r e v i e w

'Parametric Environmental Analysis' with Ar. Saurabh Shrestha

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ssociation of students in Architecture (ASA) of Pulchowk Campus, Institute of Engineering, hosted another session of ‘Meet the Architect Series’. This session was led by Ar. Saurabh Shrestha who completed Bachelor of Architecture (B.arch) from Pulchowk Campus in 2010.

Shrestha attended the prestigious school of Harvard School of Design for graduate studies in Design.

Mr. Shrestha’s presentation demonstrated his study of predicting energy consumption of buildings and daylighting in a space and explained how simulation (imitating or predicting real world process before it takes place) works using various software­ Rhino/Grasshopper, Sketchup and Revit.

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The renderings produced by such software were used to study­ i.) the amount of daylight entering a specific building structure in different times of the day, month or even varying seasons, ii.) Using different parameters, such as different sizes or numbers of openings/ aperture would change the daylight entering the space. He used these studies to generate optimum results (based on numerical data).

Mr. Shrestha’s areas of interests are geared towards yielding better design options. He is currently based in the United States with HKS.

e v e n t s

‘ORGANIC FORMING MAKING’ with Albert John Mallari

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PACES Magazine hosted a talk program and workshop for design student with Albert John Mallari. Mr. Mallari is the Program Director of the Interior Design department at the Raffles Millennium International, Sri Lanka. His areas of interests are vernacular design­particularly on artisanal production and lighting typologies in daylight design systems for buildings. His focus in Kathmandu was researching about how the craft traditions contribute to the sustainability discourse, concluding with a comparative analysis of artisanal and craft traditions of Nepal with his other similar researches in Peru and Philippines.

WORKSHOP for design students: The workshop was a closed event at Bricks Cafe, Kupondole. thirty five participants from six institutions participated in the workshop­Architecture students from Institute of Engineering (IOE), Nepal Engineering College (NEC), Kathmandu Engineering College (KEC), Interior design students from Kantipur International College (KIC), IEC College of Arts and Fashion, and fine arts students from Kathmandu University, School of Arts.

The main objective of the workshop was to play with the materiality of bamboo and stretchable fabric to create a dimensional form for a luminaire fixture. The first portion was a lecture of Mallari’s journey of understanding sustainable and vernacular design, and how he is implementing his sustainability values into practice. In the april 2016 SPACES / 13

second half, the students were given a briefing and materials­bamboo and rubber bands, to create three organic forms, while studying the materiality of bamboo.

The three organic forms­the ‘bones’ of the fixture, were assembled together with rubber bands. The students were then given stretchable materials to create the ‘skin’ of the organic three dimensional form.

The second half of the workshop was more of a casual studio environment, where students were free to work at any given space available, had maximum interaction with the facilitator and their fellow batch mates. The workshop’s intention was to provide a creative outlet to the student from their regular college schedules. SPACES will be hosting more workshops that will allow students to go beyond classroom discussions.

TALK PROGRAMME: The talk was an hour long session, explaining his journey of understanding sustainable and vernacular design, and how he is implementing his sustainability values into practice.

Mallari’s journey talked about 5 case studies where he met with interventions regarding sustainability. His first stop was London, where he pursued Masters of Arts in Sustainable Design. His quoted his first intervention as “Vernacular design is sustainable design, repackaged”. He listed five keywords from his first case studies as Community based­collaboration, engagement, resources, manpower and production.

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He met his second intervention in his second stop­Siem Reap, northwest Cambodia. The skills of the indigenous people of Siem Reap is a major part of their cultural heritage, and contributes hugely to the sustainability and design. His learning in Siem Reap led to more projects, and his third stop, Bangalore.

Mallari exhibited how his values of sustainability evolved with the context of different cultures and sites. His fourth stop was Hamburg, Germany, where he pursued a certificate of lighting design. Mallari’s focus was to optimize natural resources by using daylighting in more than 50% of the lighting requirements.

e v e n t s

Instead of designing ‘spaces’, Mallari and his teammates came up with a series of ‘forecast’, based on rapid prototyping. The process of learning about sustainability through lighting design became another milestone to his understanding. Mallari’s final case study talks about his special experience in the Traditional Puppet Museum in Colombo, Sri Lanka. In the museum’s context, sustainability was translated as ‘engagement of staff development, resources and issues’. Mallari concluded his five case studies in terms of how his values of sustainability was intervened, evolved and shaped. His journey of understanding sustainability plays a crucial role in the anything that he invests his time and energy on.

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interior

Ruby Ceiling The Park Hotel Hyderabad, India

Year of Completion: 2010 TEXT & photos: preksha baid

The Project Delhi based space designer, Preksha Baid has completed a ceiling installation, ‘The Ruby Ceiling’ for the main lobby lounge of the Park Hotel, Hyderabad.

Design Direction To represent ‘Kalamkari’, a traditional Indian textile craft onto a ceiling with a graphical, and a poetic approach. The jewel like ‘Ruby Ceiling‘ also expresses the royal culture of Hyderabad. The tradition of story telling is combined with modern engineering and lighting design.

Ceilings are a great medium for story telling, as they are the living example of the past. Stories evoke emotions because they offer a canvas for people to dream and get inspired. Both at the design stage and at the execution stage, the ceiling was treated like a giant puzzle piece.

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What is Kalamkari?

Kalamkari is the art of painting and printing fabrics using natural dyes. A Kalamkari fabric goes through a very rigorous process of resist, dyeing and hand painting.

History Kalamkari originated with the art of story telling. In ancient times, groups of singers, musicians and painters, called Chitrakattis, moved from village to village to tell the great stories of Hindu mythology.

Progressively, during the course of history, they illustrated their account using large bolts of canvas painted on the spot with rudimentary means and dyes extracted

from plants. Although the style originally had the narrative themes of mythological stories as temple hangings, it has evolved and varied in style over a period of a thousand years.

Present Practice The craft is being practiced in Kalahasti and Masulipatnam (near Hyderabad) in the state of Andhra Pradesh. The skilled craft, which was passed down through family generations, is now struggling to find young patrons to carry on the skills and needs to be revived.

The Technique The washed cotton fabric gets its

glossiness by immersing it in a mixture of Myrabalam (resin) and buffalo milk overnight. Outlines are drawn with a pen made of bamboo and soaked in a mixture of Jagri (fermented) and water. When the fabric is boiled with Myrabalam, the outlines turn black. In Kalamkari, the colours are applied in a sequence: the basic colours are red, yellow, blue and green. And after each color is applied, the fabric is washed in running water. Thus, each fabric can undergo up to 20 washes.

Various effects can be obtained obtained by cow dung, seeds, plants, fruits and crushed flowers. The colours change depending on the treatment of the cloth and the quality of the mordant. april 2016 SPACES / 17

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The Designers

Hand drawn patterns include florals, elements of the royal lifestyle, musical instruments, a court scene, elephants, horses, fishes, sun, moon, stars and a river.

Why Hotels?

Hotels offer a large area in which it is possible to collaborate and build spaces that are both culturally and esthetically rich and can provide viewers with a greater experience. Today, the concept of sustainability extends from just a ‘Green’ façade of a hotel to every aspect of how it is designed and how it will function. Innovation can result in creative opportunities and commercial success; the pursuit of the ‘new’ is a game of challenging boundaries. Hotels offer designers with the opportunity to pursue the ‘new’.

Inspiration As a child, Preksha spent hours gazing at her Grandfather’s ceiling in Bikaner.

The ceiling had stars, palaces and angels painted with real gold and natural colours.

The ‘Ruby Ceiling’ offered the perfect opportunity to translate her childhood inspiration into a crafted ‘palace-like’ ceiling. The intitial step was the study of the magnificent ceilings of the palaces in Hyderabad, followed by research on ‘Ceiling Art’ around the world.

Why a Ceiling Ceilings are a great medium for story telling, as they are the living example of the past. Stories evoke emotions because they offer a canvas for people to dream and get inspired. India has a rich history of story telling, for example, the Ajanta Ellora caves and the Bhandashah Jain temple.

Priya Paul, chairperson of the Park Hotel, with her futuristic vision for the Park Hotels has crafted a new framework for contemporary hotel design in India. The Park Hotels are a collection of premium boutique hotels in India managed

by Apeejay Surrendra Hotels.

The hotels have achieved global standards of product quality and service excellence for over 35 years. The Park Hyderabad extends The Park Hotel Group’s reputation for contemporary hotels as it combines local culture and international design. The building is designed by SOM (Skidmore, Owings & Merrill LLP), a U.S based architectural firm, and the lighting design is done by ILD (Integrated Lighting Design), also a U.S based company.

Preksha Baid, as a designer uses the philosophy of ‘Y-walls’ that is to look beyond the boundaries for design. Her work reflects an interdisciplinary approach between Art, Architecture and Interior design to define the poetics of a space. Graduate from M.A in Textiles Futures from Central Saint Martin’s in London, she continues her research on the sensory experience of spaces and human interaction. ‘Y-walls Design’ is her Delhi based Design practice, established in 2008.

Niranjan Jonnalagadda, master craftsmen of the Kalamkari craft, has carried forward the legacy of the craft that has been practiced for generations in his family. He studied Temple art and classical dance in order to give the right stances to the Kalamkari figures in his work. Having won several prestigious awards (Shilpjan, Young Master Craftsman, 2002), he has also conducted many workshops on natural dyes and Kalamkari paintings.

Niranjan is based in ‘Kalahasti’, his hometown, and works with over 350 families to continue the tradition of the Kalamkari craft.

Design Approach Both at the design stage and at the execution stage, the ceiling was treated like a giant puzzle piece; fragmented yet unified. Research and development was an integral part of the entire project.

The ceiling is about 11 meters wide and 12 meters long. It consists of plain sections and areas with lotus shaped wooden components of different sizes upholstered with hand painted textiles. The gaps between the lotus segments are backlit.

The fabrics used are organic cotton and are hand painted using natural dyes. Hand drawn patterns include florals, elements of the royal lifestyle, musical instruments, a court scene, elephants, horses, fishes, sun, moon, stars and a river. These were combined with jewel like colours: deep ruby reds, bright yellow and royal blue.

The patterns in different sections illustrate the different styles of Kalamkari that have evolved over the years.

The execution process The ceiling design needs to be visualised as an original but executed as a mirror.

The fabric needed to be upholstered on the reverse side and installed upside down. This required accurate planning at every stage.

The fabric development process in Kalahasti was a great learning experience as it taught us to find practical and economic solutions to problems. One such instance was the absence of a big enough tank with running water to wash the very large pieces of fabric. We located the closest river to the workshop and washed the fabric in the running water.

Sometimes the sun was too harsh to dry the fabrics, so it was quite a challenge to achieve the same shade of a colour evenly on all the pieces. Another similar problem was the heavy monsoon rain, which meant that the fabric didn’t dry for weeks, which hindered progress onto the next stage. A failure at one stage would have meant losing a month’s work, putting us april 2016 SPACES / 19

The fabric needed to be upholstered on the reverse side and installed upside down as the ceiling design needs to be visualised as an original but executed as a mirror. This required accurate planning at every stage.

far behind on the schedule. Almost 450 meters of fabric was used for the ceiling. To prepare the base fabric large amounts of Buffalo Milk was required. There were days when we used 40 liters of milk everyday, however the milkman later refused to sell us more than 10 liters daily. Since a bamboo stick was used as a pen, it didn’t allow the scale of the patterns to be more than 10 inches or the preciseness of the art would suffer. The Kalamkari Artist and his team worked on each piece for endless hours with precision. On the site, the local carpenters and upholsters were very skilled; they had a unique and a pragmatic approach to solving problems. The entire project took 14 months from concept design to the final installation.

‘DESIGN THINKING’ A sustainable design approach is to be both innovate and continue to treasure the traditions and the skills of our craftsmen.

Using a craft for a space provides the craftsmen a new platform to continue the craft in the future in modern settings such as hotels in order to provide new line to design experience.

The creativity of the artist and the rich naturals colors used in the process makes Kalamkari one of the most beautiful forms of expression and a valuable part of Indian Heritage. Ruby Ceiling crafts a new vision for our future spaces.

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architecture

CONCEPT AND DESIGN DEVELOPMENT

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his thesis project aims to reinvent the modern day car showroom in the form of a complex; it will be a German car brand showroom. German Cars are generally known for their quality. It will contain the three famous German car brands namely: Mercedes Benz, BMW and Volkswagen. They are expensive luxurious cars. Therefore providing three car brands controlled by a single company will be economical, as they will be sharing the same roof. This will definitely be better than having three brands at three different areas, have three different workshop and function.

Additionally, the complex is infused with other car related attractions such as MOT facilities, exhibition/training hall, showroom, library, workshop, training area and merchandise store to allow the site to become the prime destination for anyone interested

in buying, viewing, researching, and dreaming about cars.

Since the project is a showroom and workshop, the main requirement is efficiency of the function performed on the building.

Another major requirement lies on the limitation of the site. Since there is shortage of site for an auto complex, the horizontal expansion is limited .This can only be accomplice by the vertical enrollment of the function. For a showroom, the best site is near the highway.

SITE CONTEXT Before designing and developing any project, the analysis of the site and its surrounding is vital. The proposed site is in Jadibuti, adjacent to the main road, which is near to all 3 cities i.e. Kathmandu, Lalitpur and Bhaktapur.

It will provide easy access to transportation. Therefore, design approach is to retain the essence of the place though an iconic building, which will blend in with the surroundings, not intimidating the vicinity, and respect the environmental aspects. The site also has wide frontage, which is an important part for any showroom.

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CONCEPT Since auto complex is a building for automobiles, the concept for the design is taken as the perception of an automobile itself. A form is developed that resembles the automobile for which the building is designed.

Creating an iconic building of the city is also the main objective of the project. Therefore, some composition of different geometric forms is considered, which makes the building easily recognizable. The plan form is composition of simple geometric form such as oval, circle and rectangles.

The value of the current project is enormous, considering the location and the surroundings. Therefore, it has been an effort to make the form as iconic as possible.

EVOLUTION OF THE FORM The elevation of the complex is perceived from the shape of a car, which is shown below. The shape of the car itself inspired me to create the form. First there is the form of car and it is slowly perceived as building by creating a smooth Aerodynamic form.

The straight lines of the form is curved the windows are added, and made functional.

The function of the complex is derived from the function of a car. The workshop is placed as the same place as the engine in a car, the showroom as the back trunk of car. Similarly, the administration is controlling the complex as the driver controls the car. In addition, the plan is also perceived from the plan of a car. The development of plan is shown below:

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The form of the car is straight. In the process of development, the form the shape is curved due the shape of the site. The plan is curved to give response to the site. To cut off the sharp edges of the site oval form for the showroom and workshop is used and the central lobby is connecting them. The plan form is composed of simple geometric form such as oval, circle and rectangles. For a showroom highway is one the important part therefore the building is oriented towards the highway.

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THE ROOF The roof is one of the interesting designs.

The roof is an innovation since it is different from the typical roofs. The shape is a combination of two Ellipsoid roof connected to each other. Ellipsoid is a type of hyperbolic roof having an elliptical base. The roof is used to compliment the aerodynamic shape of an automobile.

The standard equation of an Ellipsoid is x2/a2+y2/b2+z2/c2=1

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PLANNING ASPECTS The planning starts from the relation to the site. There are two entries to the site, the main entry from the southwest and the secondary entry from the southeast. The visitors come and park their vehicle next to the entry. Parking capacity is 40 cars and 120 bikes. The parking is separated with Greenery so that the parking is blocked by the green space that is seen from the main complex. Guard house is near the entry whereas the services part such as waste store and storage are at the back. The outer case displays the new and popular cars, which is easily seen from the highway.

The main entry to the building is from the center with a welcoming curved curtain wall, it leads to the lobby area which is a courtyard covered with atrium. From here, the visitors can go to the showroom at the left and the workshop at the right. The showroom is a double height space, which can display 20 cars at a time. The showroom is connected to the administration for smooth operation. The used car showroom is placed near the showrooms because of the fact that the customers wanting to buy a car might already have a car and they would like to sell their first and then only buy another one.

The showrooms for the brand new cars are at the front whereas the used car showroom is at the back. The cars are brought to first floor through a ramp that is connected to test drive track of the ground floor such that the new cars could be taken for a test ride through the showroom. Viewing deck is provided in the mezzanine level to have better overall view of the cars in both levels.

The workshop is placed in the ground floor considering the fire preventive construction.

The workshop is double height to properly contain the exhaust gases that would be coming out of the vehicles coming inside.

The areas where there is no access of vehicles is kept of single height like the customer lounge, reception, toilets, lockers, meeting rooms and other rooms. These rooms are stacked on top of each other to use the vertical space of the double height.

The two workshops are placed at right angles to each other. Skylights provide natural light to the workshop.

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The workshops have the amenities to provide the services and spares parts for the vehicles of the respective brand. The flow of cars inside the workshop is crucial for the smooth workflow of the workshop.

The cars should be able to maneuver inside the workshop for proper safety in case of fire and for better workability as well.

The first floor houses the showroom, car simulators club and multipurpose / training hall. Car simulator is kept in the

upper level such that it is benefited from the showroom and vice versa. The people primarily coming to car simulators club will notice the nice cars that have been put on display and the people coming to the car showroom will see that there is a car simulators club. Therefore, they both benefit each other. There is also a central atrium leading up to the roof, which enhances the aesthetics and floods the inner space with light and ventilation. The hall used for training the new worker of the

Workflow for Showroom Department

Task

Top level

decides total number of cars to be sold this year order is made to respective country for respective model

Logistics

manages the resources for desired amount of sales

Accounts

watches over the day to day transactions

Finance

fund collection and generation

Marketing

luring the visitors, increase the visitors, adding brand value (with ads, events)

Sales

the sales job is to transform the visitors into customers

Workflow for Workshop Designated Job

Personnel Involved

Required Space

Customer arrival

Customer

Reception

Service advisor takeover

Customer, sales advisor

Sales Advisor’s desk

Inspection of problem

Customer, sales advisor, technician

Two post or four post lift

Process for agreed job between

customer, technician and sales advisor

Near inspection area

Technician takeover for particular job

Technician

Working bays

Technician demands for specific tools on work bench on each bays

Technician

Working bays

Work completes and complementary wash

Technician, wash boy

Washing bay

Goes for final inspection by head technician and sales advisor

Technician, sales advisor

Two or four post lift

After quality check goes to the customer

Driver, customer

Delivery area

workshop and can be used as a multipurpose hall for different events and program. There is a library, and a video room for the study purpose. The multipurpose hall adds the amount of visitors exponentially during the events which are good for the marketing of the showroom.

The second floor contains the control room, solar batteries storage and a restaurant/café with a large outdoor terrace. The showroom can be seen through the control room so that it can easily monitor the showroom. The outdoor terrace is perceived from the cockpit of a vehicle. The showroom can be seen from the café which separated with a curtain wall.

Roof garden is also to provide aesthetics and fresh air.

april 2016 SPACES / 27

products

ALTERNATIVE MATERIALS & TECHNOLOGY HOLLOW CONCRETE BLOCKS (HCB) As the picture explains, the Hollow Concrete blocks are shaped like traditional bricks but they have more core void area. Because Hollow Concrete blocks have up to 25% more core void area than the gross area, their weight is much lighter and accounts to time efficiency in construction.

Hollow Concrete Blocks can be used to construct thinner walls, saving space and allowing more room area. Hollow Concrete Blocks consumes lesser energy than that of clay bricks that

ALC/ACC Blocks (Autoclaved lightweight concrete/Autoclaved cellular concrete) Autoclaved lightweight concrete (ALC) is also known as Autoclaved cellular concrete (ACC).

This building material was invented back in the mid 1920’s by a Swedish architect John Axel Eriksson. There are handful of reasons why ALC has been sustaining itself in the construction industry.

Firstly, ALC generates more internal space compared to the regular double brick construction and weighs a fifth of common concrete and a third of hollow block. Secondly, ALC panels are excellent sound barriers and boosts impressive fire protection properties as well. Lastly, ALC’s are made for rapid installation and needs less construction manpower, and therefore, cuts down costs.

With these properties, ALC’s have become a popular choice in the construction industry. http://www.innovativecivilengineering.com/alc_benefits.html http://www.aeratedconcreteblock.com/

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are burnt, which means that clay bricks produce more pollution and contribute to global warming issues.

Also, using this building material employs semiskilled labourers, because of its relatively easy installation. http://civilblog.org/2015/09/23/ whataretheadvantagesofhollowconcreteblockm asonry/ http://www.slideshare.net/jaspreetrooprai138/ alternatebuildingmaterials

RMC (Ready mix concrete) While the regular method of making concrete is manually inputting water, aggregates, additives and cement, Ready Mix Cement (RMC) is factory manufactured concrete which is made with set guidelines of mixtures.

Because it is a factory manufactured with computer controlled operations, the product can boast guarantee for consistency and accuracy. RMC can also be custom made by specifications of the contractor according to different applications. After RMC is manufactured, it is imported to the construction site via transit mixers or cylindrical trucks (also known as ‘cement mixers’). After RMC is transported, it becomes ready to use without having to do further mixes or any treatments. The hassle free procedure of not having to transport and manufacture raw materials to

site saves time, labor and money. It is obvious that the growing popularity of RMC has changed the way construction has been practised. http://www.panchakanya.com/articlermc http://www.cement.org/cementconcretebasics/ products/readymixedconcrete http://www.iosrjournals.org/iosrjmce/ papers/vol8issue3/ H0835557.pdf?id=6838 http://environment.govmu.org/English/eia/ Documents/Reports/asphalt_batching/ch p5.pdf

april 2016 SPACES / 29

OPINIONS ABOUT

CONSTRUCTION TECHNOLOGY IN NEPAL SHERA: Saroj Joshi, Director & Yeshey, International Business Development Manager SHERA was one of the sponsors of the expo, whose prefabricated panels in the LGS structure has awed the Nepali public. The Thailand based company has entered the Nepali market prior of the earthquake, and has been persistent with their company’s philosophy of improving people’s lives.

SHERA’s emphasis on research and innovation has geared itself in products that work for different adaptabilities and asbestos free certifications. Director Saroj Joshi also states that “SHERA’s responsibility as a sponsor is to educate the public.”

SPACES Magazine was on a quest to document the opinions on the construction material, technology and economy in Nepal. As a media partner in the Nepal BuildCon International and Nepal Wood International Expo 2016, we took the opportunity to interview industrial and business houses inside and outside the expo as well.

Following is a compilation of company representatives.

Hear how these businesses have prepared themselves for the journey after the earthquake, the responses from the general public, and their opinions on the construction economy of Nepal.

Sky Light Pvt.Ltd: Samten O’Sullivan, Director Sky Light Pvt. Ltd is a foreign owned Nepali company, whose immaculate products have always spoken for themselves. Needless to say, Sky Light’s sophisticated product branding has sustained itself for more than two decades in the niche market. Managing Director Samten O’Sullivan states one of their main focus has always been in the consistency of quality of their products and believes that a motivated team of management and a healthy work environment plays a huge role in the high functionality of Sky Light. Sky Light was also an exhibitor in the expo.

Panchakanya Group: Pradeep Kumar Shrestha, Managing Director

Sagarmatha Cement: Prateek Adhikari, Head of Marketing and Communication

Panchakanya Group’s Light Gauge Steel (LGS) structure at the expo was one of the most highlighted work of exhibit­.

The general public seemed to be highly stimulated by its visual communication. It is not surprising that Panchakanya Group introduced the LGS building technology in Nepal, as they have been associated as pioneers in the construction industry for a good amount of time. Managing Director, Pradeep Kumar Shrestha comments that bringing LGS was a thought out process of the company, keeping utmost priority to being socially responsible for the public.

Gorahi Cement Industries’ Sagarmatha Cement was the official cement partner of the expo boasted one of the most interactive exhibits with its sculptural display of Sagarmatha. Prateek Adhikari, Head of Marketing and Communication of Sagarmatha Cement, credited the ethics of company for their success, stating, “ At Sagarmatha Cement, all 3 components­ Quality, Supply and Pricing are given equal importance. We are technologically equipped and the product quality is checked every hour. Our services are always met within 24 hours, and our pricing is not high end, it's relatively on the cheaper side”.

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Greenply Industries Limited: Yogesh Arora, Country Head & Vikas Marwaha, Country Head Doors &VAP

Asian Paints: Budhaditya Mukherjee, Country Director & GM

Greenply Industries Limited is the number one Interior Infrastructure company in India. In an attempt to promote Medium Density Fiber (MDF) boards in Nepal, Yogesh Arora and Vikas Marwaha talked about their peaking interest in the market of Nepal, after being impressed thoroughly by the exuberance of Handicraft in Nepal. Arora clarified that ‘MDF production does not use timber, instead plantation timbers are used­making it a great substitute for precious timbers. He quotes, “We are fully geared for promoting education and workmanship of MDF in Nepal, and have taken the opportunity of participating in this expo as a point of networking”.

Working with the mission of bringing innovative products and services, Asian paints has been consistent in introducing products that are of international standard. Their branches of products ranges from specialized waterproofing properties to flame spread resistance.

Catering towards the convenience and innovation, their new initiative­Mobile Paint Academy is geared towards training workers to be skilled painters, all across far flung areas.

ActionTesa: Ajay Kumar Pandey, General Manager & Er. Ram Chandra Shah, Chairman, SV Gallery

Bath ‘N’ Room: Sanjeev Goyal, Distribution Head

This 47 year old India­based company, initially started off as a footwear company, and sought to diversify itself in the construction industry, specializing in the flooring, panels and door skin. Having exhibited in previous expos as well, Chairman Er. Shah(who handles the Nepal branch) recalls having good responses from the public every year, and genuinely hopes for a boost in the construction industry of Nepal.

Having established its diverse clientele in the niche market, Bath ‘N’ Room has been actively involved in the reconstruction phase, with its newly introduced prefabricated products.

Distribution Head Sanjeev Goyal states that even though their expertise is in the finishing products and hardware, they are also an extended part of the construction industry, and feels socially responsible in the reconstruction phase of the country.

On asking for how has the construction technology evolved over the years, and what is your prediction for its upcoming future, the participants responded: It's undeniable that the construction technology is changing rapidly with rise of urban centers, depleting natural resources and growing population. However, this interprets as time for more research and innovation where newer solutions will be adapted. For example, the urban nature of Kathmandu is seeing soaring land prices, therefore, preparing itself for vertical growth in terms of infrastructure. As a response to the growing needs, SHERA wall panels begin from 3 inches, giving more room area for the structure. Also, for earthquake prone areas, the panels are 50% lighter than brick walls, which will yield to less casualties and infrastructural damages. Therefore, the

construction technology has seemed to evolve dramatically, wisely responding to disasters, convenience and wants.

Especially talking about the construction technologies in Nepal, it was hard to convince people to use SHERA products especially because the use of wood and bricks has been so prominent since centuries. However, we do sense adaptations for alternative materials and technologies, especially because we have received genuine concerns after the earthquake. This is a crucial period in the construction history indeed. ­ - SAROJ & YESHEY april 2016 SPACES / 31

Building codes are changing, approval on buildings plans are more stricter and gradual development of a more informed and conscious public. So, the scenario of building technology is seeing changes and adaptations.

As an industrial house involved in the construction industry since 43 years, the evolution of the industry have come a long way as there is always some added risk while introducing a new technology or material in a country like Nepal. At the same time, this takes us to a position of being socially responsible. For example, Panchakanya Group were one of the first companies to support National Society for Earthquake Technology (NSET)’s efforts for earthquake awareness back from the decades.

The construction industry will see changes, but the changes will occur when we start supporting and considering all the facets connected to the industry. ­ - PRADEEP

People have actually started becoming more concerned about the quality of the product. I am seeing more readiness to invest in quality products because of its sustenance in the long run. I think the construction industry of Nepal is bound to expand with growing interests from foreign companies as well. And because our region is prone to disasters, companies will be highly focused on sustainable quality product and services, which is always fruitful to the industry. ­ - SAMTEN

The construction industry is surely evolving. Change is inevitable, and sometimes change is good too.

Not only are people more genuinely interested in building materials and

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technologies, now people consider consulting credible engineers and architects. That change in attitude is a good kickstarter, because we did see a lot of casualties that were accounted because of unsupervised practices of construction. Along with changes in people, governmental laws are to be more strict regarding passing of blueprints and structural drawings. With that said, the construction industry and benefactors is bound to see positive reinforcements and changes. ­ - PRATEEK Construction industry has evolved interestingly. The products that are manufactured these days are a lot sensitive than it used to be few decades back. Take our flooring products for example, they are designed for convenience for all age groups­from elderly to toddlers. Our products are also safe and healthy to be used in working environments. Our products are circulated worldwide, considers universal design and comply to green certifications. We’ve noticed that Nepali public have been very curious and passionate about building materials and interior infrastructure after the earthquake, and we’re looking forward to expand our market in Nepal. We would like to work on educating and training people for the workmanship required for MDF.­ - YOGESH & VIKAS

This past year alone has seen many changes in the attitudes of people.

Consumers have become less interested in buildings that are over towering, rather in livable medium spaces that are built with researched materials and products. Consumers rather take there time, but decide with expert recommendations and become very sure of the quality of

the products, materials and also the construction practice. ­ - AJAY KUMAR & Ram Chandra In terms of the technology and innovation in paint industry has increased in leaps and bound in the last decade. In today’s scenario, be it durability, crack bridging elasticity, paint anti fading technology, dirt pickup resistance, flame spread resistance – the overall performance deliverables of paint has increased many fold. Not only that, in recent times there is a trend of using paints with lesser health hazard. There is a trend of producing paint with Low Volatile Organic Compound or VOC; there is a trend of not using any heavy metals or carcinogenic materials in Paints. We are happy to inform that all our Paints are completely safe and free of hazardous materials and confirms to International Standard.

Not only that we carry out tests in internationally accredited laboratory for our products and display the certificates in our website . ­ - BUDHADITYA

Although the scenario of Nepal is incomparable to the western countries, it has come a long way. In the past 15 years, only the upper middle class seemed to be concerned with the quality. In the matter of years, the general public has been much more informed. We have people inquiring to us about renowned water and drainage technology to be fitted into their homes. Some customers visit our showrooms with their designers and architects. This gradual change of attitude and genuine curiosity is surely looking for a good change.

There is room for a lot of possibilities and development. ­ - SANJEEV

How has your company (and the industry as a whole) prepared itself after the earthquake?

The industry has come to a point where there is a certain demand for more refined construction technology. However, the industry did go stagnant on the first 6­to 8 months as well. Even though we have introduced new technologies before, this time became an even more crucial time to introduce such material/technology that people of Nepal would ease of their post disaster trauma. As a process of preparing ourselves after the earthquake, the other responsibilities we have now is implementing awareness through such expos and LGS training to professional and masons, because we now know that introducing new material/ technology is just not enough.

- ­PRADEEP

Because our product and technology is fairly new to Nepal, the market started off slow.

Even our research showed that the products were earthquake resistant, the general public were still skeptic to use our products.

However, there were about 15­20 projects we implemented prior to the earthquake, and all of our buildings retained its structure­B n B hospital and Ranjana trade center to name

a few. We’re definitely happy with how the public is responding. One of our main goals are to educate the public, and we’re more than happy with how the mass is getting impacted in the expo. ­ - SAROJ & YESHEY

I cannot stress more in how a good structured team is significant in preparing the company after such a devastating earthquake. Besides a good team, now we have to prepare our products with more measures of resistance­this means more refined techniques, research, fabrication and skilled workers for installation and finish.

We’ve always stressed on training our team to be involved in the entire process of product development to the final phase of installation.

We’re a family working collaboratively. ­ - SAMTEN

Our main market is in the western region of Nepal, which was not affected largely by the earthquake. So it becomes safe to say that, our business did not fluctuate after the earthquake. Moreover, our market

has started to expand towards the capital and the earthquake affected areas. It’s been more of an expansion rather than fluctuation for us at Sagarmatha Cement.­ - PRATEEK

The overall construction sector has suffered tremendously post Earthquake. Along with real estate segment, even Paint Industry has suffered and experienced slowdown and set back. However, we are hopeful that in future there will be improvement and growth in the Paint segment . ­ - BUDHADITYA

With the regular flow of our products, we introduced prefabricated materials such as the Thai Gypsum (cement fiber board) and Sintex (Sandwich panels) as our contribution to the process of reconstruction and rehabilitation. We have worked closely with the Ministry of Health and Population with these products after the earthquake. We are happy to have identified the areas where we can contribute , and hope to see good results in the upcoming future . ­ - SANJEEV

What do you think is needed to boost Nepal’s economy?

If you see the holistic picture of Nepal’s economy, there are several things that can boost Nepal’s economy and several others that has been hindering it as well. We cannot deny that the massive loss from the earthquake was due to negligence. If governmental laws and policies about construction practices were stronger and stricter, more than half the damages could have been avoided. ­ - PRADEEP Small and medium businesses are equally important to boost Nepal’s economy. Sky Light employs 60­65 people and as such we’re still considered as a medium enterprise.

The important bit here is the number of families and people we are impacting directly and indirectly. Large investments­without any doubt are huge contributors. However, international economists all agree that small and medium businesses are the real engine of

the economy in developing countries as well developed countries. I would say small and medium businesses should flourish more! ­ - SAMTEN Use local products, talking about construction industry itself­we use imported clinkers from India, where as, we are capable of producing it ourselves. In fact we are the largest manufacturer of clinkers in Nepal. I highly recommended that we should use Nepali products more often. ­ - PRATEEK The scope of Nepal is immense. Even focusing on Hydropower energy would become a big help to boost Nepal’s economy­more electricity and power generation. Also, the earthquake victims should get different packages that will help them rebuild their homes in more affordable prices. They are still vulnerable, and

focus should be gravitated towards them. ­ - AJAY & RAM CHANDRA We are hoping to have an industry friendly budget from the government, as well as a conducive environment in Trade Union segment. Political Stability, better governance, improvement in the policy level decision in the country and smooth flow of goods will definitely boost our economy. ­ - BUDHADITYA Focusing on infrastructure such as roads may expand and develop our economy to greater heights. Because everything is centralized in the capital, the land prices have gone soaring high.

The land outside Kathmandu city is a cheaper investment, however, the accessibility of roads hinder businesses to flourish outside the city. ­ - SANJEEV april 2016 SPACES / 33

technology

Heavy Equipment in Nepal

T

he power of heavy equipment and the range of uses for which they can be put into use make them vital for the disaster recovery and reconstruction work. The earthquake of last year was devastating which killed more than 9000 people and caused damages to 284,479 houses with complete destruction of 602,567 houses.The role played by heavy equipment was large which included reopening of the roads and removal of the large quantities of rubble. The heavy equipment industry was on the rise even before the earthquake due to the demand for newer construction to accommodate the growth of Kathmandu.

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However the earthquake brought it into limelight. Heavy equipment also referred to as heavy machine, heavy duty vehicle, engineering equipment, heavy hydraulics and construction equipment is specially designed for executing construction tasks mostly involving earthwork operations.

These equipment have been used for various infrastructure development in Nepal especially considering the mountains of Nepal.

Backhoe Loader Backhoe loader is a heavy equipment vehicle that consists of a tractor like unit fitted with a shovel/bucket on the front and a small

backhoe on the back. These vehicles are very common in urban engineering and small construction project especially in developing countries due to its size and versatility. It was invented in the UK in 1953 by JCB and is a utility vehicle used for garbage management, demolition, spreading, rescuing, slopping, digging and disaster management.

Excavators Excavators are heavy construction equipment which is often wrongly termed as power shovel. These are a natural progression from the steam shovels and consists of a boom, dipper, bucket and cab on a rotating platform known as the house. The house sit atop an undercarriage with tracks or wheels. With the advent of

hydraulic powered attachments such as breaker, grapple and auger, the excavator is now frequently used for many applications other than excavation. The breaker as an attachment has helped tremendously in the infrastructure development of the country due to the mountainous terrain of the country. It is also usually employed together with loaders and bulldozers. The excavator now also includes a crusher bucket which makes it easier for crushing to be done on site rather than off site.

Loaders As the name suggest, loaders are heavy equipment machine used in the construction to move aside or load materials such as asphalt, debris, snow, raw materials etc. into another type of machinery such as dump truck, conveyor belt, feed hopper or railroad car. It has the highest breakout force and operating weight in its class. It also has the fastest road speed for smooth and fastest operations. Loader is a type of tractor that has a front mounted square wide bucket connected to the end of two arms to scoop materials from the ground. The loader assembly may be a removable attachment or permanently mounted. Often the bucket can be replaced with other attachments for example forks can be mounted to lift heavy pallets or shipping containers. Also a hydraulically opening clamshell bucket

april 2016 SPACES / 35

allows the loader to act as a light dozer. Loaders are mostly used in industries such as cement and brick industry.

Rollers/ Compactors As the name suggests, compactors is used for compaction. It has the highest centrifugal force and the best weight distribution ratio. There are two model in compaction which are the soil compactor and the other is black top compactor. Compactors has around 60% of market share in Nepal and are usually used for road construction.

Loadall and Skid Steer Loadall is a material handling equipment which aim at merchandizing the handling processes across all industries.

Loadall is used for industries such as brick and sugar industry.

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The reconstruction process after the earthquake has been very slow and a reason for it has also been the lack of heavy duty machinery with the government so as to clear the debris to make way for new structure.

Effective construction echnology can help reduce the time required to build and repair infrastructure and also reduce costs, minimize site disruptions and improve quality and safety. It is the heavy equipment that determine the success of the construction and is the focal point to synchronize specification and materials with the project sites. It is essential for us to understand their uses and role it plays in the infrastructure development of our country.

Information courtesy: MAW

Skid Steer is used in grabbing and tractor loading.

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Exhibitor’s Expectations

NEPAL BUILDCON and NEPAL WOOD INTERNATIONAL 2016 “Since products will speak for themselves I think the exhibition has always been the perfect platform for showcasing the products. The exhibition proved fruitful to us last year, and I believe it will continue its charm. Hoping for more positivity in the upcoming new year 2073.”

Sanjay Agrawal, Director, Aditya Hardware Enterprises

“Last year was a good investment on our part to participate in Nepal BuildCon/Nepal Wood International Expo as our market presence has increased rapidly since then. It has also been a great networking event. Our main focus is on plywood manufacturing industries as we deal with plywood manufacturing machines. We are positive for this year as we are also introducing new machineries this time.”

Ankkit Chopal, Director, Chopal Timber Company

“Nepal Buildcon/ Nepal Wood International Expo is a one of a kind platform to meet and connect with potential corporate as well as individual clients. We boast our array of fine products­whether its our modular kitchens or solar water heater and expect to get good responses from the visitors (and thereof sales). Our expectations from exhibitions in general and Nepal Buildcon in particular are to expand our corporate network and promote our high quality products to a larger, high potential customers. This expo is timed perfectly with the country’s rebuilding after the devastating earthquake. So, I am hopeful that number of footfalls will be very healthy. Its a win­win situation for both the exhibitors and visitors.”

Amir Mallepati Shrestha, Managing Director GRN International Trading Pvt. Ltd.

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T

he Nepal BuildCon and Nepal Wood International 2016 drew in various industrial and business houses from the local and international market. SPACES Magazine’s marketing team went around the expo, documenting views from the exhibitor’s point of view on the expectations from the expo. Points, comments, suggestions and voices raised on current expo and for further raising the quality to benefit the country are summarized below.

“We are hoping that this expo will create a platform especially for face to face interaction with prospective buyers. It is Felder India’s first time in Nepal and the expo seems like the right platform to access the potential market of Nepal for our range of products. We’re also interested in helping Nepalese carpentry industry with solutions for their wood working requirements.”

Tushar Tandel, Director, Felder Group India

“We expect the exhibition to serve as the platform to drive awareness in one of the fastest expanding constructions markets in the region. Greenply will showcase its flagship brands – Green Floor max and Green Panelmax. Most importantly we would like to reach out to the pool of Architects, Project Managers, Procurement Managers and create awareness about the leading interior infrastructure brand from India – Greenply. We would like to use this platform to educate the discerning consumers of Nepal about the genuine Greenply products.

Greenply Industries Limited will be showcasing the entire Pre­Laminated & Veneered MDF range, as well as the Laminate flooring range. We will also be doing a preview of the recently launched Wood Veneer flooring range.”

Mr. Amit Oberoi, General Manager­-Marketing, Greenply Industries Limited (Engineered Panel Division)

“There is a competitive market in Nepal and we believe that 50% of our client is in Nepal. With that said, we would like to focus on dealers who can convert the ply board market into laminates.

Ambica Hydraulics is looking forward for potential clients that are looking for hydraulic services. We are excited to see how this expo unfolds for us at Ambica Hydraulics.”

Mohit Chhajer, Marketing Manager-Client Relation Ambica Hydraulics Pvt Ltd

“We have been an exhibitor in the past year as well, however, this year is more crucial to exhibit as the country has gone through a devastating earthquake and an economic blockade. The market is there for a rise, and will feed the curious questions from the public.

We are excited on the prospects of this expo.”

Pramod Kr. Chaudhary, Managing Director, Sagun Ply

Over 68 thousand visitors attended the Nepal BuildCon 2016 & Nepal Wood International Exhibition 2016. A whopping 75% of the total visitors are said to be general public, whereas the remaining 25% are trade visitors connected to the construction, architecture or interior design industry.

Data provided by PHD Chamber of Commerce states that the total business expected by companies participating from India crossed INR 100 crores, and for Nepalese exhibitors, expected business generation is atleast NPR 30¬35 crores. Nepalese exhibitors and companies have said to obtain authorized distributorships for various companies participating from outside Nepal. Most of MOUs were signed during the exhibition and the networking program at Yak and Yeti Hotel.

Nepal BuildCon and Wood International 2016 seems to have exceeded the exhibitors’ as well as participants’ expectations.

Congratulations to all the sponsors, exhibitors, visitors for supporting the construction industry of Nepal at the time of need and revival.

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EXPERT's VIEWS ON The Right Practices of Construction BADAN NYACHHYON

ANANTA BAIDYA

RAJENDRA KAYASTHA

SUKRA SAGAR

T

he unethical practice of construction can be held accountable for the casualties brought by the 12 and 29 Baisakh earthquakes. We caught up with experts from the construction industry to enlighten us about the construction technicalities and management issues that has been disregarded since decades. Find out from the experts, how these issues can be guided towards mitigation, and reflect on these pointers for future.

1. How has the trend of construction practices in Nepal changed in the past decades?

To some extent, the past decades saw the construction industry developing as a broker’s business­who subcontracted entirely project entirely or partially contracted to unqualified groups and stakeholders, therefore, retaining part of the contract amount as profit, usually shared between stakeholders. Contractor had even demanded to remove qualifications at one point. The construction business was promoted as a political instrument rather than professional services, hampering the progress of construction practices and limiting the GDP growth. In the past 30 years, there has been no development in terms of setting standard methods of conducting construction works or standard procedure of construction management. Because the procurement process is still in question, the donors/international investors are hesitant in accepting the national procurement rules referring to the inherent corruption loopholes prevalent in Nepal. The construction industry in Nepal lacks a trained workforce who are able to deliver quality products, consider occupational health and safety, and dedicate themselves for labor and environmental protection.

However, the last decade has seen positive changes in terms of consulting/utilizing the services of engineers, architects and designers. The quality of construction practices have improved with the entry of young generation of contractors with acquired engineering background. While there are examples of professional attitudes being implemented, the industry is still far away from

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satisfactory performance. Also there are many interconnected disciplines with the construction industry which are heavily neglected. While progress may be gradual and positive, sadly, it is still considered as a money making business and not as an industry that contributes heavily to the protection of people’s lives - BADAN NYACHHON Nepal's construction practices, if viewed through the lens of the recent 2015 Gorkha­Nepal Earthquake, will provide a glimpse of the changing construction trends over the last decades.

Major aspects of construction practices such as “Public Safety for All including People with Disabilities and the Elderly” has been disregarded, while vertical growth in infrastructures have sporadically mushroomed all over Kathmandu Valley.

When buildings are constructed, it is made accordingly to its specific use, the number of people using it, circulation, fire exits, etc. Changing the use without proper understanding of the risks to public safety has resulted to more casualties. Another trend in prevailing practices are relying on the design and construction of structure for vertical static loads (whether designed by professionals or construction technicians), where such structures have performed defectively in the 2015 earthquake. Despite the casualties, many damaged buildings have been hastily

repaired within months, whereas extensive evaluation based on public safety principles have to be considered. Claims are made that the structure have been seismically retrofitted­without proper engineering evaluations and forensic studies. The changing trends of construction in the past decades have failed to address ‘Public Safety for all”. ­ - ANANTA BAIDYA

Over the past decades, construction has become more capital intensive than labor intensive i.e. more construction equipments are available and in use also. But certain practices have remained unchanged, e.g. concrete. It is the most commonly used construction material all over the world, yet it seems to be the most neglected.

Concrete technology has developed tremendously over the last decades. Yet, there is still this practice of specifying grades of concrete in terms of ratios (like 1:2:4 etc). Sometimes projects have both ratios and minimum required strengths specified, which are illogical. I have seen only handful of major projects that are supervised by foreign consultants, where they go through the practice of testing

concrete ingredients and determining mix proportions that specifies all specified requirements, and is economical as possible. In general, the contractors seem to have moved far ahead in construction technology whereas the design consultants lack knowledge of construction practices.

Unfortunately in Nepal, most of engineers, both architects and structural engineers, have no experiences of construction or having worked from the contractor’s side.

- RAJENDRA KAYASTHA

Until 1960 our practice of making house or reconstructing a house means to erect a residence at any cost in cheap price using available source materials that constitute then chiefly of mud, bricks and wooden members. So pulling down old house then screen, separate and reusing as many bricks and wooden members as possible and simply wet the dry mud collected from old house and reuse them again. Add small, new things and make a house for living.

This was the practice then. Before that even the house has a cast system. House of Pode, House of butchers(kasai) house of a farmer and house of aristocrats were different in shape, size and materials used.

A brief retrospective on the use of building materials and technology in Nepal 1960-­75 A.D. A gradual introduction of cement mortar in the society. So this is the period of gestation of the construction materials. A transformation of mortar agent.

1980-­95 A. D Mixture of old and new technology and material together. Confused construction technology.

1995­-2010 A. D. Decade of massive concrete construction, most immature use of steel in buildings and constructions.

2010-­2015 A.D. Massive construction period in concrete buildings and development of skyscrapers. Transfer of the skills from traditionally skill group to the new and immature skill holders.

2015 A.D. A Great Tuition provided by the God to the Nepalese people "The Earthquake" 2016 A.D. New phase of construction, building technologies, new thought of space use and new trend of engineering education. ­ - SUKRA SAGAR

2. What is the current trend in Nepal?

Apparently, there is a push to construct or reconstruct without properly addressing critical issues of public safety. Imagine, the condition for the reuse or reconstruction of damaged buildings, requirements were enforced so that infrastructures necessary for emergency access by fire trucks, ambulances, etc., ignored prior to the earthquake, were reinstated. “ Public Safety for All ” would be achieved during the reconstruction phases .

- ANANTA BAIDYA

The current practice of awarding a contractor to lowest bidder has become obsolete and is gradually being replaced with cost plus fee contracts. In this case, the contractors are paid based on the actual market cost incurred for procurement of labor, materials, equipment and an agreed competitive fee to cover the cost of construction management, corporate overheads and a profit. These factors are rigorously worked out prior to the contract award.

The payments of monthly invoices are done within three days in weekly meetings that encourage to expedite the progress and avoiding inherited in current project management process. ­ - BADAN NYACHHYON

Construction industry in Nepal still lacks certain technology that is essential in modern construction. Steel sheet piling for braced excavation (for deep foundations like 2 or 3 basement levels), precast piling system or steel tubular piling system (especially in bridge works), proper system for dewatering of excavation like well point system, use of tower cranes in high rise construction etc. are common practices which help in speedy, safe and economic construction . ­ - RAJENDRA KAYASTHA

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3. Can you compare construction practices found in Nepal and of any other developed country (personal experience of working) Comparing the construction practices in developed countries and in Nepal will be an unfair comparison. Publically safe construction results only with mutual cooperation between the design professionals, regulators, trades and the public. Acceptance and demands for these concepts of public safety is different between the developed countries and Nepal.

Public safety for all is ensured in developed countries through the enforcement of realistic codes tailored to meet the needs of the society. In Nepal, enforcement of building code is a much desired aspiration.

In developed countries, checks and balances are included in their processes so that essential issues of public safety for all are addressed. These issues start getting addressed from conception through completion of projects. Such is not the case in Nepal. Stakeholders in developed countries voice their opinions and opposition to construction projects.

Lessons from the devastation to modern buildings, vernacular buildings, heritage and historic sites and structures must be learned and all new reconstruction, retrofits, restoration and repair, if they follow principles of public safety for all, will be of immense importance to the cultural life of the society. ­ - ANANTA BAIDYA

Having had the experience of working abroad in huge civil engineering construction projects with the contractors and the consultants from developed countries for many years, I can mention, inter alia, four basic issues. i) Time: Time is money for the Contractors.

If a project is completed in time or earlier, the profit earned will be more. Foreigner

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Contractors tend work overtime on a daily basis to finish the project as early as possible.

In Nepal, time seems to be plenty and cheap.

The Employers (Government or Private) are very willing to grant time extensions. But they shy away from making hard decision like issuing variation order, dealing with genuine cases of additional work or payment, because there is a “Damocles Sword: called ‘CIAA’ ” hanging over the heads of project Managers (of Govt. Projects).

No decisions or late decision delays the Contract and increases the cost. ii) Quality: The quality of works is of very high standard in the developed countries. Low quality of construction means high risk of the works being condemned. If a work has to re­executed, it means a lot of time and money are wasted. In Nepal, quality control aspects of construction are often ignored primarily due to lack of knowledge and experience on the part of the supervising engineers. iii) Records/Correspondences: In developed countries, every incident is put on record in writing. Daily records, weekly or monthly records of site activities are maintained in

writing. Here, in Nepal, for some strange reason, the Employers and Consultants have a strong aversion to any written communication. They prefer to deal in verbal communication only. iv) Safety: The safety standard is very poor in Nepal. Safety at construction site means safety of work as well as workers.

In developed countries, a safety engineer is mandatorily employed at site on both sides. The safety engineer has more authority than anybody in the project. He has the power to suspend or stop the whole works if he is not satisfied with the safety measures adopted at site. In Nepal, safety is of least concern.

Measures must also be taken to prevent any disturbances, nuisance and pollution from construction activities that might affect the general public. There is no general practice of night work in Nepal.

Work like digging trenches, laying pipes, constructing manholes and repairs in urban roads should only be allowed night. This way, works can also proceed in peaceful and efficient manner . ­ - RAJENDRA KAYASTHA

4. What are the most common issues found in construction practices in Nepal?

Issues found most common in construction practices in Nepal can be summarized as follows: “Construction practices ignore public safety issues and are conducted in an uncontrolled, unmanaged and unregulated manners”. Given the economic environment of the Nepali, modern practices of construction would appear to be cost prohibitive. That perception has to change.

Public safety for all can be achieved at little

extra cost by doing things in Nepal with a simple perspective. As an example, how much more does it take to increase the size of emergency doors to proper widths? What extra cost would be involved in building disabled ramps to correct are slopes? What cost would result if concrete frame building structures are designed, detailed and constructed to standards based on the buildings use ? ­ - ANANTA BAIDYA

The most common practice found in Nepal is the prevalence of unscrupulous elements in the construction industry. There are no institutions or agencies that take care of performance of the stakeholders, issues related to the plan, policy and principles and overall capacity building of the industry.

There is no corporate requirement to prepare annual performance reporting by the stakeholders, and means to take corrective measures. Such extracurricular exercises and knowledge management need additional resources which cannot be derived from a competitive lowest bidding process. Normally, a corporate house in developed countries is taken as national asset that create employment and jobs. They are encouraged to maintain employment status and offered various opportunities for continuity of jobs, and if not need to pay compensation or unemployment allowances.

Situation of Employers: A skill based labor carries a job card that records his lifetime employment and carries a social security code that warranties the pension plan for meeting the living cost after retirement irrespective of their employment in the government sector or in private business.

A skill labor, fundamentally a nation builder, has no social security and becomes a poor and dependant person and loses his source of livelihood after he retires from the job and completes his lifetime delivery of services. A skill based labor has a ground reality experience and is considered as a source of innovation in the workmanship and source for improvement in delivery of skill, reduction of cost and time, and improvement in quality. The construction industry of Nepal has hardly considered this resource and utilized for improving its performance and efficiency.

Corporate houses need continuity of jobs for its sustainability otherwise they will lose the skill and knowledge base that was created by them over several years. The current trend of huge brain and skill drain

is the product of this anomaly, for which the nation is paying huge price through lost skill and knowledge power. The developed countries absorb the experienced and knowledge based human resource that the country has invested to develop such a skill.

When they move out of the country they do left nothing but even take away the physical and intellectual assets they have acquired in their lifetime.

The construction practices in Nepal suffer from statutory issues, which may need to take very bold steps from the Government.

The Fiscal Year setting has a major default.

It starts in a wrong time. The construction works before the completion of Fiscal are become rigorous but it cannot warrant quality. At the same time, a lot of time is lost waiting for the approval of the budget and annual plan. There is a strong demand for changing the Fiscal Year from the wet season to the dry season in order to take the advantage of release of the last quarter funds. Similarly, the single year of zero­budget system does not allow a good planning of longer period projects. There is a suggestion that the construction sector should be planned with 3 years planning for continuity .

-­BADAN NYACHHON

Major Issues in construction projects are: i) Design errors/mistakes in the drawings ii) Late issuance of drawings (Especially in private hydro­electricity projects.

Contracts are signed before design is complete. The Consultants design or redesign the works during construction period thus causing delays). iii) Wrong or underestimated items in the Bill of Quantity. iv) Refusal or reluctances to order Variation (Especially by Govt. Project Managers): Variation order is a very big issue in Nepal. It would require a lengthy article to explain what Variation Order is all about and how it should be dealt with. It is very much misunderstood by all the parties involved in a Contract. The terms

Variation, Change, Adjustment or Revision do not mean new increased rates or prices. They can mean reduction also. Invariably, rates are reduced when quantities are increased unless special circumstances occur. v) Delayed Payment vi) Unwillingness to pay for additional works vii) Engineers appointed by financing intuitions (banks) act like super consultants and try to interfere with the contract provisions and site activities. In fact, they have no business interfering in the contact administration and supervision of works. This is generally the case in bank financed private hydropower projects. viii) Attitude of the Consultants’ staff: (They consider themselves to be superior to the Contractor’s staff. This is one of the reasons of delays to the progress of works at site. ix) Lack of knowledge and experience of Consultants supervising staff: Engineer with no experience of construction should not be given the job to supervision. x) Disturbance and absurd demands from local people: (Especially in hydropower projects) xi) Role of Politicians: ­Corruption at high level and disturbances to construction activities at local level. xii) Construction Companies run and managed by politicians: There seems to be a new phenomenon. Suddenly, the politicians seem to have discovered that there is a lot of money to be made in the construction business. Without any clue regarding construction business, these companies manage to bag big contracts or sub­contracts using political clouts. xiii) Complete lack of professionalism among the Employer, the Engineer (Consultants) and the Contractor.

Small or big the above issues may be, but they are the biggest hindrances to the smooth execution and timely completion of a project. ­RAJENDRA KAYASTHA april 2016 SPACES / 43

5. How can these issues get mitigated?

Education Mitigation of these many issues can only occur with change in attitude among the designers, professionals, regulators and all other stakeholders involved in the construction process. Many areas need improvement. It can start with a commitment to make "Public Safety for All" a major priority. Education of all stakeholders about aspects of "Public Safety for All" will be required. Codes, regulations including the Nepal National Building Code, instead of being a collection of information from different codes from different countries, need to be a realistic and useable code. It must be reviewed for correctness, updated and enforced. Educational institutions that train future engineers and architects, trades must educate future technicians and professionals on these issues. In addition, existing professionals and institutions involved in the construction and reconstruction industry must be able to accept a system of checks and balances. ­ - ANANTA BAIDYA

Planning & documentation The recent political and bureaucratic doctrine tells us that new Nepal needs to destroy the old traditions. So, the whole Nation is geared up to destroy the traditional institutions that were created over centuries. Nepal has not developed itself as an institution that is ruled based on the Rules and Regulation promoting the institutional development. Over the last seventy years, Nepal has not identified its direction of development focus, therefore changing it’s direction of development in every Periodic Plan and destroys the institutional development process it has created during the planning period. To really figure out the depth in which the construction industry has given priority in these planning documents is a matter of study. Such documents have hardly acknowledged the need to give priority to institutional development of the sector guiding through policies to retain the 44 / SPACES april 2016

experienced resources, upgrading their skills, accumulating the experience and knowledge, encouraging the innovativeness and effective cost reduction, and sharing the benefits.

Institutions Who is the in charge of the construction industry in Nepal? What plans and programs are on the floor to institutionalize and strengthen the industry are still to be visible.

The search for mitigation measures of the issues and if found in some parts ­where does the will power for implementation comes in contrary to the current development doctrine of “Destroy the old traditional” to create New Nepal? Surely, the institutional setup that the new polity has visualized needs another century. The mindset reforms are more challenging if the understanding is weak and negligent. Weaker the institutions, weaker the industry and economic growth.

The only way to reverse the negative trend and mitigating the issues is to strengthen the institutionalization. But institutionalization of the industry and services is not in the menu of the present day development policy. ­ - BADAN NYACHHON

Time and respect As they say time is a great healer. Time can also be a great “Mitigator” (if I may coin this word in this context). It would take many years to develop the level of professionalism that we see in the foreign countries, so let’s wait and allow things to evolve over a period of time, which we have plenty anyway. This might be a pessimistic view but this is a reality. One may offer many solutions but who is there to implement? The only solution is for each individual to be honest and sincere and give due respect to the other party and recognize that each party concerned has both rights and obligations. While one must pay for any service one receives the other must not seek more for doing less . ­ - RAJENDRA KAYASTHA

6. (In your opinion) How can we improve construction practices in Nepal? Where do we start from?

Firstly, we need to recognize that construction industry is a technical and professional business bounded together, and professional and business ethics which needs to be demonstrated by all three major stakeholders: The Employer (Owner, Donor and Design engineer), Engineer (Project Manager) and Contractor (Contract Manager).

Ethics and Integrity are one of the crucial elements that still have to enter the industry. Eliminating conflict of interest is another big task. Many construction companies are operated by hidden ghosts. In many projects, it is assumed that the representatives of the employer and engineer act as hidden ghost. The presence of international partners in the contract administration and management is another issue, which has not actually brought the value of money and delivered the transfer of technology and knowledge. The answer is not so simple.

But there is a need to derive lessons learnt from previous and ongoing projects, and put efforts for policy reforms starting from the reform of the Public Procurement Act, which is considered as a hindrance in construction industry. Construction industry is a business that encourages high ethical standards and integrity by all its stakeholders.

It would be relevant to refer to the Four Way Test of Rotary International. The Four Way Test demands for checking the personal attitude with following four questions: “Of the things we think, say or do”, check following queries: 1. Is it the Truth?

2. Is it Fair to All Concerned?

3. Will it build Good Will and Friendship?

4. Will it be Beneficial to all?

Rotarian Hebert Taylor deriving above “Four Way Test” back in 1932 claimed that the business of his company rapidly grew with improved staff performance and gaining the confidence of the clients despite of huge recession of economy . ­ - BADAN NYACHHON

Given the current environment in Nepal, it is important to start this re­education process­ starting off with the young generation of engineers, architects and trade works.

These concepts of "Public Safety for All including people with disabilities and the elderly" must be taught in these environments. Earthquake engineering must be properly taught and practiced without forgetting the basics. There is a tendency to be fancy with the use of

computers but basics are misunderstood.

This can begin if the local (intellectual) community has the humility that allows and accepts review of their designs, programs and public education material by experts and expats outside the local pool.

Construction practices that ensure “Public safety for All including People with Disabilities and the Elderly” requires the balanced team approach by effort of all stakeholders, planners, design professionals, architects, technicians, educators, and regulators. To achieve this, all involved entities need to accept that success depends on listening to each other, accepting the expertise of different disciplines and not claiming expertise when there is none. ­ - ANANTA BAIDYA

It is not that the construction practices have not improved. Only the pace was very slow. Engineers must realize that building something on the ground is more important and satisfying than drawings something on paper. Engineers must learn the hard way. They must work in the construction site for say 5­10 years before they turn into Consultants or Designers. Designers should not always rely on design software. Before becoming design and supervising engineers, they should be thoroughly conversant with the construction practices. One who designs must also know how to build it.

Last but not the least, both the Designer and Contractors should be familiar with modern construction technology and try to introduce them in Nepal on the basis of their suitability and the need of the hour . ­ - RAJENDRA KAYASTHA

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architecture

Conversations on ethics of the built environment An interview with Kishor Thapa

A

rchitect Kishor Thapa has held numerous important positions in his career. As a secretary at Ministry of Urban Development, he involved in numerous crucial governmental projects like rehabilitating postconflict combatants after the Nepali civil war, planning new cities and municipalities like Tikapur, and preparing Kathmandu for the recent SAARC summit. Currently he is a consultant for the Myanmar Government, to help them put together up their National Housing Policy. He is also an Adjunct Professor at Kathmandu University where he is designing new innovative educational programs in the Department of Architecture.

Here is a short conversation with the deft architect.

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1. Can you please elaborate on your background? How did you get into the field of architecture?

After I completed my Intermediate in Sciences, I decided to study engineering. Initially I did not know the sub-division of engineering that I wanted pursue. But I was told that architecture is an emerging field in Nepal, and will be very useful in future. There was an attraction amongst youths towards architecture.

I specially was attracted by the structural design element in the curriculum. Hence in 1978, I departed to pursue architecture in Bengal Engineering College, Kolkalta under the Colombo Plan Scholarship.

them to converse and collaborate with the community they are based in.

It also aims to create a professional network that tries to connect new architects with different national and international organizations.

Occasionally the organization also conducts discussion sessions on issues like an architect’s code of ethics and their responsibilities.

2. What do you think are the society’s demand and expectation from an architect?

Society’s expectation from an architect rests on its existing culture, economy, geography and climate.

But sometimes there is a mismatch between a society’s expectation and the architect’s delivery. The society perceives that the houses designed by architects are expensive, and hence they are not accessible.

At times they even assume that architects are corrupt, they approach their clients in an overbearing way and make little attempt to understand the clients’ feelings. This miscommunication prevents efficient collaboration, which is only possible when the architects and the clients consider themselves as partners.

5. In the rural areas, houses are in harmony with the environment. But now with urbanization this scenario is changing. Has any efforts been made to preserve this harmony?

In urban areas building code and building by-laws are in place to regulate urbanization. Although such codes and by-laws already exist, generally they are not followed.

When these codes and regulations are not followed, a proper and wellmaintained cityscape that has been imagined will not be possible.

3. You are the president of the Society of Nepalese Architects. Can you elaborate what this organization does?

This organization aids in enhancing and facilitating the professional practice of young emerging architects.

It teaches them how to transfer their knowledge and skills to the community and the clients. It mentors

4. Has there been an attempt to direct the attention of architects to the rural areas?

We have been advocating posts for new architects in the new municipalities that are being formed by the government.

6. As you said, the government regulations are in place. But is there a regulating body to monitor it?

A monitoring body is necessary for to check the implementation of rules, but such department or organization does not exist in Nepal. Here the municipalities and the departments themselves, function as monitoring bodies. But it shouldn’t just be the government regulating the building codes, the society as a whole should be volunteering their efforts to regulate their communities. The built environment is the responsibility and moral duty of the citizen.

7. How was your experience working in the government?

Government operates in a system, where you are a part of a greater whole, so you have a defined contribution to make. But lots of people don’t even make that defined contribution. As part of a greater system, I have to fulfill my role, without encroaching someone else’s. Government works on the basis of preexisting policies, program and directive devised by the political leadership.

Politicians make the policy and the government implements it.

8. What motivated you to do your job well, while in the government?

Once you have authority and resources, there is an enthusiasm that comes with every completed task or project. Especially with experience and expertise, one is able to expedite the works and the processes.

For instance, towards the latter half of my government career, I could advise and introduce new programs, this encouraged me to work more and do more.

9. Can you give an instance of a work you are really proud of?

After the end of the civil war in 2006, we had to rehabilitate the Maoist combatants in 28 new cantonments as per the governmental directive. We completed this work in around three months. In most post-conflict scenario such project takes much longer time, around 1.5 years. But we created a systematic infrastructure in the rehabilitation area, and constructed buildings and roads within a short period of time. I am also proud of the town-planning project in Tikapur. It is a different kind of joy seeing people takes advantage of the infrastructure you have designed and worked on.

10. What about issue of sustainability though?

This is one aspect that we have to build on.

Nepalis are quick to respond in situations of crisis. For instance during this past April-May earthquake we were very quick to respond with rescue and relief, but we were not good in following-up. Now we have to work on

sustainability. This should be embedded to our system. So that efficient procedures are embedded into the existing system, and the inefficient ones are erased out.

11. Kathmandu is already urbanized. How to improve the design of this pre-existing city?

Kathmandu is a city filled with old architecture and infrastructure, these needs to be conserved as the city modernizes. But as the urbanized areas of the city are deemed as being chaotic and disharmonious, elements of more systematic planning such as managed building and complexes are in demand.

People are constantly seeking a better lifestyle, this has to be backed up for a proper living space, managed parks, appropriate parking areas and other open areas that characterizes an organized settlement area.

12. But this process of gentrification has its side-effect as well. Doesn’t it?

True, affluent households will displace the poorer families to more unhygienic conditions.

But higher quality life and the process of gentrification will stand as a model for lowincome housing projects as well.

13. Can you please describe your work in Kathmandu University?

In Kathmandu University, I worked with the program development team. I analyzed the need for newer degrees and program at the university. Currently, we are starting a new architecture program. We are also introducing heritage management and landscape design programs.

14. How is the local research in the field of architecture?

Right now we have 7 architecture schools in Nepal. Students from these school visit different architectural sites collect the data and document their findings. This is one type of research that is currently happening in the country. For instance, now we have the plans and the maps for all the temples that fell down in the earthquake. The documentation element has been well covered.

Besides this, academia monitors and reviews the policies being implemented by the government. They usually diagnose the design problems such crowd management and transportation planning. But the level of research in the institutions is still not adequate.

15. Do you think that disciplines like ethics and philosophy should be included in architecture curriculum?

Architecture students should not only be good architects but should also be good human beings. Hence these days’ humanities courses are also being included in the engineering curriculum, in order to help them device a smooth human relation, later in their career.

The hope is that, encompassing human elements in the course structure will enhance their connection to their clients. This human dimension will also assist in team building and team work. It also teaches young professionals to respect the leadership in the field, and properly communicate with their constituency.

16. What do you think about the communal pressure of earning money? How to minimize this?

This has to be balanced. The basic needs of every professionals has to be fulfilled, but people should not have unlimited desire. A responsible and moral individual has to be able to disregard social pressures. They have to realize that in the early stages of their careers are for learning, working hard and gathering experiences, rather than harboring capitalistic desires.

17. How to minimize some of these attitude problems that are seen in most professional fields?

Young professionals should pick up a good role model and learn from them. People in leadership, in higher positions, with good experience, are knowledgeable and enlightened. Such people can stand in as an example of perfection and excellence, for the emerging generation. An experienced and moral role model is often an illustration of good ethics and values. Learning from these professionals would help reduce some of these attitude problems, not just in architecture but also in other professional fields. april 2016 SPACES / 47

Panchakanya Group mr. Udeep Shrestha, Director Tell us about the introduction of LGS in the Nepali market, and its related projects in the reconstruction phase.

Light Gauge Steel (LGS) is a fairly new product in the scenario of the construction industry of Nepal. Panchakanya is the only company who is locally manufacturing this product. We are still continuing our process of expanding our team and building more awareness and familiarity to the general public and our local architects, designers and engineers.

Our efforts are towards sharing the design, structural analysis, and visual experience of how it feels to have a permanent structure of LGS. The Nepal BuildCon and Nepal Wood International 2016 was a good opportunity for the public to learn about how the structure is computer generated, how cost effective it is and how easy it is to transport to site. This is not just a crucial phase of our company’s development, but even more for our country.

Initially we entered the reconstruction phase by supplying toilet pans to organizations that were focusing on sanitation. That was immediate, what followed next was to introduce a permanent solution. Our project using LGS has had diverse applications­such as hydro offices in remote areas, government (Ministry of Education) approved school designs, and also residential homes. Being local manufacturer gives us an advantage of being able to cater needs and demands immediately. Panchakanya has always been exploring new products, and we had been planning to introduce LGS in Nepal prior to the earthquake.

How is the current market scenario and competition?

Competition exists for sure. LGS is a just method of construction, and there are many other methods of construction using steel

such as Roller Compacted Concrete (RCC). In terms of just LGS, there are companies who are looking into it, but I am not aware of any company who are currently supplying LGS for Nepal based projects at the moment. We do feel at advantage of being local manufacturer.

The market scenario after the earthquake has brought a good demand, but the blockade stalled the market for quite some months.

What kind of support do you need from the government sector?

We must not be the only company that are trying to explain the government to use their products and technology. As there are not enough experts, the government is still in the discussion phase. However, this pace will not suffice any rehabilitation needs and demand.

The government must be flexible and open to change to new materials and technology.

There needs to be a positive outlook.

Pashupati Paints Mr. Abhishek Murarka, Managing Director How is the current market scenario and how long will it take to make it better?

The current market scenario is unpredictable. However sales is improving gradually but talking about the financial year none of the business houses are satisfied with the present market. First it was the devastating earthquake which was followed by many months long border turbulence causing extreme shortage of fuel and other essential goods that also resulted huge plummet in overall export

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and import businesses of entire country.

These things have definitely pushed our market and our economy to years low which will of course will take a long time to recuperate. Yes, we are looking forward for a positive sign in the new fiscal year.

How is the future predication regarding the market revival?

We can’t predict any situation. Especially in a country like ours where we are facing a number of uncertainty at every level.

However, we agree it has been streamlined up to some extent but that’s not enough. Fear is still looming there but the business should move on and we are also moving according to the market demand. Truly speaking we are not prepared for any emergency condition in the country as we cannot predict what kind of situation might arise. Everything depends up on the governments’ decision and control.

It should create a conducive environment for business houses and organisations like us to survive in the long run.

Please share us something about the ‘The Nepali Paint Market’.

There are more than 35 paint factories all over Nepal. Thus competition is there which is high and healthy. However, when it comes to the competition with the international brand our local paint products are facing a tough time. Both due to the choice of consumer and the attention they get through national and international media. The international brands have high advertisement that we cannot match. Another reason for not being the first choice in the local market is that there is less consumer awareness regarding the use of local products. We have the same quality at more affordable price but people are hesitating to choose the local product among the other international paint products.

What kind of support do you need from the government sector?

The overall domestic/local businesses can only survive and grow if and only if there

is a government support. We need a fair competition, where government should also allow us to participate in the national projects. The government should allow opportunity, rather than mentioning a company’s name it should create certain specification regarding the kind of product and services they require such that the local or the domestic products can also participate in the competition.

Tell us about Pashupati Paint’s new initiatives: Concept of ‘Color Bazaar’ and ‘Color your Dream Campaign’ Basically ‘Color Bazaar’ is a one stop solution for our customers who can have a clear concept about the colors and the quality of paints they are using. Our showroom is easily accessible where anyone can visit and have a good knowledge about the variety of color and combination of color which they want in their homes, offices and so on. We are trying to showcase the basic concept of color at Color Bazaar so that users make the

correct choice and take maximum benefit, at no added cost.

Meanwhile, ‘Color Your Dream’ is one of our bigger campaigns initiated via social media to enroll a huge number of people where they can color their dream home and win a lump some prize. The campaign will give them a recognition in the market at the same time it will also help us to create awareness about our brand in the local market through the people. This campaign has definitely increased our consumer reach and has shown our presence in the niche market. We had our last participant on March 22 in our ‘Color Your Dream’ campaign; we will also be publishing a calendar which will showcase the winners’ entries.

Works Done Recently we have painted the Shankaracharya Gate. The Tudikhel bars are maintained by us. And we have been participating in various corporate programs as well.

Natural Furnishing and Construction Pvt. Ltd. Mr. Arjun Acharya, Managing Director Tell something about your product and its market presence.

Though having a long market presence Natural Furnishing was formed in 2008.

The company has been working since 2000 with different names. The company is an expert in prefab and steel structure, aluminum, interior decoration, furniture and furnishing, flooring and partition, false ceiling and aluminum composite panel etc. Along with experienced team of qualified civil engineers, interior designers, supervisors and dedicated workers the

company has contributed a lot in the market with quality product and effective services.

The company offers integrated services, customized to each client’s individual and specific needs in different areas.

What is your experience in the construction field?

We are more focused on Prefab work.

At the mean time as the market trend is gradually shifting to the prefab work compared to the brick work we are getting more inquired regarding the prefabrication

of house, office building, schools and hospitals. Similarly the construction work is rising compared to the past few months however it is still in need to take a pace.

My experience in the construction field is since many years and I feel that it needs to be more healthier and there needs to be appropriate plans and policies from the government level to make it more systematic.

We also are in need of trained and skilled man power. The demand of prefab is

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increasing and at the same time the need to get skilled manpower is increasing at the same pace. Our customers are still in doubt whether a building more than that of two storey is feasible or not due to the lack of proper resources and manpower.

We currently are doing a number of projects some of them are Euro Kids, IEC Fashion Collage, Kasthmandap, Raj Overseas, Satya Sai Kendra, S.E.A Academy, Prabhu Management etc.

How is the market competition at present?

How can it be improved if changes are required?

After the earthquake people are willing to invest but they are in dilemma to make the right choice. Unhealthy competition has deep rooted our society making it more complicated for investors to make a good choice. People are more diverted towards flashy advertisement and are not able to make right investment. My personal view on that is people should have a wide view on of the choice they are going to make, they must also be clear about how long the product lasts and their investment won’t go on vain. In terms of traders and companies they should try and maintain quality in the material they supply such that there will be healthier business environment. Even the government should also watch the market and encourage quality product and services.

How do you suggest people to choose building materials?

We personally want to suggest that people should first get a wider knowledge of the product they are going to choose. Their choice should not be based on commercial advertisement but experiences from the market. They should believe in hard and smart work. While investing they should be aware about the guarantee time they will get that is after sales services also. We are here with a long term experience and we have an experience of fifty years in our products. There are companies which have recently joined the market but the buyers

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should be experienced enough to know the product through expert advice and suggestions. They must choose quality rather than cheaper materials.

They must cooperate with experienced workers and technician so that the buildings and interiors can get excellent finishing. People should also be aware of inexperienced technician in the market.

april 2016 SPACES / 51

interior

Color

palette for our home Painting our life with colors

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O

ur home is a part of who we were, are and will become. It is where we come together with our family and where memories are often created and reminisced with the ones we love. Most often overlooked, colors have the greatest influence in crafting the atmosphere of our home.

Because of the psychological effect, colors can affect our moods and emotions secretly shaping us over time. This is why it is important to choose

colors wisely when it comes to our home.

We can use colors to shape our life and to create a world of our own. The choice of colors guides how we, our family and friends feel when they walk into the different rooms of our home. After deciding how we want each room to look and feel, we can strategically use colors to design exquisite spaces for everyone to enjoy.

Entrance Bold and vibrant colors such as red, blue and orange are always the first choice when it comes to marking the entrance to create a strong first impression. While, in small spaces such as lobby and hallways, the use of yellow can make it feel expansive and welcoming at the same time.

Combination of soft green and warm brown for a pacifying effect

Living Room A communal space, the living area functions as a serene retreat for intimate conversations. Use of muted colors such as a warm brown tone, helps create a soothing aura where the family members feel comfort and togetherness. Tranquil colors such as soft blue and green relieves stress and encourages relaxation for a long period of time.

Shades of orange merging with the rich tone of wood encourages the appetite and socialization

For some people, the living room can also function as a lively and high-energy social area. To create the effect, shades of warm color such as red instantly raises the energy level of the room drawing the family together and inspiring conversations.

Dining Room Dining room is a lively setting where the whole family comes together to share a meal, stories and laughter. Bright colors such as orange add an energetic feel and stimulates our appetite making it perfect for this space. It also evokes a feeling of excitement and enthusiasm and encourages the family to enjoy the food as well as the company. Because of the freshness quality of the color green, it can also be used liberally in the dining room to represent healthy and nutritious food.

april 2016 SPACES / 53

Kitchen In a home, kitchen is the place where activity prevails the most. Hence, active color such as yellow is an excellent choice, as it increases the metabolism and gives energy. Moreover, yellow represents the joy of sunshine inducing a feeling of optimism and communicates cheerfulness.

Yellow and neutral white is welcoming, uplifting and expansive brightening the space.

Bedroom Bedroom is the place of serenity where you escape and unwind after a busy day. Calming tones such as light shades of green, blue and purple allow our mind and spirit to regenerate and helps sleep in a convenient manner. Green, the color of health and tranquility is also

Soothing soft green combined with spiritual purple crafts a space for replenishment

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believed to help with fertility, making it a great choice for the bedroom. Blue makes us feel tranquil, serene and relaxed, and is also said to bring down the blood pressure. Pink and rosy red symbolize deep love while purple is a spiritual color that soothes our senses.

Children’s Room This room is where a child plays or develops a sense of personal space that shapes his personality. In the child’s room, we usually paint the masculine color blue for the boys while the feminine color pink for the girls. However, the choice of color should be dependent on the nature of the child. For a hyperactive child, being around over-stimulating colors such as red and orange can raise the tension levels. While for a quiet child, being around calm colors such as light blue and green might not help raise the energy levels. Vibrant and striking hues- blue, yellow, orange, purple and red are appropriate for the child’s room depending on the personality of the child.

Dynamic shades of orange, green and blue encourages activity and ambition.

Office When it comes to office space, blue is the color of professionalism as it is the most productive color. Working in a room with the color that inspires us increases our productivity. Green, a versatile color combines the serenity of blue and the joy of yellow. It is the most serene and restful color to the eye which helps in increasing alertness, mental focus and memory. Working in front of the computer for a long time gives visual fatigue which can be overcome by looking around the room painted in soothing colors that helps mitigate the strain on our eyes.

A loving atmosphere in your home is the foundation for your life.'

- Dalai Lama

Soft blue encourages creativity, keeps us focused and at peace increasing the productivity.

The overall color palette of our home should help create a positive aura around us making us feel calm and composed. Moreover, the choice of colors goes a long way in turning a house into our home. Colors can help soothe our senses in the bedroom, stimulate our appetite in the dining room, spark creativity in the office and further cultivate an imperishable family bond. Painting our world with a rainbow of colors that best define us will bring joy, peace and harmony to our home.

april 2016 SPACES / 55

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advertorial

BARAHI BUILDERS

YOU DREAM IT...

WE BUILD IT...

E

stablished in 2013, Barahi Builders is emerging as one of the truly leading company in the field of Interior and Exterior construction work.

We aim to redefine platform for our clients in perfect harmony on their visualization helping them realize their dream.

In a short span of time Barahi Builders has achieved business success without compromising on value and won the trust and confidence of many customers and associates alike. We offer integrated services customized to each client’s individual and specific needs in the following areas : n Complete prefab building construction n Fabrication of aluminum doors, windows, partitions and structural work n Aluminum composite panel (ACP) work n False ceiling and partition work n Modular kitchen and furniture n Laminate parqueting n Interior designing n Painting work n Toilets and bathroom n Solutions for complete furnishing and finishing of home, school, college and many more.

We believe that good design is the physical experience of combination of practical ideas, imagination and creativity.

Aiming to add value aligning ourselves with our client’s goals, delivering services that meet their quality, schedule and cost objectives becomes our motto.

Barahi Builders was established with the perspective of providing complete prefab solutions in construction area. Though the company was formed on 2013, we gathered experienced and highly motivated experts in the field of Civil Engineering, Interior Design and Supervisors who are already providing services and constructing many structures in and outside of the valley.

We thank all our customers and well wishers for having good faith and providing the opportunity to deliver what matters most to them. april 2016 SPACES / 57

advertorial

Because a

Home

is Where Your

Heart

is

“Y

our home must love you.” This is the principle Archna Shah Singh, founder of ARC Design Corp, holds true above all else and it is something that can easily be seen in all the amazing work that her firm has been doing in the last few years since it came into operation.

ARC Design and Developers Pvt. Ltd. is an interior design and development firm that provides a complete set of services from consulting and interior design to construction.

Everything that needs to be done after having your home constructed and before moving in can be taken care of by Archna and her team of designer and developers and it will all be designed to your specifications.

“All of us want a good life. And that’s what we want to give to our clients – a better living. There is an obvious difference when the interiors of a house have been designed by a layman vs. a professional. Having dedicated our careers to interior design, our main motive is to have regular Nepali citizens benefit from the knowledge and skills that we have to offer.”, says Archna talking about her company’s main objective.

“Interior design is much more than simply beautifying your home”, she adds. It includes

58 / SPACES april 2016

a wide range of other things from space management and structural integrity to fulfilling the practical demands of a room – things that can only be well carried out by an experienced designer.

There are lots of benefits to hiring a professional, according to Archna. “Unfortunately, people these days have this concept that interior designing is expensive and unnecessary. I really want to change that.”

“Many out there seem to have this idea that instead of paying a designer to decorate their houses, their money could be better spent on buying something else for their house.

But what people need to realize is that whatever you spend on an interior designer, you’ll get the return on your investment accordingly.”

“I can guarantee that once a project is done, my clients will feel that they got their money’s worth and did not waste a dime”, she states with certainty.

So what can a new client expect from ARC Design Corp?

The major selling point for ARC Design Corp according to Archna, is space management.

With growing urbanization in Kathmandu, space is quickly becoming a very uncommon and valuable commodity. What she and her team specialize on is taking advantage of every available inch of space.

“Space is never enough for us.

To consider the amount of space you have and design an interior

so that the space available is utilized to its fullest potential and all your requirements regarding the room are also fulfilled at the same time – that’s the real challenge for us.”

Besides good space management, one can also expect a good design, quality materials and a service that goes above and beyond, when it comes to ARC Design Corp.

She further adds, “I want people to stop thinking that hiring an interior designer is not within their budget. We can easily work within your budget and by hiring us, you will get more benefits than you imagined and better utilization of your limited options.”

In fact, Archna and her team only recently designed an entire bungalow on a very limited budget – a project that went very well and whose results she is very eager to replicate.

“I really want people to just come and meet with us, just once. We don’t charge as soon as you walk through our doors. Share your problem and discuss with us once. And who knows, perhaps we might just be able to help you out!!”

She insists that one’s interior décor can have a huge effect in one’s ARC Design is also very much personal and professional life and make your life either very easy dedicated to quality control, a or very, very difficult. claim that has been supported by many of her previous clients.

Archna personally assures us that the service provided by ARC Design exceeds all expectations.

“I just want people to know that we can provide you a better living and we can do so within a budget you are comfortable with. There is no doubt about it.” She also personally vouches for the quality of the materials and the craftsman-ship of all the work done by her company.

Besides providing unmatched interior service to Nepalese clients, ARC Design also wants to dispel a few myths about interior design.

In Nepal, people still tend to think that interior designing is only for the rich, which is a completely wrong approach.

Once you are rich, you have enough space and money to do whatever you want with your home. But people in the middle class have limited resources and options. Archna insists that her firm can help them make the best of those limited options.

april 2016 SPACES / 59

“People have this concept that your personal life and professional must be kept separate. But your home life has a huge effect on your profession. If your personal life is suffering, it starts to show in your work as well.”

So what does she suggest you do for a better home life? Invest in an interior that truly pampers you.

“Every room and every furniture in your home must understand you perfectly– understand what kind of pillows and bed you prefer. If you extend your hand in this direction you must easily find your switchboard and if you move it in that direction there must be a pile of magazine waiting for you. That is the kind of pampering you must get from your interiors when you are relaxing in your home” There are certain portions of a house that Archna believes must be designed well and NEED the experienced touch of an interior

60 / SPACES april 2016

designer. Chief among them –kitchen and the master bedroom.

“When you are a woman, whether you are a house wife or a working woman, if your kitchen is unmanaged, it takes a mental toll on you and the stress starts to affect your career and professional life.”

In the same vein, your master bedroom also needs to be well designed. “Your bedroom should be the one place where you feel relaxed and at peace. Only then will you feel truly at home in your own house.”

Archna’s belief regarding a beautiful and happy home seems to have struck a chord with many a people. ARC Design Corp has already satisfied a wide array of clients from all walks of life.

Of all of ARC Design Corp’s clients, none seem more enthusiastic about the work that they have had done than Mr. Pawan Mahato and his wife Shweta Shah,

proprietors of Raman Constructions, one of the leading construction businesses in Nepal.

The young couple have incredible accomplishments to boast of. Mr. Pawan Mahato has been in the construction business for over a decade and has been involved in many well known projects including the KUKL Melamchi II project.

Their company, Raman Constructions won the FCAN Excellence Award 2072 for Best Contractor from Federation of Contractors Association of Nepal (FCAN).

Mrs. Shweta Shah is a movie producer and a well known media personality. She also anchors at News24 channel.

Though fully immersed in their business, this young pair hardly adheres to the stereotype of “stuffy businessperson”. The two of them are a fun loving couple. Mr. Pawan Mahato is a very accomplished musician whereas Mrs. Shweta Shah is an

avid dancer and riflewoman. Their youthful energy, interests and passion for life is well reflected in their bedroom.

the one thing going through my mind throughout the journey is ‘When can I see my bedroom?’ “ says Shweta Shah.

This happy couple had their terrace turned into a gorgeous master bedroom. Mr. and Mrs. Mahato seem to be very excited about their bedroom of almost a year.

The Mahato couple has even begun entertaining the idea that perhaps their bedroom has had a positive effect on their business and work life. Ever since moving into their new bedroom, things have been going incredibly well in their professional as well as personal lives.

The room is very much influenced by Pawan Mahato’s love for music. The tables and the chest of drawers resemble piano tiles and there are musical notes behind the headboard of their master bed. There is even a special spot designated to display his beloved guitar, which we he plays every evening.

Talking about their incredible and (relatively) new bedroom, it was a complete overhaul from their previous one, which they did not seem to have enjoyed too much.

The new master bedroom was also made in accordance with Vastu Shastra – a Hindu system that incorporates architecture with ancient beliefs regarding geometrical patterns, symmetry and directional alignment. Though not very strict about these things, Shweta did insist on correct directional orientation for her bedroom.

“I wanted the room to be open and airy with big windows and doors and plenty of space. We decided to convert the terrace into our bedroom because it is very open with a lot of breeze flowing through. And during winter, you get a beautiful view of the mountain along with the warm winter sun. “ she says.

The couple already admits to feeling the positive vibes from their room, which in turn seems to be having a positive effect on their lives. For Ms. Shah, the bedroom is a place for rest and worship, who finds the environment in her room to be very peaceful and filled with positive energy. “ I love spending time in my bedroom.

Whenever I return home from somewhere,

And it is not only the Mahato couple who were impressed by the work ARC Design had done for their home and master bedroom. Several of their friends and family members have also expressed their admiration and even taken pictures and videos of the beautiful bedroom.

Shweta, who admits to liking monochromatic looks, had the room done in black and white with a touch of red. She believes that each color has an essence.

“I relate black with positivity because it incorporates every color into itself. White, on the other hand, is like a princess - exclusive.

The accents of red add some romance to the interior.”

Perhaps the one thing that the Mahato couple liked the most was quality control.

“Generally, you need to oversee the work done by contractors to make sure everything is being done well. We didn’t have time to do that with our previous renovations and as a result we were not too happy with the results.”

Archna and her team made sure that everything in her home was of excellent quality. They also made sure that the room was very, very safe by adding gypsum boards, which regulate the room temperature and adding fireproof materials to the walls.

Pawan and Shweta Mahato had so much confidence in ARC Design’s capabilities that they even let Archna pick out the knick knacks that interior designers often don’t bother with.

It has been nearly one year since ARC Design designed their dream master bedroom and Mr. and Mrs. Mahato claim that not a single thing has gone wrong.

There seems to be no doubt that the Mr. and Mrs. Mahato are more than satisfied with the work ARC Design had done with their bedroom.

What first drew Mr. and Mrs. Mahato to ARC Design in the beginning was the level of planning and details that Archna went through to show them their future bedroom.

“Around 15 days before the work began, she showed us a 3D design for the building.

You could get a good idea about what the rooms would look like and you could change whatever you wanted before they even started building.”

“They did everything in a step by step manner and just make sure that you were completely satisfied every step of the way. I never had any room to complain, whether it be with their quality, their brand or their working style.”

april 2016 SPACES / 61

advertorial

The Ultimate

Building Solution hygienic control coatings, water proofing treatments, epoxy flooring, decorative paints and much more.

“Our essence is protection.

Our inspiration, nature” Upholding this motto for more than two decades, Apurva Nepal Group has been providing some of the best building solutions to homes and offices in Nepal.

When it comes to the safety and comfort of our homes, no effort is too big. And Apurva Nepal Group leaves no stone unturned when it comes to your protection and comfort.

They provide cost effective and innovative building solutions for homes and commercial buildings throughout the country.

Apurva Nepal Group comprises of Apurva International Pvt. Ltd. in Gatthaghar, New Apurva Trading House in Teku and Vishal Apurva Pvt. Ltd. in Birgunj. They deal with all kinds of Building Technology, Building Materials and Roofing Solutions.

They supply construction chemicals,

62 / SPACES april 2016

They are the sole distributors of APURVA India, Parex Group and Sunrise UPVC Roofing Sheets in Nepal. They also deal in products by Asian Paints, Berger Paints, Kansai Nerolac Paints, Pashupati Paints, Akzonobel Dulux and Birla White Cement to name a few. In fact, they are the first Multi Brand Paint Showroom in Nepal.

One of their most in-demand products at the moment is the SunRise Brand UPVC Roofing Sheets with Double Fibre Mesh and PMMA color coating. These roofing sheets provide excellent heat and sound insulation, are leak proof, wind resistant and fire retard. They are also long lasting due to age resistance and UV absorption technology.

They have been developed to resist acid, chemicals and erosion, making them particularly strong. In a subtropical area like Nepal, these roofing sheets can last more than 20 years. These sheets are available in two colors – terracotta and blue and the colors last for more than 5 years.

Apurva Nepal Group is also the exclusive dealer of Parex Group in Nepal. Their products include Polyurethane Plus and Sovacryl, which are both ready to use

waterproofing and sealing membranes.

Polyurethane Plus is a single component water-based waterproofing membrane with anti-fracturing, curing, no blistering and UV resistant properties whereas Sovacryl is a waterproofing and sealing membrane for metal roofs, concrete, mortar, plastic and asbestos sheets.

Apurva Nepal Group also deals with sealants for external surfaces, internal surfaces and floor surfaces. For external surfaces in buildings, Clearseal provides long lasting, crack healing, antifungal and waterproofing coating for plastered and brick surfaces. Walgard WB secures internal surfaces by ensuring that your buildings are protected from bacteria, UV, fungus, crack resistant, water borne, polyurethane coating with excellent resistance to UV, fungus and disinfectant chemical for internal walls and ceiling surfaces . As for floor surfaces, Florcoat WB and Florgard SL are both epoxy floor coating that provide joint-less floors that are hygienic and easy to clean, ideal for hospitals, pharmaceuticals, food and beverage production areas, etc.

Apurva Nepal Group, in its 20 years of operation has satisfied many clients.

Some of the more distinguished clients

they have rendered their services to include the American embassy, the British embassy, UNMIN, British Gurkha, the Department of Education, Tilganga Eye hospital, Hotel Soaltee, Hotel Radisson, St. Xavier’s school and Quest Pharmaceuticals to name a few.

They have also worked with most of the pharmaceuticals, hospitals, business towers, government offices and other commercial buildings in Nepal.

Apurva Nepal Group, whose head office is situated in Teku, Kathmandu, is truly the ultimate solution when it comes to materials for building and construction in Nepal. Whenever you need building supplies for your homes or offices, you can visit one of their three showrooms in Teku (Kathmandu), Gatthaghar (Bhaktapur) and Birgunj. They are also opening a fourth showroom in Pokhara, which is to be unveiled in a month or so.

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df]jfOn xftdf, pHofnf] ;fydf april 2016 SPACES / 63

From the Shelf

for

landscape architecture

T

he book represents an historic event for the profession of landscape architecture. By scope and organization, it provides a broad practical definition of what landscape architecture is as an applied art and science. The data and standards it contains demonstrate how and where the profession interconnects with the efforts of many specialists from different sciences and technologies. In this way it is a book for the future as much as it is for the present; it recognizes the need for more interdependence between the various professions as specific tasks become larger and more complicated.

64 / SPACES april 2016

As the growing national and international importance of landscape architecture and the need for such a handbook on design and construction data, the book would be not only for landscape architects but also for architects, planners, engineers, conservationists, land developers, landscape contractors, and others who are concerned with our natural environment and how it is modified.

Two basic abilities were needed for the successful completion of this book.

They were the ability to persuade a large number of practitioners and academics to

contribute and/or review material for the various sections and the ability to organize this massive amount of information into a useful overall format.

The book tries to create a common technical framework for the professions of landscape architecture, architecture, engineering and planning by expanding and emphasizing the core construction content of the profession. Site Construction Operations has been added to describe the procedures and equipment required to build on the land from the contractor's perspective; Spatial Standards has been revised to emphasize humanscale dimensions in the landscape, with provisions for small, medium, and largescale cultural settings; A new section on Energy and Resource Conservation focuses on both site planning and design approaches which promote appropriate bioclimatic responses; Site Drainage has been folded into Stormwater Management with emphasis on best management practices and water quality; Plants and Planting now includes expanded coverage of xeriscape principles, native plant associations, and urban street tree detail advances; and lastly, Details and Devices

has expanded coverage of new CAD details developed by the Editors for Time-Saver Standards Landscape Construction Details on CD. Promoting responsible resource conserving design and construction practices remains a prime, continuing the original aim of the first edition. In many instances, minimum standards are accompanied by a recommended standard which may serve a broader objective.

Specific figure references are cited at the end of the book, and general references are cited at the end of each section. All data shown is for preliminary planning and design only, and is not intended to serve as a substitute for informed professional judgment required of specific site circumstances. In all matters involving public health and safety, agency authorities or appropriate practicing professionals should be consulted.

april 2016 SPACES / 65

The Identity of

Nepali Art and Architecture lies in its Tradition

T

The identity of Nepali art lies in its tradition.

Another trend reveals that Nepali art is moving from the figurative to the non- figurative, from the referential to the non-referential and from the concrete to the abstract. It is widely believed that the art and architecture of Nepal are in a state of flux as traditional Nepali society gradually transforms into a modern one. Consequently, concretized and serviceable buildings are displacing traditional architectural aesthetics. Modern architecture in its entirety, however, is not lacking in aesthetic values and is known to incorporate beautiful, carved images in built spaces blending modernity with tradition thereby creating appealing skylines. However, the majority of the so-called ‘modern buildings’ in our immediate surroundings are huddled, functional blocks that evoke a sense of inhumanity, coldness, suffocation and a concomitant chilling sensation. It is, therefore, crucial that we rethink our approach to comfort, ambience, interiors and aesthetics in relation to the structured environment and the cityscape.

In the same manner, Nepali art and artistic heritage are becoming highly modernized and many contemporary Nepali artists prefer to be known as modern and postmodern artists. The popularity of traditional Nepali sculptures and paintings, however, is witnessing a resurgence. Preserving the use and usefulness of traditional architecture and art while applying modern trends
and technology are the twin needs of the hour here in Nepal. Spaces Magazine has given a crucial mediated and intellectual space to Nepali architecture and art. In this regard, we invited 9 Nepali architects and artists to respond to the following questions:

66 / SPACES april 2016

I got the copy of the first issue from the publisher and I was very excited to see the first architectural magazine of the country. The content is generally good. It covers architecture, interior and fine arts.

In the given circumstances of the country, SPACES cannot survive only on architecture. However, it should expand its coverage to building design and construction projects undertaken by government agencies in different parts of the country. Similarly architectural works undertaken by private sector in different parts of the country, other than Kathmandu valley should be given due importance.

In the context of post earthquake reconstruction, SPACES should play a proactive role in bringing government, private sector, NGOs and the community together to expedite the reconstruction

works. I feel that the country will now move towards economic development. In that context urbanization will accelerate further, which creates boom in building construction activities in major cities and towns as well as villages. As the living standard of the people goes up, they demand decent living condition.

Hence there will be huge tasks for architects and interior designers in the days to come.

I consider SPACES as a high quality magazine dedicated to architecture, interior and fine arts. It has been a good reference materials for the students, teachers of the above mentioned subjects. Similarly practicing architects and engineers in the government as well as the private sector would be benefitted by it.

SPACES has provided an important platform for the professionals to communicate to each other and to the society at large.

- Kishor Thapa, architect

The First Editor of SPACES, Mr. Uday Shrestha, had come to my office a long time ago to discuss the idea of the magazine. This was some time before the first issue came out.

Over time, SPACES has established itself as an important platform in Nepal to discuss, document and publish design , art, architecture and other issues related to the built environment.The content in the magazine covers a lot of disciplines, concerns, interests. In that regard, its content is of interest to a wide readership.

The print quality of the magazine is excellent. It has become an important reference in Nepal on art, design and the built environment.

I saw SPACES on the desk of a one of the professional architect, later I noticed it was an architectural magazine from Nepal.

The content is very nice and I think, this is the best magazine in Architecture & Interior field and will be better if a little more emphasize in Architecture field than in Interior. At last but not least, only comfortable (architect) and beauty (interior) will not complete the overall

While the diverse nature of its content is interesting, the magazine requires a stronger editorial focus on its issues.

This will not only make important issues related to art, design and builtenvironment more visible, it can also support young professionals, grappling with such issues, gain more clarity in their work.

There is great scope in the field of architecture and interior design in Nepal. Every society has its own specific needs and challenges, if we are able to recognize those needs, challenges and opportunities accurately, we may be able to expand our contribution substantially.

It is a pleasure to recommend the magazine to a friend/colleague.

- Biresh Shah, architect

requirement, safety (safe structure) also need to complete optimum structure.

Added content relating with safety will result on further betterment of the magazine.

I would like suggest to friend/colleague and home builder that before going to directly to professional, minimum knowledge required for our self can be achieved from this magazine so that better output could be observe.

- Jagdiswor man shrestha, engineer

Spaces is the only magazine of its category in Nepal and it has managed to effectively secure a good readership base. It also needs to widen its horizons and include the many diverse products that are available in the market. With vast and progressive improvements now in content and presentation, Spaces could be the ‘go to’ magazine in terms of new products and services such as a regular listing of suppliers in the field. A new section highlighting the latest design trends would serve the readership well. There is huge

“Spaces is the first magazine in Nepal focusing on architecture and design. When the magazine was first published, we suggested that a serious architectural design magazine must be modeled along the lines of A+D (Indian Design Magazine focusing on core architectural issues).

Spaces is now so generic that even the designer’s names and contributions are missed out in the reviews and articles.

Perhaps the model could be changed to Inside outside - a viable model with a design focus and a ‘coffee table book’ look. The existing scope for architecture and interior design will increase in consonance with the transformation of Nepal from a primarily rural to urban society. Secondary cities, such as Pokhara, Biratnagar, Chitwan and Birgunj, are now engaging professional designers in key projects. This will increase as other areas, such as Nepalganj and Bhairawa, become more urbanized.”

- Arun Dev Pant, Architect

“Spaces is a familiar publication since its inception due, in part, to the founding members.

However, there are too many advertisements.

Importantly, there is only a hand full of magazines dealing with art and architecture in the Sub-continent.”

- Rohit Ranjeet, Conservationist

scope in the field of architecture and interior design having experienced a wave of tremendous change in the last five years. The importance of professionalism for quality work and design has also surfaced. With an increasing number and variety of commercial and residential projects, there is ample work for everyone. The challenge of implementing better design, sourcing and superior materials to ensure suitable end results must be addressed .

- Rishi Saraf, Interior Designer

april 2016 SPACES / 67

“Spaces has contributed significantly to contemporary architectural vibes here but coverage on international architectural practices is limited.

Highlights of international art and architectural competitions, expos, exhibitions and seminars could enhance both theme and content.

The governance stalemate in Nepal has percolated to emerging architectural and interior design practices. recent political events, however, have added a new narrative which could herald a gain in the momentum of economic activity.

There has always been scope for architecture and interior design in Nepal. The visible index of prosperity is rst seen through the built spaces as we walk around in any part of the world. our profession, as architects, has a significant role to play.”

- Debesh Raj Bhattarai, Architect

“Spaces is an informative magazine on current architectural practices in Nepal.

It should also cover issues for the lay man such as quality construction and building maintenance. Additionally, there is scope outside Kathmandu Valley for emerging and new architects.”

- Purusottam Dangol, Architect

68 / SPACES april 2016

“The magazine’s focus on heritage buildings is important and necessary but more could be done considering the number of old buildings that are being torn down in Asan, Indrachowk, Dilibazaar. What did we, as a community, gain and lose from the recent expansion of the Kathmandu and Patan roads?

Did the city acquire new open spaces? How have the ancient public spaces been transformed over time and do they still fulfill their original purpose? Spaces could generate much needed public dialogue and discourse from articles that cover these topics and issues. Coverage on contemporary of ce spaces and homes is also interesting.

Sometimes, however, the buildings that are written about are overhyped – the absence of extraordinary buildings in the city may have lead to this problem. Spaces is also too Kathmandu centric - what about urban planning and architecture in places such as Palpa, Tansen, Dhankuta? There could definitely be a more focused thrust on eco-friendly architecture and solutions. Additionally, features on interior spaces which delineate a before-and-after scenario would be worthwhile. Including art in an ‘architecture and interiors’ magazine is definitely an enlightened approach to promoting art as an essential component of interior spaces.

The advertisements for sanitary wares and electrical fittings are great as they provide an insight

into what is locally available.”

“The magazine’s focus on heritage buildings is important and necessary but more could be done considering the number of old buildings that are being torn down in Asan, Indrachowk, Dilibazaar. What did we, as a community, gain and lose from the recent expansion of the Kathmandu and Patan roads?

Did the city acquire new open spaces? How have the ancient public spaces been transformed over time and do they still fulfill their original purpose? Spaces could generate much needed public dialogue and discourse from articles that cover these topics and issues. Coverage on contemporary office spaces and homes is also interesting.

Sometimes, however, the buildings that are written about are overhyped – the absence of extraordinary buildings in the city may have lead to this problem. Spaces is also too Kathmandu centric - what about urban planning and architecture in places such as Palpa, Tansen, Dhankuta? There could definitely be a more focused thrust on eco-friendly architecture and solutions. Additionally, features on interior spaces which delineate a before-and-after scenario would be worthwhile. Including art in an ‘architecture and interiors’ magazine is definitely an enlightened approach to promoting art as an essential component of interior spaces. The advertisements for sanitary wares and electrical fittings are great as they provide an insight into what is locally available.”

- Sangeeta Thapa, Art Curator

ARTScape

“Trilok�

Based on the Air, Land and Water, this 3 panels painting coexist nature and culture, where she has focused all the inhabitants from the earth. Along with the Newar traditional motifs, her painting gives an expression of her eco-critical sense for the ecological awareness.

Asha Dangol

SUSHMA SHAKYA Sushma Shakya is a visual artist with a Master's Degree in Business Administration from Tribhuvan University and a Bachelor's Degree in Fine Arts from Kathmandu University, Nepal.

She works on various art forms and most of her works based on current socio-political issues. She has received awards including 'the Himalayan Artist Award - 2009' from the Australian Himalayan Foundation, 'Special Award on Contemporary Sculpture - 2013' National Exhibition of Fine Arts and 'Special Award on Woodcut-2013' from Folk Arts Department, Nepal Academy of Fine Arts.

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connects 39 ATC Pvt. Ltd. 336/21, Ganesh Man Singh Path-2, Teku Road Ph: 977-1-4262220 info@atc.com.np 02 Furniture Land Store Pvt. Ltd. Blue Star Complex Tripureshwor, Kathmandu Ph: 977-1-4224797 sales@furnitureland.com.np www.furnitureland.com.np 27 Skylight Pvt. Ltd. Naxal (Opp to Police HQ), Kathmandu Ph: 977-1-4423851 info@skylight.com.np www.skylight.com.np 29 Subisu Cablenet Pvt. Ltd. 148 ThirbumSadak, Baluwatar Ph: 977-1-4429616 info@subisu.net.np www.subisu.net.np 11 Technical Associates Services Pvt. Ltd. Thapathali, Kathmandu Ph: 977-1-4219999 sktulshyan@gmail.com www.tas.com.np 72 Berger Jenson & Nicholson (Nepal) Pvt. Ltd. Berger House - 492, Tinkune, Kathmandu Ph: 977-1-4466038 info@bergernepal.com www.bergernepal.com 37 Worldlink Communication Pvt. Ltd. Jawalakhel, Lalitpur Ph: 977-1-5523050 sales@wlink.com.np www.worldlink.com.np

56 Asian Paints Nepal Balkumari, Lalitpur Ph: 977-1-5203045 ccm@asianpaints.com.np www.asianpaintsnepal.com.np 04 Nagarik - Nepal Republic Media Pvt. Ltd. JDA Complex, Bagh Durbar Ph: 977-1-4265100,4261808 circulation@nagariknews.com 50 Red Paper Designers Lampati-14 Kalanki, Kathmandu Ph: 9843376000 / 9813900416 e-mail:idsushovit2015@gmail.com www.facebook.com/redpaperdesigners 21 Pashupati Paints Pvt. Ltd. Maitighar, Kathmandu Ph: 977-1-4258209 pashupatipaints@wlink.com.np 70 Foto Hollywood Civil Bank Building, Kamladi Ph: 977-1-4169060 www.fotohollywood.com.np 63 Communication Corner Pvt. Ltd. (Ujyaalo 90 Network) Ujyaaloghar(Behind Central Zoo) Jawalakhel, Lalitpur Ph: 977-1-5000171 info@unn.com.np www.unn.com.np

57 Barahi Builders Bhatbhateni, Baluwatar Ph: 977-01-4421192 E mail: sukalaltamang@gmail.com 62 Apurva Nepal Group Teku(Opposite of Rastriya Banijya Bank) Ph: 977-01-4248537, 4261617 E-mail: apurvanepal2004@gmail.com 03 Fashion Furnishing Ratopool, Kathmandu Ph: 977-01-4420661, 4420647 E-mail:fnfurnishing@gmail.com 45 Woodmaster (India) Machines Pvt. Ltd. Street no. 7, Bachittar Nagar, Gill Road, Ludhiana - 141 006 (India) Tel: +91-161-5034422 Mob: +91-9815627422 Nepal Contact: +977 9813602412 E mail: info@woodmasterindia.com www.woodmasterindia.com 51 Samar Engineers and Developers Pvt. Ltd. Minbhawan, Kathmandu Ph: 977-01-4106719, 4106721, 4106722 E mail: 32sukc@gmail.com www.samarengineers.com 05 Pastapur Italian Restaurant Pvt. Ltd. Ekantakuna, Lalitpur Ph: 9813449587, 5000641 E mail: pianob@pastapur.com

58 ARC Design and Developer Pvt. Ltd. 2nd Floor, Tandukar House, Shankhamul Marg, New Baneshwor Kathmandu, Nepal Ph: 01-4781155, 9803887861 E mail: arcdesigncorp@gmail.com www.arcdesigncorp.com

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