After Omeros Musée Terrirotial de St Barthélemy November 28, 2015 – March 23, 2016 Following the exhibition of the work of Jasper John, the Association Saint Barth Ile d’Art and the Musée Territorial de St Barthélemy (Wall House museum) is proud to present a second exhibition dedicated to an internationally renowned artist: Francesco Clemente. The exhibition continues to reveal a part of St. Barthelemy’s history never explored before – one relating to all the artists who, since the early 1970’s, have come to the island to find refuge and inspiration for their work. Francesco Clemente’s artworks all have an apparent hallmark, a signature look making them undeniably the works of the author, but it is difficult to define what exactly it is that binds them. The answer is not found in his technique, unlike other artists who master methods so as to forget them later. With Francesco Clemente, technique takes second place. His works cannot be categorized, as even the topics he chooses are varied. Though some subjects seem to be recurrent such as the auto portrait and the woman, they remain too diverse to let one find a link between them. On his website, Francesco’s works have been organized on a temporal scale. However, according to the artist, if his works were to become affiliated to something, it would be to places, to a spacial scale. These affinities and profound relationships that seem to tie him to certain places on earth transcend time and feed his imagination continuously. Francesco was born in Naples in 1952 and, throughout his life, he has laid down his hat in many parts of the world including the United States and Afghanistan. Amongst all the places he has lived in, India has taken the greatest importance in his work, acting as a generous and nurturing mother for the artist, generating deep and inspiring artwork, which is still ongoing today. The second place with the most influence on his work doesn’t have a proper noun like the one of a country, it is the place found on islands. Islands fascinate him at least as much as women do. The first island Francesco Clemente came across was Jamaica, and a love story unfolded giving birth to a great number of watercolours. These have all been assembled into a book entitled “The book of the sea” where man is studied from a more tribal angle. When Francesco Clemente is asked how he came to know St Barthelemy, he simply answers: ‘through friends’. Indeed, what better representation can one make of the tribe constituting the population of