SEP 9 - OCT 8, 2022 HEROES OF THETURNINGFOURTH
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ARBERY DIRECTED BY
BY WILL MARIANNA BASSHAM
SPEAKEASYSTAGE.COM 617.933.8600 #BOSTONBOLD@SPEAKEASYSTAGE PERFORMING AT THE AT THE BCA 527 TREMONT STREET IN THE SOUTH PAVILIONCALDERWOODEND SPEAKEASY STAGE COMPANY IS THE STANFORD CALDERWOOD PAVILION RESIDENT THEATRE COMPANY AT THE BOSTON CENTER FOR THE ARTS. BOSTON’S HOME FOR THE BOLD
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FOURTH TURNING
SpeakEasy Stage Company is built on the power of storytelling and the transformative way the arts can be used to amplify voices of those historically silenced. In that spirit, we would like to acknowledge that SpeakEasy Stage and the Calderwood Pavilion, which we call our artistic home, reside on the ancestral and unceded lands of the Massachusett people, whose name
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Joey Riddle & Paul Miller was our to learn are visit the the
by Will Arbery
BOSTON'S HOME FOR THE BOLD
*Member of Actors’ Equity Association (AEA), the union of professional actors and stage managers in the United States **Member of United Scenic Artists, Local USA 829
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ASSOCIATE PRODUCERS
This production is sponsored in part by the Massachusetts Cultural Council.
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HEROES OF THE FOURTH TURNING IS PRESENTED BY ARRANGEMENT WITH CONCORD THEATRICALS ON BEHALF OF SAMUEL FRENCH, INC. WWW.CONCORDTHEATRICALS.COM
Fight Choreography by Jesse Hinson Intimacy Direction by Margaret Clark
full land acknowledgement, or
important,
Thomas M. Kauffman*, Production Stage Manager Lucas Bryce Dixon, Assistant Stage Manager WITH
HEROES OF THE PRESENTS
link at
The Calderwood Pavilion Resident Theatre Company at the Boston Center for the Arts Paul Daigneault, Producing Artistic Director
Playwrights Horizons, Inc., New York City, produced the World Premiere of Heroes of the Fourth Turning in 2019 Heroes of the Fourth Turning was developed by The Cape Cod Theatre Project, Hal Brooks, Artistic Director “Nothin”
Dayna Cousins, Jesse Hinson*, Karen MacDonald*, Nathan Malin*, and Elise Piliponis
appropriated by this Commonwealth. To read
why land acknowledgements
Written by Townes Van Zandt ©1970, JTVZ Music (ASCAP), Katie Bell Music (ASCAP), Will Van Zandt Publishing (ASCAP)
Directed by Marianna Bassham Scenic Design by Baron E. Pugh** Costume Design by Rachel Padula-Shufelt Lighting Design by Jeff Adelberg** Sound Design by Elizabeth Cahill
Richard Davies & Alexander Albregts
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SpeakEasy produces intimate, entertaining plays and musicals that are new to Boston and compel thought ful conversation. We champion new talent and future arts leaders, alongside a diverse community of experienced local theatre professionals who share our devotion to excellence. We treat our artists, audiences, and supporters as collaborators, working with us to make Boston a city that is sustainable for artists.
CREATING CONVERSATIONS
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We cultivate the next generation of theatre artists by hiring new talent to begin their professional careers working alongside the best actors, directors, stage managers, designers, and technicians that Boston has to offer.
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What were the challenges of this particular process?
What do you hope audiences will take away from seeing this show?
5 Visit SpeakEasyStage.com for behind-the-scenes exclusives about Heroes of the Fourth Turning, and the other productions in our 2022-23 Season.
Heroes demands a lot of its audience, and some of you will find it hard to sit still when these characters passionately and eloquently share and debate their beliefs. But keep in mind that playwright Will Arbery is not seeking to amplify these voices nor evoke empathy for his characters. Instead, I think, he asks his audience to consider how political identities are formed and how they come to define us, no matter where we fall on the political spectrum.
Did you have any reservations about taking on this project?
Our audiences will likely have strong reactions to this play. I don’t personally spend a lot of time with Catholic Republicans, and the ones I do know and love… we do not argue about religion or politics; we barely touch it. With this play, I relish the time and space (with the slight safety of theatre) to be immersed in this alternate (yet very real) universe.
This play challenges me—as an artist, and as a liberal woman in America. While these characters might represent certain Christian archetypes, they are also human, funny, tragic, messy people that I love in spite of myself. The play snuck up on me emotionally; I was gutted.
We began rehearsal just a few weeks after Roe v. Wade was over turned. Our political climate is different than it was when Will Arbery wrote this, and continued to change every day as we prepared to mount this show. Many of us are grieving and outraged. The play feels urgent, the warnings feel louder; it’s a hot environ ment to work in.
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MARIANNA BASSHAM
Why did you want to direct this piece?
Photo by Nile Scott Studios.
ARTISTIC DIRECTOR PAUL DAIGNEAULT DIRECTOR
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INSIDE SPEAKEASY
Why did you decide to open your 32nd Season with Heroes of the Fourth Turning?
I also see Heroes of the Fourth Turning as a reminder of the conver sations not only that divide us today, but also those we need to have to heal as a nation. And any time a play sparks bold conversation, you know I want to share it with you.
I had the pleasure of seeing Heroes of the Fourth Turning in New York in 2019 and was totally taken by it. It was one of those chal lenging plays that I was still thinking about days after I saw it. And even though I put it aside for a while, the play kept bubbling to the top when I was looking for titles for our new season. And the reason for that, I think, is that Heroes is also one of those rare plays whose relevance and importance have only increased over time.
In talking with people about this play, I hear the view that Heroes is an indictment of the religious right, AND the view that the play is a platform for them. So, should we hate these people? Fear them? Empathize with them? Enjoy them? I’m always looking for the dual ity, the complexity.
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All members of the SpeakEasy community are expected to agree with and adhere to the following at all SpeakEasy-sponsored performances and events:
• We agree to be mindful of our responses to those around us, leading with understanding and respect.
Sabrina K. Victor, Crystin Gilmore, Shanelle Chloe Villegas, Geraldine Bogard & Tenneh Sillah in School Girls; Or, The African Mean Girls (Photo by Maggie Hall Photography)
• We respect the personal boundaries and safety of those with whom we interact.
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• We understand that everyone has a right to be at the theater, and that enjoying the art may look different from one audience member to another.
• We appreciate the space in which we gather, as well as those working within it.
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To ensure that the environment in which we do this work remains inclusive, accessible, and welcoming, we expect everyone at SpeakEasy Stage - audience members, subscribers, donors, artists, board members, and staff - to comply with the community expectations aligned with our mission and values.
At SpeakEasy Stage Company, we are grateful to be a part of a community that embraces the bold subject matter we explore on stage. We believe that the best conversations come from exposure to a wide breadth of experiences and points of view, and are passionate about facilitating discussions in a constructive and effective manner.
Community Guidelines & Expectations
8 Justin .................................................................................................................. Jesse Hinson* Emily ....................................................................................................................... Elise Piliponis Kevin ..................................................................................................................... Nathan Malin* Teresa ................................................................................................................ Dayna Cousins Gina ............................................................................................................ Karen MacDonald* *Member of Actors’ Equity Association (AEA), the union of professional actors and stage managers in the United States. CAST (IN ORDER OF APPERANCE) Emily, Theresa ................................................................................................ Margaret Clark Gina ............................................................................................................... Jennifer Mischley Justin, Kevin ....................................................................................................... Evan Turissini Understudies never substitute for the listed performers unless a specific announcement is made at the time of the appearance. UNDERSTUDIES/SWINGS A town of 7,000 in Wyoming. August 19, 2017. Two days before the solar eclipse. One week after the Charlotteville riot. SETTING Assistant Director ........................................................................................... Paulina Martz Dramaturg .............................................................................................................. Regine Vital Production Stage Manager (Substitute) ......................................... Michaila Cowie* Props Designer .................................................................................................... Addie Pates Lead Electrician .................................................................................................. Ryan Lemay Assistant Lighting Designer .............................................................. Amanda E. Fallon Wardrobe Supervisor .................................................................................... Maddy Brown Sound Board Op/Run Crew ........................................................ Coty Lennon Markee COVID Safety Managers ................ Dominique D. Burford, Jolie Frazer-Madge Audio Describers ............................................................. Cori Couture, Andrea Doane Scenery Constructed by ................... Wooden Kiwi Productions (Waltham, MA) Show Photographer ............................................................................. Nile Scott Studios Additional Photography ...................................................... Anabel Rios Photography ADDITIONAL STAFF FOR HEROES
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Open Captioning: May 20 at 8pm, May 21 at 3pm
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Open Captioning: April 15 at 8pm, April 16 at 3pm
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Audio Description: Nov. 4 at 8pm, Nov. 12 at 2pm
SPECIAL THANKS
WILD GOOSE DREAMS
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Producing Artistic Director Paul Daigneault Director of Marketing & Communications Jim Torres General Manager Kyler Taustin Production Manager Dominique D. Burford Community & Artistic Programs Manager Alex Lonati Creative Services & Social Media Manager Evan Turissini Development Coordinator Jenna Rehrig Operations Coordinator Jolie Frazer-Madge Associate Production Manager Claudia Bennett Development Associate Randy Biagas-Hill
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services for the rest of the season are:
SPEAKEASY STAGE COMPANY STAFF
Audio Description: April 7 at 8pm, April 15 at 2pm
THE PROM
Audio Description: May 19 at 8pm, May 27 at 2pm
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Open Captioning: Mar. 4 at 8pm, Mar. 5 at 3pm
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Matthew Breton, Dwight and Gay Hinson
ENGLISH
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Artistic Fellows Alex Leondedis, Paulina Martz Summer Interns Clara Livingston, Emeline Shepard, Acsa Welker Fall Intern Josephine Glass
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ACCESSIBILITY PROGRAMMING
Since these performances include specific seating and/or equipment, reservations are required. If you plan to use these services, you can book $25 tickets online or through the box off by using the promo code SPKAUDIO for Audio Described performances and SPKCAPTION for Open Captioned Moreperformances.information can be found at SpeakEasyStage.com/Accessibility
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FAIRVIEW
Audio Description: Mar. 3 at 8pm, Mar. 18 at 2pm
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Open Captioning: Nov. 12 at 8pm, Nov. 13 at 3pm
Thousands of years and many, MANY philosophers, plays, and religions later, we are still having big conversations on how to live well, and how to live well with each other. Heroes, though specific to a certain demographic, is a reprisal of the many late-night big conversa tions we’ve all had with friends and family and strangers: long, rambling, engaging discus sions seeking answers to big and small questions alike; conversations steeped in symbol ism, story, and metaphor; need and longing, searching for just the right language for full expression; moments in pubs, dorm rooms, cafés, parks, street corners, subway cars, and buses, over wine, whiskey, coffee, beers, and cigarettes… sometimes a joint.
LET'S HAVE A Big Conversation
I suspect that an audience of a hundred people will take away a hundred different impres sions from this play; but I also suspect they will recognize and relate to the deep impulse to seek and question, even if we find ourselves on opposite sides of the question. Here’s to big conversations!
When I first heard about Heroes of the Fourth Turning, my immediate thought was: “In 2022, do I really care about four white Catholic conservatives chatting in Wyoming?” It’s a world I already sort of know, and, considering the last (almost) two decades of American politics, a world I’m not eager to dwell in.
Arbery’s characters are students of a classical liberal arts education; schooled in the Great Books, beginning with the Greeks. The pedagogical models for the fictional Transfiguration College of Wyoming (as well as for Wyoming Catholic College, on which TCW is based), are the teachings, philosophies, and education practices of Plato and Aristotle. The conversation style Theresa, Justin, Emily, and Kevin engage in recalls the Socratic dialogues depicted in Plato’s philosophical works, which touch on all sorts of topics — parenting, the nature of art, politics, and government. The conversations themselves are an exercise of Aristotle’s ethics, or at least a genuine interrogation of how to live them: how do humans achieve eu daemonia, or “flourish” in life while being the very nature of what they are—rational, social, and therefore political, animals with emotions, desires, and urges?
Four friends having a “big conversation” in the middle of the night touching on all the major topics: politics, philosophy, relationships, religion, faith, goodness, suffering — life! The play felt like I was back in ancient Greece, sitting in the agora (an outdoor open space for assemblies and markets), listening to a classic Platonic dialogue. In ancient Greece, poli tics, religion, and art were not separate distinct disciplines; even theatrical events were usually a mix of the three. More often than not, these three ideas—which we strive to keep fully separate today—blended into one another as citizens of the poleis (city, society) sought to understand life and how to live it well. That is philosophy. Politics, meanwhile, is how to live well with each other.
Then I read the play. “Do your due diligence,” I thought. My immediate reaction: “Damn. You got Whileme.”the Catholicism and conservatism are the initial draws for most viewers, what I find fascinating is the intellectual milieu Will Arbery creates within a matrix of faith, woven to gether as natural praxis, delivered in a piece of art. I was hooked because the play is, in many ways, the practice of philosophy in action.
an essay by Dramaturg Regine Vital
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PLAYWRIGHT
WILL ARBERY (Playwright) is a playwright from Texas + Wyoming + seven sisters.
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SHORT TERM FURNISHED APARTMENTS GLENN'S RENTALS BOSTON • PROVINCETOWN • BUENOS AIRES Glenn 617-780-7287Rigoff·GLENNSRENTALS.COM
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WHO'S WHO - DIRECTOR
WHO'S WHO -
His play Heroes of the Fourth Turning premiered at Playwrights Horizons, and was a Finalist for the 2020 Pulitzer Prize for Drama and winner of numerous awards, including the 2020 Obie Award for Playwriting, the 2020 Lucille Lortel Award for Outstanding Play, the New York Drama Critics Circle Award for Best Play, and the Outer Critics Circle John Gassner Playwriting Award. Arbery also won the Whiting Award for Drama in 2020. Will’s other plays include Plano (Clubbed Thumb); You Hateful Things (NYTW Dart mouth Residency); and Wheelchair (3 Hole Press). He’s currently under commis sion from Playwrights Horizons, MTC, and Audible. He’s a member/alumnus of New Dramatists, The Working Farm at SPACE on Ryder Farm, Page 73’s Interstate 73, Colt Coeur, Youngblood, and Clubbed Thumb’s Early Career Writers Group. His plays have been developed at Clubbed Thumb, Playwrights Horizons, NYTW, The Vineyard, SPACE on Ryder Farm, and others. In television, he is a writer on HBO's Succession. (he/him)
His play Evanston Salt Costs Climbing will have its New York pre miere at the New Group this fall. His play Corsicana premiered at Playwrights Horizons this summer, directed by Sam Gold.
MARIANNA BASSHAM (Director) is so excited to be back at SpeakEasy, having previously directed Every Brilliant Thing. Acting at SpeakEasy: Blackbird [Elliot Norton Award — Outstanding Actress]; Reckless; In The Next Room (or the vibrator play); A Future Perfect; Hand to God; Small Mouth Sounds (live as the unseen teacher!); Admissions; and People, Places & Things [Elliot Norton Award — Outstanding Actress]. She has also ap peared with The Huntington, Playwrights Horizons, Actors’ Shakespeare Project, Commonwealth Shakespeare Company, Underground Railway Theater, Greater Boston Stage Company, and others. Marianna teaches acting at Boston Conserva tory at Berklee. (she/her)
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He is a Boston-based actor, educator, violence designer, and intimacy choreographer, and also a member of the Actors’ Shakespeare Project’s Resident Acting Company. Recent credits include Incels and Other Myths (Boston Playwrights’ Theatre); The Merchant of Venice (ASP); The Thanksgiving Play (Lyric Stage); and Cymbeline (Commonwealth Shakespeare). Jesse is an Associate Teaching Professor and the Undergraduate Coordinator for the Department of Theatre at Northeastern University. (he/him)
KAREN MACDONALD* (Gina) has been an actor, director, and teacher in the Boston area for many years. Her SpeakEasy credits include Drowsy in The Drowsy Chaperone, Polly in Other Desert Cities, and Rose in The Children. On Broadway, Karen understudied and performed the role of Amanda Wingfield in The Glass Menagerie, She has also appeared at Theatre for A New Audience, Roundabout Theatre, and Second Stage. Locally, she has appeared at The Huntington, Merrimack Rep, Hartford Stage, Trinity Rep, Lyric Stage, Boston Theatre Company, Martha’s Vineyard Playhouse, Greater Boston Stage, Gloucester Stage, Israeli Stage, New Rep, and Commonwealth Shakespeare Company among others. Karen is a Founding Company Member of the American Repertory Theatre, where she appeared in 73 productions. She has also worked nationally from The Wilma to Berkeley Rep. Karen has received several Elliot Norton and IRNE Awards, as well as the Robert Brustein Prize for Sustained Achievement in the Theatre and the Elliot Norton Prize for Sustained Excellence. She is the recipient of a Fox Fellow/ TCG grant in partnership with Merrimack Rep. Karen is a graduate of Boston University and a Lecturer at Harvard University. (she/her)
WHO'S WHO - CAST & UNDERSTUDIES
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DAYNA COUSINS (Teresa) returns to SpeakEasy, having previously appeared in People, Places & Things. She currently is the Director of Admissions at the School of Theatre at Boston University, from which she received her MFA in Theatre Education. Dayna sends endless love and gratitude to her family, as her artistic career wouldn't be possible without their constant support and homemade lunches. DaynaCousins.com (she/her)
NATHAN MALIN* (Kevin) returns to SpeakEasy after appearing in Admissions and The Sound Inside. He is a New York- and Boston-based actor and director, with acting credits that include Witness (Arlekin Players); The Crucible (u/s, Bedlam); Vanity Fair, The Happy Prince/Matchless (u/s, Underground Railway Theater); 1984, The Lathe of Heaven (Boston University); Maura Dunne (The Poets’ Theatre); Titus Andronicus (Actors’ Shakespeare Project); Much Ado About Nothing (Boston Theatre Company). Training: Boston University, Shakespeare & Company. nathan-malin.com. (he/him)
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MARGARET CLARK (u/s Emily, Theresa/Intimacy Director) is delighted to make her SpeakEasy debut. Previous credits include Beatrice in Much Ado About Nothing and Rosalind in As You Like It (Brown Box); Larysa in In Any Face (Lyric Stage Walking Plays); Milady in The Three Musketeers (Front Porch/GBSC); Rosencrantz and Guildenstern Are Dead and Romeo and Juliet (The Huntington). Favorite fight/intimacy choreography credits include Black Super Hero Magic Mama (Company One); Dry Land and Spring Awakening (Tufts); and Our Dear Dead Drug Lord (Off The Grid). (she/her)
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JESSE HINSON* aredSpeakEasyChoreographer)(Justin/Fightreturnstohavinglastappe-in
Shakespeare in Love.
Artist Residency with Chelsea Theatre Works, where she collaborated with director Devon Whitney to create and perform the debut of her one-woman show Strawberry Princess. She is grateful to her family and friends for all their love and support! (she/her)
As a Resident Artist for Wilbury Theatre Group in Providence, RI, Jennifer has appeared in The Great Comet of 1812; Dance Nation; Fun Home; The Pirates of Penzance; and Mr. Burns, A PostElectric Play, among others. She is a graduate of RIC and BU, and a member of the RI Ukulele Armada. (she/her)
Mike Levesque in The View UpStairs. By day, Evan serves as the Creative Services & Social Media Manager for SpeakEasy. His acting credits include Vanity Fair (Central Square Theater); Twelfth Night, Shipwrecked! (Moonbox Productions); Three Sisters (Apollinaire Theatre Company); Julius Caesar, Incident at Vichy (Praxis Stage Company); and more. Evan has been a proud ensemble member of Shit-Faced Shakespeare since 2017, where he has performed as Demetrius, Claudio, Mercutio, Friar Lawrence, and Bassanio. (he/him)
JENNIFER MISCHLEY (u/s Gina) is pleased to return to SpeakEasy after understudying for The Sound Inside last season and also performing in Far from Heaven.
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WHO'S WHO - CAST & UNDERSTUDIES (cont.) MIDA The aDinnerEveningPerfect—andShow. 617.936.3490 | MIDABOSTON.COM 782 TREMONT STREET, BOSTON MIDA The aDinnerEveningPerfect—andShow. 617.936.3490 | MIDABOSTON.COM 782 TREMONT STREET, BOSTON
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ELISE PILIPONIS (Emily) is thrilled to be making her SpeakEasy debut alongside such an inspiring cast and creative team! Originally from Nashville, Elise is a recent graduate of Northeastern University, where she earned a BA in Theatre and Communication Studies and appeared in The Bacchae (Agaue), The Wolves (#2), and The Skin of Our Teeth (Gladys). Elise recently completed an
EVAN TURISSINI (u/s Justin, Kevin) is understudying on his third SpeakEasy show, having stepped in for Adrianne Krstansky in Every Brilliant Thing and Bishop
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PAUL DAIGNEAULT (Producing Artistic Director) was the recipient of the 2014 Elliot Norton Prize for Sustained Excellence, which is presented by the Boston Theater Critics Association. Since founding the award-winning SpeakEasy Stage in 1992, he has produced over 150 Boston premieres. As a director, he is especially proud of his projects that have centered gay and queer stories as well as his passion for contemporary American musicals. His work as a teacher has brought him to Boston College, the Cincinnati Conservatory of Music, Emerson College, and the Boston Conservatory at Berklee. He was honored in 2007 with the Boston College Arts Council's Alumni Award for Distinguished Achievement and served as the college's 2011-2012 Rev. J. Donald Monan S. J. Professor in Theatre Arts. (he/him)
WHO'S WHO - PRODUCTION TEAM (cont.)
JEFF ADELBERG** (Lighting Designer) has designed 23 productions for SpeakEasy Stage. Some favorites include People, Places & Things; Hand to God; Dogfight; Carrie: the Musical; Red; Necessary Monsters; and Adding Machine: A Musical. Other recent work: A Midsummer Night's Dream and A Lie Agreed Upon (The Gamm Theatre); Ain't Misbehavin', Vanity Fair, Frankenstein (Central Square Theater); The Seagull, The Stone (Arlekin Players); The Merchant of Venice (Actors’ Shakespeare Project); Birdy, Macbeth (Commonwealth Shakespeare); Boston’s Christmas Revels since 2010. Jeff attended the University of Connecticut, and teaches at Harvard University and Boston College. Member Local USA-829. JeffAdelberg.com (he/him)
LUCAS BRYCE DIXON (Assistant Stage Manager) is excited to return to SpeakEasy as a part of the stage management team, having previously served as the COVID Safety Manger for BLKS. Lucas is a Boston-based stage manager whose recent credits include Common Ground Revisited, The Bluest Eye, Hurricane Diane (The Huntington); A Gentleman’s Guide to Love and Murder (Lyric Stage); and Hair! (New Repertory Theatre). He is a proud graduate of Ithaca College. (he/him)
MICHAILA COWIE* (Production Stage Manager Sub) is pleased to be returning to SpeakEasy after working as the assistant stage manager for Choir Boy. Other notable credits include productions with Central Square Theater, Actors’ Shakespeare Project, Greater
Boston Stage Company, and The Front Porch Arts Collective. She is currently the Theatre Program Manager at the Boston Center for the Arts. Michaila is a proud member of Actors’ Equity Association. (she/her)
ANDREA DOANE (Secondary Audio Describer) returns to SpeakEasy having been on the audio description team last season for People, Places & Things; Once
CORI COUTURE (Audio Description Coordinator/Primary Audio Describer) is overjoyed to return to SpeakEasy after shepherding the company through its first audio described season last year, during which she described People, Places & Things; Once on This Island; and The Inheritance. Cori has provided audio description for TV, film, and about 100 Boston-area live shows. At WGBH’s Descriptive Video Service, she described PBS shows, movies, and narrated description for Paramount, Disney Parks, NASA, and the 9/11 Museum. Cori proudly identifies as a person with a disability (spina bifida). Her message: people with disabilities lead fulfilling lives and can have any job! (she/her)
ELIZABETH CAHILL (Sound Designer). SpeakEasy credits: Men on Boats, Small Mouth Sounds. Elizabeth has also sound designed sound for productions with Commonwealth Shakespeare, Lyric Stage, Actors’ Shakespeare Project, New Rep, Gloucester Stage, Shakespeare & Company, A.R.T. Institute, Dance The Yard, Central Square Theater, New England Conservatory, Fresh Ink Theatre, Bridge Rep, Greater Boston Stage Company, Hasty Pudding Theatricals, Brownbox Theatre Project, Baldwin Wallace University, The Boston Conservatory, Moonbox Productions, and more. Elizabeth has also been the A/V Supervisor for operas with New England Conservatory, Boston Early Music Festival, and Boston University. In addition, she serves as the Sound Area Head at Emerson College. elizabethsound.com. (she/her)
MADDY BROWN (Wardrobe Supervisor) is pleased to make their SpeakEasy debut. A flexible theatre artist, they work as a dresser, stagehand, and costume assistant throughout Boston. Selected credits include Anastasia (National Tour, Boston Opera House); 1776, Macbeth in Stride (American Repertory Theater); A Christmas Carol (Guthrie Theater); The Bluest Eye (The Huntington); and Amadigi di Gaula (Boston Baroque); in addition to productions at their costume home, The Public Theater. Maddy holds a BFA in Costume Design from Boston University. maddybrown@earthlink.net (they/them)
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COTY LENNON MARKEE (Sound Board Operator/Run Crew) is pleased to return to SpeakEasy, having worked on all of last season’s shows. Most recently, Coty served as the Assistant Production Manager for Can I Touch It? with Company One. Other local credits
include productions with Central Square Theater, Gloucester Stage, Seacoast Rep, Wheelock, and The Huntington! He is very happy that theatre is back, and can’t wait to see what happens next! (he/him)
PAULINA MARTZ (Asst. Director) is pleased to make her SpeakEasy debut with Heroes, and to be joining the company as one of its 2022-23 Artistic Fellows. Having recently arrived in Boston from Ohio by way of Wisconsin, she is thrilled to be returning to the theatre to work on this magnificent show that she has been passionate about for so long. Paulina graduated from Case Western, and her Cleveland credits include If/Then, The Mystery of Edwin Drood, and Who is Theo?, as well as The Cleveland Playhouse’s Borderlight Festival and shows with the Dobama Theatre. She’d like to thank her support system filled with theater nerds and loving friends and family. (she/her)
ADDIE PATES (Props Designer) is pleased to make her SpeakEasy debut. Addie enjoys working a variety of backstage positions, but focuses mostly on props and scenic design. Credits include productions with Wheelock Family Theatre, Emerson College, and The Footlight Club. When not in her paint clothes or theatre blacks, you'll find Addie rehearsing for Spring Awakening with Cue Zero Theatre Company.
BARON E. PUGH** (Scenic Designer) is pleased to return to SpeakEasy after previously designing Pass Over, Choir Boy, and School Girls. Other credits include ABCD (Barrington Stage Company); B.R.O.K.E.N code B.I.R.D switching (Berkshire Theatre Group); The Light, Breath and Imagination, The Wiz (Lyric Stage Company); The Bluest Eye (The Huntington –
RYAN LEMAY (Lead Electrician) returns to SpeakEasy having previously worked as Assistant Master Electrician on The Inheritance. He is a freelance theater electrician in the Greater Boston area, and holds a BA in Theatre from the University of New Hampshire. (he/him)
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WHO'S WHO - PRODUCTION TEAM (cont.)
AMANDA E. FALLON (Assistant Lighting Designer) is pleased to be making their SpeakEasy debut. A freelance lighting designer, educator, and director, Amanda has worked throughout New England for professional and educational institutions including Commonwealth Shakespeare Company, University of Massachusetts Boston, Boston Playwrights' Theatre, Wheelock Family Theatre, Brandeis University, and Boston University. Amanda holds an MFA in Lighting Design from Boston University. (they/she)
RACHEL PADULA-SHUFELT (Costume Designer) returns to SpeakEasy having previously designed The Children, Choir Boy, Men on Boats, Shakespeare in Love, and Once. Recent costume design credits include productions at Lyric Stage, Greater Boston Stage Company, Central Square Theater, Actors’ Shakespeare Project, American Repertory Theatre, The Boston Conservatory, Suffolk University, Harvard TDM, Gloucester Stage, Brandeis University, MIT, and Odyssey Opera. As a Hair and Make-Up Designer, Rachel has designed for Broadway (Waitress, The Glass Menagerie), American Repertory Theatre, Boston Ballet, and North Shore Music Theatre. She has won three Elliot Norton Awards for Outstanding Design. (she/her)
on This Island; and The Inheritance. Andrea has audio described productions at the Wang Center, The Opera House, The Huntington, Wheelock Family Theatre, and ArtsEmerson. In collaboration with the Cultural Access Consortium, she has co-led training workshops for audio describers in the New England area. Andrea has been honored with the Bay State Council of the Blind’s Outstanding Service Award for her work in providing theatre access through audio description. (she/her)
THOMAS M. KAUFFMAN* (Production Stage Manager) returns to SpeakEasy having previously stage managed The Inheritance. Thom’s career as a stage manager includes more than 40 productions across New England, including shows with The Huntington, American Repertory Theatre, Trinity Repertory Company, NY Stage and Film, and Williamstown Theatre Festival. In addition, he previously served as the Production Manager for the Pennsylvania Stage Company; Boch Center/Wang Theatre; Shubert Theatre; and Commonwealth Shakespeare Company; and, for many years, led the stage management program at Boston University. Thom is a proud member of Actors’ Equity and is honored to be working with this incredible group of artists. (he/him)
**Member of United Scenic Artists, Local USA 829.
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WHO'S WHO - PRODUCTION TEAM (cont.)
SPEAKEASY STAGE COMPANY operates under the NEAT rider to the Small Professional Theater contract with Actors’ Equity Association and is a member of NEAT (The Producer’s Association of New England Area Theatres). SpeakEasy is also proud to be the Pavilion Resident Company at the Boston Center for the Arts, and is a member of ArtsBoston, BAMA, StageSource, TAMA, and the Theatre Communications Group. www.SpeakEasyStage.com
THE BOSTON CENTER FOR THE ARTS (BCA) is a not-for-profit performing and visual arts campus that supports working artists to create, perform, and exhibit new works; develops new audiences; and connects the arts to community. For more information, visit bcaonline.org.
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AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit actorsequity.org.
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Associate Designer); Tiny Beautiful Things, Radio Golf (Trinity Rep); The Elaborate Entrance of Chad Deity, School Girls (TheatreSquared); Fences, How I Learned What I Learned (Pennsylvania Shakespeare Festival). Baron received his MFA in Scenic Design from Boston University and is a proud member of United Scenic Artists Local-829. BaronPughDesign.com (he/him)
Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production.
REGINE VITAL (Dramaturg) returns to SpeakEasy, having previously served as Assistant Director and Dramaturg for Once on This Island. She has worked with several Boston-area institutions, including The Huntington, Commonwealth Shakespeare Company, ArtsEmerson, Company One, Central Square Theater, BU School of Theatre, Moonbox Productions, Hub Theatre Company, Fresh Ink Theatre, and Flat Earth Theatre. Regine is a member of the TC Squared and Playable Theatre boards and frequently collaborates with Green Door Labs on interactive/immersive theatre productions. She is also an educator at the high school and college levels, teaching text/ performance, performance studies, public speaking, introductory literature, and composition. (she/her)
*MEMBER OF ACTORS’ EQUITY ASSOCIATION (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote, and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 49,000 actors, singers, dancers, and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards.
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Susan Culman**
Institutional Donors *in-kind donor
StacieJoeyPeteSuzetteSusanPeterHirschkindHornstra&MarkIrvings&PaulMartin&ChristinePalladinoRiddle&PaulMillerSimon&HalTepfer & the Puppies
The Gregory E. Bulger Foundation/ Gregory Bulger & Richard Dix
Susan Black & Richard O'Neal
Lucia & Bruce Field
David Halstead Ken
Stacey & Chris Constas
18 THANK YOU TO OUR ANNUAL FUND DONORS We are grateful to our leadership donors for their annual contributions to the company. Their gifts make it possible for SpeakEasy to continue growing and flourishing in the South End of Boston. We deeply appreciate the amazing support and participation of this generous community. $50,000+ Barr-Klarman Massachusetts Arts Initiative Boston Center for the Arts* $20,000-$49,999 Massachusetts Cultural Council The Shubert Foundation $10,000-$19,999 Bank of America Liberty Mutual Foundation National Endowment for the Arts $5,000-$9,999 Berkshire Bank Boston Cultural Council Boston Veterinary Clinic George & Alice Rich Charitable Foundation Office of MassHousing $2,500-$4,999 Biogen Matching Gifts Cathy Marotta, Sotheby's Real Estate Google Matching Gifts O'Brien Wealth Partners $1,000-$2,499 Barbershop Deluxe Bove & Langa, P.C. Glenn's Rentals John Snow, Inc. RobertaMIDA* Orlandino, Coldwell Banker Seligman Dental Designs
Sarah Delaney Kerry JonathanAndrewDowlingFullemDyer & Thomas Foran
Paul & Jennifer Walsh
Hannah Weisman & Mike Peluse Dana Wolf
Richard & Beth Compson Family Fund
Catherine & Harvey Cotton
Alex Baker & Butch Chilton
Sam AnonymousYin (1)
BENEFACTORS - $25,000+ Paul Kastner
David S. Godkin & Pamela Haran
Carol G. Deane
Julie Hackett
Keith MacDonald & Tom Webber
Richard Davies & Alexander Albregts
Somerled Charitable/Macdonald CGF Nick SudarskyScandaliosFamily Foundation
Pat & Mary Cogan
PRODUCER - $5,000-$9,999
The Honorable Governor Charlie & Lauren Baker
EXEC. PRODUCER - $10,000-$24,999
Jean Walsh & Graham Davies**
Robert Volante
ASSOC. PRODUCER - $2,500-$4,999
Edward Boesel
Betsy Rudnick & Bruce G. Posner
Meegan Gliner
Bernice Buresh*
PaulBlayneMargaretLaurenCarolMarianneBuseckCallahan&WilliamCarrollCaseCrottyCutlerDaigneault&Jeffrey Mello Dana
Kenneth & Rise Shepsle
Curly
Nancy Stavis, in memory of Edward Stavis Ellen Davis Sullivan & John Sullivan Richard G. Summers & Bill Thompson Ann B. Teixeira
Bob & Nancy Tucker
**Contributors to the Thomas Derrah Emerging Artists Fund
Dr. Brian Bourquin & Paul Mataras
Anne d'Avenas & Jerry Brody
Gene Bauer & Ellen Shortell
Debby Doktor & Marc Fisher
Bender Hatch Insurance
Constance Gist Guindo & Chirfi Guindo
Betty Goldstein
MatthewTomFJNMarkWillisFoundationEmmons&ZachDurant-EmmonsFitzforryCharitableFoundationFormicola&LennyGoldsteinFox
Kristina & Doug Brendel
Jeanne Leszczynski & Diane Dicarlo Russell Lopez & Andrew Sherman Malcolm MacDonald, in honor of Keith MacDonald & Tom Webber Bill & Barbara Melone
Linda Aronson, in honor of Steven Aronson
Eastern Bank Charitable
†Gifts made through Facebook to the Thomas Derrah Emerging Artists Fund
Joan & Paul Nunes
Michael Appell & Guy Ronen
Tom Weisend & Daniel Faucher Julianne Yazbek & JD Paul Jim AnonymousYoung (3)
Gary Dilworth & Joseph O'Donnell
Faith & Glenn Parker** Jackie & Bob Pascucci
Bob Band
Mark Staloff & Greg Bowne
Leah Rugen & Andy Boral Robert Siefert & Maureen Shea-Siefert
ASSOCIATE PRODUCER - $2,500-$4,999 (CONT.)
WE ARE BOSTON'S HOME FOR THE BOLD Here at SpeakEasy, you will find the most courageous and inclusive theatre in Bos ton. We are driving Boston theatre forward and building community with produc tions that spark dialogue and inspire social change. And YOU make it possible. Thank you, SpeakEasy donors, for generously supporting our mission. www.SpeakEasyStage.com/support
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Temple V. Gill & Christopher R. Yens
Rick Bankhead & Kemper Thompson
MargieGraceRossMarkDerekThomasAnnNetworkBetsyEstherKathyCathyMarianneMatthewRobertaTheEricWilliamJoyJayWendyMarkBarbaraGarthSuzanneGlynnGreenberg&LindsayGreimann&SteveGrossman&CynthiaHaddadBaileyHamiltonHanflig&DonnaSindenHoward&TheRev.PamelaWerntzA.KormanLevensonNathan&LeslieLevensonCharitableFund&GeoffreyLevy&AndreaListSarazenLonatiMarottaMcGirr&KeithCarlsonMessingMunzerforGood†Noble&ValerieGrandeNorrisOsterman&ErikJohnsonOstremOzer&ScottGortikovParker&RichardPerse
THANK YOU TO OUR ANNUAL FUND DONORS
Dawn & Doug Saglio
Bill Kelly
Jonathan Baker
Ellen & Lou Piccioli
The lists on Pages18-19 recognize donors with gifts of $1000+ to our Annual Fund and Event Sponsorships from 8/25/21 - 8/25/22.
Erik & Ranesh Ramanathan Susan & Stephen Root
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Mark Hickey & Jack Cornwell Matt Kelley
Alejandro Simoes & Gigi Watson
Jon & Dixie Lee Borus
Carl & Sharon Turissini
Michael Roitman
PRODUCERS CIRCLE - $1,000-$2,499
Peter A. Rombult & Sean N. Murphy
JimTroyCatherineElizabethKellyPamelaBobPaulaLauraBettySlateSmithlineSnowSpencer&BobbieSteinbach**(PJ)StrachmanSullivanTapper&PeterSimkinCoteTomey&DavidTomeyTomilonusTorres&BryceAvery,
FRIEND - $100+ Cindy Aber, in memory of Jack Aber Lenny Alberts
FRIENDS CIRCLE
David Dalena & Brian Patton
JillRichardMaryThomasNortonNovakE.O'ConnorParritzPearson&Dan
Frédéric Nicol
The Nix Family
Sara Bravo Schauwecker
Lanci Valentine
SPONSOR - $500+
THANK YOU TO OUR ANNUAL FUND DONORS
Steve EdgarPhilPeggyFredericIleneRozCarolynJ.ToddRebeccaGuarigliaHaagMichaelHallWilliamHarris&TerryRockefeller&AldenHart&HerbHill&RichardJacobsS.JohnsonJohnsonKlugeKnudson&Louis
Kevin Bleyle
Allen Feinstein
Peter DouglasSimkin&Karen Skillins
PATRON - $250+
Olivia & Rachel Scanlon
Dyan Molina
Jeff Rutledge & Tamara Joyce Ann Sanders & Deborah Heller
Helaine Miller
Simpson
& Andrea Campbell
Jackie
Davin T. & David P. Wedel Gift Fund
Paul JohnRandiHenryAlixAllenAltermanAmodeo&
Peg EllenMerzbacher&Jonathan Miller
Martin Arick Ben BennieDeniseRickSharynElizabethAsherAugustineBahnBarber&MarkRenaudBarreira&Pat
Pat & Steve Vinter
Jim & Josh Peary-Freiman
in memory of Kevin Forster
Jim Bracciale & Richard Kestler
Drs. Paul Boutin & Rich Gurney
Ken & Claire Edmondson
Miguel Cervantes
Tracy & Eric Sharakan Risa & Neil Silverston
Lee Chelminiak & Doug Herberich
David Freeman Coleman
Don & Susan Casey
Margaret Avery
Mike GeorgeMaynard&Jane Metzger
Larry
PaulDavidTedEllenJohnBobLauraH.KyleKenDonDeniseMelaniePaulBryanRossKathleenHenryRebeccaAylwardBackman&StephenCotton&SueBassBeckman&TheodorePostol&MidgeBenjaminBiermanBlackborow&JessicaDanielsBlowerBordonaro&DavidP.Johst&MelindaBorosonBrooks&JimEllisBrownParisBurstynCarney&AndyClarksonChabot&GlenDoerrCini&StarLancasterColton&CarolynColtonCrowley&FranPelletierCurtis
The Daughters Fund
Camilla Brinkman
Harry Fatkin
Frank DeSarbo
Sarah deLima
Lee Ridgway & Donald Vaughan
Cindy Bero & Shawn Farrell
Kelly
Suzanne Priebatsch
Glenda & Bob
Mark & Kate McKone-Sweet
Lori & David McWeeney
David JohnMarionKronmanKuntz**&Ann-Mara
Jon & Kim Davis
Pamela Roberts & Scott McInturff
Mark Saperstein & Eric Karnowski
in memory of Dottie Winer Teresa Turvey
Peter Wulsin & Michael Comey Paula & Simon Young William AnonymousAndrewZielinskiZucker(2)
Kristine Clerkin & Catherine Hay
Brian De Lorenzo
Jeannine Ayotte
Debbie Ankeles & Bob Freedman
Diane M. Aramony
TheRobertEdelsonEyreFifeFamily Foundation
Sara & Stuart Altman
Lisa KathyBeaulieu&Marshall Berenson**
David O'Brien
Mula
Chris Rocco,
Sandra Larson
Barry & Lisa Fireman
Christine Coakley & Michelle O'Connell
Glenn
Julita Bailey-Vasco & Dale Vasco Julie & Michael Bailit
Ms.DickRolandRosenbergW.Roy&DorothySantosJudithW.Semonoff&RabbiAlanC.FlamAndreaShirley&JoyceRichmondCindyShulak-RomeEllenL.SimonsMarkSmith&JohnO'KeefeJillStauffer&CydBerryMarthaStearns**JimStiles&RandyBirdCrystalTialaDonna&SteveTritmanPatrickTurnerRobWilson&SergioMazonClea&NealWinnegAngelaYardeAnonymous(1)
Ramirez
Steve Avruch & Ed MacLean
in honor of Ann Teixeira
John KarenLewisParisiPerkinsPerlow & Dale Place Marna GlennSheilaNormanPetersPosnerRehrigRizzo&Paul
Chuck Schwager & Jan Durgin Henry Servinskas & Roy Du Bois
Maggi Farrell
Mark & Mary Lunsford Dr. Stuart Madnick
Hilary Forbes Rev. Gretchen Grimshaw & Thalia Meehan
Kerry Weiss-Pena & Gustavo Pena Christine & Richard Wellman Frances & Richard Winneg
Mary Lou Buckley
Ricardo Ferrer
John Basile
Jim MindyConnorsd'Arbeloff & Jim Peyser
Lanza
Joe Castellana & Jim Seligman
Mark L. Finklestein Charitable Gift Fund
Michael McCay & Dan Salera
Thank you to these generous donors who have made a gift in the past year to support our season. We are inspired by their continued commitment to our mission.
Artan Simeqi
Ethie
Jim Joseph-RocquedeVeer Dion & David B. Wright
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Mark Alpert, in memory of Bill Gustat Diane M. Austin & Aaron J. Nurick
Lois Lindauer & Bill Seltz
DanielleGinnyStewartWillAdrianneNancyStephenGeorgeKarenThomasDennisRayMeganChrisDonovanKevinPeterRobJenniferLauraEricGraceShellyArleneOuidaBruceFlier-TruebloodFishmanSpringGardenFundFortin&BrettFosterFranklin&RayJacquesF.Greenfield&AllanM.Brandt&BillGregorR.GreimannHaas&RichardWoodHarris&DavidCondonHarrisHayduHemengerHenryHerring&ChrisHoldingHouleHumphreyH.KeanKelleherKlauber&Jo-AnnRossKnowlton&JosephPettigrewF.KormanKrstansky&TedHewlettLambertLandersLimaMaddon,
TerranceBillLisaRolfJosephDavidSandraFrancisSuzanneAnnCarolSydneySusanRogerKevinJudithDouglasKathleenAnne-MarieLeeNormaKristinStephenMeghanTerryGlennJasonPaulaDannéAgusSusanJennyHaroldSusanDr.BethDaveTomIsaacNinaJamesDonnaBrianMicheleDavidF.JudithChesterStephanieElizabethCathyRichardSamanthaBarbaraBrittonBrownBurnsJ.CareyCarswellCastellanaCave&CarolCekalaChaffeeCharnasClarkClarkeCoffeyCohenCohen&AmySilbersteinCohen&CraigBarrowsColbert&ThomasBessetteCollings&LynSpragueConnelly&LinzeeCoolidgeJenniferJ.Coplon&RobertFrank&BillCotterS.CrowleyDahlsteinDaleyDarwantoDavisDickermanDingesDodgeDolanDorianDreierEiflerEliasW.Ellenberg&KenMitchellEnderbyC.EngelEvansFangerFennessyFergusonJr.&ChrisGaucherFishFisherL.Fishman&StonaFitchFondriestFornaroFrawley&MelissaFristromFruscianteFuessler&NormanGouletFurlongFurmanskiGaetz
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Jerry & Phyllis Briskin
Lewis
Reuel & Malvina Liebert
Barbara Lietzke
Paul
Josh
Ben & Josette Blake
LyndaDaphneChristopherPamNancyMelissaCharlesChetStanleyScottLeeSusanPaulMarySondraLindaMaureenJohnDaniaSethHeidiLeonardVictorCathiMarianneAmyChobeeElveraEllenRobinDeborahHerbertTerrenceJeremyTimothyNancyEllenMaryGenevieneHamiltonHammond&DarrellHarmer&MarkHarmonP.HarrisHarwoodP.HayesHeinenHershfangHicksHicksHillyHowardHoyHwangIacuzioIannoIannoInkerJaegerJaffeJekel&ElaineJepsonJohnsonJonesKatzKelleyKelly&EdwardDusekKinney&SteveKleinmanKloter&BarbraRosenbergKramerKurpielLandraitisLanga&JeffWulfsonLarkhamLaRueLawrence&PhilipWhiteLayton&JamesP.MadiganLeahy
GeorgiaNormaShuckraShulman&Christopher Smith
The Helen & Herman Gimbel Charity Fund, Inc.
James Griffin
SharonSusanCharleneSandraFredericBarbaraRobertGonthierGordon&LesGoreGrahamGrahamGrant&CarolRosensweigGranthamGrazioso&Paul
Kathy St. George Starr Coggeshall Household David
in memory of Jim Yeaton David
Bauer
Judy Hall
Jean RobertRosenbergRoss&John Argos
Rona Hamada Mary
Bonny E Boatman
Virginia Golden Cindy & Roger Goldstein Mark
Linda Breen
The lists on Pages 20-21 recognize donors with gifts to our Annual Fund of $100-$999 from 8/25/21-8/25/22.
in memory of Rudy Kikel
Robert Mack
Lisa
Lisa
RebeccaMarciJudithMary-MargaretMaryMaryGeraldRobertAnneJeanWilliamPeterRumanSadowJ.SantoroScarrow&NeilA.Schneider&SylviaScholnickSchwarz&MargeryKravitzSchwarzScott&JohnDempseyScurioSegraves&PaulA.McLeanSeldenShawShepardson,
Diane T. Spencer & Robert H. Scott
Chris Blaser & Derrick Ingram
MariePeterLlorenteLoewinthanLongo&Allison
AnonymousJoanDavidJimJaredGeorgeDougLeahMichaelMelvinGerardGeorgeDonnaJillCarolynBarbaraViolaRebeccaDouglasJohnDaveEugeneBarbaraShannonCassieSternburg&DavidStewartStilesStillman&MadelineStraussbergSullivan&DaveNuscherTalbotTalhelm&AshleyEatonTaylorThomasJ.TorreyTrees**L.TurkWadeWalmsleyWalsh&HarrietWarshawCharitableGivingFundWeingartWeintraub&JulieWeisman&GabyWhitehouseWolfYeatonM.YoungZahorjan(8)
Robin D. Redding Memorial Trust Fund - The Bretschneider Family
Mark Spiegel & Faith Rafkind
Ann Marie Rocheleau
Peter
SterlingWalterMelissaGardnerGeddieGeeB.Giles,
Daniel PaulSandraBorgesBowerBoynton&
Nancy E. Grissom
**Contributors to the Thomas Derrah Emerging Artists Fund
THANK YOU TO OUR ANNUAL FUND DONORS
Katz
MaryLauraTomMaryBonnieNickiDeenaMarthaMarchesianiMarkowitzMatowikMauroMcBrideMcCarthyMcDonaldMcEvoyBethMcInerney&SusanBarclayKathleenMcIsaacCherylMcMahonToddMcNeelJuliaMcVay&StanGrossKaroleMendelsohnStuartMieherCherylMitchellKatalinMitchell**ChristopherMontaniDaniel&MayoMorganMarianZ.MorrisonAmandaMujica&KimSlackElizabethA.MurrayJulieNadalPeterNessenPamNobleFranO'ReillyMargaret&StephenOberKateOnyejekweJoePalomboJimPaulAprilPeaveyElyssaPellishNicholasPepeJeffPerrottiStephen&MaryLintonPetersCatherinePhillipsTedPietrasJudyPikeAnneMariePlasseThePlayMatesPaulaPlum&RichardSneeMarion&DavidPollockMarkJ.PowersAllysonPrestonGuyPugh&StevenYakutisBarbaraRaab&JeffProtentisWendy&RobertReasenbergJodyRenoufJudithRibblerJudyRiceBarbaraRichardsonIlyseRobbins&GlenMohrMargaretRocco
Mark
Emma Blaxter
Andrew & Nancy Branz
Debra Grossman & Kate Tyndall
LisetteMiraRickRandiBrianJonathanLeavittLeavyLevin&PaulLevine&WendyLevineLevinsonBeauregard
Eric Hakansson & Phillip Perry
Michael Wynne
Carleen M. Loper
Stephen Romano & Pat Capozzi
Mary Gaffney Kelly
BobDebbieRichardRotundiRubinstein&EricRuderRuggiero&Bruce Law
James F. Smith
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Bank of America recognizes SpeakEasy Stage Company for its success in bringing the arts to performers and audiences throughout the community. We commend you on creating an opportunity for all to enjoy and share a cultural experience.
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Thanks for putting art in the heart of the community
Thanks for putting art in the heart of the community
Visit us at bankofamerica.com/about.
Bank of America recognizes SpeakEasy Stage Company for its success in bringing the arts to performers and audiences throughout the community. We commend you on creating an opportunity for all to enjoy and share a cultural experience.
Visit us at bankofamerica.com/about.
©2022 Bank of America Corporation | MAP4117394 | ENT-211-AD