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Millian Adopts

NEXO GEO S12s and Yamaha CL5 EXHIBITION REVIEW: Prolight + Sound Frankfurt Staging Business

SPECIAL FEATURE: Three Keys To Growing A Rental &

INTERVIEW: APG: One Steady Step At A Time

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87 04 FIRST WORDS 07 NEWS 31 VIDEO FILES 33 ENNOVATIONS EXHIBITION REVIEW 37 Prolight + Sound Frankfurt SPECIAL FEATURE 52 Three Keys To Growing A Rental & Staging Business EXHIBITION PREVIEW 55 PALM EXPO 2016, Mumbai INTERVIEW 64 APG: One Steady Step At A Time PROJECTS 68 Singapore: Millian Singapore Features Nexo Geo S12s and Yamaha CL5 74 Australia: EV, Dynacord and Bosch Work Out @ Virgin Active

81 Macau: Macau’s Planet J Comes Alive With ETC’s x7 Colour System 84 China: Christie Visual Solutions Bring Dai Culture To Life In Yunnan LIVE 87 UAE: Protec Returns To Rock ‘n’ Roll With A Triple Whammy 91 Malaysia: Anugerah Meletop Era 2016 94 India: Sound.Com And Optocore At The South Asian Games 97 EVENTS LISTING

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The Age Of Flexibility I believe it was 2013 when Barco introduced its light-on-demand option for flexible light output with its FLEX series. In brief, the 20,000 lumens output projector (HDX-W20 FLEX) is able to adjust its light output from 10,000 to 20,000 lumens in 2,000 incremental steps. This was a big deal when it was introduced. This enabled rental companies the flexibility to adjust their light output requirements via one projector rather than having different lumen projectors in their inventory. More critically it helped rental companies save the lamp life with this flexibility and improve their ROI as they could charge clients according to the lumens required for the projects, even though in this case, the the HDX-W20 FLEX, is capable of a maximum 20,000 lumens output.

This has now become a more common theme. Audio systems like the NEXO STM (Scale Through Modularity) deliver a new level of versatility, enabling contractors to design a wide range of systems from just four core modules.

More recently we had the privilege of seeing how the LD Curve500 could easily add on more systems as and when required within the same base line. These are fundamentally different from just adding on inventory as the structure of the systems allows the add-ons to become part of the initial inventory with ease and need I say it, flexibility.

This year’s Prolight + Sound Frankfurt saw a number of lighting manufacturers release their hybrid lighting fixtures enabling one lighting fixture to act as a Beam, Spot or Wash thereby giving great flexibility to how the fixtures can be deployed. The MAC Axiom Hybrid by Martin combines Beam and Spot functionality. The GT-1 from GLP as well as PR Lighting’s BWS series offer the same concept.

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Rental companies we are certain will enjoy these flexibilities as it allows them to keep a tight rein on their inventory and presumably better ROI where cost savings can be expected in terms of storage, rigging and transportation.

Thomas Richard Prakasam

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Publisher/Editorial Director

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MIPRO MA-708 Triumphs In Red Dot Award

Red Dot jurors Gordon Bruce, Hideshi Hamaguchi and Prof. Dr. Ken Nah during the jury process TAIWAN: The popular MA-708 portable wireless PA system by MIPRO was awarded with the Red Dot, the international distinction for high design quality. Participants from 57 nations had registered about 5,200 products and innovations for the Red Dot Award: Product Design 2016. Only products which set themselves apart considerably through their excellent design receive the sought-after quality seal from the international Red Dot jury.

The MA-708 portable wireless speaker system accommodates a two-way system in its robust plastic enclosure. It is driven by a high-performance Class D amplifier and is easily capable of addressing medium-to large-sized spaces.

Also included in the enclosure are several wireless microphone receivers, a mixing unit, a CD/USB player and a Bluetooth interface. The rechargeable battery system plays loud and powerful sound indoor and outdoor and does entirely without cables and can be effortlessly transported using a clever trolley system. Moreover, it includes a storage compartment for two handheld or beltpack transmitters.

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With 41 experts from all around the world, who are chosen according to strict rules, the Red Dot Award: Product Design guarantees a very high judging competence: Only freelance designers, design professors and specialised journalists – but not designers employed at companies potentially participating – are appointed to the jury.

The independent expert panel assesses each entry strictly and fairly, live and on site, according to criteria such as degree of innovation, formal quality, functionality and ecological compatibility. Professor Dr. Peter Zec, founder and president of the Red Dot Award, commented, “With their performances, the Red Dot winners not only demonstrated an extraordinary design quality, but they also showed that design is an integral part of innovative product solutions.”

4 July 2016 marks the culmination of the Red Dot Award: Product Design 2016. During the glamorous awards ceremony, the Red Dot: Best of the Best laureates will accept their trophies in front of around 1,200 guests. At the subsequent after-show party “Designers’ Night”, the winners will receive their certificates and celebrate until the early hours in the Red Dot Design Museum Essen in the midst of prize-winning products. All award-winning products will be presented in the special exhibition “Design on Stage” for four weeks, before becoming part of the permanent exhibition.

With about 2,000 exhibits from 45 nations, the Red Dot Design Museum Essen displays the complete range of current product design. In the former boiler house of the UNESCO World Heritage Site Zollverein coal mine, it presents products that have won the Red Dot on five floors and approximately 4,000 square metres. Every year, the world’s largest exhibition of contemporary design informs around 150,000 visitors about current trends and top achievements. www.mipro.com.tw www.red-dot.org

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Mumbai PA Company Invests In dLive

The dLive being blessed before its performance in typical Indian tradition INDIA: Sudarshan PA in Mumbai recently added Allen & Heath’s dLive digital mixing system to its inventory, comprising the flagship S7000 Control Surface with DM64 MixRack, and supplied by Delhi-based distributor, Sun Infonet.

The system was used for the first time at a Mitwa musical concert held in Mumbai by singer and music composer/director, Shanker Mahadevan. "dLive offers inspiring sound with astonishing looks," says Titu Kulkarni, owner of Sudarshan PA. “To choose a mixer in that class was very challenging, as there are many things to consider, such as I/O capability, stability, rider friendliness and features. The day I met dLive, I knew it was a game changer, and I could not ask more from it. I personally love the sound quality of A&H. In one word, using dLive is ‘exciting’!" www.allen-heath.com

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Cadac Appoints Major New Distributor For Australia and NZ AUSTRALIA & NZ: Cadac has announced the appointment of Hills as its new exclusive distributor for Australia and New Zealand. Hills, recently celebrated its 70th anniversary and is committed to being a value-added distributor of technology and communication

(L-R) Hills Consultant Support Manager Bryan Davidson with Cadac Director of Sales and Marketing Richard Ferriday shake on the deal at ISE 2016

solutions across a wide range of market sectors, including home, health, education and audio-visual.

Dan Fletcher, Head of Hills AV, stated, “Hills is extremely proud to be exclusively distributing Cadac consoles in Australia and New Zealand. At Hills, the combination of Cadac with other world leading audio brands, such as L’Acoustics and Biamp, continues to provide our partners and their customers with complete solutions that are trusted the world over.”

Consultant Support Manager Bryan Davidson has been busy building the Hills brand portfolio: “Cadac is the perfect fit for our brand portfolio, it will partner extremely well with L-Acoustics to service the premium end of town, including both the touring and fixed installation markets.” www.cadac-sound.com www.hills.com.au

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Sennheiser Receives Endorsement Of Local Artists Gaya And Svengali

Svengali performing in Turkey UAE: In a demonstration of its growing popularity among musicians in the region, Sennheiser, has received the endorsement of Svengali, a band whose energetic live performances and music, have been provoking powerful reactions all over the region, and Gaya, a UAE-based independent singersongwriter with a deeply personal sound. The widely varying musical styles of these two artists highlight the versatility of Sennheiser’s solutions and its brand appeal within the region.

While Sennheiser’s is the brand of choice for a long list of industry megastars, the brand has been equally committed to supporting the local music community. “Our regional team is highly active on Facebook, Twitter and Instagram in an effort to keep us as close to our users as possible.

The endorsement of talented musicians such as Gaya and Svengali helps us broaden our reach within this community. We want artists to know that we’ve got world-class solutions to cater to musicians of all genres, levels

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of popularity and even budget,” said Mig Cardamone, Director of Sales and Marketing at Sennheiser Middle East.

Gaya has been named one of the highest-rated unsigned artists to date by RollingStone Middle East magazine. Her vocal-driven music, inspired by her love for the likes of Joni Mitchell and Ella Fitzgerald, has earned her a steadily growing fan base with tours across the region as well as North America and Asia.

Svengali stands out as one of the region’s leading heavy metal acts. The five-person band’s debut album, “Theory Of Mind” has been extremely well received by the Middle East metal community and the band actively tours the region, performing in Istanbul, Turkey, at the headbanger’s weekend festival, headlining Lebanon’s concrete metal festival and playing numerous gigs alongside international musicians in the UAE. Despite the stark contrast between the music styles of these two artists, they both utilize and endorse Sennheiser’s D1 range of digital wireless microphone systems. “A lot of people worry that when you go wireless, you compromise on sound quality but with the D1 this just isn’t true. Not only does it deliver exceptional sound, it gives us much more freedom of movement, meaning we can bring even more energy into our performances,” said JM Elias, guitarist in Svengali.

The Sennheiser D1 has been specifically designed to make a performer’s life easier. Its transmitters and receivers automatically pair and select suitable transmission frequencies, while multiple D1 systems can automatically coordinate themselves. D1 operates in the 2.4 GHz range, which is licensefree worldwide. “D1 instantly readies you for making music and takes the complexity out of wireless while assuring quality and reliability,” concluded Mig Cardamone. www.sennheiser.com

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YAMAHA CL And QL Consoles Now Able To Control And Monitor Shure ULX-D Wireless Systems

Shure ULX-D Wireless Systems INTERNATIONAL: Yamaha Pro Audio and Shure Incorporated announced that customers using Yamaha CL and QL Series consoles will be able to control and monitor Shure ULX-D® Digital Wireless Systems (Dante™ enabled ULXD4D Dual Channel Digital Wireless Receivers and ULXD4Q Quad Channel Digital Wireless Receivers), providing the user with significantly enhanced operability.

The seamless integration of Yamaha’s CL/QL Series consoles with Shure’s ULX-D Digital Wireless Systems—which offer uncompromising 24-bit audio clarity and efficient RF performance—equips audio professionals everywhere with the intuitive tools they need to handle sound reinforcement applications of any size. The newly-available control parameters will include monitoring of battery, RF reception strength, antenna status, frequency and audio level, and full control of gain,mute, and channel name assignment.

Ken Hiraoka, Yamaha Pro Audio Business Unit Director, comments: “Through continuing collaboration with Shure, the leading microphone innovator, Yamaha CL/QL series consoles and Shure ULX-D digital wireless systems come

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together with seamless integration that contributes to enhanced operating efficiency and convenience. Both Shure and Yamaha will continue to innovate in our respective fields.”

The collaboration between the two companies began in June 2013, when ULX-D receiver discovery patch support was introduced in the CL series V1.6 update. More recently, the TF series consoles were introduced with optimized QuickPro Presets™ for a number of microphones and instruments — including presets for Shure microphones — in April 2015. This announcement marks the third stage of the Shure/Yamaha collaboration, with control and monitoring of Shure ULXD4D and ULXD4Q receivers directly from Yamaha CL and QL series console touch panels, as of the V4.0 firmware update scheduled for release this month.

Nick Wood, Category Director of Wireless Systems at Shure comments: “This integration means that ULX-D users can optimize microphone gain settings from the mix position and confidently monitor the status of wireless systems within the context of the console interface. It is a very important step in the progress of wireless control and in the continued collaboration between Shure and Yamaha.”

The V4.0 firmware update will be available by the end of April. www.yamahaproaudio.com www.shure.com

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Strategic Partnership Between French Loudspeaker Manufacturers

Régis Cazin, CEO Active Audio

Grégory Dapsanse, APG Marketing and

and APG

Business Development Director

INTERNATIONAL: French loudspeaker manufacturers Active Audio and APG have signed a strategic alliance. Both brands will remain independent in their respective activities – and through distribution channels – Active Audio will continue to focus on the Public Address market while APG will still cater for live events and large venue installations. The decision to join forces will instead foster critical synergies between both companies in R&D, production, financing and ultimately global reach.

As a result, Régis Cazin, steps up as CEO of both Active Audio and APG with immediate effect. Active Audio will now hold 60% of APG shares while APG’s historical shareholders, Jean-Luc Moncel, Philippe Frarier and Grégory Dapsanse, will hold the majority of the remaining shares.

Commenting on the agreement, Régis Cazin said, “Although Active Audio becomes a major shareholder in APG, we recognise APG’s strong reputation in

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the market, backed by many dealers and end users who have invested a lot of trust in the company. We wanted APG’s historical shareholders to remain significant shareholders in order to be actively involved in both strategic and operational decisions”, he explains. “We are adamant to preserve both brands and their respective strengths.”

Both companies will also keep their existing network of distributors and capitalise on their respective local relays to promote the other brand where only one company is active in a given territory.

This alliance is the result of a common vision and strategy: Active Audio was looking for external growth while APG France was seeking an investor or industrial partner in order to strengthen its resources. With this alliance, both companies reinforce their position as a challenger to current industry leaders.

Both companies quickly found a number of strategic and operational synergies, with complementary product lines and virtually no overlap: a great opportunity for existing distributors of both brands which will also benefit end users. According to Cazin, “sound designers have to manage both the low and high audio power levels in their jobs: With Active Audio products going up to 95dB range and APG’s above this level, we are ideally positioned to offer a whole range of solutions to cater for every need.”

Grégory Dapsanse, who becomes Marketing and Business Development Director for APG, will continue to define the product strategy for the brand.

Drawing a parallel between both companies, he commented: “The similarities between us are quite amazing: Not only do we have a similar size and structure, but our philosophy and approach of the acoustic world is a perfect match.”

Both companies will keep all existing staff. In fact, in light of this alliance, Active Audio and APG have already started recruiting key personnel to support this new business strategy. Last month, APG hired two engineers (support and

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product) and are in the process of recruiting a sales manager dedicated to the French market as well as a sales assistant, while Active Audio has recruited two people to support their distribution channel and communications.

Summing up this announcement, Cazin said: “I am confident that the strong electroacoustic savoir-faire of our companies, along with the synergies produced by this alliance, will help us continue to develop the specific technologies and solutions that the industry can expect from us and set us aside from the competition.� www.activeaudio.fr www.apg.audio

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EVENT: Launch Of Yamaha Rivage PM10 In Singapore

T

he Yamaha Rivage PM10 digital mixing system was first revealed at InterBee in 2014 and started shipping in the third-quarter of 2015. It has been more than 10 years since the Yamaha PM1D and PM5D were

introduced and the new RIVAGE PM10 significantly increases the quality and versatility of the console. 19th April saw the much awaited and anticipated console being officially launched in Singapore.

The launch held at Millian Singapore, located at St James Power Station, saw approximately 200 guests comprising of Houses of Worship, SIs, Rental and production houses, venue owners, educational institutes and consultants, eagerly taking in all the features of the console. Highlighting the PM10’s key functions & features was Andy Coper, Manager, Pro Audio Application Engineering, Yamaha R&D Centre London.

“With the PM10 we are using a new generation platform that consists of new structures and network devices. In addition we collaborated with Rupert Neve and TC Electronics on some of the processors to offer the best possible sound,” said Chihaya “Chick” Hirai, ASEAN PA Business Director, Yamaha Music (Asia) Private Ltd.

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The PM10 allows for two sound engineers to simultaneously operate the console, which is great for big productions like in a theatre or even in Houses of Worship.

“The console would feel at home in a theatre environment where there is a need for many channels. Similarly a Broadcast environment or even in a House of Worship,” said Chick.

Lawrence Tan, Assistant General Manager, PA Sales & Marketing, Yamaha Music (Asia) Private Limited adds, “You will also notice that the PM10 is an open protocol system that offers sound engineers the flexibility to add other brands/equipment via different digital format and most open networkable system is Dante Network.”

Indeed the PM10 can be considered as another major milestone for Yamaha.

The system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards.

Together as a system, it provides the flexibility to configure and ideally match the scale and functional requirements of any audio application.

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The console features newlydeveloped Hybrid Microphone Preamplifiers. The analog section is totally new as well, both in terms of components and overall design, achieving extraordinarily pure, natural sound. The digital stage includes impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing, created with original Yamaha VCM (Virtual Circuitry Modelling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitates sonic shaping right at the input stage, adding musical sparkle or power as required.

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and a “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source.

Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

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A total of 45 plug-ins are available for creative processing, with substantially increased processing power.

New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.

Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favoured by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger. With Eventide, Yamaha will add the H3000-Live Ultra-Harmonizer as a future standard inclusion.

Of course operability has been given the attention it deserves too. Yamaha’s familiar Selected Channel section is implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled.

There are also two large LCD touch screens that provide logical continuity with the faders below, offering the same operability as the high regarded Centralogic interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and a number of other details contribute to significantly improved overall operability.

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Lawrence Tan, Assistant General Manager, PA Sales & Marketing, Yamaha Music (Asia) Private Limited

New features extend the usefulness of the scene memory. “Isolate” makes it possible to specify entire channel modules, including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings. This will be of great value in situations where scene memory is used heavily. The Overlay filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from scene recall. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability.

TWINLANe is an original Yamaha protocol that can handle up to 400 96 kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

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Andy Cooper, Manager, Pro Audio Application Engineering, Yamaha R&D Centre London Connection to a computer for multitrack recording as well as to CL or QL series consoles and other external equipment can be made via a Dante network. Dante, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

After lunch, guests were given an overview and demonstration of a range of Nexo loudspeakers namely, STM (Scale Through Modularity), Geo S12 cabinets, ID24 compact loudspeaker and Geo M6 compact line array system. www.yamahaproaudio.com www.nexo-sa.com sg.yamaha.com

Chihaya “Chick� Hirai, ASEAN PA Business Director, Yamaha Music (Asia) Private Ltd.

VIDEO FILES ETA May 2016

All You Need To Know About d&b’s NoizCalc Software

At PL+S, d&b had launched the NoizCalc software which is a far field noise immission modelling software. This video explains what is NoizCalc.

Following this video there are additional tutorial videos on this subject for you to view.

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What Sets Aside The Turbosound iNSPIRE iP1000

The Turbosound iNSPIRE iP1000 delivers powerful, high-quality sound with optimised dispersion inspired by their award-winning line array products – in a surprisingly lightweight and easy to use, all-in-one form factor. To know more check out this video

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Barco Breaks Ground With First HighBrightness Laser Phosphor Projector For Events And Large Venues

Barco is expanding its successful HDF projector portfolio for large venues and events with a 3-chip DLPŽ, 30,000-lumen model that offers WUXGA resolution with superb image quality. What’s more, the powerful HDF-W30LP FLEX projector features a high-brightness laser phosphor light source that offers extremely long lifetime with remarkably low total cost of ownership.

Thanks to the unique laser phosphor retrofit module, customers who already own a Barco HDF-W30 FLEX projector can also benefit from laser technology.

The projector shares its lenses, very wide lens shift range, ease of use, and modularity with the other HDX and HDF models. The HDF-W30LP FLEX is ready to order and will begin shipping in Summer 2016.

For full details read here (http://www.barco.com/en/News/Pressreleases/Barco-breaks-ground-with-first-high-brightness-laserphosphor-projector-for-events-and-large-venues.aspx)

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ETC Introduces Colorsource Consoles – Big Control For Small Stages

“The ColorSource console is a simple machine, not a simplistic machine,” says Adam Bennette, the R&D technical director involved in the desks’ development. Each ColorSource desk boasts a sleek design and hands-on control, with an onboard, seven-inch touchscreen and 20 or 40 pageable faders that can control 40 or 80 channels or devices. The touchscreen interface brings colour selection, record and other commonly used functions to the forefront, while a wealth of deeper features can be accessed using the intuitive menu system. If first-time users get lost, they can quickly find their way again with built-in, multilingual help functions and video tutorials.

To learn more about ETC’s ColorSource family of products, visit http://www.etcconnect.com/ColorSource/

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MIDAS Launches Ultra-High Performance M8000 192 kHz, 8-Channel A/D Converter Andy Trott, SVP, Enterprise & Entertainment Division states: “For over four decades, MIDAS has been the undisputed leader in audio and sound performance, especially known for its award-winning microphone preamplifiers and best sounding mixing consoles. Our Manchester Innovation team spent over 3 years and close to 1 US$ million to develop what we believe is the world’s best-sounding A/D converter. Based on advanced multibit delta-sigma architecture and a revolutionary high-speed TDM interface, the converter’s performance delivers close to 120 dB of dynamic range with sampling rates up to 216 kHz.” Andy adds, “For the first time in our history we now have found the perfect match between our preamps and an A/D converter, that is able to capture every nuance of the microphone preamp and convert it into the digital domain. The audio results and sonic performance are simply astounding and have exceeded all our expectations.”

MIDAS will start converting its mixing consoles to the new M8000 chip by end of 2016 and considers offering upgrade kits to existing customers. www.midasconsoles.com

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PROLIGHT + SOUND FRANKFURT REVIEW

In case you did not get the opportunity to visit the exhibition or maybe you were overwhelmed by the number of solutions to be seen, here is a quick overview of some of the solutions.

Audio beyerdynamic introduced the TG MM1w – an interchangeable measurement microphone capsule that completes the TG 1000 digital wireless system. The interchangeable measurement microphone capsule serves to calibrate ELA and PA systems and presents with the TG 1000 system an all-in-one solution.

The wireless system can now be used not only to mike speaking and singing voices and musical instruments, but also to calibrate ELA and PA systems in the theatre, at live concerts or at festivals. The TG MM1w interchangeable microphone capsule can be easily fitted on the TG 1000 handheld transmitter and makes it possible to calibrate simply, without needing to lay metres of cable. The

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transmission characteristics have been selected to achieve a linear frequency response and therefore natural sound reproduction. The omnidirectional polar pattern of the TG MM1w make it possible to measure the sound equally from all directions. The compact all-metal housing has minimal influence on the acoustic environment and is also very robust. www.beyerdynamic.com D.A.S. launched the new Sound Force Series of club systems designed for today´s high-level dance venues where exceptional sound, imposing power and impressive looks are key requisites. The new series presently offers four models comprising mid-high, mid bass, and subwoofer options.

The SF-112 is a powerful mid-high 3-way cabinet which allows for passive or bi-amp operation. The mid-range is handled by the new D.A.S. 12HQ

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loudspeaker. High frequency reproduction is trusted to the D.A.S. M-75N neodymium compression driver used by D.A.S. on a number of their high-profile systems. Both components are mounted to polished fiberglass horns. The ultra-high frequencies are handled by twin “bullet” type tweeters mounted on supports.

The SF-215 is a bass system comprising two D.A.S. 15” loudspeakers in a fourth order bass-reflex configuration. The bass cabinets can either be stacked, or flown on both sides of the SF-112 to form a 4-way array. Two subwoofer options are available in the Sound Force series. The SF-221, a double 21” subwoofer comprising twin 21UXN4 loudspeakers in “V” loaded configuration and the impressive SF-30A, a powered ultra-low system.

The SF-30A employs a moving magnet motor powered by a Class D amplifier offering 7,500W continuous power for breath taking low frequency reproduction. The motor assembly drives a 30” high density polyethylene cone with up to 300 kg of force. www.dasaudio.com d&b introduced its new software tool, NoizCalc. Created in collaboration with noise consulting and software development experts, SoundPLAN, NoizCalc enables system designers to assess how multiple complex and coherently emitting sources, such as d&b line arrays and subwoofer arrays, will impact on areas outside the listening field – to internationally recognized standards.

NoizCalc is a further radical enhancement in the prediction and planning toolbox for existing d&b systems. www.dbaudio.com dBTechnologies VIO, is a new active line array & sub series. Freshly designed wood cabinets, premium components, latest generation amplifying technology, as well as an advanced DSP programming, come together to deliver imposing sound pressure levels combined with an outstanding control

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of dispersion and a detailed, clear cut audio performance. In addition to that, all the VIO systems can be easily controlled via RD-Net protocol and, last but not least, the line array modules features an integrated rigging system and dedicated accessories in order to ensure simple and quick configuration and set up operations.

The series is comprised of VIO L210 2x10� Line Array module and 3x18� SUB VIO S318. www.dbtechnologies.com Electro-Voice presented the new ND Series of wired vocal and instrument microphones with four vocal and four instrument models for live performance and studio applications.

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Each ND Series model is equipped with features that are unique to both its price point and its particular application – all designed to offer superior sound quality, acoustic control and robustness. At the heart of the new dynamic models is a new large-diaphragm capsule design which takes the technology of the original N/Dym capsule to new levels of sonic performance. Vocalists can select a specific ND Series model to provide optimal results according to venue size and/or stage volume. Sound engineers and musicians will benefit from an easy set-up due to innovative mechanical solutions that solve typical instrument mic placement challenges. The series features dent-resistant Memraflex grilles, humbucking coils to guard against EMF noise and shockmounted capsules to minimize handling noise.

The ND Series dynamic vocal microphones are designed to address three distinct application scenarios, and are differentiated by polar pattern, capsule voicing and grille shape. The ND Series instrument models are an excellent choice for both live sound and studio work. Three dynamic models and one small-diaphragm condenser model are available, each optimized for their applications by polar pattern, capsule voicing and mechanical design. www.electrovoice.com HK Audio released four new mono single systems as part of the ELEMENTS series. The four new Systems – Easy Base Single, Smart Base Single, Line Base Single and Big Base Single – are mono, single column versions of the best selling ELEMENTS stereo setups. The new systems feature all the most-loved ELEMENTS features but present a more attainable entry point to the range. The single systems are even more ingeniously simple to set-up and transport – being lightweight, diminutive in physical size and almost cable-free to operate. The system can be easily expanded with additional subwoofers and/or mid/high units when extra power is needed. www.hkaudio.com

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JBL Professional by HARMAN showcased the EON208P, a portable PA system developed to make legendary sound accessible to small bands, solo artists, coffeehouses, clubs, schools, meetings, worship events and health clubs. The JBL EON208P builds on the legacy of its predecessor, the JBL EON206P, with Bluetooth® streaming, 8” speakers, an integrated 8-channel mixer and more.

The JBL EON208P system features two loudspeakers housed in versatile enclosures suitable for ground stacking or pole mounting. The integrated 8-channel mixer provides flexibility for a variety of applications, where specific inputs would make it perfect for DJs, singers, instrumentalists, presenters, including media playback devices. The JBL 208P also offers a highly robust output section, allowing separate channels to run monitors, headphones and a subwoofer channel simultaneously. www.jblpro.com/www/products/portable-market/eon208p K.M.E. introduced its GALO G 10 High Power Line Array which is a passive high power line source element – acoustically optimized to reach an excellent sound quality and extraordinary performance. The innovative 3-point rigging system enables to preselect the splay angles between the array elements already in the transport dolly. When flying the array the desired splay angles are achieved automatically thus ensuring quick and safe rigging.

The Dynamic 3D Sound Image – offers an exact spatial reproduction and depth together with extraordinary sound dynamics. The 3-source waveguide guarantees a coherent wave front in the high frequency range resulting in a smooth and high-resolution sound of the complete array. The acoustically optimized low-mid sound guiding in combination with the 3-source waveguide provides a defined horizontal dispersion over a wide frequency range. The product is complemented with the GALO-FOCUS simulation tool. www.kme-sound.com

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L-Acoustics KS28 is a new reference subwoofer that adds 3dB of SPL (versus the SB28) and is exclusively driven by the new LA12X amplified controller. The KS28 takes sub performance to new lows, offering extended bandwidth down to 25 Hz, outstanding low frequency resolution, exceptional SPL and tight impact. The KS28 comes with the ease of use that is the hallmark of an L-Acoustics enclosure, weighing in at only 79 kilograms or 174 pounds, the sub is rapid and cost-effective to deploy, with all rigging integrated into the box.

The LA12X, is a new, future-ready amplified controller with 12,000 Watts of power, thanks to its smart DSP-controlled Switch Mode Power Supply (SMPS) with Power Factor Correction. Boasting up to 3,300 Watts-perchannel with record hold times, the LA12X is capable of operating from 100 to 240 Volts while offering the highest tolerance to unstable mains. Universal SMPS ensures the LA12X can be taken around the globe while boosted DSP resources with AVB means the amp is future-ready. The four in by four out architecture of the LA12X will make it a strong and economical choice for both rental and install projects. www.l-acoustics.com MIPRO presented its MM-90 condenser vocal microphone and MM-59 dynamic vocal microphone. The MM-90 is a supercardioid microphone designed for professional vocal applications and features a frequency range of 50 Hz to 20 kHz and presents superb directionality and feedback suppression for bright and detailed sound quality. With an A-weighted self-noise rating of 19 dB SPL, a sensitivity rating of -52 dBV / Pa, a peak acoustic output rating of 149 dB SPL, and a wide dynamic range of 130 dB, the MM-90 possesses extremely low handling and impact noise with outstanding performance.

The MM-59 is a premium supercardioid addition to the dynamic microphones.

It is designed for professional vocal application which demands premium option of dynamic microphone. It features high dynamic range and sustains

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high SPL without distortion and presents soft and mellow sound quality. Fitted with the patented MU-59 capsule module, whose air chamber is integrated with the shock absorber, the MM-59 possesses ultra-low handling and touch noise with robust performance and output capability. www.mipro.com.tw Nexo’s two new 4-channel amplifiers and a new DTD Controller create compact, lightweight, intelligent and low-cost powering solutions for the installation and touring SR markets. The DTDAMP4x0.7 and DTDAMP4x1.3, denominating 4-channel, 1U rack-mounting amps in 700 Watts and 1300 Watts models (4x4 Ohms) respectively, each weigh just 7.5Kg. Both DTDAMP versions present High-efficiency Switch Mode power supply and Amplifier channel design; Channels can be independently bridged two by two; Four Inputs on XLR, four Outputs on SP-4 and feature Extensive protection that make the amplifiers road-and-rack ready.

The DTD Controller is NEXO’s first digital controller to combine the sonic quality of the NXAMP plus compatibility with amplifiers from other manufacturers. A low-cost processor that delivers advanced speaker control processing in a compact, rack-mounting device, this unit confers new affordability and accessibility on NEXO’s most popular loudspeaker products by connecting them to amplifiers of every size and scale. www.nexo-sa.com

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Lighting Clay Paky launched three new products internationally for the first time. They were the Scenius Profile, Hepikos and SharBar. The Scenius Profile is the new beam shaper at the top of the Clay Paky moving head range. Its advanced optical unit and the 1400W OSRAM discharge lamp provide very high light output and an excellent CRI. Its framing system consists of four independent overlapping blades which create shapes of all sizes and proportions by working simultaneously on four different focal planes.

The Hepikos is a 700W washlight and the SharBar is an advanced moving LED bar with features that transform it into a brand new multi-beam effect light. It fits six 30W powerful new OSRAM Ostar RGBW LEDs. www.claypaky.it DTS Lighting contends that its lighting fixture KATANA is the most advanced LED light ever designed for the entertainment market. With KATANA the company introduces a brand new type of light beam: the dynamic ‘blade’ projection. Thanks to a custom 3.5° - 40° linear zoom, KATANA is capable to project an extra-bright blade of light that cuts through any show. Single pixel control lets users obtain stunning dynamic multicolor effects. And a super-fast motorized tilt adds a dynamic impact to the lighting performance. www.dts-lighting.com

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Elation Lighting introduced a plethora of products. Of significance is the new Platinum SEVEN, a patent-pending high-power 7-colour system wash luminaire housing 19x 25W multi-chip LEDs (Red, Green, Blue, White, Amber, Mint, and UV) for an unprecedented palette of colour choice. It features a fast 5° to 50° beam angle zoom range, 3x pixel ring control and colour-pixel ring macros for a variety of effects possibilities. Advanced low-noise cooling and movement control systems make for an even greater variety of application. www.elationlighting.com High End Systems introduces the SolaSpot Pro 1000 and SolaWash FX 1000. The SolaSpot Pro 1000 features 16,000 lumen output, CMY, Linear CTO (to match industry standard conventional fixtures), two Gobo Wheels (1 Rotating + 1 Static), Animation Wheel, 12 to 40 degree Zoom, LED Zone Control, Iris, Prism, High Transmission Frost and changeable Colour Wheel.

It also includes multiple Fan Modes, a unique Lens Defogger and low noise operation.

The feature rich SolaWash FX 1000 produces 18,000 lumen output and includes CMY, Linear CTO, Beam mode, two Wash modes, 6 to 45 degree Zoom, LED Zone control, one rotating gobo, iris and changeable Colour Wheel. It also offers multiple Fan Modes, low noise and High End’s Lens Defogger system. www.highend.com GLP showcased its GT-1 true hybrid fixture, working as both a Spot and a Beam. Using a high powered 470 Watt discharge lamp, its high quality optical system produces a light beam that features an enormous 22:1 ratio zoom range from 2.5° to 55°.

When in spot mode, the GT-1 offers a wide range of effects, including CMY colour mixing, eight rotating gobos, 14 fixed pattern gobos, additional beam

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reduction gobos, and an interchangeable animation wheel. The GT-1 also features three different rotating prisms, a fixed colour wheel with CTO/CTB filters, and a frost for softening the beam. When in beam mode, the GT-1 produces an astonishing highly parallel beam of light at 2.5° through its large 145mm diameter front lens, that remains bright and consistent over long distances.

The GLP GT-1 features GLP’s unique baseless design, inbuilt wireless DMX control, full 16 bit pan and tilt movement, full range dimming and shuttering capability, an in built battery for fixture setup, an auto sensing power supply and a low weight of just 25kg, in all giving a vastly versatile fixture for a wide range of applications. www.glp.de MA Lighting significantly upgrades dot2 software with version1.2 The new version 1.2 software includes many workflow refinements ensuring the dot2 remains a powerful, versatile and intuitive lighting console.

New features include: Customizable fixture Layout views; Multi-patch fixture functionality; Additional playback options; Fully assignable DMX ports; Auto Backup; Fader position identification; Remote inputs with pages; Programmer view extended; Effects representation.

There are even more enhancements in this new software release! Like export functionality for fixture types or conventional fixtures with shapers inside dot2 3D and so on… www.ma-dot2.com Martin by HARMAN announced the MAC Axiom Hybrid, a true all-inone beam and spot fixture. The hybrid solution combines beam and spot functionality into a compact unit that also offers diffused wash and

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remarkable intensity. The unit’s seamless zoom and focus capability eliminates the need for dedicated beam or spot modes and allows for both instant as well as discrete transitions from a high-intensity collimated beam to a flat field spot.

The MAC Axiom Hybrid’s precise optical system offers high contrast, both in mid-air and projection, as well as a surprisingly flat field not often seen with this short-arc lamp technology. Even with the array of features packed into the MAC Axiom Hybrid, the unit casts a surprisingly small footprint, resulting in a lightweight fixture that delivers superior performance. www.harman.com PR Lighting released the new XLED 300 Beam LED moving head. Smart, compact and with low power consumption, it is equipped with the Osram Ostar Stage 60W LED (RGBW 4-in-1) and has a 4.7° beam angle to deliver unlimited movement.

Other features include: Electronic dimmer 0-100% linearly adjustable; 0-25 fps electronic strobe; speed adjustable 720° pan and 270° tilt, with auto position correction; RGBW colour mixing (with macro); linearly adjustable colour temperature. This DMX-controllable fixture also includes: Wireless DMX compatibility; LED lamp overheating protection; Fixture usage time display; Sound control mode and Touch Key, Brightness and Contrast adjustable. www.pr-lighting.com

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Truss Prolyte Group caught the attention of many visitors with the introduction of the Verto truss.

The Verto truss brings a totally new perspective on truss assembly and is described as a game changer for the industry.

The Verto truss is based on a new principle of truss connection, where the sections are joined by a rotating coupler system. This system has great advantages over existing systems. Looking at daily working practice for technicians, the goal was to make assembling truss not only easier, but also safer. Furthermore, playing into the trend of ever shortening production times, reducing the assembly and disassembly time was important. Tested general assembly times are up to 3 times faster than those for truss with conical coupling systems and 7 times faster than any bolted truss.

The Verto truss can be assembled by a simple rotating locking system, securing the truss in seconds, without the need for tools. Due to this, assembly is almost completely silent, thereby greatly adding to safety on the work floor. Tested general sound levels are around 55dB, where a conical truss system generates a sound level of 80dB during assembly. www.prolyte.com

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Three Keys To Growing A Rental & Staging Business By Tom Stimson MBA CTS

G

rowing a Rental and

Staging business has never actually been easy, but

today it seems like anyone can get into the game. Competition is fierce, products and services increasingly commoditized, and getting ahead seems harder. How do you grow, make money, and not collapse under your own weight? There are three key best practices that will keep your rental business vibrant.

Learn How To Oversell In order to grow, you must sell more than you did the period prior, consistently. If customers would cooperate by not scheduling their events at the same time, then this task is easy. However, peaks and valleys are the norm for most of us. The trick is to make the busy periods consistently larger without sacrificing quality. This requires a fearless commitment to new business alongside a dynamic operation that can adjust to fluctuations in workload. Growing, profitable rental businesses rely heavily on outsourced staff and equipment in peak periods in conjunction with just-in-time hiring and purchasing to accommodate this type of growth.

Transparent Processes As companies grow, the tendency is for the details of a project to reside in the Sales process while Operations to forced pull information through the system. A key step to becoming a scalable business is to ensure that all projects are spawned and nurtured within an enterprise software system that all departments can access. Transparency allows information to push

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forward through the system. As each step is complete, it triggers the next step. Because all forecasted opportunities and projects are in an open queue, everyone in the system can anticipate and prepare for upcoming work.

Compelling Value Proposition Your value proposition is the answer to the question, “How do you improve your customer’s condition?” In today’s information and marketing-rich world, simply saying you have great people, equipment, and service is no longer effective. Successful Rental-Stagers have to take risks to appear more valuable than their competition. The best place to start looking for your unique value proposition is to ask your best customers why they choose you again and again. Without a strong brand, you cannot consistently attract the right customers or command prices that will sustain profits.

You Need All Three There are no short cuts to success in this formula. If you excel at selling and have great processes, but lack a compelling value proposition, then you will generate undifferentiated, low margin revenue. You might grow, but profits won’t follow. If you have great processes and an impressive brand, but can’t exceed capacity, then the business won’t grow. Eventually the weight of existing infrastructure will eat into profits as well. Finally, if you know how to oversell and have a great value proposition, but struggle with operational efficiency, then your business will make costly mistakes that will undermine your overall efforts. You will rely on second efforts to do things well, and that is not sustainable.

When you think about the areas of your business that aren’t 100% effective: Overcoming stagnation, responding to challenges, avoiding problems, or making money, then one or more of your three keys to growth is compromised. Use the chart on the next page to pinpoint the source of your problems and work on that area first.

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Tom Stimson MBA, CTS helps owners and management teams rediscover the fun and profit that comes from making better decisions about smarter goals.

He is an expert on project-based selling and a thought leader for innovative business processes for the AV and Live Events Industries. Since 2006, Tom has successfully advised over two hundred companies and organizations on business strategy, process, marketing, and sales.

Learn More at www.trstimson.com

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ETA May 2016

PALM Expo 2016, Mumbai In and Around the Show

PALM 2015 - Inaugration The PALM Expo has consistently evolved in tandem with the dynamic growth and expansion of the pro sound and light market, and as always, the expo will present limitless opportunities for business, brand building, distribution and promotion of technology.

P

ALM Expo is India’s premier B2B exhibition for stage sound & light, DJ gear, AV install and music production. Summer is already on a roll and temperatures are set to soar even higher at the expo this year,

courtesy the spurt in brands present on the floor.

In 2015, the expo covered a total of 21,000 sqm and boasted of 25,000+ visitors – an indication of the growth of the pro-audio market in India, which has over the years emerged as a key region in the global pro-audio scene.

The 2015 edition of the expo saw 40 new exhibitors, and this year the expo is scaling a new high with the latest products on display from 35 first time exhibitors at the show, in addition to the “PALM Expo loyalists” down the years.

This will be a great show for product buyers as more than 500 major pro audio brands display an endless slew of pro-audio products and turnkey

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Nikhil Chinapa speaking at the PALM Soundscape 2015 solutions that include high-end professional speakers, line arrays, amplifiers, woofers & subs, mixers, consoles, patch panels, cables, connectors, mics, headphones, extended racks, stage lighting, lasers, smoke & fog machines and more.

Brands present on the floor include names like, Bose, Yamaha, Martin, Antelope Audio, Adam Hall, TW Audio, Jona LED, Harman, Sennheiser, QSC, Behringer, Genelec, Avid, Meyer Sound, DiGiCo, Beyerdynamic, Robe, Christie, d&b Audiotechnik, Turbosound, Tannoy, Shure, Lab gruppen, Nx Audio, PKN Technologies etc. and a whole lot more, who have confirmed their participation at the grand spectacle.

As most of these brands already have quite a number of shipping products, the show is all geared up to entice a critical mass of buyers.

More and more global players are now trying to make in-roads into the robust Indian market. A clear indication that international brands are finally taking concrete steps to affirm their commitment to the Indian market by exhibiting directly, is reinforced by the participation of more International brands which

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5th edition Sound & Light awards include names such as Adam Hall Asia, P Audio, Nicolaudie Group and Grand Power LLC, to name a few.

The PALM Expo will open its doors on 26th May 2016 to a mega event spread across 5 halls at the Bombay Exhibition Centre, Goregaon, Mumbai, where visitors will have access to the expo floor and the many prominent features taking place concurrent to the trade show activities.

For the seventh consecutive year, HARMAN will be back with its much-awaited Live Arena which is one of the most attractive features at the PALM expo.

A lineup of some of the best bands and musicians perform at the arena thus showcasing Harman’s top of the line audio and lighting products.

Carrying forward from the previous two years, the Demo Qubes which are conceptualized to serve as a ‘live’ demo area will feature two major brands – Hi-Tech Audio and Pope Professional. The sound at these acoustically treated, Demo Qubes can be manipulated, tested and heard at various volume levels, giving these companies a chance to showcase their systems across a range of audio spectrum, without any restrictions or disturbances from neighboring booths.

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Pioneer presenting the 1t prize to PALM DJ Championship winner If you are a rental company or an event management company, contemplating adding a line array to your inventory, then you’ll likely want to attend the Open Air Line Array Demo. One of the successes of the previous years, the outdoor line array demos, will exhibit displays from 12 brands which include Audio focus, Audio Center, Beta 3,E wing, KV2, Lloyd Lee, Montarbo, Next Pro audio, Power X, Sound Capital Pro Audio, T W Audio and Z Sound.

Conducted in the open space at the venue on Ground IV, near the visitor parking area, the Open Air Line Array demos have been a major draw since its conceptualization at the expo, with more than 3,000 visitors thronging the venue each year.

Yamaha Music India Pvt. Ltd. has once again booked its own independent space – hall 2B & 2C, spread across 1150sqm, where the brand will display a huge collection of mixing consoles, MI products, PA speakers and installation products. Attendees will also be treated to live stage performances by famous singers and bands in an acoustically treated section, equipped with Yamaha’s speakers and consoles, inside this hall.

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On the show floors itself the expo will offer an array of sideshow events that appease visitors, with the PALM Conference & Seminar Program being the absolute highlight, giving access to the largest and most relevant educational and informative program for pro-audio, lighting and entertainment professionals.

To be held at the International Lounge – Hall 1 Mezzanine, the Conference Program will provide the ultimate learning and networking environment, over the course of the expo. The three day forum are designed and developed to reflect topics of maximum interest, to the pro audio, music, lighting and audio-visual industry and will attract highly influential delegates and decision makers, focused on shaping their purchase based on professional guidance This year, the program boasts of an esteemed panel of industry professionals including Vijay Sabhlok, Milind Roarane, Anil Girkar, Sunny Sanour, Meghdeep Bose, John Stewart Eduri, to name a few, speaking on topics of prime interest on technology trends in the industry.

The event which includes a series of panel discussions and presentations on all three days of the expo has a particular theme dedicated to each day of the expo. The theme for each day is as follows:

Hi-Tech & Bose Demo Qubes at PALM 2015

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Day 1 (26th May - Thursday) Theme: Stage Sound & Light Day 2 (27th May - Friday) Theme: AV Install & Integration Day 3 (28th May - Saturday) Theme: Music Production The first day will also feature an EEMA PALM CONFERENCE SESSION, with a reputed panel by EEMA discussing the Dynamism of the Live Stage Market in India. The three day Conference & Seminar Program will culminate on Day 3 with an Open Forum for Sound Engineers which will be moderated by Aditya Modi and will consist of a panel including stalwarts of the music industry like Shantanu Hudlikar, Pramod Chandorkar and Mujeeb Dadarkar.

The rapidly progressing professional AV segment has become an undeniable force. In lieu of this ever increasing presence within the entertainment domain, the PALM expo will add further character to the show by including a 3D IMMERSIVE PROJECTION & MAPPING showcase on the floor in Hall 1

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The PALM Soundscape which is fast growing into the expo’s biggest feature will take place at Hall 4 VIP Parking Area. The Soundscape will enable networking among industry stalwarts who will share their experiences and expertise through interactive sessions curated by premier artist management agency, UnMute.

With continuous efforts, The PALM expo has been instrumental in promoting DJ talent via the DJ Championship, spearheaded by DJ Championship Director DJ Reji. The championship will bring together some of India’s top DJs and musicians. With aspiring, as well as pro DJs registering en masse for the championship, this session has established the PALM expo as the centre of gravity for Indian DJs.

HONOURING EXCELLENCE Honouring excellence in the domain of music recording is the 10th Edition of the glorious Indian Recording Arts Academy Awards (IRAA). The awards will continue to applaud the best in the Indian music recording industry. Spearheaded by Achille Forler, Awards Director and Anil Chopra, Founder & Chairman of the awards, the IRAA awards continues to grow. For the first time in 10 years, a voting process has been incorporated which will give registered members an opportunity to vote on the IRAA website.

“There are a lot of new young sound engineers who are doing great work and the IRAA focuses on scouting these new talents and bringing them into the spotlight and awarding them for work done,” says Anil Chopra.

The Awards will take place on the third day of the expo – 28th May 2016 at Hall 4, VIP Parking Area with winners being felicitated across 21 categories.

The IRAA committee has announced that its highest honor, the IRAA Lifetime Achievement Award, will be presented to veteran Sound Engineer, Satish Gupta.

True to its primary objective, the PALM Sound & Light Awards which is now in its 6th year, will showcase & recognize individuals and organizations

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for their unparalleled contribution to the industry by rendering outstanding services in the field of staging, lighting & live sound in the Indian market in the previous fiscal year.

Spread over 22 technical categories, Sound Designers, FOH Engineers, Audio Monitor Engineers and other sound & light industry professionals will be recognized at this “invites only” ceremony 27th May 2016.

“I am happy that PALM has been able to live up to the expectations of our exhibitors and visitors. The company intends to invest more in the show and ensure it continues to contribute to the growth of the industry. I look forward to welcome everyone at PALM and wish our exhibitors a successful ‘businessful’ show”, says Ramesh Chetwani, Exhibition Director of PALM Expo.

The PALM Expo dates have always been a highlighted date on the calendars of the Indian pro audio & music recording industry. Each year the organizers have upped their game and this year too the expo’s energy is all set to get more effusive with all the opportunities for business planned out at the venue. www.palmexpo.in

Winners at the 9th edition of IRAA Awards

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ETA May 2016

APG: One Steady Step At A Time

by Thomas Richard Prakasam

(L-R) Imran Hariht, Sebastian Song and GrĂŠgory Dapsanse

O

f late the APG name might be sounding more familiar with the industry in this part of the world. Considering that APG had set up an APG South East Asia office in late November 2014 in Singapore

and another North East Asia office in Hong Kong in April of 2015, the company has certainly set its sight in growing its presence in the region.

This was not the case in the early days. APG roots were founded in 1978 in France. In 1991, the company became part of the SCV Group in France. The brand changed hands again in 2004 when there was a management buyout by the people who were most passionate about the brand and its solutions.

In the early years, the brand was more known in France as it was purely concentrated in the domestic market. It had, however built quite a reputation as generally it was considered the third most recognised and accepted professional audio brand in the country.

The 2004 buyout changed the outlook for APG though. Heavy investment in R&D brought about innovative products from the company and the time was ripe for an international foray for the brand. 12 years later, 40% of APG’s

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The JCube Ice rink that features the SC25 column speakers business is international with of course most of the business coming from Europe. Asia is the next leg of their strategic development.

ETA had the opportunity to meet with the affable Grégory Dapsanse who is one of the shareholder’s of APG, together with the man helming APG SEA, a familiar name indeed, Sebastian Song, to get them to share their views about the company and the opportunities. Also sitting in was a key member of APG SEA, Imran Hariht, Sales Director.

The APG website Home page has these words: A real passion for sound, combined with strict scientific rigour, constitutes the foundation of the wide range of products that forged the reputation of the legendary “APG sound”.

Our goal from the beginning has not changed: to provide products, tools and services that exceed the requirements of both the customer and the public.

Grégory an Engineer himself, is keen to highlight that this is what sets the company apart. “Innovative and Flexible are the key words in our company.

The way we want to innovate is to create different products with a lot of features, functionalities, offering maximum performance. We look at our solutions from the creative aspect in terms of ergonomics and technical to offer the best possible solution to customers.”

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Grégory brings up as an example the APG SC25 source column speaker. “This column speaker is optimized for acoustic directivity. Our design offers great acoustic control.” Imran steps in to highlight how this speaker has made an impact in a local installation, Jcube, which is a shopping mall in the west of Singapore that also features Singapore’s first Olympic-size ice rink. “The Mall had an issue with getting people to clear the ice rink using the previous speakers. This was due to external noise interference as well as clarity for those in the ice rink. We brought in the SC25 column speakers to test it out.

Amazingly the first announcement using the speakers had the desired effect.

It was clear and could be heard from wherever one was in the rink. What shocked the management of the Mall was that we only needed to use two of the column speakers complimented with two subs to help them achieve their objective,” said a pleased Imran.

“Our solutions are maximised for flexibility as well. We have our built-in DSP amplifiers but we can also work with external processors or combine our processor with other brand amplifiers. We do this, as we want to ensure that our clients get the best out of the systems they want to work with. We offer adaptive configuration for flexibility with our solutions,” emphasised Grégory.

Why The Offices In Asia?

“Simply to show our commitment to the industry in this part of the world. APG SEA and APG North East Asia are an extension of us. When people talk to these two entities they are talking and dealing with APG. We believe this will instil confidence but more importantly it will help us understand the needs in this part of the world and customise our solutions accordingly,” said Grégory.

The offices in Asia also offer service support for clients. “We are able to support our clients in the installation process or for tuning of the systems and if necessary design of the systems,” said Sebastian. Currently APG SEA works with System Integrators and Consultants and are on the lookout for partners within the region to help them grow the business. “Passion for the brand and what APG is trying to achieve is important when we look for partners.”

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The APG SEA office features a nice large demo room as well. The ultimate aim is to offer logistics and a full service centre in the near term at both the regional offices. “We are still the new kid on the block in this market. We are slowly but surely building up our momentum. Today we have several nice references in different market segments which is actually very representative of what we can do – clubs, theatres, performing arts, houses of worship, sports venue and so forth. The APG SEA office has our solutions installed other than in Singapore, in Indonesia, Vietnam and Thailand already,” highlights Grégory.

“I would like to point out that this is because we have people with experience running the company and who are as passionate as us. They are committed to our cause as we are to theirs.”

“I would also want to add, that we consider educating the industry a top priority. Not just our product training but in bringing a global perspective to project challenges and advising on methods to resolve issues or ways to attain their objectives. In that aspect, training will play a role in our offices in the region.”

The Uniline is APG’s flagship solution. It is a modular line array that features high power and long throw which offers its flexibility to be used from very small spaces to stadiums, keeping in line with the mantra of flexibility and innovation. At Frankfurt, it was announced that Active Audio and APG had signed a strategic alliance. Active Audio will hold 60% of APG shares whilst Jean-Luc Moncel, Philippe Frarier and Grégory Dapsanse, will hold the majority of the remaining shares. The decision to join forces will foster critical synergies between both companies in R&D, production, financing and ultimately global reach, thus furthering the ambitions of APG in becoming a name to be reckoned with in this part of the world. www.apg.audio

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SINGAPORE

Millian Singapore Is A Nightclub And A Concert Venue

Venue features NEXO Geo S12 and Yamaha CL5

M

illian Singapore is located at the St James Power Station which features a number of music and entertainment spaces near the HarbourFront area. The 950sqm space is operated by A-Live

Entertainment Pte Ltd and had its soft launch in February this year and is beginning to build up momentum.

As a nightclub, Millian operates on Wednesdays, Fridays and Saturdays offering DJ music. The other days are open for booking by concert organisers who are looking for an intimate space.

The focal point in the venue is the fairly large stage where the DJ spins his music or acts perform during their concert. There is a bar counter on the extreme right of the stage, with an open concept floor space. The space at the extreme end facing the stage is elevated and features comfortable sofas and tables, which are meant for VIPs.

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Taking responsibility for specifying the equipment were Akira Yamauchi and Simon Su of CLEF Productions Pte Ltd. Akira Yamauchi highlights, “As the space had a dual purpose, we instinctively recommended the NEXO GEO S12 complemented with the Nexo RS15 subs as the main sound system, as they provide the sonic quality and punch required. We have had much experience with the S12s and they have always delivered without fail. In this particular environment, in Nightclub mode it provides the oomph needed for the dance music and in Concert mode, it delivers the required punch.”

The stage features four units of GEO S12’s hung each on the left and right side with 3 units of RS15s taking care of the low frequencies. A further four units of GEO S12s are hung on the opposite side of the stage as a pair each.

This helps to ensure that all the audio is concentrated at the space in front of the stage where the audience would congregate.

Complementing the speakers is the Yamaha CL5 console which offers easy control and reliability. “The large rig hung high above the centre of the floor

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Ryohei Sakai of A-Live Entertainment

space features mainly DTS and Martin Beam and Profile lighting fixtures controlled via an Avolites Quad with fader wings, thus ensuring that we are able to create the right ambience in whatever mode we are operating in,” added Simon Su, of CLEF Productions.

“This is a conservation building, which means we are not allowed to touch the structure. We had to work around the space and specify a system that is able to handle a heavy rock band or a pop band. With the Nexo S12, the venue is able to handle any genre of music. It is compact, easy to handle and or course the support from Yamaha is excellent,” said a delighted Yamauchi.

Ryohei Sakai of A-Live Entertainment adds, “During our soft opening we brought in the band Noisemaker from Japan and they had a blast with the sound and light system installed. The crowd certainly got pumped up.”

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“Our resident DJ Martin, who is Japanese but had been spinning in America for 8 years, is equally pleased with the watts the speakers put out. DJ Martin can be best described as an Open Format DJ, who works with the guests’ moods and adjusts accordingly. Thus a versatile sound system suits his style best,” said Sakai. www.millian.sg www.yamahaproaudio.com sg.yamaha.com www.nexo-sa.com

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AUSTRALIA

EV, Dynacord & Bosch Work Out @ Virgin Active’s Flagship Health Club

DRM Audio Visual designs and installs the AV system

W

hen Virgin Active started on their showcase health club in Collins Street, Melbourne, DRM Audio Visual were selected to provide a comprehensive AV solution. As Virgin Active Health Clubs are in

the top-segment in their industry when it comes to quality, DRM were very excited about the prospect of designing and installing an audio-visual system.

“The end-user was very clear with their expectations when it came to AV systems. They wanted a simple, straightforward solution that was easy to use,” said Jarrod Bell, from DRM Audio Visual. “The audio system was designed to be seamless. We aimed to ensure that there is no loss or gain of volume as you move around the room.”

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Microphones spaced in the ceiling throughout the gym help to automatically control output volume.

Jarrod noted that the club has multiple levels and very different spaces, acoustics and sound requirements for various activities. This meant that the choice and number of speakers in each zone and their amplification had to vary to suit the room and its use. It also meant that zoning and control over audio were critical. One of Jarrod’s key aims was to develop an AVC system where the volume of ambient noise would automatically adjust the volume of the sound system in that particular area.

“Each audio zone in the health club has different volume settings. In addition microphones have been used in conjunction with the Electro-Voice speakers.

These microphones pick-up the level of ambient noise and adjust the decibel output of the speakers to ensure that the audio can be heard over the sound in the zone. We have also programmed a maximum decibel threshold to ensure that the audio volume does not go too loud.”

In the reception area, as you enter the club, the first speakers that can be noticed are the uniquely-shaped Electro-Voice EVID 4.2 4-inch surface-mount speakers. These serve to provide audio in the entrance hall while smaller halls

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and corridors use Bosch LBC 3951. The same Bosch speakers have also been employed in the toilets and washroom areas due to their moisture resistant characteristics. Industry favourite, the EVID 4.2 ceiling-mount speakers have also been used in larger areas. A paging system has been installed in reception to allow staff to access the audio systems across the club and make voice announcements if required. An Apple iPad serves as the touch control panel.

On the second level, Electro-Voice ZX1i-100 8-inch loudspeakers are featured in the open workout area. These hard-hitting horn speakers were chosen to ensure audio would be heard across the large open space, even when full with club members.

A number of specialised activity spaces are located on this level including the cycle studio. Audio here is provided with the help of two Dynacord TS400 vertical arrays and a 2000 W EV ETX 15-inch powered sub-woofer, which is neatly incorporated into the wall. The speakers were chosen specifically for their high-quality and performance. The TS400 vertical arrays are well known for their throw and are well suited for the depth of this room, while the powerful ETX sub provides the thumping low frequencies to get legs pumping.

The cycle studio additionally features a Panasonic projector for video projection and an AMX control pad that allows the trainer to select the music source and control the volume. “The AMX keypad has been configured and programmed by DRM Audio Visual and it ties in with Virgin Active’s MyRide system which is being used in this space,” explains Jarrod. “The keypad allows the trainer to select the source music at the touch of a button or plug in his own source using the Aux-in port. The provision of this keypad takes into account the client’s desire of having a simple, straightforward and easy to use system.”

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3 group exercise stuiodes feature several EV Innovation EVF boxes, usually reserved for large installation projects.

A number of group exercise studios are also scattered throughout the gym.

These feature a stage area at the front and a large area for classes such as BodyPump, BodyAttack and Kickboxing. High-energy audio in three of these spaces is handled by four EV Innovations EVF 1122s 12-inch speakers, with 60 degrees by 40 degrees dispersion with ZX1 speakers serving as monitors for the stage. EVF speakers are usually found in larger installations such as churches, exhibition halls and performance stages, but were used here to cope with the required sound volume and projection.

Jarrod talks about the choice of speakers: “The audio system was designed to be seamless. We aimed to ensure that there is no loss or gain of volume as you move around the room. For this reason we chose the Electro-Voice speakers as their dispersion was best suited for the space.�

The entire audio system at the Virgin Active Health Club is controlled from a single control room. This features three Electro-Voice EV NetMax N8000 DSPs for processing. Amplification duties are performed by Paramus 1225T and 1240T amplifiers. Electro-Voice EV CPS 4.10 amplifiers are also employed where necessary.

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Wireless mic communication for instructors is covered with Electro-Voice RE 2 belt-packs integrated with Fitness-Audio instructor sets. Six Electro-Voice RE 2 wireless receivers manage the signals in the rack room.

Additionally an AMX NetLinx NX-2200 is used for control together with software modules programmed by DRM. The AMX product and the EV NetMax DSP System Controller work together in tandem.

From all accounts the project satisfied all parties including club patrons.

Jarrod states: “The installation is complete and operational. We think we have met the brief set forth by the client and have not had any complaints.� www.boschcommunications.com.au

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MACAU

Macau’s Planet J Comes Alive With ETC’s x7 Color System And Mosaic control System

Design and specification of lighting system handled by StandardVision

L

ighting plays an incredibly important role in enhancing the magic world of theme parks. It is far more than a tool to illuminate or decorate, but a key to connecting people with a fantasy realm. With theme-park

experiences growing day by day and new digital tools developing fast, interactivity is transforming lighting designs in modern theme parks. Planet J*, located at the Sands Cotai Central in Macau, has taken revolutionary steps, putting together trendsetting interactive elements and a sophisticated lighting control system, including ETC Selador Desire luminaires, Source Four LED fixtures, and Unison Mosaic and Paradigm architectural systems, to provide visitors the world’s first live-action role-play theme park.

“The lighting will change as players interact with their surroundings,” says

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Derek Warrick, the lighting and systems design manager from StandardVision, the company that designed and specified the lighting system for the Planet J project. “This means a lot of programming and interaction between computer systems. It also means that the park will look different from minute to minute, so you will get a unique visit every time.”

In the 95,000 square feet of interior space, the park is divided into eight zones, each with a unique theme and different lighting concept. To create the magical world that makes people feel like part of the story, Warrick employs an LED system that includes ETC fixtures with the unique x7 Color System blending seven LED colors, embedded into scenic elements to complement the ambient lighting fixtures. “The x7 Color System provides such a full colour spectrum, that people walking through the park look great, and we didn’t have too many surprises when we lit the scenery,” describes Warrick. “They are very well designed!”

Planet J has hundreds of ETC LED luminaires installed, including 483 Source Four LED Lustr+, 575 Desire D60 Vivid, 255 Desire D22 Lustr+, and 37 Desire D40 Vivid fixtures. “These fixtures have great light output and colour

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rendering,” Warrick explains. “The RDM capability saved countless hours and days of work.”

The control system is a mixture of Unison Mosaic and Paradigm architectural controllers utilizing DMX and DALI protocols across 92 universes and 16 loops. “The mix of both Paradigm and Mosaic controllers provides us a flexible yet robust system. We haven’t put a large demand on the systems yet as interactivity is still being programmed, but I have faith that everything will work as intended,” says Warrick. A lot of interactivity comes from the game interfaces. This means final programming can only be tested when the park is fully operational.

Warrick is no stranger to ETC products. He has used ETC lights and control systems over the past 15 years and summarizes: “I have been extremely happy with both the products and support of the staff at ETC.”

*Planet J (Macau) Limited is a member of Jumpin Gym Digital Entertainment Limited, part of Jumpin Gym USA Limited.

Photos courtesy of Derek Marion from StandardVision www.etcconnect.com

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CHINA

Christie Visual Solutions Bring Dai Culture To Life In Yunnan

Eight Christie M Series projectors installed deliver a vivid showcase of lifelike images and colour to visitors

T

he Dai Show Theater, is developed by Chinese conglomerate Wanda Group and located within the luxurious Xishuangbanna International Resort in Yunnan Province, China. The theater is shaped like a

bamboo hat, an embodiment of unique Dai culture, and has already gained landmark status in the autonomous region. Besides the architectural beauty it exudes, the Dai Show Theater boasts advanced technical and technological equipment to complement a permanent 75-minute acrobatic water spectacle orchestrated by one of the world’s top theatre directors, Franco Dragone – best known for the Cirque du Soleil shows.

Since its opening late last year, visitors from around the world have been entertained by the meticulously choreographed presentations combining aerial, aquatic and immersive stage performances, as well as realistic projection mapping using Christie M Series projectors that create an exceptional visual experience. The canvas was the stage floor and the projectors painted it beautifully with lifelike images that complemented the fluid movements of performers.

Eight Christie DS+14K-M 3DLP® projectors, each boasting a brightness of 14,000 center lumens, have been installed above the theater to ensure maximum

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effect. Christie’s trusted partner, Wincomn Technology, undertook the crucial role of design, systems integration, installation, commissioning, operation and maintenance of the projection system at this state-of-the-art performance venue.

“The end-user had very high expectations of the projection system, and we had to deploy our most experienced teams to ensure that the high standards expected in terms of systems design, stagecraft and artistic effects were perfectly executed, so that the vivid and realistic images can immerse the audience in this mythical world. The Christie DS+14K-M projectors deployed had also performed excellently throughout the installation and commissioning phase,” said Tony Chen, general manager, Wincomn Technology. “We are therefore very excited and pleased to witness how amazing and visually captivating the show at the Dai Show Theater is, and to receive the ‘Excellent Supplier’ banner awarded by Wanda Group.”

Chen said the Christie DS+14K-M projectors were selected due to their ability to clearly display images with great details in high resolutions and produce the bright and vibrant images needed for the show. “We complemented the Christie DS+14K-Ms with projector yokes and the latest VYV tracking system; in the end, only eight projectors were required to make the show a success, instead of 20 units originally planned,” he added.

The stage was transformed into a mystical jungle where a love story between a city boy captivated by the beauty of princess Dai, the rainforest goddess unfolded, as depicted in Dai cultural mythology. The M Series projectors enhanced the stage’s existing props to create different scenarios and special effects to imitate a live experience of wind, rain and thunder. At one point, the stage was filled with water to mimic the effect of a heavy downpour – ripples and projections of raindrops were created using visual effects. The combination resulted in a truly immersive experience for the audience. www.christiedigital.com

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UAE

Protec Returns To Rock’n’roll With A Triple Whammy Perfectly executed lighting and visual systems create the electrifying ambience for all the concerts

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he company, who until recently, has focussed mainly on corporate events having taken a sabbatical from rock and roll for a year, made a dramatic U-turn on March ’16 to support three concerts in the UAE

including Nicky Minaj and the Autism Rocks Festival in Dubai that featured Flo Rida and Tyga. Protec also provided the lights for the very first Korean cultural convention that took place in Abu Dhabi’s du Arena on March 25th featuring performances by K-Pop artistes, boy group BTS, Taeyeon from the group Girls’ Generation, Kyuhyun from Super Junior, Double S 301, hip-hop group Monsta X, girl group Spica and pop star Ailee.

The Nicky Minaj concert organised by the newly formed 117Live, headed by Thomas Oveson (who was previously with Done Events) was held on March 25th at Dubai’s latest entertainment venue – named Autism Rocks Arena.

Nicky Minaj is a performer who knows her craft and her fans inside out. For an hour, she was 100 percent present, although she admitted to toning down for Dubai.

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Protec provided lighting, video and rigging for the show. Working closely with Nicky’s LD – Kathy Beer and Video Engineer Daunt’e Kenner, the production was as good as it gets. “I have been with her since last year and this is my third time in Dubai and my first time with Protec. Protec is a great company with great gear, lovely crew and everything went swimmingly. I would definitely work with Protec again!” said Kathy. She added, “As with anything we had to make a few changes because all the communication was done via email but the guys were quick to respond and the changes were made without fuss and with great speed. We were also able to end rehearsal early last night which I always love.”

Protec Video’s biggest challenge was getting the trim height for the main screen just right, to avoid the risers from cutting into the bottom of the screen, and the top of the screen getting in the way of the back LX fixtures.

A total of 158 sq.m off Protec’s 6mm and 154 sq.m of Protec’s 9mm Mambo LED panels were used for the main stage. The Imag screens for the main stage were set in portrait and the content started initially in 16x9 format using part of the screen, which then changed to full screen portrait to accept the live camera feed. Nicky’s Video Engineer Kenner said, “This is my first tour with Nicky, about my tenth time in Dubai and my second time with Protec and you guys are great. When I arrived everything was set up the way it needed to be and there were no issues. I literally plugged it in and it works”.

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Autism Rocks Festival Protec’s Project Manager – Mark Battle summed it up for us when he said, “The production for this gig worked out very well from a technical and logistical point of view. The site was laid out very well, there was plenty of room in the backstage area for all vehicles from different aspects of the production and personnel to move around with ease without getting in each other’s way. The stage was large enough with big wings and a large enough area behind the backdrop of the stage to move a festival production around with ease. We had five days to build the entire rig which was ample time and made the build very relaxed.

Meanwhile, the same evening Nicky Minaj was performing in Dubai, in the du Arena on Yas Island, Protec was working on the lighting (around 350 fixtures made up of Clay Paky Mythos, Sharpy profiles and washes, Stormy, A-LEDA K10 B-EYE, Molefrays and Gladiator spots that were run on Grand MA2 full size desks) and rigging, for another concert where thousands of fans, mostly girls, from across the country and around the region gathered at the venue for another first.

KCON, the world’s biggest K-pop festival made its way to the Middle East for the first time on Friday, March 25 put together by Flash Entertainment.

The K-Pop artists who performed at the concert included BTS, TaeYeon from Girls Generation, Kyuhyun from Super Junior, Double S 301, Ailee, Monsta

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X and SPICA. The convention showcased different aspects of the Korean culture and went down a treat in the Middle East. Over the past few years, the spread of South Korean entertainment culture also known as the Korean wave or the ‘Hallyu’ movement has swept across various countries, the Middle East being no exception.

Back in Dubai a week later, 117Live hosted the Autism Rocks festival on April 1st featuring American hip-hop artiste Flo Rida and rapper Tyga. The duo took to the stage at the end of the family day to mark Autism Awareness Month.

Both artistes were at the top of their game and the crowds that came in support of autism awareness were treated to high energy performances.

After the Nicky Minaj show Protec had to change the lighting plot to suit the Autism Rocks Festival plan but Arron Russ, (Protec’s lighting designer & HOD) also designed the lighting for Flo Rida and was able to utilise the same rigging plan that was used for Nicky Minaj. This meant that the changeover between the two shows was fairly seamless.

The only thing that put a dampener (literally) on the proceedings, was the weather. It rained on the Thursday night before the Autism Rocks gig which meant that certain precautions had to be taken in order to keep all the electrical equipment dry. All the lights in the rig and the back video wall were fine as the stage was water proof. The only challenge was to keep the front truss and the lights on the ‘thrust’ dry. Protec’s Project Manager – Mark Battle explained, “We had to use plastic sheeting over all of this which worked, even though it was quite windy at times. When we arrived on the show day and everything was soaking wet, it turned out that we had only lost one light due to water damage.

The other challenge was that it was also exposed to the wind and sand/dust.

The large Imag video screens that we had on either side of the downstage wings had to be monitored very closely. At the end of the day however, it was another perfectly executed gig, with no more rain to dampen anyone’s spirits. www.productiontec.com

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MALAYSIA

Anugerah Meletop Era 2016 Brings The House Down At The CIDB Convention Center

MJ Event relies on RCF speakers, Sennheiser microphones and SSL consoles

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ans of talented performers waited eagerly outside the convention center with placards in their hands. Music was played aloud as the crowd waited for the arrival of artists and singers. Anugerah Meletop

Era 2016 (AME 2016) which happens annually, is an award show developed to award talented performers based on votes submitted by fans. With a lineup of artists such as Akim & The Majistret (Winner of Anugerah Juara Lagu 30), Dato’ Siti Nurhaliza, Jaclyn Victor and many more, the award show saw a huge crowd on 24th February 2016 at CIDB Convention Center, in Kuala Lumpur, Malaysia Aside from the crowd, RCF speakers were used for the venue’s Front of House. A total of 12 RCF TT55 units where hung from a truss system with 6 on each side to provide a wide area of sound coverage. Placed at the ground

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level were none other than TTS56-A. Known for its ability to throw sound at a long distance, 6 units were placed outside of the CIDB to create the hype and excitement for the fans. MJ Event Management who had done many huge events such as Anugerah Juara Lagu 30 and Maharaja Lawak Mega 2016, received the opportunity to work with Era.FM to supply and support this AME 2016 award show.

Mohamad Firdaues, MJ’s System Engineer who had been in the AV field for at least 7 years was one of the main staff to ensure that the systems were running according to plan. “I have been working with MJ for about 7 years. It has been always exciting and thrilling to work with the company. Some of the projects that I have worked in were Anugerah Juara Lagu, Maharaja Lawak Mega and many more,” commented Firdaues, on his years of experience and projects that he had covered.

With regards to the AME 2016 setup Firdaues had this to share. “For this event we decided to go with RCF Speakers especially the TT Series. Around 46 units were used in this event. We always enjoyed the sound produced by the RCF TT Series, we had done it in many events and we still prefer to use them. 12 units of TT55 were used in Front of House with 6 units of TTS56 to balance out the treble with bass. These helped us to blast music outside of the convention center. As for the stage, 12 units of RCF TT55, 8 units of

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Jim, the sound monitor engineer operating on the SSL500 Live Console RCF TT33 and 8 units of RCF TTS56 were used. We divided them equally on both side of the stage to provide maximum throw and coverage. We tested the system during rehearsal, and indeed we made the right choice, the sound was clear and was able to punch through the crowd. I like the TT series, because it is easy for me to setup. The sound is clear and it’s a great product.”

Aside from the speakers, that night’s event, saw the use of 8 handheld Sennheiser G3 500 series as the event’s main vocal microphones. Front of House sound monitoring was handled by the SSL500 Plus Live console.

Jim, the sound monitor engineer operating on the SSL500 Live Console, had recently acquainted himself with the SSL300 Live console when he was the monitor engineer at the Anugerah Juara Lagu 30 event. “Definitely more familiar with the console,” said Jim when asked if he was used to the console.

“I would just say there are more faders and channels to monitor. It’s a bigger console compared to the 300,” he stated.

With a total of 18 awards given out that night such as “Anugerah Drama Meletop”, “Anugerah Artist Lawak Meletop”, “Anugerah Lagu Meletop” just to name a few, the event was a success for both MJ Event Management and Era.FM. www.acousticlighting.com

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INDIA

Sound.Com And Optocore Deliver Impeccable Sound At South Asian Games

Optocore backbone helps transport pristine audio around the stadium

S

OUND.COM, leading provider of sound reinforcement and turnkey audio solutions, was chosen to provide the audio solutions for the Opening & Closing Ceremonies at the South Asian Games 2016, held

at Indira Gandhi Athletic Stadium in Guwahati.

SOUND.COM, constructed a robust digital network around a redundant Optocore backbone, spanning six nodes, to transport pristine audio around the stadium.

Since managing sound for The Commonwealth Games 2010 in Delhi, SOUND. COM has gained the reputation of being a specialist in providing advanced audio infrastructures for major ceremonies and has taken major sporting events to the next level in India, including The Indian Premier League, Indian Super League and National Games 2011 & 2015.

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The event management duties for South Asian Games were handled by Encompass Events for whom this was a complete new challenge.

The opening ceremony was a 180-minute spectacle managed by the Encompass core team, while the Games were officially declared open by Prime Minister Narendra Modi. The ceremonies have earned the distinction of being one of the biggest ever sporting extravaganzas of the North East and have provided an excellent showcase of the region’s rich cultural and natural heritage. 4500 participants, including 2600 athletes from eight nations — Nepal, Bangladesh, Bhutan, Sri Lanka, Maldives, Pakistan, Afghanistan and India — participated in 22 disciplines across the 12-day Games, in the two cities of Guwahati and Shillong.

The primary audio source was fed via AES to all amplifiers, thus delivering astounding audio quality that remained pristine across the turnkey sound system.

Explaining the layout, SOUND.COM MD, Warren Dsouza, stated: “The audio system was designed in the round, with the stadium divided into six nodes — FOH, North, South, East, West and Monitors in a redundant loop.”

An analogue signal driven by Dolby/Lake processors acted as the secondary back-up and ARX line drivers served as the third back-up system. The Dolby/ Lake processors served two purposes — its primary job was a switcher from

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AES to Analog in case of a problem with the digital network and its secondary function was to convert AES signals to analog wherever needed.

At these particular ceremonies all the VIP tribunes and Athletes Oath podiums were picked up off the Optocore devices from the west node and routed (via Optocore YG2 cards) straight to the Yamaha M7CL console that served as the main mixing console, whilst another Yamaha console was used as the back-up desk. The performances themselves were mixed on a Soundcraft VI6 console.

The X6R-FX provided the primary interfaces with Optocore DD4MR-FX at FOH. “We interfaced the Optocore devices to the Soundcraft and Yamaha consoles.

Signals were sent through the Optocore matrix through various nodes and Athletes Oath speech microphones,” continued Dsouza. “The Prime Minister’s VIP Tribune speeches were picked up from the X6R-FX 16 Mic devices to the Soundcraft and Yamaha desks. The DD32R had AES audio signals fed into each of the amplifiers and in some places converted from AES to analogue for audio feeds.

“The closing ceremony had the VI6 interfaced to the stage boxes via [Optocore’s new] M12 MADI bridges at the Monitor/Stage node, and into the VI6 through the DD2FR.” Summing up, he said the ceremonies had been a resounding success with a perfect blend of technology, creativity, culture, music and entertainment.

“Overall the event enjoyed fantastic audio quality, with a robust integration of the digital audio network thanks to Optocore. By keeping it simple, with industry standard protocols, just made everything so easy.”

Optocore systems engineer was Ranjeet Singh, with Dsouza himself the overall audio director.

www.optocore.com www.online-sound.com

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ETA May 2016

EVENTS LISTING 2016 May 24 – 27

June 13 – 16

KOBA 2016

Asian Attractions Expo 2016

Venue: COEX (Convention &

Venue: Shanghai New International

Exhibition Center), Hall A, C, D (524,

Expo Centre, China

Bongeunsa-ro, Hall Gangnam-gu,

Site: http://www.iaapa.org/expos/

Seoul, Korea)

asian-attractions-expo/home

Site: www.kobashow.com/eng/ about/info.asp

May 26 – 28 PALM Expo India 2016 Venue: Bombay Exhibition Center,

Jun 23 – 25 Summer NAMM 2016 Venue: Nashville, TN Site: www.namm.org/summer/2016

Goregaon East, Mumbai, India

Jun 30 – Jul 02

Site: www.palmexpo.in

Indian DJ Expo

May 31 – Jun 03 BroadcastAsia/ CommunicAsia

Venue: Pragati Maidan, New Delhi Site: www.indiandjexpo.in

2016

July 20 – 21

Venue: Marina Bay Sands, Singapore

ProAVL Asia 2016 / Toursim

Site: www.broadcast-asia.com

Technology Asia 2016

www.communicasia.com

Venue: Marina Bay Sands,

Jun 08 – 10 InfoComm International 2016

Singapore Site: www.proavlasia.com

Venue: Las Vega Convention Center,

Aug 04 – 06

Las Vegas, NV, USA

AudioVisual Integration Expo

Site: www.infocommshow.org

New Delhi 2016 Venue: Hall 7ABC and 7FGH, Pragati Maidan, New Delhi, India Site: www.aviiexpo.in

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99

ETA May 2016

Aug 23 – 25

Oct 26 - 29

Integrate 2016

Prolight + Sound Shanghai 2016

Venue: Sydney Showground, Sydney

Venue: Shanghai New International

Olympic Park

Expo Centre, Shanghai China

Site: integrate-expo.com

Site: www.prolightsound-shanghai.

Aug 31 – Sept 03

com

Broadcast Indonesia/Communic

Oct 31 – Nov 02

Indonesia 2016

Prolight + Sound Middle East

Venue: Jakarta International Expo

Venue: Dubai International

Site: www.broadcast-indonesia.com

Convention & Exhibition Centre,

Sep 01 – 04 PALM Expo 2016

Dubai Site: www.prolightsoundme.com

Venue: China International

Dec 06 – 08

Exhibition Centre, Beijing, China

InfoComm Middle East and

Site: www.palmexpo.net

Africa

Sep 12 – 14 InfoComm India Venue: Bombay Exhibition Centre, Mumbai, India Site: www.infocomm-india.com

Venue: Dubai World Trade Centre, Dubai Site: www.infocomm-mea.com