Real Estate 05/29/16 by Colorado Springs Gazette, LLC

Marketplace Sunday, May 29, 2016

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BUILDING EXTRAORDINARY HOMES

that bring family and friends together. More than just nails and wood go into the making of a home. Memories made from watching your kids grow, holiday fun, family gatherings and more, reflect the genuine value of a home that’s built distinctively to complement your life. For over 21 years Solid Rock Custom Homes has been building and remodeling beautiful homes throughout the Pikes Peak region. The family-run business understands each home is a pathway to helping their clients build their futures and they pride themselves on “building extraordinary homes that bring family and friends together.” Specializing in new custom homes starting in the mid $500,000’s (land is additional) and high-end remodels, Solid Rock is dedicated to building projects that reflect the unique personalities and lifestyles of their clients, while demonstrating a commitment to unsurpassed quality, attention to detail, and attentiveness to the client’s needs. Their homes are completely custom from design, selections and sizes. They do not work off a list of standard features and finishes; selections are made at local design centers and appliance retailers. Their distinctive clients are welcome to create the most unique, one-of-a-

kind luxury custom home desired and it’s priced competitively. That is the Solid Rock Custom Home difference. “I believe what sets us apart from other builders is our company’s culture, as well as our building process,” said founder of Solid Rock Custom Homes, Lain Chappell. “The Solid Rock staff and trade contractors truly respect and care about each other, regarding one another as family.” Our building process is orchestrated in a way that easily allows the client’s vision and insight to be carried into the design and build of their home. Every client meets with Lain Chappell and the Solid Rock team from the start and has thorough communication with them throughout the project. Clients are involved throughout the process, as much or as little as they desire. Whatever route the client chooses to take, the Solid Rock Design team aids them in every step of the selection process, making it an enjoyable experience. As a graduate of UCCS, Lain Chappell has followed his passion for construction, and became a Certified Graduate Remodeler of the NAHB (National Association of Home Builders), a Graduate Master Builder of the NAHB, and holds

a General Contractor’s License with the Pikes Peak Regional Building Department. Setting down roots in Colorado Springs, Lain and his wife Barbara, (also from Colorado Springs) established Solid Rock Custom Homes and a sister company, Solid Rock Construction. Together the Chappell’s are proud to live and work in Colorado Springs and to give back to the community they call home. As part of their dedication to the community, they support HBA Cares, Court Appointed Special Advocates (CASA), Care and Share Food Bank, Helping Hands Food Pantry, Ecumenical Social Ministries, Habitat for Humanity, and Blue Star Recycling. As a company whose foundation was built on referrals and continuing relationships, Solid Rock knows their success depends on customer satisfaction. By selecting Solid Rock Custom Homes, they guarantee to deliver an extraordinary home in an extraordinary way. To learn more about Solid Rock Custom Homes go to www.SolidRockCustomHomes.com. - Leslie Massey

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Sunday, May 29, 2016

RIGHT AT HOME:

Decor from glass artists BY KIM COOK  THE ASSOCIATED PRESS

Chris Ahalt’s menagerie of blue whales, pink hippos and gold giraffes looks like a flotilla in a really fun dream. Their balloon-animal bodies are gathered at the point of attachment in a tight little knot, tethered to a tiny lead weight. But they aren’t latex. Ahalt, who lives in Minneapolis, makes the whimsical yet realistic-looking creatures out of blown glass. “Balloons, to me, suggest celebration, children and wonder,” he says. “The animals that I pick appeal to those child-like sensibilities as well.” But there’s profundity in his designs, as well. He crafts animals that are facing endangerment; rendering them in glass, he says, highlights not only their beauty but their precarious existence. “The thrill never gets old of thwarting the glass’ desire to fall apart, and it’s always a victory when a piece comes together,” Ahalt says. “At times I do wish I’d chosen a career in something a little less temperamental,” he laughs. “Glassblowing can be a really frustrating medium. There are countless hours lost to broken glass.” (www.thechesterfieldgallery. com) There are lots of other artists, too, willing to take the risk. Danielle Blade and Stephen Gartner, glassblowers in Ashley Falls, Massachusetts, create vessels and lighting inspired by the environment outside their rural studio. “Both of us have strong ideas about beauty. We have spectacular gardens here, and it’s wonderful to wander them,” Gartner says. “We’re trying to bring that walk in the woods into our living room,” says Blade. In their Strata collection of vases and vessels, tones of warm, earthy color are blown into layers that evoke geological terrain. A pendant light rendered in different hues brings to mind the gaseous planet Jupiter. Some of the design duo’s objects come topped with surprising touches like a delicate snail’s head; a sliver of animal bone or antler; or a curling leaf. (www.gartnerblade.com) Casey Hyland blows softly tinged blue and white glass into vessels that look like droplets of sky with wispy clouds. He’ll teach you how to blow your own ornaments, mugs and paperweights in classes offered at his Louisville, Kentucky, studio. (www.hylandglass.com) Loy Allen rests delicate glass monarch butterflies and dragonflies on bud vases and perfume bottles, using

creations; for example, she encases chandeliers, or piano keys and sheet music, inside her tables. O2, available as a side or coffee table, suspends 100 Murano glass balls inside a transparent cube to give the effect of bubbles in water. And the base of Yaroslavsky’s Luna table was also blown from Murano glass; the sphere looks like she plucked the moon from the sky and rested a glass top on it. (www.lianayar.com) 

This photo shows one of Chris Ahalt’s “balloon animals,” which are blown out of glass, and tethered to thin copper rods attached to small lead weights. With the pieces, Ahalt calls attention to the fragility and beauty of endangered species, in a whimsical way. Chris Ahalt, The Associated Press

a technique called lampworking, in which the glass is molded over a small flame. A native South Dakotan, she’s inspired by the plant and animal life around her Hot Springs studio, as well as by the Art Nouveau movement. (www.loyallen.net) Corvallis, Oregon-based artist Eric Bailey’s little creatures include sleek, racer-striped lizards, tree frogs and colorful snails that clamber impishly over bottles and cylindrical paperweights. (www.artfulhome.com) Beyond objects, some glass designers are producing furniture. The “canvas” of a coffee, dining or side table can give an artist space to do extraordinary things. John Foster, another Minneapolis-based artist, assembles multiple cut crystals of various sizes into his Sparkle Palace cocktail table, which looks like a giant molecular structure. When light shines through it, prisms cast a rainbow around the room. (www.thefancy.com) Designer Liana Yaroslavsky is known for avant garde

In this photo provided by Gartner/Blade, an Amethyst covered jar and bowl from Danielle Blade and Stephen Gartner are shown. In their Strata collection of vases and vessels, tones of warm, earthy color are blown into layers that evoke geological terrain. Some of the design duo’s objects come topped with surprising and exquisite touches, like a delicate snail’s head; a sliver of animal bone or antler; or a curling leaf. Jonathan Wallen/GartnerBlade, The Associated Press

Sunday, May 29, 2016

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YARDSMART:

Ideas from Frida Kahlo’s garden BY MAUREEN GILMER  TRIBUNE NEWS SERVICE

Everyone saw her home, Casa Azul, in the movie “Frida,” the biography of Mexico’s most famous surrealist painter. The family house is in Coyoacan, where she grew up, a suburb just south of Mexico City. Today it is Museo Frida Kahlo for those intrepid enough to brave the trip to this lovely old town. And though wandering the house and Frida’s studio is an exceptional experience, there are some great ideas outside in the garden. The grand courtyard of Casa Azul was where Frida kept all her pets: the hairless dogs and monkeys, birds and fish. The living spaces are separated by lava-lined planting spaces that support narrow tall trees. Cooling pools, deep green canopy, lava-lined beds and her collection of pre-Columbian gods are a physical reminder of Aztec life in the Valley of Mexico. The curious garden has changed since she died in 1954, now totally shaded. Yet if you study old photographs of Frida there in the day, you’ll notice that same garden was more open and sun-filled. This transition from full sun to eventual shade is something that happens in all landcapes with trees. They begin in sun until canopies mature, then as shade increases the sun-loving species die out and shade plants replace them. The corner house in Coyoacan is first a colonial one, then later as studio and bedroom wing were added by Diego in a simple modern style. Newer construction uses indigenous stone, simple lines and large windows that illuminate the studio and look down over the garden. Between the studio and bedroom is the hallway to the garden door where Frida’s bed remains today. She asked that it be moved there toward the end so she could look out and

see the flowers and animals.

A PAINTER’S TRANSFORMATION

The original house was not blue; we know this from childhood photos taken by her photographer father. Painting the house blue was done later, when she and Diego lived there. Today it still features that color known as “azul anil,” believed to prevent evil from entering. Since then even more colors have been added giving the space a more festive overall appeal.

CANARY YELLOW FURNITURE

Today the courtyard is used for visitors after they’ve toured the house. The traditional painted Mexican furniture is bright canary yellow, a color that is complementary to the blue so it really pops. Imagine your own garage sale finds painted like this against a blue background.

SHADE PLANTS

Few flowers bloom at Casa Azul due to the tall tree canopy that shades the garden. The space was sun-filled in Frida’s early days, when vintage photos show white hairy “old man” cactus and other sun lovers thriving there. The current gardeners have preserved the madonna lilies that grow all over Coyoacan like weeds. They also exploit impatiens, our shade garden annuals that grow large and lacy in that mild winter climate. Other plants common there are grown in pots along the many low seatwalls. Spider plants and sansevieria, both frost-tender, are common here, as well as a series of leatherleaf bergenia in terra cotta pots.

Photo provided by the Phillips Auction House shows Diego Rivera’s “Baile en Tehuantepec.” Phillips Auction House says that the painting that has sold privately for $15,7 million dollars sets a world record price for any work of Latin American art. The figure nearly duplicates the previous record of Latin American art set for Frida Kahlo’s “Dos desnudos en el bosque,” which sold for more than $8 million dollars at a Sotheby’s public auction on May 12. 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. Phillips Auction House, The Associated Press

MONUMENTAL ART Both Diego and Frida were avid collectors of pre-Columbian statuary and architectural pieces yielded from the early excavations of Aztec ruins. Much of her chunky jewelry came from actual finds in the diggings. The reverence for the history of Mexico prior to Cortez demonstrates the strong nationalistic fever of the day that drove so many of Rivera’s mural subjects. It takes a lot of guts to paint anything azul anil because it’s such a super potent color,

but once it’s there as a background, the entire space changes. It did so in that old colonial with the modern expansion, and then with color and artifact and stone, the garden evolved from a creative woman’s oasis that now can be felt by everyone willing to visit the “place of the coyotes” to experience firsthand the place she called home.  Maureen Gilmer is an author, horticulturist and landscape designer. Learn more at www. MoPlants.com

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230230 EAGLE EAGLEPINES PINES DRIVE DRIVE $539,000 $539,000

Exceptional W/O Ranch w/4Bd, 4 Ba, Beautiful W/O Rancher * 5 Bed, 5 Bath, Arlyene Reynolds 3+ Car in Woodland Park 3 Car on .90 Acres in Broadmoor CRS, ABR, GRI, SRES Magnificent custom rancher in sought after Spectacular top-of-the-line custom rancher 719-499-5835 area. Charming stone front & stucco w/walk-out on two lots/.90 acres. Enjoy beautiful city & mnt bsmt in half cul-de-sac on 0.47 acres. Vaulted 9 views in the Spires on quiet, private cul-de-sac. ft+ ceilings, arched doorway, lg windows, plantation Gorgeous Brazilian cherry wood floors on main, rich shutters, view & quality construction. Great Room/ granite slab counters in kitchen, dining room & living room. kitchen has slab granite counters, eat-in area, S/S Very open. Perfect for family living or grand entertaining. Mstr appls, center island w/eating bar, wood floors, stone retreat on main, w/glass block dual head shower, heated FP & access to lg deck. Living room w/wall of wndws, Travertine floors & triple sided fireplace. 2nd mstr on main/or stone FP that opens to dining room, plus entry & office. use as office w/custom cabinetry. W/O bsmt with 2nd kitchen, Lg mstr w/5-pc bath, W/O to deck/reading area. Lwr media & rec areas. Do not miss this exceptional home w/hot lvl is spacious & open w/lg wet bar & 3 bdrms. Pride water heat and A/C, hot & cold water in garage and views of ownership is apparent in this meticulously cared for from every window. Your buyers will be impressed! home. Must see, call today! www.youtube.com www.youtube.com

4 bdrms/3baths/3 car garage/ 3941 total sq ft Ranch plan with finished basement, west facing lot on cul-de-sac, with mountain views. Main level living at it’s best! Master bed, laundry, second bed or office, two full bathrooms, formal dining, great room, kitchen & dining nook, all on one level. Chef’s kitchen with stainless steel appliances, designer cabinets, granite countertops, hardwood floors. Walk in pantry and butler’s pantry connects the kitchen to a formal dining room. Basement has two bedrooms and bath, rec room, wet bar, game/exercise area and plenty of additional storage. This home is part of established Flying Horse community with golf, tennis, private dining and rec center w/gym, pool, & spa. Brand new energy efficient home. MLS#3436975

More Open Houses Featured Open House Elegant and Stylish Victorian!

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This 4 bdrm/2 ba, 2042 sq. ft. Old Colorado City beauty features a perfect marriage of old and new! It shines with the character and charm you’ve come to expect in this wonderful neighborhood. PLUS, it has been updated & upgraded to today’s modern standards. Many original features are still intact, including leaded glass window panes, high ceilings, decorative fireplace, covered front porch, and fabulous fir floors. The oversized detached garage features a loft above it, perfect for the budding artist. The baseboard hot water heat system and tankless water heater provide a wonderfully comfortable indoor climate year-round. Come and see all of the recent updates and upgrades that make this home EXTRA SPECIAL! Visit www.16N13thStreet.com for a preview!

Featured Open House 2 Story Walkout -A Must See in Broadmoor Bluffs! 410 Thames Dr | $485,000

Hours: May 28 & 29 ~ 12-3pm Neighborhood: Pikes Peak Driving Directions: When going south on Nevada, turn right onto Star Ranch Road, then right onto Thames Dr. Agent/Company: Brandi Thomas, 720-470-0725 XS Real Estate Advisors, LLC

Gorgeous 2 story walk-out, very bright and open floor plan. This home has 4 bedrooms, 4 bathrooms this includes a large Master Suite with a five piece bath. This home has been updated new gutters/downspouts, new exterior paint, new hardwood floors, new carpet, new appliances, new cabinets, new granite counter-tops, and a partially finished basement with walk-out, don’t miss this opportunity to live in Broadmoor Bluffs! Listing Agent will provide Home Warranty with purchase of home. Also, comes with a roof warranty!

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Easy ways to overcome the 3 most annoying public speaking tics

Say bye-bye to vocal fry, filler words and other presentation challenges BY LEE PRICE  MONSTER.COM

You’re on. It’s your turn to speak, present or tell a group what you think. How do you respond? If you’re like most people, your heart starts to pound, your voice shrinks and you stumble over every third word. Don’t freak out. This is a common reaction for many speakers, whether they’re on stage in front of a crowd or just presenting to coworkers in a meeting. The good news is that you can overcome these pesky hang-ups once and for all. We asked speech experts and coaches for their tips on avoiding common public speaking roadblocks. With a little practice, you can send these three bad habits packing.

BAD HABIT: RELYING ON FILLER WORDS

Why it’s a problem: People use filler words (“um,” “ah” “like,” “you know,”) when they’re uncomfortable with silence or lacking confidence, says Jeremey Donovan, author of How to Deliver a TED Talk. How to overcome it: Record yourself to understand where you’re using filler words (are they mid-sentence or between sentences?) and train yourself to simply pause instead of using the filler word. “One of the things that really helps me is knowing that other people appreciate the pauses,” says Donovan. “It’s a gift to the listener because the listener needs

time to process what you’re saying.” One technique Donovan uses: “I pause for one beat at whatever feels like a comma, and for two beats whatever feels like a period.”

BAD HABIT: VOCAL FRY

Why it’s a problem: Vocal fry is the sound you make in your throat when you run out of air as you’re speaking. Matt Abrahams, who teaches business students at Stanford how to give more effective presentations, lumps vocal fry with other “vocal graffiti” that distract our audience. How to overcome it: “Any technique that helps people relax can help vocal graffiti,” Abrahams says. “Take deep belly breaths, meditate, try tensing everything up for a few seconds and then relaxing.” Then, at the end of a sentence, “get rid of the air purposefully, and land on a down tone.” Donovan recommends a similar exercise: Take a huge, deep breath and deliver one sentence at a time to get a sense of what it feels like to have enough air in your lungs. Next, record yourself speaking to understand what the vocal fry sounds like, and practice eliminating the vocal fry through breathing.

BAD HABIT: SOUNDING COLD OR AGGRESSIVE

Why it’s a problem: Many speakers struggle to sound warm and friendly while still commanding authority. When people focus too much on sounding formal, assertive or smart, they can come off as cold and aggressive. “Excess formality often comes off as lowconfidence,” Donovan says. “Excess formality is like showing up at a business casual workplace wearing a tuxedo.” How to overcome it: Ita Olsen, a speaking coach in Malibu, California, says that overarticulating is one of the ways people can sound excessively distant. Instead of articulating every letter, she says, the trick is using a strong intonation on the parts of

the words that have the most information, and not on what she calls the “grammar glue” the less important sounds like prefixes, conjunctions and prepositions. “Don’t try to sound smart,” she says. “Just try to reach people, get in touch and love them. That’s a way to get out of yourself, and that’s what gets people to like you.” Abrahams says that sounding warm is also about word choice. He suggests using inclusive language (“you,” “us,” “we”). “Speak from the perspective of your audience,” he says. For example, try saying “what we learned today” versus “what I showed you today.” 

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