Belfield Banter APRIL 2019
VOLUME 11 ISSUE 1
Coming Up... Marxist Theory in Beauty and the Beast ELLIE POWELL
The Fall Play
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Designer Babies?
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As one of the play’s many drunken villagers, I have a personality onto the commodity. Beauty and the noticed that Beauty and the Beast lends itself topical to Beast demonstrates this concept exceptionally well. In our current political and academic climates through its the musical, all objects in the castle are truly humans subtle exhibition of economic under a spell; hence, each object theory. Ironically enough, as has a distinct personality. Howthe Humanities 10 students ever, not only does Beauty and learn about the minimalist the Beast exhibit this festishism principles of Tibetan Budof the commodity, it also condhism, the headmaster of St. tributes to it. As a popular story Anne’s-Belfield School directs in musical, book, or film mania musical which mirrors Karl festation, Beauty and the Beast Marx’s theory regarding the has immense influence over its fetishism of commodities. In target audience: young children. essence, Marx hypothesizes When these young children that corporations, and in turn see regular household objects consumers, project personalportrayed as human beings, they ities onto objects such as sports cars or even griddles internalize this, and subconsciously project personalin order to create a larger customer base. For examities onto other advertised products. The fetsishism of ple, a high school student who feels the need to seem commodities favors corporations, which is inherently wealthy may purchase AirPods because the relative problematic for the general public, as they cannot marketing campaign launched by Apple characterizes fund themselves infinitely to meet the demands of the AirPods as a product for the affluent, thus projecting ever-growing personified commodities.
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Exploring the Ethics behind #MeToo GRACE AYYILDEZ
Why Don’t Asians Protest?
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Senior Advice
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In 2006, activist Tarana Burke coined the phrase “Me Too” on MySpace, attempting to create awareness, support, and empathy for victims of sexual abuse. In 2017, Alyssa Milano picked up the hashtag, which turned from a social media phenomenon about the prevalence of sexual assault into an industry-wide reckoning in the entertainment business and other fields. This spurred the removal of many high profile men from positions of power and a guilty conscience on the part of the viewers and listeners who previously supported their work. Can one separate the art from the artist? Separating the art from the artist is unethical because the artist’s life and misdeeds will directly influence
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their work. The old adage is true: life reflects art. Take, for example, the Woody Allen movies which center around romancing a young female protagonist. This narrative takes on an entirely different meaning when considered in the context of their accusations. Consumption of their art both permits the abusive behavior and denies victims any kind of justice. Dylan Farrow, Allen’s daughter who he sexually abused, noted her feelings on his continued success despite her high profile allegations: “it felt like a personal rebuke, like the awards and accolades were a way to tell me to shut up and go away.” Either boycotting the artist or putting their abuse into conversation with their work at least acknowledges the survivor’s feelings and experiences. One cannot ethically compartmentalize life and art, as it leads to weak interpretations of the art and pain on
An Insight into the STAB Juggling Squad JUSTIN WILLIAMS
Poetry Corner
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The STAB Juggling Team held its third successful practice this past week. With the coaching expertise of three ball juggler Thomas Castleman and former world record holder Justin Williams, the group has improved immensely in such a short period of time. One of our up and coming jugglers, Jack Riley, has gone from the skill level of
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trash to a consistent three ball cascade in just the past three practices and we know we will see him progress further. Our goal of the STAB Juggling club is to spread the art of juggling onto the future generations so they too can experience its infinite joy.