Režija: Dragana Miloševska Popova Dizajn scenografije: Vesna Popović Dizajn kostima: Ana Kolbjanova
Dizajn svetla: Rade Stamenković
Dizajn video projekcije: Marko Stamatović
Kristofer: Miloš Milovanović
Fotografija: Ivan Stojanović Snimatelj: MJ Video
Na osnovu romana Marka Hadona
Koreografija: Igor Kirov
Originalna muzika: Irena Popović Dragović
Adaptacija: Sajmon Stivens
Izrada kostima: Mirjana Dopuđa i Jelena Pavlović
Prevod sa Engleskog jezika: Boris Todorović
Igraju
Džudi: Sanja Matejić
Izrada scenografije: Nikola Komazec
Video dizajn edit: Lazar Stanojević
Šivon: Mina Stojković Ed: Milomir Rakić
Grafički dizajn: Marko Stamatović
Gđa Aleksander, Otmena žena: Ljubica Radomirović
Gđa Širz, Gđa Gaskoin, Žena u vozu, Vlasnica radnje: Dubravka Brkić Rodžer, Dežurni narednik, Policajac na stanici: Petar Lukić G Tompson, Policajac, Čovek sa čarapama, Londonski policajac, Veličasni Piters: Vladimir Đoković
Video Production Design: Marko Stamatović
Based on the novel by Mark Haddon
Graphic Design: Marko Stamatović
Lighting Design: Rade Stamenković
Directed by Dragana Miloševska Popova Scenography Design: Vesna Popović
Dubravka Brkić as Mrs Shears, Mrs Gascoigne, Woman on the Train, Store Owner
Video Production Edit: Lazar Stanojević
Translation from English: Boris Todorović
Coreography: Igor Kirov
Adaptation: Simon Stevens
Costume Production: Mirjana Dopuđa and Jelena Pavlović
Photographer: Ivan Stojanović
Vladimir Đoković as Mr Thompson, Police Officer, Man with Socks, London Police Officer, Reverend Peters
Miloš Milovanović as Christopher Mina Stojković as Siobhan Milomir Rakić as Ed Sanja Matejić as Judy Ljubica Radomirović as Mrs Alexander, Posh Woman
Petar Lukić as Roger, Duty Sergeant, Police Officer at the Station
Costume Design: Ana Kolbjanova
Camera Operator: MJ Video Cast:
Original Music: Irena Popović Dragović
Scenography Production: Nikola Komazec
DIRECTOR’S WORD
REČ REDITELJKE
About the play and the process
Signposts which led me through the story and the process created a range of exciting, curious images, presented from the perspective of one exceptional fifteen-year-old. His name is Christopher John Frencis Boone; he knows all the countries in the world as well as their capitals, is mathematical genius, does not differentiate emotions, loves animals, cannot lie, dislikes yellow and brown colour, loves red, does not understand metaphors and recog nises the importance of detective novels... He is said to be atypical and is recognised in the wide range of autism. Through his perspective of creating a detective novel, then a dramatic story, and finally a theatrical play, we will get to know the ways he solves the mystery. Searching for the murderer of the neighbour’s dog, Christopher discovers many other thruths - about parents, the world he is surrounded by, other people’s lives, and especially about himself. Through the process, we were dealing with many questions - ranging from accepting differences, self-understand ing and understanding others, getting to know atypical persons, their needs, wants and wishes, through compli cated familial relations, to readiness to face curious worlds and complex situations, but in a fun and comical way, with film dynamic. We tried to speak about needs and sensitivity, underestimated abilities, as well as the power of will to break bound aries and jump out of the safe and comfortable microworld of this brave fifteen-year-old.
Kroz proces smo se bavili mnogim pitanjima - od prihvatanja različitosti, razumevanja sebe i drugih, upoznavanja atipičnih osoba, njihovih potreba, htenja i želja, preko komplikovanih porodičnih odnosa, do spremnosti da se suočimo sa specifičnim svetovima i kompleksnim situacijama, ali na zabavan i duhovit način, filmski dinamičan. Potrudili smo se da progovorimo o potrebama i senzitivnosti, potcenjenim sposobnostima, ali i snazi volje da se otvore granice i iskorači iz bezbednog i ušuškanog mikrosveta ovog hrabrog petnaestogodišnjaka.
O predstavi i procesu
Putokazi koji su me vodili kroz priču i proces napravili su niz uzbudljivih, specifičnih slika, prikazanih iz vizure jednog posebnog petnaestogodišnjaka. Njegovo ime je Kristofer Džon Frensis Bun; on zna sve države na svetu i njihove glavne gradove, matematički je genije, ne razlikuje emocije, voli životinje, ne ume da laže, ne voli žutu i braon boju, voli crvenu, ne razume metafore i prepoznaje važnost detetkivskih romana... Za njega kažu da je atipičan i prepoznaju ga u širokom spektru autizma. Kroz njegovu vizuru stvaranja detetkivskog romana, potom dramske priče a na kraju i pozorišne predstave, upoznaćemo puteve kojima on sam rešava misteriju. U potrazi za ubicom komšijskog psa, Kristofer otkriva mnogo drugih istina - o roditeljima, svetu koji ga okružuje, zivotu drugih ljudi, a posebno o sebi.
Mark Haddon (born 28 October 1962) is an English novelist, best known for The Curious Incident of the Dog in the Night-Time (2003). He won the Whitbread Award, the Dolly Gray Children’s Literature Award, Guardian Prize, and a Commonwealth Writers Prize for his work.
Simon Stephens
Mark Hedon (rođen 28. oktobra 1962.) je engleski pisac romana, najpoznatiji po delu Neobičan događaj sa psom u noći (2003). Za svoj rad osvojio je nagrade Vitbred, Doli Grej za dečiju književnost, Gardijan i Nagradu Pisci Komonvelta.
Mark Hedon
Sajmon Stivens
Mark Haddon
Simon Stephens (born 6 February 1971) is an English playwright and Professor of Scriptwriting at Man chester Metropolitan University. Having taught on the Young Writers’ Programme at the Royal Court Theatre for many years, he is now an Artistic Associate at the Lyric Hammersmith. He is the inaugural Associate Playwright of Steep Theatre Company, Chicago, where four of his plays, Harper Regan, Mo tortown, Wastwater, and Birdland had their U.S. premieres. His writing is widely performed throughout Europe and, along with Dennis Kelly and Martin Crimp, he is one of the most performed English-language writers in Germany.
Sajmon Stivens (rođen 6. februara 1971.) je engleski scenarista i Profesor scenarija na Metropoliten Uni verzitetu u Mančesteru. Mnogo godina je predavao na Programu mladih pisaca u Rojal Kort teatru, a sada je Umetnički saradnik pozorišta Lirik Hemersmit. Takođe je inauguralni Saradnik scenarista Stip pozorišta u Čikagu, gde su četiri njegove predstave Harper Regan, Motortaun, Vastvoter i Zemlja ptica imale američku premijeru. Njegova dela se izvode širom Evrope i spada u najizvođenije pisce engleskog govornog područja u Nemačkoj, uz Denisa Kelija i Martina Krimpa.
Dragana Miloševski Popova, actress and director
Od 2018. radi kao rediteljka u Pozorištu za decu i omladinu u Skoplju.
Dragana Miloševski Popova, glumica i rediteljka
She was born in Belgrade in 1976, where she finished her primary and secondary school and graduated acting at the Faculty of Arts. As an actress she had 22 premiers. She continued her education at the department of Theatre directing at the Faculty of drama arts in Skopje in the class of Slobodan Unkovski. Later on she had her MA in Theatre di recting, under the mentorship of same professor, also at FDA in Skopje. In the period 2012 - 2018 she worked at the Faculty of drama arts in Skopje as an Assistant of History of world drama and Macedonian drama. She directed in almost all theatres in Macedonia, but also in Belgrade, Nish, Subotica. Her productions were part of many festivals (Youth Open Theatre in Skopje, Theatre festival Vojdan Cernodrinski, Kotor festival for children, Split summer festival, Dubrovnik summer
Sincefestival).2018 she works as a director in the Theatre for Children and Youth in Skopje.
Režirala je u gotovo svim pozorištima u Makedoniji, ali i u Beogradu, Nišu, Subotici. Njene produkcije bile su deo mnogih festivala (Otvoreno pozorište mladih u Skoplju, Pozorišni festival Vojdan Cernodrinski, Kotorski festival za decu, Splitski letnji festival, Dubrovački letnji festival).
Rođena je u Beogradu 1976. godine, gde je završila osnovnu i srednju školu i diplomirala glumu na Fakultetu umetnosti. Kao glumica imala je 22 premijere. Školovanje je nastavila na odseku za pozorišnu režiju na Fakultetu dramskih umetnosti u Skoplju u klasi Slobodana Unkovskog. Kasnije je magistrirala pozorišnu režiju, pod men torstvom istog profesora, takođe na FDA u Skoplju. U periodu 2012 - 2018 radila je na Fakultetu dramskih umetnosti u Skoplju kao asistent za istoriju svetske drame i makedonske drame.
„Theatre for Children and Youth Kragujevac“
Organiser: Miloš Đorić
Posebnu zahvalnost dugujemo Udruženju za pomoć osobama sa autizmom Kragujevac, Kseniji Milosavljević i Danijeli Nešović
Dekorater i video projekcija: Saša Radovanović Garderober: Lidija Ilić Ekonomista: MajaIzdavač:Lekić
Direktor: Jelena Stojanović Patrnogić
Inspicijent: Marko Đurić Majstor svetla: Dragan Planić Majstor tona: Marko Đurić
Organizator: Miloš Đorić
Special thanks to Association for Helping People with Autism Kragujevac, Kseniji Milosavljević i Danijeli Nešović
Šef tehnike i video projekcija: Marko Radivojević
Head of Technology and Video Projection: Marko Radivojević Stage Manager: Marko Đurić Lighting Technician: Dragan Planić Sound Technician: Marko Đurić Decorator and Video Projection: Saša Radovanović Wardrobe: Lidija Ilić Economist: Maja Publisher:Lekić
„Pozorište za decu i mlade Kragujevac“
Director: Jelena Stojanović Patrnogić
