www.stamperia.com
Decoupage and other special effects
n 37
Stamperia Editions
Decoupage and other special effects Registered at Turin’s Courthouse on the 11/12/2007 with the n.102
editions
Decoupage and Special Effects Index Decoupage and Special Effects .. pag. 2 Ancient Portrait ........ pag. 4 Vintage Style ........... pag. 8 Gold & Silver ........... pag.10 Celestial Love ......... pag.14 Ancient Oval Painting ............... pag.18 Glass Plate with cracklè...........pag. 20 Precious Book .......... pag. 22 Terracotta Effect ...... pag. 24 Metallic Effect ......... pag. 26 Decoupage 3D and relief paste ..... pag. 28
Decorating, transforming, enriching, giving the mysterious charm that only old objects have to your creations has become even easier thanks to a brand new range of Stamperia products. These products attract one’s attention starting from their names. They are easy to use and the results are amazing. Looking through this book, you will understand why.
Number 37 - Hobby Book
Decoupage and special effects Stamperia Edition BOX s.r.l.
10028 Trofarello (TO) Italy Fiscal Code and VAT Number 05588830017
www.stamperia.com Printed by AGES Arti Grafiche s.p.a - Torino Director: Aziza Karrara Graphic office: Luana Marsura, Anna Re. Created by: Mariadele Colombo. Special thanks to: Mara Pallaria, Monica Paruta, Gabriella Sólyom and Catherine Hamon for having helped with the making of this Hobby Book. © Copyright by Box s.r.l. All rights reserved. All rights on this publication are reserved on the present laws. The reproduction, publication, total or partial distribution of these images and graphical elaborations are against the law in case of the absence of a written authorization.
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Antique patinas and waxes, material effects, vivacious colors and pastes…a parallel universe created by magical transformations of ideas that take shape now opens! These new products and techniques are hard to resist!
ACRYLICS (Allegro and Vivace)
High coverage, ready-to-use acrylics which allow the color to spread evenly with only layer.
BLENDING GEL
Retardant and transparent medium. It is used in this manual mixed with Granelli di Luna powder and Allegro acrylics to obtain original decorations.
OPLĂ CLAY
Special synthetic clay suitable for the modeling of small details. Air dries, it does not require baking and it is available in many different colors.
FOGLIA ORO
Very easy to use, spread the Gilding Glue and once it is dry, apply the sheets, fragments or flakes of Foglia Oro to create a metallic effect.
PAPERS
There are many types of papers available: Classic Decoupage Paper: bright colored paper, easy to cut and paste. Rice Decoupage Paper: can be cut or torn and is very resistant. Scrapbooking Paper: sheets printed on the front and back with patterns matching each other.
Special Effe cts
In this manual you can find projects which involve new techniques, and the use of new products combined with Stamperia Classics such as decoupage papers, acrylics and brushes.
PRIMER
It facilitates the adherence of acrylics and the spread of the paint. It is available both spray and liquid versions.
FINISHES The classic finishes are available in liquid and spray: shiny, super-shiny, satin or matt.
STENCIL
The stencils are available in many designs. They are made of a flexible and resistant material. The repositionable glue is necessary for the neatness required during the use of the stencil, it enables one to keep the stencil still while painting and makes it easy to remove it from the surface after the use. BRUSHES AND PLASTER The choice of the brush is fundamental: drop or liner brushes for small details, oblique-tipped brushes for shades, flat brushes for large surfaces, smudge and sponge brushes to fade colors. The spatulas, however, are useful for the spread of various pastes.
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Ancient Portrait
What you need:
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Oval MDF KF44. Round shape KL103. Decoupage Paper DFG344. Decoupage Glue DC01M. White Primer KEP01M. White TexArt KEN07B. Cotton or linen fabric: GSA004. Allegro Acrylics: Powder Blue KAL132, Charcoal KAL88, White KAL11. Vivace Acrylic: White KAB21. Pasta Soffice K3P05. CracklĂŠ for glass KE18P. Stencil 3D KSPB01. Stencil KSD105. Patina Anticante K3P16M. CerAntica: Metallic Bronze K3P15B. Repositionable Glue KCR01. Extra Forte Glue DC07M. Trowel spatula K3T02. Brushes: flat KR37, KR68, KR32, KR86, sponge Brush KRK03. Long scissors KR50. Decoupage scissors KR25. Latex gloves KRG01. Lace NSP03. Thin-Neck glue DC09.
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Using a flat brush, evenly distribute a layer of white Primer over the entire surface of the MDF oval.
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Cut out several stripes from the fabric and soak them in equal amounts of TexArt and powder blue acrylic.
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Distribute the soaked strips of fabric on the surface of the oval creating some small pleats and letting an oval space in the center free. This oval space will then be occupied by the portrait.
TexArt is a paper and fabric hardener, it is easy to use, airdries and allows you to create original effects. It is available in transparent and brown.
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Ancient Portrait
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Ancient Portrait
These stencils are special since they are 2 mm thick, they enable and facilitate the creation of decorations in relief with the use of the Stamperia pastes.
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Using the trowel spatula, create the decor by delicately distributing the Pasta Soffice from the outer margins of the stencil towards the inner area.
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Spread the Charcoal acrylic on the wooden shape.
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Cut out the portrait from the decoupage paper, dampen it with some water and position it inside the oval using the Decoupage Glue. Spread a ‘top coat’ of Decoupage Glue on the entire surface.
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Recreate a part of the woman’s dress by shading the outer margins of the decoupage.
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Spray the back of the stencil with a thin layer of Repositionable Glue. Set the stencil on the creation and lightly paint it with the white acrylic in order to create a wall-paper effect, as seen in the picture.
7 CerAntica is a thick wax which gives a metallic or iridescent effect. Once it is applied it is only removable if the appropriate solvent is used. CerAntica is ideal for highlighting embossed elements. It can be spread using a cloth or a brush. The tools used during the procedure should be cleaned with the solvent. CerAntica is available in 8 colors.
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Using a dry and clean brush, spread a layer of Step 1 of Glass Cracklé on the round shape.
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Wait for the Step 1 Cracklé to dry. Once it is completely transparent, delicately spread Step 2 Cracklé with your fingertips. Let dry.
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After a few hours, the surface will start to crack. At this point, spread a layer of Patina Anticante to highlight the cracks.
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Using the Thin-Neck Glue, glue the lace on the lower part of the round shape. Glue the round shape on the center of the oval using the Extra Forte Glue. With the ‘standarino’ brush spread a layer of white acrylic on the pleats created by the fabric, whitening the entire surface.
Ancient Portrait
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Highlight the margins of the oval by aging them using a cloth soaked in Metallic Bronze Cerantica wax.
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Vintage Style What you need:
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Glass sphere KG80. MDF frames KF166P. Sponge Brush KR02. Flat Brushes KR37, KR68. Trowel spatula K3T02. Transparent Primer Spray KES06. Allegro Acrylics: White KAL11, Satined White KAL113. Granelli di Luna K3DB01S. Blending Gel KALMGP. Bottle with spout KRFT. Shiny Protective Varnish KE04. Patina Anticante Shadow K3P16M and Old Gold K3P16AG. Solvent K3P16SOLV. Soft cloth KRF01.
Patina Anticante This is a special paste which can be easily applied and removed. By using a cloth it is easy to obtain an desired effect. It is ideal to highlight the cracklé cracks and to eaea sily ‘age’ a creation. It is available in 7 colors.
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1 Spray the surface of the sphere with the Primer and let it dry. 2 Evenly dab the white acrylic on the entire surface of the sphere. Let it dry. With gentle strokes, distribute the pearl white acrylic on the sphere’s surface. 3 Mix the white acrylic with some Granelli di Luna K3DB01S and Blending Gel in order to create a soft paste and delay the drying process. Use the trowel spatula to pour the mixture in the bottle with the spout. 4 Create some 3-dimensional curls on the entire surface of the sphere by using the bottle with the spout. 5 Once dry, protect the decorations by painting them with the Protective Varnish. 6 Distribute the Patina Anticante on a few details in order to highlight them using the soft cloth. Remove the excess varnish with a clean cloth. 7 Apply another coat of Golden Patina Anticante, and remove the excess product with a clean cloth. Eventually help yourself by using the solvent to eliminate the leftover traces. Repeat the same steps to create a picture-frame.
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Vintage Style
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Gold & Silver What you need:
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Styrofoam ball KPL23. MDF Base KF77. Cutter KRT02. White Primer KEP01G. Granelli di Luna powder K3DB01S, small grain K3DB01P, medium grain K3DB01M, large grain K3DB01G. Relief Angel Paste Lunar Silver K3P14S. Step1 Universal Cracklé KE16N50. Step 2 Pasta Cracklé White KE16AB100. Patina Anticante : Silver K3P16S. CerAntica: Metallic Gold K3P15G, Copper K3P15R, Silver K3P15S. Tex Art KEN07B. Gauze CG02. Cotton Paper CN01. Pasta Stucco K3P01. Color Angel Gold Star KAMM03, Lunar Silver KAMM06. Allegro acrylic Black KAL03. Color Gel Silver KAG01S. Gold Purpurin DP01. Super Protective Varnish KE11G. Pads KR02. Brushes: flat KR15 , KR16, KR37. Smudge brush KR75. Trowel spatula K3T02, K3T05. Orchids on fabric SF005.
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1 Basket Level the inferior part of the sphere by using the cutter in order to make it stable on a flat surface. 2 Spread the Primer on the half-sphere, both inside and outside. 3 Mix some white Pasta Cracklé with the powder and small grained Granelli di Luna and add a small amount of Silver Angel Relief Paste. Prepare a second mixture, however use the large and medium grained Granelli di Luna. Alternatively apply the two mixtures 1 on the entire surface of the sphere. 4 Prepare a mixture by blending clear TexArt with Granelli di Luna, with which you will paint the cotton paper. Prepare another mixture of TexArt and the Silver Angel Relief Paste which will be used to paint the gauze. Gently fill the sphere with the cotton paper and the gauzes. 2 5 Paint the orchid branch with the previously prepared TexArt and set it in the ‘vase’ (it will be fixed after it is all dry). When everything is dry, use the tampons and the flat brushes to veil the entire composition with the Copper and Golden Cerantica wax and the Silver Patina Anticante.
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Gold & Silve r
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Gold & Silver 6 Round
Apply a coat of Primer on the entire surface.
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With the flat brush apply the Gold Angel paint, the Silver and in some areas Black Allegro acrylic.
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Unevenly apply the Universal Step 1 Pasta CracklĂŠ with a clean and dry brush and let dry.
9 Color Angel are metallic colors which can be applied directly from the bottle since this has a special spout. This will make it easier to create details in relief. It can also be used with a brush, just like an acrylic color. It will easily come off of brushes by rinsing them with water. Available in 28 colors.
Spread a coat of White Pasta CracklĂŠ with a flat brush. On certain areas, mix it to the Silver Color Gel. After a few hours the cracks will start to form.
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8 Color Gel can be used on all surfaces, especially on clear ones like glass. It can be applied directly from the bottle for designs in relief or can be spread with brushes and spatulas. After 24 hours these colors become water resistant. Shake well before use. Available in 14 colors.
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Prepare a mixture of Pasta CracklĂŠ and of medium and large grained Granelli di Luna. Irregularly spread it with the spatula at the center of the base and let it dry.
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Create a brightness effect by using the Gold and Silver Cerantica wax. Veil the entire surface with the Silver Patina Anticante.
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With a dry smudge brush drop some Gold Purpurin on some areas of the painting.
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Let a few drops of Super-shiny varnish drip on some zones of the painting in order to oxidize the Purpurine and create brighter zones.
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Gold & Silve r
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Purpurin is a metallic powder used to color the cracks created with CracklĂŠ or to create metallic effects. Available in 4 colors.
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GRANELLI DI LUNA
Granelli di Luna are ideal to create designs in relief. Mix the grains to pastes or directly apply them with glue. They dry very quickly, therefore, it is best to mix them to the Blending Gel to prolong the drying process.
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Celestial Love What you need:
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Canvases: cm 30 x 60 KTL07, cm 50 x 70 KTL01. Decoupage Paper DFG342. Pasta Soffice K3P05. Comb KR94. Trowel spatula K3T02. Pencil. Gilding Glue DC02. Foglia Oro KER01. Brushes: flat KR33, KR37, flat with natural bristles KR15,s mudge brush KR75, liner KR76. Sponge Brush KR02. Decoupage Glue DC01M. Shiny Pasta Gel K3P04. CeraAntica: Gold K3P15G. Extra Forte Glue K3P15G. Patina Anticante: Antique Gold K3P16AG, Gold K3P16G, White K3P16W. Allegro acrylics: Bluette KAL41, Navy Blue KAL97. Cracklé Universal Step 1 KE16N50. Pasta Cracklé white Step 2 KE16AB100. Angel Acrylic Gold Star KAMM03. Vivace acrylic Dark Ochre KAB27.
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1 Set the small canvas on the center of the large canvas and trace it with a pencil. Create the frame using the Pasta Soffice and the spatula starting from the outer zone to the inner area in order to create a halo effect. 2 Once the Pasta Soffice is dry spread the Gilding Glue with a flat brush, following the strokes of the soft paste.
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3 Once the glue is dry and sticky place the Foglia Oro on the surface using a clean and dry brush. 4 Use the gold Cerantica wax and a brush with natural bristles to even out the gilding.
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Ce lestial Love
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Celestial Love 5
Create an aged effect, especially on the edges by veiling the surface of the canvas with the Patina Anticante.
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Apply the ripped decoupage paper (previously dampened in water) on the smaller canvas with the Decoupage Glue.
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Horizontally spread the shiny Pasta Gel on the entire surface using the spatula.
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After the Pasta Gel is dry, using the smudge brushes, tap the canvas with navy blue spots in order to give a sense of continuity between the previously placed paper and the decorated base.
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On the edges of the small canvas, and using a clean and dry brush, apply an irregular coat of Universal Step 1 of CracklĂŠ.
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Using the spatula, distribute the white Pasta Cracklé (slightly mixed with the gold star Angel) on the zones which were previously treated with the Step 1. After a few hours the Cracklé will take shape.
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Highlight the reliefs created with the shiny Pasta Gel by veiling it with the white and Gold Patina Anticante. Use a sponge brush for this step.
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Tap the areas adjacent to the cracks using a smudge brush dipped in the Patina Anticante, which was previously used. This will highlight the cracks.
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Ce lestial Love
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With a liner brush, dipped in diluted Dark Ocher acrylic, lightly paint some curls. Highlight them with the goldcolored Angel in some points.
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Smudge some areas along the edges of the small canvas with the Star Gold-colored Angel using a sponge tampon. Glue the small canvas to the large by using the Extra Forte Glue.
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Pasta Cracklé is ideal for any surface. How to use: 1) Apply an acrylic paint as a first coat and let it dry. 2) Apply a coat of Step 1 and let dry for 1-2 without a hairdryer. 3) Apply Step 2 (black or white, the white can be lightly colored with max. 20% of Allegro acrylics). The crackle will start to take shape after 4/6 hrs. When using a hairdryer step 2 dries in 10 minutes. Step 2 will start to crack showing the color chosen in step 1. If an abundant amount of Step 2 was applied the cracks are going to be larger, if the coat of step 2 is thin, the cracks will be thinner and more dense. The time needed for these products to dry largely depends on climate (+/- humidity) and on the thickness of the product. Wash the brushes used with water.
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Ancient Oval Painting What you need:
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White oval resin frame with bow KYR12. Cardboard canvas KTCC03. Rice Paper DFS120. Satin Vernicolla KE19M. Allegro acrylics: Dark Ivory KAL79, Blue KAL42, Avocado KAL95, Mustard KAL77, Cardinal Red KAL 05, Dirt KAL106. Blending Gel KALMGP. Vivace Acrylic: Titanium White KAB21. Color Angel: Nebula Green KAMM11. Patina Anticante: Shadow K3P16M, Antique Gold K3P16AG. CerAntica: Gold K3P15G. Brushes: flat KR68, KR33, smudge KR75, obliquetipped KR34, standarino KR86.
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1 Frame
Paint the frame with the dark ivory and the blue acrylics. With a dry standarino brush dipped in White Vivace, whiten the parts in relief. 2 Using a clean and dry standarino brush, apply a coat of Green Color Angel on the entire surface. 3 and 4 Highlight the parts in relief by using the Gold Cerantica wax and ‘age’ the creation with the Gold Patina Anticante. Remove product in excess with a clean soft cloth. 5 Oval canvas Apply a coat of Primer on the oval cardboard canvas. Let dry. Apply another coat of crossed strokes of dark 1 ivory (especially in the central area), mustard and avocado paint. 6 Tear the chosen design from the rice paper and set it in the center of the cardboard canvas using the satin Vernicolla. Let it dry and spread another coat of Vernicolla on the entire surface. 7 Highlight the details of the paper with the ivory, mustard, avocado, red and 2 dirt-colored paints using an obliquetipped brush. This will give a sense of continuity to the image, without showing any ‘breaks’ in the design. With an oblique-tipped brush, dipped in Blending Gel and in umber acrylic, lightly highlight the dark areas of the design.
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Bi-use product: it can be used both as a de decoupage glue and as a finishing varnish. It results in a satin ef effect. It is applied with a brush which can be washed simply with water.
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Anci ent Oval Painting
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Glass Plate
with cracklé GLASS CRACKLé Apply Step 1. Let it dry (1-2 hrs). Do not speed the process up using the hairdryer. Apply Step 2. The crackle’ will form after about 1/4 hrs (depending on the thickness). At this point you can use the hairdryer which will dry the cracklé in 20 minutes. Drying times are influenced by climate. Wash the brushes with water. It is recommended to protect and finish the job with the Shiny, Solvent Finishing Varnish.
What you need: 1 and 2
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Glass plate KG42B. Decoupage paper DFG346. Velo Glue DC03M. Glass Cracklé KE18P. Patina Anticante: Gold K3P16G, Copper K3P16R. Decoupage scissors KR25. Protective Finish Spray matt KES05. Allegro acrylics: White KAL11, Pastel Pink KAL58, Raspberry KAL18. Blending Gel KALMG. Solvent Finishing Varnish KE17G. Flat brushes: KR33, KR68. Sponge Brush KR02. Soft cloth KRF01.
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Highlight the cracks using the Gold and Copper Patina Anticante. Apply the product using a soft cloth.
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Use the Fixative Spray to finish and protect the products used on the plate.
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Cut out the designs from the Decoupage Paper to create the floral arrangement.
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Apply the dampened decoupage paper on the back of the plate using the Velo Glue. Be careful not to leave any traces of glue. Embellish the plate by painting it with the different colored acrylics, the blending gel and a foam pad. Let the acrylic paint dry and eventually add some finishing touches.
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Using a flat brush, apply the Shiny Finishing Solvent.
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Apply a coat of Step 1 Glass Cracklé on the back of the plate using a flat, clean brush. Let it dry. Once Step 1 is transparent apply Step 2 on the back of the plate using your fingertips. Let it dry.
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Alcohol-based, shiny finishing varnish, makes the objects made washable, even those decorated with the CracklĂŠ technique. The brushes can be washed with the solvent. Before using the product over paper, isolate it with a coat of glue or of finishing varnish.
Plate with roses
Shiny Finishing Solvent
Wax and Gloss Solvent
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The Wax and Gloss Solvent eliminates the excess of Patina Anticante and CerAntica wax from the treated surfaces. Ideal for cleaning brushes and spatulas.
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Precious Book What you need
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MDF Book KF93. Resinart key KYR08. Brushes: flat KR37, KR68, KR33, drop KR27. Trowel Spatula K3T02. White Primer KEP01. Allegro acrylics: Indian Turquoise KAL109, Gray Charcoal KAL88. Masking tape KRN01. Angel Relief Paste Gold Star K3P14G. Blending Gel KALMG. Granelli di Luna powder K3DB01S. Patina Anticante: White K3P16W, Antique Gold K3P16AG. Comb KR94. Stamp kit WTK014. Stamp base WBA002. Oplà Clay White K3P10B. Extra Forte Glue DC07M. Pasta Soffice K3P05. Rolling pin K3T03.
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1
Evenly spread a coat of Primer on the entire surface of the book. Apply two coats of Indian turquoise acrylic on the cover of the book, avoiding the sides.
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Using masking tape, limit the spine of the book which will then be decorated with the gold Angel Relief Paste.
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Mix the Granelli di Luna, the Turquoise acrylic and the Blending Gel to make a mixture. Insert it in the bottle with the spout and decorate the cover of the book.
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Once the curls are dry, highlight and embellish them with the White Patina Anticante.
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Apply the Pasta Soffice on the sides of the book, use the comb to simulate the ‘pages’ of the book.
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Paint the key using the charcoal gray acrylic. Age the key with the Gold and the White Patina Anticante.
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Spread a sheet of white Oplà Clay that will be used to create a rectangle and a crown with the help of the stamps. Paint the crown gold using the Patina Anticante and paint the rectangle. Stick both pieces to the cover of the book using the Extra Forte Glue.
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Precious Book
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Terracotta Effect What you need:
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Keychain KL181. Ochre Terracotta Effect K3TR01G. Vivace Acrylic Dark Ocher KAB27. Brushes: flat KR33, KR37, smudge KR75. Trowel spatula K3T02. Masking tape KRN01. 3D Stencil KSPB01. Oplà Clay White K3P10B. Protective Varnish: opaque KE05. Patina Anticante: Copper K3P16R, Shade K3P16M. Solvent K3P16SOLV.
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Apply a coat of dark ocher acrylic on the entire surface using a flat brush. Let it dry.
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Create a frame with the masking tape. Inside this frame, unevenly spread the Terracotta Effect using the trowel spatula.
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Set the 3D stencil on the frame and using the trowel spatula apply a coat of ocher Terracotta Effect, painting from the outer area to the inside. Gently lift the stencil from the frame in order to obtain a clean and defined decoration.
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4 It can be used on any surface, even Styrofoam. This product can be spread with a brush, a sponge or a spatula. The tools used are easily washable with water. It dries in 30 min – 1 hour. Terracotta Effect is available in ocher and burnt sienna.
Create several different-sized grapes, branches and leaves using the Oplà Clay and create a bunch of grapes. Adhere the bunch of grapes to the base using a brush. It is easier if the Terracotta Effect is not yet dry. Apply a coat of Terracotta Effect on the entire composition. Let dry.
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Apply a coat of opaque Protective Varnish with a flat brush.
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With a smudge brush distribute the Patina Anticante and eliminate the product in excess with the help of the Solvent. Highlight the reliefs. The bottle was decorated using the same technique. 24
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Te rracotta Effect
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Metallic Effect What you need:
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MDF Panel KF106. Avana Cardboard box with KC52. Color:Angel: Cosmic Purple KAMM09, Night Purple KAMM08. Gray Metallic Effect KE18MG. Trowel Spatula K3T02. Sponge brush KR11. Brushes: sponge KRK05, flat KR33, KR32, smudge KR75. Patina Anticante: White K3P16W, Gold K3P16G. CerAntica wax: Lilac K3P15L. Blackboard effect KE15G. Extra Forte Glue DC07M. Gel Glue DC06M. OplĂ Clay: Brown K3P11BR. Plexiglas rolling pin K3TT03. Double-face scrapbooking paper SBB124. Teaspoons.
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1 Blackboard Apply the Color Angel Cosmic Purple KAMM09 and Night Purple KAMM08 on one side of the panel using a flat brush.
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Use the spatula to paint the outer frame with the Gray Metallic Effect. Create some small relieves.
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Smudge the edges of the frame with a sponge dipped in the White Patina Anticante. Highlight the embellishments of the Metallic Effect with the Lilac Cerantica wax.
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Apply two or three coats of Blackboard Effect on the panel in order to create a real 1 blackboard which can be used after 24 hours. Use a brush sponge to do this.
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Paint the teaspoons with the Metal Effect and highlight the details with the smudge brush dipped in the White Patina Anticante and in the Lilac Cerantica wax.
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Glue the teaspoons to the panel using the Extra Forte Glue.
8 Box
Coat the box (inside and outside) with the scrapbooking paper and the Gel Glue. Unevenly spread a coat of Metallic Effect on the lid, using the spatula. Let everything dry. Highlight the designs with the White Patina Anticante, and the Lilac Cerantica wax. Create an OplĂ Clay medallion by spreading a 3-4 mm thick sheet of paste and decorating it with a cutout from the 3 scrap booking paper.
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It can be used on any surface. It has to be applied with a brush, a sponge or a spatula. The tools used with Metallic Effect need to be immediately washed with water. Available in gray and glitter.
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Contains hematite.
Me tallic Effe ct
METALLIC EFFECT
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Decoupage 3D and relief paste What you need
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MDF Panel KF26. MDF Tray KF153. 5 3D Decoupage Paper sheets 3D DF3D001B. Decoupage Paper DFG343. Vernicolla for 3D KE22M. Burin: 2 mis. KR22N, KR22B/S. Rubberized mat KRTTP. Rubber putty DM01. Shiny Finishing Solvent KE17G. White Primer KEP01M. Color Angel : Gold Star KAMM03, Sunset Red KAMM04. Vivace Acrylics: Dark Ocher KAB27, Burnt Sienna KAB05, Burnt Umber KAB09. Stencil KSD129. 3D Stencil KSPA03. Repositionable Glue KCR01. Angel Relief Paste: Gold K3P14G, Enchanted Bronze K3P14B, Martian Red K3P14R. Decoupage scissors KR25. Flat Brushes KR68 , KR32, drop brush KR28. Sponge brush KRK03. Trowel spatula K3T02.
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1 Tray
Treat the edges of the tray with the Primer. Paint the interior part with the burnt umber acrylic using a brush and remove it with a cloth to create a special effect on the bottom of the tray.
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Using a spatula, distribute the Gold and Bronze Angel Paste on the edges of the tray.
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Use the small metal burin to chisel the Angel Paste to create simple decorations and designs.
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Always along the edges, create the 3D stencil using the Angel Paste in Martian Red K3P14R.
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Gently lift the stencil off the tray in order to get a clean design without smudges. Apply the decoupage paper on the inside of the tray using Vernicolla.
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Orie ntal Style
Relief Pastes
These Angel Pastes are ideal to create relief effects. They can be applied to different surfaces using brushes, sponges and spatulas. The tools used to apply these pastes are washable with water. Available in 8 colors.
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Oriental Style 6 Painting
Distribute the Dark Ocher, Burnt Sienna and the burnt umber acrylics on the MDF panel with crossed strokes using a flat brush.
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Create some gentle streaks using a flat brush dipped in Gold Star Angel acrylic on the colored panel.
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Use the stencil to create the decorations on the sides. Paint them with Sunset Red and Gold Star acrylics.
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In order to create the decoupage relief, use several sheets of decoupage paper with the same designs on it. Cut out the entire design from the first sheet. Afterwards, cut out only the details that want to highlight from the other sheets.
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Trace the designs with the drop brush dipped in diluted Burnt Sienna to hide the thickness of the decoupage paper.
3D Decoupage
Special 300 gr thickpaper for 3D decoupage. Burin to engrave the cut-outs.
Mousse Mat
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9
Rubber putty, used to give a sense of relief to the designs.
Shiny Finishing Solvent This is the This special glue is used to perfect stick and to protect the paper finish for 3D before engraving it. decoupage. 30
Hobby Book
10
Stick the first image on the surface of the panel using the 3D Vernicolla. Apply another coat of Vernicolla on the entire surface.
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11
Lay the paper cut outs on the rubber mat and using the metal burin engrave circles on the back of the paper in order to create the bulges, as it can seen in the picture.
13
Distribute the rubber putty on the back of the engraved paper in order to enforce the effect.
Orie ntal Style
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14
12
Overlap the cut outs in order to create a threedimensional effect. The rubber putty will maintain the volume between the layers and will glue them to one another.
15
Finish the entire project by applying a layer of Shiny Finishing Solvent on the entire surface. The paper was already protected with the Vernicolla or else it would be stained by the Finishing Solvent.
13
14
15 Hobby Book
31
Collect the Hobby Book!
Candle Decoupage
Stencil
Special Art
Magic jewelry
Box s.r.l. Trofarello (TO) Italy - Fax +39 011/649.15.00
www.stamperia.com
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