Classical Music - Catalog 2023

Dear music friends,

We are excited to present our first catalog including arrangements for concert bands and ensembles from classical composi�ons/composers. As we love classical music a lot, we are happy to keep you updated with new arrangements now and then. Also included are some arrangements for solo instruments and concert band. In these pages you can find links to our website starmusicpublishing.com where you can find more informa�on about the arrangements and some full recordings. Enjoy fast service on orders placed through starmusicpublishing.com

All our products are available in a digital form as well. We are ready to serve you! Please contact us at info@starmusicpublishing.com if we may be of service to you.

Musically yours, Star Music Publishing

BEGINNING BAND .................................................

CONCERT BAND SERIES .........................................

CHAMBER MUSIC COLLECTION .............................

Email: info@starmusicpublishing.com

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CONCERT BAND SERIES

CONCERT BAND SERIES

GUSTAV HOLST FESTIVAL

BY GUSTAV HOLST / ARR. BY ANDREAS SCHORER

“GUSTAV HOLST FESTIVAL” IS A BEAUTIFUL SOUNDING ARRANGEMENT FOR WIND BAND BY ANDREAS SCHORER. IT INCLUDES THE JUPITER ANTHEM AND PARTS FROM SUITE NO. 1 AND NO. 2.

LIBERTANGO

BY ASTOR PIAZZOLLA / ARR. BY MIGUEL ETCHEGONCELAY

“LIBERTANGO” BY ARGENTINIAN COMPOSER ASTOR PANTALEÓN PIAZZOLLA (* 11. MÄRZ 1921 IN MAR DEL PLATA; † 4. JULI 1992 IN BUENOS AIRES), ARRANGED BY MIGUEL ETCHEGONCELAY FOR SYMPHONIC WIND BAND.

DURATION 3:30

SMP-10-0072-1 FULL SET................................................................................

SMP-10-0072-2 CONDUCTOR SCORE..............................................................

TANNHÄUSER

BY RICHARD WAGNER / ARR. BY ANDREAS SCHORER

FESTMUSIK DER STADT WIEN

BY RICHARD STRAUSS / ARR. BY JAN BOSVELD

GERMAN COMPOSER AND CONDUCTOR RICHARD STRAUSS WAS NOTED FOR HIS SYMPHONIC WORKS, INCLUDING DON JUAN, TILL EULENSPIEGEL, ALSO SPRACH ZARATHURSTRA, AND HIS OPERA DER ROSENKAVALIER. HE COMPLETED THE FESTMUSIK DER STADT WIEN ON JANUARY 14, 1943, WHILE WINTERING IN VIENNA (WIEN). THE LEADER OF THE TROMPETENKORPS DER STADT WIEN ASKED HIM TO COMPOSE A WORK FOR THEM.

THIS STELLAR GROUP INCLUDED 22 MEMBERS OF THE BRASS SECTIONS, ALONG WITH PERCUSSION OF THE VIENNA PHILHARMONIC, THE VIENNA SYMPHONY, AND THE VOLKSOPER ORCHESTRA.

DURATION 2:30

SMP-10-0151-1 FULL SET................................................................................

SMP-10-0151-2 CONDUCTOR SCORE..............................................................

FEIERLICHER EINZUG

BY RICHARD STRAUSS / ARR. BY JAN BOSVELD

RADETZKY

€ 84.90

DURATION 6:40

BY JOHANN STRAUß - VATER / ARR. BY CARL LEE SLAGLEY

IN 1978, THE SCORE OF RADETZKY MARSCH WAS DISCOVERED AT ITS ORIGINAL PRINTING WORKS IN VIENNA. ON EASTER SUNDAY 1979, JULIUS RUDEL CONDUCTED MEMBERS OF THE VIENNA SYMPHONY ORCHESTRA IN PERFORMANCE. TO THIS DAY, RADETZKY MARSCH REMAINS A SIGNATURE ENCORE AT THE VIENNA SYMPHONY ORCHESTRA ANNUAL “NEW YEAR’S EVE CONCERT”.

CLAIR DE LUNE

BY CLAUDE DEBUSSY / ARR. BY THORSTEN WOLLMANN

THE THIRD AND MOST FAMOUS MOVEMENT OF SUITE BERGAMASQUE IS CLAIR DE LUNE, IN Db MAJOR. ITS NAME COMES FROM VERLAINE’S POEM “CLAIR DE LUNE”, WHICH MEANS “MOONLIGHT” IN FRENCH. IT IS WRITTEN IN A SLOW 9/8 METER AND USES VERY SOFT DYNAMICS MOSTLY. THE ARRANGEMENT FOR WIND BANDS ADDS MORE COLORS TO THE ORIGINAL PIANO PIECE, WHILE THE FLOWING HARMONIC ARPEGGIOS ARE EXPRESSED WITHIN THE WOODWIND SECTION. CONDUCTORS SHOULD TAKE THEIR TIME TO STUDY THE CHANGING RUBATO TEMPOS, THAT ARE SO CHARACTERISTIC OF THIS IMPRESSIONISTIC MASTERWORK.

DURATION 6:00

€ 89.90

€ 22.90

IN ENGLISH, THE TITLE OF THIS WORK IS “FANFARE FOR THE SOLEMN PROCESSION OF THE KNIGHTS OF THE ORDER OF ST. JOHN”. IT WAS COMPOSED IN 1909 AT THE REQUEST OF THAT SOCIETY, WHICH WAS FOUNDED IN JERUSALEM DURING THE FIRST CRUSADE. ORIGINALLY WRITTEN FOR BRASS ENSEMBLE, STRAUSS LATER SCORED IT FOR FULL ORCHESTRA.

FULL

AVE MARIA

BY ANTON BRUCKNER / ARR. BY NAOYA WADA

GOLLIWOG'S CAKEWALK

BY CLAUDE DEBUSSY / ARR. BY WIL VAN DER BEEK CLAUDE DEBUSSY (1862 1918) HAS CREATED THIS SERIES OF 6 PIECES FOR HIS LITTLE DAUGHTER, BUT IT IS CLEAR THAT ALL OF THEM WERE ACTUALLY MEANT FOR ADULTS. “GOLLIWOG’S CAKEWALK” IS THE LAST OF THE SIX PIECES AND IS ABOUT A NEGRO DOLL THAT DANCES THE CAKEWALK. DEBUSSY CHOOSES A CHEERFUL JAZZ-LIKE THEME (RAGTIME) AND COMBINES IT WITH THE MELANCHOLIC SO-CALLED TRISTAN CHORD BY RICHARD WAGNER, WHICH MAKES THE PIECE WORK AS A PARODY.

THE PIECE IS FULL OF SYNCOPATION AND BANJO-LIKE EFFECTS AND LARGE DYNAMIC DIFFERENCES, WHICH WORK VERY EFFECTIVELY.

GUZMÁN EL BUENO

BY TOMÁS BRETÓN / ARR. BY WIL VAN DER BEEK TOMÁS BRETÓN (1850 – 1923) WAS A SPANISH COMPOSER AND CONDUCTOR. “GUZMÁN EL BUENO”, COMPOSED IN 1875, IS BRETÓN’S FIRST OPERA; LIKE HIS OTHER OPERAS, IT WAS NOT RECEIVED WITH MUCH ENTHUSIASM. THIS DOES NOT APPLY TO THE ZARZUELAS THAT BRETÓN COMPOSED, WHICH WERE MORE SUCCESSFUL.

CONCERT BAND SERIES

CONCERT BAND SERIES

GRADE 4

SYMPHONY NO. 3

BY JOHANNES BRAHMS / ARR. BY DIANA MOLS

THE SYMPHONY NO. 3 IN F MAJOR, OP. 90, IS A SYMPHONY BY JOHANNES BRAHMS. THE WORK WAS WRITTEN IN THE SUMMER OF 1883 AT WIESBADEN, NEARLY SIX YEARS AFTER HE COMPLETED HIS SYMPHONY NO. 2. IN THE INTERIM BRAHMS HAD WRITTEN SOME OF HIS GREATEST WORKS, INCLUDING THE VIOLIN CONCERTO, TWO OVERTURES (TRAGIC OVERTURE AND ACADEMIC FESTIVAL OVERTURE), AND PIANO CONCERTO NO. 2.

DURATION 5:30

ADAGIO

BY CARL MARIA VON WEBER / ARR. BY WIL VAN DER BEEK THE GERMAN CARL MARIA VON WEBER (1786 – 1826) COMPOSED HIS CLARINET CONCERTO NO. 1 IN F MINOR (OPUS 73) FOR THE THEN FAMOUS CLARINETIST HEINRICH BÄRMANN IN 1811. THIS WORK BELONGS TO THE STANDARD REPERTOIRE OF ANY SELF-RESPECTING CLARINETIST. UNDOUBTEDLY, THERE ARE SIMILARITIES BETWEEN THIS ADAGIO (THE SECOND MOVEMENT OF THIS THREE-MOVEMENT CONCERTO) AND THE SECOND MOVEMENT (ALSO ADAGIO) OF THE FAMOUS CLARINET CONCERTO BY W. A. MOZART (E.G., IN TUNING AND MELODY DELIVERY).

DURATION 6:30 / CONCERT BAND & SOLO CLARINET

SMP-10-0222-1 FULL SET................................................................................

SMP-10-0222-2 CONDUCTOR SCORE..............................................................

CASTILLA

BY ISAAC ALBENIZ / ARR. BY WIL VAN DER BEEK

€ 99.90

€ 24.90

SMP-10-0046-2 CONDUCTOR SCORE.............................................................. € 89.90 € 22.90

SMP-10-0046-1 FULL SET................................................................................

ISABELLA

BY FRANZ VON SUPPÉ / ARR. BY MIGUEL ETCHEGONCELAY

FOR THE PERFORMANCE OF THIS TRANSCRIPTION, SOME SLIGHT CHANGES IN THE ARTICULATION SIGNS HAVE BEEN INTRODUCED IN ORDER TO MAKE THE MUSIC MORE SUITABLE FOR THE WIND BAND. THE CONDUCTOR SHOULD STRIVE TO ACHIEVE AN OVERALL LIGHT AND FRESH STYLE OF EXECUTION AND BE VERY CAREFUL WITH THE BALANCE. SUPPÉ’S USE OF «BLOCK DYNAMICS» HAS BEEN RESPECTED BUT THE MARKINGS WERE SLIGHTLY REVIEWED FOR THE SAME REASONS EXPLAINED ABOVE. THE PERCUSSION SECTION HAS BEEN ENHANCED, BUT REMAINS FAIRLY FAITHFUL TO THE ORIGINAL SCORING.

THE TEMPO MARKINGS AND CHARACTER INDICATIONS ARE ALSO ORIGINAL, WITH AN EXCEPTION OF THAT OF THE FINAL MARCH, MARKED HERE QUARTER NOTE 132, INSTEAD OF QUARTER NOTE 144, TO FAVOUR CLARITY OF EXECUTION.

DURATION 7:30 SMP-10-0125-1

JAPANESE SUITE

BY GUSTAV HOLST / ARR. BY JAN BOSVELD IN THE MIDDLE OF COMPOSING THE PLANETS, GUSTAV HOLST WROTE JAPANESE SUITE AT THE REQUEST OF A JAPANESE DANCER NAMED MICHIO ITO. ITO WAS APPEARING AT THE LONDON COLISEUM AND WANTED TO DANCE TO A WORK DERIVED FROM TRADITIONAL JAPANESE TUNES. HOLST DIDN’T KNOW ANY TUNES, SO ITO ACTUALLY HAD TO WHISTLE SEVERAL TO HIM.

DURATION 10:30

THE SPANISH COMPOSER AND PIANIST ISAAC ALBENIZ (1860 – 1909) STRONGLY INFLUENCED THE DEVELOPMENT OF A SPANISH “NATIONAL” SCHOOL OF COMPOSITION AT THE END OF THE 19TH CENTURY. ONE OF HIS BEST-KNOWN PIANO COMPOSITIONS IS THE SUITE “ESPANOLA”, A COLLECTION OF PIECES INSPIRED BY DIFFERENT REGIONS AND MUSICAL CULTURES IN SPAIN. “CASTILLA” (THE 7TH MOVEMENT IN THIS SUITE) IS COMPOSED IN THE SEGUIDILLA STYLE, WHOSE ORIGINS LIE IN A CASTILLIAN FOLK DANCE.

DURATION 3:00

SMP-10-0226-1 FULL SET................................................................................

SMP-10-0226-2 CONDUCTOR SCORE..............................................................

CORDOBA

€ 99.90

€ 24.90

BY ISAAC ALBENIZ / ARR. BY WIL VAN DER BEEK “CORDOBA” OPENS WITH A SHORT INTRODUCTION, WHICH SUBTLY REFERS TO CHURCH BELLS AND CATHOLIC LITURGY. THEN FOLLOWS AS A CONTRAST A KIND OF FLAMENCO SERENADE (FROM BAR 53).

DURATION 8:30

SMP-10-0227-1 FULL SET..............................................................................

€ 109.90 € 27.90

DER OPERNBALL

BY RICHARD HEUBERGER / ARR. BY WIL VAN DER BEEK THE OVERTURE “DER OPERNBALL” IS NOT A SIMPLE SEQUENCE OF OPERETTA FRAGMENTS. IT IS SPARKLING AND CERTAINLY HAS A REFINED LEVEL, WITH THE IRRESISTIBLE WALTZ “GEHEN WIR INS CHAMBRE SÉPARÉE” POSSIBLY AS THE HIGHLIGHT. ALSO WORTH MENTIONING IS A “CINDERELLA-LIKE” MIDNIGHT MOMENT (BAR 264) AND AN APPEALING GALLOP TO FINISH.

DURATION 7:00

SMP-10-0150-2 CONDUCTOR SCORE.............................................................. € 119.90

SMP-10-0150-1 FULL SET..............................................................................

ZWEI MILITÄRMÄRSCHE

BY RICHARD STRAUSS / ARR. BY JAN BOSVELD

ZWEI MILITÄRMÄRSCHE, MILITÄRMARSCH AND KRIEGSMARSCH, WERE DEDICATED TO GERMAN EMPEROR ‚KAISER WILHELM II‘. THEY WERE PREMIERED IN BERLIN, ON MARCH 6TH, 1907.

DURATION 5:50

SMP-10-0153-1 FULL SET................................................................................

SMP-10-0153-2 CONDUCTOR SCORE..............................................................

SMP-10-0228-1 FULL SET..............................................................................

SMP-10-0228-2 CONDUCTOR SCORE..............................................................

SMP-10-0227-2 CONDUCTOR SCORE.............................................................. € 149.90 € 37.90

ENTRANCE OF THE EMPEROR AND HIS COURT

BY ZOLTÁN KODÁLY / ARR. BY WIL VAN DER BEEK

“ENTRANCE OF THE EMPEROR AND HIS COURT” STARTS RIGHT AWAY WITH CHIMES AND BRASS. THIS FANFARE-LIKE SECTION EMPHASIZES THE SO-CALLED TRIUMPHS OF HARY JANOS. JUST LIKE THE INTRODUCTION, THIS PIECE ENDS WITH BELLS AND BRASS.

DURATION 3:00

SMP-10-0230-1 FULL

SMP-10-0230-2 CONDUCTOR

CONCERT

HUNGARIAN DANCE NO. 1

BY JOHANNES BRAHMS / ARR. BY WIL VAN DER BEEK

HUNGARIAN DANCE NO.1 IS IN 2/4 TIME (AS ARE ALL 21 HUNGARIAN DANCES!), IS RICH IN SYNCOPATION, AND HAS A FAST TEMPO; TYPICAL IS THE SUDDEN STOP VIA AN UNEXPECTED FERMATA, AFTER WHICH A FAST TEMPO IS RESUMED (BAR 88), AN APPROACH THAT OCCURS MORE OFTEN IN THESE 21 DANCES.

OVERTURE RUY BLAS

BY FELIX MENDELSSOHN-BARTHOLDY / ARR. BY DIANA MOLS FELIX MENDELSSOHN (1809-1847) | RUY BLAS, OPUS 95 (1839) THIS OVERTURE IS THE RESULT OF A REQUEST TO MENDELSSOHN FROM THE LEIPZIG THEATRICAL PENSION FUND, A CHARITY THAT MENDELSSOHN LIKED TO SUPPORT. THEY INTENDED TO MOUNT A BENEFIT PERFORMANCE OF VICTOR HUGO’S ‘RUY BLAS’, AND ASKED HIM FOR AN OVERTURE AND A SONG FOR THE PRODUCTION. MENDELSSOHN OBLIGED WITH A CHORAL SONG, BUT INITIALLY DEMURRED AS TO THE OVERTURE; HAVING READ THE PLAY HE PRIVATELY DECIDED THAT IT WAS “QUITE GHASTLY” AND POLITELY TOLD THE PENSION FUND PEOPLE THAT HE DID NOT HAVE TIME TO WRITE AN OVERTURE.

THE CARNIVAL OF THE ANIMALS BY CAMILLE SAINT-SAENS / ARR. BY DIANA MOLS

TWO DANCES

BY

ALBERT LORTZING - FRANZ SCHUBERT ARR. BY WIL VAN DER BEEK

DURATION 8:00 / FLEX 4

SMP-10-0249-1 FULL SET..............................................................................

SMP-10-0249-2 CONDUCTOR SCORE..............................................................

HUNGARIAN DANCE NO. 2

BY JOHANNES BRAHMS / ARR. BY WIL VAN DER BEEK

HUNGARIAN DANCE NO.2 IS IN 2/4 TIME (AS ARE ALL 21 HUNGARIAN DANCES!), IS RICH IN SYNCOPATION, AND HAS A FAST TEMPO. DELAYS AND TEMPO CHANGES OCCUR FREQUENTLY, WHICH IS VERY EFFECTIVE.

GRADE 5

CORONATION MARCH

BY PYOTR ILYICH TCHAIKOVSKY / ARR. BY JAN BOSVELD

PERFORMED AT THE CELEBRATIONS GIVEN BY THE CITY OF MOSCOW ON THE OCCASION OF THE HOLY CORONATION OF HIS HIGHNESS THE EMPEROR ALEKSANDROVICH AND HER HIGHNESS THE EMPRESS MARRIIA FEDOROVNA. FIRST PERFORMED IN MOSCOW ON 23 MARCH 1883.

DURATION 22:00 / CONCERT BAND & 2 PIANOS SMP-10-0055-1 FULL SET..............................................................................

CONDUCTOR SCORE.............................................................. € 219.90 € 54.90

COCKAIGNE

BY CAMILLE SAINT-SAENS / ARR. BY DIANA MOLS COCKAIGNE (IN LONDON TOWN), OP. 40, ALSO KNOWN AS THE COCKAIGNE OVERTURE, IS A CONCERT OVERTURE FOR FULL ORCHESTRA COMPOSED BY THE BRITISH COMPOSER EDWARD ELGAR IN 1900-01. IN ITS 15 MINUTES OR SO THE OVERTURE GIVES A LIVELY AND COLOURFUL MUSICAL PORTRAIT OF EDWARDIAN LONDON. ‘COCKAIGNE’ WAS A TERM USED BY MORALISTS AT THAT TIME AS A METAPHOR FOR GLUTTONY AND DRUNKENNESS, WHILE BRITAIN ADOPTED THE NAME HUMOROUSLY FOR LONDON.

DURATION 15:00

SMP-10-0056-1 FULL SET..............................................................................

SMP-10-0056-2 CONDUCTOR SCORE..............................................................

CONCERTO FOR PICCOLO

€ 179.90

€ 44.90

BY ANTONIO VIVADI / ARR. BY DIANA MOLS ANTONIO VIVALDI (1678-1741) – PICCOLO CONCERTO IN C THIS CONCERTO FOR FLAUTINO, STRINGS AND BASSO CONTINUO WAS PROBABLY COMPOSED WHILE ANTONIO VIVALDI WAS EMPLOYED AT THE “SEMINARIO DELL’OSPEDALE DELLA PIETÀ” IN VENICE. THIS ‘OSPEDALE’ WAS AN ORPHANAGE FOR GIRLS THAT INCREASINGLY CAME TO PROMOTE MUSICAL TALENT AND COMMANDED AN ORCHESTRA OF INTERNATIONAL REPUTE.

DURATION 10:45 / CONCERT BAND & SOLO PICCOLO

SMP-10-0058-1 FULL SET..............................................................................

SMP-10-0058-2 CONDUCTOR SCORE..............................................................

SYMPHONY NO. 9

BY LUDWIG VAN BEETHOVEN / ARR. BY DIANA MOLS

DURATION 10:15 / CONCERT BAND & CHOIR

€ 164.90 € 41.90

SMP-10-0060-1 FULL SET..............................................................................

SMP-10-0060-2 CONDUCTOR SCORE.............................................................. € 199.90 € 49.90

CONCERT BAND SERIES / CHAMBER MUSIC COLLECTION

CONCERT BAND SERIES

CONCERTO FOR FLUTE

BY

NIELSEN /

BY

DIANA MOLS

CHAMBER MUSIC COLLECTION

GRADE 3

A

MINI CARMEN

BY GEORGES BIZET / ARR. BY WIL VAN DER BEEK

DURATION 4:00

SYMPHONIE EN RÉ MINEUR PART 1

BY

CESAR FRANCK / ARR. BY DIANA MOLS

THE SYMPHONY IN D MINOR IS THE MOST FAMOUS ORCHESTRAL WORK AND THE ONLY MATURE SYMPHONY WRITTEN BY THE 19TH-CENTURY NATURALISED FRENCH COMPOSER CÉSAR FRANCK. AFTER TWO YEARS OF WORK, THE SYMPHONY WAS COMPLETED 22 AUGUST 1888. IT WAS PREMIERED AT THE PARIS CONSERVATORY ON 17 FEBRUARY 1889 UNDER THE DIRECTION OF JULES GARCIN. FRANCK DEDICATED IT

RÉ MINEUR PART 2

BY

CESAR FRANCK / ARR. BY DIANA MOLS

DURATION 4:30 / BRASS QUINTET

SMP-57-0221-1 FULL SET................................................................................

SMP-57-0221-2 CONDUCTOR SCORE..............................................................

ALLEGRO

THIS WORK COMBINES THE HIGHLIGHTS FROM THE OPERA “CARMEN” BY G. BIZET. CARMEN GOT OFF TO A VERY POOR START, BUT TODAY IT IS ONE OF THE MOST POPULAR AND BELOVED OPERAS IN THE WORLD. THE “HABANERA” (BARS 21 - 66) IS, WITHOUT DOUBT, ONE OF THE MOST FAMOUS OPERA MELODIES OF ALL TIME. THE FRENCHMAN BIZET SUCCEEDED IN GIVING A SPANISH TOUCH TO THIS OPERA. SYMPHONIE

€ 31.90

€ 15.90

BY ANTONIN DVORAK / ARR. BY WIL VAN DER BEEK THIS ALLEGRO IS THE FIRST MOVEMENT OF THIS WORK. DVORAK’S INTENTION WITH THIS COMPOSITION, DEDICATED TO HIS CHILDREN, WAS TO FURTHER DEVELOP THE MUSICAL TALENTS OF HIS DAUGHTER (PIANIST) AND SON (VIOLINIST). ITS DIFFICULTY IS THEREFORE NOT TOO HIGH; HOWEVER, IT IS FAR FROM BEING A “CHILDISH” COMPOSITION.

ANDANTE CANTABILE

BY CESAR FRANCK / ARR. BY DIANA MOLS

BAÏLÈRO

ARR. BY WIL VAN DER BEEK

THIS IS FOLK MUSIC FROM AUVERGNE (FRANCE), A PASTORAL SONG. WHEN LISTENING TO THIS PIECE, IT IS NOT DIFFICULT TO PICTURE A SHEPHERD TENDING HIS FLOCK, LEADING THEM TO THE BEST PASTURES, AND LOOKING FOR A REFRESHING BROOK. THE STARTING POINT FOR THIS ARRANGEMENT WAS THE ORCHESTRATION BY JOSEPH CANTELOUBE, A FRENCH COMPOSER AND FOLK MUSIC COLLECTOR (1879 – 1957).

SMP-10-0225-1 FULL SET................................................................................

SMP-10-0225-2 CONDUCTOR SCORE..............................................................

€ 89.90

€ 22.90

BY PYOTR ILYICH TCHAIKOVSKY / ARR. BY WIL VAN DER BEEK AS A YOUNG COMPOSER, TSCHAIKOWSKY WAS VERY SUCCESSFUL WITH THIS STRING QUARTET AND WAS ADMIRED BY COLLEAGUES. ESPECIALLY THE 2ND PART, THIS ANDANTE CANTABILE, HAS BECOME VERY FAMOUS. IT IS MELANCHOLIC IN CHARACTER AND BASED ON A FOLK SONG.

7:45 / CLARINET QUARTET

CONDUCTOR

EINE KLEINE SCHUBERTIADE

BY FRANZ SCHUBERT / ARR. BY WIL VAN DER BEEK

A SCHUBERTIADE IS A GATHERING OF MUSICIANS AND POETS, DURING WHICH MUSICIANS AND POETS ARE RECITED JOINTLY AND INFORMALLY, OFTEN IN A DOMESTIC CIRCLE. FOR THIS SMALL SCHUBERTIADE, A CHOICE WAS MADE FROM THE EXCEPTIONALLY LARGE REPERTOIRE OF SCHUBERT (MORE THAN 1000 WORKS IN AN EXTREMELY SHORT LIFE!), FIRST AN ENTR’ACTE FROM “ROSAMUNDE”, THEN THE FAMOUS “STÄNDCHEN” (LEISE FLEHEN MEINE LIEDER) AND FINALLY A “MOMENT MUSICAL”.

DURATION 5:00 / WOODWIND SEXTET

FULL SET................................................................................