Monsoon edition by STAR'TISTS

EDITION 4

AUGUST

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2017

THE MONSOON ISSUE Spectacular Scenes JULIE RIKER DANT

Changing Perspectives HIMANI PATWA

A Visual Emotion MARIA BABLYAK

AbstractRealms JAYA BAKSHI

The Cool Spring Inside

DEEPIKA BIJAWAT

The shades of Imagination PRADNYA SHAH

Sketches In Grey DEBBIE GARDENER

The Deserted Village VAISHALI RAJAPURKAR

An Artistâ&#x20AC;&#x2122;s Diary SATWANT SAYAN

Serene Nature SHWETA SINGH 1

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CONTENTS AUGUST 2017

CONTRIBUTORS Pg 6

Spectacular Scenes Julie Riker Dant stunning captures through her lens are absolute treasure. .Each photo tells us a different story, unique, brilliant and mystical.

Changing Perspectives

Himani Patwa unravels the kingdom of dream cities with her brilliant compositions of color and contrast

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A Visual Emotion

Maria Bablyak is a beautiful artist.Her works are colorfully crisp,textured,and powerfully appealing to the viewer.

An Artist’s Diary

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Satwant Sayan paintings explore deeper meaning of life as she blends the painting with a lot of color, texture, sharp angles with spiritual science and those will increase a viewer’s interest! Pg 70

Sketches In Grey

Debbie Gardener’s black-and-white imagery in her bold, unique style reflects the cheerful and beautiful side of life! 3

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CONTRIBUTORS The Cool Spring Inside

Deepika Bijawat Sculptures are amazing and earthy as she combines man ,nature and the spirit in her intricately sculpted

CONTENTS AUGUST 2017

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wonders with thoughtful depth. Pg 102

The shades of Imagination

Pradnya Shahâ&#x20AC;&#x2122;s love for kathak dance form is vibrantly visible in her aesthetically beautiful paintings

The Deserted Village

Vaishali Rajapurkar combines the com- Pg 116 mon scene of life and nostalgia with her brilliant compositions and beautiful colors making her paintings a colorful extravaganza. Pg 128

AbstractRealms

Jaya Bakshi is that modern contemporary abstract artist whose unique style and spirit are enchantingly beautiful and bright.

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Serene Nature

Shweta Singh delicately expresses her love for art and society weaving a story, the connectivity between the human and the animals.

ST RTISTS Editor’s Letter

Dear Readers, As the Editor, observing the interview projects unfold, I was completely floored by the time, the attention, and consideration the artists offered to me.These interviews were an outcome of the inspirational talks with them. They represent our Art community at its finest. The careful, reflective responses from the artists make me proud and glad. While the Artist Interviews created unique, lasting learning experiences, it was only possible because an amazing group of talented, dedicated, and thoughtful artists around the world offered their time and attention,to design this exclusive “Monsoon edition”. With my deepest gratitude and profound respect for the contributing artists. I welcome all the readers around the world, to delve into another edition of this magnificent potpourri of Art. I hope you will enjoy reading these interviews, especially the words of the artists themselves. Priya Yabaluri

Priya Yabaluri Editor-In-Chief

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JULIE

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RIKER D A N T

Julie Riker Dant is a 65 year old artist/photographer

who has grown up and lived most of her life in the small town of Washington, IN., in the United States. She has been married for 47 years and she and her husband raised two children to adulthood there. After the kids left home to begin their own lives, Julie and her husband began filling their weekends with all day drives into rural areas of the state and thus began her introduction to the joys and rewards of photography. As any photographer can attest, once she began photographing in earnest, a whole new and there-to-fore hidden world presented itself to her, and she was..... hooked.

In the early 1990â&#x20AC;&#x2122;s, Julie Riker Dant began searching out and documenting, with black and white photographs, old abandoned houses all over Indiana, the Midwest, Southeast and Deep South, with the intention of publishing a pictorial coffee table book one day. In the process of searching out the old houses on thousands of dusty, narrow, country roads, she began discovering countless beautiful rural scenes just begging to be also captured by her lens to which... she happily accommodated. Julie loves painting with acrylics, and one day hopes to put many of her favorite photographs to the canvas so she just naturally tends to make many of her images look as though they have been painted as it pleases her artistâ&#x20AC;&#x2122;s eye. Photography has become her passion and she is enjoying her life doing what she loves and feels very fortunate to be able to do so. She learned very quickly that in order to be happy and satisfied with oneâ&#x20AC;&#x2122;s talents and resulting work, one must first please themselves. If the artist is happy and fulfilled, she believes it is projected into their work and hopes that most viewers will sense a certain peacefulness and positiveness reflecting from her images. As with most artists, Julie is the happiest and gets a certain sense of validation when she sees or knows of others enjoying her work and is therefore honored and feels very blessed to have her images included in this beautiful and important publication.

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STAR: Thankyou for sharing your precious time.Can you please tell us a little about yourself? Where do you live and where are you from? How long has photography have been a hobby and career of yours and what motivated you to get started? JULIE DANT: I am a professional photographer and I’ve lived in the small town of Washington, Indiana, in the United States of America, since I was 8 years old, although I was born in the neighbouring state of Illinois. I began being interested in photography as a hobby in the The early 1990s and opened up my own photography studio,Dreamcatcher Gallery in 2013. Since the 1980s, I’ve had a dream of publishing a coffee table pictorial book of black and white photographs of old and abandoned houses and during that a time I met a photographer, Mike A. Walters, who soon became a great friend and taught me what I know about taking photographs, whether it be landscapes, still life’s, or potraits. It wasn’t long before the photography ‘bug’ had bitten me and me was hooked.

Dogwood Blossom 1

STAR: Why are you so passionate about Photography? JULIE DANT: I have always been an artist at heart and began drawing at a very young age. One of my earliest memories is of hiding behind the newly varnished bathroom door in our home while I drew cartoon characters with my mother’s tube of bright red lipstick! I went from drawing to painting with acrylics, but my lack of professional training was obvious in my work, unfortunately. However, when I discovered the wonders of Photoshop which allowed me to make any of my images look ‘painted’, I quickly set aside my paintbrushes and made artistic images with my photographs which I called, Artography. Before I had never considered my images to be Art, but I now proudly display some of my favorite Artography in my own home. Dogwood Blossom 2

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Floral Peonies in Basket

STAR: Who are your favourite photographers and what influence have they upon your work? JULIE DANT: I have long admired the works of Walker Evans and Henri Cartier-Bresson and have always felt as though I understood exactly what motivated them in their choice of subjects to capture with their camera lens. I love the starkness of lone and forlorn subjects in an image. I agree with the following quote by Sean O’Hagan in his book “America Exposed” about both Evans and Cartier-Bresson:“Each of them, in their separate ways, reinvented photography, and although neither of them believed it to be as elevated as painting or writing, they helped make photography the art form it is today.” 10

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STAR: How do you deal with the wide variety of climatic conditions for landscapes? How does living in a country with such vastness and variation affect your approach to landscape photography?

STAR: Which Equipment do you use? What type of camera do you shoot with? JULIE DANT: I almost exclusively shoot with my hand-held camera. I find taking along a tripod too cumbersome. My camera of choice for portraits are my Nikon and I almost always will use one of my Fujiâ&#x20AC;&#x2122;s for landscapes and for architectural shots.

JULIE DANT: When I am out in the extreme coldness during Winter, I do not often tarry to capture as many shots as I would normally want to take of a scene that I think is lovely. I do not like to wear gloves when shooting if I can help it for obvious reasons, so as mentioned above, a shivering body and shaking fingers are not conducive to the sharpest of images. In capturing the heat of the summer scenes, I will try to keep my vehicle running with the air on so that I can return to cool off as often as I feel the need.

Floral Daisys I 11

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STAR: What kind of challenges do you usually face while shooting? JULIE DANT: The usual challenges for portrait photography are the weather.Winter backdrops can be beautiful, however, it gets increasingly difficult to shoot when your hands are shaking and your model is shivering with cold and on the opposite end of the spectrum, the often extreme heat and humidity in late summer often dictates how many shots we can take during an outdoors shoot. A glistening sheen of perspiration is not usually desirable for any portrait.

STAR: What are you working on now, and what are your plans for thefuture?

JULIE DANT: Currently, I am kept busy with my photography portrait business, however, in my limited spare time, I am compiling images that I plan on publishing in a b/w coffee table book.

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ST RTISTS STAR: What are your favourite subjects that inspire you more?

STAR: Any other advice for photographers trying to get established?

JULIE DANT: Any two stories abandoned, dilapidated house, especially those built in the 19th century, will always quicken my heart-rate.

JULIE DANT: I’ve never been one to give too much advice to upcoming photographers. It is such a subjective art form and what one viewer loves, may leave the next unmoved. All I usually tell a new photographer is what I was told when just a beginner: Please yourself FIRST. Do not try to emulate others. If you are happy with your image, that is ultimately all that matters.

STAR: What is your average day like? JULIE DANT: I get up in the morning, depending on what time I have the first portrait session scheduled for that day. Most days that will be between 8 and 10 A.M... I will grab a quick breakfast and begin a full day of sessions which may or may not be in-studio or outdoors. I will usually offer a little of both to the client. My session work day usually ends at 5 P.M. after which I will leave the studio and do my editing at home on my laptop. If I have a weekend day free of sessions, I might go for a drive to find places to photograph on one of those days. I often will try to leave an hour or even two before the sun rises so that I can be at my desired location to find the optimum scene for a sunrise. After that, I many times will just drive around all day on the smaller country roads in search of old houses and anything else that catches my eye. Those kinds of days I call ‘therapy’. ;)

STAR: What other forms of creativity do you like and that interest you ? JULIE DANT: I write poetry and I find that I do my best writing when I have quiet time and that is not something I get most days anymore. I also have written a few short stories which is something new for me and I enjoy very much. I love to sing, and enjoyed painting but gave it up when I began to immerse myself into photography. An instant way to capture any scene I took a fancy to. However, I have been thinking more and more lately that I’d love to pick up the brush again and try my hand at some landscapes.

STAR: Please tell us about your training in photography? What are the key elements to your photographic education?

JULIE DANT: I have had no formal training or education in photography, however, there is one person whom I always want to thank and give credit for any successes I have had during my career. That person is my very good friend and mentor, Mike A. Walters, a very talented local photographer/videographer. Mike very generously took an interest in my work from the beginning and took time out of his very busy life and out of the goodness of his heart to teach me the basics of photography. He has continued to tirelessly encourage and champion me and my talents for a couple of decades now and I feel, although he consistently refuses it, that I could never fully repay him for all he has done for me. I am only one artist. Mike has done the same for many other artists in our community. He is the most selfless and generous man I have ever met.

ST RTISTS STAR: How does the social and political climate in your country and around the world impact your artistic expression? JULIE DANT: I do not see any of this influenced my photography or for that matter my writing. I write from within, usually and I photograph what is serendipitously put before me. How I edit my images makes them speak sometimes louder than they would in the raw, however, I have very seldom edited to convey any political or social message.

STAR: What are you projects that you are presently working on? JULIE DANT: Right now I am just concentrating on my Portrait business.However, as I mentioned earlier, I am working slowly towards getting my images ‘book-ready’.

STAR: Who are your art inspirations?Your photography is a blend of mastery and natural perfection . JULIE DANT: Although there are so many current artists that are so talented and inspirational, I cannot choose just one or two who personally inspire me. I can say I am usually very impressed by those artists who consistently give back to their communities. Now that is inspirational!

STAR: What is your daily photography schedule like? You seem to have tremendous self-discipline and focus.

JULIE DANT:My daily photography schedule is as I have mentioned before in this interview. Some days are slower and calm and even almost relaxing, where as others can be most hectic and a bit stressful. Even if you have a strict schedule planned for your day, there is always the chance that something can throw your timing off. Such as that one little toddler who just does not want to cooperate with his Mommy and Daddy, no matter what they or I can come up with. In those situations, I will usually just suggest to the parents to just let the child sit down on the floor with a few of my studio toys to play with and let him/or her just ‘play’ on their own. I will then usually lie on the floor a few feet away and begin snapping candid shots...and if they get up, I just follow along not talking, just shooting. The interaction with them and their parents sometimes make for beautiful shots. Some I can crop out the parents if they wish. Lot’s of these I will make into b/w’s. Parents usually are very pleased, even if they did not get that traditional ‘posed’ image that they thought they wanted when they came into the studio. As for self-discipline and focus? Lol, I must be very good at covering up my inner chaos and penchant for distractibility! Nice to know! I thank you for that compliment. ;)

“I can say I am usually very impressed by those artists who consistently give back to their communities. Now that is inspirational!”

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STAR: What lenses do you use with your camera for landscape photography? we’re going to focus on your awe-inspiring photographs depicting gorgeous scenes that make you feel as if you are right there in the picture. JULIE DANT: I do not usually change my lens. I try to keep my shooting days as simple as possible. The less ‘clutter’ I carry with me the easier it is for me to go where I want to go and walk where I want to walk.

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STAR: Whatâ&#x20AC;&#x2122;s integral to the work of a photographer? JULIE DANT: LIGHT and at least one person to view your work. How much important role does photography have in our society? It has grown in importance since its invention and has never been more important. Aside from documenting our personal lives, and for advertisements, our society depends on instantaneous images in almost every field. We now have the ability to see events that happen all over the world which give more powerto the common masses. 19

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STAR: What is your favourite or exhilarating experience so far in this field? JULIE DANT: I have to admit that I get very excited when I come across a huge old 2 stories ramshackle abandoned home out in the middle of the country and get permission to go inside and up stairs and shoot as much and as long as I want. I love to be able to get close-ups of old fireplaces and their mantles, the old curving staircases are especially exciting to me. To be able to stand at the bottom and shoot upwards at different angles and then go up stairs and shoot down to the bottom floor is a wonderful opportunity that one doesnâ&#x20AC;&#x2122;t often get, due to the unstableness of most old abandoned homes. To find the remnants of old lace curtains still hanging...anything that gives the scene a sense of having been lived in at one time... not just old wood and cobwebs.

Also with portraiture, it is especially rewarding when a photographer is fortunate enough to be able to photograph a person who loves to pose and is completely natural in front of the camera. It is sessions like those that allow you to get into the hyper artistic mode. You can suggest to the model to twist and move her body in different artistic poses and he/or she just seems to know and love to try to do it. Clients like those are usually very photogenic (they can be very plain with no makeup even) and at-ease in front of the lens and that gives the photographer a natural high. When it seems like every or any pose you try looksgreat or dramatic or different or quirky. All in a good way. Very artistically satisfactory!and love to try to do it. Clients like those are usually very photogenic (they can be very plain with no makeup even) and at-ease in front of the lens and that gives the photographer a natural high. When it seems like every or any pose you try looks great or dramatic or different or quirky. All in a good way. Very artistically satisfactory!

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STAR: Perhaps you could tell the story behind some of your photos? JULIE DANT: Well, the image of the Pink Peonies in the wooden woven basketin the sunlight is one of my very first still life. I was home one afternoon and the sun had sunk low enough to begin to streaminto my dining room door window. I just happened to glance as Iwas walking by and noted that thesun had made those pink blossoms absolutely POP. So I got my camera out and snapped a couple of pictures. I was pleased with the results. The Autumn country scene with the Rainbow was taken on a late September afternoon drive along our White river road, which is about 3 miles south of where I was raised. We had just had a short rainfall and the sun had just come back out when I came around a bend in the road and there was this rainbow in a bright blue sky! I am always excited to see a rainbow! And if I had the time, I might have been able to walk across that cornfield and found the Pot of Gold as I could see the end of the rainbow! But nope….I missed that ‘golden’ opportunity! ;)

The Threatening of the Bales image I took while I was on my way to visit my friend who lives 10 miles north of me in a neighbouring town. There had been some pretty strong storms pass through and the skies were still very threatening as I was driving down the country road that my friend lived on. All of a sudden behind me the sun broke through the clouds which caused those hay bales toabsolutely glow against the contrasting dark blue of the retreating storm clouds. I pulled over quickly and took a few quick shotsbefore the clouds passed over the sun again. The Autumn Gravel Road to somewhere shot was in early October. I was traveling around about 8 miles southeast of town looking for some really different looking Fall scenes and as I was driving along on one of the small paved roads, I decided to turn northward onto this little gravel road which was an old coal mining road that was slicing through reclaimed land that had been mined. As I was approaching the horizon at the top of the hill the sun had just begun to turn the clouds pinkish and I was really liking the combination of pink clouds, blue sky, the greens and browns of the Autumn fields, and the white of the newly laid gravel on the small road which was pointing directly to the top of that hill was so pleasing to my eye that I had to stop right then totake the shot. I knew that little road had only been made for themine that was no longer there but the phrase “Road to Nowhere”was so common.

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Autumn The Threatening of the Bales 22

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Autumn Bower

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STAR: What style would you classify your work?

STAR: What is the appeal of natural light for you? How would you describe the quality of the natural light where you live? How doeS it change with the seasons, and how do you use this in your photos? JULIE DANT: Natural light is almost a MUST for me, even in my studio next to my windows. I will always opt for natural lighting if I have the choice. For portraits, in the studio, it is much more forgiving than using the harsher lights. Here in Southern Indiana, the light can change dramatically with the seasons. And our seasons can change dramatically day to day sometimes hour to hour. There is a saying about our weather patterns…”In Indiana, if you don’t like the weather we are offering you on your visit. Just stick around for another day or two and it will change!” Our mid morning and late afternoon light is at the optimum quality for photography as is most places. In my studio is where I see the most change of the natural light coming through the large windows from season to season. In order to get the best natural light in mid-Winter for a portrait, I have to schedule it between 10 to 2. In the Summer...all most all day is good as my windows face the North. In Summer I take advantage of the late afternoon light where the shadows are long and everything is given a golden hue cast. I love this time of the day in any season. STAR: Can you give suggestions to upcoming photographers?

JULIE DANT: I believe the most the important thing for you to do, after learning how to photograph is to come up with an image that ultimately pleases the artist in you.Obviously, this cannot always happen in certain cases, such as in portrait photography where you must please your client, but in landscapes, for instance, if you are happy with your end product, you will have artistic satisfaction, which is what every artist ultimately wants and needs.

JULIE DANT: I showed my work for months, online, before I finally realized that I had a style of my own. When I read about other photographers having a ‘style’ I was envious. I metioned this to a seasoned photographer friend of mine and he said, “But you DO have a style, Julie!” And I was very surprised to hear him say that. I could not see it then because I was new and still unsure of my abilities and talent. I came to see it gradually after that. I don’t think it is a really distinctive style, but I definitely like to use strong, bold colors in my images and I love the look of sharp contrasts. You won’t see many pastel, soft images in my portfolios or galleries, which is not to say I do not appreciate and love other artist’s work whose style is such because I do. It is just not how I personally see my images. I have always likened my bold and colorful ‘style’ to my personality. I am a ‘life of the party’ type of person who always came a little late to the party to make the ‘grand entrance’. ;) I always liked to ‘make a splash’ wherever I went. So I guess my ‘colorful, in-your-face’ personality bled over into my photography...uh...just a tad. STAR:Could you tell us some interesting facts about your life? JULIE DANT: My life has been pretty ordinary, maybe even a little boring. I’ve lived in a small town all of my life. I was married at 17 and had my two children by the time I was 20. I did not attend college and the only art training I’ve had was two years in high school. I’ve worked outside the home off and on my entire marriage, mostly in retail sales. My husband and I raised two great children and have two wonderful grandchildren who are soon to be out on their own also. I love to sing, play the guitar...well...the five chords I know anyway. I. Write, photograph, paint, and read. Pretty much ruled by the right side of my brain. Do NOT give me acomplicated, tricky, story math problem! People tell me Ishould have been a comedian. I DO love to make people laugh.I’ve lost 1036 pounds in my life….then gained 1046 back! 25

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Bareness in Autumn

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This is the place where nature and civilization come together in the most colorful of ways. The natural hues of the greenâ&#x20AC;&#x201D;specifically, the soft sunlight on the grass and golden grains of the sandâ&#x20AC;&#x201D;contain powerful messages of peace and tranquility. 27

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HIMANI PATWA HIMANI PATWA was born on July 27, 1976, she currently lives and works in Ahmedabad, Gujarat. She is an abstract artist and her art is a window through which you can see the dream of a human being and beauty of the universe. Her primary medium is acrylic on Canvas and mixed media on canvas and most of her works often include textual additions and intuitive colors. ‘I seek to express and understand the conscious and subconscious self”, she says when asked about her work. She holds Diploma in fine arts (Sculpture) from C.N. School of fine arts (Stood 1st in final year in Gujarat state board in the year 2000).A diploma in Interior designing from Amor Institute

Dream city

Her art Journey began in early 2000 with Sculpture from C N School of Arts. The Sculptures eventually evolved to surreal Mother and child forms. She continued sculptures for few years exploring the forms until another opportunity came into my life. “Post my Interior Designing; I got myself immersed into abstract paintings. This art of painting got me bowed onto the life’s various vibrant forms. This brought me closer to the window of life wherein we dream the beauty of the world & paint it on canvas. Art for me is an expression of life. I believe everything in life is art. What you do. How you dress. How you talk. Your smile and your personality. What you believe in, and all your dreams. How you decorate your home. The food you make. In short life is art, “she says During her art journey of becoming an abstract artist, she experimented with a lot of forms like God, Human & Nature, Landscapes and lot more. However; whatever she painted out of her imagination of the world; she ended up painting the buildings, houses which depicts the values of the family & friends and their connection of the great souls residing in these houses. She believes; bonding between the members of the family and friends is of prime value; for success & culturally rich life. Art enriches my life& the creation process is an extension of my experiences and emotions she says. Himani intutively combines an array of colors and shapes and presents a beautiful story of life as how poetic, evocative and intuitive art can be, as much it resonates with our deepest self,our soul .

ST RTISTS STAR: Let us get back to your oeuvre. You are famous for your unique manner of painting. While many artists try to shock their audience with their techniques, or the stories they depict, or by other means, your paintings are calm, and yet innovative. What are your sources of inspiration? Were there any famous artists who influenced your style? HIMANI PATWA: Inspiration comes from anything and everythingâ&#x20AC;ŚI observe people, birds, animals, plants, architecture, skies, oceans and all that is in between and make mental notes of colours, compositions and texture to be used some time in my art. Prabhakar Kolte and Natu Mistryâ&#x20AC;&#x2122;s works are meditative and motivational. STAR: When did you become an artist? HIMANI PATWA: I love to draw. In my childhood I always tried to beautify anything that I could get my hands on from paper, clay, earthen pots and random objects. After acquiring a Diploma in Sculpture in year 2000 I started work as an Artist.

STAR: Why are you so passionate about ART?Any challenging situations ,you face in your field? HIMANI PATWA: Foremost, the artist must have passion for their art and everything that is associated with being an artist. There will always be barriers to being an artist but, if you are passionate about what you do, these issues will perceived as challenges to success, rather than problems that halt your progress.

STAR: What is that you love about life, and what do you hate? HIMANI PATWA: I love life itself. I believe everything in life is art. What you do. How you address. How you talk. Your smile and your personality. What you believe in, and all your dream. How you take challenges. The food you make. In short life is art. I hate politics in any art field.

STAR: Do you have any dominating idea you would like to convey to the people who see your art? What would you want to tell them through your art? HIMANI PATWA: I want to do solo art travel show so now I am working on that and I am also part of one project that is a developing a city wide cultural initiative which vouches for artist role in our daily environment. We strongly feel that a society, which keeps refining and questioning its values through art, can grow to be an empathetic and harmonious Society. We want to do our bit by creating a nurturing environment which is inclusive of every honest and curious expression of art without any commercial agenda.

STAR: What are your favourite mediums you work in and why? HIMANI PATWA: I like to work in mix media and Acrylic. Being a very experimentive person, I always try and push myself to learn different mediums while creating my work using those. I learn to take risks and found a lot of confidence working with this medium.

ST RTISTS STAR: What obstacles do you face in making and exhibiting your work? HIMANI PATWA: All fields come with their set of challenges. Establishing myself as an artist, I go through many experiences and I am very grateful for all the experiences and knowledge I gained during my art journey. I believe determination and hard work surely pays at some point and no one can stop you.

STAR: What are your favourite works you have created? HIMANI PATWA: All works are my favourite, they all are my babies. I create all my work with the same zeal to give my best. I think I am just happy being able to continue doing what I love doing professionally. Each work or series that I make is an expression of how I feel at that moment and it feels beautiful to see it completed. I guess the achievement for me is more in the process than the final work. STAR: What is your average day like? HIMANI PATWA: My typical working day will start at 6.00a.m. I go for a walk and do routine work. By 10.00a.m I am in the studio. I work on my latest project or painting. I love cooking so I cook. End of the day I make lists of tasks to accomplish over the next few days. Try to get to bed by 11.00p.m.

STAR: What other forms of creativity do you like? HIMANI PATWA:I like all form of creativity. I like cooking, music, dance and craft.

STAR: Any other advice for artists trying to get established? HIMANI PATWA: I would say never forget to continue learning. Learn to take criticism as a gift that is showing you how to change for the better. You need to have deep engagement in whatever you want to do .Most importantly, devolve your own style and identity. Donâ&#x20AC;&#x2122;t judge your ideas and skills, and keep exploring. The future is full of endless possibilities. Create your own! STAR: Please tell us about your training in painting. HIMANI PATWA: After acquiring a Diploma in Sculpture from Sheth C.N. Fine Arts College in Ahmedabad, I explored various aspects of Sculpture, but there was still a longing to paint more and more. One fine day, I decided to make painting and see peopleâ&#x20AC;&#x2122;s response to my work. What unfolded did way better than I hoped for! Ever since, I have been painting full time. It is definitely difficult to start off and make a name for oneself and get established, but I guess it is all about being patient and seeing what unfolds.

STAR: How does the social and political climate in your country and around the world impact your artistic expression? HIMANI PATWA: Political climate does not have any impact on my painting. Socially yes, whatever I create out of my imagination; I end up crating mother and child, the houses, buildings which depicts the values of the family and friends and their connection of the great souls residing in these houses and in my life. I believe bonding between the members of the family and friends is of prime value for the Success and culturally rich life.

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Dream City Series

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Dream City Series

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STAR: Who are your current art inspirations? Do you look to other contemporary artistâ&#x20AC;&#x2122;s work during your artistic process? HIMANI PATWA: I never make inspirational mood boards before I start new painting. It is important to constantly nourish your creative soul through things you love. I do look other contemporary artistâ&#x20AC;&#x2122;s work, to see through their work and try to envisage their processes. STAR: Why did you prefer the color palette reflected in your work? HIMANI PATWA: Color plays an important role and have a great impact on our lives. Colors has the power to effect on your emotions and thought process.

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STAR: What is your daily painting schedule like? You seem to have tremendous self-discipline. HIMANI PATWA: Monday to Friday I spend 6 to 7 hours in my studio. I spend time in studio every day but I don’t paint everyday .I love playing with colors and do experiments. I love making plans. No personal success, achievement, or goal, can be realized without self-discipline. STAR: What is your favourite experience as an artist? HIMANI PATWA: It was in 2006 I was invited by’ Samvedna’ NGO as a volunteer to teach drawing to underprivileged kids and I received unconditional love and that was the best experience for me.

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STAR: What is your inspiration behind this series of paintings? HIMANI PATWA: I love architecture drawings and designs. I take inspirations from Indian architecture forms. I like architecture form and love to convert them into paintings. STAR: How have you been so successful with marketing and selling your art? HIMANI PATWA: Actually I am not doing any proper marketing because Artist cannot do marketing, artist can connect with people and through social media and exhibitions I connect with people. STAR: What style of art would you classify your work? What is your opinion on modern abstraction? You have an interesting perspective into your own artistic style and preferences. HIMANI PATWA: Abstract work. There are many key elements in creating a good composition. For me, composition has always been really intuitive. Maybe that has to do with coming from a design background. I spend ample amount of time preparing my colour theme, while I want to stick to earthy and bright colours.

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STAR: Could you tell us some interesting facts about your life?

Dream City Saeries

HIMANI PATWA: There is a funny silly little story that led me to drawing actually. Back when we were kids, we used to buy drawing/ coloring books for me and my sibling. I have this vivid memory of drawing cartoon character along with my younger brother. Being quick and impatient, I finished my drawing and showed it to him, guessing he would envy my ever so fast skills, but I was shocked to see that his drawing was so much neater and more beautifully drawn. I was so overcome with jealousy that I got disturbed so much. This competitive anxiousness pushed me to get better and better at drawing, and thus started my affair with art.

It was in 2006 I was invited by â&#x20AC;&#x2122; Samvednaâ&#x20AC;&#x2122; NGO as a volunteer to teach drawing to underprivileged kids and I received unconditional love and that was the best experience for me !

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STAR: Whatâ&#x20AC;&#x2122;s integral to the work of an artist? HIMANI PATWA: When it comes to making art Fun is the most important part splash a paint, draw a line just make sure that you have fun each and every time. STAR: What role does the artist have in society? HIMANI PATWA: The Artist brings colour and light to Society. Art takes us out of ourselves. The artist is one that make mistakes and shaping them into something amazing. Art reaches out and touches people around the world.

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STAR: Can you give suggestions to upcoming artist? HIMANI PATWA: I would say do lots of experiments and mistakes. Today they have lots of opportunities therefore make the most of all the opportunities and the vibrant atmosphere for society. STAR: That was very inspiring and interesting talk with you .Thankyou !

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MARIA

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B A B L Y A K

STAR: When and where were you born? your life as an artist begin?

Tell us about your background. Where did

MARIA BABLYAK: I was born in St. Petersburg, Russia, about 40 years ago :) I was very fortunate to have been born in an artistic family, my mother is an architect and a painter and my father was also an artist, teaching art composition and metals design to a university level students at a prestigious art college. I was taken to beautiful museums since I can remember myself where my parents patiently taught me about art, making it interesting for me, like a game.

STAR: “I certainly had access to all kinds of art and could experience artistic life from an early age” . Please us more about the source of inspiration? MARIA BABLYAK: I grew up surrounded by art, often visiting my parent’s work places and spending days at my dad’s studio. Although my parents never suggested to me that I have to be an artist, giving me a perfect freedom to choose my own path, I certainly had access to all kinds of art and could experience artistic life from an early age. That’s when I learned that art requires a lot of work and discipline. When I was 12 years old, my parents assured me that I have a talent and there my professional journey began. Naturally, my parents were and still are my first and great source of inspiration but also a beautiful city, where I was born, so rich in art and culture. I like and appreciate good artwork done in any style and medium, there is always something special to learn from every good artist. However, I do not follow any -ism, I choose medium and style expressing the best what I want to say at the moment. Of course, I learned art history, all movements in the art with their techniques but at this point I let life itself to be my inspiration.

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STAR: Why are you so passionate about ART?

STAR: What do you love about life, and what do you hate?

MARIA BABLYAK: I suppose there are many reasons for my passion for art. First, definitely, my parents taught me to love, understand and respect art. Art was like something sacred in our home. Then I made a decision to become an artist because I realized that is what I really am and can’t live without creating. I live in art and art lives in me, for me its life and communication. There is so much involved in creating art: psychology, philosophy, physics, chemistry; thought and emotions, personal experience, vision. Each piece is a story. Art has so many functions, from recording history ( who would remember much about wars and politics or love stories had they not be reflected in art? ) to healing, showing beauty or fighting, restoring or destroying, art can be political, religious or address eternal human qualities. I believe art can be helpful in individual life as well as to the whole world.

MARIA BABLYAK: I love just living, being able to observe, feel, see, think and enjoy life. To have and absorb different experiences through travel, meeting people, reading, thinking, sometimes personal life and then reflect and share what I learned in my artwork. I hate...when people don’t get along. Not fond of politics and when religious belief is used for misleading people and creating division. Propaganda. Racism, sexism and oppression of women’s rights. On a personal level, I hate disrespect.

STAR: Tell us about your favorite works that you have created. MARIA BABLYAK: OH! That’s a tough question :) I like them all, each painting is special for me. But I suppose those works which mark some personal events in my life and then those which are technically challenging or a creative breakthrough.

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Olana

STAR: What are your favourite mediums you choose to work in and why?

MARIA BABLYAK: I primarily work in oil and acrylic but often use watercolors, gouache or casein paints. For textiles I use special dyes for natural fabrics. I believe that each subject, story I want to tell requires its own approach. Some can be expressed better in oil paint, other in watercolor, all depends on what I want to say, what effect to get in my work at that moment. I feel equally comfortable working in different mediums and even experiment with new ones.

STAR: What obstacles do you face in making and exhibiting your work? MARIA BABLYAK: I would say the major obstacle is having to think of a financial aspect. Then finding time to market and promote own work. Finding a good exhibition space is a challenge. Professional art world is a relatively small world and getting on top of that is nearly impossible without having connections.

ST RTISTS STAR: Please tell us about your training in painting MARIA BABLYAK: Besides all the help I could get at home from my parents I was sent to a Youth Art School when I was 12 years old (quite late by Russian standards) where I started learning art history and professional skills in drawing, painting and composition. Then for two years I went to a prep school attached to the college I entered later for MFA, the Academy of Fine Art and Design. Besides that, I attended private lessons at the studios of the best professors of painting prior to my entering the Academy.

STAR: What is your average day like? MARIA BABLYAK: My average day...thinking about art. That is part of creative work no one sees but itâ&#x20AC;&#x2122;s the most important part. STAR: What other forms of creativity do you like? MARIA BABLYAK: Hmmm I think life is a form of creativity itself. I guess I am finding creative approach to everything I do. I like teaching. 48

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ST RTISTS STAR: Why did you prefer the color palette reflected in your work? MARIA BABLYAK: I cannot tell why exactly but my general color palette changes with years. I had a “Blue period” for a couple of years, now I gravitate to warmer colors. But there is no color I dislike.

I choose to fight by promoting beauty, goodness and freedom in my work rather than through showing the ugliness and horrors of the world.

STAR: What is your favourite experience as an artist? MARIA BABLYAK: Starting a new painting! Although I have no doubt in my skills, every time it’s exciting and stepping into unknown, in a way. Also I love to paint outdoors, there is something about it I cannot describe, a feeling of being one with the view you are painting, part of it. my voice quiet but passionate and strong.

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Blue winter STAR: How does the social and political climate in your country and around the world impact your artistic expression? MARIA BABLYAK: Lots of things in the world politics make me feel sad. Sometimes angry. Sometimes helpless. That certainly reflects in my art. I either want to fight what I find unacceptable or turn away and be in my own world for a while.

. I choose to fight by promoting beauty, goodness and freedom in my work rather than through showing the ugliness and horrors of the world. I think there is enough of loud, explosive art (often seeking only attention) and no need to create more. I keep my voice quiet but passionate and strong.

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ST RTISTS STAR: Who are your current art inspirations? Do you look to other contemporary artist’s work during your artistic process? MARIA BABLYAK: I love to see good work by other artists and I always try to praise and encourage a good artist. But when I am in a process of creating, working on something of my own, no, I don’t look at work by other artists. STAR: What style of art would you classify your work? MARIA BABLYAK: My own.

STAR: What’s integral to the work of an artist? MARIA BABLYAK: The same as to the work of a writer and a psychologist.

STAR: How have you been so successful with marketing and selling your art?

MARIA BABLYAK: It comes with experience and exposure of your artwork, more people see it, more they will like and think about it, tell others. I also take commissions which is a challenge to create good work with limitations set by a commissioner. That reminds me of my school years when students were given tasks and had to creatively solve them. I enjoy that and a happy client is most helpful.

STAR: What role does the artist have in society? MARIA BABLYAK: I want to say avant-garde in thinking. A story telling, recording history. Teaching. Showing, communicating things often neglected or unseen. Healing, promoting creativity and liberating.

STAR: Can you give suggestions to upcoming artist? MARIA BABLYAK: Learn skills very well first, then express yourself. Art skills is like a language. Learn art history but do not follow anyone but your own heart. Make sincere art, it will stand test of times.

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STAR: What are you working on now, and what are your plans for the future? MARIA BABLYAK: I like to be diverse and have lots of projects in mind, enough for the lifetime :) At the moment I am working on two series of paintings, more abstract and symbolic than my work of last few years. One is based on Native American names for full moon every month and another one is on different dances. I start with tango since I like dancing the tango but I am planning to create paintings inspired by many dances from different cultures. Another passion for me is textiles. I have been painting on fabric, creating wearable art as well as decorative hangings. In a near future, I shall open a company making and selling accessories, mainly scarves and hats. At the same time I shall continue studying textile art history and techniques of all cultures; hopefully, I shall be able to travel for my research.

STAR: Thankyou so much for taking out your time and spending with us for this awesome interview session ! You creations are brilliantly vibrant and appeasing to the eye !

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SATWANT AN ARTIST’S DIARY S A Y A N

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A passionate artist from New Delhi, Artist Satwant Sayan weaves in delicately her stories in her beautiful intricate drawings, her subject ranging from Buddha and devotion to the spiritual journey of the soul. Using acrylics pen and ink on paper each work speaks the distinct story of the Artist herself. She has been selected as the artist of the month of the gallery The Third Eye, in 2013, with her name displayed in times of India news edition daily for a month. Her works were also displayed in the UBC mall Bangalore in 2013. She has participated in many group art shows held all over India including Lalit Kala Academy. Satwant Sayan holding a degree in Arts and fashion designing has also contributed a lot as the coordinator and a fashion designer in JK Exports and Alankar exports, New Delhi. “For me, I always loved art ever since I was a little girl. I always loved drawing, and even back in elementary school, I had a big passion for drawing. That passion still continues today!” she says!

Looking at her works especially the story of the painting, one can decipher a great deal of the time and effort it was painted with. One can understand the value systems, the ethics, morality, values and personal lives of the times. “Well, I am inspired by life. The morning sun to chirping birds or the silence or nature. Everything seems inspiring for my creativity keep working and learning new things. Never give up and practice a lot with dedication and focus!”

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A letter to God STAR: What is Art for you ? SATWANT SAYAN: I believe art is one of the ways to connect your thoughts with society, something very divine and magical. Art is not what you see but you make otherâ&#x20AC;&#x2122;s see, more over it is the expressions of mind creativity. It reflects the inner state of an artist on canvas and also feel art is non-verbal language connects to oneâ&#x20AC;&#x2122;s soul and heart. STAR: Why are you so passionate about art? SATWANT SAYAN: I have written earlier also, my life till now has never been out of touch with art. From commercial art in school, fashion designing in college, to painting canvas, later on, I have always been creating creative thoughts in my mind which has now become a routine, thus a passion for me. I am fond of creating stuff, in love with colors and naturally have an artistic approach in whatever I do. The painting has always been my true passion. I have a naturally developed interest in art and it gives me immense pleasure.

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Birth of the Sacrificer

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ST RTISTS STAR: What inspiration do you get from other artists? SATWANT SAYAN: India is a store house of immense talent with great painters, artists, and writers etc. Indian painters like M.F.Husain, JamininRoy, Jogen Choudhury, Vincent Van Gogh, Pablo Picasso, Anjolie Ela Menon, and Sanatan Dinda etc... Have been able to catch the eye of art lovers worldwide and were able to sell their works globally. I believe inspiration is everywhere, we just need to open our mind and notice it. I seek inspiration from other Artist’s, all of my learning is an accumulation of different artists who have influenced me throughout my life journey. M.F.Husain-M.F Husain was India’s only eminent artist to get recognition worldwide and also he was one of the highest paid artists. He depicted Indian subject matters in the style of contemporary modern art. Particularly in cubist style using freehand drawing, strong composition with vibrant colors, he was widely famous for his wonderful techniques, unconventional work, strong themes mostly featuring women and horses. He earned the title of “Picasso of India”. Jamini Roy-Known as the father of modern Indian art, he was inspired by his own Bengali traditional culture. His works are simple, he captured the simplicity of local and rural life. He uplifted art of Bengal. He many times used colors like red, yellow, blue, white and ochre. He was declared one of the nine masters of the archaeological society of India. He was profoundly influenced by the Kalighar painting style with bold sweeping brush strokes. Jogen Chaudhary-A very powerful and eminent artist. He has made an immense contribution in inspiring young artists. His famous paintings were in pen ink, water color, and pastel. He is the “master himself” of lines.

Anjolie Ela Menon-An Indian contemporary artist, her works seemed fresh and based on subject matter and coloring modern abstraction rigorously figurative, sensual and romantic. Vincent Van Gogh-He poured his magnificent energy into canvas through the tip of the brush. One of the most well-known impressionist artist. Colors were the chief symbol of expression and moreover, he developed his own bold and conventional style. He used brush strokes in rhythmic, dramatic and imaginative style. Pablo Picasso-Regarded as most influential and exceptional prolific artist of the 20th century. His works often have characteristics of surrealism. He used colors has an expressive element. He added sand to vary its texture. He experimented with different style, theories, idea, techniques and cubist style. He has mostly painted from imagination or memory.

STAR: Any other source of inspiration? SATWANT SAYAN: Inspiration is everywhere, just need to open our mind towards the world to notice it. I spend a lot of time in gathering information, it’s the key to fuelling the art practice. Abstraction in art allows a man to see with his mind what he cannot see with his eyes. From the very beginning of human history, nature has played a vital role as a creative expression. Nothing much makes me happy as to observe nature and to paint what I see.

My future plans are to open art schools in India as well as in abroad, to keep my passion alive, stay motivated and focused and expect the same to impart to a future generation.

ST RTISTS STAR: What medium do you work in and why?

SATWANT SAYAN: Preferably I work in most of the mediums, but I am more niche in acrylic, water color and pen-ink in rhythmic lines. It’s always a pleasure working in pen-ink with acrylic. My Buddha series is an example because rhythmic lines inspire and create dynamic art, to show more skill, illusion, imagination. A lot of versatility in this field. It’s blissful and exciting working in this medium. It enhances my identity.

STAR: Please tell us about your training in painting? SATWANT SAYAN: First of all I am a self-taught artist. Inspiration is everywhere, just need to have good vision to observe creativity around us. I get inspired from surroundings, environment, and the social, economic and political condition of our country. During my school days, I was very much attracted towards colors, love to riots with colors. With the help of colors used to create patterns and designs. During college days I did lots of painting and sketching. So each phase of my life played an important part in encouraging and enhancing me in the art field. I feel proud of myself as an artist.

STAR: What type of art would you classify your work in? SATWANT SAYAN: Usually I paint cubist style, figurative, surreal but I prefer contemporary abstract figurative paintings. I love working in abstracts.

STAR: What are the other forms of creativity do you like? SATWANT SAYAN: There are lots of things but few to mention are; Interior Designing; I love to make dead surroundings come alive. Fashion Designing; It’s always interesting to make normal people more attractive and presentable. Cooking; while it is necessary to cook delicious, cooking is also an art like other artistic media, so presentation part is equally important as the taste, aroma, and texture of what is served Music; It’s always amazing to hear what music artist creates from numerous instruments and tunes. STAR: what is your average day like? SATWANT SAYAN: My morning schedule starts with preparing breakfast for my family at 7.30 am.After they are done with it, I gain some early morning energy by going for a walk. By 10 am I start with my painting which goes up to a couple of hours. In the afternoon I prefer relaxing by watching t.v or listening music and then, it’s time to prepare lunch. After feeding my family in the afternoon, I try speaking to my friends and relatives as it is important to stay in touch n connected with your loved ones too. Now I am again ready to carry on with my art work by the evening and stretch it for next 3-4 hours. During this time I try to learn from different sources and apply the knowledge in my work. B 7.30pm I start with the dinner preparation and get free by 9.30pm.I go back to my work again for some preview, leftovers and finishing touches, and go to sleep by 12 am.

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STAR: Why do you prefer the color palette reflecting in your work?

SATWANT SAYAN: Mostly my paintings are theme oriented, so color palette plays a vital role, moreover it is very important to choose the right color as each color carries its own meaning and significance which further helps in reflecting the expression and communication. As it is said art is communicating and it reflects the inner state and expression of an artist. For example. My painting “Communication with heaven”. In this painting blue color is dominating the whole canvas as well as communicating, the blue color is the color of environment like sky and water. The spiritually color of Lord Shiva, Vishnu, and Krishna etc. The blue color itself is a healing color and good color to attract business. In Buddha series “Birth of a sacrifice” In this painting, i have used shades of ochre, brown and yellow to give a warm and golden look. It symbolizes illumination, love, compassion, courage, passion, and magic. It is also associated with higher ideas, wisdom, understanding, and enlightenment. It inspires knowledge, spirituality and deep understanding of self and soul, which I have depicted in Buddha series, his life stories, and ideology. Another painting “Middle Class” In this painting, I have used a color palette of bright shades to symbolize rich class or higher society as the shade of red, pink, orange, green and blue on the other hand to show lower class or lower society I used black and white. So it’s quite lucid in classification through color palette and theme runs accordingly. This color palette plays a significant role in flaunting expression and vision.

ST RTISTS STAR: Can you give suggestions to the upcoming artist?

SATWANT SAYAN: Always keep in the back of a mind, choose theme or subject in painting very carefully without disturbing the political and social issues of the country. Staying in criticism and controversies is an obstacle an unhealthy practice, it is good to avoid for the growth as an artist. Respect the works of other artists and your own work too. It’s a gift from God which is very precious and important to preserve for future generation. It’s very important day to concentrate, practice and stay in mind to make it your own. Never let the light of passion be low. Keep inspiring another artist with good thoughts and right direction in the art field. Without the utmost dedication and hard work, it’s impossible to achieve goals. STAR: What are you currently working on and what are your future plans?

SATWANT SAYAN: Currently I am working on Buddha series. It’s extremely satisfying and serene. I love working on Buddha series with techniques such as rhythmic lines with pen-ink and acrylic on canvas. It’s very much fascinating and creative. Also working on a couple of series simultaneously. Each and every subject matter carries its own importance. When I get involved in something, it has to be in depth... My future plans are to open art schools in India as well as in abroad, to keep my passion alive, stay motivated and focused and expect the same to impart to a future generation.

Middle Class” 64

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ST RTISTS STAR: When did you become an artist? SATWANT SAYAN: As a little girl I always loved to sing, dance and paint.My parents always encouraged me in my ventures. As I entered in my middle school I indulged myself in drawing later commercial art in high School and found I can pour my heart onto the page and can make creative stuff out of it. Thus my life journey towards art field started. After my graduation, I did 2 years Diploma in fashion designing and did freelancing for some time. Once I got out of my own, I had a lot more freedom and opportunity to explore and flaunt. After marriage also I did give up my creativity, kept on utilizing my creativity in different fields. In my later stage when my children were grown up, I got more time for myself. I started experimenting with new innovative ideas, techniques, style expression of my life experiences on canvas. For the first time, i realized I was an artist, part of the world I always wanted to be in.

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Flower series 1 68

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STAR:That was very interesting and enlightening conversation .Thankyou for sharing your knowledge and wise thought which I am sure will be helping numerous upcoming artists .

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DEBBIE

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G A R D E N E R

STAR: Thank you for talking with us. How did you get started with the pencil? DEBBIE GARDENER: I first started drawing in pencil when I was a child, about 8yrs old. I really only used the pencil than to draw the outlines of a character and then colour it in with felt tip coloured pens. I was much older when I started to create the whole picture with pencils using shading. To explore, the artists adopt the strategy and utilize literature, painting, photography, graffiti, and other art forms as a message to revolt against the facets of the mainstream institutional culture that restrict us. So where and whom do you draw your inspiration from? My first inspirations were cartoon characters when I was young. Nowadays itâ&#x20AC;&#x2122;s more of a collective picture or scene that inspires me. There are different artists that I admire, I love Banksy for his artwork and his messages. His message always seems to strike a chord with me. I love Van Goghâ&#x20AC;&#x2122;s use of colour as well as Matisse and the business of Klimt. My biggest inspiration is the immense artistic talent of people on Facebook. Looking at this gorgeous eclectic collection always inspires me to do more, try different things. Honestly, some of the art I have seen on there is simply stunning!

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AMBER STAR: The techniques you use, give your drawings amazing depth and are so realistic. What is behind this passion? DEBBIE GARDENER: I don’t know really, I have always drawn, it is just part of me. Even when I have gone through long periods of not creating, I always come back to it. I love to produce pieces of artwork that mean something, either to me or someone else. I like to stand back when I have finished and think ‘I did that’. I love to see the happiness it brings to other people when I have recreated something that means so much to them. I love the beauty, the skill, the stories art can tell you. I love the difference that art brings and how it can divide opinions or bring people together. I like that there are no set standards and that anybody can do it.

STAR: What major and significant goals do you have for your art if any? DEBBIE GARDENER: At the moment I am working n a graphite drawing of a coastal scene. It is for a Facebook competition where you have to choose two photos and merge them together to create one picture. My plans for the future are to enter more competitions, especially the themed ones. They take me out of my comfort zone (which is portraits), stretch my ability and teach me new things. I want to try different things, get my paints out and discover how I like to use them, use more colour. I also want to start selling prints of my work so they are more financially accessible to people who would like them.

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STAR: What do you love about life, and what do you hate? DEBBIE GARDENER: I love my family the most! I love humanity, fairness, natural beauty, difference, friendships oh and chocolate! I hate war, arrogance, injustice, poverty and rudeness.

STAR: So how do you go about choosing a subject? What do you look for when you’re looking for something to draw? DEBBIE GARDENER: I usually find that something just calls me. I see something and my immediate reaction is ‘I have to draw it’. I can’t tell you why it just happens. I have held onto pictures/photos for years knowing that one day I will draw it. If I look at something, I know instantly if I want to recreate it.

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STAR: What obstacles do you face in making and exhibiting your work?

STAR: What are your favourite works so far you have created?

DEBBIE GARDENER: Really it’s just a question of do I have the right materials and enough time in making my work. I have never tried to exhibit in a gallery or anything (yet). I see social media as one huge worldwide gallery!

DEBBIE GARDENER: Hmm, now that’s a question! I have different favourites for different reasons. Amongst them are the drawing of ‘The Ickes II’, I think it is one of my best portraits to date. I absolutely love my drawing of ‘Hands’. That it’s one family of children all linked together, I love the idea and how it looks. Another favourite is ‘Dream High’. It was done in coloured pencil, which is not my usual medium but I love the cuteness of it. I was also very proud of ‘Little Beauty’.

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STAR: Can you please share your inspiration for this series of Sketches and paintings? DEBBIE GARDENER: As you can see, I find people and animals fascinating. Drawing portraits makes you really look at them, finding all the things that make them different from the last, trying to pick out what sets them apart and capture their personalities. It is very challenging but very satisfying when you get it right.

STAR: Is Drawing and creating artworks your only profession or main business? What style of art would you classify your work? DEBBIE GARDENER: So far I have not marketed my art, although I do intend to in the future. I sell mainly by word of mouth or from Facebook. Most of my work is commissions and so far people have come to me (which I was not expecting). I would say itâ&#x20AC;&#x2122;s pretty traditional at the moment.

ST RTISTS STAR: How would you spend an average day? DEBBIE GARDENER: My average day usually consists of me sitting at my drawing table working, checking my computer, taking my dog for a walk and eating! I like to relax in the evening with my partner. I will also break the day up with a bike ride or walk to the shops. My drawing table is like a magnet to me. STAR: What other forms of creativity do you like? DEBBIE GARDENER: Well, I have recently started knitting! My mum is a fantastic knitter and always has been. She is definitely my inspiration. I especially like to knit toys. I made a lot of dolls and teddies last Christmas and a few baby clothes!

STAR: Any other advice for artists trying to get established? DEBBIE GARDENER: Never give up creating! Use social media, it’s a great arena for showing your work and if you are looking for it, constructive criticism and advice. For me, it is the most inspirational and helpful platform I have ever come across!

Debbie Gardener

STAR: What is your favourite experience as an artist?

DEBBIE GARDENER: For me, it’s seeing people so happy because of something I have created. Giving them something that will last for years to come. Also, overcoming difficulties in skill or lack of knowledge. It’s very satisfying finishing a picture that you thought you had no chance of ever achieving, standing back and thinking ‘how did I do that!’

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ST RTISTS STAR: How did your art works become famous? DEBBIE GARDENER: Ha-ha, I don’t think it is famous. Maybe that will change now! STAR: Could you tell us some interesting facts about your life? DEBBIE GARDENER: Hmm, well I only became a full-time artist when I developed a very painful condition called ‘frozen shoulder’. My left arm barely moved and it was excruciating. Although it was not my dominant arm it affected everything, I could not dress myself easily, drive, lift anything, everyday things were incredibly difficult at the time. I could however still draw! It became one of the few things that I was able to do. This led to me creating my art page on Facebook and the rest, as they say, is history! I have also recently immigrated to Italy from the UK, I am looking forward to being inspired by my new surroundings and all the challenges of a living in a new city. Living in a city like Milan offers so many opportunities for inspiration - from the architecture (like the glorious cathedral), the countryside and mountains and the differences in the people that I am looking forward to capturing and exploring.

STAR: What’s integral to the work of an artist? DEBBIE GARDENER: Never give up! Try to learn new techniques, mediums etc. Except there are good days and bad days; you will like some of your work more than others. Understand that people see art in their own way, what some people love, others will hate - embrace the difference and remember there are no rules or standards so you can’t fail.

STAR: What role does the artist have in the society? How do you make time to include art in your life, do you have any suggestions to help others manage their creative time?

DEBBIE GARDENER: I think artists play an important role in society. Through art, we can give people the chance to hold on to memories, provide escapism, evoke emotion, bring about discussion and help with healing, Art makes the world more colourful, more controversial. It can touch anyone and it is there for everyone to interpret in their own way.

ST RTISTS STAR: Can you please describe your process of creating a sketch? When you are sketching people, how do you deal with the fact that they are always moving? Do you Sketch from Photos too?

DEBBIE GARDENER: I usually like to put down a faint outline first and then work within that. I go over different areas lightly to get a sense of balance within the picture. Then I will start more seriously with an area and gradually move around the paper. I am also constantly looking at the whole picture and will tweak areas as the drawing becomes more pronounced. I am a bit of a perfectionist, so I get quite frustrated with myself when Iâ&#x20AC;&#x2122;m drawing from real life. I much prefer to draw from photos so that what I am looking at is not constantly changing.

The measure of artistic value lay in technical mastery.Debbie Gardener is outstanding at her sketches ,carefully selecting her compositions and surprising us with her brilliant talent . There is an enormous connection between the individual and the urban environment, the relationship and nature as the individualâ&#x20AC;&#x2122;s daily life, work, and way of thinking would absorb.

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D DEEPIKA

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Starving oh my god Anticipating eyes… Curled up… Waiting for the sun to gaze Yes, I’m talking about the leaf of my garden. Butterfly… Like an eagle she stands still, till the flap of her flower opens up gracefully. The trees growing taller and higher to meet the clouds… The sands’ eyes crying and pulling the water of the sea… Never ever I could see the mountains bending like this. The apple tree actually anticipating, for Adam and Eve are yet to come. All of them starving and telling a story of their own. I say, “I starved too” I starved to see the green breeze. Can the breeze be green? You will say… it doesn’t have any colour. Can the door be full of light? …For it is made of wood. Can an iron grill be so inspirational? …For it’s a symbol of slavery! The air is green The sky is white The door is full of light! You say it’s a flash of light I say it’s my drop of light The cool spring inside me, The whispering leaves outside… The starving voice of which tells you our story.

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STAR: When and where were you born? Tell me about your background. Where did your life as an artist begin? DEEPIKA BIJAWAT: I was born on 13 December 1983 in Jaipur (Rajasthan, India). I did my schooling from Maharani Gayatri Devi Girls’ School, Jaipur. I later went to National Institute of Fashion Technology, which is believed as the ‘sacred’ design Institute of India. Very soon I realized that I was drifting from my childhood passion and within six months left that institution. My father who is an ambitious business person and mother, a dexterous homemaker have always supported me. So to pursue my dream to become an artist, I joined International College for Girls in 2003 as a student of Fine Arts(BFA-Sculpture). My life as an artist began here.

‘My kind of pot’ “I don’t understand why pots ought to be symmetrical?” – Deepika Medium – Terracotta

STAR: How did you get started with sculpture? DEEPIKA BIJAWAT: During my first year of college at I.C.G. Jaipur, I had a month-long module of clay modelling. This added a spark to my dream. I am lucky that my creative aspirations got enhanced and with inspiration from my teachers, I persuaded our Principal to start sculpture department in our college. Being the first student of sculpture department, I had to set a standard and never let my guru down.

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STAR: What are you working on now and what are your plans for future?

STAR: Which artists inspire you? What is the source of inspiration? DEEPIKA BIJAWAT: An ant trying to climb a wall a hundred times, a balloon seller trying to sell his products in the scorching sun, God scraped mountains, melted greens and whites of the rains, frozen rivers of music, talking Moon and loud winds, sublime bushes, pets talking to their mothers with no spoken language; everything from Nature inspires me. The approaches in the art by Edgar Degas, Michelangelo and Rodin have always inspired me. Life is too short to be inspired, isn’t it? STAR: Why are you so passionate about sculpture?

DEEPIKA BIJAWAT: Sculpting is something unique. It does not need any wall for support. It is an object that can stand independently, having mass and volume. This form of creativity allows me to work on negative and positive space in three dimensions. We all are passionate about something or the other but it is sculpting that creates my private world of which we all crave for; it’s like meditation. STAR: What do you love about life and what do you hate? DEEPIKA BIJAWAT: We are just a small particle of this Universe. God created us to complete our cycle of karma or actions. The mysterious cycle of creation of every living being is what I love. That beauty is everywhere in Nature. I hate to hate anything or being hated!

DEEPIKA BIJAWAT: I’m working on depicting relationships and emotions (Rasas) through portraits in metal and terracotta. The spirit of learning and experimenting is an artist’s essence, which must go on. I want my art to speak about in National and International art galleries. I’m an introvert and want to overcome my fear of the audience. The more passionate I become, the greater the love for my clay! STAR: So how do you go about choosing a subject? What do you look for when you are looking for something to sculpt?

DEEPIKA BIJAWAT: Anything and everything can inspire an artist. I seek inspiration from nature. I love to see the gestures, postures, and emotions of animals and humans. The process of creation by the almighty in itself is very miraculous and enigmatic. Sometimes abstract shapes in water or floors also inspire me to sculpt and give shape to my imagination.

“Cuddling with my clay, I sit in my world… refusing to show my unfinished pieces. ‘Protective or possessive’ I am... I don’t own a name!”

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STAR: What obstacles do you face in making and exhibiting your work?

STAR: How do you see and understand public space and the role of art in public space?

DEEPIKA BIJAWAT: The public space is the direct reflection of its mob and its art, whether it’s architectural or sculptural, defines the culture of that place. The planning and execution of art in public space brings architects, planners, engineers, artists, and theorists together. This art has the power to educate, engage and even mold the spectator’s ideas. Emotional attachment and awareness are there because art is so much a part of the fabric of human living. STAR: Your work involves issues about interior and exterior, solid and void, time and space, weight and weightlessness. Do you think they cause hindrance to your approach in work?

DEEPIKA BIJAWAT: Not at all. Space, weight-weightlessness, interior-exterior, solid-void, all these are the limbs depending on which a sculpture is sculpted. A sense of the gravity of a strong relationship between the form of the object and the ground, on which it lies, has been central to the most vital modern sculpture. In fact, if I know the negative space or the public space of the sculpture that I make, it becomes easier for me to relate to the same. STAR: What other forms of creativity do you like? DEEPIKA BIJAWAT: Photography has been my childhood passion. Singing, writing, drawing ‘hands’ bring beautiful notes for a peaceful life. I strongly believe that all these are connectors between the conscious and the subconscious. It is the very glue that holds my personality, intellect and spirituality together.

DEEPIKA BIJAWAT: It’s universal that we as women have to create a balance between our work and profession. The challenge lies in to be able to involve our family and children to create awareness, therefore having interdependence. Issues of logistics, efficient scheduling, venue, the risk of damage and transport, evaluating art works are always general obstacles every artist faces. I also think whether my particular series of artworks are proper for a solo show or a group show because after all we all cultivate through our co-participants and the right kind of audience. STAR: What are your favourite works you have created?

DEEPIKA BIJAWAT: My favourite work is image no.3 and 5.The latter was gifted to Padmashree Shree Vishvamohan Bhatt representing my college. The image no. 3 “The juxtaposed character”, a two feet clay sculpture speaks the emotions of juxtaposed cows from all sides. It was spontaneous and rather vigorous in conception depicting all the Rasas. STAR: What is your average day like? DEEPIKA BIJAWAT: Early morning meditation or nature walk is what I love to start my day with. Daily chores, going to Nasr School, as an art teacher for senior students is my passion. Evening time is non-compromising with my kids and family and finally, late nights are for execution of my art works.

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STAR: What is your favourite experience as an artist? DEEPIKA BIJAWAT: My first composition in clay is my favourite experience as I relate it to the birth of my children. The experience is intensely private. “Cuddling with my clay, I sit in my world… refusing to show my unfinished pieces. ‘Protective or possessive’ I am... I don’t own a name!” STAR: What is your inspiration for this series of sculptures?

DEEPIKA BIJAWAT: The making of a youthful artist is a process as fragile as growing up itself. I strongly believe that childhood experiences come as reflections in art too. After all Child Art is subject to the outlook of the society that shapes his/her personality. I tried to recast my environment too. My inspiration was my neighbour-a milkman who had a herd of cows opposite to my balcony. The naïve and unpretentious character of cows inspired me. 92

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Title – ‘My cow – 1“Mirror-mirror on the wall… Who’s the fairest of all?” Medium – Terracotta STAR: How have you been so successful with marketing and selling your art?

STAR: What style of art would you classify your work? DEEPIKA BIJAWAT: Cubist, abstract.

DEEPIKA BIJAWAT: I believe more in specialized target market than mass market. Therefore, it is important for me to have a connection with the buyer before selling the artwork. A lot of my artworks are sold through word-of-mouth as my current buyers spread the word with their friends.

STAR: How did your art works become famous?

Winning awards of excellence in school and university, and being featured in some magazines gave me a good push on the start-up. Other than that, holding exhibitions, participating in competitions and marketing on the Internet on platforms like Instagram, Facebook, LinkedIn and Artsy, are great ways to market too!

DEEPIKA BIJAWAT: ‘God helps those who help themselves’. My artworks are a display of my passion, devotion, and energy. I don’t think I have ever slept without conceptualizing my artworks.

To the artist, the creative process and the art work is a “labour of love “

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STAR: Any other advice for artists trying to get established?

DEEPIKA BIJAWAT: None of us are taught how and what to create. We are only taught how to go through the process of creation. Every establishing artist must enjoy this process and stick to their originality scale. They should be aware of the national and international affairs. They must try to take part in art competitions and exhibitions as much as possible because it is the learning experience which never ends for an artist and he /she is incomplete without the spectators.

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‘Dahi-Handi’ Meaning – ‘Yogurt-Pot’ What if the cows try to break open a pot of curd on the occasion of Lord Krishna’s birth? 95

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Title – ‘Ball of oblong dreams’ Harmony touches the souls of lovers and enlightens the world around them. Medium – Coloured Terracotta 96

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– ‘The furious cow’,---The over burnt clay gave magical results and turned my cows to be furious. “Sometimes an extra effort changes circumstances” Medium – Terracotta-‘burnt’ STAR: What is integral to the work of an artist? DEEPIKA BIJAWAT: Originality, I believe. What sets the real artist apart is not so much the wish to seek, but that mysterious ability to find. To the artist, the creative process and the art work is a “labour of love “ STAR: What role does the artist have in society? DEEPIKA BIJAWAT: Art and culture are the essences of any society. As we live in a sea of images conveying the culture, the artist could take part in the transformation of society by using visual images as an agent of social progress. The artist takes risks, makes changes and has the power to elicit strong feelings that can develop new ways of looking at things. And that is how he/she can become a beautiful reason of a change in the generation.

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Artist Pradnya Shah grew up in an artistic family. Influenced by both her mother and father. She loves nature and its imagery. The beauty touches my heart in a way, which I cannot live without. I see the world as inspiring and real. I have chartered for myself a strong identity within the community of abstract arts, right from childhood. My inclination towards fine art and the drive within me to excel among my peers has put ne on platform where challenges have become a part of my life. She Says! With Strong will power and creative exuberance she ventured into the field of Abstract paintings, which are a reflection of classical mix of the dance form, modern and natural arts. Her style has evolved from formal realism, using acrylic and oil paints to depict people and common object or a more painterly style using a wider array of colour. Currently, her abstract paintings consist of surreal imagery combined with musical compositional elements. She uses mixed media, acrylic and oil painting, to enhance the visual and textural aspects of the paintings. She paints daily and involves herself in various art related activities. She believes art to be a very powerful form of a self-expression. Her likings include music, literature, and historical research and she believes Art offers boundless opportunities for creativity and represents the pinnacle of human.

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STAR: Thankyou ! for sparing your time with us ,What artists inspire you? What is the source of inspiration? PRADNYA SHAH: Artist S.H.Raza. Inspires me. Artist S.H.Raza abandoned the expressionistic landscape for a geometric abstraction and the ‘Bindu’. Raza perceives the Bindu as the center of creation and existence progressing towards forms and color as well as energy, sound, space and time. Raza’s work is his own inner experience and involvement with the mysteries of nature and form which is expressed in color, line, space, and light.

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STAR: When did you become an artist? PRADNYA SHAH: In the year 1995 I completed B.F.A., Then I started my job in advertising company,as a multimedia designer, and my artist journey is started.

STAR: What makes you passionate about Art? PRADNYA SHAH: Filling a space in a beautiful way. That’s what art means to me. Art, at its simple form and humanities are both a subject in which I express myself.

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STAR: What do you love about life, and what do you hate? PRADNYA SHAH: Truth, which I love in my life..As Lane savant says, “The point to any honest endeavour is to pry a small chip of truth out of the face of the black wall of chaos,” yet he questions the availability of universal truth to us mere mortals. And Sharon says, “I come undone because the word truth infers a universal truth – that truly stands for all time across all cultures- which I do not believe in.”

While I respect this opinion, what seems more important to me is the notion of personal truth. I believe that personal truthfulness is a necessary and perhaps inherent component of art... that the artist is attempting to convey something important (to them) and truthful (from their own perspective). Maybe this is too obvious to be of significance. But it’s helped me, especially when I’m stuck, to be mindful of my truthfulness rather than to ask what should I add or do to make my work look better. In other words, to aim at truth rather than at art. And I hate, fake art.

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STAR: What are you working on now, and what your plans are for the future? PRADNYA SHAH: I am working on dance form and I want to exhibit this project all over the world. STAR: What mediums do you work in and why? PRADNYA SHAH: I like oil colors, it’s very free flowing. And Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. STAR: What obstacles do you face in making and exhibiting your work? PRADNYA SHAH: Obstacles are not of a tactical or strategic nature. They are really more a mind-set problem. There’s no clear market for art, nor a tradition of app art patronage. For the artist struggling to find an audience willing to pay for the privilege of experiencing her art, the three major funding blocks feel equally as unsavoury: the rich, the mob, and the Ivory Tower..

STAR: What other forms of creativity do you like? PRADNYA SHAH: Combining different styles of art leads to a different spin on reality and perception. Composite art, therefore, contains many layers of meaning. By combining a variety of imagery, and/or different styles of art, it is possible to forge creative connections between otherwise disparate ideas or themes. I like Combining Imagery.

STAR: What are your favourite works you have created? PRADNYA SHAH: My favourite art is “painting on Kathak’ ’it’s called “ Nigar.’’ STAR: What is your average day like? PRADNYA SHAH: On an average day, I just like to painting or searching nice subjects for the next project.

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STAR: Please tell us about your training in painting PRADNYA SHAH: Artistry is an ability that comes naturally to many, so formal education isn’t always required for a career as an artist, after Formal art education, B.F.A. I learned in corporate companies through my various projects.

STAR: How does the social and political climate in your country and around the world impact your artistic expression? PRADNYA SHAH: Corruption seriously affects India’s business and political environment, posing a challenge to the country’s economic growth. Many artists approach social issues, the environment, and/ or politics not only as themes to explore but also areas to effect change, which has implications for the role of the artist in society.

STAR: Why did you prefer the color palette reflected in your work? PRADNYA SHAH: Colour is one of the most important elements of a painting. It is what we tend to notice first and can help convey the depth, form, and emotion in a painting. Understanding how color works and which colors go well together can make a big difference in a painting. While this can be useful in creating a unified body of work and having people recognize our paintings, using the same color palette can also become boring. Other times we may be having trouble figuring out the right color for a certain area of a painting, trying different colors only to have to wipe them off or paint over them. 111

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STAR: What are you currently working on? PRADNYA SHAH: I am working with painting on ‘Mira’. Through kathak dance form.

STAR: Tell us about your contribution to the society .You have organised many art events and activities for children. PRADNYA SHAH: I conduct painting workshops for all ages in our society . Teaching artist workshops can positively impact your artistic bottom line in a variety of ways. Not only can you use them as a way to earn extra income, but also to increase your effectiveness at creating and publicizing your art. Workshops are additionally preferable to non-art-related income producing options because they allow you to continue working with art and don’t require large commitments in terms of time, energy, preparation or overhead This workshop’s main objective is to teach artists how to see and paint with more confidence, to learn how to create wonderfully energized plain air paintings which capture the unique light and atmosphere the artist envisioned from the moment of their inspiration. Each day will include a demo, short lecture, AM painting scene, PM painting scene, solid individual guidance and valuable critiques, group critique optional. Drawing, Composition, Value, Color, Edges and Paint and Surface Manipulation will be covered. Teaching workshops and making art in public brings me closer to people, brings people closer to art, and is great advertising for your art as well as for future workshops and shows. Reluctance and intimidations that many people have around art often evaporate once they actually see how it’s created and are able to interact firsthand with artists while they’re making or teaching others how to make it. And we all know that the more people who feel good about knowing artists, being artistic, and owning art, the more we all benefit.

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VAISHALI

Vaishali Rajapurkar is an eminent artist from Pune, India. Her paintings are captivating to the eye as she conceptually surprises us with the flashback of times ,history and the present aesthetically. After completing her education, she trained under various renowned artists. She has been painting professionally for the last 15 years. She also now owns an art gallery in Pune called Paint Box Art Gallery where she teaches art and conducts other art related activities and workshops such as art appreciation, Tanjore, pottery, and so on. She holds a diploma in fine arts, a diploma in fashion designing IITC Pune and a bachelor in arts from Delhi University. She has won awards and has several solo and group art shows to her credit.

We find her reflections are a lot more interesting . Abstracting on these reflections of what she expresses through her compositions seem multidimentional. Her paintings have an overall effect.Lasting Impressions are created as the way we see lights and the color movement through the canvas as brilliant brush strokes. This tactility evokes a â&#x20AC;&#x153;need to touchâ&#x20AC;? component from the viewer. Hard work and passion flow through her stimulating artworks.

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Deserted Village series STAR: When did you become an artist? VAISHALI.R: I don’t think I became an artist at any one point. I was I think born with it, I remember myself drawing, doodling or painting from a very young age. In fact, all my textbooks were always covered with sketches of faces. Faces have always fascinated, portraits have been one of my favourite topics to draw and paint. STAR: Why are you so passionate about ART? VAISHALI.R: As I said earlier I don’t think I consciously became an artist, art chose me. 116

STAR: What do you love about life, and what do you hate? VAISHALI.R: I won’t think I hate anything about life, as life with all its ups and downs, sadness, and happiness, regrets and success is a wonderful teacher. These lessons and life experiences have I think have enriched me and made me a better artist.

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STAR: What are you working on now, and what are your plans for the future? VAISHALI.R: I am at this point experimenting with techniques I have not handled yet. My aim is to amalgamate these art forms such as Ebro, fluid acrylics, inks etc. Some experiments have been successful, some not. But perseverance pays is what I have learned.

STAR: What obstacles do you face in making and exhibiting your work? VAISHALI.R: The difficult part for an artist is organizing an exhibition because that needs a different set of skills. Marketing and selling are not every artistâ&#x20AC;&#x2122;s cup of tea. I feel there is an immense market for agents who can do the organizing and selling.

STAR: What mediums do you work in and why? VAISHALI.R: I have worked with oils and acrylics. But I prefer acrylics as I feel it is a versatile medium. It dries quickly and can be worked over if needed.

STAR: What are your favourite works you have created? VAISHALI.R: All my works are my like my children and therefore it is difficult to pinpoint or any choose one. 117

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STAR: What is your average day like? VAISHALI.R: My day begins at 5 am. I paint till 6.30. Then go for a walk which lasts for about an hour. Post lunch I paint till 5 pm. Then step out to either run errands or meet with friends, play tennis in the evenings thrice a week. Back home by 7.30pm. Paint till 11 pm post dinner. This is an average normal day for me. STAR: What other forms of creativity do you like? VAISHALI.R: My other creative pursuits are singing, which I love but unable to continue seriously because of the constraint of time. 118

STAR: Any other advice for artists trying to get established? VAISHALI.R: Upcoming artists need to be patient and persistent. STAR: Please tell us about your training in painting VAISHALI.R: I have been sketching and painting ever since I can remember, but got involved seriously post marriage. I did a diploma in Pune, but the practical training that I received from senior artists actually helped me in honing my talent. The discussions and exchange of ideas where I feel of more use to me than sitting in a classroom.

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Deserted Village series

STAR: How does the social and political climate in your country and around the world impact your artistic expression? VAISHALI.R: More than the political the social environment seems to affect me more. My series .The deserted village was an outcome of the pathetic state of our villages, with the mass exodus of villagers to the cities for a better life. In the bargain, the rural Areas which are the mainstay of any country were being neglected. If a country had to prosper the villages need to be nurtured. My other series reviving the fresco: old meets new is my way of creating awareness that our rich heritage of art needs to be protected.

STAR: Why did you prefer the colour palette reflected in your work? VAISHALI.R: I donâ&#x20AC;&#x2122;t have a specific colour palette, my palette depends on my theme or my mood. STAR: What is your favourite experience as an artist? VAISHALI.R: I am happiest when I am painting, so creating is my favourite experience each time.

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STAR: How have you been so successful with marketing and selling your art? VAISHALI.R: Though marketing and selling are not my strong point I have managed to sell through exhibitions and online.

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STAR: How did your art works become famous?

VAISHALI.R: I feel I still have a long way to go, but whatever success of fame that I have received has been Because of my sincerity towards my art.

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STAR: Who are your current art inspirations? Do you look to other contemporary artistâ&#x20AC;&#x2122;s work during your artistic process? You draw a lot of your inspiration from history and the old world. Can you share your process for creating a piece based on such inspiration? VAISHALI.R: When I am not painting I do a lot of research on other artists, I try to look beyond their paintings and try and decipher their thought process, this helps me a lot in my process of creation. I am experimenting with new techniques in the hope of amalgamating them to create a new body of work. I am more adventurous and I look to unconventional mediums and subjects for inspiration .So far the journey is the key to keeping true to my heart, which is constantly looking for new challenges. I am inspired by my surroundings, by observing nature, people, even a smell or a sound can inspire me. As for other artists inspiring me, I am moved by any work that awakens my senses, be it an established artist or a completely unknown one.

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ST RTISTS STAR: What style of art would you classify your work? Please enlighten us about your series “The deserted Village”. VAISHALI.R: I feel that me being versatile is my asset, and my reluctance to being classified is something I feel strongly about. The deserted Village is my latest series of acrylic paintings. These paintings have been inspired by the appalling condition of rural India. Our villages are the mainstay of our country or any country for that matter. For any country to prosper their villages need to progress and the exodus from the villages need to be halted. On the personal front, the passing away of my loved one left me feeling so abandoned and deserted that those emotions got translated into these paintings and was a cathartic process in more than way.

STAR: Some interesting facts about your life that you would like to share with us?

STAR: What role does the artist have in society? VAISHALI.R: An artist can play a very vital role in the society as art is a visually strong medium of expression. An artist can bring about a change in society or individuals by depicting various ideologies, a thought, an emotion or a situational or environmental event.

STAR: Can you please give some suggestions to an upcoming artist? VAISHALI.R: An upcoming artist needs to expand their horizons, read a lot in general, and keep an open mind. Have a dialogue with other artists. These are just some of the things an upcoming artist can do.

STAR: That was inpirational and motivating talk with you .Thankyou !

VAISHALI.R: My life has been a roller coaster ride of a broad spectrum of experiences. These experiences have enriched me and enhanced my work .My children have been my success story.

STAR: What’s integral to the work of an artist? VAISHALI.R: As with any profession, one has to be sincere, persevering, hardworking and true to oneself. Learning and practicing your art is mandatory. The day you feel you have learned all is beginning of the end.

My life has been a roller coaster ride of a broad spectrum of experiences. These experiences have enriched me and enhanced my work . My children have been my success story! 125

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Artist Shweta Singh is an emergiing artist .She currently lives in New Delhi. India .She is an art enthusiast and feels that the world has many beautiful things to offer us.Her paintings display the simplicity and the love for animals . She holds a Master of Arts (UGC NET), and is a Gold medalist.She has organized many events for social welfare of women and continues her support to the women of society ,through social welfare activities,thus creating more awareness amongst women .She is a passionate artist and today she balances her time between creating art and her family.

STAR:Thankyou for the talk. Please tell us When and where were you born? Tell me about your background. Where did your life as an artist begin? SHWETA SINGH: I was born in a very small town of Uttar Pradesh, Bahraich.It is near to Shravasti, which is famous for Sahet-Mahet, where Buddha used to come in Shravasti mas(rainy season) and gave his preaching. STAR: What artists inspire you? What is the source of inspiration? SHWETA SINGH: Raja Ravi Verma, Amrita Shergill, and even contemporary Indian, as well as foreign artists like Vincent Van Gogh and Salvador Dali, inspire me.

STAR: Why are you so passionate about ART? SHWETA SINGH: Yes, I am so passionate about art because I am an introvert person and colours become the medium through which I express my emotions. Itâ&#x20AC;&#x2122;s a kind of meditation for me.I feel so contented when I paint It was almost the end of the December 2016 when I suddenly started painting. Before that, I never realised that I have this talent. STAR: What do you love about life, and what do you hate? SHWETA SINGH: Life is precious .we forget how precious our human life is and start wasting it on minor issues. Through body we can express ourselves. We, human beings can write, draw, paint, dance etc. No other living being can do this. We are blessed so much .We should utilise it and give respect to art in our society. 127

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STAR: What are you working on now, and what are your plans for the future?

SHWETA SINGH: At present, I am working on Lord Buddha series. Buddha is so close to my heart because, so l was influenced with his philosophy, what he contributed to the world. After getting salvation he didnâ&#x20AC;&#x2122;t quit the world but tried hard to make easy for every person to get salvation and that makes him great.

STAR: What mediums do you work in and why? SHWETA SINGH: I used oil over acrylic in my animal series. STAR: What obstacles do you face in making and exhibiting your work? SHWETA SINGH: I faced a lot of obstacles in making my work because I was a lay-man when I started painting.lt was a new field to me but through my observation, I gradually improved myself and became a self-taught artist.

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ST RTISTS STAR: Could you tell us some interesting facts about your life?

SHWETA SINGH: My life is very interesting always wanted to do some work in academic field. Qualified UGC (NET) in first attempt, married to a government officer, moving all over India, never got chance to complete my Ph.D. tried to do B.Ed. Qualified B.Ed. entrance of Assam, Haryana,U.P but always got transferred before completing it.Started social welfare activities because it gives me immense pleasure. If my actions give some profit or relief to unprivileged one I feel so contented.

STAR: Tell us about your social welfare work .It is very inspiring to know that you wholeheartedly contribute so much to the society .

SHWETA SINGH: In the past whenever my exams were over my mother got me enrolled in different courses like cutting and tailoring, handicrafts etc. While doing social welfare activities these courses helped me a lot. I taught the ladies trying to make them self-dependent. I took interest in every activity whether it was food stalls or educating little one (preschool) or organising Mela or inviting doctors for health talk. Because of this ladies (wives of CISF personnelâ&#x20AC;&#x2122;s) residing at my husbandâ&#x20AC;&#x2122;s unit) started talking part in every event and made it a big success.

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STAR: What are your favorite works you have created? SHWETA SINGH: I love expression of horses running on the sea water. The expression is so good. Three white horses running on the sand, where l painted the background in oil. I did some experiment there and the result was awesome.

STAR: What is your average day like? SHWETA SINGH: I want to fill my each day with power of positivity. I am really a positive person and try to do some good work for the society. It brings me joy. I spent some time with my pet dog Buddy talk to him. He cannot talk but understands me.Animals are also living beings, we should understand this and be compassionate towards them.

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STAR: What other forms of creativity do you like? SHWETA SINGH: I love writing, cooking, and gardening too. STAR: Why did you choose acrylic as your medium? SHWETA SINGH: Acrylics are only one of many mediums I use. I started with oils, then moved to acrylics..I am a mixed-media artist. I use all mediums such as oil, acrylic, enamel, and alike.I love to experiment with different mediums. STAR: Any other advice for artists trying to get established? SHWETA SINGH: Artists trying to get established should pay attention to their inner voice only and concentrate on their painting.Follow a regular practice schedule ,so that they learn faster and develop patience .

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JAYA

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B A K S H I

Jaya Bakshi is a highly imaginative artist, Born in Karwar, beautiful stretch bordering Goa and Karnataka ,she grew up in a loving atmosphere, watching many artists around. Encouraged by her family and enthused by the teachers and friends increased her love for art which was a blessing naturally, although she did not have any technical knowledge in fine art although being a commerce graduate the love for art did not fall down rather it grew more when she did fashion designing. Her passion for art and motivation by her daughter finally gave her the name of an artist. This self-taught award winning artist has got a unique style of working, a wonderful mix of glorious colors and brush strokes, craft combined a combination of talents. She has a natural way of working which gives her pleasure. She has developed her own style and works in all possible mediums like water, oil, acrylic, mixed media, pencil etc. Jayaâ&#x20AC;&#x2122;s art doesnâ&#x20AC;&#x2122;t limit here it extends to craft work like wedding boxes, candles, trays, platters etc. all hand crafted. She held up exhibitions as well as participated and has won several awards.She also believes in working for a noble cause. For her art is a celebration, a journey made by the artist to enjoy the creative process.

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Flower Series

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STAR: What artists inspire you? What is the source of inspiration? JAYA BAKSHI: I don’t follow any artist, I have a different attitude to inspiration, I seek it from all sorts of sources, anything that allows me to think about how culture comes together, I see people in the street, I watch films, I read I think about the conversation that I have, I consider the gestures people use or the colours they wear. It’s all about taking the little everyday things and observing them with a critical eye. STAR: When did you become an artist? JAYA BAKSHI: I was passionate about art since childhood but since I was born and brought up in a business family could not pursue it .As art was inside it was triggering me now and then finally took it as a profession since 2012.

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STAR: Why are you so passionate about ART? JAYA BAKSHI: It’s a natural love, it’s a stress buster, art gives happiness, and it’s the best way of expressing feelings.

STAR: What do you love about life, and what do you hate? JAYA BAKSHI: I love challenges and life is full of it. I hate when I am unable to do all that I have thought of, but its ok

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“Have the courage to follow your heart ,don’t stop others rather learn to handle ,don’t think what others think about You ,believe in yourself ...Every day is a new day , thank God and celebrate life” .....JAYA

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ST RTISTS STAR: What are you working on now, and what are your plans for the future? JAYA BAKSHI: I regularly work and keep learning from my own mistakes .presently working on a series of abstracts with textures. No specific plans for future but creativity will definitely go on. STAR: What mediums do you work in and why? JAYA BAKSHI: I work with all possible mediums, like oil, acrylics, pencil, charcoal etc. because sometimes the creativity need the mix of different mediums and we cannot stick to a particular medium.

STAR: What obstacles do you face in making and exhibiting your work? JAYA BAKSHI: If we are creative obstacles donâ&#x20AC;&#x2122;t disturb us from making the art work but exhibiting the work depends on the place and the peopleâ&#x20AC;&#x2122;s reaction .everyone cannot understand art STAR: What are your favourite works you have created? JAYA BAKSHI: The gurdwara in oil I created in 2012 is my favourite Hope, the blooming series, the desired series etc. are the top and among my favourites, although all my creations are my babies.

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STAR: What is your average day like? JAYA BAKSHI: I start my day at 6 am after sending my girl to school I plan my artwork for the day, then I go and look after our family business till my child is back from school .after lunch spend some time with her then get back to my art work at least 2 hours in the evening. STAR: What other forms of creativity do you like? JAYA BAKSHI: I am involved in craft work too like I make handmade mirrors, holders, hangings, platters, frames, candle stands etc. . I appreciate all forms of creativity which don’t harm anyone.

STAR: Any other advice for artists trying to get established? JAYA BAKSHI: There aren’t too many dos and don’ts in the art but at the same time art is not exempt from moral responsibility .We shouldn’t do anything that is illegal or can hurt someone. It’s important for young artists to be clear about what they want. STAR:Please tell us about your training in painting JAYA BAKSHI: I am a self-taught artist and don’t have any technical qualification.

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STAR: How does the social and political climate in your country and around the world impact your artistic expression? JAYA BAKSHI: People who are creative can make art wherever they are, I don’t believe in a particular kind of economy, culture, context or a unique space or have specific items to make art. STAR: What are you working on? JAYA BAKSHI: Currently I am working on a series of abstracts with textures.

STAR: Who are your current art inspirations? Do you look to other contemporary artist’s work during your artistic process? JAYA BAKSHI: I do appreciate others artists work and look at to get an idea of what not to do. All the creation of God has always been my inspiration .the sky, the water, the mountains, birds, trees, the colorful people etc.

STAR: Why did you prefer the color palette reflected in your work?

STAR: What is your inspiration behind this series of paintings?

JAYA BAKSHI: My color palette is always a happy palette and that reflects in my work I work on happiness.

JAYA BAKSHI: Ups and downs of life!

STAR: What is your daily painting schedule like? JAYA BAKSHI: I paint 1 to 2 hours in the morning and 2 hours in the evening. STAR: What is your favourite experience as an artist? JAYA BAKSHI: Self-confidence, recognition, and tremendous love.

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STAR: How have you been so successful with marketing and selling your art?

JAYA BAKSHI: It didn’t happen overnight, life as an aspiring artist is an endless sea of precarious arrangements, commercial demands, and cutthroat competitiveness .but I have been lucky to have friends who helped me in exhibiting and selling my work.

ST RTISTS STAR: What style of art would you classify your work? JAYA BAKSHI: I would say Contemporary, abstract

STAR: How did your art works become famous? JAYA BAKSHI: By exhibiting, participating in competitions and winning through.

STAR: Can you give suggestions to upcoming artist?

JAYA BAKSHI: Don’t be scared of failure ,forget the idea that inspiration will come to you like a flash of lightening ,routine is really important ,reveal yourself in your artwork , be open to your surroundings ,keep it simple and most important don’t restrict yourself .

STAR:Thankyou! That is was a very interesting discussion .It is a very positive ,inspirational and energetic feedback from your side .

STAR: Could you tell us some interesting facts about your life? JAYA BAKSHI: I’m graduate studying fashion designing and finally taking up childhood passion as a profession is the interesting fact of my life.

STAR: What’s integral to the work of an artist? JAYA BAKSHI: Being focused and perseverance is important to work as an artist..

STAR: What role does the artist have in society? JAYA BAKSHI: An Artist is one who can express feelings without speaking so an artist plays a very important role in the society. The role of an artist plays in society is largely dependent on the personality of the artist and the artist’s chosen subject matter .An Artist can lead, follow, uplift or provoke with their art work, art is often a reflection or extension of personality.

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ST RTISTS ST RTISTS MAGAZINE August 14TH 2017 MONSOON EDITION

Chief Editor/Writing Contributor

PRIYA YABALURI Graphic design Priya Yabaluri & Cleo Cover Photo/PHOTOGRAPHY JULIE RIKER DANT STAR”TISTS is a Premium Women’s Art Talk Magazine featuring Contemporary women in art. It is “Art for Awareness “trademarked Publication Facebook Page: https://www.facebook.com/STARRARTMAG/ Website: www.startistsmag.com Mail: startistsmag@gmail.com Submission Guidelines If you want to contribute to the next edition, you can send us an email with your data and a PDF file that Shows your works, also a link of your website if you have any. We would love to feature your art so don’t hesitate to contact us. All artwork in this magazine is trademark protected under the AFA,”ART FOR AWARENESS “brand AND all rights are reserved as the property of individual artists contributing to the magazine.

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