Stephanie Oleksa | Architecture Portfolio

THROUGH THE YEARS Stephanie Paige Oleksa University of Arizona

THROUGH THE YEARS

Stephanie Paige Oleksa University of Arizona

2011 - 2015

CONTENT About + Resume

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1 TIME Art Museum

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2 CIC Technical Systems

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3 Steel Tower

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4 UU Campus

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5 2-Way Tarantula

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6 VOID Urban Factory

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7 Watch Tower

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Senior Capstone Fall 2014 - Spring 2015

Systems Studio Fall 2013

Structures Spring 2014

Land Ethics Studio Spring 2013

Structures Spring 2013

Tectonics Studio Fall 2012

Structures Spring 2013

Through The Years

ABOUT + RESUME About Born in Pocatello, Idaho Stephanie has studied architecture at the University of Arizona since 2010. Her love and passion for architecture has intensified and developed over the years. She was lucky enough to have a childhood full of travels and experiences. Living in multiple cities, countries and cultures have allowed her to shape a respect for various types of architecture and the people that dwell amongst them. Architecture has the power to influence no one and everyone at the same time. When asked what she believes in, she says she believes in architecture. “Design is not making beauty; beauty emerges from selection, affinities, integration and love.� - Louis Kahn

Activities + Awards 2014-Present Old Main Porch Furnishings Design & Fabrication: Student Designer + Director Designing and building ergonomic outdoor furniture for the porch of Old Main, located in the heart of the University of Arizona. Managed, directed and presented work to the President of the student body at the University of Arizona 2012-Present AIAS Arizona Freedom by Design: Student Designer Designing and building accessible outdoor features as part of a 30 student design team, engaging the sense of deaf and blind students to improve their academic experience December 2013 Integrated Learning Center Design Excellence One of four students, elected by faculty to present Design Studio IV: Technical Systems Integration project and represent College of Architecture to the University May 2013 Archon Competition Finalist One of twelve finalists elected by College of Architecture student body to compete in Southern Arizona Archon design competition

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University of Arizona

Stephanie Oleksa

Education College of Architecture + Planning + Landscape Architecture University of Arizona Tucson, Arizona Bachelors of Architecture 2010 - 1015

Work University of Arizona Department of Planning, Design & Construction Tucson, Arizona CADD Drafter May 2014 - Present -Hired as a student CADD Drafter. PD&C oversees the design and construction of the University of Arizona’s building program. Opportunities are given to gain valuable experience and knowledge by attending project meetings and visiting construction sites -Provide CADD services/support for a staff of architects, engineers and facilities project managers -Convert AutoCAD and Revit documents to PDF, JPG, TIF, etc -Maintain CADD Server drawing management and update campus map database -Develop in-house CADD designs from direction of project managers Sheetz Pittsburgh, Pennsylvania Merchandising Assistant December 2008 - July 2013 -Coordinated with outside vendors to design and implement in-store displays for promotional products -Promoted sales of specialty goods through excellent customer awareness and service -Responsible for clean, consistent visual presentation of retail area

Contact Stephanie Oleksa 874 East Alturas Street

Tucson, Arizona 85719

204 Springbrook Drive

Mars, Pennsylvania 16046

T: 724.591.2867 E: soleksa@email.arizona.edu

Software Proficiency

Reference

Proficient with MAC and Windows Adobe Creative Suite 5, 6 |illustrator, photoshop, indesign|

May Carr, AIA University of Arizona Planning, Design & Construction E: carrm@email.arizona.edu T: 520.626.7410

AutoCAD 2015

Paul Reimer

Revit 2013, 2014, 2015

Lecturer, University of Arizona E: preimer@email.arizona.edu T: 520.621.6753

Google Sketchup

Luis Ibarra, AIA Ibarra Rosano Design Architects | Lecturer, University of Arizona E: luis@ibarrarosano.com T: 520.795.5477

Rhinoceros 5.0, 6.0

Michael Kothke, AIA

Microsoft Office and Excel

Integrated Environmental Solutions - Virtual Environment (IES)

HK Associates Inc | Lecturer. University Of Arizona E: mkothke@email.arizona.edu T: 520.834.2326

2011 - 2015

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Through The Years

TIMEART MUSEUM 1

Arc 452 Senior Capstone: Gastown Art Museum Individual project

|5th Year Fall 2014 - Fall 2015| Vancouver, British Columbia, Canada

ARCHITECTURE + TIME You cannot go back in time and you cannot go forward. You are stuck in the present. But your experiences stay with you and your hopes guide you through this life. What allows you to have sacred moments and the longing for more: TIME. Everything we do is in respect to time because without it you have nothing. You can have everything you want in the world but it can be taken away if you don’t have time. You can also have everything taken away from you but what you still have is time. It is when you don’t have time that you really have nothing.

Architecture and time coincide together, two separate pieces of power- but one cannot work without the other. To have architecture you need time: time to think, time to design, time to construct, and time to inhabit-. Thus, it is through architecture that one can begin to wrap their minds around this phenomena of time. Architecture provides the opportunity to capture time, distill it down, and document it. Through the use of space and material people are able to feel a certain way, and these feelings provoke past experiences or memories and at that very moment people remember a certain time. The question can be then asked: does this mean we need to capture everyone’s special moments? The answer is no.

ARCHITECTURE & TIME

Time is moments, moments are done in spaces, and spaces are moments in time.

Through ordering of space, through the play of material and light, through context, and the framing of climatic seasons people will be able to understand just how sacred time is.

A new art gallery in the Gastown District of Vancouver will be able to provide a place that allows viewers to be in the present, remember the past and visualize the future. It will be a space where age and accomplishments do not matter, where the young and the old are unified because for a brief moment they are one in the same; two people walking along a path in this abstract concept of time.

-Stephanie Oleksa

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University of Arizona

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Stephanie Oleksa

2011 - 2015

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Through The Years 25

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Gastown is the site of the old Granville Townsite, and it is from this area that the City of Vancouver developed and grew.

This District Schedule is designed to recognize the area’s special status and to ensure the maintenance of Gastown’s “turn of the century” historical and architectural character.

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Direct Gain

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Conservation Levels: higher insulation and airtightness

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Distribution of Solar Glazing: distributed throughout the building proportional to the heat loss f each zone

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Orientation: optimum within 5 degrees of true south

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Number of glazing layers: 3-4 for severe climates, less otherwise

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PASSIVE COOLING

DESIGN STRATEGY

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Direct

- redu - redu - redu - redu

- cool the building by removing heat from the building by finding a heat sink - raise the comfort zone sufficiently to include the high indoor temperature by increasing the air velocity so that the comfort zone shifts to higher temperatures

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Try Try J. J. communis communis for for groundcover groundcover M M 12, m m M m MM m m m Amelanchier m M mm Saskatoon Saskatoon Amelanchier alnifolia alnifolia 12,M 14, 14, 16, 16, 29 29 11 --m 5m 5m D, D, M MM S, S, PS PS Apr-May Apr-May Showym white white flowers,m delicious fruit, fruit, spreading spreading rhizomes. rhizomes.

Drought, Drought, salt and and clay tolerant. tolerant.

Deer browse leaves leaves mm M m mflowers, m m clay M M browse SHRUBS m m m m m m m mPine M M nm m mShowy mdelicious m mM M m m m mstraight m m ininsalt m m ininDeer m m M M Top T Na PGoes an Common Botanical Name ap Well With Max 10 Height Moist • Light: Shade Bloom Characteristics Plant descriptions, uses, and& m m m Shore Shore PineName Pinus Pinusu contorta contorta 1, 1, 2, 2,M 26, 26,m 29, 29, 32 32 10 -M -M 15m 15m Soil: Dry D, D, •WD WD SS • Sun • n/a n/a A A seaside seaside favorite! favorite! suggested Handles Handles salt, wind wind &additional poor poor soil, soil, species grows grows straight average average soil, soil, bonzai bonzai poor, poor, acid acid soil soil m M M M Sitka Sitka Mountain Mountain Ash Sorbus Sorbus sitchensis sitchensis 7, 7, 20, 20, 35, 35, 39 11 ---- 5m 4m 4m MM S, S, PS PS Jun Jun White White flower flower clusters, clusters, showy red red fruit, fruit, cucumber-tasting red redm fall fall leaves, leaves, small small tree tree in or orMay; shrub shrubuse with with leaflets leaflets that that don’t don’t need need raking raking up! up! m m m m M MRef M MM m m m m salt, m mM M M Indian Indian Plum Plum Ash Oemleria Oemleria cerasiformis cerasiformis 17,15, 17,15, 20, 20,39 24 24 1.5 1.5 5m D, D,M MW Sh, Sh, PS PS Mar Mar Hedge Hedge or or borders, borders, very veryshowy early early flowering, flowering, cucumber-tasting plums plums in May; use male male & & female female plants plants to to ensure ensure fruiting fruiting m mlucida MW W M m mM # WellM Drained PartialM Period m m m m M M M M m m M M P an Tab P an Tab M M S,PS M MSun m mM M Pacific Pacific Willow Salix Salix lucida 15, 15,(Ref 17, 17,#) 20, 20, 24 24 66 -- 15m 15m M MW SS Apr-May Apr-May m Create Createm thickets thickets near near water, water, shade shade out out weeds, weeds, and and grow grow from from cuttings. cuttings. Also Also try: try: S.S. scouleriana, scouleriana, S.S. hookeriana hookeriana m m m m Willow M m m m m m M Saskatoon Saskatoon Amelanchier Amelanchier alnifolia alnifolia 12, 12, 11, 14, 14, 16, 16, 16, 29 29 11 --- 3m 5m 5m D, D, M M M S, S, PS PS PS Apr-May Apr-May m m Showy Showy white whitewith flowers, flowers, delicious delicious fruit, fruit, spreading spreading rhizomes. rhizomes.

Drought, Drought, salt and clay claym tolerant. tolerant.

Deer Deer browse browse leaves leaves m m Red-flowering m m Currant m m1429 M M mm mm m mm m m M Red-flowering CurrantM Ribes Ribes sanguineum sanguineum 10, 10, 11, 16, 29 3m D, M S, S, PS Apr-Jun Apr-Jun Very Very showy showy with early early blooms, blooms, no no thorns, thorns, crinkly crinkly maple-like maple-like leaves leaves salt on on aaand compact compact shrub. shrub. Dark Dark fruits fruits eaten eaten by by birds birds M M D, D, m mm m m M M Garry Oak Quercus 2,16, 3, 6,22, 153311- --30m M, WD S, PS n/a Slow-growing, can be ared large tree shrubby bush, leathery dark many species m m m m m m m m M M M Mgarryana m m M M m m m m m m m m m M M m mcircinatum M M m mvery Vine Vine Maple Maple Acer Acer circinatum 11, 11, 16, 22, 38 38 -m 7m 7m D, D, M M Sh, Sh, S, S, PS PS Apr Aprm Red Red flowers flowers in in spring, spring, red leaves leaves in inorautumn, autumn, resprouts resprouts from from roots. roots.glossy Forms Formsleaves, tree tree in inacorns open, open,attract more more shrubby in in shade shadem W m M M M M M M m m m m m M Mshrubby M Indian Indian Plum Oemleria Oemleria cerasiformis cerasiformis 17,15, 17,15, 20, 20, 24 24 1.5 1.5 ----m 5m 5m D, D,WD M MM Sh, Sh, PS PS Mar Mar Hedge Hedgem or or borders, borders, very M early early flowering, flowering, cucumber-tasting cucumber-tasting plums plums in in May; May; use use male male & & female female plants plants to topeople ensure ensureat fruiting fruiting Nootka Nootka Rose Rose M Rosa Rosa nutkana nutkana 7, 19, 20 20 0.5 0.5 3m 3m M, M, WD S, S, PS PS May-Jul May-Jul Large, Large, fragrant, fragrant, lilac-pink lilac-pink flowers, flowers, large largered rose rose hips hips are are reddish-orange, reddish-orange, stabilizes stabilizes stream stream banks, keeps keeps people at bay bay m m Plum MW W M M m m m mM M MW W WW P an Tab P an Tab Arbutus Arbutus menziesii 1,7, 3,19, 29, 32 15 -- 10m 20m D, WD S, PS Apr-May Fragrant showy white flower clusters, berries, beautiful red and blue-black green peeling barkbanks, on smooth, curvy branches P an Tab M M m m W W M M M M SH,S,PS M M m m M M W Cascara Cascara Rhamnus Rhamnus purshiana purshiana 2, 2, 11, 11, 22, 22, 23 23 8 8 10m M M PS PS May-Jun May-Jun Grows Grows well well on on wet, wet, disturbed disturbed sites, sites, inconspicuous inconspicuous flowers flowers produce produce blue-black berries. berries.

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68 1 97 2 8 10 3 9 11 100cm = 1m = 3.3 ft 4 10 12 5 11 13 6 12 14 Oceanspray Oceanspray Holodiscus Holodiscus discolor discolor 16, 19, 23, 23, 34 34 - 4m 4m Shore Pine Pinus contorta 1,16, 2,19, 26,23, 29,24 32 101616- --15m 7 Black Black Hawthorn Hawthorn Crataegus Crataegus douglasii douglasii 13,16, 13,16, 23, 24 - 8m 8m 13 Nootka Nootka Rose Rose Rosa Rosa nutkana nutkana 7,18, 19, 19,20, 20 2024 0.5 0.5 --- 4m 3m 3m 15 Red Red Elderberry Elderberry Sambucus Sambucus racemosa racemosa 17, 17,7, 18, 20, 24 4m Willow Juniper Salix lucida 15, 66622--- -15m 8 Pacific Rocky Rocky Mountain Mountain Juniper Juniperus Juniperus scopulorum scopulorum 10, 10, 17, 19, 19, 20, 32, 32, 24 40 40 15m 15m 14 Oceanspray Oceanspray Holodiscus Holodiscus discolor discolor 16, 16, 14, 19, 19, 22, 23, 23, 29 34 34 11 -- 4m 4m 16 Mock Mock Orange Orange Philadelphus Philadelphus lewisii lewisii 11, 11, 14, 22, 29 3m Acer circinatum 11, 16, 22, 38 311 --- 3m 7m 9 Vine Sitka SitkaMaple Mountain Mountain Ash Ash Sorbus Sorbus sitchensis sitchensis 7, 7, 20, 20, 35, 35, 39 39 4m 4m 15 Red Red Elderberry Elderberry Sambucus Sambucus racemosa racemosa 17, 17, 15, 18, 18, 19, 20, 20, 20 24 24 4m 4m 17 Red-osier Red-osier Dogwood Dogwood Cornus Cornus sericea sericea 13, 13, 15, 19, 20 1212- --10m -- 5m 5m Cascara Rhamnus purshiana 2, 11, 22, 23 8 10 Saskatoon Saskatoon Amelanchier Amelanchier alnifolia alnifolia 12, 12, 14, 14, 16, 16, 29 29 11 -- 5m 5m 16 Thimbleberry Mock Mock Orange Orange Philadelphus Philadelphus lewisii lewisii 11, 11, 15, 14, 14, 20, 22, 22, 24 29 29 3m 3m 18 Thimbleberry Rubus Rubus parviflorus parviflorus 11, 11, 15, 20, 24 1.5 1.5 --- 3m 3m Black Hawthorn Crataegus douglasii 13,16, 23, 24 6 8m 11 Indian Indian Plum Plum Oemleria Oemleria cerasiformis cerasiformis 17,15, 17,15, 20, 20, 24 24 1.5 1.5 -- 5m 5m 17 Red-osier Red-osier Dogwood Dogwood Cornus Cornus sericea sericea 13, 13, 13 15, 15,,23, 19, 19, 24 20 20 11 --- 2m 5m 5m 19 Tall Tall Oregon Oregon Grape Grape Mahonia Mahonia aquifolium aquifolium 12, 12, 13 ,23, 24 2m Rocky Mountain Juniper Juniperus scopulorum 10, 19, 32, 40 61111- --15m 12 Red-flowering Red-flowering Currant Currant Ribes Ribes sanguineum sanguineum 10, 10, 11, 11, 16, 16, 29 29 - 3m 3m 18 Thimbleberry Thimbleberry Rubus Rubus parviflorus parviflorus 11, 11, 15, 15, 15, 17, 20, 20, 18 24 24 1.5 1.5 --- 4m 3m 3m 20 Pacific Pacific Ninebark Ninebark Physocarpus Physocarpus capitatus capitatus 11, 11, 15, 17, 18 3 3 4m Sitka Mountain Sorbus sitchensis 7,7, 20,19, 35,20 1 --- 3m 4m 13 Nootka Nootka Rose Rose Ash Rosa Rosa nutkana nutkana 7, 19, 2039 0.5 0.5 3m 19 Tall Tall Oregon Oregon Grape Grape Mahonia Mahonia aquifolium aquifolium 12, 12, 23, 13 13 ,23, ,23, 24 24 2m 2m 21 Evergreen Evergreen Huckleberry Huckleberry Vaccinium Vaccinium ovatum ovatum 19, 19, 23, 34, 34, 39 39 11111 ----- 2m 2m Saskatoon Amelanchier alnifolia 12, 14, 16, 29 5m 14 Oceanspray Oceanspray Holodiscus Holodiscus discolor discolor 16, 16, 19, 19, 23, 23, 34 34 11 -- 4m 4m 20 Trumpet Pacific Pacific Ninebark Ninebark Physocarpus Physocarpus capitatus capitatus 11, 11, 15, 17, 17,16 18 18 33 -10m -10m 4m 4m 22 Trumpet Honeysuckle Honeysuckle Lonicera Lonicera ciliosa ciliosa 5, 5, 6615, ,, 10, 10, 16 up up1.5 to to Indian Plum Oemleria 17,15, 5m 15 Red Red Elderberry Elderberry Sambucus Sambucuscerasiformis racemosa racemosa 17, 17, 18, 18,20, 20, 20,24 24 24 22 --- 4m 4m 21 Evergreen Evergreen Huckleberry Vaccinium Vaccinium ovatum ovatum 19, 19, 23, 23,38, 34, 34,39 39 39 -- 2m 2m 23 Sword Sword Fern FernHuckleberry Polystichum Polystichum munitum munitum 5, 5, 24, 24, 38, 39 0.3 0.3 11-1- 1.2m 1.2m Red-flowering Ribes sanguineum 10, 11, 16, 29 - 3m 3m 16 Mock Mock Orange Orange Currant Philadelphus Philadelphus lewisii lewisii 11, 11, 14, 14, 22, 22, 29 29 3m 22 Trumpet Trumpet Honeysuckle Honeysuckle Lonicera Lonicera ciliosa ciliosa 5, 5, 6 6 , , 10, 10, 16 16 up up to to 10m 10m 24 Salal Salal Rose Gaultheria Gaultheria shallon shallon 19, 19,7,23, 23, 38, 39 10.5 1 -- 1.5m 1.5m Nootka Rosa nutkana 19,38, 2039 3m 17 Red-osier Red-osier Dogwood Dogwood Cornus Cornus sericea sericea 13, 13, 15, 15, 19, 19, 20 20 11 --- 5m 5m 23 Sword Sword Fern Fern Polystichum Polystichum munitum munitum 5, 5, 24, 24, 38, 39 0.3 0.3----80cm 1.2m 1.2m 25 Aster Aster Aster Aster conspicuus conspicuus 12, 12, 30, 30,38, 31, 31,39 32 32 35 35 Oceanspray Holodiscus discolor 16, 19, 23, 34 180cm 4m 18 Thimbleberry Thimbleberry Rubus Rubus parviflorus parviflorus 11, 11, 15, 15, 20, 20, 24 24 1.5 1.5 --- 3m 3m 24 Salal Salal Gaultheria Gaultheria shallon shallon 19, 19, 28, 23, 23, 29, 38, 38, 30 39 39 1.5m 1.5m 26 Nodding Nodding Onion Onion Allium Allium cernuum cernuum 27, 27, 28, 29, 30 20 2011--2--40cm 40cm Red Elderberry Sambucus racemosa 17, 18, 20, 24 4m 19 Tall Tall Oregon Oregon Grape Grape Mahonia Mahonia aquifolium aquifolium 12, 12, 13 13 ,23, ,23, 24 24 11 --- 2m 2m 25 Aster Aster Camas Aster Aster conspicuus conspicuus 12, 30, 31, 32 35 35 ---- 70cm 80cm 80cm 27 Great Great Camas & & other other lilies lilies Camassia Camassia leichtlinii leichtlinii 1, 1,12, ,2, ,2,30, 28, 28,31, 30, 30,32 32 32 30 30 70cm Mock Orange Philadelphus lewisii 11, 14, 22, 29 3m 20 Pacific Pacific Ninebark Ninebark Physocarpus Physocarpus capitatus capitatus 11, 11, 15, 15, 17, 17, 18 18 3 3 4m 4m 26 Nodding NoddingStrawberry Onion Onion Allium Allium cernuum cernuum 27, 27, 29, 28, 28, 31, 29, 29, 32 30 30 20 2055 ---- 15cm 40cm 40cm 28 Coastal Coastal Strawberry Fragaria Fragaria chiloensis chiloensis 26, 26, 29, 31, 32 15cm Red-osier Cornus sericea 13, 15, 19, 20 5m 21 Evergreen EvergreenDogwood Huckleberry Huckleberry Vaccinium Vaccinium ovatum ovatum 19, 19, 23, 23, 34, 34, 39 39 111 --- 2m 2m 27 Kinnikinnick Great Great Camas Camas & & other other lilies lilies Camassia Camassia leichtlinii leichtlinii 1, 1,3, ,2,26, 28, 28,28, 30, 30,33 32 32 30 3055 ---- 15cm 70cm 70cm 29 Kinnikinnick Arctostaphylos Arctostaphylos uva-ursi uva-ursi 3,,2, 26, 28, 33 15cm Thimbleberry Rubus parviflorus 11, 20,16 24 3m 22 Trumpet Trumpet Honeysuckle Honeysuckle Lonicera Lonicera ciliosa ciliosa 5, 5, 6615, ,, 10, 10, 16 up up1.5 to to -10m 10m 28 Pearly Coastal CoastalEverlasting Strawberry Strawberry Fragaria Fragaria chiloensis chiloensis 26, 26, 29, 29,27, 31, 31, 32 55 ---- 60cm 15cm 15cm 30 Pearly Everlasting Anaphalis Anaphalis margaritacea margaritacea 25, 25, 31 3132 30 30 60cm Tall Oregon Mahonia aquifolium 12, 1327, ,23, 24 - 2m 23 Sword Sword Fern Fern Grape Polystichum Polystichum munitum munitum 5, 5, 24, 24, 38, 38, 39 39 0.3 0.3 1-- 1.2m 1.2m 29 Kinnikinnick Kinnikinnick Arctostaphylos Arctostaphylos uva-ursi uva-ursi 3, 3, 26, 26, 28, 33 55 ---- 50cm 15cm 15cm 31 Yarrow Yarrow Achillea Achillea millefolium millefolium 26, 26, 27, 27,28, 31, 31,33 32 32 30 30 50cm Pacific Ninebark Physocarpus capitatus 11, 15, 17, 18 3 4m 24 Salal Salal Gaultheria Gaultheria shallon shallon 19, 19, 23, 23, 38, 38, 39 39 11 -- 1.5m 1.5m 30 Pearly Pearly Everlasting Everlasting Anaphalis Anaphalis margaritacea margaritacea 25, 27, 27, 31 31 30 30 ---- 60cm 60cm 60cm 32 Woolly Woolly Sunflower Sunflower Eriophyllum Eriophyllum lanatum lanatum 3, 3,25, 25, 25, 27, 27, 30 30 10 10 60cm Evergreen Huckleberry Vaccinium ovatum 19, 23, 34, 39 - 2m 25 Aster Aster Aster Aster conspicuus conspicuus 12, 12, 30, 30, 31, 31, 32 32 35 35 --180cm 80cm 31 Yarrow Yarrow Achillea Achilleaspathulifolium millefolium millefolium 26, 26, 28, 27, 27, 29, 31, 31, 30 32 32 30 30 -- 15cm 50cm 50cm 33 Broad-leaved Broad-leaved Stonecrop Stonecrop Sedum Sedum spathulifolium 26, 26, 28, 29, 30 15cm Trumpet Lonicera ciliosa 5, 628, , 10, up 10m 26 Nodding Nodding Honeysuckle Onion Onion Allium Allium cernuum cernuum 27, 27, 28, 29, 29,16 30 30 20 20 to -- 40cm 40cm 32 Woolly Woolly Sunflower Sunflower Eriophyllum Eriophyllum lanatum lanatum 3, 3, 25, 25, 27, 30 10 10 ---- 80cm 60cm 60cm 34 Low Low Oregon Oregon Grape Mahonia Mahonia nervosa nervosa 12, 12, 36, 36,27, 37, 37,30 40 40 40 40 80cm Sword Fern Grape Polystichum munitum 0.3 1.2m 27 Great Great Camas Camas & & other other lilies lilies Camassia Camassia leichtlinii leichtlinii 1, 1,5,,2, ,2,24, 28, 28,38, 30, 30,3932 32 30 30 ---70cm 70cm 33 Fringecup 35 Broad-leaved Broad-leaved Stonecrop Stonecrop Sedum Sedum spathulifolium spathulifolium 26, 26, 21, 28, 28, 24, 29, 29, 37 30 30 15cm 15cm Fringecup Tellima Tellima grandiflora grandiflora 23, 23, 21, 24, 37 40 40 80cm 80cm Salal Gaultheria shallon 19, 23, 38, 39 1.5m 28 Coastal Coastal Strawberry Strawberry Fragaria Fragaria chiloensis chiloensis 26, 26, 29, 29, 31, 31, 32 32 551---15cm 15cm 34 Low LowColumbine Oregon Oregon Grape Grape Mahonia Mahonia nervosa nervosa 12, 12, 35, 36, 36, 38, 37, 37, 40 40 40 40 40 ---- 80cm 80cm 80cm 36 Red Red Columbine Aquilegia Aquilegia formosa formosa 24, 24, 35, 38, 40 40 40 80cm Aster Aster conspicuusuva-ursi 12, 30,28, 31,33 32 3555 --- 15cm 80cm 29 Kinnikinnick Kinnikinnick Arctostaphylos Arctostaphylos uva-ursi 3, 3, 26, 26, 28, 33 15cm 35 Fringecup Fringecup Tellima Tellima grandiflora grandiflora 23, 23, 24, 21, 21, 39, 24, 24, 40 37 37 40 40-- -100cm -100cm 80cm 80cm 37 False False Solomon’s Solomon’s Seal Smilacina Smilacina racemosa racemosa 23, 23, 24, 39, 40 30 30 Nodding Onion Seal Allium cernuum 27, 28, 29, 20 40cm 30 Pearly Pearly Everlasting Everlasting Anaphalis Anaphalis margaritacea margaritacea 25, 25, 27, 27, 31 3130 30 30 --- 60cm 60cm 36 Pacific Red Red Columbine Columbine Aquilegia Aquilegiaformosa formosa formosa 24, 24, 24, 35, 35, 27, 38, 38, 39 40 40 40 40 ---- 45cm 80cm 80cm 38 Pacific Bleeding Bleeding Heart Heart Dicentra Dicentra formosa 21, 24, 27, 39 25 25 45cm Great Camassia leichtlinii 1,21, ,2,27, 28,31, 30,32 32 30 70cm 31 Yarrow YarrowCamas & other lilies Achillea Achillea millefolium millefolium 26, 26, 27, 31, 32 30 30 --- 50cm 50cm 37 Wood False False Solomon’s Solomon’s Seal Smilacina Smilacina racemosa racemosa 23, 23, 35, 24, 24, 38, 39, 39, 40 40 40 30 3055-- -100cm 39 Wood Sorrel Sorrel Seal Oxalis Oxalis oregana oregana 23, 23, 35, 38, 40 -100cm 20cm 20cm 32 Woolly Woolly Sunflower Sunflower Eriophyllum Eriophyllum lanatum lanatum 3, 3, 25, 25, 27, 27, 30 30 10 10 -- 60cm 60cm 38 Pacific Pacific Bleeding Bleeding Heart Heart Dicentra Dicentra formosa formosa 21, 21, 35, 24, 24, 36, 27, 27, 39 39 39 25 25 ---- 25cm 45cm 45cm 40 False False Lily Lily of of the the Valley Valley Maianthemum Maianthemum dilatatum dilatatum 23, 23, 35, 36, 39 15 15 25cm 33 Broad-leaved Broad-leaved Stonecrop Stonecrop Sedum Sedum spathulifolium spathulifolium 26, 26, 28, 28, 29, 29, 30 30 15cm 15cm 39 Wood Wood Sorrel Sorrel Oxalis Oxalis oregana oregana 23, 23, 35, 35, 38, 38, 40 40 55 -- 20cm 20cm 34 Low attract butterflies Low Oregon Oregon Grape Grape attract hummingbirds Mahonia Mahonia nervosa nervosashelter for wildlife 12, 12, 36, 36, 37, 37,food 40 40 for wildlife 40 40 -- 80cm 80cm 40 False False Lily Lily of of the the Valley Valley Maianthemum Maianthemum dilatatum dilatatum 23, 23, 35, 35, 36, 36, 39 39 15 15 -- 25cm 25cm 35 Fringecup Fringecup Tellima Tellima grandiflora grandiflora 23, 23, 21, 21, 24, 24, 37 37 40 40 -- 80cm 80cm

Th Th m m SH,S,PS m m Th Th m m S,PS

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NATURESCAPE N A T I V E

CLIMATE

P L A N T

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m m m m mm M m mM M Mm m

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ENVIRONMENT

VEGETATION

S I T E

HISTORY

BUILDING BLOCKS THE PLATFORM FOR CLIMATE

CLIMATE PEOPLE

CLIMATE PEOPLE ENVIRONMENT

CLIMATE PEOPLE ENVIRONMENT VEGETATION

CLIMATE PEOPLE ENVIRONMENT VEGETATION SITE

HTING

?IMPORTANT? W H A T

R E A L L Y

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M M m m M M m m M M D,WD M MM S, S, PS PS Jul-Aug Jul-Aug Big, Big, showy showy flower clusters clusters become become puffball puffball orange-brown orange-brown seed seed heads. heads.

Grows Grows taller taller in in shade. shade.

Topacid ten tensoil pick! pick!

M M m m m mm M M m m M m mTh m m Th m m m m m mflower m mshrub M MTop M Mm D,D, n/a A seaside favorite!

Handles wind & poor soil,berries, grows small straight soil, bonzai in poor, m m m m M M Copious Copious thorns thorns resist resist beavers. beavers.salt, White White flowers, flowers, black berries, small tree treeinor oraverage broad broad shrub likes likes organic organic soil. soil. scarlet scarlet in in autumn autumn M M M PS May May M S,S,S,S,SPS m m M M MApr-Jun m mM m mblack M M M M M,M WD WD PS PS May-Jul May-Jul Large, Large, fragrant, fragrant, lilac-pink lilac-pink flowers, flowers, large large rose rose hips hips attract are are reddish-orange, reddish-orange, stabilizes stabilizes stream stream banks, banks, keeps keeps people at atm bay bay M PS M PS Apr-Jun Fast Fast growing growing shrub, shrub, showy showy white white flower flower clusters clusters attract hummingbirds, hummingbirds, shiny shiny red red berry berry clusters clusters and andpeople big big leaves leaves M m m m MW W W M Mm m mM W W M M MM, M M m W W M S Apr-May Create thickets near water, shade out weeds, and grow from cuttings.

Also try: S. scouleriana, S. hookeriana M m m M M W m m m m m m M M M M mm mm D, D, M M SS n/a n/a Great Great for for poor, rocky rocky or or sandy sandy soils, soils, tolerate tolerate salt salt spray, spray, replace replace cedar cedar hedge. hedge.

Try Try J.J. communis communis for for groundcover groundcover M M m m m mpoor, m mDense M m m mm mm m m m m m m M M D, D,WD M M S, S, PS PS PS Jul-Aug Jul-Aug Big, Big, showy showy flower flower clusters clusters become become puffball puffballadaptable, orange-brown orange-brown seed seed heads. heads.

Grows Grows taller taller in in shade. shade.

Top Top ten ten pick! pick!

D, D, WD S, S, PS May-Jun May-Jun Early Early fragrant fragrant white white flowers, flowers, fast-growing, fast-growing, adaptable, broad broad upright upright shrub. shrub.

Dense seasonal seasonal screening screening m m M M Th ThM m m m m m mM m m m m m m m m M M M M D,M M Sh, S, PS Apr Red flowers in spring, red leaves in autumn, resprouts from roots.

Forms tree in open, more shrubby in shade m m M M m m m m M MM S, S, PS PS Jun Jun White Whitem flower flower clusters, clusters, showy showy red red fruit, fruit, red red fall fall leaves, leaves, small small tree tree or or shrub shrub with with leaflets leaflets that that don’t don’t need need raking raking up! up! m m M M M MD, m m M M m m m M M M M m m m m m mbig MM PS Apr-Jun Apr-Jun Fast Fast growing growing shrub,white showy showy white white flower flower clusters attract attract hummingbirds, hummingbirds, shiny shiny red berry berry clusters clusters and and big leaves leaves m m M MBark W Wis powerful Mm D,M MM Sh, Sh,PS S, S, PS PS May-Jun May-Jun Hardy, Hardy, fast-growing, fast-growing, white flowers, flowers, showy showyclusters red red twigs, twigs, brilliant brilliant red red fall fall leaves, leaves, fruit fruit isisred white white to to bluish bluish M Mm M M onshrub, m W W M M May-Jun Grows wet, disturbed sites, flowers produce blue-black laxative M M m M M M M mm mm M MM m m D, D,MM M S, S,PS PS PS Apr-May Apr-May Showy Showywell white white flowers, flowers, delicious delicious fruit, fruit,inconspicuous spreading spreading rhizomes. rhizomes.

Drought, Drought, salt salt and and clay clayberries. tolerant. tolerant.

Deer Deer browse browse leaves leaves m m m M Mstreamside m m m m m m m m M M mm mm m m m m m M M D, D,M WD WD S, S, S, PS PSPS May-Jun May-Jun m Early Early fragrant fragrant white white flowers, flowers, fast-growing, fast-growing, adaptable, adaptable, broad broad upright upright shrub.shrub Dense Dense seasonal seasonal screening screening Th Th m m m M M Th Th m m m morshrub. m m m m m M M M Sh, Sh, PS Jun-Jul Jun-Jul Large, Large, fragrant fragrant pink pink flower flower produces sweet sweetm berries. berries.

Spreading Spreading streamside forms forms thickets thickets with with snowberry snowberry m mM m m m m m m M Mproduces M M m m mM m m m m m M M M Copious resist beavers.

White flowers, black berries, small tree broad shrub likes organic scarlet in fruiting autumn S, S, PS May m m m mshrub M Msoil.

D, D,MM MM Sh, Sh, PS PS Mar Mar Hedge Hedge or orthorns borders, borders, very very early early flowering, flowering, cucumber-tasting cucumber-tasting plums in in May; May; use use male male & & female female plants plants to to ensure ensure fruiting Mm m m M M M m M M m D, D, M M M Sh, Sh, S, PS May-Jun May-JunM Hardy, Hardy, fast-growing, fast-growing, white white flowers, flowers, showy showyleaves, red red twigs, brilliant brilliant red red fall fall leaves, leaves, fruit fruitblue-black ism is white white to toberries, bluish bluish dry SH,S,PS m mtwigs, M Mplums W W M M m W D, D, M S, S,S, PS PSPS Apr-May Apr-May Highly Highly recommended! recommended!

Tough Tough holly-like holly-like leaves, yellow yellow flower flower clusters, clusters, edible edible blue-black berries, dry slope slope stabilizer stabilizer mm W W M M M m m W M Mm D, M n/a Great for poor, rocky sandy soils, tolerate salt spray, replace cedaron hedge.

Try J. shrub. communis for groundcover M M m m mM M M M M mm M M m M D, D, M M S, S,SPS PS Apr-Jun Apr-Jun Very Very showy showy with with early earlyorblooms, blooms, no no thorns, thorns, crinkly crinkly maple-like maple-like leaves leaves on aa m compact compact shrub.

Dark Dark fruits fruits eaten eaten by by birds birds m m m Sh, m mTh M Mopen m m m m M m m m m m W M mm m mM m m m m m m M M M MW Sh, Sh, S, S, S, PS PS PS Jun-Jul Jun-Jul Large, Large,m fragrant fragrant pink pink flower flower produces produces sweet sweet berries. berries. m Spreading Spreading streamside streamside shrub shrub forms forms thickets thickets with with snowberry snowberry M M Th m m m m m m m M M M Sh, S, PS Jun Jun “Snowball “Snowball bush” bush” likes likes wet, wet, open places places like like streams streams and and lake lake shores, shores, excellent excellent for for securing securing slopes. slopes.

Attractive Attractive bark bark m m M M M M m m m m S, PS Jun White flower clusters, showy red fruit, red fall leaves, small tree with leaflets don’t need raking m m M Mor shrub m m M, M,M WD WD S, S, PS PS May-Jul May-Jul Large, Large, fragrant, fragrant, lilac-pink lilac-pink flowers, flowers, large largem rose rose hips hips are are reddish-orange, reddish-orange, stabilizes stabilizes stream stream that banks, banks, keeps keeps people people at atup! bay bay m m M M M m m M M M Mm m mM M M m m m Mm SH,PS D, D, M M MM S, S, PS PS Apr-May Apr-May Highly Highlym recommended! recommended!

Tough Tough holly-like holly-like leaves, leaves, yellow yellow flower flower clusters, clusters, edible edible blue-black blue-black berries, berries, dry dry slope slope stabilizer stabilizer m M M W W M m mm m m m m m M M m D, D, M Sh, Sh, PS PS Apr-May Apr-May Bushy Bushy with with leathery, leathery, shiny, shiny, leaves, leaves, pink, pink, bell-shaped bell-shaped flowers, flowers, sweet, sweet, glossy glossy edible edible purple purple berries berries -- harvest harvest after after frost frost mm m M m M m mM W Wm Mm D, M S, PS Apr-May Showy white flowers, delicious fruit, spreading rhizomes.

Drought, saltGrows and clay tolerant.

Deer browse leaves M M m mm M M M mmm M M m m m M Mm D, D, M M S, S, PS PS mm Jul-Aug Jul-Aug m Big, Big, showy showy flower flower clusters clusters become become puffball puffball orange-brown orange-brown seed seed heads. heads.

Grows taller taller in in shade. shade.

Top Top ten ten pick! pick! m m mM W W MMay-Jul m m mM mM mstreams M Mshores, M M Sh, Sh, S,PS PS PS Jun Jun “Snowball “Snowball bush” bush” likes likesorange wet, wet, open places places like likem streams and and lake shores, excellent excellent for for securing slopes. slopes.

Attractive Attractive bark bark m m M M Th Thmm mM m m m m m m m M M D, D, WD WD Sh, Sh,S, PS May-Jul A A vigorous vigorous vine vine with with orange tubular tubular flowers flowers followed followed by bylake clusters clusters of red red berries berries in insecuring the the fall. fall. Climbs Climbs decks decks and and trees trees m m m m m m M M M MMW m mfruiting m m m M M D,M Sh, Mar Hedge or borders, very early flowering, cucumber-tasting plums inof May; use female plants to ensure m m M Mopen m m m m M m m MM M PS PSPS Apr-Jun Apr-Jun Fast Fastm growing growing shrub, shrub, showy showy white white flower flower clusters clusters attract attract hummingbirds, hummingbirds, shiny shiny red red&berry berry clusters clusters and and big big leaves leaves m mmale M M-- harvest M Mm M Sh, m mm M m m Mm WW D, D, M M M Sh,S, PS PS Apr-May Apr-May Bushy Bushy with with leathery, leathery, shiny, shiny, leaves, leaves, pink, pink, bell-shaped bell-shaped flowers, flowers, sweet, sweet, glossy glossyfronds edible edibleprovide purple purple berries berries harvest after after frost frostM m m m m mM m m M m m m mm m M m D, D, M Sh, Sh, S, PS PS n/a n/a Grows Grows fast, fast, protects protects shady shady slopes, slopes, adapts to to sun, sun, glossy glossy leathery leathery dense dense provide cover cover for for amphibians amphibians M MM m m W W D, M S, PS Apr-Jun Very with early blooms, no adapts thorns, crinkly maple-like leaves on afronds compact shrub.

Dark fruits eaten by m birds M M m m m M M M M W mm mm M M m mm mM M M M m m m m m W M M m m m m mM W W mm D, D, WD WD S, S, PS PS May-Jun May-Jun Early Earlyshowy fragrant fragrant white white flowers, flowers, fast-growing, fast-growing, adaptable, adaptable, broad broad upright upright shrub. shrub.

Dense Dense seasonal seasonal screening screening m m m m m m M M mm m m M M m m m m m m D, D, WD WD Sh, Sh, PS PS May-Jul May-Jul A A vigorous vigorous vine vine with with orange orange tubular tubular flowers flowers followed followed by by clusters clusters of of red red berries berries in in the the fall. fall.

Climbs Climbs decks decks and and trees trees Th Th m m m m M M D, D,WD M M Sh, Sh, S, PS Mar-Jul Excellent Excellent cover cover lilac-pink for for shade shadeflowers, and and sandy sandy soils, soils, Berries Berries make make delicious delicious jelly. jelly.m Tough, Tough, shiny shiny leaves can can be be pruned pruned back. back.bay m m m m m m M M M m m mleaves m m M M M, S, S, PSPS May-Jul Large, rose are reddish-orange, stabilizes banks, m mM M M M MMar-Jul m m m mhips M Mfall M M D, D, M M Sh, Sh, S, S, PS PS May-Jun May-Jun m Hardy, Hardy,fragrant, fast-growing, fast-growing, white white flowers, flowers,large showy showy red red twigs, twigs, brilliant brilliant red red fall leaves, leaves, fruit fruit isisstream white white to to bluish bluishkeeps people at m m m M M M D, D, M M M Sh, Sh, S, S, PS n/a n/a-Aug Grows Growsm fast, fast, protects protects shady shady slopes, slopes, adapts to to sun, sun,centers, glossy glossy leathery leathery dense dense fronds fronds provide provide cover cover for amphibians amphibians m mm m m m m m M M m m mm m m m m M m m M mm D, D, M SPSPS Jul Jul -Aug m Bumblebees Bumblebees love love the the violet violet blooms bloomsadapts with with yellow yellow centers, creeping creeping rhizome rhizome fills fills perennial perennial beds beds M M m W Wproduces M Mtaller m m W m m m m m m m m m m M D, S, SS, Jul-Aug Big, showy flower clusters puffball orange-brown heads.

Grows in shade.

Top tensnowberry pick!

M M m m m m M Mfor Mm mmM m m W m M Mm m mm m m m mM W W M M MM Sh, Sh, S, PS PS Jun-Jul Jun-Jul Large, Large, fragrant fragrant pink pink flower flowerbecome produces sweet sweet berries. berries. Spreading Spreading streamside shrub shrub forms forms thickets thickets with with snowberry m M M m m mseed m m D,D M Sh, Sh, SS, S, PS Mar-Jul Mar-Jul Excellent Excellent cover cover for for shade shade and and sandy sandy soils, soils,in Berries Berries make make delicious jelly. jelly.

Tough, Tough, shiny shiny leaves leaves can canEasy be be pruned pruned back. back.

Th Th m m m msandy M Mstreamside DM S PS Jun-Aug Jun-Aug Pollinators’ Pollinators’ delight! delight!

Bulbs multiply multiply quickly quickly in sandy soil soil & & delicious rockeries, rockeries, showy showy long long season season bloomer. bloomer.

Easy transplant transplant m m m m m m M M M M M m m m myellow m m m M M mm M Apr-Jun Fast growing shrub,Bulbs showy white flower clusters attract hummingbirds, shiny red berry clusters and bigm leaves m m M M MD, m m m mM M M m m M M M M m m m m m m M m m m mm m m SH,PS D, D,MM MM S, S,PS PS PS Apr-May Apr-May Highly Highly recommended! recommended!

Tough Tough holly-like holly-like leaves, leaves, yellow flower flower clusters, clusters, edible edible blue-black blue-black berries, berries, dry dry slope slope stabilizer stabilizer m m m m m m m M M D, D, M M M Jul Jul -Aug -Aug Bumblebees Bumblebees love love the thequickly, violet violet blooms blooms with with yellow yellow centers, creeping creeping rhizome fills fills perennial perennial beds m mm m m m m m M M m m m m m m beds m m M D, M S, S,SSPS PS M Apr-Jun Apr-Jun Edible Edible bulbs bulbs multiply multiply quickly, attractive attractive seed heads heads for for meadows, meadows, mix mixrhizome with withm Common Common Camas, Camas, Fawn Fawn lily, lily, Tiger Tiger Lily, Lily, etc etc m m m m m m mcenters, m m m m m M m m M M M mm mm D,D, WD S, PS May-Jun Early fragrant white fast-growing, adaptable, broad Dense seasonal screening m m W Wm M mm m m seed m m M W W m M Mm M M Sh, Sh, S, S, PS PS M Jun Jun “Snowball “Snowball bush” bush” likes likesflowers, wet, wet, open open places places like likem streams streams and and lake lakeupright shores, shores, shrub. excellent excellent for for securing securing slopes. slopes.

Attractive Attractive bark bark m mM M Mm mm m m m mlong m M M Th Th m m m M M D DW SPS Jun-Aug Jun-Aug m Pollinators’ Pollinators’ delight!

Bulbs Bulbs multiply multiply quickly quickly in in sweet sandy sandyberries. soil soil & & rockeries, rockeries, showy showy long bloomer. bloomer.

Easy transplant transplant m m W M M D DD,WD WD S, S,SS, PSPS Apr-May Apr-May Tasty groundcover groundcover with with white white flowers flowers and and Try Try F.F.fall virginiana virginiana or or F.season F.season vesca for for shade. shade.

Transplant Transplant runners runners m m Tasty m mdelight! m m M MEasy M M m m M M M Mm m m m m M M M M M Sh, May-Jun Hardy, fast-growing, white flowers, showy redsweet twigs,berries. brilliant red leaves,edible fruit isvesca white to bluish SH,S,PS m m m m m M M m m m m m m m m mm mm m m m m D, D, M M Sh, Sh, PS PS Apr-May Apr-May Bushy Bushy with with leathery, leathery, shiny, shiny, leaves, leaves, pink, pink, bell-shaped bell-shaped flowers, flowers, sweet, sweet, glossy glossy edible purple purple berries berries harvest harvest after after frost frost m m M M m mm m m m m M M m m mm m m m m mm M M D, D,WD M M S, S, PS PS PS Apr-Jun Apr-Jun Edible Edible bulbs bulbs multiply quickly, quickly, attractive attractive seed seed heads heads for for meadows, meadows, mix mix with with Common Camas, Camas, Fawn Fawn lily, Tiger Lily, etc etc D, WD S, S, PS Apr-Jun Apr-Jun Salt Salt tolerant tolerant groundcover groundcover forms forms large largem mats, mats, takes trampling trampling & & gravelly gravelly soils. soils.

Covers Covers walls, walls, rockeries. rockeries.

Red RedTiger berries berries m m m mm m m m m multiply mlily, m m m m m M D, mSh, M M M M mm mm m m M W W m mCommon m m m m Lily, Sh, PS Jun-Jul Large, fragrant produces sweettakes berries.

Spreading streamside shrubin forms thickets with snowberry m m m m W Wm M M D, D,M WD WD Sh,S,PS PS May-Jul May-Jul A A vigorous vigorous vine vinepink with withflower orange orange tubular tubular flowers flowers followed followed by by clusters clusters of of red red berries berries in the the fall. fall.

Climbs Climbs decks decks and and trees trees m m M M m mm m m m m m M M m m W W M M m D D WD WD S, PS PS Apr-May Apr-May Tasty Tasty papery groundcover groundcover with with white white flowers flowers and andm sweet sweet berries. berries.

Try TryM F.F. virginiana virginiana or or F.F.and vesca vesca for for shade. shade.

Transplant Transplant runners runners M D DM SS, S PS PS Jul-Sept Jul-Sept Crisp Crisp papery flowers, flowers, long long bloomer bloomer provides provides late late season season interest interest with with yarrow yarrow and woolly woolly sunflower m m mm m M m m M M M mm m m M M M M Mm D, S, PS Apr-May Highly recommended!

Tough holly-like leaves, yellow flower clusters, blue-black berries, slope stabilizer SH,S,PS m m m m m mM M M m m m m m m m mm mm m msunflower m mberries m m M D, D, M M Sh, Sh, S, S, PS PS n/a n/a Grows Grows fast, fast, protects protects shady slopes, slopes, adapts adapts to tom sun, sun, glossy glossy leathery leathery dense denseedible fronds fronds provide provide cover cover fordry amphibians amphibians m m M M m M m m m m m m Mshady mm m m m mtolerant m m likes m m M Mfor D, D, D WD WD W S, S, PS PS PS Apr-Jun Apr-Junm Salt Salt tolerant groundcover groundcover forms formslong large largelasting mats, mats, takes takes trampling trampling & &m gravelly gravelly soils.

Covers Covers walls, rockeries. rockeries.

Red Red berries m m m m m m m m m soils. m mforwalls, m m D S, S, PS Jun-Aug Jun-Aug Tough Tough perennial, perennial, large, large,wet, white, white, long lasting flower flower heads, heads, low, low, feathery feathery foliage foliage m m W W m m m mm m m W Sh, S, PS Jun “Snowball bush”for open places likem streams anddelicious lake shores, securing slopes.

Attractive bark m m m W W M D, D,MM M Sh, Sh, S, S, PS PSm Mar-Jul Mar-Jul Excellent Excellent cover cover for shade shade and and sandy sandy soils, soils, Berries Berries make make delicious jelly. jelly.excellent Tough, Tough, shiny shiny leaves leaves can can be be pruned pruned back. back. m m M M m m m m m mM M M m m W W M Mm m m m W W D D SS SPS Jul-Sept Jul-Sept Crisp Crispm papery papery flowers, flowers, long long bloomer bloomer provides provides late late season season interest interest with yarrow yarrow and and woolly woolly sunflower sunflower m m m m m M M M M m m m m m m D, D, WD WD SPS May-Jul May-Jul Long Long blooming blooming rockery rockery plant plant with with silver-green silver-green leaves. leaves.

Drought Drought tolerant tolerantwith & & self-sowing self-sowing when when established. established.

Excellent Excellent choice! choice! m m m S m m M M M M D, M Sh, PS Apr-May Bushy with leathery, shiny, leaves, pink, bell-shaped flowers, sweet, glossy edible purple berries harvest after frost m m m m m m M M m m m m love mviolet m m blooms mm m m m m rhizome m m m M M D, D, M M SS Jul Jul -Aug -Aug Bumblebees Bumblebees love the them violet blooms with withmm yellow yellow centers, centers, creeping creeping rhizome fills fills perennial perennial beds beds m m m m m mlow, m m mm m m m m m M D S, S,SSPS PS Jun-Aug Jun-Aug Tough Tough perennial, perennial, large, large, white, white, long long lasting lasting flower flower heads, heads, low,in feathery feathery foliage foliage on m m m m m m m m m m m m m m m D, D, D WD WD Jun-Jul Jun-Jul Showy Showy bright bright yellow yellow flowers, flowers, succulent succulent edible edible leaves, leaves, place place inM rock rock outcrops, outcrops, oninconcrete. concrete.

Salt Salt tolerant tolerant m m W W m m m m m m m m W W D, WD Sh, PS May-Jul A vigorous vine with orange tubular flowers followed by clusters of red berries the fall.

Climbs decks and trees m m m m delight!

W M W W m m m m m W M M m m soil W W m m m m D DW SS Jun-Aug Jun-Aug Pollinators’ Pollinators’ delight! Bulbs BulbsW multiply multiply quickly quickly in in sandy sandy soil & & rockeries, rockeries, showy showy long long season season bloomer. bloomer.

Easy transplant transplant m mM M MEasy m m m Wm M m mm W W D, D, WD SPS May-Jul May-Jul Long Long blooming blooming rockery rockery plant plant with with silver-green leaves. leaves.

Drought Drought tolerant tolerant & & self-sowing self-sowing when when established. established.

Excellent Excellent choice! choice! m mm m m W m mM m m m D, D,WD M M Sh, Sh,SS, PS Apr Apr Perennial creeping creeping and and low lowslopes, full fullsilver-green sun, sun, erect erect and and tall in in semi-shade semi-shade with with larger largerprovide leaves. leaves.

Early Early flowers, flowers, tart tart berries berries S m mheads M Mmix M D, M Sh, n/a Grows fast, protects shady adapts sun,tall glossy leathery dense cover forlily, amphibians m m m M M m m m m m m m m Perennial mm mm m m m mininattractive m mM M M D, D, M MW S, S, PSPS Apr-Jun Apr-Jun Edible Edible bulbs bulbs multiply multiply quickly, quickly, attractive seed seedtoheads for for meadows, meadows, mix with withfronds Common Common Camas, Camas, Fawn Fawn lily, Tiger Tiger Lily, Lily, etc etc m m m m m m m m m m m mm m m mSSPS m M M m m W m m m m Wm D, D,M WD WD Jun-Jul Jun-Jul Showy Showy bright bright yellow yellow flowers, flowers, succulent succulent edible edible leaves, leaves, place placeleaves. in in rock rock outcrops, outcrops, on on concrete. concrete.

Salt Salt tolerant tolerant m m m m m m mm m m habit, M Sh, Sh, PS PS Apr-Jun Fragrant Fragrant white white flower spires spires rise from from fuzzy, fuzzy, heart heart shaped shaped leaves. spreading spreading habit, resists resists slugs slugs m m m m m mm m m m m m W W M Sh, Mar-Jul Excellent cover flower for shade andrise sandy soils, Berries delicious jelly.

Tough, can be pruned back.

W W m m m m W m m W W M MApr-Jun m W W m m mm D DD,WD WD S, S,S,PS PSPS Apr-May Apr-May Tasty Tasty groundcover groundcover with withm white white flowers flowers and andm sweet sweet make berries. berries.

Try TryM F.F. virginiana virginiana or or F.F.shiny vesca vescaleaves for for shade. shade.

Transplant Transplant runners runners m M m m m m mm W W M M m m W W M D, D, M MM Sh, Sh, PS PS Apr Apr Perennial Perennial creeping creeping and and low low in in full full sun, erect and andon tall tallsteep in in semi-shade semi-shade with with larger leaves.

Early Earlyand flowers, flowers, tart tart berries berries S,PS m m m m m m m m mM WD WD Sh Sh May-Jun May-Jun Perennial Perennial adapts to rocky soils soils and andsun, can canerect be be used used on steep banks, banks, front front of oflarger border border plantings plantings and streamsides m m adapts M M M Mleaves. m m M m m m m m M M m D, MM Sm Jul -Aug Bumblebees love to therocky violet blooms centers, creeping rhizome fills perennial beds m m m M Mstreamsides m m D, D, WD WD S, S,m PS PS Apr-Jun Apr-Jun Salt Salt tolerant tolerant groundcover groundcover forms forms large largewith mats, mats,yellow takes takes trampling trampling & & gravelly gravelly soils. soils.m Covers Covers walls, walls, rockeries. rockeries.

Red Red berries berries m m m m M m m m m m m m m m m m m W W m m m m M M Sh, Sh, PS PS Apr-Jun Apr-Jun Fragrant Fragrant white white flower flower spires spires rise rise from from fuzzy, fuzzy, heart heart shaped shaped leaves. leaves. spreading spreading habit, habit, resists resists slugs slugs m m m m m m m m M M Sh, Sh, PS PS Apr-Jun Apr-Jun Showy Showy white white flowers flowers and and red red berries, berries, ornamental ornamental foliage, foliage, shade-tolerant, shade-tolerant, easy easy to to transplant transplant m mm W W m m m m Jul-Sept m m m m Wm Jun-Aug Pollinators’ delight!

Bulbs multiply quickly in sandy & rockeries, long season bloomer.

Easy transplantm W W m m m m m W W M M DDD M m W W mm m m W m m W W m m adapts M M m m m SS SPS PS Jul-Sept Crisp Crisp papery papery flowers, flowers, long long bloomer bloomer provides provides late late soil season season interest interestshowy with with yarrow yarrow and and woolly woolly sunflower sunflower m m m m M m m m m m m W W M M WD WD Sh Sh May-Jun May-Jun Perennial Perennial adapts to to rocky rocky soils soils and and can can be be used used on on steep steep banks, banks, front front of of border border plantings plantings and and streamsides streamsides m m m m S,PS m m m m m m m m MM Sh, Sh, PS PS Feb-Jul Rose Rose pink pink flowers flowers extend extend above above mounds mounds of of grey-green grey-green lacy lacy foliage foliage that that spreads spreads well well in in shady shady moist soils soils M M m m M M m m m moist M M S, PS Apr-Jun Edible m D,M m Feb-Jul m m M m mm m m m mm m m m m m m D D S, S, PS PSm Jun-Aug Jun-Aug Tough Toughbul perennial, perennial, large, large, white, white, long long lasting lasting flower flower heads, heads, low, low,M feathery feathery foliage foliage W m m m m m W W m m m m m W W M M Sh, Sh, PS PS Apr-Jun Apr-Jun Showy Showy white white flowers flowers and and red red berries, berries, ornamental ornamental foliage, foliage, shade-tolerant, shade-tolerant, easy easy to to transplant transplant m m m m m m m m m m m m m m W W M M m m M M Sh Shm May-Jul May-Jul Perennial Perennial with spreading spreading rhizomes rhizomes and and dainty dainty white white flowers flowers enjoyed enjoyed by by gnomes gnomes in in m drifts drifts of of soft clover clover leaves leaves m m m m m m when W Wsoft m m m m S,PS m m W W M Mm W Wwith m mm m m W W M M m m m M M m m m m D, D, WD WD SS m May-Jul May-Jul Long Long blooming blooming rockery rockery plant plant with with silver-green silver-green leaves. leaves. Drought Drought tolerant tolerant & & self-sowing self-sowing when established. established. Excellent Excellent choice! choice! m m W W M M M M Sh, Sh, PS PS PS Feb-Jul Feb-Jul Rose Rose pink pinkwhite flowers flowers extend extend above above by mounds mounds ofturning grey-green grey-green lacy lacy foliage foliage that that spreads spreads well well in in shady shady moist moist soils soils mulch m m m m m m m mberries m m m m m M M Sh, Sh, PS Delicate Delicate white flowers flowers followed followed by berriesof turning red red in in winter winter with with glossy glossy foliagepreads well wellM in in conifer conifer mulch M M m M M mplace M m M M m m m m m M M mm m m m m m m m m m m m M M m m mm m mm m mm m m m m foliagepreads D, D, WD WD SS Jun-Jul Jun-Jul Showy Showym bright bright yellow yellow flowers, flowers, succulent succulent edible edible leaves, leaves, place in in rock rock outcrops, on on concrete. concrete.

Salt Salt tolerant tolerant m m m m m mm W W m m m outcrops, m m m mm W M M Sh Sh May-Jul Perennial Perennial with with spreading spreading rhizomes rhizomes and and dainty dainty white flowers flowersW enjoyed enjoyed by by gnomes gnomes in in drifts drifts of of soft soft clover clover leaves m m m m m W W M MMay-Jul m mleaves m m m W m m white W m m m m m m m m m W W M m m D, W W erosion m m erect m m mfood W W M Mm resistant hedge/privacy m m m mM M M m mfollowed m m Mm forM fall fallPS colour colour pollinators birds winter D, Mpeople Sh, Sh, PS Apr Apr prevent Perennial Perennial creeping creeping and and low low in indeer full full sun, sun, erect and andm tall tall in in semi-shade semi-shade with with larger larger leaves. leaves.

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shrubs shrubs

L

shrubs

A

ground cover ground ground covercover

F

P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an Tab P an TabP anP an P an Tab TabTab P an Tab

M A T T E R S

BUILDING

BLOCKS

2011 - 2015

11

Through The Years

U

E

P R E C E D E N T A C R O P O L I S

M U S E U M

ACROPOLIS MUSEUM

order |noun| the arrangement or disposition of people or things in relation to each other according to a particular sequence, patter, or method

a rch i tect loca ti on

order |synonyms| sequence, arrangement, organization, disposition, system, series, succession order is the tool to understanding time

| bernard tschumi architects | athens, greece

si z e

| 90,000 sqare feet

y ea r

| 2003 - 2009

Located in the historic of Makryianni district, the Museum stands less than 1,000 feet southeast of the Parthenon. The top-floor Parthenon Gallery offers a 360-degree panoramic view of the Acropolis and modern Athens. The Museum is entered from the Dionysios Areopagitou pedestrian street, which links it to the Acropolis and other key archeological sites in Athens.

architecture is a companion of mankind through their journey of time -“archicture of time” is therefore composed of various and diverse ways of experiencing layers of time decision time:

create a path or order built into the architecture through which people experience different spaces and instances while moving

o de vi rea a

um

ri

ll

n

no

he

t ar

ga

y

er

p

LEVEL 4

terrace

an architectural layering that allows for chronological ordering of the musuem. through the layering of floors allow the story of the history to be told ending with a 360-degree panormic view of the arcopolis and modern athens as one OLD TO NEW | BOTTOM TO TOP

P A T H T A K E N FROM OLD TO NEW

Q U E S T I O N

GOAL S

|

provide an experiential procession through the space that tells the story of old to new. through glass facades allow visual connections to the acropolis

HOW DOES ORDER IN ARCHITECTURE ENHANCE TIME? IS IT LAYERING OF PROGRAM? IS IT A SINGLE PATH WITH STOPS ALONG THE WAY? IS IT A MULTITUDE OF PATHS ENDING UP AT A SINGLE FINISH POINT?

ACROPOLIS

museum

A R A

light |noun| the natural agent that stimulates sight and makes things visible

m a t e r i a l matter, substance, stuff, medium

light |synonyms| illumination, brightness, radiance, glowing, luster

shining,

gleaming,

We move forward in time minute by minute, day by day. Do we ever appreciate time in a singular moment?

Analemma |phenomenon| a curve representing the changing angular offset of the sun from its mean position on the celestial sphere as viewed from earth. the term is used when the sun appears from earth to move in a way that is repeated at regular intervals. it is then a closed curve, which does not change

P A C I S

AD

NEW

archaic period

Erectheion Propylaia

LEVEL 2

virtual reality theater

entrance

education programs

cafe shop 1

temporay exhibitions

GROUND LEVEL

auditorium cloakroom

OLD

M U S E U M

ARA PACIS MUSEUM a rch i tect loca ti on

| richard meier & partners | rome, italy

si z e

| --

y ea r

| 1995 - 2006

3 4 5 2 6 1

1

5

4

3

|

a new structure to enclose and house the ara pacis altar from its previos enlosure that was in a state of decay. provide visual or experiential clues of the altars original site.

2

T R A C K I N G A N D EXPRESSING THE PHENOMA OF LIGHT

Q U E S T I O N

GOAL S

CAN LIGHT CONTRASTING WITH MATERIAL CELEBRATE TIME? IS THERE A WAY TO HEIGHTEN ONES AWARENESS OF TIME SO THEY UNDERSTAND THE PHENOMENON OF A SINGLE MOMENT? DO PEOPLE CARE ABOUT TIME OR ARE THEY BLINDLY GOING THROUGH LIFE AT FULL SPEED? CAN ARCHITECTURE MAKE SOMEONE CARE?

CURATION: CHRONOLOGY VS CONTEXT context |noun| the circumstances that form the setting of an event, statement, or idea and in terms of which it can be fully understood or assessed

|

extenuate the altar through the use of lighting. contrasting light from the dark entry allows for an explosive experience when entering into the main hall where the altar is located.

HOW CAN A PLAY OF MATERIAL AND LIGHT ENHANCE TIME?

ALTAR

entry

P R E C E D E N T S O 1 0 0

E X H I B T I O N

SO100 EXHIBITION a rch i tect loca ti on

| SO architecture / shachar lulv & oded rozenkier | telv aviv, israel

- volumes and proportions relate in scale to Rome’s ancient structures - new building is dominately a glass curtain wall - asymmetrical entry hall leads to main hall that houses the Ara Pacis - contrast between subdued lighting at the entrance space and the expansive top-lit, symmetrical main hall encourages a natural progression of circualation through the space - roof over main hall sits upon four columns with skylights to maximize natural lighting and to eliminate “false shadows” - outside a low travertine wall extending from main hall traces the ancient shore of the Tiber River - building materials include glass and concrete and an indigenous fine beige Roman travertine

EXPRESSED

6 ANALEMMA| EXPESSING PATH OF THE SUN

NEEDS

LIGHT AND PROPORTION

COLLECTION

1

THROUGH

LIGHT

7

7

chronology |noun| the arrangement of events or dates in the order of occurrence

c.

This museum, on the bank of the Tiber River, has been designed as a renewed setting for the Ara Pacis, a sacrificial altar dating to 9 B.C. and now located on the western edge of the Piazza Augusto Imperatore. Planned as part of an effort to protect Rome’s cultural legacy, the new structure replaces the monument’s previous enclosure, which was in a state of advanced decay.

The structure consists of a long, single-story glazed loggia elevated above a shallow podium providing a transparent barrier between the embankment of the Tiber and the existing circular perimeter of the mausoleum of Augustus, built circa 28 B.C.

When the sun strikes a surface at a particular moment in time it will not do so again until 24 hours from then.

E

h

5t

P R E C E D E N T

MATERIALITY + LIGHT

material |noun| the matter from which a thing is or can be made

O3 I of S Arizona S U 12 University

-

Erectheion

TIME

E

BC

OF

U

c.

FRAMING

S

h

5t

Athen-Nike

- base hovers over archeological excation - ground level contains lobby, temporary exhibition spaces, museum store, and support facilities - middle is a double-heigh space accommodating galleris - mezzanine features bar, restaurant and multimedia space

2

THE ALTAR

3

FLEXIBILITY

- altar relocated from Campo Marzio in 1938 during the Mussolini era - system of regulating lines applied to project to relate to the altar’s present position on original site - original site yielded a four-square urban grid then used as a proportional from to reorganize the piazza and surroundings

- building provides space for temporary exhibitions and installations dedicated to archaeological themes - outdoor roof terrace above auditorium functions as an essential part of the ciruclation of the museum. contains a bar and cafe with views

LIGHT

S

CIRCULATION

FOR

I

3

- collection installed in chronological sequence - visitors route is a clear, three-dimensional loop - double height archaic period, up to top floor parthenon gallery, back down to the roman empire galleris, then out towards the acropolis itself

DEPTH

EXPRESSING THE OLD BY A FRAME OF NEW

ORGANIZATION

LAYERS

|

VIP room

project catalisator

NEW

NEEDS

2

- museum of ambient natural light.

- use of various types of glass - light floods through top floor, filters through skylight into galleries, penetrates core of building, gently touching the archeological excavation below the building

THROUGH

NEW

LIGHT

CHRONOLOGY

OLD

ORGANIZATION

OLD

LEVEL 3

balcony

THROUGH

NEW

PROGRESSION

NEW

OLD

OLD

O2

PRINCIPLE

multmedia centre

restaurant

shop 2

NEW

1

section

3

ga

at

ight

study the history and meanings of gastown to apply them as a part of the collective memories nurtued by generations

n

no

he

rt

pa

space

2

y

er

ll

deal with pre-existing conditions of the site as a way of dealing with the past and with its memories embedded in it

scenario

1

P R E C E D E N T

diagram

S

etry

ORDERING

TIME

E

PRECEDENT

OF

S

U

E

FRAMING

S

Z

STRATEGIES

S

Y

DESIGN

I

L

contempraneity 02

I

O1

A

PERSPECTIVE

N

THROUGH

ISSUE A

EXPERIENCE

ISSUES + QUESTIONS

context |synonyms| circumstances, conditions, factors, situation, background, setting C + C is the reading and display of art and architecture

what is the experience of time through context:

what is the experience of time through chronology: 1

clear understanding of time of events

2

allows for past, present and future analysis

how work is “set-up” or displayed is the driving factor, the causing factor, that therefore effects how visitors perceive and experience work

1

understanding time in perspective to “other factors”

2

allows for a personal reflection and comparison of past, present and future

a rch i tect loca ti on

| SO architecture / shachar lulv & oded rozenkier | telv aviv, israel

si z e

| 70 sqm

y ea r

| 2011

The exhibition SO100, presented during May-June at the zezeze architecture gallery, presented works by architects Shahar Lulav and Oded Rozenkier, many of which have received various awards in Israel and internationally. The architects’ unique works is presented by utilizing a wide variety of media including physical models, renderings, films, drawings and plans. During the exhibition the gallery wil host a variety of open events. Planned events included the gala opening, talks by the architects themselves, a talk by Yotam Bezalel Studio on commercial graphic branding, a talk on file to factory techniques and demonstrations by RC-CG A.

space

section

scenario

diagram

E X H I B T I O N

ideology 01

9

1

FREE MOVING

2

INTIMATE SPACE

5

6

6 5

NEW

- creates an experience where the architects direct the visitor’s viewing perception using free movment on mobile office chairs - various exhibits occupy a three-dimensional grid above the viewer’s head - in an analogy to urban flaneury, the visitor experiences the exhibition in an unusual angle while moving about freely

4 1

2

3

NEEDS

|

an architectural presentation display that provides order but free movment to express the works by architects Shahar Lulav and Oded Rozenkier

- similarly to an urban excursion, visitor may enter more intimate spaces where “theme presentations” of the architect’s works are presented - themes: handling of light, space, scenario, materiality, section

CONTEXTUAL EXPERIENCE

Q U E S T I O N

GOAL S

|

through the use of various exhibits and mobile office chairs allow the visitor to experience the architects work in a new perspective and unusual angle . look up

CAN THE CURATION OF AN ARCHITECTURAL SEQUENCE CHANGE THE WAY ONE EXPERIENCES TIME? WHAT IS IT THAT CAUSES SOMEONE TO EXPERIENCE SOMETHING DIFFERENTLY THAN THEY NORMALLY WOULD? CAN CHRONOLOGY OF TIME BE EXPRESSED OUT OF CONTEXT?

SPACE

9

C H R O N O L O G I C A L EX P E R I E N C E

E

ARCHITECTURAL ELEMENTS

active |adjective| (of a person) engaging or ready to engage in physically energetic pursuits

engage |verb| occupy, attract or involve (someone’s interest or attention)

active |adjective| energetic, lively, vigorous, vital, dynamic

engage |synonyms| capture, grab, snag, attract, gain, win, hold, captivate, absorb, occupy

storefronts are in essence “judging a book by its cover.” they allow a quick peak into the interior program

allow a cross pollination of interior and exterior program to personally engage the public and community

the museum has 7 seconds to captivate its audience before they are uninterested and continue on their way let the facade activate and engage the user to understand the type of activity that is being taken place at that moment in time

P R E C E D E N T STOREFRONT FOR ART AND ARCHITECTURE

STOREFRONT FOR ART AND ARCHITECTURE fou n d er loca ti on h ou r s fou n d ed

| kyong park

THE

U

ON

S

| new york, new york | tuesday - saturday 11am - 6pm | 1982

Storefront was founded in 1982 by Kyong Park. Parks design intention is for the to be an experimental forum and exhibition space for activating and engaging new voices and to promote public issues that are influencing, effecting and challenging today’s and tomorrow’s built environment. Through Storefront’s commitment for spatial experimentation and innovation it remains one of the only platforms that focuses primarily on the intersection of architecture, art and design.

PIVOTING

let the facade activate and engage the user to understand the type of activity that is being taken place at that moment in time

ACTIVATION

S

EXTERIOR

create a space or activity that engages and promotes public issues that are influencing, effecting and challenging today’s and tomorrow’s built environment.

|

through spacial experimentation and innovation create a platform that focuses on the intersection of architecture, art and desin.

WHAT TYPE OF ARCHITECTURAL ELEMENTS CAN DISTINGUISH DAY AND NIGHT ENGAGEMENT? HOW CAN THE INTERIOR PROGRAM BE EXPRESSED ON THE EXTERIOR? WHAT ARE THE HOURS OF OPERATION?

S

U

E

SEASONS

season |noun| each of the four divisions of the year (spring, summer, autumn, and winter) marked by particular weather patterns and daylight hours, resulting from the earth’s changing position with regard to the sun

INTEIOR

a rch i tectu re a r t d esi g n

2011 - 2015

P R E C E D E N T R I V E R S I D E

C L U B H O U S E

| tao (trace architecture office) - hua li

BUILDING

S

- exhibitions - series - competitions - publications

| yancheng, jiangsu, china

E

I

- located in an unique triangular ground-level space on the corner in the Chinatown/Little Italy/SoHo are of New York - it sits at the intersection of three radically different cultural sectors - gallery is approximately 100 fee long, with an interior taper of 20 feet to 3 feet at its west end - storefront’s phyiscal location and facade reflect its mission and practice.

- blurrs the boundary between interior and exterior while provide an endless panel conifguration.

THE GOAL S

TO WHAT E XTENT CAN ARCHITECTURAL ELEMENTS REFLECT TIME?

O5

ACTIVATION

|

A C T I V A T I O N O F DA Y V E R S U S N I G H T

Q U E S T I O N

PROGRAM

3

STREET

NEEDS

2

- committed to the advancement of innovative positions in architecture, art and design - program includes: exhibitions, artists talks, film screenings, conferences and publications - intention to generate dialogue and collaboration acroos geographic, ideological and disciplinary boundaries - increase awareness of and interest in contemporary design

ON

NIGHT D A Y

MISSION

ACTIVATION

NIGHT D A Y

1

MOMENTS

I

STREET

FREE SPACE

O4

FREE SPACE

FREE

8

7 4

8

OLD

3

7

2

11

11 1

10

10 OLD

NEW

THE

GAP

causality = the relation of cause and effect

S O 1 0 0

SO100 EXHIBITION

light

context |noun| the circumstances that form the setting of an event, statement, or idea and in terms of which it can be fully understood or assessed

aesthetics 03

chronology |noun| the arrangement of events or dates in the order of occurrence

P R E C E D E N T

project catalisator

CURATION: CHRONOLOGY VS CONTEXT

SPACE

E

THROUGH

U

Stephanie Oleksa

- building provides space for temporary exhibitions and installations dedicated to archaeological themes - outdoor roof terrace above auditorium functions as an essential part of the ciruclation of the museum. contains a bar and cafe with views

FLOW

S

BELOW

S

AND

I

ALTAR

entry

COLLECTION

PRECEDENT

ABOVE

ISSUE O3

|

extenuate the altar through the use of lighting. contrasting light from the dark entry allows for an explosive experience when entering into the main hall where the altar is located.

CAN LIGHT CONTRASTING WITH MATERIAL CELEBRATE TIME? IS THERE A WAY TO HEIGHTEN ONES AWARENESS OF TIME SO THEY UNDERSTAND THE PHENOMENON OF A SINGLE MOMENT? DO PEOPLE CARE ABOUT TIME OR ARE THEY BLINDLY GOING THROUGH LIFE AT FULL SPEED? CAN ARCHITECTURE MAKE SOMEONE CARE?

FLEXIBILITY

geometry

GOAL S

HOW CAN A PLAY OF MATERIAL AND LIGHT ENHANCE TIME?

THE ALTAR

- altar relocated from Campo Marzio in 1938 during the Mussolini era - system of regulating lines applied to project to relate to the altar’s present position on original site - original site yielded a four-square urban grid then used as a proportional from to reorganize the piazza and surroundings

material

T R A C K I N G A N D E X P R E S S I N G T H E P H E NOMA OF LIGHT

Q U E S T I O N

file to factory

2

3

contempraneity 02

3

2

LIGHT

LIGHT

4

a new structure to enclose and house the ara pacis altar from its previos enlosure that was in a state of decay. provide visual or experiential clues of the altars original site.

BETWEEN

ANALEMMA| EXPESSING PATH OF THE SUN

5

|

THROUGH

6

NEEDS

EXPRESSED

1

7

LIGHT AND PROPORTION

- volumes and proportions relate in scale to Rome’s ancient structures - new building is dominately a glass curtain wall - asymmetrical entry hall leads to main hall that houses the Ara Pacis - contrast between subdued lighting at the entrance space and the expansive top-lit, symmetrical main hall encourages a natural progression of circualation through the space - roof over main hall sits upon four columns with skylights to maximize natural lighting and to eliminate “false shadows” - outside a low travertine wall extending from main hall traces the ancient shore of the Tiber River - building materials include glass and concrete and an indigenous fine beige Roman travertine

FOR

1

7

DEPTH

6

1

sustainability

2

RIVERSIDE CLUBHOUSE a rch i tect loca ti on

13

Through The Years

FR OM S T U D Y M O D E L | E N V I S ION IN G

C O M M I T M E N T

taking it back to the BASICS. cutting and folding planar elements. spaces emerge from creating these specific moves. its a playful investigation that allows the mind not to just visualize space in plan and section. this type of play is more abstract than I am use to but it allows me to break free and take a 3D approach to design

P C F P S

wate

abbo

tt st

r st

troun

a

ce all

carrall st

ey

PR e cor

dova

14 University of Arizona

st

Stephanie Oleksa

L U O L P

A T L A A

N A R D Y C E STAFF STORAGE GALLERY

EXHIBIT

EXHIBIT

EXHIBIT

EXHIBIT

DAY to NIGHT ACTIVATION CAFE

CAFE SHOP

r st

COLLECTION STORAGE

GALLERY

EXHIBIT PREP ROOM

LOADING/ DELIVERY

PREP ROOM

LOADING/ DELIVERY

MULTIMEDIA ROOM

powell st

GARDEN

EXHIBIT

RO GR AM LAYOU T 1

carrall st

SHOWS

CAFE

RESTAURANT

STAFF STORAGE

CAFE DAY to NIGHT ACTIVATION

GARDEN

EXHIBIT

EXHIBIT HANDLING ROOM

W A I T I N G GALLERY

powell st

GARDEN troun GALLERY ce all ey RESTAURANT

EXHIBIT

TIME-PIECE GALLERY

EXHIBIT HANDLING ROOM

LOBBY/ ENTRANCE

MEETING

INSTALLATION GALLERY

alex

window exhibit

alex

COLLECTION STORAGE

r st ande

EXHIBIT

columbia st

r st ande

STAFF OFFICES

LOBBY/ ENTRANCE

MEETING

wate

SEASONS GALLERY STAFF

STORAGE

columbia st

STAFF OFFICES

window exhibit

SHOP

P ROGRA M LA YOUT 2 e cor

dova

st

2011 - 2015

15

O

N

S

Through The Years

juxtapostion of building styles. new within the old and only a hint of what is inside is given from the exterior

1 2 3 outer circulation with programmatic nodes that penetrate into an interior courtyard. interior courtyard allows for natural light to enter deep into the building

E

R

A

T

I

idea of walking into building expecting one experience but receiving another

16 University of Arizona

I

T

O L D + N EW

O L D T RAN SCRIBED BEN EAT H T HE N EW

S E R I O U S

Stephanie Oleksa

STAIR

UP

CAFE / BAR

STAIR GALLERY

KITCHEN

RESTROOMS

KITCHEN

LOBBY MAIN STAIR

MAIN STAIR

CONFERENCE OFFICE

OFFICE

ENTRANCE

ELEVATOR

COATROOM

FIRST LEVEL| PROGRAM

SE CO N D LE V E L | PRO GRA M

GALLERY

STAIR

STAIR GALLERY

OUTDOOR GALLERY GALLERY

RESTROOMS

CONFERENCE

MAIN STAIR

GALLERY

OFFICE

I T S

STORAGE

OFFICE

MAIN STAIR

G E T T I N G

LO A D I N G / DELIVERY

ELEVATOR

ELEVATOR

ELEVATOR

STORAGE

STORAGE

THIRD LEVEL | PROGRAM

F O U RTH LE V E L | PRO GRA M

2011 - 2015

17

Through The Years

PARTI

18 University of Arizona

MOD EL EXP LORATION

Stephanie Oleksa

5

4

5

4

UP

SIT E P L AN

FIRS T LEVEL

5

THIRD L E V E L

4

3

3

2

2

1

1

SE CO N D LE V E L

5

4

5

4

3

3

3

2

2

2

1

1

1

FOURTH LEVEL

RO O F LE V E L

2011 - 2015

19

Through The Years

5

1

4

LEVEL 5 60' - 0"

LEVEL 4 45' - 0"

LEVEL 4 45' - 0"

LEVEL 3 30' - 0"

LEVEL 3 30' - 0"

LEVEL 2 15' - 0"

LEVEL 2 15' - 0"

LEVEL 1 0' - 0"

LEVEL 1 0' - 0"

S E CT ION 3

5

1

4

2

3

LEVEL 5 60' - 0"

LEVEL 5 60' - 0"

LEVEL 4 45' - 0"

LEVEL 4 45' - 0"

LEVEL 3 30' - 0"

LEVEL 3 30' - 0"

LEVEL 2 15' - 0"

LEVEL 2 15' - 0"

LEVEL 1

LEVEL 1 0' - 0"

0' - 0"

20 University of Arizona

3

LEVEL 5 60' - 0"

S ECT ION 1

S ECT ION 2

2

S E CT ION 4

Stephanie Oleksa

NOR T H E L E V A T IO N

H NORTH 1/16" = 1'-0"

E A S T E L E VA T ION

NORTH

NORTH

EAST

EAST

1/16" = 1'-0"

1/16" = 1'-0"

1/16" = 1'-0"

1/16" = 1'-0"

WES T EL EV A T I O N

SOU TH ELEV ATION

EAST

EAST

SOUTH

SOUTH

1/16" = 1'-0"

1/16" = 1'-0"

1/16" = 1'-0"

1/16" = 1'-0"

2011 - 2015 WEST

WEST

1/16" = 1'-0"

1/16" = 1'-0"

21

Through The Years E SPEEDWAY BLVD

CICTECHNICAL SYSTEMS ARCHITECTURE EAST

55’

ARCHITECTURE WEST |75|

2

50’ EXISTING GARDEN SPACE

Arc 401 Studio: UA Center For Information And Collaboration Individual project

|4th Year Fall 2013| Tucson, Arizona

ELECTRICAL AND COMPUTER ENGINEERING |104|

UTILITIES

64’

The Center for Information and Collaboration is

SCHAEFER - CENTER FOR CREATIVE PHOTOGRAPHY |103|

47’

N MOUNTAIN AVE

CIC BUILDABLE AREA 45,000sf

N PARK AVE

as a nexus for interdisciplinary research and collaboration through the successful integration of the CAPLA and College of Fine Arts information (library) collections with a variety of meeting, study and work spaces. Set against the university backdrop of the sciences and the humanities, the goal of this project is to foster innovation via collaboration between the colleges of: Agriculture and Life Sciences, Eller, Engineering, Fine Arts, Humanities, CAPLA and the general public. Far more than a repository for books, it is the aspiration of the CIC that this new facility and its components be an architectural statement, promoting collegial integration and the dissemination of information through collaboration. To this end, the building itself is to be a demonstrative of the integration of architectural and technical systems.

CIVIL ENGINEERING |72|

46’

“Integration reveals the fit between... external factors and internal orders, between explicit facts we know to be true and implicit truths we desire to realize... It also separates imagination from whim by the discipline of main good connections...

Integration resolves building program and technical constraints with... ultimate design objectives” - Leonard Bachman

HARVILL BUILDING |76|

47’

FLUID DYNAMICS REASEARCH LAB |112| UTILITIES

CIC site area existing buildings

SPEECH AND HEARING SCIENCES |71|

54’

OH VEY CAFE

35’

existing vegetation pedestrian circulation 20’ setback from facades wind and noise

2nd ST.

1|architecture building east

22 University of Arizona

2|electrical & computer engineering

3|civil engineering

4|speech & hear

ring sciences

Stephanie Oleksa PUBLIC: 1 lobby + reception 2 cafe 3 library reference 4 5 6 7 8 9 10

gallery small gallery large auditorium library collections: Architecture library collections: fine Arts library collections: business |eller| community meeting room

COLLABORATION: 11 open study area 12 study carrels

x STORY:

AREA: 3,000 500 1,500

QUANTITY: 1 1 1

1,500 4,000 6,000 3,000 3,000 3,000 3,000

1 1 1 1 1 1 1

AREA: 9,000 70

QUANTITY: 1 60

x STORY: * *

400 250 200 75 200 100 100 100

1 1 11 16 2 8 2 4

* * * * * *

SUBTOTAL SF: 3,000 500 1,500 5,000 1,500 4,000 6,000 3,000 3,000 3,000 3,000 23,500

* * * *

SUBTOTAL SF: 9,000 4,200 13,200 400 250 2,200 1,200 400 800 200 400 5,850

13 14 15 16 17 18 19 20

large work room medium work room large study room (8-10) small study room (4-5) conference room visiting faculty office audio visual lab music rehearsal room

ADMINISTRATION: breakout coffee IT storage servers administration offices

AREA: 120 200 220 120 900 2,000

QUANTITY: 1 1 1 1 1 1

x STORY:

21 22 23 24 25 26

SUBTOTAL SF: 120 200 220 120 900 2,000 3,560

27 28 29 30 31 32 33

SERVICE: public stair public restrooms general loading area mechanical janitorial storage elevators exit stairs

AREA: 300 300 20 100 100 300

QUANTITY: 1 2 1 1 2 2

x STORY: 4 4 1 * 4 4 4

SUBTOTAL SF: 1,200 2,400 200 8,000 400 800 2,400 15,400

NASF TOTAL: BGSF TOTAL based on 30% multiplier: EXTERIOR: 34 outdoor cafe 35 exterior terrace

AREA: 1,500 6,000

QUANTITY: 1 1

x STORY *

66,510 84,463

SUBTOTAL SF: 1,500 6,000 7,500

TOTAL with EXTORIOR:

93,963

-provide two levels of below grade automobile parking 100 total spaces out of this total, provide 8 accessible parking spaces -bicycle parking 40 spaces

5|harvill

6|schaefer |center for creative photography|

7|architecture building west

2011 - 2015

23

Through The Years E SPEEDWAY BL

E SPEEDWAY BL 004

004

004

004

010

N CAMPBELL AV

N EUCLID AV

010

001

ALLEY

010

010

ARCHITECTURE EAST

E 6TH ST

BUILDING HEIGHT 54’-0”

002 010

ARCHITECTURE WEST |75| SITE BOUNDARY

009

014 004

004

ZONE: R2 MAXIMUM FOOTPRINT: 45000sf MINIMUM: 3 STORIES MAXIMUM: 7 STORIES MAINTAIN: 20’-0” SETBACK FROM BUILDING FACADES MANTAIN: ACCESS TO EXISTING UTILITIES MAINTAIN: 24’-0” WIDE VEHICULAR ACCESS TO CAPLA MATERIALS LAB WITH MINIMUM 16’-0” HEIGHT CLEARANCE MAINTIAN: EXISTING DRIVE AISLE BETWEEN BUILDINGS 71 AND 72 PROVIDE: TWO LEVELS BELOW GRADE PARKING MINIMUM: 100 PARKING STALLS

50'-3"

18'-0"

004 BICYCLE PARKING

007

001

005

9'-0"

72'-1"

25'-0"

SETBACK

004

002

20'-0"

007

005

22'-0"

001

ZONING AND SITE DESCRIPTION

006

LOADING AREA

20'-0"

BUILDING HEIGHT 44’-0”

005

11'-0" 5'-0" 11'-0"

001 25'-0" 8'-0"

6'-11"

003 BICYCLE PARKING

18'-0"

13 @ 117'-1"

008

008 18'-0"

20'-0"

8'-6"

ALLEY

004

BUILDING HEIGHT 64’-0”

63'-2"

005

005 11'-0" 5'-0" 11'-0"

011

ELECTRICAL & COMPUTER ENGINEERING |104|

20'-0"

005

004 014

014

9'-0"

010

10'-0"

006

008

5'-0"

011

LOADING AREA 55'-1"

EDGE OF EXISTING PARKING

11'-0" 5'-0" 11'-0"

011 009

003

005

11'-0" 6'-0" 11'-0"

008 EDGE OF EXISTING PARKING

001

005

9'-0"

006

004

5'-0"

5'-0" 3 @ 15'-0"

004

12 @c102'-0"

32 @ 288'-1"

10'-0"

32 @ 288'-1"

26 @ 234'-1"

001 20'-0"

002

18'-0"

005

BUILDING HEIGHT 47’-0”

001 20'-0"

SCHAEFER (CENTER FOR CREATIVE PHOTOGRAPHY) |103|

005 SITE BOUNDARY

001

8'-0"

014

001

001

014

001

BICYCLE PARKING

004

5'-0" 11'-0"

014

008

CIVIL ENGINEERING|72|

014

008

006

004

014

008

22'-0"

18'-0"

013

EDGE OF EXISTING PARKING

SETBACK

005

18'-0"

BUILDING HEIGHT 46’-0”

002

11'-0" 5'-0"

10 @ 50'-0"

10 @ 50'-0" 5'-0"

004

11'-0" 5'-0" 11'-0"

18'-0"

8'-0"

6 @ 54'-0"

9'-0"

013

015

20'-0"

9'-0"

004

004

HARVILL |76|

008

004

009

004 74'-5"

EDGE OF EXISTING PARKING

006

003

11'-0" 5'-0" 11'-0"

9 @ 81'-0"

ALLEY

005

N MOUNTAIN AV

N OLIVE RD

014

H

006

BUILDING HEIGHT 47’-0”

001

001

006 012

005 004

004

004 004

134'-4"

004

18'-0"

006 006

004

005

005

008

64'-3"

008

004 20'-10"

014 014

19'-11"

20'-0"

005

004

FLUID DYNAMICS RESEARCH LAB. 112

9'-0"

002 005

20'-0"

BICYCLE PARKING

004

014

20'-0"

005

HARVILL |76|

004

SITE BOUNDARY 32'-0"

BUILDING HEIGHT 47’-0”

005

20'-0"

004

014

014

SPEECH & HEARING SCIENCES |71|

004

CIVIL ENGINEERING|72|

BUILDING HEIGHT 54’-0”

ALLEY

010

BUILDING HEIGHT 46’-0”

004

OH VEY CAFE

004 006

004

001 010

001 004

004

004

010

010

010 004

010

010 004

010

E 2ND ST

001 002 003 004 005 006 007 008 009 010

EXISTING MANHOLE EXISTING UTILITY POLE EXISTING UTILITY AREA EXISTING LIGHTPOLE 20’-0” SETBACK FROM EXISTING BUILDING FACADE CONCRETE CURB PER CITY OF TUCSON STANDARD DETAILS EXISTING 1’-6” CONCRETE WALL ACCESSIBLE PARKING SPACE SIGNAGE WATER TANK STREET SIGN PER CITY OF TUCSON

011 012 013 014 015

8’-0” BRICK WALL FIRE DEPARTMENT CONNECTION PER CITY OF TUCSON 4“ CONCRETE SLAB BICYCLE RACK 4’-0” BICYCLE STORAGE CONTAINER

010

010

001 001

001

KEYNOTES

010

004

SYMBOL KEY EXISTING PLANTING AND TREES EXISTING PALM TREES

PARKING REQUIRED

PARKING PROVIDED

VEHICULAR: 92 SPACES ACCESSIBLE VEHICULAR: 8 SPACES TOTAL VEHICULAR: 100 SPACES

106 9’x18’ - VEHICULAR PARKING SPACE 11’x18’ - ACCESSIBLE VEHICULARE PARKING SPACE 16 28 5’x8’ - MOTORCYCLE PARKING SPACE

EXISTING MANHOLES EXISTING STREET SIGNS EXISTING UTILITY

SITE PLAN

1 A1.01 SCALE 1/32" = 1'-0"

EXISTING LIGHTPOLE

E SPEEDWAY BL

ARCHITECTURE EAST BUILDING HEIGHT 54’-0”

ARCHITECTURE WEST |75| BUILDING HEIGHT 44’-0”

ELECTRICAL & COMPUTER ENGINEERING |104| BUILDING HEIGHT 64’-0”

SCHAEFER (CENTER FOR CREATIVE PHOTOGRAPHY) |103| BUILDING HEIGHT 47’-0”

CIRCULATION N MOUNTAIN AV

CIVIL ENGINEERING|72| BUILDING HEIGHT 46’-0” HARVILL |76| BUILDING HEIGHT

THREE CIRCULATIONS CONTAINING ELEVATORS AND STAIRS FOR EMERGENCIES. ACCESSIBLE FROM EVERY FLOOR

JANITOR|STORAGE

ONE ROOM LOCATED ON EACH FLOOR TO ACCOMMODATE JANITOR SUPPLIES AND STORAGE NECESSITIES FLUID DYNAMICS RESEARCH LAB. 112

MECHANICAL ROOM

N OLIVE RD HARVILL |76| BUILDING HEIGHT SPEECH & HEARING SCIENCES |71| BUILDING HEIGHT 54’-0”

24 University of Arizona

CIVIL ENGINEERING|72| BUILDING HEIGHT 46’-0”

OH VEY CAFE

FOURTH FLOOR THIRD FLOOR SECOND FLOOR GROUND FLOOR

MECHANICAL ROOM LOCATED ON EACH FLOOR TO HOUSE MECHANICAL EQUIPMENT AND AIR HANDLING UNITS. EACH UNIT DISPENSING HEATING OR COOLING THROUGHOUT ITS FLOOR. MAIN MECHANICAL AND ELECTRICAL ROOM TO BE HOuSED BELOW GRADE ON THE GARAGE FLOOR. AllOWS FOR NO VISIBLE DISRUPTION FROM MAIN PROGRAM

RESTROOMS

MALE AND FEMALE RESTROOM LOCATED NEXT TO EACH OTHER ON EACH FLOOR. IDEAL FOR RESTROOMS TO BE LOCATED RIGHT ABOVE AND BELOW ONE OTHER. THIS ALLOWS FOR PLUMBING TO RUN STRAIGHT UP INSTEAD OF ACROSS ALL THE FLOORS

Stephanie Oleksa

private

BUSINESS library collection ARCHITECTURE library collection FINE ARTS library collection

public 2011 - 2015

25

Through The Years

LARGE GALLERY

AUDITORIUM

INDIVIDUAL STUDY SPACE WOMEN

LOBBY + RECEPTION

MUSIC MUSIC

MEN

MUSIC

MUSIC

AUDIO

AUDIO

CAFE CONFERENCE

CONFERENCE

WORK ROOM

WORK ROOM INTEGRATED SPACE STUDY

STUDY

STUDY

STUDY

STUDY STUDY STUDY STUDY STUDY

COFFEE

BREAKOUT STORAGE

IT

LIBRARY REFERENCE ADMINSTRATION OFFICES SERVERS

JANITOR

MECHANICAL

INDIVIDUAL STUDY SPACE MEN

FIRST LEVEL PLAN

SECOND LEVEL PLAN THE FIRST LEVEL HAS AN INTERSECTING NEGATIVE PASSAGEWAY THAT ENCOURAGES PEDESTRIANS TO FLOW THROUGH THE CIC BUILDING AND NOT AROUND IT. THE EXTERIOR LANDSCAPE IS POPULATED WITH VARIOUS SPECIES OF VEGETATION THAT ARE BOTH COLORFUL AND INVITING. THE OVERHANG FROM THE ABOVE FLOORS OFFER SHADE AND COMFORT FROM THE SUN

26 University of Arizona

WOMEN

june 21

march & sep

ptember 21

Stephanie Oleksa

ATHLETIC ROOM INDIVIDUAL STUDY SPACES

INDIVIDUAL STUDY SPACE

COLLABORATE AND INTEGRATE STUDY STUDY STUDY STUDY

CONFERENCE ROOM

INDIVIDUAL STUDY SPACES

COLLABORATE AND INTEGRATE STUDY FACULTY

FACULTY

FACULTY

FACULTY

STUDY STUDY

FACULTY

FACULTY

FACULTY

FACULTY

STUDY STUDY STUDY

STUDY STUDY STUDY

SMALL GALLERY

STUDY STUDY STUDY STUDY STUDY STUDY STUDY

JANITOR

MECHANICAL MEN

JANITOR

WOMEN

THIRD LEVEL PLAN

MECHANICAL

MEN

WOMEN

FOURTH LEVEL PLAN

december 21

COLORFUL CANTILEVERS PROTRUDE THROUGH THE CIC’S ENVELOPE CREATING SHADE FOR THE GROUND BELOW AND A PLAY OF LIGHT. THE BUILDINGS TRANSPARENT AND TRANSLUCENT ENVELOPE GIVES A GLIMPSE OF THE INTERIOR TO INVITE PEOPLE TO COME INSIDE. IT IS IMPORTANT TO HAVE A WELCOMING FRONT IN HOPES OF FOSTERING BOTH COLLABORATION AND INTEGRATION

2011 - 2015

27

Through The Years

SCREEN 70’ - 0”

14’ - 0”

screen 70’ - 0”

waterproofing membrane with rigid

operable louvers for venting of double skin ROOF 56’ - 0”

5” x 5” x 3/8” T.S. steel angled wide flange insulation supply air return air

ROOF 56’ - 0”

14’ - 0”

fritted channel glass with translucent insulation

double paned insulating glass with low-E coating

galvanized steel grate catwalk FOURTH LEVEL 42’ - 0”

extruded-aluminum stack joint anchored to steel tube

FOURTH LEVEL 42’ - 0”

k-series joist with flush end

14’ - 0”

reccessed fluorescent light fixture

concrete floor slab on metal deck THRID LEVEL 28’ - 0”

THRID LEVEL 28’ - 0”

fireproofed steel beam

14’ - 0”

suspended ceiling interior partition wall with gypsum board

SECOND LEVEL 14’ - 0”

light fixture

SECOND LEVEL 14’ - 0”

waterproofing membrane with rigid insula-

14’ - 0”

metal panel system

ENLARGED WEST ELEVATION

28 University of Arizona

Level 1 0' - 0"

ENLARGED WALL SECTION

FIRST LEVEL 0’ - 0”

Stephanie Oleksa

STUDY

INDIVIDUAL STUDY SPACE

COLLABORATE AND INTEGRATE

STUDY

PARKING

PARKING

2011 - 2015

29

Through The Years

NORTH ELEVATION

30 University of Arizona

EAST ELEVATION

Stephanie Oleksa

INDIVIDUAL STUDY SPACE

ATHLETIC ROOM

INDIVIDUAL STUDY SPACES

CONFERENCE ROOM

LARGE GALLERY

AUDITORIUM

SOUTH ELEVATION

STUDY

INDIVIDUAL STUDY SPACES

MUSIC

WORK ROOM

LOBBY + RECEPTION

INTEGRATED SPACE

STUDY

MECHANICAL

SMALL GALLERY

MECHANICAL

LIBRARY REFERENCE

BREAKOUT COFFEE

BREAKOUT

MECHANICAL

ADMINSTRATION OFFICES

WEST ELEVATION

2011 - 2015

31

Through The Years

STEELTOWER 3

Arc 422 Structures: Lateral Forces Project completed in a five person group

|4th Year Spring 2014| Tucson, Arizona

“T

he topic for this laboratory project sequence is lateral force. This structural condition is primarily generated by wind and seismic loads and is ubiquitous in the structural engineering of buildings and infrastructure. Beyond static mechanics, the engineering of tall buildings moves into the realm of dynamic mechanics. Dynamic structural design involves the dissipation of force through movement, elastic stability. Inhabitable structures are limited by the ability of their occupants to tolerate the frequency and displacement of this movement. The laboratory project requires students to iteratively design, fabricate and test a structural tower. The designs are to be considered full-scale performance based models that resist lateral forces. Materials are restricted to 1/8” diameter steel rod and 1/8” steel plate. Assembly is restricted to welding. The towers are to be eight feet tall and segmented into 8 12-inch tall layers.

Each layer is to be defined by a steel plate, which acts as a rigid shear diaphragm transferring loads to the vertical structure.”

PLANS

0' - 9"

32 University of Arizona

0' - 5 3/32 "

plate 6

plate 2

0' - 5 17/32 "

plate 7

plate 3

0' - 6 1/4 "

0' - 8 9/32"

plate 8

plate 4

0' - 7 "

0' - 7 11/16"

plate 9

0' - 8 11//16"

plate 5

0' - 8 29/32"

This design utilizes the diagrid structure to resist vertical forces as well as lateral and shear forces throughout the structure. The bays are cross braced to account for shear and lateral loads. The load is dissipated across more points (4,8) from the top of the tower to the base in congruence with the increasing vertical and lateral forces. The lowest three levels are further braced by horizontal members to prevent buckling due to increased compression stresses. The tower tapers in order to lower the center of mass to further resist lateral and shear loads, as well as economize the material. The symmetrical distribution inherent in triangulation allows the tower to more evenly dissipate the forces through movement, resisting torsion while maintaining a lower oscillation rate.

Stephanie Oleksa

2

First 5 levels have 8 points of connection at each plate with diagrid bracing to resist increasing vertical loads as well as lateral loads.

plate 9

1' - 0"

1

First 3 levels have 8 points of connection at each plate, with diagrid bracing with an additional tensile member to resist buckling of members due to vertical loads and shear.

plate 8

1' - 0"

Top 3 levels have 4 points of connection, with welded cross bracing connections to resist buckling of members under increasing moment of the tower.

3

STRUCTURAL HIERARCHY

1' - 0"

plate 7

1' - 0"

plate 6

1' - 0"

8' - 0"

plate 5

1' - 0"

plate 4

1' - 0"

plate 3

1' - 0"

plate 2

1 MEMBER EXECUTION

2

plate 1

3 ELEVATION

ISOMETRIC

2011 - 2015

33

Through The Years PLAN DEFORMATION

ELEVATION DEFORMATION

MOMENT DIAGRAM

T C T

DEFORMATION MEMBER STRESS

C

T

C

T C

T C T

C

T C T

C

T C T

C

C

T T

As the lateral forces are applied and the plates oscillate, the diagrid structure performs as shown translating from side to side. The bracing members in the center on the bottom 3 levels mainly prevent buckling stresses, but also oscillate from compression to tension depending on the bending of the tower.

C

C

T

C

T

C

T

C

34 University of Arizona

T

Stephanie Oleksa

2011 - 2015

35

Through The Years

UUCAMPUS 34

4

Arc 302 Studio: Unitarian Universalist Campus |3rd Year Spring 2013| Individual project

Oro Valley, Arizona

INFORMATION CENTER |01-07| 01| entrance 02| seating 03| administrator’s office 04| storage 05| restroom 06| minister’s office 07| receptiosn’s desk

33

“Where traditional churches are centered on the sanctuary, it is notable that UU organizations weigh the sanctuary,

social hall and religious eduction spaces equally, This center or heart of the campus should represent UU values.

SOCIAL HALL |08-12| 08| restroom and the The buildings and campus should be earth friendly, inclusive and accessible to all. Ecologically appropriate 09| kitchen 10| socialahallUnitarian public space campus should be a good neighbor, resource efficient, conserving of the desert. Being willing to call yourself 11| entrance lounge Universalist is being willing to engage in a lifetime, open-minded search for trust, values, moral living and beliefs.”

12| entrance

70

80

32

50

NURSERY |13-17|

13| nap/quiet space 14| nursery entrance 15| indoor play space 16| restroom 17| exterior play space

31

LEARNING CENTER |18-22|

18| classroom 1 19| library/shared space 20| classroom 2 21| restroom 22| connection space between sanctuary and learning center

02 03 05

26

01 04 07

06

23

12

27

24

25

60

10

28

08

SANCTUARY |23-30|

EXTERIOR |31-35|

31| garden / festival space 32| pedestrian drop off 33| parking 34| entrance to campus 35| nature chapel

SANCTUARY TRANSVERSE SECTION

36 University of Arizona

30

08

23| entrance 24| arrival space 25| prayer room 26| restroom 27| storage 28| chior practice/ brides room 29| chior stage 30| sanctuary service

26

11

18

09 13

29

14 15

22

16 16

21

19 21

17

35

70

SANCTUARY LONGITUDINAL SECTION

20

90

Stephanie Oleksa

2011 - 2015

37

Through The Years summer 12pm

summer 12pm

winter 12pm

winter 12pm

ack

01

50’

setb

10’

setb

ack

cut -3

02

70

80

90

learning center

03 50

04

05 11 60 06

01| ENTRANCE TO CAMPUS 02| PARKING 03| PEDESTRIAN DROP OFF 04| TIERED GARDEN/ FESTIVAL SPACE 05| INFORMATION CENTER 06| SOCIAL HALL 07| NATURE CHAPEL 08| NURSERY 09| LEARNING CENTER 10| OUTDOOR GATHERING SPACE 11|SANCTUARY

10 08

09

07 70

cut -3

|sanctuary|

EAST

NORTH 38 University of Arizona

Stephanie Oleksa A

B

cut -4 cut -4 fill +4

|social hall beyond|

garden / festival space

parking

fill +3

|outdoor space|

garden / festival space

fill +4

|learning center|

social hall

WEST

SOUTH

2011 - 2015

39

Through The Years june 21 |summer solstice| 78 degrees

december 21 |winter solstice| 32 degrees

j

learning center

sanctuary water runoff from north ridge will drain to daylight through pipes at base of footings

natural light is brought into the sanctuary space through triple insulated clerestory light boxes. they provide high performance while brightening the space

section C

large, flat outdoor space allows for easy transition between the sanctuary and learning center

storm water runoff from the ridges will drain to a bioswale located in the outdoor gathering space between the learning center and sanctuary. it will not only improve water quality but also provide lush vegetation which will help cool the space during hot weather

1” = 10’-0”

outdoor planted vegetation and trees will bring nature back into the domesticated spaces and help keep the spaces cool by providing shade

june 21 |summer solstice| 78 d

december 21

garden / festival space parking

section D 1” = 10’-0”

40 University of Arizona

storm water runoff will drain to a bioswale located in the parking lot. it will not only improve water quality but also provide lush vegetation which will help cool the hot asphalt parking lot

large trees grow and spread both horizontally and vertically providing shade to the cars parked below it

another bioswale, with rich vegetation, will help provide a barrier and help with transitioning between the parking and the garden space

a three tiered outdoor space will provide ample room for gardens and a festival space. being large and open it allows for a multitude of activities

Stephanie Oleksa D

june 21 |summer solstice| 78 degrees

december 21 |winter solstice| 32 degrees C

taking advantage of the parapet roofs, water will be collected and filter to underground cisterns. water will then be distributed for irrigation purposes

december 21 |winter solstice| 32 degrees

1 |winter solstice| 32 degrees

C A M P U S

outdoor gathering space

storm water runoff from ridges and mountains will drain to bioswales locted in the outdoor gathering space. it will nurture the plants creating a lush environment

R E N D E R I N G S

|sanctuary beyond| weathering copper provides a juxtaposition in color against the white stucco finish of the sanctuary.

U N I V E R S A L I S T

degrees

june 21 |summer solstice| 78 degrees

U N I T A R I A N

nursery

2011 - 2015

41

Through The Years Originally we were striving for the stability and efficiency of the three hinged arch. Our first concept connected at one focal point concentrated at the center of the load applicator using a lock and key connection in hopes that the pieces would work together to transfer the force.

2-WAYTARANTULA 5

Arc 322 Structures: Two Way Span Laboratory Project completed in a three person group

|3rd Year Spring 2013| Tucson, Arizona

The design concept is a low compressive arch with individual members that connect together through a lock and key connection

Due to the parameters of the 2 way system load applicator, the form naturally formed a four hinged arch in order stabilize it and transfer the force over a greater surface area. This time the NO BUILD ZONE changed the force diagram once again.

to create a greater whole. Our first concept used the “no build zone� as the perimeter to most efficiently direct the forces in relation to our design concept, while still staying below the load applicator. The design failed due to flexure, because the low compressive arch, with predominant horizontal members, in fact had a force diagram relating closer to a beam connected to columns. The project failed due to flexure and its incapacity to withstand tension. The compressive members were very successful.

To keep the design intention of pure form and stability at the connection between members going each way, we kept the lock and key connection detail. Since the members succeeded with compression and failed with tension, we isolated the tensile stress out of the members creating the force diagram in which the tensile members are purely for tension, and the compressive members are predominantly for compression. We responded to the stresses, evident in the force diagrams, by adding grain direction specificity, rigid connections where these members meet, interlocking on the top and bottom of the members for stability and strength, and adding more material in response to moment and shear.

In order to clear the NO BUILD ZONE, the arch had to be elevated. In other words, it could be distilled down to a beam and column connection with a form bias upwards in order to successfully clear the NO BUILD ZONE and attempt to counteract flexure. The distribution of the compressive forces was successful.

The project failed due to tensile stress from flexure at the weakest point of the arch (which is subject to the maximum moment). There was not enough material to successfully counteract the flexure or shear in the members. Shear was even greater due to the discontinuity of force transfer in the members caused by the lock and key connection detail. Essentially, the force was just as great but the material was cut in half increasing shear and flexure.

M

C

C

C T

C

x 2x

T T

ITERATIVE PROCESS

42 University of Arizona

C T

C T

T

C 2x

T

x

Stephanie Oleksa T

C

T

C C

T

T

C

T

C

To keep the design intention of pure form and stability at the connection between members going each way, we kept the lock and key connection detail. Since the members succeeded with compression and failed with tension, we isolated the tensile stress out of the members creating the force diagram to the left in which the tensile members are purely for tension, and the compressive members are predominantly for compression.

In order to follow the design concept of a low compressive beam with qualities of an arch (form bias, compressive ability), the minimum angle was determined to be less than 45 . In order to VISIBLY and PHYSICALLY express this concept a formula was developed to determine the angle of the tensile force that would exert twice as much force in the horizontal compressive members compared to the vertical compressive members.

Using Trig this angle was determined to be 26.56 .

O

The maximum force is transferred at the edges into the tension lines and then into the compressive members.

x = 2y

M

tan(O) = 1/2 arctan(1/2) =O O = 26.5

Given the lock and key connections at the center this corner condition is rigid to restrict rotation. More material was added around this connection to more successfully transfer the forces from each member and resist moment and shear.

FORCE DIAGRAMS

y

Since the horizontal vector is twice the force of the vertical, the member is twice the length and depth (3� depth) to resist buckling deformation from the force. The vertical members must be 1.5� to be half the force as stated.

But due to the extension of height and added material at the connection, the member is designed to gradually transfer the load to its smallest dimension of 1� at the bearing surface. The formula gave us the angle and ratio to base our low compression arch off of that was then manipulated due to size parameters and design aesthetic.

FORCE CALCULATION

CONSTRUCTION PROCESS

2011 - 2015

43

8"

1'-3"

7"

3"

1 1/2"

Through The Years

1 1/2" 1’-0” 1'-1 1/4" 2'-8" 2'-11”

SECTION THROUGH 2-WAY AND APPLICATOR At the elbow connection of each member the grain changes direction according to the forces. Where this change occurs, there is a routed out channel to house the tension cable within the wooden compressive members. This is then reinforced with metal plates to resist moment while securing the members together.

CORNER CONNECTION

44 University of Arizona

AXONOMETRIC

7 3/8"

1"

Stephanie Oleksa

2011 - 2015

45

Through The Years

VOIDURBAN FACTORY 6

Arc 301 Studio: Urban Agriculture Factory and Public Market Individual project

|3rd Year Fall 2012| Los Angeles, California

Void, an urban agriculture factory located in downtown Los Angeles, is at the front line of innovation. It aims to respond

to the rapid need for produce but the lack of space to keep up with this demand. Urban sprawl continues to take away farmland and the country is relying on imported goods, bringing along with it pollution and other environmental concerns.

Through the use of an urban agriculture factory we are able to re-think how our food is grown, the planning and shaping of future cities and the landscapes that will be positively affected by condensing the space that is used for agriculture.

This particular urban agriculture factory uses hydroponics. Through the use of hydroponics, a method of growing plants using nutrients in water and no soil, downtown Los Angeles will be able to mass produce and sufficiently supply fresh produce to everyone while minimizing its agriculture footprint. Hydroponics are being adopted around the world for food production for a multitude of reasons: no soil is needed, water stays in the system and is reusable, no nutrition pollution is released to environment, and no pesticide damage to the produce. Each fruit and vegetable needs natural sunlight but ranges in its daily sun hours. The amount of sun for each produce shaped the buildings form and height. level 21

tomatoes

needs 10000sqft has 18,720sqft

level 20 level 19

stawberries

needs 8000sqft has 14400sqft

level 18 level 17

6000sqft green beans needs has 7200sqft

level 16 level 15

needs 5000sqft

peppers has 7200sqft

level 14 level 13 level 12 level 11

5000sqft onions needs has 7200sqft 5000sqft zucchini needs has 7200sqft

8000sqft herbs needs has 14400sqft

level 10 level 9

8000sqft spinach needs has 14400sqft

level 8 level 7

lettuce level 6

needs 16000sqft has 21,600sqft

level 5

factory work level level 4

factory work level level 3

market upper level

indoor | outdoor seating

market ground level

selling of produce

level 2 level 1 subgrade 1 subgrade 2 subgrade 3

46 University of Arizona

seedling hatchery composting vaults rainwater cisterns

Stephanie Oleksa

curtain wall system coping cap

slope 1/4” /ft backer rod and sealant

aluminum flashing, lap over roofing system at top of parapet wall sealant

1 A1.1

sealant counter flashing base flashing 3/4” exterior plywood sheathing

foil faced curtain wall insulation at spandrel conditions, typical

1 A1.1

4” cant tapered insulation at cricket locations, slope to roof drain built-up roofing system over prot. bd.

R-30 rigid insulation steel decking

inner curtain wall system

metal stud framing

curtain wall anchor clip by curtain wall manufacturer

curtain wall system

wide flange column beyond

2 A1.1

curtain wall anchor clip angle steel bolted connection

2 A1.1

perforated steel catwalk

curtain wall system perforated steel floor panels

SKIN SYSTEM BUILDING DETAIL operable louver system | roof and wall section

2011 - 2015

47

S spring street

Through The Years

W 4th street

SITE CONTEXT historic downtown | los angeles, california

48 University of Arizona

Stephanie Oleksa winter solstice

9am

12pm

3pm t-form

|massing model 2|

void form

|massing model 3|

pyramidal form |massing model 1|

summer solstice

t-form

|massing model 2|

spring|autumn equinox

void form

|massing model 3|

ITERATIVE PROCESS sun studies | massing model iterations

WINTER SUN STUDIES t-form sun studies for maximum solar exposure

WINTER SUN STUDIES void-form sun studies for maximum solar exposure

2011 - 2015

49

Through The Years section A1.0 0’

partial plan

2’-0”

4’-0”

8’-0”

1 0’

8’-0” 16’-0”

32’-0”

A1.0

southwest elevation A 0’

8’-0” 16’-0”

1

32’-0”

tomatoes

A1.0

tomatoes

2 A1.0

strawberries strawberries green beans green beans peppers peppers onions

2 A1.0

zucchini herbs herbs spinach spinach

3 A1.0

lettuce lettuce

3 A1.0

BUILDING ENVELOPE DETAIL partial plan | elevation | section

50 University of Arizona

SKIN SYSTEM AND STRUCTURAL MODEL double curtain system with operable louver shading system

skin system building detail Stephanie Oleksa perspective | wall section

inner to outer skin connection costume angled t-channel black frosted glass operable window outer skin

inner skin

mullion operable horizontal aluminum louvers

wide flange column W10X39 operable window inner to outer skin connection costume angled t-channel wide flange beam W24X76

southeast facade wall section 0’

0’-6”

1’-0”

2’-0”

SKIN SYSTEM BUILDING DETAIL perspective | operable louver system section

2011 - 2015

51

Through The Years

WATCHTOWER 7

rain water shedding south

view looking north of mid-level vegetation

cottonwood trees 60-80ft

Arc 322 Structures: Bird Observation Tower |3rd Year Spring 2013| Project completed in a three person group

Portland, Oregon

A

s an observation tower for all nature lovers, the goal of this project is to maximize the physical and visual experience of the landscape. The architectural concept behind this design is based upon the response to views, relative heights, solar exposure, and circulation. The trees of different heights, ranging from 10’ - 80’, offer different experiential views. The structures floors were offset in order to emphasize each particular view at a different height. I.E. the second floor projects towards the smaller trees that hover the ground and the third floor projects towards the larger Cottonwood trees, that immerse the viewer into the habitat.

By offsetting the floors towards the south they provide shade from the harsh sun. The roof collects any rain water and directs it downwards towards the south where it is able to runoff into the river. The stairs ascend in the direction of the offsetting floors, continuing this language of projecting views and structure.

mid-level vegetation 8-15ft

view looking south to river bed and cottonwood trees

gentrly slope upwards towards mide-level vegetation

river bed

SYSTEMS DIAGRAM

27’-0”

|water, view, entry, vegetation, surroundings|

concrete retaining wall

18’-0”

concrete floor slab

Ground Level: the points of the diagrid meet the ground and through a connection detail, the loads of the structure are transfered over a larger surface area. An alteration in the established diagrid frame is made at the entrance to allow a larger unobstructeed entrance

#4 rebar spaced 24” o.c. 2 way

FOUNDATION FLOOR

water shed

GROUND FLOOR

5’

EQ

EQ

EQ

EQ

Floor Structures: the 2nd and 3rd floors are a modular grid system of 3” x 9” girders at 5’ o.c. interlaced with 3” x 3” beams at 2’ o.c. The floor loads are transfered to the girders which then transfer the loads into the diagrid structure

EQ

3” x 9” girders 5’ o.c.

3” x 3” beams 2’ o.c.

circulation

EQ EQ EQ

Roof Structure: the roof uses the same size beam and girders except the beams are 2’5” o.c. and the girders are 5’ o.c since the load is light and will directly be transfered into the diagrid strucuture at these intersections

2’5”

SECOND FLOOR STRUCTURAL SYSTEM

ROOF STRUCTURAL SYSTEM

ELEVATION DIAGRAM

|watershed, vertical and horizontal circulation|

52 University of Arizona

Stephanie Oleksa

ITERATION ONE|diagrid structure|

ITERATION TWO|diagrid structure|

2011 - 2015

53

Through The Years

4”

4”

3” 3”

11 1/2”

2’-5”

6”

11 1/2”

7.1

8.1

prototypical diagrid + floor connection

roof condition 1

DETAIL CONNECTIONS

54 University of Arizona

7.2

8.2

diagrid + floor concave condition

roof condition 2

7.3

8.3

diagrid + floor convex condition

slab condition 1

7.4

8.4

diagrid corner condition 1

slab condition 2

7.5

8.5

diagrid corner condition 2

slab condition 3

Stephanie Oleksa

B

A

8.1 8.2

7.3

7.4

7.1

7.2

7.2

8.5

8.4

8.6

LONGITUDINAL SECTION

NORTH ELEVATION

TRANSVERSE SECTION

EAST ELEVATION

SOUTH ELEVATION

WEST ELEVATION

2011 - 2015

55

THROUGH THE YEARS

Stephanie Paige Oleksa University of Arizona

Thank You For Considering