Digitization Changes The World Of Media Qphonics leads the digital audio revolution
CORPORATE PROFILE
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First generation digital mixing console
Digitization Changes The World Of Media Qphonics leads the digital audio revolution
CORPORATE PROFILE Technology Driven
“People need information –
Convergence of media is well underway in all communication related markets. Information and entertainment is nowadays available to users not only through traditional distribution channels such as radio or TV broadcast, but also via alternative digital communication pathways. We see this in our everyday lives, be it in conventional media, or also in mobile communication. Provision of ‘infotainment’ becomes common in any place, whether it be in train stations, airports or public buildings, etc. The convergence of the audio and media industries from analog audio to the digital spectrum opened windows of opportunities for companies like Qphonics (formerly KLOTZ DIGITAL) to embrace the changes in these markets.
everyday and everywhere”
History
Provides the Thorough Grounding for the Future
“Quality is a combination of experience and knowledge”
The roots of Qphonics can be traced back to the year 1990, as a reaction to the moving trend towards digital audio processing. With profound insight on the market trends and based on comprehensive analysis, the company developed tools to switch core business to digital audio processing, assuring the company’s future success. The target for the company was to be the driving force in the market, and not to be driven by competitors, or technological development. The aim from the beginning was to serve international markets beyond Germany and Europe. This was realized through the set up of sales and service offices in Asia and the USA in the mid 90th, followed by Australia in 2000. This global expansion of the company made Qphonics one of the first radio broadcast console manufacturers to conquer markets outside in’s national borders. Due to the KLOTZ DIGITAL re-ownership (in September 2009) the board changed the company name to Qphonics. Qphonics operates offices in Munich/Germany, Kuala Lumpur/ Malaysia, Atlanta/USA and Sydney/Australia.
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Broadcast facility at XM Satellite Radio
Achievements
Testimonial for Success
“Understanding the customer is our key to the market”
Overall, the last two decades have been very dynamic. Qphonics first made its name in live sound installations before the first broadcast project was realized in 1994. 1996 saw the birth of the first generation of mixing surfaces with an installation at Astro Measat in Kuala Lumpur, followed by a rapid increase in the demand of broadcasting installations. One highlight that stands out in the company’s history is The Olympic Games 2000 in Sydney. We experienced the fantastic Olympic spirit while providing and installing the digital distribution and processing backbone for the games, as well as decentralized digital control equipment in the International Broadcast Centre and the Stadium Australia. Based on the success of this project, which was accompanied by a rapid increase of the company’s awareness level, plenty of exciting follow-up projects were realized worldwide. We installed the world’s largest audio router in a broadcast facility at XM Satellite Radio and the most modern evacuation and information system in Terminal 2 of Munich Airport. Further highlights amongst these projects were the system supply to the American Forces Television and Radio Services in California, and the installation of a complete audio routing system in the Press Briefing Room of the White House. Since 2001, Qphonics expanded its focus from a sole project-orientated business, additionally to product-oriented business. Eventually, this kicked-off the development of a product range combining off-the-shelf products, and custom solutions. We developed new products for the broadcast market, both while maintaining our competitive edge in the market, and easing and enriching customers’ business with new and exciting products. We shifted resources to develop a completely new product line serving the public address sector. Today, we have two product divisions – Digital Audio Technology for the media industry, and Digital Public Address systems for modern facilities – all of which enjoy great synergy and success in their market segments. The broadcast segment remains our most important market, and we expand and cultivate it with care. On the other hand, we are entering the dawn of a new era in PA industry with our avant-garde digital PA/VA technology, and, we are confident the Public Address and Voice Alarm system sector will secure Qphonics’ future growth.
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Sydney Olympic Game 2000
Strategies the Road to the Future
“More innovative products are in the pipeline”
We are dedicated to producing the very best and most intelligent digital audio processing and distribution systems, including, control surfaces and routers for all aspects of the professional audio industry. The products and solutions were especially created to be used in any professional public address and broadcast facility. They provide new workflow efficiencies, thus, enabling our customers to benefit from lower installation and operating costs. Our innovative products and system solutions were not only ground breaking, they also point the way to the future – not solely Qphonics’ future – but mainly the future of customers and prospects.
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DMG Radio Australia
Customers from the “Who’s Who” list in Media Industry
“Mastering the challenges of
Our customer list reads like the “Who’s Who” of the media industry. XM Satellite Radio/USA, American Broadcasting Company (ABC)/USA, Radio Television Malaysia, YLE/Finland and ABC/Australia are to be found amongst many others. Further considerable customers are Austereo/Australia, DMG Radio/Australia, Athens Concert Hall/Greece, Russia’s Bolshoi Theatre and SABC/South Africa. Initial projects in the PA/VA business supplement this list as well. Names like Munich Airport/Germany, City Harvest Church/Singapore, the European Parliament Facilities in Brussels and Strasbourg, King Abdul Aziz International Airport in Jeddah/Saudi Arabia and the White House Briefing Room, Washington DC/United States are some of the most recomment customer sites.
global work relations”
Partner
to the Industry
“A global network ensures local presence”
Qphonics has a huge network of partners across the continent to sell and promote products within its two product divisions. Together with our headquarters and our worldwide offices Qphonics provides a seamless 24/7 global customer service presence.
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Historical Highlights
2011
KLOTZ DIGITAL AG has changed its name to Qphonics AG
2010
Unitedscreens Media AG has acquired KLOTZ DIGTIAL AG
2008
Sydney Railcorp, Central Station, Australia
2007
Digital communication platform installed in the White House
2006 DECENNIUM [2007]
First hybrid Public Address System, integrating analog technology under the digital roof
2005
350th digital audio console for the US market
2003
XENON [2006]
North-Rhine Westphalia’s Parliament, Germany
2004
VARIZONE VAB-Line [2007]
Initial launch of a new range of audio mixing console generation. Followed by further launches of different console types in 2005 and 2007.
First fully digital Voice Evacuation and Public Address System
Munich Airport, Germany
2002
Bolshoi Theatre, Russia DMG Radio, Australia
2001
VADIS 888 & VADIS 212 [2006]
First fully digital Public Address System
2000
Business Expansion to Down Under and Founding of KLOTZ DIGITAL Australia
AEON [2004]
1999
KLOTZ DIGITAL Audio Communications GmbH incorporates to become KLOTZ DIGITAL AG
Olympic Games, Sydney Guangdong Radio, China XM Satellite Radio, USA VADIS D.C.II [2000]
1998
First fully automated audio control system for satellite TV centres installed
SPHERION [1999]
1997
Founding of KLOTZ DIGITAL Asia Pacific
Founding of KLOTZ DIGITAL Audio Systems Inc. in USA
1996
First digital mixing surface
VADIS 880 & VADIS 210 [2000]
First installation of a decentralized signal processing and control network in a radio station
1995
ASTRO MEASAT, Kuala Lumpur, Malaysia
First installations in Finland (YLE) and Portugal (RDP)
1994
First fully digital Main Control Room system for radio and TV
Award winning PARADIGM [1998]
1992
Opera House in Chemnitz, Germany
NDR, Germany BR, Germany
VADIS D.C. [1996]
1990
First digital routing and signal processing system Wembley Stadium
1989
The first to develop and market a fiber-optic based Audio Media distribution system
VADIS [1996]
OAK.LINK [1989]
Qphonics AG formerly KLOTZ DIGITAL AG Carl-Zeiss-Ring 7a 85737 Ismaning / Germany
Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
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DIGITAL ON-AIR CONSOLE
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All-In-One Fully Digital Broadcast Console 6
or 12 fader version with splitting architecture
Integrated Audio
audio router with free assignments of inputs to fader
inputs and outputs in analog and digital format
DSP
functions for audio treatment and voice processing
Pool
of free configurable GPIs for best integration capabilities
GUI
for configuration of console, presets, GPIs, monitor logics, macro functions, and more…
Tough User
all-in-one device offering aesthetical design and best ergonomics
friendly console
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Why Should
Only the Big Boys Have all the Fun? Digital audio mixing consoles are famous for their multi-functionality, excellent signal quality, exact signal processing and flexible configuration capabilities. However, they are also famous for being expensive, complicated, and sometimes overkill for smaller radio stations. Do you think it is fair that only the big boys have all the toys and fun? To offer you all the advantages of a digital mixing console, Qphonics (formerly KLOTZ DIGITAL) has designed the compact and user friendly digital on-air and editing suit called XENON. The XENON is perfect for smaller radio stations. Be it for outside broadcasting, on-air production or for your editing studio the XENON console will meet all of y our technical requirements…and most likely exceed them. Relying on a classical design your DJs will find the comfort of an analog console in XENON while enjoying advanced technical and workflow functionalities. XENON provides integrated microphone pre-amplifiers, DSP such as EQ and voice processing, signal routing and configurable GPIs. The control surface is easy to operate, as the console lay-out is clearly arranged and the amount of control elements and displays are optimized. Training and installation time is reduced to a minimum.
All-In-One Control Surface and Electronics Embedded in a Single Device The XENON basic version consists of a six channel fader module and the monitor/ control/master module together with in-/outputs, DSPs, and processors embedded in one piece of equipment. This all-in-one concept helps you to reduce acquisition costs as well as expenses for installation and wiring. Additionally flexibility in application was enhanced: The console is small and compact and can be installed wherever you need it. A six fader extension unit is available. Connect it easily via a single cable to the main unit or separate the XENON surface in two six fader blocks and install it into your studio furniture in a split configuration. Valuable space is saved and the bestlevel of ergonomics achieved.
Reliability and Performance for Everyday Broadcasting
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Various broadcasters around the world – e.g. broadcasting from the hot, desert-like Australian Outback or from the cold snow-capped Greenland – use XENON for the hard work in their radio stations or OB vans. Their feedback has been very positive: Most notably all XENON users certify that the console is the right choice for any environment. XENON tolerates a wide range of ambient temperatures due to its resistant and tough design. This guarantees reliability and provides a high level of investment security for a long life span. You can use XENON anywhere you need to – as long as you have a power connection.
Plug & Play
Easy to use GUI Based Setup Tool You will be surprised to learn how easy it is to install the XENON mixing console! The PC based setup tool is very convenient to handle, as the console surface is mapped on your PC or laptop screen. Simply click on a corresponding area of the image and a configuration dialog opens to guide you through the setup process. That doesn't mean that you can't adapt the XENON extensively to your individual requirements. Via a serial connection cable all individual settings are transmitted to the console as soon as the configuration is completed. No PC is required for normal 'day to day' operation. A stereo level meter and a meter bridge are available options for advanced monitoring purposes.
Intuitive Surface Layout
Combining Ergonomic German Design and a User Friendly Lay-Out The first impression of the XENON is determined by its aesthetical look, but it is the sense of touch that really lets you experience the quality of its surface. Qphonics uses premium operating elements, e.g. rotary controls, knobs, pots, faders, etc., with maximum grip and best tactile sensation. To facilitate ease of use we have chosen a clear color contrast for the different operating elements.
The Fader Module Any signal is assignable to any fader. Large ON/OFF buttons, a CUE button for prefade listening, alternate A/B source selection and an individual BUS assignment to the three main busses PGM, REC and UTL complete the fader module.
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The Monitor/Control/Master Module XENON's monitor/control/master module offers you a good combination of useful features avoiding an overkill of operating elements. The built-in level meter instrument on top of the monitor/control/master module consists of a high resolution stereo level meter with 2x40 LEDs. Assign them either to the PGM or REC busses or to the CR-Monitor section acting as "see what you hear" function! The incorporated central control unit offers a quick survey and control of the primary channel parameters of any selected source. Parameters such as Gain, Pan/Bal, 48V phantom power, stereo/mono/LL/RR and a roll-off filter are adjustable through the central rotary encoder. Additional settings referring to the metering and central control unit are available via the XENON Setup Tool.
Report Input XENON comes equipped with an audio input directly mounted on the control surface – the Reporter Input. It provides the benefit of a convenient and quick connection of temporarily used devices such as portable audio recorders or MP3 players.
Monitoring Naturally your studio, like any studio, will be equipped with loudspeakers and headphones, which will let you hear what you are doing while you are on air or producing a show. Of course you know that speakers must be muted as soon as a fader for a microphone in the control room is opened to avoid feedback. To alleviate monitoring, XENON offers separate control room and studio monitoring including the individual selection of all busses and predefined external monitoring sources. The XENON mute-logic determines the appropriate loudspeaker muting in the same room as soon as the respective microphone is opened avoiding feedback automatically. Monitor functions such as Auto-CUE and Split-Monitor offer the highest comfort. Likewise a separate volume control for an external CUE speaker is available.
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Meter Rules Whether recording or broadcasting, you always aim for the best level of sound. The built-in stereo level meter assists you in achieving this goal. If you prefer the old-established way to monitor levels, the way you are used to from working with analog consoles, a XENON meter bridge is available. The meter bridge is not mandatory, but can be added at any time. It is equipped with a VU and PPM meter to monitor the three main busses at the same time. A monitoring speaker is included - avoiding the necessity of external monitoring equipment.
External CUE Channels - Ensure Ease of Integration! XENON has two additional "hidden" channels which are used for remote controlled CUEing. Connect Radio Automation Systems with a dedicated CUE output here to make use of a fully automated CUEing routine. The corresponding trigger is simply established with any of the GPI inputs.
Talkback Communication is a critical factor for the daily work in a radio station. Most participants of a radio show wear headphones or call-in. For this purpose XENON provides big Talkback buttons for known targets, such as the studio/speaker booth, telephones or a freely definable TB destination in the facility. Additional TB functions are configurable.
No External Headphone Amplifier Required! XENON is equipped with three headphone jack sockets, each with its own amplifier circuit, to avoid interaction of headphones with different impedances and overloaded circuits. Two of the jack sockets are located directly on the control surface. The third one is located on the chassis and offers an option for wiring of guest headphones.
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Daily Work Can Be So Easy
Function Macro Programming - Toolbox for Personal Configuration Four free macro-programmable function keys allow you to adapt the XENON to the individual requirements of your radio station almost without limit. Combined with the GPI in- and outputs they provide an ideal solution regardless whether you desire group switching of several buttons, establishment of internal audio routing, or the remote control of an external device via the GPIs.
DSP (EQ/DYN) Presets Microphones and telephones usually are those two sources that receive special treatment, because you often have to tie them into program content which was previously produced and already processed. XENON's MIC and TEL channels are equipped with DSP processors including 3-band semi parametric EQs and Dynamics with Limiter, Compressor, and Expander in order to help you making microphone and telephone sources compatible. To facilitate this operation, XENON is equipped with seven individually configurable presets. They are initialized in real-time via the setup tool and selected simply by pressing the preset buttons, thus individually inserting them into the MIC and TEL channels.
XENON, the Quick Transformer! XENON offers you the possibility of programming and storing two individual configurations, including A/B source selection, bus assignment, channel parameters and inserted presets and their values. These so called "Snapshots" let you jump between show formats. Far beyond that the snapshot logic allows you to transform the XENON from a radio mixer into a production console quickly or to use it for an off-air-recording during a live radio show. It guarantees easy and safe handling without losing control of sources which are currently on the air, due to the built-in intelligent "on-air-management".
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Technical Information Sizes
6 fader [XENON 6] or 12 fader [XENON 12]
Analog inputs
4 MIC/LINE inputs (any MIC can also be defined as talkback source) 7 stereo high-level inputs (14 mono equivalent) 2 mono high-level inputs (TEL1, TEL2)
Digital inputs
4 stereo AES-EBU/SPDIF digital inputs equipped with Sample Rate Converter
Output busses
4 stereo busses: PGM, REC, UTL, CUE (PGM, REC, UTL: analog and digital) 2 mono clean-feeds: TEL1, TEL2
Monitor channels
Studio Monitor with 1 headphone signal, 1 speaker signal and signalization CR Monitor with 3 headphones signals, 1 CR speaker signal and 1 CUE speaker signal
GPI
Free assignable General Purpose Interface 16/16 I/O
Power supply
External power supply, redundant PSUs optional
Optional modules Digital inputs
4 channel AES-EBU/SPDIF-Toslink digital input module
X Meter
Separate meter bridge incl. 3 stereo audio level meter (PGM, REC, UTL) and 1 adjustable CUE speaker
X PSU PRO
Professional external 19" rack power supply unit providing redundancy
Dimensions XENON 6
W 570 mm | D 418 mm | H 163 mm
XENON 12
W 855 mm | D 418 mm | H 163 mm
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Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
XENON 05/2011 PDF
Specifications are subject to change without notice! Specification contains typical values if not stated otherwise.
DIGITAL AUDIO NETWORKING CONSOLE
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breaking down barriers
To develop a digital on-air mixing console that is unbeatable in value and performance Qphonics (formery KLOTZ DIGITAL) combined its extensive expertise in digital audio console and routing technology with future oriented production methods. The result: AEON, a compact and powerful networkable mixing console with performance parameters. AEON merges modern high-tech design with a wide array of functions and is especially suitable for mid-size radio stations. Convince yourself - AEON will be the fashionable centerpiece of your on-air studio and brings you all of the important advantages of a user-friendly mixing console while delivering market-leading value.
Right on the pulse of time with AEON AEON is based on VADIS, the digital audio network platform by Qphonics. Therefore it contains sophisticated technology and components to be integrated in an audio network.
The „Slim-Board Concept” has got what it takes Fixed workspace assignments are outdated. Every operator has his own ideas of ergonomics and comfort. Furthermore, a variety of peripheral devices are normally found around the workspace of the operator, and all of them need to be utilized in the best possible way. AEON is ideal for this purpose and adapts perfectly to any given situation.
AEON explores new ways With AEON's "Slim-Board Concept", our engineers have managed to design a control interface that can be integrated into any environment with great flexibility and user friendliness. AEON can be operated wherever it is needed: in the broadcasting studio, as compact unit, as split console or subdivided into single modules placed individually in the radio production room, as a flexible tool for all jobs and tasks, e.g. conduct and edit phone interviews, voice tracking in the editing room, as mini-console for the monitoring and editing of program content in mobile broadcasting units, as a space saving unit that can be stowed away during travel, individually expanded or reduced for events, and operated outdoors in favorable weather conditions
digital innovation for analog prices
AEON Control Surface Two modules are available, each one in its own compact ultra-slim housing: Fader module Monitor-/DSP-/Control module These modules can be assembled as a compact unit or can be operated separately. Only a single cable is needed for power supply and communication. Four sizes of basic mixing consoles are available: 8, 12 or 16 faders plus a Monitor- / DSP module. It is still extremely easy to expand the mixing console later if changes are needed.
The Fader Module: 4 fader channels ON / OFF / CUE / TB / SEL 4 programmable buttons - normally programmed as source A and B, PGM and REC bus select Status indication LEDs of secondary buses, EQ, DYN and channel overload Professional 100 mm fader Alphanumeric displays 2 lines/16-characters Lighted, re-legendable push-buttons
The Monitor-/DSP-/Control Module: Combines all important features of a professional console in a compact and clear manner. Access to the DSP functions 4 rotary encoders with associated alphanumeric 16-character display each 4 multipurpose buttons are used for - snapshot and preset select - source select - extensive parameter settings within the various parameter banks Direct access to DSP functionality through dedicated buttons Central bus assign 10 assignable function buttons for remote control purposes macro programmed events grouped function control, and much more ... 4 individual and free assignable monitor channels with up to 20 selectable monitor sources per channel with integrated AutoCue and CueSplit function with free programmable monitor functions Lighted, re-legendable push-buttons Slide-in insert strips to customize the legends
behind the scenes
The AEON Audio Router The AEON audio and DSP mainframe offers 10 card slots for operation-specific cards in a fanless compact case. The frame's 32 bit TDM bus guarantees maximum quality. Adaptation to the digital environment is achieved through various synchronization methods. Multichannel audio links to additional devices, such as a central matrix or other studios, are implemented via fiber-optic connections as well as OCTO-BUS studio network devices. The AEON audio router offers maximum flexibility. 19" 3 RU rackmount controller equipped with 10 slots for AEON cards such as: Fiber-optic network Digital and analog in-/outputs Signal processing OCTO-BUS studio network MADI interface (optical) CMI interface for connectivity to external control devices Built-in 8x8 GPI/O (expandable with external GPI box) Integrated fanless PSU
Software Control AEON offers the flexibility to adapt to individual needs and styles of operation, yet is simple enough for the casual users to learn and operate.
AEON setup tool AEON frame and cards configuration Global and advanced channel settings and functions Function key programming Monitor configuration and settings Advanced GPI settings Snapshot and preset management User rights management
AEON console screen Offers immediate channel overview including all channel parameters, EQ and DYN settings, input and post fader level PPMs Global overview of AEON buses and levels
ready to network
Different solutions for networking via • Fiber optic • OCTO-BUS (CAT5) • MADI (optical) • CMI Bus (CAT5)
Studio Network
CH 1
CH 2
CH 3
Routing Control
CH 4
Status
CH 1
CH 2
CH 3
CH 4
Status
Main Control Room Other Studios
ERROR PSU OK
WARNING RUN
LEFT
PSU OK
RIGHT
ERROR WARNING
LEFT
RIGHT
RUN
technical information
AEON basic mixing console AEON 8 / AEON 12 / AEON 16
Sizes
Busses
No. of faders
8 / 12 / 16
Monitor-/DSP-/Control module
1
Stereo busses (PGM, REC, PFL, MixMinus 3, AUX)
5
Mono busses (MixMinus 1 and 2)
2
Monitor outputs Analog stereo monitor outputs DSP
4
DSP cards for mixing, gain, level meter, 4-band parametric EQ, compressor, limiter, expander, sine tone generator
2
AEON audio engine Controller
No. of slots
10
GPI I/O
8/8
KVM inputs (keyboard, video, mouse)
Yes
System clock
44,1 / 48 kHz
Synchronization
Power supply
internal crystal, wordclock, F/O clock, AES3
Type
single or redundant internal PSU
Voltage
110/230 V AC / 50/60 Hz
Consumption
typically: 100 W, max. 250 W
Input and output cards Analog
4 channel microphone card 8 channel A/D input card 8 channel D/A output card
Digital
8 channel AES/EBU input card 8 channel AES/EBU output card
Options AEON Extension Kit - allows up to 200 m CAT5 cable distance between console and engine User Rights Management Software - allows user specific access to determined functions
Optional audio network accessories OCTO-BUS
4 x 8 channel bidirectional OCTO-BUS card 4 channel analog input active breakout box 4 channel analog output active breakout box
RCPs
Digital Audio Network Router Control Panels (RCPs)
Audio Network
2 x 64 channel bidirectional fiber optic card MADI card (optical)
Dimensions Fader module
H: 25 mm / 1 “
W: 195 mm / 7.68 “
D: 442 mm / 17.4 “
Monitor module
H: 25 mm / 1 “
W: 195 mm / 7.68 “
D: 442 mm / 17.4 “
AEON frame
19“ / 3 RU rackmount
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Qphonics AG formerly KLOTZ DIGITAL AG Carl-Zeiss-Ring 7a 85737 Ismaning / Germany
Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
AEONnet 05/2011 PDF
Specifications are subject to change without notice! Specification contains typical values if not stated otherwise.
CUSTOMIZABLE DIGITAL AUDIO CONSOLE
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The Ideal Solution for Your Challenges
Is it time for you to design a new facility? Do you intend to switch from analog to digital or do you want to upgrade your existing infrastructure? Either way you need to route and control audio and related control data. The two components necessary to realize the full benefits of digital broadcast technology are a flexible digital console and an intelligent facility spreading network. You are confronted with the challenge to select a console meeting your needs and then figure out how to create an infrastructure that will accommodate the product. But how does one understand the increasingly complicated terrain of a huge audio network with integrated audio consoles? Don't agonize with the decision which digital broadcast system might fit best to your purposes. Just take the easy way out and choose Qphonics DECENNIUM – the ideal solution for your challenges.
Customizable Digital Audio Console
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Experience the Innovative Advantage
Digital Network Console DECENNIUM is a fully digital audio mixing console, designed to enhance efficiency in your broadcast facility. It comes along with an ergonomic flat panel hardware design and offers extensive standard functions. At the same time DECENNIUM is a router based control surface and can be fully integrated into Qphonics intelligent VADIS audio and control network solution. The excellent network performance combined with a modular hardware and software architecture makes the console an user-friendly piece of equipment enabling a maximum grade of customization.
Decentralized Channel Related Access to Sources One of the outstanding features of the DECENNIUM control surface is the ‘Multi Purpose Control Element' (MPCE) which is located on top of each channel strip. The MPCE is an invaluable tool allowing decentralized channel related access to sources and parameters. Furthermore via the MPCE several channel strips can be operated simultaneously which is a useful tool in everyday work. DECENNIUM is the ideal mixing console for any broadcaster seeking a low-cost, high-efficiency control surface offering a high level of operational effectiveness and broadcast security.
No need for external audio treatment DECENNIUM is equipped with first-class DSP features superseding external voice processors or other peripheral equipment. Additional processing can be inserted on each channel, including an extensive dynamics package (limiter/ compressor/expander) and a 6-band parametric equalizer.
Hear no Evil‌ On-Air-faults are a broadcasters worst nightmare. Qphonics is an expert with many years of experience in manufacturing and installing broadcast technology. We develop products in close collaboration with radio professionals all over the world and therefore know how to help you to overcome your fears. You can rely on Qphonics technology. DECENNIUM and VADIS are built for continuous real time operation without producing any latency, delays or glitches and are equipped with a safety-kit offering unique broadcast security. We want you to stay on air 24 hours 7 days a week and therefore offer redundant components, such as power supplies or controllers and fiber optic links for automatic and completely quiet take over. Qphonics is well known for its sophisticated emergency management tools from noise sensing and automatic routing to central system status monitoring. Besides we have taken all measures to ensure contineous operation of your Qphonics broadcast system and let you rest easy.
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Control Surface
DECENNIUM combines a control surface with an audio engine which ties the DECENNIUM into the facilities audio and control network. Two types of control surface modules are available, the fader module with four faders and the monitor module with four independent monitor channels, DSP and control section and function keys.
Focus on the Multi Purpose Control Element The MPCE which is integrated in every channel strip is used for channel related parameter settings and source selection. It consists of a rotary encoder with integrated push button and an associated 16 character display (8+8). Furthermore this distinctive feature enables each fader module to be used as a single 4-ch console without the need of a monitor module.
The Fader Module
Multi Purpose Control Element
4 channels, each with 16 character display Endless rotary encoder with integrated push button for source selection and channel related parameter adjustment Clip LED (threshold adjustable) Status indication LEDs for DYN and EQ Status indication LEDs for secondary bus routing 4 bus routing buttons for main busses Channel select/assign Professional 100mm fader 16 character display for channel name indication CUE TalkBack into source related return line ON/OFF
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Fader Module
Control Surface
The Monitor and Control Module Central Control Unit [1] [2] 4 multi purpose rotary encoders with integrated push button and 4 associated 16 character displays are used for yy Source control yy LogIn yy BUS master level adjustment yy EQ and DYN settings yy Advanced channel parameter settings yy …and many more
[1]
Monitor and Control Module
4 multi purpose buttons and 4 associated 16 character displays are used for yy Static channel parameter settings yy Preset- and snapshot selection, yy EQ and DYN activation yy etc.
[2]
DYN functions and EQ-band selection [3] [3]
Central parameter bank selection [4]
[4] [5]
Central “jump" buttons for selecting the most frequent used channel parameters such as Mic- and Line Gain, Pan-Bal, etc. Central bus routing [5] Individual access to each bus assignment Function keys [6]
[6]
12 free assignable function keys for any imaginable purpose, that can be programmed with a GUI Monitoring [7] Monitor pool of 20 buttons for monitor sources and monitor functions such as DIM, MUTE, MONO, etc.
[7]
4 individual and freely assignable monitor channels, each equipped with a select button for accessing the monitor source pool as well as AutoCue and AutoSplit functions
All control and indication elements of the DECENNIUM modules come pre-configured and offer a useful basic configuration. All control and indication elements can be modified individually to fit with your specific needs. Each button has a transparent cover for individual labelling with custom labels.
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Applications
Welcome to a New Way of Doing Things DECENNIUM's control surface has been developed with the objective of generating an extraordinary operation surface allowing extreme flexibility in console layout. Each console module comes in its own housing and therefore the design allows compact, split and single module arrangements. The DECENNIUM does not require furniture cut-outs, due to it's unique flat panel design. This allows unprecedented flexibility in layout to suit opertor needs. Classic Compact Layout
Classic Compact Layout
Classic Split Layout
Classic Split Layout
Multi-Split Layout
Multi-Split Layout
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Applications
Rich Diversity of Applications Meeting Individual Requirements The different types of applications can be made in accordance to customers' individual requirements for example an On-Air studio equipped with a shared console.
Multi User Layout
The perfect and most economical solution for the News Room Sharing one audio engine, but using individual bus technology, each four fader module forms a separate console. Furthermore each module can be split due to individual busses: one 4-fader console for 2 users. Journalists are able to assemble their broadcasts working simultaneously without interfering with each other. This solution is space saving and cost efficient as it can be installed in small working environments or even directly onto the journalist desk.
Multi Console Layout
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Audio Engine and Software
Any Signal Anywhere The VADIS audio engine is the core of the DECENNIUM console. VADIS is a synchronous platform designed for high quality audio applications without latency, delays or glitches. The backplane of the DECENNIUM audio engine offers 10 slots to accomodate any combination of audio input/output, networking and signal processing cards. It is based on Qphonics TDM technology that has a proven track record of thousands of installed units worldwide. 19" 3 RU rack mount controller equipped with
DECENNIUM Audio Engine
10 slots for various proven interface plug-in cards such as: yy Fiber-optic network yy Digital and analog in-/outputs yy Signal processing yy OCTO-BUS studio network CMI interface for connectivity to external control devices Built-in 8x8 GPI/O (expandable with external GPI box) Integrated fan less PSU
Software is the Gateway to Customization In general DECENNIUM comes pre-configured as an On-Air console which can be easily installed and put into operation. Nevertheless it is fully modular and can be customized to almost any requirement at a reasonable price-performance ratio. Dozens of specialized add-ons and software modules are available for this purpose. Additionally Qphonics unique CSL programming language guarantees the highest grade of integration capabilities. It has been successfully used for many years and allows the economical and long lasting implementation of highly customized projects with the unrestricted possibility for further update and upgrade.
Console Screen and Setup GUI
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Networking
The Router Based System: Handle More with a Solution That Does More Many attempts have been made to simply replace analog gear with digital equipment. But what is the point of going digital? Surely you want to take advantages of the many benefits only a digital architecture can provide. The DECENNIUM solution goes far beyond trivial audio networking. It can be compared with a typical client-server architecture. Each client can act as a server and vice versa. Users can route and process audio and control data throughout the entire facility. With the single push of a DECENNIUM buttom operators can control every broadcast device in the facility and carry out changes in the system. As an example, any DECENNIUM integrated in the VADIS router environment is able to run and control each play-out-system, talk-studio or other device anywhere in the broadcast facility. Qphonics client server approach offers new ways to support your workflow and enables you to fully exploit cost saving potentials by reducing the amount of necessary equipment in many areas of the broadcast facility.
A Gentle Landing Due to Safety Net and Redundant Structures VADIS differs in an essential aspect from the client-server-architecture: Though completely networked each studio in the broadcast facility is designed as a self-contained unit, not depending on the LAN based control network. The reliable audio network, based on industrial controllers and redundant fiber optics, ensures your audio supply. Audio will even continue to flow while you do maintenance on the control network.
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Making your Workflow Easier
VADIS Software Modules Leaving Nothing to be Desired Have you always wanted studio equipment fitting your workflow exactly and making your daily work easier? Stop wishing, use VADIS software modules together with your networked DECENNIUM solution. Qphonics VADIS specialized software modules make work easier and furthermore enhance system stability. Expamles: Air Chain Management (ACM) to provide automated management of the main outputs of a system, such as the On-Air feeds. ACM provides a decentralized operation directly from each studio and guarantees an inaudible and fail-safe On-Air routing. Central Return Line Management (RLM) to manage the access and control of central resources, such as a pool of centralized telephone hybrids or codecs. The CRM helps to avoid collisions and to provide all necessary functions for a simple and stress free operation. User Rights Management (URM) to provide password protected login and access rights for user groups and single users. Automatic mixer {MI(C)XER} to automatically mix up to 40 mono or stereo line or microphone inputs to one fader strip of a console. This helps to handle multiple sources in an easy way. The MI(C)XER is a very useful tool especially for talk shows or round table discussions. The central Snapshot and Preset Management to allow complete remote administration of a networked console. A sound engineer can access any single channel of any console (e.g. the DJ or announcer microphone) to modify the settings via remote control. ...
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Technical Information
DECENNIUM Basic Mixing Console DECENNIUM Surface Sizes
No. of faders
4 / 8 / 12 / 16 / 20 / 24
Busses
Stereo or mono busses
Standard: 8 (expandable by configuration)
Monitor
Monitor channels
4 stereo or mono
Dimensions Height Width
1.65" / 42 mm 8-fader DECENNIUM console
approx. 24.2" / 615 mm
12-fader DECENNIUM console
approx. 31.9" / 810 mm
16-fader DECENNIUM console
approx. 39.6" / 1005 mm
20-fader DECENNIUM console
approx. 47.2" / 1200 mm
24-fader DECENNIUM console
approx. 54.9" / 1395 mm
Depth
19.5" / 495 mm
DECENNIUM Audio Engine Controller
No. of slots for interface cards
10
Included interface cards
2 x DSP card 1 x D/A card for monitoring
Power Supply
Dimensions
General purpose interface I/O
8/8 (relay outputs, optocoupler inputs)
KVM connectors (keyboard, video, mouse)
Yes
System clock
44.1 / 48kHz
Synchronization
Internal clock (crystal), Wordclock (BNC), Fiber clock DiAN FiO, AES3 frame
Type
Standard: integrated single hotswap PSU
(expandable with redundant internal PSU)
Voltage
110/230 V AC / 50/60 Hz
Consumption typically
100 W, max. 250W
19"/3 RU (H=132 mm / 5.2"; W=482 mm / 19"; D=332 mm / 13")
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Technical Information
Options for DECENNIUM Audio Engine Audio, DSP & Network Interface Cards Analog
4-ch microphone preamp card with 48V phantom power 8-ch balanced A/D input card 8-ch balanced D/A output card
Digital
8-ch AES/EBU input card with sample rate converter 8-ch AES/EBU output card
OCTO-BUS
4 x 8-ch bidirectional OCTO-BUS card
DiAN
64-ch bidirectional standard fiber optic card (64ch RX / 64ch TX) 64-ch bidirectional fiber optic card for redundant fibers (RX/TX - RX/TX) 64-ch bidirectional fiber optic card for redundant and shared fibers (RX/TX - RX/TX - TX/TX)
DSP cards for
mixing, gain, level meter, EQ: 6-band EQ (4 fully parametric + 2 shelf filters LF/HF), dynamics: compressor / limiter / expander, sine tone generator Optional: Multi-delay plug-on
Redundant Power Supply
Redundant internal PSU for load sharing and uninterruptible power supply
Accessories for DECENNIUM Remote Installa- DECENNIUM Extension Kit - allows the installation of the console surface 200m tion of Surface distant from the engine (CAT5) GPI
External GPI device with 16+16 I/O connected via CMI bus External GPI device with 32+32 I/O connected via Ethernet
Routing Control External Router Control Panel with 24 LCD-buttons OCTO-BUS
Remote Audio I/O
OCTO-BUS 4 channel analog active MIC/Line input box OCTO-BUS 4 channel analog output active breakout box
Specifications are subject to change without notice! Specification contains typical values if not stated otherwise.
Qphonics AG formerly KLOTZ DIGITAL AG Carl-Zeiss-Ring 7a 85737 Ismaning / Germany
Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
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Control Surface
Qphonics DECENNIUM surround is a new and very cost efficient mixing console offering 5.1 capabilities. The philosophy of this console is to fulfill basic requirements for a wide range of surround applications, e.g. TV-, Video- and Radio surround productions. The new DECENNIUM 5.1 surround control surface consists of two different modules: FADER module with four moving faders MONITOR/DSP module with three monitor channels, DSP- and control section, function keys, surround panning, surround and stereo/mono monitoring as well as master fader Each of these modules comes in its own housing ensuring great flexibility and user friendliness. The customer has the flexibility to arrange the workspace according to the user's and environment's individual requirements.
The Fader Module four channels, each with 16 character display (8+8 in 2 lines) Endless rotary encoder with integrated push button Status LEDs for inserted DYN and EQ Multi Purpose Control Element
Bus routing buttons (8+1) yy 8 x BUS assignment yy 1 x 5.1 Surround assignment (6 buses) Clip LED (adjustable threshold) Signal LEDs indicate presence of signal LOCK to keep the current channel always on top Layer indication via 4 LEDs Channel ON/OFF (toggle) SELect functions and parameters access MODE indicates either if the channel fader is in write or in read mode UP/DOWN arrow LEDs indicate the fader direction Professional 100 mm motorized fader 16 character display for channel name indication Channel CUE/Talkback yy Offering traditional CUE function via connected loudspeakers or headphones
yy Allows simultaneous talkback into source related return line SOLO yy Traditional SOLO function by switching off all other channels
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Control Surface
The Monitor/DSP/Master Control Module The monitor module includes all important monitoring features. Moreover it offers access to all major DSP functions and parameters, sources, snapshots, presets and many more. A central master fader for the main level control of a predefined selection of output buses is available. Additionally a built-in LCD screen displays buttons, level meters and indicators, EQ and DYN envelopes, 5.1 panorama settings, etc. Each working step is displayed on the screen due to the “auto-follow-function” and helps the user to retain the overview.
Built in LCD screen to display audio levels, all important console functions and parameters Central Control Unit [1] The Central Control unit is used for most basic settings and adjustments. Central parameter bank selection with page up/down 4 x multi purpose rotary encoders with integrated push button 16 character display (8+8 in 2 lines) Source Pool [2] 10 free configurable buttons to monitor internal or external sources
Monitor Functions [3] 5 monitor function buttons can be individually
[1]
assigned to the 3 monitor channels
Surround Monitor Selection [4] 6 buttons representing the 5.1 monitoring
[5]
Surround PAN [5] The surround panning is effected by 3 rotary encoders yy Panorama Left/Right adjustment yy Front/Rear adjustment yy Divergence which represents the image width
[2]
adjustment of a SELected source
[8] [3] [6]
[9]
[7]
[4]
Via these 3 rotary encoders any source can be acoustically positioned precisely within the surround field. In order to see what you hear a graphical surround PAN and appropriate level meters are displayed on the central LCD screen.
Layer [6] Up/Down buttons to select the 4 available virtual layers Function Keys [7] 2 freely assignable function buttons Master Fader [8] Master fader with bypass button at 0dB Monitor Channels [9] 3 independent monitor channels yy SELect button, to individually access the source pool and the monitor functions
yy Volume control
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Control Surface
The Multi Purpose Control Element The MPCE is integrated on top of each channel strip. It can either be used to select and assign sources or to modify channel related parameters such as phase reserve, phantom power, AUX sends, gain stages, LFE/SUB send level, panorama/balance, delay, etc. For some special applications e.g. EQ and DYN adjustments the MPCEs of all channel strips can be used together as one big horizontal encoder block allowing easy operation. The Multi Purpose Control Element consists of a rotary encoder with integrated push button and an associated 16 character display. The upper display line shows the parameter/function names, the lower line shows the status or value.
EQ low
EQ mid1
EQ mid2
EQ high
This example shows the operation of the parametric 4-band equalizer of the SELected channel 9. The adjustment is graphically supported by the console screen software.
Moving Faders and Virtual Layers The DECENNIUM 5.1 has four virtual fader layers. Any mono-, stereo- or 5.1 source can be freely assigned to one of them. The operator can handle a lot more faders than the surface offers. This lowers the space consumption and lets the DECENNIUM 5.1 grow with the requirements. 5.1 surround sources (6 channels) can be connected either as discrete audio channels in analog, digital format or on SDI interface cards via BNC coax cables assigned as a “block” to any single fader allowing easy crossfades of pre-mixed surround sources
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Technical Information
Standard Configuration Specification DECENNIUM 5.1 Control Surface Sizes
No. of faders
Layers
4 (virtual)
Buses
5.1 Surround PGM stereo 8 Multipurpose (4 stereo) 2 Aux stereo (4 mono) 16 Cleanfeeds 1 CUE stereo
Presets
120
Snapshot
64
4 / 8 / 12 / 16 / 20
DECENNIUM Audio Engine Audio I/O
The base frame holds up to 120 audio inputs or outputs in all common digital and analog formats.
Capacity
21 slots for audio interface cards (15 free assignable)
Signal Processing
Included DSP cards
Safety
Redundant PSU available
DECENNIUM Controller CMI Bus
3 interfaces to connect and power control surfaces
Network I/O
Connection to audio engine(s) Connection to VADIS network
VADIS Software Software for audio engine, VADIS network control and Workflow Tools
Specifications are subject to change without notice! Specification contains typical values if not stated otherwise.
Qphonics AG formerly KLOTZ DIGITAL AG Carl-Zeiss-Ring 7a 85737 Ismaning / Germany
Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
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MODULAR CUSTOMIZABLE AUDIO CONSOLE
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Qphonics (formerly KLOTZ DIGITAL) router based VADIS D.C.II console system provides the ultimate solution in digital audio integration for broadcast, production and live applications. From a single studio to mega broadcasting facilities,VADIS is the most cost-effective and time saving option for traditional analog and digital installations.
The Secret
Is Behind the Scenes The VADIS system is a well proven solution which has been installed in countless digital audio facilities around the world. It consists of a: variety of control devices, e.g. the VADIS D.C.II console, Router Control Panels (RCPs) and the VADIS GPIs number of VADIS routers and DSP engines VADIS Fiber Optic Audio Network wide range of VADIS Workflow Tools
VADIS is a technically mature solution providing maximum quality and reliability. Superior engineering techniques and pervasive testing ensure absence of latency, delay, or glitches in any situation.
Control Data Network (Ethernet) Audio Network (Fiber Optic)
1 VADIS System Philosophy
The VADIS system was designed with new workflow efficiencies in mind for the audio and media market, improving the business model by reducing installation and operating costs. To accommodate the individuality of our clients VADIS is based on a modular concept and our team of experienced and professional engineers will specifically tailor the VADIS system to meet any customer’s challenges.
Giving You Complete Control VADIS D.C.II Audio Console
A selection of console modules in different sizes is available. These include an array of fader modules, push button modules, source selection, etc. By placing the most important operational functions exactly where they are required, the operator can be provided with a traditional and familiar console surface layout. Qphonics has designed a VADIS D.C.II control surface that is intuitive to operate, and optimal for adaptation to individual ergonomic requirements. The VADIS D.C.II includes a flat screen, or touch screen version, for metering, clock/timer and transmission path indication. It enables the operator to get an immediate system – or channel related overview – including all channel parameters, EQ and DYN settings, as well as source-, preset- and snapshot management. Furthermore, a wide range of specific indicators, buttons, and PPM/VU level meters are provided. The VADIS D.C.II console surface can be split into multiple surfaces, ranging in size, without any loss in functionality. It is flexible enough to be the best choice for a variety of attractive applications. Choose the surface configuration which suits the specific individual requirements: on-air, production, voice over- or news booth, workstation, production areas and talent control
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Any Signal Anywhere at Any Time VADIS Fiber Optic Network
Using the VADIS Fiber Optic Audio Network the VADIS D.C.II control surface provides a perfect way to access the router from any VADIS D.C.II mixing console. Ethernet based control signals interconnect the consoles with each other in addition to the VADIS Fiber Optic Audio Network. This concept allows the customer to place the control surfaces anywhere in the facility completely independent of the audio processing and routing backbone. Furthermore this decentralized layout allows the optimal sharing of all technical resources between all studios throughout the facility. Once an audio signal is connected to VADIS, the signal is available anywhere in the system. Sources such as microphones, play-out systems, telephone hybrids and ‘CODECS’, FM-, AM- and satellite receivers for system wide monitoring and satellite up/downlinks can be managed, edited and used anywhere in the system and from every VADIS D.C.II console, independent from their location, without any additional wiring. The VADIS method of distribution reduces facility wiring to a minimum, eliminating problems associated with traditional audio cabling. The separation of the audio and control networks guarantees the highest reliability and operational security.
A Real Team Player VADIS Mainframe
The VADIS D.C.II audio console is based on the VADIS digital audio router and DSP engine family. This acts as a decentralized master router for the studio, placing each frame close to its audio sources and therefore rendering an additional router system unnecessary. DSP cards installed within the frames provide audio processing required for the most basic to the most complex audio processing applications such as dynamics, EQ and or mixing of signals. The VADIS frame can manage up to 256 real time channels simultaneously each with 32 bit fully linear bandwidth. In combination with additional VADIS frames and by using the very versatile VADIS Fiber Optic Audio Network components, huge router systems with thousands of audio I/Os can be established.
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Greater Flexibility than Ever VADIS Workflow Tools
The complex and individual operational processes in broadcast and production facilities usually present a real challenge to audio and control network systems. That is why Qphonics enriched the VADIS system with a diverse range of hardware and software modules, forming the VADIS Workflow Toolbox. These workflow tools enable complex operational processes to be incorporated into the VADIS system, providing human friendly interfaces and workflow efficiencies. VADIS Workflow Tools can be used in almost any combination and guarantee tremendous flexibility of the VADIS system which is essential in meeting the customers’ individual requirements. The VADIS Workflow Toolbox includes solutions for: Multiple studios e.g. Shared Control Management e.g. Remote Source Assignment Station comfort e.g. Time Switch Software e.g. Central Snapshot and Preset Management Safety precautions e.g. User Rights Management e.g. Central Status Monitoring 3rd Party interfacing e.g. Hard Disc / Play Out Interface e.g. TCP/IP Interface
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Features & Benefits In a Nutshell
The VADIS system is an open architecture: each solution to be tailored to any customer requirement modular layout for applications of any size as well as cost effective and effortless expansion any combination of digital and analog audio I/Os opens up to all Qphonics radio broadcast products, such as the OCTO-BUS Studio Network or VARIZONE Public Address System and important 3rd party equipment Improving efficiency and productivity: optimal sharing of all technical resources between all studios and throughout the whole facility Variety in VADIS D.C.II console layout: for aesthetically pleasing applications intelligent ergonomic design and classic surface styling Redundant mechanisms providing highest protection against failure: separation of control and audio networks crucial components are fully-redundant automatic cut-over by redundant studio or play out service to maintain on-air continuity Reduction of costs: lower investment cost e.g. dramatically reduced wiring and labor costs due to fiber networking reduced maintenance: fewer components, hot swappable technology reduced installation cost as a result of pre-configured components Remote control of the central router Facility wide intercom built into the platform Reduced maintenance and increased productivity as a result of high reliability Technically mature solution, well proven in a magnitude of installations worldwide Premium product offering best value at a competitive price
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Qphonics AG formerly KLOTZ DIGITAL AG Carl-Zeiss-Ring 7a 85737 Ismaning / Germany
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Tel. +49-(0)89-45672-300 Fax +49-(0)89-45672-309 www.qphonics.com info@qphonics.com
DCII 05/2011 PDF
Specifications are subject to change without notice! Specification contains typical values if not stated otherwise.