The
2020
Plasticity C EL E BR AT I N G S PAT I AL M ECH ANISM
BEYOND FRAMEWORK Exploration of structure
SEAMLESS CONNECTION The way of negotiating
RE-FORMING PATTERN
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The Plasticity CELEBRATING SPATIAL MECHANISM 2020
STEVANNY PUTRI
LEADERSHIP 2015-2016
KUKTEK UI
Head Division of Inventory
2014-2015
KUKTEK UI
Head Vice Division of Inventory
2018
AFAIR UI
Staff of Consume
2018
Organist
Organist Teacher at Saint Paul Church
2018
General Head
Gashuku Taekwondo
2018
Research Assistant
Interior Interactive Furniture
2018
Research Assistant
Save Road Crossing Smart City for Kids
coroflot.com/stevannyputri
2020
Pakubuwono Patra Kuningan
Patra Jasa | Retail | Jakarta
2019
Sentuland Masterplan
Crown Group | Masterplan | Jakarta
SOFTWARE SKILL
OTHER SKILL
2019
Kota Kasablanka IV
Pakubuwono | Mixed-use (Mall, Apartment, Hotel) | Jakarta
Sketchup, Rhinoceros, Lumion, Vray, Autocad, Indesign, Illustrator, Photoshop, Corel Draw
Language: Indonesia, English, Japanese Art: Hand sketch, Coffee-Painting, Model Making, Hand Craft Music and Sport : Organist, Swimming, Taekwondo
2019
IPEKA Integrated School
IPEKA | School | Balikpapan
2017
Sport Centre
Sport Centre | Lampung
2017
Merbabu Glamping
Glamping and facilities | Salatiga
2016
Interior Wall
Wall for Lighting | Jakarta
Curriculum Vitae
STEVANNY PUTRI Jakarta, 6 March 1995 2-years working experience; Recent work at Airmas Asri Consultant; and Graduate of Profession Program for Architect putri.stevanny@gmail.com 0878 7517 4487 @stevynaaa
FORMAL EDUCATION
COMMUNITY ENGAGEMENT
WORK PROJECTS
ACADEMIC PROJECTS
2017 - 2018 2013 - 2017
University University
Universitas Indonesia | Profession Program for Architect GPA 3.85/4.00 Universitas Indonesia | Bachelor of Architecture GPA 3.55/4.00
2010 - 2013
Senior High
SMAN 1 Depok
2007 - 2010
Junior High
SMP Mardi Yuana Depok
WORKING EXPERIENCES 2019 - now
Junior Architect
PT. Airmas Asri | Architect Consultant
2018 - 2019
Junior Architect
PT. Image Qreator Indonesia | Architect Consultant
2018
Interior Consultant Team
Redesigning Interior of Universitas Indonesia Greenmetric Office
2018
Junior Architect Internship
BEstudio Indonesia | Architect Consultant
2017
Teaching Assistant
Universitas Indonesia | Architectural Design Studio 1
Junior Architect Internship
BEstudio Indonesia | Architect Consultant
2016-2017
2018
PPAr-B
Gallery-X | Gallery and Exhibition | Jakarta
2017
PPAr-A
Trans-O | Office | Jakarta
2017
Final Project
Deja Vu | Urban Familiarity | Jakarta
2016
AD 5-B
D’Holl | Mixed-use towards TOD | Jakarta
2016
AD 4-B
Panggung Condominium | Apartment | Jakarta
2016
AD 4-A
Tensegrity Hub | Public Space | Jakarta
2015
AD 3-B
Portable Architecture | Karaoke | Jakarta
2015
AD 2-B
Jazz House | House for Artist | Depok
2014
AD 1-B
Composition of Imagination | Personal Space | Depok
2019
Singgah Pulo
PT. Propan Raya | Tourism Information Centre | Kepulauan Seribu
2019
Gandroengi Boemi
IAI Banyuwangi | Tourism Information Centre | Banyuwangi
2019
Suhunan
MPPKS IAI Jawa Barat | Sukabumi Government Masterplan
2018
Phendei Housing
Building Trust International Cambodia | Public Housing | Cambodia
2017
Share Hub
SMLYAC | Office | Tangerang
2016
Riverfront Park
Miniatur UNDIP | Public space | Semarang
2016
Kampung Purifikasi
ADW UNTAR | Public Space | Jakarta
2016
Bird Sensory Complementator Archfest Universitas Kristen Petra | Children Space | Jakarta
COMPETITION PROJECTS
ACHIEVEMENTS 2018
Best GPA
Profession Program for Architect | GPA 3.85/4.00
2018
Top 20
Kompetisi Tugas Akhir ITS
2018
Students Award
Award for Excellence in Creative Design Theory Approach in Architecture | Universitas Indonesia
2017
Cum Laude
Bachelor of Architecture | GPA 3.55/4.00
2016
Composition of Imagination
ACARA | Personal Space | Jakarta
Asean Contest for Architectural Rookies Awards in Singapore
2015
Bank Sampah
Archicare UI | Environment Sanitation
2015
Shelter
AFAIR UI | Shelter
2017
TOD Design
D’Holl: Designing Mixed-use High Rise in Transit Oriented Development Area
2017
Urban Familiarity
Deja Vu: Construcing The Time and The Sense of Familiarity by Implanting False Memories
2016
Relativity
Dancer who Watch and Spectator who Dance
2016
Representative
2015
2 Place
Asean Contest for Architectural Rookies Award in Indonesia
2013
1st Place
Student Champion in SMAN 1 Depok
2013
Finalist
Chemistry Fair 2013 | FMIPA UI
2012
Finalist
Chemistry Olympiad in Province
nd
2012
Top 5
Chemistry Olympiad in City
2012
Silver Medal
Jakarta Taekwondo Festival
2011
Bronze Medal
Brimob Taekwondo Training Centre Cup IV
WRITINGS
Prologue.
Content. Beyond Framework
Plasticity is the ability of a “solid” material
Exploration of structure
to undergo permanent deformation, a non-reversible change of shape in response to applied forces.
What are we actually talking about ?
01
Framework of Celebration
04
Playing Hide and Seek
09
Reversible Structure
12
Assembly System and Guidance
Project “Merbabu Glamping”
Project ”Gallery-X”
Project “Tensegrity”
Project “Interactive Furniture”
Seamless Connection The way of negotiating
16
Public Platform
25
City Movement
35
Practicality Down to Earth
Project “Green Atrium”
Project ”D’Holl”
Project “TC Headquarter”
(Re)forming Pattern
Back to essential knowledge
MATERIAL(-ITY)
MEDIUM
TOOL
EVERY-MATTER, CHARACTER, HABITAT
ENVIRONMENT, SOCIAL, POLITIC, ECONOMIC, ERA, STYLE, MARKET
SENSES, TECHNOLOGY, MACHINE, EQUIPMENT, DEVICE, UTENSIL
44
Manifestation of Time and Memory
51
Manifestation of Nature
56
Manifestation of Culture
61
The End: How to be an Actor?
Project “Deja vu”
Project ”Gandroengi Boemi”
Project “Singgah Pulo”
Project “Composition of Imagination”
01
Beyond Framework Exploration of structure
01 Framework of Celebration Project “Merbabu Glamping�
Stucture as a celebration. Glamour Camping is located in Salatiga with amenities such as restaurant, main entrance, playground, amphitheater, eating area, and public toilet. This project works with local communities in making of rattan wicker, the informant of processes farming for the ultimate educational activities, and provides vegetables and fruit for visitors. Site and building mass is designed to be integrated by maintaining local natural conditions such as minimizing cut and fill, building water channels at each end of the slope, and using steel as the main material for lighter buildings. In the process of form generating, I was inspired by the journey of climbing mountain, passes many natural features like rough stone texture, walking inside the cave, and sit under the leaves lush. All this atmosphere is translated into space experience in designing skin of building integrated with site contour.
DETAILS
SPATIAL MECHANISM
DESCRIPTION
Key points: material affordability, preserving local resources
01
Folding
is from 2-D to 3-D by bending its surface, playing with inner space that can pass through and outer texture felt by skin. Controlling their tight and tenuos, high and low, and direction.
Year Category Typology Location Stage Site Area Floor Area Team
: 2017 : Internship project : Glamour camping and facilities : Salatiga, Central Java : Design Development : : : Erick Budhi (Principal) Budiarti Prananingrum Stevanny Putri
MAIN CONCEPT
“The journey of climbing” Inside the cave “Get into a long tunnel. Under and above the stone. Just follow the path. Feel the hole surfaces. I will find beautiful view. soon.
Under the tree “Lush leaves almost covered the sky and incoming sunlight. Breathe fresh and cool air. Here, under the tree, I was replaced by nature.”
Stand on rocky ground “Walking on rocky ground. A short break. Rests again on rocks, soil, and shrubs. Keep balance. It will take me to the top of montain.”
01. MAIN ENTRANCE The arrival of people is celebrated by entering the main entrance by displaying webbing made by the local community in their unique style. A combination of steel and rattan woven makes it lighter. Linear massing with cavities in the center is given pressure on forces that are not unidirectional to create triangular geometries inspired by mountain silhouettes. Space experiences like folded inviting visitors to focus on enjoying the texture of local crafts until the end of the view door leads directly to the mount with a spread of rice fields, trees, and cliffs.
out-path
“A little higher, still feeling and looking : where are we?”
on-path
on-path
in-path
03. PLAYGROUND Side view
Front view
Back view
The folding concept such as main entrance is applied to the playground by giving an upward force so that it lifts up the fields and creates cavities for children to pass through. The difference in height for the age range of children is adjusted to the height of cavities and solids that can be climbed. Blunt textures such as wood and grass are combined to enrich the sense of touch and the variety of play activities that can be done such as rolling, walking up and down.
Section A Floor plan
Section B
Perspective
02. PUBLIC TOILET The uses of stone as the layer of walls and rattan as the layer of roofs create the feelings of mountain with rocks and trees. The understanding of land sloping and good sanitation system is needed to separate black water and gray water so it does not contamine the waterways. To keep fresh air in public toilet, there are louvres in opposite wall to create cross ventilation. Top view
Side view
Section A
Section B
02 Playing Hide & Seek Project “Gallery-X�
DESCRIPTION
Key points: gallery, art expression, community, dualism, identity
Stucture as an expression.
Art is not created, but revealed. Menteng as an elite area was once a garden city as Ebenezer Howard proposed to have an interesting dualism story. Intimacy and openness, silence and excitement give the image of a capitalist and socialist Menteng.
DETAILS
SPATIAL MECHANISM
Designing a gallery as a public space cannot be separated from the activities and habits of children, youth, and the arts community in expressing themselves. There is some communities near such as poetry group, musical, reading book, etc. They actively use park as social and expression places. Art galleries with amphitheater facilities, libraries, cafes, workshop rooms and discussions, as well as an evening show area on the rooftop are expected to accommodate community activities to work. The structure manifest the dualism of Menteng, hide and seek by using contras elements: straight line in structure and curvy line in facade.
04
Uncovering
revealing the identity art soul as an natural expression of human, like looking for crickets in the meadow by uncovering the grass.
Year Category Typology Location Stage Site Area Floor Area Team
: 2018 : Academic project : Gallery : Menteng, Jakarta : Concept : 1.750 M2 : 2.900 M2 : -
MACRO SCALE ANALYSIS 1 Strategic location from centre of business Wisma Nusantara
Monumen Selamat Datang
1
Taman Menteng
noto Street
Grand Indonesia
reet
Mandarin Oriental
3 Graha Mandiri
Taman Panarukan
2
an
3
ol
nj
Bo
Gallery-X
Taman Suropati
et re St
Jend. Sudirman Street
ar Street
rir Street
. Yamin St
Im
Public square in Taman Menteng and Taman Suropati used as place for community to gather and pratice a performance in art or sport. It is a place for people to meet and growth, create something new and inovate.
Sutan Syah Prof. Moh
1
Teuku Um
2 Parks for community
HOS Cokr oami
Located near Sudirman Centre Business District make an active highway so this area will always bypassed.
Taman Situ Lembang
2
Iman Bonjo
l Street
Taman Lawang
source: www.google.com
3
3 Various groups for market share
Latuh
arhary
Menteng was known by its bourgeois people, his big house, and also house of embassy as designed as garden city model by Dutch Architect, P.A. Moojen which combined a central pubic square. Various background user’s space will expand the marketing network in contribution to art and performance.
Ciliwu
Street
ng Riv
Galungg
er
ung Str
eet
residential office, commercial, service green area gallery-X Land use and zoning map
Front view
MICRO SCALE ANALYSIS AND INITIAL CONCEPT “Building as meeting point of community event” Although Menteng was originally intended to be an exclusive community, there were, in fact, many modest houses built along its edges, perhaps to serve as a buffer, but also ensuring occupancy by a cross section of the European community of Batavia. Now this community endured as the city around it changed drastically.
Guys, let’s see a handicraft exhibition this afternoon!
I want to watch acapella show tonight!
Exhibition: 9 a.m - 6 p.m Acapella show: 8 p.m - 10 p.m
CONTEXT RESPONSE: GROUND-ENTERTAINER
PROGRAM AND MASS
The building’s corner needs to designed attractive as an accent of intersection of road. The bottom edge is lifted up to let the tree grows and invite people to public area: amphiteatre and stage performance. Long side of building is visually reduced by floating impression.
People can enjoy and explore to be on ground, middle, and top of the building. Gallery as main function inside building and public activity on ground level as amphiteatre and stage for art performance. Roof garden can be used for eventual moment.
0m
30 130m
Optimize land use and restriction
Lifting up ground floor as respect to the park
Public space on ground floor
roof garden gallery
Diagram of building as meeting place
amphiteatre
FORM FINDING PHASES
A
B
URBAN LAYERING Distance 3_4 Distance 2_3 Distance 1_2
C
SPATIAL MODELLING 01
Layer Layer Layer Layer
4 3 2 1
Various angle in this area was sketched to find a pattern that may be used as design elements. This pattern show a “hide and seek” with layer of tree that always be the “front” to hide behind.
Row of Layers (side view)
DEFINING ATMOSPHERE 02
Adding force to increase or decrease the distance
Side view as elevation or section
Urban layering translated into field shields in the same distance in between and also different distance by adding force to increase or decrease the distance.
Front view as elevation or plan
Side view as elevation or section
Next, this field sheets are seen as 3-D rotation of object, as top view, left side view, and right side view that will translate into a plan, elevation, and section.
Sense of height
Sense of horizon
Sense of floating
From the affordance of spatial created, some kind of atmosphere is also create indirectly. Finally, this atmosphere will also supported by structural analysis.
Void
MODEL SET 1
MODEL SET 2
MODEL SET 3
Performance stage
MODEL SET 4
MODEL SET 5
MODEL SET 6 Amphiteatre
STRUCTURE FINDING
Building structure sketch
Longitudinal section
Section B
Ground floor plan
Mezanine floor plan
3rd floor plan
Roof floor plan
Toilet partial section
Detail 01: Wall and floor
Toilet partial plan
Detail 02: Wall and window
Toilet partial plan
Detail 03: Wall and ceiling
2nd floor plan
4th floor plan
03 Reversible Structure Project “Tensegrity”
DESCRIPTION
Key points: tensional integrity (tensegrity), compression, lightweight
Stucture as an icon. Located in Sudirman, near from Bundaran HI and highrise building with vertical orientation is contrast with horizontal orientation. This membrane float shaded fruit and vegetables market and restaurant try to break the continuity of heavy structure with light structure.
DETAILS
SPATIAL MECHANISM
Form finding begins from making exploration models of tensegrity. Minimum surface create lighter structure which is supported by elasticity, tension and compression force. Instead of create a system of beam and column clearly, tensegrities represent a system of “equilibrated omnidirectional stresses” and they don’t need any supportand are self-equilibrated as well as pre-stressed, In living nature, tensegrity structures can be found as a governing principle inmany biological systems ranging from cells to tissues and organ systems. In technology, tensegrity principle is used widely in buidling new structures, shelters, and bridges. They are lightweight in comparison to other structures with similar resistance.
09
Tensegrity
is continuous tension members and discontinuous compression members operating with maximum efficiency” (Buckminster Fuller)
Year Category Typology Location Stage Site Area Floor Area Team
: 2016 : Academic project : Widespan structure : Sudirman, Jakarta : Concept : 9.000 M2 : 5.000 M2 : -
SITE CONSIDERATION
CONCEPT
verticality
horizontality
From Highrise to Widespan Contrast with surrounding, this widespan try to be a break for verticality beside of respect to Monumen Selamat Datang. Character of massive and ground move on to light and float impressive. Graha Mandiri
Deutsche Bank Buiding
The City Tower
Monumen Selamat Datang
Menara BCA
“Lightweight structure as optimalization of materials strength�
Hotel Indonesia Kempinski
WIDESPAN BUILDING PRECEDENT STUDY
JOINTS AND CONNECTIONS Dowel-connection
Project : POMPIDOU METZ CENTRE Architect : SHIGERU BAN Year :
If the dowel is done vertically, the dowel is capable to hold the horizontal force, and vice versa will able to withstand vertical forces.
Laminated timber
Wood is cut into 3 layers to make it quite thin to be curved. In addition, steel plates are given to support flexibility and prevent the crack in wood layers.
Wood nut and steel bolt
There are also connections that use steel bolts, however still maintain the use of wood in the nut. The use of wood material may serve to protect so that the friction between the wood and the nut becomes large and not slippery so that the connection is not easy to move.
STRUCTURAL SYSTEM
Foundation
This weaving column is tied with a ring steel to prevent progressively more enlarged (its diameter) due to no opposite force. Other than that, each end of the laminated timber tied with a steel disk functions same as a steel ring and help distribute the force from point to the ground.
Mast
Mast provides a compressive force on the membrane structure (laminated timber + ETFE membrane) to make the membrane structure lifted and to keep the membrane standing on the ground so that there are four poles which are still one structure with the membrane structure providing a tensile force to the ground.
Wooden roof
Laminated timber is interwoven in 120o direction and then repeated until they form five layers (overlap and interlock) that form a hexagon space and remain triangular. It serves to provide more rigid flexibility with this triangle formed.
Membrane
Covering the whole building, it protects the wooden frame from rain, sun and wind. The membrane is made of fibreglass and Teflon (PTFE, or polytetrafluoroethylene). The overhanging roof, up to 20 metres in places, protects the walls from the elements. The membrane is translucent, letting through 15% of the light to reveal the hexagonal roof structure at night.
Connection details
TENSEGRITY GEOMETRIC PRINCIPLE
UNDERSTANDING TENSEGRITY BY MODELLING
Materials Cut half at point of stick to hook the rubber
Rubber Band
Wooden Stick
LEARNING FROM BIOTENSEGRITY
The Principles 1
Pervasive tension and a separation of rigid elements
The compression-resistant struts do not touch but instead are individually lifted, each embraced and interconnected by a system of continuously tensed cables called "continuous tension, discontinuous compression." 2
Set 1st. 3-Prism 1 2 3
Stable
If the model is pressed (external force) it will be leveled to the ground, but if it is released the model cannot return to original form. This might be caused by: Comparison of the height between the frame and the vertical cable forming the vertical triangle plane with the plane horizontal triangle of cable is only 1: 4 The vertical triangle plane is composed of frame and cable while the horizontal triangle plane is only composed from cable. So that the recognition order to maintain its shape is reduced.
Set 2nd. Icosahedron 1 2 3
If the model is pressed (external force), the model will be leveled to the ground and if it is released, the model remains flat to the ground. This might be caused by cables connected to the frame not in a state of tension so that when it take given force, the form change easily and cannot return to its original form. If seen from one side (top, bottom, or side sides) at its center is a hexagon with a triangle around it (similar to Shigeru Ban's Pompidou Metz but this model only a module from a wooden plaque Pompidou Metz).
Set 3rd. Frames with Membrane 1 2 3
In this model, volume is bigger than before. The frames which detach to membrane keep maintain its original form not to deform by its membrane pull. If we pull the free-frames (detach to membrane) will cause a movement of frames, cable, and membrane itself. If the model is pressed (external force), the model will be leveled to the ground and if it is released, only half of original form can be.
This stability is due to the fact that tensile and compressive components are, at all times, in mechanical equilibrium. 3
Prestressed
The compression elements are already compressed, the tensile elements already tensed—and they are stressed by each other, a condition known as "self-stress" or "prestress." 4
Resilient
Their components immediately reorient when the structure is deformed, and they do so reversibly and without breaking. 5
Globally Integrated
Because the components are so intimately interconnected, what is felt by one is felt by all, producing a truly holistic structure. 6
Modular
Smaller tensegrity structures may function as compressive or tensile components in a larger tensegrity system. (Source: http://www.scholarpedia.org/article/Tensegrity)
Set 4th. 12-dowel 1 2 3
The model can stand on a flat rectangular base. If reversed, the model can keep stand because the top side which form an angle can be flat. In laying on a certain side, the model has better reversible properties because its ability to give the opposite direction faster return to original form. Meanwhile, if the sides become the base, the model cannot stand and fall because of no strained and compressed.
Set 5th. Pelvis 1 2 3
With the smaller framework, cable range that is connected be shorter so the ability matters of defiance volume is bigger. Tension on smaller vertical frames will lead to a longer frame form a greater angle than if compressed. Compression on smaller vertical frames smaller will cause a longer skeletal form a sharp angle.
Set 6th. Geodesic Sphere 1 2 3
The model is composed of a frame that forms a pentagon plane without changing the shape of the field to make it circular and forming space like a ball (mutual sides cover). The frame is bound to one third of the other frame's length. a third creates the plane of the triangle as the remainder of the pentagon. If the ball is pressed (external force), then it will be deformed flat, but if the pressure released will return to ball shape as before.
FURNITURE ITEMS
uncovered trophy
A. BOOK SHELF 1
C. EXPANDABLE TABLE
fix table and chair tentative-used object
B. BOOK SHELF 2 D. MODULAR CHAIR 1
Existing condition
TRANSFORMING SPACE BY FURNITURE ARRANGEMENT At first, furniture is on three sides and left empty space at the centre. Then, furniture is tried to push on two sides and one side. Remaining space is optimized by other furniture that fit with this. Finally, empty space is bigger than before. The more space is available, the more activites can be done here,
1 Look around
2 Push to all side
3 Stack it
4 Move to one side
5 Group it
3 Compact it
E. MODULAR CHAIR 2
A. BOOK SHELF 1
B. BOOK SHELF 2
Book shelf 1 is compacted with extandable meeting table that can reach 2m long for 8 persons.
Book shelf 2 is compacted with table and modular chair (with and no backrest) that can be move out and place separately.
Measurement
Sawing out big wood
POST - PRODUCTION
C. EXPANDABLE TABLE
Furniture is moved from work lab into community hall and some parts need to be re-installed such as glass and wood board. We demonstrate the interactive system and try together to see its works.
Expandable table use folding system by cross frame connection that enable to extend this table from 38 centimeters to 2 meters long and completed with wheels.
Sawing out small wood
D. MODULAR CHAIR 1-2
Modular chair with 99 cm long is for two persons seat and 400 cm long is of one persons. When this chair is stacked together, it also can use to put a bag inside.
Wood shavings
02
Seamless Connection The way of negotiating
05 Public Platform Project “Green Atrium” Transition place connecting. Kota Kasablanka Mall in Tebet, Jakarta was one of success retail in Jakarta for his arrangement of retail inside from lower until upper middle class. Now, it will be extended to the next area plus apartment and hotel. There are some challenging problem in this area: street in between, not authorized land, and different level between existing and extension area. Connecting this place as unity, especially for people in shopping area is main challenge in this project. We tried to designing a public platform to connect both, an open space-green atrium, it can be used as public activities such as performance and booth. This central space will atract people to look each other, keep continuous path, and gather in one place to enjoying an events. Negotiating the existing in new stage is not only enough by adding “third space” as a connection but some problems that had been embeded before in existing area such regulation and calculation is another interesting case to be solved by design. Besides, designing apartment and hotel tower above retail is also concern about “separation” between private (residence) and public (retail). Through this project, I learned about the way of negotiate with building regulation change and marketing strategy in designing mixed-use building.
DETAILS
SPATIAL MECHANISM
DESCRIPTION
Key points: mixed-use, extended building, public space
16
Vortex
a whirling mass; something regarded as drawing into its powerful current everything that surrounds it to the centre.
Year Category Typology Location Stage Site Area Floor Area Team
: 2020 : Work project : Mixed-use (Retail, Apartment, Hotel) : Tebet, Jakarta (Kota Kasablanka Mall) : Concept : 32.000 M2 (3.2 Ha) : 192.000 M2 : Jusuf Setiadi (Principal) A. Rizak (Director) Hilman Adi Permana (Manager) M. Iqbal Tawakal (Senior) Stevanny Putri (Junior)
“Public platform for green oasis”
APARTMENT TOWER A
APARTMENTS TOWER
72.000 M2
APARTMENT TOWER B 64.000 M2
SHOPPING MALL 72.000 M2
HOTEL
25.000 M2
SHOPPING MALL
OFFICE
EXISTING BUILDING
EXTENSION BUILDING
DESIGN CHALLENGE
EXTENSION
-3.00 + 0.00
EXISTING FUTURE PROSPECT
STREET ACROSS THE EXTENSION SITE The street divide two area between existing and extension. Connecting two building above the street can be done by designing a skywalk so it create continuos path for people move.
NOT AUTHORIZED LAND There is an un-authorized land inside extension area and challenging enough to designing extension building that does not intruding this land and “hide” this land from other side of building.
DIFFERENCE LEVEL SITE AND ROAD Difference level between two area is 3 meter so connection level must be considered well which is linked with building coverage area calculation, connecting floor, and people accessibility.
BIG CONCEPT
BRIDGE
3RD FLOOR - NORTH CONNECTION
GREEN ATRIUM FOR URBAN FESTIVAL
2ND FLOOR - NORTH CONNECTION
EXTENSION
BASEMENT 3 FLOOR
EXISTING
LG FLOOR
Connecting two buildings by create shared platform for urban festival, such exhibition, stage performance, and outdoor dining. This platform will be a centered public activity that attract people to go outdoor, moving from existing to extension building besides a bridge availability. For family, they can enjoy shopping inside and playing outside with their children and for community and millenials can enjoy outdoor activities.
2nd DESIGN CHALLENGE: SEAMLESS CONNECTION PATH
1st DESIGN CHALLENGE: CONNECTING LEVEL SIMULATION
Difference area elevation make existing mall has a drop off at lower ground and extension mall at basement 1 (street level).
G FLOOR - NORTH CONNECTION
1ST FLOOR - NORTH CONNECTION
Public platform on ground floor with food and beverage surrounds it to attract people.
UG FLOOR - NORTH CONNECTION
UG FLOOR - SOUTH CONNECTION
Two buildings are connected at basement 1 (street level) and lower ground (near KFC).
Connecting two buildings with bridge that has the same atmosphere is by continuing corridor width and adjusting retail store. There is some guidelines that I tried to create seamless connection. 1. keep corridor width same as existing at 16 meters wide with 8 meters wide of void or island store 2. some part of retail store that is located at connection path must be reduced, extended, or chamfered until it feels a unity 3. if there is less than 16 meters corridor width available, it can be reduced until 8 meters with no void in between 4. the end of the corridor should be smooth by create a round for island store so it feels like endlessly path 5. this bridge connect at north and south by connecting imaginary line between main void or atrium to expand view from turn moving
TEMPORARY CANOPY OPTIONS
3RD DESIGN CHALLENGE: NOT AUTHORIZED LAND
NOT AUTHORIZED LAND 16
m
METAL STEEL STRUCTURE
1. FIXED FORM
Not authorized land in site area located near south bridge connection the bridge width must be reduced. Corridor width is keep at 16 meters wide (double loaded) with 4 meters for sirculation left and right and 8 meters for void or island store. At some point, the depth of store is not efficient to be used as window shopping so the store is removed and left sirculation area only. On the other side, to create seamless path when through this narrower width, the side facade that facing the street is “torn” and replaced with transparent facade skin. This oval glass can be an accent for bridge.
TENSILE MEMBRANE HORIZONTAL RETRACTABLE
TUBE STEEL STRUCTURE
MAIN TUBE STEEL STRUCTURE WITH GREENERY AMPHITHEATRE
MAIN STAGE AND PERFORMANCE AREA
OPEN VIEW
RETRACTABLE UMBRELLA STRUCTURE
2. RETRACTABLE FORM TENSILE MEMBRANE RETRACTABLE
MAIN TUBE STEEL STRUCTURE WITH GREENERY
AMPHITHEATRE
MAIN STAGE AND PERFORMANCE AREA
RETRACTABLE TENSILE MEMBRANE FOR MAIN STAGE
3. FOLDING FORM
RETRACTABLE TENSILE MEMBRANE FOR AMPHITHEATRE STEEL SPACE FRAME STRUCTURE
AMPHITHEATRE
MAIN STAGE AND PERFORMANCE AREA
Menteng P
Menteng P
Pendawa Street
ulo Street
Pendawa Street
ulo Street
treet
lo 1 S
u ng P ente
M
C
Lower ground floor plan
M
eet
r ca St
lan asab
treet
lo 1 S
u ng P ente
C
eet
r ca St
lan asab
Ground floor plan
Apartment drop off
Typical floor plan
2A
2C
2B
2B
2C
2A
150.00 M2
139.00 M2
139.00 M2
139.00 M2
139.00 M2
150.00 M2
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
3A
2C
2B
2B
2C
3A
150.00 M2
139.00 M2
139.00 M2
139.00 M2
139.00 M2
150.00 M2
3+1 Bedrooms 3 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
3+1 Bedrooms 3 Baths Powder room
CALCULATION SCHEME SCHEME #1. EXISTING LOT AREA
STAGE
LAND USE
Scheme #1 calculate existing lot area of Kokas I-III and extension area of Kokas IV towards FAR 6 until FAR 7 to find maximum and effective floor area. This scheme can’t build office because no more area left for building coverage area.
EXISTING
LOT AREA EXISISTING
BCR LIMIT
DESIGN
LEFT
EXISTING FAR DESIGN
COEFF.
FAR 4.99 DESIGN
*only small area left if only calculte existing lot area
SCHEME #2. EXISTING + ADDITION LOT AREA
STAGE
LAND USE
Scheme #2 calculate existing lot area of Kokas I-III, extension area of Kokas IV, and possible future area towards FAR 6 until FAR 7 to find maximum and effective building coverage area for designing office. This scheme get approximately 1600 M2 coverage area for office.
EXISTING
ADDITION
LOT AREA EXISTING ADDITION
BCR LIMIT
DESIGN
LEFT
DIFFERENCE
FAR 6.00 LIMIT DESIGN
FAR 4.99 left 65.080,45 M2
EXISTING FAR DESIGN
COEFF.
*for Office Design: assumed FAR 80% x GFA = 1327.47 M2
FAR 4.99 DESIGN
DIFFERENCE
FAR 7.00 LIMIT DESIGN
FAR 6.00 left 193.428,22 M2
FAR 6.00 LIMIT DESIGN
FAR 4.99 left 79.420,45 M2
FAR 6.00 left 320.731,22 M2
FAR 7.00 LIMIT DESIGN
FAR 6.00 left 214.938,22 M2
FAR 6.00 left 345.826,22 M2
LL: Lot Line BL : Building Line
15 storeys
15 storeys
refuge floor
refuge floor
APARTMENT
PARKING BRIDGE
PARKING
MALL
BRIDGE
PARKING EXTENSION MALL
EXISTING MALL
BRIDGE
EXTENSION MALL
15 storeys
15 storeys
PARKING
LL BL BL LL
EXTENSION MALL
BL
LL
PARKING
PARKING
Longitudinal section A
refuge floor
MALL
PARKING
LL
MALL
LL BL
BL
refuge floor
15 storeys
HOTEL
15 storeys
HOTEL
refuge floor
15 storeys
refuge floor
APARTMENT
APARTMENT
15 storeys
15 storeys
Cross section
Longitudinal section B
OFFICE PLANNING LOT AREA
SCHEME #1 CALCULATION ON SECTION WITH FAR 6.00 SCHEME #1
LOT AREA
BUILDING HEIGHT/ HEIGHT STOREY
SCHEME #2
FLOOR
REFUGE FLOOR
APT UNITS
TOWER APT 1 (NORTH)
HOTEL ROOMS
TOWER APT 2 (SOUTH)
FLOOR AREA RATIO (FAR) LIMIT EXISTING DESIGN (KOKAS I-III) DESIGN PLANNING (KOKAS IV) MAXIMUM ADDITION FLOOR AREA *only 5.62 M2 left for building coverage area (BCR)
MAXIMUM OFFICE STOREYS ADDITION (GFA 1600 M2; 1327 M2/FLOOR) STOREYS PERMITTED BASED ON BUILDING HEIGHT
FLOOR AREA LEFT HOTEL TOWER REFUGE
SCHEME #1 CALCULATION WITH FAR 6.00 The choice taken for scheme #1 calculation with FAR 6 with assumed the office hasn’t built yet. The challenging case from this calculation is low building coverage ratio left but high floor area left. Due to limited height of building permitted at 200 m above sea level, floor area can’t be use entirely. To simplify the calculation and zoning for building use, the scheme of building principal section was created.
BUILDING USE
REFUGE
SPME
FAR
GFA
PARKING AREA
REQ.LOT
DESIGN LOT
+/-
UNIT APT 1
APT 1 SPME
APT PARKING
UNIT APT 2
APT 2 SPME
MALL PARKING
MALL
HOTEL+MALL PARKING
MALL SPME
HOTEL SPME
RESUME CALCULATION FAR 6.00 STAGE
LAND USE NETT M2
LOT AREA GROSS M2
BUILDING COVERAGE AREA LIMIT DESIGN %
M2
%
LIMIT M2
COEFF.
FLOOR AREA RATIO DESIGN M2
M2
GREEN COVERAGE AREA LIMIT DESIGN COEFF,
%
M2
M2
BASEMENT AREA RATIO LIMIT DESIGN %
%
M2
M2
%
2A
2B
2C
3A
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
2+1 Bedrooms 2 Baths Powder room
3+1 Bedrooms 3 Baths Powder room
150.00 M2
139.00 M2
139.00 M2
150.00 M2
06 City Movement Project “D’Holl”
DESCRIPTION
Key points: mixed-use, transit oriented development
Public movement connecting. The design of buildings and modes of transportation that are not integrated are the main issues in Cawang which cause pedestrian security problems and the accumulation of train users at the time of leaving and returning to work. Begin with observing pedestrian and calculating the speed and interval time between all public transportation, it helps design to determine the building program that can be injected into retail.
is susbtracting hard materials slowly until find its figure
to Jakarta Kota
Sculpting
to Jatinegara
SPATIAL MECHANISM
Transit Oriented Development (TOD) project oriented to public transportation users is developed for retails, offices, and hotels whose strategic position with various modes of transportation such as trains, busways and LRT. The building is designed as a main entrance to Cawang station and Cawang Cikoko busway stop so it must be iconic. The uniqueness of the site which has access to 2 highways has the potential to create a crowded atmosphere by presenting plazas and window shopping as a solution to security problems for pedestrians. Begin with observing pedestrian and calculating the speed and interval time between all public transportation, it helps design to determine the building program that can be injected into retail.
DETAILS
Cawang
Year Category Typology Location Stage Site Area Floor Area Team
Halim (LRT & HSR)
: 2016 : Academic project : Mixed-use (Retail, Office, Apartment) : Cawang, Jakarta (at Menara Saidah) : Concept : 10.000 M2 (1 Ha) : 72.000 M2 : -
Cawang Cikoko Cawang UKI
to Bandung highspeed railway track (HSR) Halim Perdanakusuma Airport
Bogor 25
Baranangsiang
Bekasi Timur
CALCULATING TRANSIT OPERATIONS AND CAPACITY
D
A
C
B
DESIGN RESPONSIBILITY
Keyplan: A : transjakarta to Pluit, Senayan, Kota B : transjakarta to Pinang Ranti, PGC Cililitan, Bekasi C : commuter line to Jakarta destination D : commuter line to Bogor destination
TJ station to Pluit, Senayan, Kota Cawang train station
Frequency (veh/hr)
Headway (in min)
Capacity (passengers/hr)
Number of vehicles per unit time past a certain point on a route
The time between vehicle past a given point
Maximum number of passengers that can be carried past a single point on a fixed route
f = 60 min/hr h
h = 60 min/hr f
PEDESTRIAN A
f = frequency on the route (veh/hr) Ncar = number of cars per train (= 1 for bus) Ccar = maximum number of persons per car (or bus)
Croute = f . Ncar . Ccar
D v (m/sec)
h (min)
f (trains/hr)
h (min)
C (pass/hr)
f (trains/hr)
h (min)
C (pass/hr)
480,5
355
1.35
5min 55sec
5
12
16.650
48
1.25
12.000
C
Drop off Office
A
t (sec)
v (m/sec)
h (min)
f (trains/hr)
h (min)
C (pass/hr)
f (trains/hr)
h (min)
C (pass/hr)
491,5
364
1.35
6min 4sec
8
7.5
6.800
53
1.13
1.325
D
D
OPTIMUM
C
B
A
v (m/sec)
h (min)
f (trains/hr)
h (min)
C (pass/hr)
f (trains/hr)
h (min)
C (pass/hr)
528,5
398
1.33
6min 38sec
12
5
30.000
40
1.5
4.920
D
t (sec)
x (m) 527,5
v (m/sec)
398
1.33
h (min) 6min 38sec
C
D
A
2 people/ min
C
D
B
31 people/ min
MAXIMUM
C
f (trains/hr)
h (min)
15
4
B
A
f (trains/hr)
C (pass/hr) 13.320
40
SPLIT LEVEL ENTRANCE AND DROP OFF
8m
t (sec)
C
Pedestrian entrance
OPTIMUM
x (m)
B
North and south is separated by highways; east and west is separated by train rail. Connecting north and south with a tunnel under highways so this building will be designed as an entrance for people who want to go to Cawang train station. People from Transjakarta station is also connected to train station by pass through the entrance building at M.T. Haryono highways.
Drop off Residence
x (m)
B
Building as an entrance to underpass to go to Transjakarta Cawang Cikoko Station and Cawang train station
B
t (sec)
A
UNDERPASS CONNECTING NORTH AND SOUTH Underpass
TRANSJAKARTA
x (m)
C
TJ station to Pinangranti, Bekasi, PGC Cililitan
Entrance to underpass
COMMUTER LINE
D
Assumed this area is also designed a building integrate to TOD, as an entrance Cawang station
Drop off Retail Pedestrian entrance
MAXIMUM h (min) 15
Drop off retail is located in south at Cikoko Timur street and drop off office and apartment is located in north at M.T. Haryono street to avoid traffic jam. Pedestrian entrance both located on two street and interconnected inside retail so people can enjoy window shopping when moving from low level to high level.
Area
C (pass/hr) 10.000
BCR/ KDB
FAR/ KLB
BH/ KB
GCR/ KDH
BAR/ KTB
Type
PSL
9.584
45%
4
24
35%
50%
single
less dense
9.584
4.312
38.336
24
3.354
4.792
Type
PSL
OPPORTUNITY BUILDING ZONE AND USE
A
C
D
43 people/ min
B
C
D
39 people/ min
0 minute
205 people
6 minute 38 sec
4.197 people/hr pass through
259 people
0 minute 001. 006. K1. a. b
Site is used for office, retail, and service. Building zone along M.T. Haryono street is most for retail and office with high floor area ratio and residence behind (Tebet residence area). There is a policy for area with transportation line like Transjakarta, LRT, and MRT propose higher floor area ratio to optimized area capability in accomodate city needs in living, working, and playing.
PUBLIC TRANSPORTATION INTERCHANGE A
D A
216m/115sec
20m/18sec
10m/9sec
1.88m/sec
1.11m/sec
1.11m/sec 14.5m/13sec
1.10m/sec
1.12m/sec
Walking Elevation
D
220m/200sec
Row width Fatigue level Distance (m)
Pinangranti busway stop
End of ramp to busway stop
Start of platform to Jakarta
A
C
A
C
216m/115sec
20m/18sec
10m/9sec
1.88m/sec
1.11m/sec
1.11m/sec 1.25m/sec 14.5m/13sec 6m/5sec 1.12m/sec
Walking Elevation Row width Fatigue level Distance (m)
Pinangranti busway stop
5m/4sec
220m/200sec 1.10m/sec
1.2m/sec
End of ramp to busway stop
Start of platform to Bogor
Start of stair to train station
End of platform
End of rail crossing
Train tap machine
B
End of platform
Train tap machine
Start of stair to train station
Start of rail crossing
D 216m/115sec
20m/18sec
35m/32sec
12m/11sec
1.88m/sec
1.11m/sec
1.09m/sec
1.09m/sec 1.25m/sec 6m/5sec
D
B
14.5m/13sec 1.12m/sec
Walking Elevation
5m/4sec
220m/200sec 1.10m/sec
1.20m/sec
Row width Fatigue level Distance (m)
Semanggi busway stop
End of ramp to busway stop
Start of platform to Bogor
Start of stair to train station
End of platform
End of rail crossing
Start of underground path
Start of rail crossing End of underground path
B
B
C
C
216m/115sec
20m/18sec
35m/32sec
12m/11sec
1.88m/sec
1.11m/sec
1.09m/sec
1.09m/sec 10m/9sec
14.5m/13sec 1.12m/sec
Walking Elevation
220m/200sec 1.10m/sec
1.11m/sec
Row width Fatigue level Distance (m)
Semanggi busway stop
End of ramp to busway stop Start of stair to train station Start of underground path
Start of platform to Jakarta Train tap machine End of underground path
End of platform
PROGRAMMING Three different use program for retail, office, and apartment is separated by determining privat area (office and apartment units) that only can be accessed by worker or resident, public area (lobby, corridor, garden), and vertical sirculation. Lobby as transition place between private and public area. VERTICAL PROGRAMMING
HORIZONTAL PROGRAMMING
Gap between office tower and apartment tower
Gap between office tower and apartment tower
View from apartment corridor
Void of apartment massing
INITIAL SKETCH
Entrance view from Cikoko Timur Street
Entrance view from passage
View from south to train rail
Accentuate an entrance to go to underpass simply by create floating edge and plaza. Buiding side that facing the street is more transparent and open to accomodate people who come and go.
Double height space at moment after and before go to another destination. This space is filled by food and beverage store so people can stop to eating and waiting their friends or colleagues.
Sunken plaza as a way to create amphiteatre and intimate space below the ground so people can sit and talk together in public plaza.
Entrance view from Cikoko Timur Street
Entrance view from passage
View from underpass to Cikoko Timur street
Building setbacks at one side (front) and shifting mass at the other side create more space with green roof.
Indoor cafe in center of lobby with transparent materials and tree inside to welcoming resident, worker, or guest to wait their friends while enjoy food and beverage.
More than create a tunnel atmosphere with long path, plain wall, and quiet, I try to design underpass more friendly by activate water elements ang bring food retail to festive.
SUBSTRACTION MASS
Sculpting a block of concrete by using a chisel and drill. Some mechanisms used: drilled, cut, carved. First, drill the bottom as an access from street to underpass. Then project the imaginary line to the top. Make a blunt angle from acute angle. Carve slowly. From right to the left. Repeat. Drill from top to the bottom until find its end.
SCULPTING THE HARD MATERIALS
BUILDING AS ENTRANCE
FLOATING TOWER
MATERIALS
Building as entrance for connecting people move, mass of retail and podium design with simplicity, only marked with floating edge (right angle) by cut another edge in obtuse angle. Apartment tower and office tower as separated mass, one is bigger at the top and the later is asymmetric.
Through the LRT line at approximately 13 meter above ground level, floor height between top podium and facility podium is created double to let LRT line keep visible, from ground level and from people in light rail.
As sculpting a box of concrete, this facade is dominated by concrete; stone; soft grey; feeling cold; and rough texture. Apartment mass and podium in stripped-line. concrete with jagged surface. Contrast, as a something that is found surprisingly, office is covered by wood; in pieces; brown; feeling warm, and softer texture.
FLOOR PLAN DRAWINGS
M.T. HARYONO STREET
CIKOKO TIMUR STREET
CIKOKO TIMUR STREET
Ground floor plan (Cikoko Timur street)
Typical A floor plan
Typical B floor plan
2nd floor plan (M.T. Haryono street)
Typical C floor plan
Typical D floor plan
Typical E floor plan
SECTION DRAWING
Longitudinal section
Cross section
Retail
Retail
Parking
Parking
Facilities
Facilities
Apartment
Apartment
Office
Office
Core
Core
View from amenities floor
View directed to amenities floor
Entrance view and plaza
07 Performance Down to Earth Project “Trans-O”
Building performance priority. Transcorp has expanded his business by merging other companies and always create innovation to grow with society. Parallel inserting is a concept for designing Trans-O. To produce creativity work is to let each activity create a network then inspiring people by inserting activities that have same characteristic. The richness of activities possible the continuity between work flow and create effective works. Working room must support productivity and other side must relaxing their bodies and minds. Playful area is designed in outdoor to accomodate worker’s health and happiness such as outdoor dining room, outdoor meeting area, and outdoor multfunction area for sport, watching, and discussion.
SPATIAL MECHANISM
DESCRIPTION
Key points: building performance, regulation, technicality
Play dough
DETAILS
unlimited possibilities of moulding, squishing and squashing the dough
35
Year Category Typology Location Stage Site Area Floor Area Team
: 2018 : Academic project : Office : Daan Mogot, Jakarta : Concept : 3.000 M2 : 8.700 M2 : -
COMPANY PROFILE TRANS CORP
STATEMENT
new
unique
medium synergy network
merger
efficiency
mirroring
packaging
diversification
homogen
+multi-face
+added value
SUSTAINABLE Business + Idealism = Sustainable
INNOVATIVE From Nothing to Something = Innovative
TRANSFORMATIVE Create + Change = Transformative
We work like we play. Most of our life spent on work day by day so to make this work more cheerful and more happy, let’s create working atmosphere like playing. The work room, facility, and room programming is arranged to fit with our needs.
This company believe that fresh graduate has full energy, new idea, and think creatively to give innovative television program. Although they skill may not enough at the begin, but Transcorp dedicate to educate and train them well.
Merge with big companies to create a new network, such as economy, lifestyle, market, foods, etc that interconnected. For example, Transmart try to provide family needs about shopping (for parents) and playing (for kids) in same time and place.
efficient collab
create power house
market demand
trend setter
Chairul Tanjung, owner of Trans Corp-the holding company of the media, lifestyle, and entertainment businesses in the group. Under the wings, Trans Corp manage TV statios, high-end branded boutiques, food and beverages, theme parks, malls, and travel agencies. His core values: believe in Indonesia; enterpreneural; innovative; synergic; and transparent has lead Trans Corp growth rapidly.
PROGRAMMING
Activities is categorized by character needed to do these. Each activities have one or more character. SERIES PROGRAM A series of spatial programs arranged according to position of space on each floor and their connection between floors. INSERTED PROGRAM Inserted program is spatial programs in everyday life and done by everyone so this programs will be inserted into series program to create a network. PARALLEL INSERTING Inserted program is arranged in parallel to create a network from series program although there is a series program that is not parallel to inserted program. SPIRIT D’CORPS Spirit D’Corps that adopted by Transcorp make his worker has loyality and pride for their work so self-believing grow in themself.
Side view
MASSING
INSERTING
CUTTING
TRANS Form generating diagram
Parallel inserting diagram
Program arrangement
Relaxing floor
Stage performance at cafe
Siteplan Cafe
Basement 1 Floor
Mezanine Floor
Typical Floor
Television Office
Retail Office Studio Relaxing floor Service Corridor Parking
Basement 2 Floor
2nd Floor
Television Studio Floor
SECTION DRAWING
RETAIL ENTRANCE
OFFICE ENTRANCE
Section A
Section B
PEDESTRIAN ENTRANCE
Retail pedestrian entrance
Office pedestrian entrance
Office drop off
Office lobby
Outdoor seating
STAIR DETAILS DRAWING
Basement 2
Basement 1
Ground
Typical
Basement 1
Ground
Typical
2nd Building Core Plan
Basement 2
Stair section
FACADE DETAILS DRAWING
STRUCTURAL SEALANT
DOUBLE GLASS 8mm
FLASHING ALUMINIUM
HOMOGENOUS TILE
WEATHER SEALANT
SOIL
ALUMINIUM EXTRUDED TRANSOM 90x150mm
FIRE STOP
FIRE STOP
DRAINAGE HOLE ROOT BARRIER
FILTER SYSTEM MEDIA TANAMAN RAMBAT: WIREMESH 150x150mm
CLEAR GLASS 8mm
SEALANT CANT
BAJA SIKU 40x40mm
DOUBLE GLASS 26mm, 8mm GLASS + 10mm AIR GAP + 8mm GLASS
BAJA KANAL C
Detail 03
Detail 01
CLEAR GLASS
TALANG GALVANIS PLAFOND GRC
WEATHER SEALANT
FLASHING ALUMINIUM BAJA SIKU 40X40mm
FLASHING ALUMINIUM Detail 04
Facade section
PLAT BAJA 3mm
FIRE STOP
CLEAR GLASS
FIRE STOP
PLAFOND GRC Detail 02
03
Re-forming Pattern Back to essential knowledge
08 Manifestation of Time and Memory Project “Deja vu”
DESCRIPTION
Key points: heritage, deja vu, memorial building
Best 19th finalist of KTA ITS 2017.
“Constructing the time and the sense of familiarity by implanting false memories.” Memory in architecture creates curiosity, anxiety, and triggers our mind to explore deeper to give confidence to everyone. In the time travelling, there are always elements that change and fixed elements that become identities which will be stored in memory and become the basis and dream of everyone. De javu show us the time relativity that able us to move the dimensions in a short time.
DETAILS
SPATIAL MECHANISM
Again, architecture is constructing the time.
Deja vu
"already seen"; the feeling that one has lived through the present situation before; the intersection of past and future at present
Year Category Typology Location Stage Site Area Floor Area Team
: 2017 : Final project : Heritage, urban planning : Glodok, Jakarta : Concept : : : -
“Wait... I’ve been already here before!” 44
GLODOK IN MEMORIES
People children elderly clustered jostle deported unrest
fright screams
events
tear
robbed butchered slaughtered
blood
trickle down coloring river stain
without humanity used up all return
story rise up organize
memory unforgettable always there
here
TRACING THE PAST AND PRESENT OF GLODOK: FINDING CONSTANT AND CHANGE
COFFEE PAINTING: URBAN SECTION IN RE-ARRANGED CONSTANT AND CHANGE ELEMENTS
STORY OF LOST MEMORIES TO RE-BUILD THE FUTURE
A STORY IN PARTIAL SECTION
Buildings are not seen as a static cycle of events but rather demolition of dynamic and diverse events (which experience changes or may be delayed). The potential of one event with other events are inter-connected. Events that have occurred (past) can contaminate events that have not yet happened (future) and events that have not yet happened (future) can also intervene events that have occurred (past). The power of time makes the present exist because of the past and the future exists because of the present
DUALISM OF THICK TIME AND CIRCLE OF TIME You are always younger than what you see, what you hear, what you touch, and what you feel. Because of what you see, hear, touch, and feel is the you from a moments before. The past, present, and future can intersect, folded up, warped, and shrunk. You can jump easily. You can stay here at the same time. When you remember the past, you will remember the future although you are in present.
01 Continuous Beginning and Ending
02 Insertion between Beginning and Ending
03 Shifting The Beginning
04 Join The Beginning and Ending
05 Rotate The Ending
JUMP INTO FUTURE BY AWAKEN THE PAST Not all piece of story you remembered, but some part rearrange themself in your mind. Time has two direction, you will jump into past and future easily from present. Remember the past can be a dream of future. Time has never really existed and we may never die. The River
THE LAYER OF TIME Every position has different time, and the extension of position is the extension of time. Position and time creates event. Every events seemed to have preceding cause and following effect. Some events are independent and the others are intersect or cross.
IMPLANTING FALSE MEMORIES Lost memories need deja vu to keep my life keep going. Implanting false memory occurs because of same event are repeated in different time and place until memory tries to connect the event with other similar event to resume the stories. Finally, the time mixes at moment and give false information to our mind.
The Canoes
The Buggy
The Shophouses
The Roof
The Bridge
The Coffee
THE STORIES OF ARCHITECTURE Deja vu: Constructing The Time and The Sense of Familiarity by Implanting False Memories New methods in Architectural design process can be found from a story about déjà vu.
For the past year, an old chef often noticed a princess who had a dinner with the king.
He was attracted by her beauty.
One night, the old chef dreamed of found a horse that could talk and told him to propose the princess.
He went to the temple anxiously to meet the princess’s father.
The proposal was rejected and he told to go far away so as not to meet her daughter again.
Déjà vu becomes a learning medium for architecture to be viewed from a time point of view. Memory as the agent of a living human process to senses dan familiar with everything becomes the basis for the dismantling of déjà vu mechanisms and contents in story that builds the time in Architecture. The illusion of time occurs when déjà vu implants a false memory to human through his familiarity. Exploration in story representation techniques and déjà vu mechanisms were tested on the site of Glodok to produce relevant new methods. The subject of testing is first person as actor to tell the story of déjà vu. The memory of Glodok is awakened through a story that shifts past, present, and future events from Glodok. The idea of déjà vu by repeating the past, the present, and the future implies an Architectural story that grows over time through everyday life.
Space in architecture can be enjoyed by people subjectivity that cannot be prevented.
His desire to marry the princess was so great and still often meets the princess near the river silently.
Over the time, the princess’s father knows and he planned to kill him.
I’m tired and I want to rest. I walk to find a safe place, I sit, and I see fireflies. So beautiful!
Look! Look there! I saw a young couple walking to me.
Yes! The princess who once wanted to be married turned out to be his mother. The name of gravestone is exacly the same as his mother! And her birthday! And her age!
“Civilization” Charcoal painting Stroke technique
“The Void”
Coffee painting Inflatable technique
09 Manifestation of Nature Project “Gandroengi Boemi” Key points: geological park, crack
DESCRIPTION
“Tak kenal maka tak sayang”, Gandroengi Boemi is a prologue, an introduction for tourist to get to know more about living harmony with nature. Located on the most eastern island of Java, “Sunrise of Java” is the nickname for Banyuwangi which is allowed to see light first. The flanking of mountains and seas add the natural formation of Banyuwangi. Known as uniqueness of geological park, cracks and gaps are the main reasons for this natural creation.
SPATIAL MECHANISM
The simplicity of building mass from Atap Tikel Balung which is reconstructed with cracks and gaps makes nature take its role. Natural ventilation and lighting, and the use of local materials laden with craftmanship and mass clusters that follow the rhythm of the contour are the result of learning from nature.
Crack
a line on the surface of something along which it has split without breaking into separate parts.
DETAILS
Year Category Typology Location Stage Site Area Floor Area Team
51
69
: 2019 : Competition : Information Centre : Banyuwangi, East Java : Preliminary Design : 8.200 M2 : 2.300 M2 : Dahlia Rafita Sari Nurin Amalia P Nur Hadianto Nindito Virnantio Stevanny Putri
Beyond Framework
Playing Hide and Seek
2016
“Gallery-X”
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SITE CONTOUR
SITE ANALYSIS
ZONE BASED CONTOUR Parking Circulation and drop off Information centre Cottage and musholla Amphiteatre
ACCESSIBILITY Zone based contour divide horizontal access that is connected with ramp.
PRESERVE EXISTING Building mass doesn’s interupt exsting vegetation and integrate this within the building.
EAST-WEST ORIENTATION East-west orientation optimize beautiful view from site: mountain in north and river in south.
Average slope in site is 14o with the highest is road and the lowest is river.
13.5 M
15O
17.5 M
14O
12 M
MINIMIZE CUT AND FILL Ground floor that lifted up will minimize cut and fill because column height will be adjusted and let the building breath,
MASS FOLLOW CONTOUR Massing arrangement follow contour create dynamic ryhthm and enrich the space experience.
SUSTAINABLE RESOURCES : BAMBOO Material availability will regenerate craftsman to making handicrafts and educate tourist about Banyuwangi.
SUSTAINABLE COMMUNITY Public space to accomodate community such as amphiteatre and workshop room related to environment education.
13O
ELEVATION
Front view
Back view
GEOLOGICAL PARK IN BANYUWANGI AND ITS FORMATION AERIAL VIEW
DESIGN CONCEPT
PERSPECTIVE
GEOLOGY FORMATION PULAU MERAH
PULAU MERAH
The term “merah (red)” is also taken from a unique phenomenon that occurs in this region where the color of this sand will turn red in the afternoon. This discoloration is influenced by water and exposure to the setting sunset.
ALAS PURWO NATIONAL PARK
ALAS PURWO NATIONAL PARK The park's name means first forest or ancient forest, in accordance with a Javanese legend that says the earth first emerged from the ocean here. As a natural rain forest on the island of Java, here there are 580 types of flora and 50 species of fauna scattered throughout the forest. BLUE FIRE IJEN CRATER BUE FIRE IJEN CRATER
West of Gunung Merapi is the Ijen volcano, which has turquoise-coloured acidic crater lake and it is the largest highly acidic crater lake in the world. The flames can be up to five meters high. It is one of the largest blue flame area in the world, the other location is in Dallol mountain, Ethiopia.
Crack in formation of these geological park become a design concept for form generating of Tourism Information Centre. Crack gives an opportunity to nature to take a role. The heat of the sulfur melts the stone; water that erodes the soil; and water that breaks the stone. Through the crack, there are lives that come and go which give and take. The simplicity of the mass of the building from the roof of Tikel Balung is reconstructed through a crack makes nature dominate its role. Natural lighting and ventilation, local material craftmanship, and mass clusters that follow the contour rhythm.
PROGRAMMING
9
1 8
5
10
7 2
6
11
3 14 16
4
13
12
15
Exploded axonometry
1
Entrance
2
Main Lobby
3
Installaton Area
4
Panoramic Deck
9
Gallery
10
Souvenir
11
Workshop Area
12
Coffee “Lesehan”
13
Restaurant
14
Cottage Lobby
15
Lounge
16
Office
Digital information area
5
Pulau Merah
6
Taman Nasional Alas Purwo
7
Kawah Ijen
8
COTTAGE
Roof Bitumen
Ceiling Bamboo Waving
Structure Steel Wall GRC
Exploded axonometry Pathway to cottage
Single bed
Twin bed Cottage bedroom
Cottage bedroom
10 Manifestation of Culture Project “Singgah Pulo”
DESCRIPTION
Key points: Betawi, terrace, Rumah Kebaya, information centre
Singgah Pulo from the word “singgah” means come for a moment when in a tour and word “pulo” means local inhabitants Orang Pulo in Kepulauan Seribu. Located in Pulau Panjang that will be built an airport, Singgah Pulo become a tourism information centre for visitor to know and educate about Jakarta especially Kepulauan Seribu (history, geography, culture, etc).
DETAILS
SPATIAL MECHANISM
Inspired by history of Kepulauan Seribu as a gateway for foreign to Batavia (Jakarta) and the value of terrace in Rumah Kebaya make the design of Singgah Pulo reflects the value of genuine, honest, and spirit of Orang Pulo and rich of their culture of everyday life. The availability of integrated infrastructure, services and transportation will increase the interest of tourists coming and make them feel comfortable and sure to return to Kepulauan Seribu and will make improvement in the economic, social and public education sector and the promotion of Indonesian culture, especially Betawi culture.
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Terrace
a level paved area or platform next to a building to entertain guests and become a place to relax with family.
Year Category Typology Location Stage Site Area Floor Area Team
: 2019 : Competition : Information Centre : Pulau Panjang, Kepulauan Seribu, Jakarta : Concept : 1.000 M2 : 300 M2 : Dahlia Rafita Sari Dita Fawanda Iyad Taqiyuddin Stevanny Putri
SITE CONSIDERATION THE GATE TO BATAVIA In the past, other nations that headed towards Batavia always crossed Kepulauan Seribu and made it a defense as a front guard againts enemies such as the fortress of Martello on Onrust Island. BETAWI TRADITIONAL HOUSE TERRACE The philosophy of terrace in Betawi house is a place of respect for guest who come. This public-oriented principles become a concept for brainstorm and educate tourism in information centre. “GIGI BALANG” Gigi Balang ornaments are never separated from Betawi house. Gigi Balang come from “grasshopper teeth” which have the meaning of the value of perseverance, honesty, courage, and tenacity of a grasshopper that can break wood.
Form Finding
Arrival terrace
Gigi Balang: void between solid
Terrace: extend terrace for land and sea
Nature Context: break to go into the sun, winds, and infinity view
Maintaining a triangle as a roof and a hole in the middle of the mass as area of circulation.
Terrace to land orientation welcomes arrival and terrace to sea welcomes return.
The building mass is given a breath by dividing and use transparent material in between.
City Skyline: harmonized by adapting the urban form The building mass is given a breath by dividing and giving transparent material between the masses
P. Sepa P. Putri P. Macan
P. Pelangi
Site
to the ship dock
P. Panjang
P. Harapan
1000 M2
U
P. Kelapa
U
Programming
P. Alam Kotok
Airline path P. Panggang
POTENTIAL SITE
P. Tidung P. Jong P. Pari
P. Lancang
P. Untung Jawa
P. Ayer
Tanjung Kait
Tanjung Pasir
P. Nyamuk
P. Bidadari
Kamal Soekarno-Hatta Airport
Area Informasi Indoor Area Informasi Outdoor Lounge Kedatangan Area Hammock
P. Pramuka
Marina Ancol
U
Pulau Panjang located at the centre of Kepulauan Seribu, strategic location for transit area and will be designed an airport here. This island is also one of the uninhabited islands which is expected that with the availability of infrastructure and transportation will become a new destination in the Thousand Islands. Therefore, with the presence of the Tourism Information Center for local and foreign tourists who arrive on this island will be very effective and help tourists to get to know more about Kepulauan Seribu. Site for building at the south of island, 1000 M2 area with 300 M2 floor area, and east-west oriented as Pulau Panjang site orientation. This building will be integrated to airport and dock for arrival and departure.
Split Level: ramp for easier access
Come and Go: information both in land and sea
Lounge: enjoy the waiting time for canoes and airplane
Floor is lifted up to anticipate for tide water.
Sea side is for arrival and land side is for departure.
Extension of land and sea become terrace for both side.
2 MZ
Area Informasi Indoor Lounge Kepulangan R. Laktasi
Lobby Kantor Pengelola Area Servis (toilet, gudang) Musholla 1
Room Programming
BUILDING MATERIALS AND FLOOR PLAN
Roof Glass Roof Bitumen
Roof Framework
Ulin wood 11
Wall GRC fin. paint 12 13
9 Door and Window Wood blinds
10 8
1 6
2
Wall GRC fin. paint 3 4 5
Floor Wood deck
Railing Merbau wood 7 Structure Ulin wood Legends 1 2 3 4 5 6 7 8 9 10 11 12
Visitor sirculation Staff sirculation
Lobby and service desk Administration office Storage Toilet and wudhu Praying room Souvenir area Relax lounge with hammock Arrival lounge Information area Outdoor information area Lactation room Information area
13 Departure lounge
Exploded axonometry
Ground floor plan
2nd floor plan
Cross section 1
Longitudinal section
Cross section 2
Entrance from land
Lobby and service desk
Information area 2nd floor
Waiting terrace for departure
11 The End: How to be an Actor? Project “Composition of Imagination”
DESCRIPTION
Key points: surrealism, hologram, meaning, story
Composition of Imagination is a space for collage artist named Resatio Adi Putra to find his inspiration. His works are surrealis and depends on what meaning he wanted to tell us. By the depth of each frame, he can compose his imagination through what he see, not what is really see. He loves walking in the beach, forest, and the sea to find his inspiration. He imagines something from what he sees, hears, touches, and smells and create a story. Then, he compose the possibilities of his imagination that depends on whats meaning of his story.
SPATIAL MECHANISM
This project tried to design a space for his inspiration by observing the experience of walking, exploring the nature by human senses. This space is inhabitable for 2-3 days and accomodate his needs (and senses) for that by create hologram wall that can be rotated so he can re-arrange and compose his imagination.
Hologram
an image made with a laser beam, in which the objects shown look like they have depth rather than appearing flat and can seem to move
DETAILS
EXPLORATION SPACE IN NATURE Year Category Typology Location Stage Site Area Floor Area Team
: 2014 : Academic project : Self-space : Universitas Indonesia, Jakarta : Concept : : 100 M2 : -
The richness of nature is explored through space to observe: ELEVATION CONTOUR TEXTURE LIGHT SHADOW REFLECTION MATTER COLOR SHAPE
TREE SKY DECK HOLOGRAM WALL LAND WATER Section
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SITE
SCENERY
SKY SPACE IN BETWEEN
FOREST IN UNIVERSITAS INDONESIA
DISTANCE VIEW
FALLEN TREE
REFLECTION TREE
GROUND WATER
View from site
COLLAGE PROCESS
WALKING EXPERIENCE The analyze of what is revealed by walking slowly and observe at the same time. What’s see is about distortion, point of view, the distance between observer and the object, and the moving of surrounding.
Ideas Design
1. OBSERVING
2. DEVELOPING IDEAS
3. COMPOSING
4. PATCHING
The frames will select and deselect view behind from their solid and translucent. The result from composing the pieces of view depends on Resatio’s imagination.
I Lived When You Were Running
From above
I tried to open my eyes as the sun touched my body I tried to get up, look around, and recognize where I was I walked slowly, I saw hordes of rabbits were running They briefly appeared and dissappeared from my sight I saw they bring a table and bread and juice I walked over to him, but the rabbit was slipping away from me From the footprints I knew they were hiding
Observing activity through each frames From outside
The Depth of Frame and Point of View
The Possibilites of Captured View by Frame
Suddenly, when my body was floating, I could see all the rabbit I drifted off to sleep when the sun stops shone I, who is your father, have died.
These frame can be rotated 360o and create differences of angles. So the changing of solid (papercrete frame) and translucent (glass) formed by filling the translucent with view of fade the view with solid frame.
Captured view is showed by green color. The proportion of view can be arranged, vertically, horizontally, and none so he can create a stories by their possibilities of captured view.
