Architecture and Design Portfolio Steven Trimboli
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Seven Walls Project 4-7
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Deep Eddy Bar 12-13
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Spacial Renderings 8-9
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Proffesional Planning Work 10-11
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Contents
Row House
18-19
Berea Forestry Outreach 16-17
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Fibonacci Lanscape 18-21
Seven Walls Project This project involved exploring space and movement within a defined space. Within a fifty foot long wide by one-hundred foot space, we were to insert seven different walls that created four different spaces, as well as explore the sequence
Elevation East
Plan 1st Floor
Each space in this project was related to a progression within a story representing Cincinnati. My story related to the rise and fall in popularity of the Jerry Springer show.
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The first space, the point of entry, represents the beginning of the show’s career The second space, the amphitheater like area, represents the wide popularity it soon received and the large number of audience members
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The third space, at the top of the triangular pyramid, represents the height of the show’s popularity and its strangeness, as the seats are now arranged in an atypical formation The final space, under the other spaces, represents the decline in popularity as the show became too strange and uncivil for most audience members. The sharp decline is represented by a fireman’s pole, which is the only way down from the top to basement floors.
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In essence, the sharp rise in popularity contributes to a precarious perched position that causes the show to rapidly go down the tubes in a display of depravity, unifying the host, the guests, and the audience.
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The meanings behind the seven walls are both figurative and literal. The wall of Information moves the guests up the second flight of stairs. The wall of Landscape creates the figurative backdrop for a talk show, and the wall of Occupation provides the seating. The wall of boundary marks the change from a normal talk show to an unusual talk show
Plan with walls and circulation
The wall of demarcation marks the transition from a populr to an unpopular show The wall of light represents the closed out feel that the show guests have from the audience and Springer himself The wall of storage represents the backstage area where the show guests are ‘stored’
Wall of Information Wall of Occupation Wall of Landscape Wall of Boundry Wall of Demarcation Wall of Storage Wall of Light Basement Plan with walls and circulation
Spacial Renderings Renderings of Sketch-up/Revit models from working at BHDP Columbus. All renderings are my own individual work, but some models were done by or partially done by other members of BHDP Staff. Appropriate credit given below all images.
Renderings for Mount Saint Joseph University located in Cincinnati, Ohio. BHDP’s task was to renovate the second floor of their administrative building to make it more space effecient. The Two renderings are the ideas for the new entry (left) and the hallway to the dean’s office/meeting room (down). I also assisted by creating the revit floor plan, dividing up the quare footage of the space, and modeling the building in sketchup. credit for renovation design goes to Mike Shulte.
Rendering for Saint Anselm College in Manchester, New Hampshire (far left). BHDP was tasked to renovate and add additions to their old admissions building, which included the addidion of a campus bookstore. I designed, modeled and rendered the bookstore.
Rendering for Ohio Northern University in Ada, Ohio. BHDP’s task was to renovate their engineering building to be omre open and intuitive. The majority of the model was designed by Jiancarlo DelVita, while some model additions and the rendering were done myself.
A site map of Lycoming College in Williamsport Pennsylvania. BHDP was tasked with constructing a new admissions building in the center of campus (not shown by request of school). I was responsible for laying out the site map and helping the lead designer figure out how and where to place the new building, and what the most effective layout would be.
Proffesional Planning Work Site models for projects while working at BHDP. These were made with other documentation such as revit files and CAD plans.
A site map Goshen College in Goshen, Indiana. They are liberal arts school who wanted us to do a campus survey so they could find out how to proceed architecturally and acedemically after a major loss of student enrollment. This enititled making a site plan they would use to quickly model how and where new buildings, renovations, and deconstructions would be placed throughout their campus.
A site map and model of Bethel College and their sciences building. BHDP was tasked with with renovating and adding an addition to the medical studies section of the building. I also created the full revit model, all constructoin documentation, and worked closely with the lead designer, architectural engineer, and Bethels representative to design the new space. Partial model credit goes to Giancarlo DelVita.
Row House Project involving designing a private residence for a fictional client in the row house style
Deep Eddy Bar A project done for Solid Light, in which I was asked to model and render design concepts for a soon to be rennovated bar, and to make sure materials and views were working as intended. I presented this project to the owners of the company.
Many different material and furniture desicions were made within this project. The process often involved changing several textures on mulitple layers in sketchup, and then flipping back and forth between them to decide which would be most fitting. The entire bar was renovated, so every surface except th white drywall was redone. The furniture was wall replaced and the lights were added in.
During the presentation to the owener of the company, the same approach to design was taken. Rather than show a completed and rendered design, I opted to also take the sketchup file with several layers and give the client the oppertunity to see all the possible material and furniture options. The client loved the ability to do that, and after the presentation she decided on the final materials, and the thus the renderings here were created for the final package.
Berea Forestry Outreach A series of renderings for Berea College’s Forestry Outreach Center renovation, done for Solid Light. Done in collaboration with other Solid Light team members. My task was to create the base model, then assist in some renderings once design decsisions had been made.
Fibonacci Landscaping Plan A group project for Edible and Sustainable Landscaping, in which me and three others designed a garden, animal pen and apiary for a small brewing company
The Project began as individual work. I took a site visit, where I took pictures of the property and made notes of potential problems on site. After our preliminary designs were complete, we presented them to the class. In this analysis I paid close attention to the shade from existing foliage, and particular dranage issue that caused pooling water around the existing apiary.
After the individual presentation, teams were created and we met with the client to present the individual ideas and see what was liked and what was to be cut out. From there the group worked closely with the client to figure out exactly what she needed and where, and what kind of plants and hardscape she was looking for. To the left is the final plan design, and below is a diagram of how the spaces are arranged.
BEER GARDEN
GOATS & CHICKENS
GUILDS & PLANTERS
BEE GARDEN
1) Cinnamon Ferri 2) Bee Balm 3) Astilbe 4) Beets 5) Carrots 6) Day Lillies 7) Onions 8) Forsynthia Courtasol 9) Big Blue Stem 10) False Indigo
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11) Shasta Daisy 12) Rhubarb 13) Spiderwort 14) Rockcress 15) Red-Veined Dock 16) Moonbeam 17) Japanese Forest Grass 18) Catmint 19) Ostrich Fern 20) Giant Solomins Seal
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PLANTING PLANS C D and H
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31) Ramps 32) Lambs Ear 33) Sweet Cicely 34) Spurge 35) Astillbe 36) Leeks 37) Giant Trillium 38) Wood Lily 39) Arugula
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21) Yellow Foxglove 22) Angelica 23) Brunnera 24) Roman Chamomile 25) Japanese Painted Fern 26) Lemon Balm 27) Bloodroot 28) Hosta 29) Varigated Solomons Seal 30) Wild Ginger
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PLANTING PLANS
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1) Cinnamon Ferri 2) Bee Balm 3) Astilbe 4) Beets 5) Carrots 6) Day Lillies 7) Onions 8) Forsynthia Courtasol 9) Big Blue Stem 10) False Indigo 11) Shasta Daisy 12) Rhubarb 13) Spiderwort 14) Rockcress 15) Red-Veined Dock 16) Moonbeam 17) Japanese Forest Grass 18) Catmint 19) Ostrich Fern 20) Giant Solomins Seal 21) Yellow Foxglove 22) Angelica 23) Brunnera 24) Roman Chamomile 25) Japanese Painted Fern 26) Lemon Balm 27) Bloodroot 28) Hosta 29) Varigated Solomons Seal 30) Wild Ginger 31) Ramps 32) Lambs Ear 33) Sweet Cicely 34) Spurge 35) Astillbe 36) Leeks 37) Giant Trillium 38) Wood Lily 39) Arugula
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Once the final designs had been made and the plants picked out, we arranged them in their respective areas, and created planting diagrams such as the ones represented above. These provided scale accrurate locations for each individual plant, along with a number cooresponding to a specific plant. A full plant and cost list was given to the client upon the final presentation.
Thank You
Trimbosn@mail.uc.edu