Architectural Portfolio [superseded]

MASTER OF ARCHITECTURE APPLICATION PORTFOLIO

STEVEN SING SHUN HUNG ARCHITECTURAL PORTFOLIO Fall 2016

Admissions STEVEN SING Committee SHUN HUNG Department of Architecture 2017 (Past + Current Works) 201 Russell Building University of Manitoba Winnipeg R3T 2N2 MB CANADA

PORTFOLIO SCHEDULE ED2 [Environmental Design Year 2] University of Manitoba, Winnipeg, MB Fall 2011/Spring 2012

P

STATIONS

2

P

WARMING HUTS

3

2011-2012 A Habitat for Humanity Student Design Competition -- The Sustainable Home

4-6

Pc

ED3 [Enivronmental Design Year 3] University of Manitoba, Winnipeg, MB Fall 2012/Spring 2013

P

ELEVATIONS [surfaces/folds]

8 - 11

P

DWELLING

12 - 16

ED4 [Enivronmental Design Year 4] University of Manitoba, Winnipeg, MB Fall 2013/Spring 2014

P

P

YEAR LONG PROJECT // SEMESTER 1: EPISODE #1: CIVIC THRESHOLDS

18 - 19

EPISODE #2: HOSPITABLE THRESHOLDS/SOCIAL BONDS

20

EPISODE #3: BOUNDED + UNBOUNDED SITES

21

YEAR LONG PROJECT // SEMESTER 2: EPISODE #4: (EN)CLOSURE + (IN)HABITATION

22 - 26

MISCELLANEOUS

A c

p

Project

a

ZINE RE[LIVING]

28

DITCHBALL LOGO COMPETITION 2014

29

Assignment

c

Competition

ED2

Environmental Design Year 2 Fall 2011 - April 2012

An introduction to the design process and early conceptualization.

Focus was placed on gaining familiarity with mutiply methodologies/ strategies in design and gaining an appreciation to the different aspects and factors one must be congnizant of. The projects were chosen to provide examples of earlier works

2

STATIONS || CANOPY GARDEN || Individual Project Duration: Nov. 7th- Dec. 9th (5 weeks) Critic: Kim Wiese with James Frank

PROGRAM:

structure and insertion into the city would also bring focus to

Inspired by trees and their inert ability to provide a prominent

community values and connection with people and their food.

connection between ground and sky the proposed Canopy

A filtration system that would recirculate water from a pool under

BRIEF:

Garden was developed with the idea of connecting different

the canopy the would also provide a gathering space for those

Individual students conceived and developed a ‘station’ that could be inserted into an

levels of the city, through an overhanging planter structure

in the area with programs such as a wading pool for children to

urban narrative based on explorations in the EXCHANGE DISTRICT of Winnipeg, MB as a

that could provide shelter and food for the inhabitants below.

play and cool off in and a skating rink in the winter months. To

method to better understand working with living conditions. While this ‘station’ would

While the main intent of these gardens would be to invest

2. both parties there are two sets of filters keep the water usable for

be experimental, technical specifics in its design would help imagine its legitimacy and

in sustainable local food production, the playfulness of the

that would clean the water as it circulates around the structure.

engagement with its conditional context.

FILTER 1 (WATER VALVES CLOSED)

FILTER 1 (WATER VALVES CLOSED)

2.

1.

3.

Environmental Design Year 2

1. Water is siphoned from the collection pool and brought up to the watering ducts, to the top of the structure, if planters do not need watering the valves will stay shut and water will be directed down to structural beams.

2. With the water valves closed water will be brought to the structural filter beams where the water can be purified for the pool.

3.Filtered water is expelled into the pool and can be used for recreation and leisure on the ground level.

1.

3.

Water Valves In order to control the amount of water that each individaul planters will need and recieve, sensors are inserted into each planter that will tell the dampness and nutrient levels of the soil.

Using the gathered information a water valve rod will respond to the correspondent information.

1. Water is siphoned from the collection pool and brought up to the watering ducts, to the top of the structure, if planters do not need watering the valves will stay shut and water will be directed down to structural beams.

2. With the water valves closed water will be brought to the structural filter beams where the water can be purified for the pool.

3.Filtered water is expelled into the pool and can be used for recreation and leisure on the ground level.

The valves will be controlled by a chain mechanic that can be adjusted to the amount of water needed for each planter.

Water Valves In order to control the amount of water that each individaul planters will need and recieve, sensors are inserted into each planter that will tell the dampness and nutrient levels of the soil.

Using the gathered information a water valve rod will respond to the correspondent information.

FILTER 2 (WATER VALVES OPEN)

The valves will be controlled by a chain mechanic that can be adjusted to the amount of water needed for each planter.

2.

FILTER 2 (WATER VALVES OPEN)

3.

2.

spatial rendering of the Canopy Garden technical programming infographs

4.

plan draft 3.

1.

4.

Soil Sublayer First Filter Layer Seditment Filter

Steven Hung

Cleansing Final Layer

1.

1. Water is extracted from the pool and pumped up to the top of the structure.

2. Water valves are opened to water the planters. Excess water seeps down the soil and enters collecting beams.

3. Collector beams are connected to the main column and siphon the water into a large filter located inside this main column.

4. The water is purified through mutilple stages of filters before being returned back into the pool.

Soil Sublayer First Filter Layer Seditment Filter Cleansing Final Layer

3

WARMING HUTS || -untitled- || Individual Project

Duration: Jan. 4th - Jan. 27th (2 weeks) Critic: Kim Wiese with James Frank

INTENT:

BRIEF:

to enter into the threshold boundary of ice from above and below.

Individual students will design a ‘warming hut’ to be situated on the Winnipeg’s

The hut, placed three feet under ice level will jut out above and

river trail (at the Forks). Using observations of the site’s context and conditions

transition back into the icescape. Molded seats will be positioned to

students will explore different mediums and strategies to evoke a sense of warmth

intersect through this plane, creating a new way to experience the

in a conceived hut like structure to intervene/play with these conditions.

Forks while sheltering users from outside elements.

This warming hut design took on the challenge of creating a change in perspective for the people on the Fork’s river trail. Allowing visitors

Environmental Design Year 2

exploded isometric schematics spatial rendering of the hut photograph of site

Steven Hung

4

The Sustainable Home Competition || [DEC] HOUSE || Group Project

Members: Chris Leydier Duration: Mar. 5th - April 6th (4 1/2 weeks) Critic: Jae-Sung Chon with Trent Workman BRIEF:

The project took on the 2011-2012 A Habitat for Humanity Student Design Competition - The Sustainable Home. Using the criteria and conditions of the competition students were to develop their own ideals of ‘dwelling’ and the relationships present (social, environmental, technological, and tectonic). Groups were assigned to explore and choose a site and propose a home that would respond to the urban and environmental qualities presented in the site.

INHABITATION

PRE-EXISTING

[DEC]-HOUSE [DEVELOPEMENT-ENVIRONMENT-COMMUNITY] 817 HECTOR AVE, EBBY WENTWORTH WINNIPEG, MANITOBA

-

Environmental Design Year 2

[DEC]-HOUSE [DEVELOPEMENT-ENVIRONMENT-COMMUNITY] 817 HECTOR AVE, EBBY WENTWORTH WINNIPEG, MANITOBA

SITE INVESTIGATION

PUBLIC PUBLIC TRANSPORTATION/NOISE TRANSPORTATION/NOISE LEVELS LEVELS

The site investigation began in the neighborhood of Ebby-Wentworth located in the Stafford, Pembina, Grant triangle. It is a family oriented residential community in close proximity with schools and playgrounds. The site is situated in an ideal location for access throughout the city. A person can easily reach anywhere in the city with public transportation, and is in walking distance of the necessities of life.

MODULAR DESIGN The space in the dwelling has been considered to maximize living space and use unused potentials of a space.

At Grade Entrance

817 Hector Avenue is situated in the middle of Ebby-Wentworth avoiding the loud traffic from the main roads, but still within a 3-5 minute walk to bus terminals and amenities. The street is lined with a long canopy of evergreen trees that provides shading as well as adding aesthetic to the older neighbourhood. The majority of the residential houses are one story with a steep slope roof character allowing for all the houses to potentially implement passive solar collection techniques.

Inside Accessibility Push Button At Entrance

The bedrooms have been designed to be modular and completely functional. A customizable closet is built in on one side of the room. The desk also acts as functional furniture to utilize space. There are numerous storage units that can be pulled out of spaces.

Construction is a lot more efficient with multipurpose furniture allowing for fewer waste and less disturbances on the lot.

The 3800 sq-foot lot was chosen because it has a pre-existing structure on the lot including three small trees and a fire damaged house. On analysis of the site it was decided that leaving as much of the pre-existing structures would be beneficial in not only waste management but as well as a sustainable design strategy.

The dwellings intent is to create a compact, livable maximization of space, flexibility of modular and environmentally friendly systems, and propose an inventive urban green space design. 817 Hector Avenue was specifically chosen because in the summer of 2011 it suffered severe arisen, and the burn damage has left the lot abandoned and in need of repair. The lot is centered on the street and a new home would establish a sense of community and embodies comfort relations as an inviting space.

SEMI-PUBLIC PUBLIC

A connection with outdoors was established and it began to partition the dwelling to create a new available green space. The location of the house maximized the available public green space proving a new landscape transitional zone of a household.

PRIVATE

SEMI-PRIVATE

STATEMENT OF INTENT

NEW AVAILABLE GREEN SPACE

WHEEL WHEEL CHAIR CHAIR ASSESIBILITY ASSESIBILITY PUSH BUTTON ENTRANCE AT GRADE ENTRANCE INSIDE ASSESIBILITY

0.00

0.25

0.50

0.75

The initial designs focused on the restrictions and regulations of zoning, maximizing the area given, and universal code.

1.00

Kilometers

UTILIZATION OF SPACE

SEMI-PRIVATE PRIVATE SEMI-PUBLIC PUBLIC

PRIVATE SEMI-PRIVATE PUBLIC

The houses public and private programming was altered from the normal setting of a dwelling. In a typical residence the dwellings are created to push the more private areas of the house to the back while a transition to the public spaces are at each end of the house. This proved to be ineffective for a community atmosphere so it was decided to rotate the normal programming to provide a better model for the design. The new strategy has programs stacked horizontally allowing for a better flow in the community and providing a better transition zone between the public and private spaces.

KITCHEN The kitchen was designed to be accessible to someone in a wheelchair, all the counters are lowered to 30” and details such as side located faucets have been implemented in the design. The flexibility of the modular design allows for a functional kitchen to relate to the rest of the house. It becomes a rational livable space. The attachment of the dining table in with the kitchen also redefines what the space is, here the kitchen becomes the transitional zone in the house, a place between the private and public, the connecting unit of the house.

LIGHT TESTS

DISCOVERY OF FORM Universal accessibility became a main focus for the project and the second floor was eliminated.

The facade was sheared to focus on the sun and natural lighting for the structure.

The house was sliced to provide a larger front surface for the sun to penetration along a very linear house allowing for maximum sunlight gain.

There was more consideration of how much space is required in a house and an arbitrary form was created with minimal space.

PRIVATE SEMI-PRIVATE PUBLIC

Steven Hung

ACCESSIBILITY Accessibility for a person in a wheelchair has been addressed.

Rooms throughout the dwelling have been designed to be accessible with ease. The necessary amenities and all access points have been designed with this in mind.

BEDROOM

-form and spatiality-

The modular sunroom was added, and the back deck was relocated to the south side of the house to create a connection between the linear deck.

SUNLIGHT The design was to incorporate maximum amounts of sunlight.

The roof has been angled and overhangs to block the hot summer sun, and yet allow for winter sun penetration. The windows as well were considered with natural light gain. The interior walls are at different heights to allow sun to radiate into space above without artificial light sources.

The final form was produced with all the previous aspects shaping the dwelling to the environment, considering the spatial dimensions of the given area and the potentials of maximizing one`s space in compact living.

FRONT ELEVATION

RIGHT SIDE ELEVATION

BACK ELEVATION

-interior / accessibility-

LEFT SIDE ELEVATION

5

INTENT: The design of the proposed dwelling questioned the social norms

The dwelling is linear in form in order to allow for the walkway to

of private and public in a residential project. By opening up public

run through the entirety of the house; consisting of two tiers that

spaces on the property itself and proposing more efficient flow

distributes zones transitioning public and private spaces of the

in the neighbourhood, the hope was to provide a new way in

dwellings while respecting the owners of the home. The house is lifted

understanding and traversing residential areas. It was important for

two feet off the ground in order to accommodate the pre-existing

the interior of the house to allow comfortable living spaces for those

foundation underneath.

with disabilities. Modular spaces were designed to provide more function to each space and encourage simplistic living.

COMPETITION BOARDS

RE-PURPOSE

[DEC]-HOUSE

[DEC]-HOUSE [DEVELOPEMENT-ENVIRONMENT-COMMUNITY] 817 HECTOR AVE, EBBY WENTWORTH WINNIPEG, MANITOBA

[DEVELOPEMENT-ENVIRONMENT-COMMUNITY] THE SUSTAINABLE HOME 817 HECTOR AVE, EBBY WENTWORTH WINNIPEG, MANITOBA

SUSTAINABILITY

PRE-EXISTING FOUNDATION

Focus on finding locally reusable materials and reducing waste products from construction to operation. The proposal incorporates the use of brown site and focuses on the reduction of embodied energy.

STAGE 1 DEMOLITION

With the pre-existing structure suffering from fire damage it was felt that rebuilding the house would be easier as well as cost effective, however there was interest in using the pre-existing foundation to work off of and create the new foundation from.

Pre-existing trees on the lot would be left untouched something that an excavation would not be able to do.

STAGE 2 WASTE

CEMENTITIOUS ROOF TILES

Environmental Design Year 2

With the waste and debris from the demolition, instead of sending it to the dump will be reused as back fill material.

Cementitious roof tiles use waste or recycled cellulose fiber and by products of the fertilizer industry. The roof tiles are fire and weather resistant and also when comparable to normal concrete, half the weight. It can be moulded into any shape or size and air cells are mixed in with the concrete.

Lightweight insulating fly ash cellular concrete will be used for energy saving potentials. The lower density material, which has much higher thermal/sound insulation value is poured on site in the thermal insulation over the roof tops. It will be finished to the low slope to allow for rain drainage. In the cold climate of Winnipeg it can also be used as sound insulating barriers.

STAGE 3 BACK FILL

Refilling the foundation with the wastes from the demolition.

Waste will be crushed up and grounded in order to not have large spacing in the ground when back filled.

STAGE 4 TOP SOIL AND COMPACTION

With the debris backfill complete a new layer of top soil will be inserted and a soil compactor will be used to flatten and stabilize the site for the insertion of foundation piles for the new structure.

STAGE 5 PILE FOUNDATIONS

Insertion of pile foundations for the structural support for the new planned home over the pre-existing foundation.

STAGE 6 FINISH

BLOWN IN CELLULOSE INSULATION -Made with recycled newspaper(aprox.

75-80%) and treated with fire retardants and insect protection. Wet blown insulation offers better insulating properties then fiberglass insulation and performs 20-30% better. Although sprayed applied cellulose takes time to dry completely, it has the relative same R-value as fiberglass insulation by reducing the amount of energy needed for heating.

UPPER FLOOR CONNECTION DETAIL

W1

2X6 PLYWOOD SIDING

-Lumber cut from diverted Manitoba Oak or cut down Dutch Elm Disease Elm trees will be used to construct the frame work of the house. Using species found in the native habitat and also a local manufacture will help cut down on production and transportation costs. While using materials that would otherwise be sent to the landfill reclaiming timber helps lower wastes.

ROOF DETAIL

ROOF SECTION

SCALE 1:5

SCALE 1:20

38x35MM HEADER JOIST

38X39 STILL PLATE W2

13” THICK ANOUR BOLT

FOOTING DETAIL

ALUMINUM DRIP EDGE

SCALE 1:5

TRUSS SYSTEM 2X6 PLYWOOD

F1 DRAINAGE MATT MEMBRANE CONCRETE FOUNDATION WALL BATT INSULATION AIR BARRIER 13 GYPSUM BOARD

VAPOUR RETARDER RIM JOIST

FRAME WALL

10” BATT INSULATION

FIRST LEVEL 600 MM

GYPSUM DRYWALL ALUMINUM FASCIA TRUSS SYSTEM 7.373 DEGREE

SCREENED VENTILATION STR 10

BATT THERMAL INSULATION ?

BLOCKING TO KEEP INSULATION AWAY FROM VENTS

VAPOUR RETARDER PLACED BETWEEN THE INSIDE STUDS AND THE SHEATHING

EXTERIOR SIDING AND SHEATHING

WOOD BLOCKING ACTS AS VENT SPACER

TREATED TOP PLATES VAPOUR BARRIER DRYWALL 2X6

A4

10% AT GRADE SLOPE

THE HORIZONTAL 2X4 (38X84mm) SPACES CREATE SPACE FOR AN ADDITIONAL LAYER OF INSULATION, AND MINIMIZE COLE BRIDGING THROUGH THE FRAMING LUMBER

F1

BATT INSULATION

PRESSURE TREATED SILL PLATE

2x6 BATT INSULATION

F2 100 THICK FLOOR CONCRETE SLAB PROTECTIVE BOARD MEMBRANE GRAVEL FILL 38X39 BOTTOM PLATE

NATIVE PLANT SPECIES

This project entails the maximization of the public space by creating a thoroughfare through the dwelling. We have transformed the unfunctional green space into a communal experience.

The configuration of our dwelling provides each family with a new arrangement of private and public space. The backyards would soon begin to become communal space and the yards would begin to overlap as an urban green sprawl. The development creates a sense of community between the families living in the area. A sociably interactive environmentally friendly community.

The proposed back yard garden would provide the opportunity for a self sufficient food growth and a communal experience. It could produce an additional income for the family. The lot would be the central hub for this green urban expansion. The cherry trees would bring an element of the past as well as creating a distinct characteristic to the landscape. The plants and vegetation would be the native species of Manitoba. With this new developed landscape it begins to change the perception of what a public landscape dwelling could incorporate.

500 MM

GRADE 0.0 MM

AIR SPACE/ VAPOUR BARRIER

MEMBRANE

PLYWOOD 2X^ SUPPORT BEAMS

INSULATION IN FRAME WALL

VAPOR RETARDER IS PLASED OVER THE FRAME BEFORE THE SPACERS ARE ATTACHED. THIS MINIMIZES SEAMS IN THE VAPOUR RETARDER

AIR SPACE VAPOUR BARRIER

FOOTING DETAIL

SCALE 1:25

BATT INSULATION 2X6

RAISED HEEL OF TRUSS PROVIDES SPACES FOR FULL DEPTH OF INSULATION AND FREE AIR PASSAGE

COMMUNAL EXPERIENCE

38X35 MM FLOOR JOIST

PLYWOOD SHEATHING 1.5’ ROOF TRUSS - FLY ASH CEMENT

W2 CEMENT PARGING 13” THICK ANCHOR BOLT CEMENT FOUNDATION WALL VAPOUR BARRIERS 13” GYMPSUM BOARD

2X6 PLYWOOD SUBFLOORING

CEMENT FOUNDATION WALL

PLYWOOD TRUSS SYSTEM 2x6 SHEET

W1 PLYWOOD SIDING BASS INSULATION RIM JOINT PRESSURE TREATED SILL PLATE VAPOR RETARDER

SCALE 1:5

RECLAIMED/ LANDFILLED DIVERTED LUMBER

L JOINT

F2

FOUNDATION SLAB - 1800MM

DRAINAGE MAT 200X500 WIDE STRIP FOOTING

DRAINAGE MAT CEMENT FOUNDATION WALL

CONCRETE FOUNDATION WALL 6” THICK

REINFORCING STEEL DOWELS PRES-TREATED PLATE

SUBSOIL DRAINAGE SYSTEM GRAVEL FILL

CONCRETE GROUND SLAB PLASTIC DRAINAGE PIPE

SUBSOIL DRAINAGE SYSTEM COARSE GRAVEL

A MUDSLAB OF UNREINFORCED CONCRETE RIGID INSULATION CONCRETE FOOTING

-community-

Steven Hung

-construction and materials-

FOUNDATION SLAB - 1800 MM A3

6 Environmental Design Year 2

[A]

[B]

Steven Hung

[A] scale model 1:25 [B] framing construction model 1:25

ED3

Environmental Design Year 3 Fall 2012 - April 2013

ED3 explored the abstraction and intentions of design in relations with form and concept. Project intentions brought out more exploratory design than technical factors or programming. Much of the projects involved introductions of different materiality and questioning formalistic methods.

8

ELEVATIONS [surfaces/folds] || Individual Project Duration: Oct. 15th - Dec. 3rd (7 weeks) Critic: Frank Fantuazzi

SHEET 1

SHEET 2

BRIEF: Elevation as a tool can be helpful to extend ones explorations, surfaces and

EXPLOR

THREE STREAM AND STANDIN ENVIRONMEN

enclosures can all be capture by such a technique. The project called to create an enclosed structural object from a 2-dimensional plane and expanded to provide programming [lying, sitting, standing] and answer scalar issues. A final

1 2 3

model would be produced exploring materiality and incorporate structural standards.

THE SITTING THE LYING S THE STANDIN

PROCESS: Students were given a folding assignment with the challenge to create 3-Dimensional forms through a series of folds and cuts. These final folded models

Environmental Design Year 3

would then be redone with new materiality that incorporate structural standards.

AXONOMETRIC DRAWING OF FOLDED MODEL

SHEET 1: interior systems Sheet one folds were drawn to create a base for a structure, secondary forms as what later on would be a ramp, walls and fencing were extended from the primary form. From the first sheet a lying area was provided in the ramp area that was cut away from the floor of the structure, while the standing area could be assessed from the exterior walkway to the ramp.

SHEET 2: exterior systems The second sheet follows the same wrapping motion as the first

Steven Hung

and adds a seating program while providing the foundation for the ramp and supports for the exterior walls. The roof is also extended to cover the extension of the structure.

FOLDING PROCESS DRAWING

EVAR 3014: DR

9

EXPLORATION: Three streams of program are present in the structure [sitting, laying, and standing] creating a unique way to experience the

RATION RATION

building and environment through multiple positions and levels.

MS MSOF OFPROGRAM PROGRAMARE AREPRESENT PRESENTININTHE THESTRUCTURE STRUCTURE[SITTING, [SITTING,LYING, LYING, 1 THE SITTING STREAM NG] G] CREATING CREATINGAAUNIQUE UNIQUEWAY WAYTO TOEXPERIENCE EXPERIENCETHE THEBUILDING BUILDINGAND AND 2 AND THE LAYING STREAM NT T ININMULTIPLE MULTIPLEPOSITIONS POSITIONS AND LEVELS. LEVELS.

GSTREAM STREAM STREAM TREAM INGSTREAM STREAM NG

THE STANDING STREAM

Environmental Design Year 3

1 1

3 3

WILLIE WILLIEDEAN DEANLEITH LEITH

ASSIGNMENT ASSIGNMENTNo. No.1:1:Measured MeasuredDrawing DrawingMedia MediaDrawing Drawing

STEVEN STEVENHUNG HUNG

2 2

7658848 7658848

RENDERED PERSPECTIVE

Steven Hung

AWING-DIGITAL RAWING-DIGITAL

3

10

EXTERIOR: The exterior wall was not cladded to provide a translucent surface that could obstruct the view of the structure but still provides glimpses to passersby. The entrance is smaller than conventional standards to contrast the large expanse of space when one enters the structure.

LIGHTING: From the sitting position one is able to look up and have the sky-scape open to them. The pin structure roof piece allows light to enter the deepest part of the structure, while allowing those resting to have a view to the outside.

INTERIOR: The interior of the structure is open ended in order to continue the viewpoints present. Different sheathing styles and framing methods were used distinguish the interior from exterior, decking was placed on the walkway to help differentiate the

Environmental Design Year 3

three bands of programming in the design.

PLAN

Steven Hung

SIDE ELEVATION 1

FRONT ELEVATION

11 Environmental Design Year 3 MODEL 1:1/2

SIDE ELEVATION 2

BACK ELEVATION

Steven Hung

12

DWELLING || Gestures of the Heart || Individual Project Duration: Oct. 15th - Dec. 3rd (7 weeks) BRIEF: The given site was six stacks of folded cardboard boxes [approx. 1800 in all] each towering at different heights in a 2x3 formation. This massing was interjected into the studio changing the layout of the space and manifesting itself into the students work in both a physical and psychological manner. Students were asked to create a

Steven Hung

Environmental Design Year 3

intervention into the site and then design of a dwelling influenced by the gesture.

ILLUSTRATOR contour model extracted from a 3-D rendering of a heart

Site Intervention [A] Bottom Portion [B ] Top Portion

13

OBJECTIFICATION: In order to find a path to create an intervention into the site students were encourage to find an object to help inform their programming. Exploration of the heart was used as a way to develop a dwelling that could be informative and reactionary. The physical and formal attributes of the muscle were used as a starting point to understand a way to incorporate architecture into the site. Through the use of drawing and 3-D massing the objectification of the heart created a scape that then could be manipulated into the site. The heart was input into the solid mass of stacks as a way to create a void that would provide new spatial possibilities for a dwelling.

This displacement of the cardboard material was in turned used as the real environment for the project. [

HEART SCULPTURE: created using extraction of the site ]

STRUCTURING:

MIGRATION:

Since the sites bounds had to be understood in two scales, both in

As part of moving the project forward, migration to a

model and real-scale, considerations of the entree to the site had

new site was required and encouraged to be informed

to be answered. With the intervention being covered by the stack

by the new gesture. The new allotted site had a

above, it was essential to create a system that would allow one to

discernable separation of sides which helped divide the

access the site. A rotating axis on the corner of the frame was built

site providing clear discernable spaces to change the

allowing for 360o movement for access to the entire site. Layers

structured process. This change in plane also created

were trimmed in order to provide unobstructed movement.

new challenges of programming.

Environmental Design Year 3

NEW SITE ELEVATIONS

OLD SITE

MIGRATION TO NEW SITE

plan

plan

elevation

Steven Hung

elevation

14

COMPOSITION:

INTERIOR:

EXTERIOR:

With the new landscape the programming had to deal with

As with the heart, four structures were proposed to create

The decision to insert the dwelling in the subterranean portion

the implications of the new spatial limititations. Being a cavern,

a layout for the dwelling. The entrance and the first volume

of the landscape brought about the question of how one

exterior conditions became blurred producing a strange

consists of the public spaces such as the kitchen and dining

would gain entrance to the structure. With only one entrance

exchange between interior and exterior.

room. While further in, the other two structures hold the more

descending into the dwelling there needed to be a direct path

private areas of the home, the bathroom, bedroom and study

set for the circulation around the dwelling. The private quarters

Figures for the exterior structuring of the volumes were given

area. Natural light is essentially non-existant at the depth

were then pushed further into the cavern as to provide more

a set amount of space in which they could encompass.

thus the lighting depends on the structures to act as lanterns

security to the client, while the more public settings presented

Creation of the floor plans for the structure were first based

illuminating the exterior environment through large translucent

themselves closer to the entrance.

on the shape of the atrium and ventricles of the heart, each

panels on the roofs and windows placed to light the pathways.

inhabitating an open space where the programing could be implemented. Walls and ceiling formations were angled to accommodate the surrounding landscape. Roofs were also developed in a similar fashion sloped to follow the rise of the caves ceiling.

Steven Hung

Environmental Design Year 3

FINAL MODEL 1:25

15

D

A

c

A VENTRICLE 1: As the entrance of the home, VENTRICLE 1 receives the dweller from the veins above and directs them through the rest of the structure. A change in level from the main space to the kitchen area creates the sense of division in the area as there are no interior walls. A band of glazing is present on the patio side of the volume, with a view to the second volume [private quarters]. Ceiling heights are higher in the dining area to create an open environment.

One interior wall separates the bathroom from the living room and ceiling heights are lowered to infer a more private setting. Stairs lead up to the bedroom where the only window to the surface exists. Concrete walls replace the steel cladding in the bedroom to provide different materiality in programming. A smaller band of glazing lines the wall create a visual connection with VENTRICLE 1.

c ATRIUM: The study room is secluded from the rest of the home, a large window is place so one can view the landscape surrounding the cable suspended structure. A hatch is located inside the room where a ladder can be reached to bring one down to the bottom of the cavern to explore the site.

d VEINS: Entrance to the site comes from the top where one strolls down across a series of catwalks that leads to the elevator shaft located at the south side of the landscape. The walkways are situated to encircle the hill providing the client to have an extensive view of the site. Ladders at two ends of the paths allows for the user to quickly change levels without the need of stairs .

Steven Hung

b VENTRICLE 2: The main structure of the dwelling acts as the private quarters.

Environmental Design Year 3

b

CAVERN PLAN

SECTIONAL ELEVATION

Steven Hung

0

1

2

3

8

13

Environmental Design Year 3

0

1

2

3

8

13

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ED4

Environmental Design Year 3 Fall 2013 - April 2014

“A boundary is not that at which something stops but, as the Greeks recongnized, the boundary is that from which something begins its

presencing.�

--MARTIN HEIDEGGER, Building, Dwelling, Thinking

18

SEMESTER 1|| EPISODE #1: CIVIC THRESHOLDS || Individual Project Duration: Sept 9th - Sept. 23rd (2 weeks) Critic: Lisa Landrum BRIEF: As part of understanding the complexities that exist in the city a collective

subdivides the social topography of the area. This documentation of the

map was made, with each student working within their given slice of

very structured ground level was compared to the abstractness of the ‘sky’

Winnipeg. The base of 4 - 5 o’clock slice began with the mapping of

through the production of a representative mapping of the sky.

Environmental Design Year 4

the major transportation routes that creates the surrounding border and

SIDE ELEVATION

FRONT ELEVATION

Steven Hung

MAPPING PHENOMENON CONDITIONS: In traversing the city it becomes imperative to notice the sky as an

unreachable realm down to our level of existence to create a

intricate element in constructing the spatial understanding of place. This

more meaningful relationship with the sky that has been lost in our

interest stemmed from the notion of how the sky has a physical yet for the

modern age.

most part immaterial presence in our world, straddling the edge of the visible and invisible. Thus investigations were conducted to explore these phenomenon conditions of the sky. How could one bring this seemingly

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|| SKY VIEWING APPARATUS MAP|| The map intends to create a conversation between our conception of the separation between the ground plane and the abstract sky plane, a discussion of the certain entities or moments that can dissolve this perceived separation.

MESOSPHERE <CLOUD STRUCTURE PLAN>: The mesophere does not only describe the outlying reaches of our earths atmosphere but represents the final boundary that envelopes our earth. The cloud construction represents this imaginary structure of the skies dome in which the visual nature of the sky â&#x20AC;&#x2DC;existsâ&#x20AC;&#x2122; at the final boundary of our atmosphere.

STRATOSPHERE <MIRROR PANELING PLAN>:

map and creates a dome of in which the image of the sky exists hovering above the ground plane. In such, represents the imaginary structure of the sky and the relationship to the abstract space it encompasses captured through a seemingly singular plane [the mirror]. By using reflective surfaces it is possible to gather the image above to the level of the viewer;

Environmental Design Year 4

The mirrored panels line with the canopy structure of the

a dynamic ceiling plan of the sky changed by the perciever.

TROPOSPHERE <CANOPY STRUCTURE PLAN>: The troposphere is the level of atmosphere where all living things exist above the surface of the earth. It is the threshold in which the sky meets the level of our existence, this meeting between sky and earth is present in the outlining of the landscape [the skyline or horizon] but otherwise goes unnoticed. How then can we capture this elusive entity that surrounds us yet is always out of reach?

BIOSPHERE <MAP BASE PLAN>: The skeleton of the map apparatus follows the border of the Winnipeg slice, the base of the maps structure are the major roads that divide up the ground level in Winnipeg. The canopy of the construction is based off the topography of the Winnipeg area.

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SEMESTER 1|| EPISODE 2: HOSPITABLE THRESHOLDS / SOCIAL BONDS || Individual Project Duration: Sept 26th - Oct. 10th (11/2 weeks) Critic: Lisa Landrum INHABITATING AN IMAGE: Experimentation invoking these phenomenon’s of the sky were further explored with additions to the map construction. As the perceiver of the sky much of its characteristics are formations of our own imagination. While the skies image may be susceptible to our own views, there is a somewhat less tangible aspect of the sky that needs to be explore. In most conversations the use of the word ‘sky’ describes the image of the sky, however the sky is an encompassing spatial entity whose concept is harder to grasp. The sky is not just a visual plane but also has spatial and physical [in certain cases] qualities. In the apparatus construction the questioning of the skies reality and the effects of our perception are explored.

VISUALIZATION: The projector like human perception shines its own view onto to the skies canvas. Changing the positioning of ones self will change how the sky is formed/presented. This adjustment in orientation and environment is also investigated by the mirror panels; as one moves around the apparatus the sky will take its own form becoming skewed or even some cases out of the

Environmental Design Year 4

frame of the viewer.

INSTALLATION: Footage taken of the sky is projected onto the cloud screen forming the realm of the sky in the installation. The projected film of the screen is in turn gathered by the mirrors creating a dual relationship between the ‘sky’ and ‘earth’. As the image is translated from the primary source [the projector] to the individuals viewing from the installation the final image is distorted/ diffracted from its original form questioning the idea of the visual definition of the term sky. ▲ Images of the cloud apparatus with footage of the sky projected onto it ► Images of the mirror construction gathering visuals of ‘the cloud’

Steven Hung

FILM FOOTAGE: shot over a day

9:00

10:00

11:05

12:15

13:15

14:10

15:15

16:15

17:10

18:15

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SEMESTER 1|| EPISODE 3: BOUNDED + UNBOUNDED SITES || Individual Project Duration: Sept 26th - Oct. 10th (11/2 weeks) Critic: Lisa Landrum SITE:

THE CITY-SCAPE:

BEHOLDING THE SKY:

The proposed site is situated in The Forks park, located behind the Inn at the

One of the main aspects that draws one to the site is the clear view of the

In the selection of the site, initial explorations dealt with the area’s

Forks and besides a parkade. The site itself is a knoll that is used currently as

skyline of the city. With the flat topography of Winnipeg it is difficult to find

relationship with the view of the sky. Because of the site’s higher elevation

a sitting area and sound buffer for the area.

areas in which to view the skyline thus it was important that this site took

it was possible to observe the sky without having any obstructions from the

advantage of its position in reconnecting the built environment back to the

surrounding environment. By having a location that already had a unique

cityscape.

view of the sky the intent was to create a emphasis on the sky and to

CONNECTTION TO THE SKY: The site was chosen due to its context within the city in which the area of

generate spaces in which the sky could be the focal point.

the Forks had a larger expanse compared to other districts in the SHED in which an architectural piece for viewing the sky could be easily be intervened into the site. It was also due to the fact that The Forks had present infrastructure related to these concepts of the sky, such as the Odena Circle and the Forks Market observatory platform providing an interesting link with the proposed design.

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EAST ELEVATION

NORTH ELEVATION

b

A

▲ ▲

c

▲

B A

c

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SEMESTER 2|| EPISODE 4: [EN]CLOSURE + [IN]HABITATION|| Individual Project Duration: Jan. 6th - April 7th (3 Months) Critic: Lisa Landrum

SKY PAVILLION Continuing from previous exploration on the threshold conditions of the sky, a built proposal of an architecture with a multi-faceted relationship with the sky was provided. In architecture the connection with its site is more often than not influenced mostly by the environment on the ground plane [surrounding built environments, landscape and historical connotations].

While the sky in certain senses is considered in its connection to site, such as weather and sun paths, the skies relationship to an architecture is often disassociated with the considerations

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of the actual built environment. By recognizing the sky as an integral part of the environment perhaps one can reinvigorate the relationship with the sky that has been lost.

PROGRAMMING The programming for the proposed building is a weather station research centre. Here the architecture is split into three main sections: 1 first is the light well installation inserted into the landscape which will be the main entrance

3

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into the building. By creating a threshold condition in which inhabitants are forced into the dark underground it will provide a situation in which people will be more cognizant of the sky above them, the mindset in which they will acquired as they enter the building.

2 the general floor of the building will be programmed for an educational weather gallery to create a space for learning and understanding the world around them. The main aspect of the gallery will be a large sky light bringing the natural light into the ground level.

3 the second story of the building will be used for the research center and conference hall.

The building with wrap itself around a central atrium that will provide lighting and a view of the

LEVEL 1 PLAN

sky to both floors [this is also the atrium that will bring light down to the gallery].

1.0

2.0

7.1

tunnel detail sections

1

model detail of the exterior entrance model detail of exterior light well installation

Steven Hung

2

LEVEL 2 PLAN

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1 2

SECTION THROUGH GALLERY AND RECEPTION AREA

1 2

SECTION THROUGH GALLERY AND LIGHT WELL

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TUNNEL/WELL INSTALLATION With the permanent underground space [light well] being around two stories low [from the top of the hill] consideration on the length and depth of the walkways to the viewing space had to considered. The tunnels themselves started off as large public entrances but Decreased ceiling heights of the walkways were also used to create an uncomfortable compact space before allowing the viewer to relief themselves in the presence of the sky.

model 1:100

Steven Hung

taper off in width to create a more personal experience as you enter into the central space.

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METEOROLOGY LAB Rising from the burm, the second level of the building houses the

balcony with a glass floor allows visitors and staff alike to enjoy

meteorology lab, a research center in many ways dedicated to

a view of the Winnipeg Forks River Trail while having the sense of

the study of the sky. The cantilevered structure is circled around

being in the sky.

an open court that welcomes the sky through one-way mirrored cladding that allows the imagery of the sky to be captured and

Steven Hung

Environmental Design Year 4

reflected into the facility giving it a place to inhabit. An exterior

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METEOROLOGY LAB FRONT SECTION

METEOROLOGY LAB SIDE SECTION

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cantilevered structure balcony

underside of building

METEOROLOGY LAB PLAN

Steven Hung

interior of meterology lab

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IMAGERY One of the main aspects of this project is the question of how to bring the sky into the spaces of inhabitation. While light is often associated with the sky and can often bring the sense of lightness and openness, light is not enough to create a strong association with the sky. The Image of the sky is just as important, inspiration was drawn from mirrors and lenses of telescopes and binoculars as possible strategies to transfer an image to the viewer. By understanding how light travels and carries an image through space it was possible to create spaces in which the sky [as an image] could enter our living spaces.

LIGHT WELLS Two secondary light wells were placed to frame the entrance into the gallery. The reflective panels inside the light well are formulated to create an atmospheric imagery of the sky reflected from the panels; in a sense transferring the sky down to the viewer allowing the sky to live inside the space. The mirrored panels helps lose the notions of perceptive which elongates the space of the light wells invoking the

Environmental Design Year 4

ideology of the skyâ&#x20AC;&#x2122;s expansive atmosphere.

INTERIOR WALL CONNECTION WITH LIGHT WELL

ENTRANCE TO LIGHT WELL

Steven Hung

SECTION OF LIGHTWELL

EXTERIOR TOP-DOWN VIEW OF LIGHTWELL

PLAN OF LIGHTWELL

MISCELLANEOUS

Graphics & Layouts.

LAN D S CAPE

INTE

ARCHITECTURE

|| SAS FACULTY LOGO COMPETITION 2016-2017 || INDIVIDUAL SUBMISSION . landscape .

INTENTION:

+

With the Faculty Wear logo competition I wanted to create a sense of pride for students in all streams of the Environmental Design program (Landscape Architecture, Architecture, and Interior Design). Three distinct yet interconnected graphics were create to provide a

. architecture .

+

unique logo for each stream while acknowledging all three streams.

. interiors .

UNIVERSITY

F A C U L T Y

O F

UNIVERSITY O

UNIVERSITY OF MANITOBA

OF MANITOBA

A R C H I T E C T U R E

2016

F A C U L T Y

O F

A R C H I T E C T U R E

2016

F A C U L T Y

O F

A R C

|| International Student Poster Competition 2013|| INDIVIDUAL SUBMISSION Bi-City Biennale of Urbanism\Architecture (UABB) 2013 Shenzhen Dimensions: A3 Medium: Photography, Photoshop

STATEMENT OF INTENT:

Bi-City Biennale of Urbanism\Architecture (UABB) 2013 Shenzhen . 深港城市 \ 建筑双城双年展

URBAN BORDER . 城市边缘

International Student Video/Poster Competition . 国际学生影片/海报竞赛

• Border- the part or edge of a surface or area that forms its outer boundary.

• Boundary- something that indicates bounds or limits; a limiting or bounding line.

Boundary, it is explicit in its definition identifying as the very limit in which one may exist inside that particular environment. This very notion runs its course through the entirety of livelihoods from personal spaces, physical volumes to larger more abstract domestic and urban thresholds. Yet there are those rare moments in which these particular spatial conditions overlap creating hybrid situations that not only question the very definition of boundary but also its existence. The idea of boundary is one of perception, by visualizing the environment through ones senses conclusions are implemented on the preconceived notions imbedded into our psyche to make sense of the world around. It is thus that one may begin to bend these borders, if we allot the power for these ‘perceived’ boundaries why can’t we take it away? Can we begin to play with the very fabric that seemingly binds our world, undoing the threads to open pockets into new realms of possibilities?

EXTENSION .

范围 .

The Mirror - a planer object that encompasses a 3-Dimensional environment onto a surface, providing the ability to change the visual layout of a space without invading the physical realm. It is the intention of the artist to create situations that questions reality with the obscure, the duality of the truth and perceived.

The Tree - a structure that is physically imposing yet straddles on the edge of numerous thresholds, those of physical volume, visual space, and abstract existence. A flexible entity it adapts to the ever changing cues of it environment, mutating constantly with the border conditions that are present.

We look at our world as if it is defined by only one true perception, yet we acknowledge the ability to change the very characteristics that heed to their existence. This obscurity lends itself to provide us with the possibility to change the very construct of our world, what if what we see is only a fraction of what there is? Can we extend these boundaries of our own perspective? 我们期待在我们的世界里，如果它们被定义，但我们承认只有一 个真正的感知能力改变，听取他们的存在很有特色。这个默默无 闻的，本身给我们提供的可能性，以改变我们这个世界的构造， 如果我们看到的只是一小部分有什么？我们可以延长这些边界我 们自己的观点 ?

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ZINE || RE-LIVING || Individual Assignments FEBRUARY 2012 PAGES: 12 DIMENSIONS: 8.5 in. x 5.5 in.

MEDIUMS: Graphite Drawings, Photographs, Computer Graphics BI-COLOUR; SADDLE-STICHED BOUND INTENTION: This zine was an independent study that was used to represent a film project process.

Concepts and inspirations for the film were showcased, illuminated, and explored in an

Steven Hung

Miscellaneous

exercised to create a more involved experience the film.

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|| DITCHBALL LOGO COMPETITION 2014 ||

CONTACT INFO CONTACT

INDIVIDUAL SUBMISSION

Steven Sing Shun Hung Steven

*SUBMISSION WINNER*

Home Tel. : 403.295.6332 204.880.0924 Home Int’l Tel.: +66.99.781.8988 Cell: +66.99.781.8988 Institution Email: umhung8@myumanitoba.com Email: consco1947@gmail.com Personal Email: stevensshung@gmail.com 948 Berkley Dr. NW 867A Warsaw Ave. Calgary, AB, Canada Winnipeg, T3K 1A2 MB, Canada R3M 1B5

INTENTION: Ditchball is a sporting phenomenon played annually by students in the Faculty of Architecture, University of Manitoba. One of the main unique aspects of the sport is the shape of the ditchball itself, a rhombicuboctahedron. Using the form as inspiration the logo was created.

DITCHBALL

LOGO

SUBMISSION

2014

DITCHBALL

LOGO

SUBMISSION

2014

Miscellaneous

secondary logo

• DITCHBALL 2014 •

primary logo THANK YOU FOR YOUR CONSIDERATION

Steven Hung

annual ditchball tournament FACULTY OF ARCHITECTURE