Rhona Warwick’s bricolage process is concocted from the methodological approaches sourced from anthropology, fictional narrative, and ethnography. Shifted from their original contexts, the methods of capturing accurate or ‘truthful’ data are relocated within a new imagined narrative contextualized by an internal, subjective experience of what it means to be a city. These hybrid elements become an anthology of dislocated references which destabilize and question the political and historical conditions that serve to characterize and nullify most every city. Warwick’s practice adopts the role of multiple fictional researchers to reconfigure, map and document experiences of the city, often revealing an entrance point to a poetic, fragmented and eccentric lacunae.
