A N T H O N Y S T I M O L A ± M F A P O R T F O L I O P M A— P O SI T I V E M E N TA L AT T I T U D E
INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
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PROJECTS
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INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
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PMA—POSITIVE MENTAL ATTITUDE
I got that attitude.
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INTRODUCTION
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“Now we are the masters of our fate. the task which has been set BEFORE us is not above our strength. That its pangs and toils are not beyond our endurance. As long as we have faith in our cause and an unconquerable will–power. Salvation will not be denied us. We are the masters of our fate. Long as we have faith, an unconquerable will–power. Salvation will not be denied us.”
006
— W IN S TON CHUR CHIL L
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IN T RODUCT ION ± W HO I A M P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
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WHO I AM.
006
WHO I AM. I am a designer. I think. Sometimes I over think. I ask questions and constantly self-editing. I watch documentaries, TV shows and read about every random thing I can get my hands on as it all intrigues me—it all becomes part of my arsenal of knowledge and thought. I go to gallery events and conferences, or even just walk the streets of the city because my mind craves social interaction. I love talking, and most of all, inspiring a lively conversation. I am from New Jersey and as child I can remember dreaming of running away to Manhattan—even as a child I loved being in the middle of madness. It's a place where I thrive. I have now realized it's my mind at work craving the challenge—to make sense out of the chaos around me. I am a designer. I grew up with Attention Deficit Disorder (ADD). After years of trying to fit a triangle peg, into a hexagonal hole; I have found my place in this world. My mind allows me to brainstorm in a flurry of thoughts, images and concepts with avid enthusiasm. I run loops and circles, touching corners of ideas most people avoid, only to come back and find the answer. I am non-linear. After years of not being OK with ADD, I see it now as my greatest strength as a designer and ultimately as a creative problem solver.
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INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
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MY
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PROCESS, MIND, ATTITUDE.
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IN T R O D U C T I O N ± TA BL E O F C O N T E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
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TABLE OF CONTENTS.
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COLOPHON 01
Dystopia.
02
Rolling Stone.
03
Trojan.
04
Oliver Stone.
05
The Many Faces.
06
Sure.
07
GQ.
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Louboutin.
09
Urbanis Âą MFA Thesis
Acknowledgements Colophon.
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“I Would put my money on the sun and solar energy.”
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
Various Sources*
006
01
—THOMA S EDISON
PROJECTS
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
Peak oil and the collapse of society.
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
Various Sources*
006
01 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
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+ + + + + + + + + + + + + + + + + + + + P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
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DYSTOPIA
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SOCIETY DEVOLVES IN THE AFTERMATH OF PEAK OIL.
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DYSTOPIA
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
NOVEMBER 11 – 13 2012 Our society is dependent on oil and the petrochemical industry. It reaches deeply into our everyday life. So what happens when we hit Peak Oil and our society's infrastructure crumbles? Peak Oil is the point when we will no longer discover any new oil reserves on the planet. From that point forward we will be in a pattern of decline. This means that as we come down the back side of the bell curve the prices of oil will sky rocket. Governments will restrict a large quantity of oil in order to keep emergency vehicles, military and other government serves. The biggest hit will be that there be no fuel in order to ship goods and food into major city centers. There will be a point that we will all be given the option of what direction to take in the face of this impending social collapse. The duality of man kind will be obvious as some decide to take the Positive Path while others take the Negative Path.
AT THE DYSTOPIA CENTER
HOLY CROSS NEW ORLEANS
PROJECTS
01
02
03
04
05
06
• Paul Roberts and Michael Ruppert
07
• Gregory Greene and Joel Bakan
• Paul Robert, Michael Ruppert, Basil Gelpke and Ray McCormack
08
09
(director of A CRUDE AWAKENING)
(writer // director of THE END OF SUBURBIA and ESCAPE FROM SUBURBIA)
(director of THE CORPORATION)
(director of THE CORPORATION)
(writer of THE CORPORATION)
GREGORY GREENE
JENNIFER ABBOT
MARk ACHBAR
JOEL BAkAN
RAY McCORMACk
(director of A CRUDE AWAKENING)
BASIL GELPkE
(from COLLAPSE and the author of CONFRONTING COLLAPSE)
(author of NO MORE OIL)
(director of A CRUDE AWAKENING)
CRAIG SMITH
MICHAEL RUPPERT
PAUL ROBERTS
SPEAKERS
"WHAT COMES NEXT (BEYOND THE TRANSITION)"
mIcHael ruPPert Paul roBerts BasIl GelPKe ray mccormacK
"CORPORATE GREED AND IT'S IMPACT ON SOCIETY'S NEED FOR OIL"
collaPse
SPEAKERS
"DEALING WITH THE TRANSITION FROM FOSSIL FUELS"
FILMS
DISCUSSION BOARDS
The third and final day of the conference will be concentrating on the fall out and social collapse that could come from Peak Oil. The day looks like there is less going on however the final discussion board is slated to be a far more indepth conversation with a large panel that will be involving the audience. The final day of the conference is about rolling out the real downside of our countries attachment to petroleum. How will this all play out in the end...? (877) 863–4780
www.hilton.com
(504) 561–0500
2 Poydras Street, New Orleans, LA 70140
HIlton new orleans rIversIDe
www.holidayinn.com
(504) 529–7211
124 Royal Street, New Orleans, LA 70130
HolIDay Inn Hotel new orleans
www.omnihotels.com
(504) 648–2009
621 Saint Louis Street, New Orleans, LA 70130
omnI royal orleans Hotel
www.placedarmes.com
(504) 722–7332
625 Saint Ann Street, New Orleans, LA 70116-3287
Joel BaKan marK acHBar and JennIFer aBBot GreGory Greene
The clock is ticking. ESCAPE From SUBURBIA asks the tough questions: Are we approaching Peak Oil now? What are the controversies surrounding our future energy options? Why are a growing number of specialists and citizens skeptical of these options? What are ordinary people across North America doing in their own communities to prepare for Peak Oil? And what will YOU do as energy prices skyrocket and the Oil Age draws to a close?
FILMS
Through personal stories and interviews we examine how declining world oil production has already begun to affect modern life in North America. Expert scientific opinion is balanced with “on the street” portraits from an emerging global movement of citizen’s groups who are confronting the challenges of Peak Oil in extraordinary ways.
The second day of the conference will be bringing the reality of the corporate infrastructure and cultural attachment to petroleum. The longest of the three days looking at the American Dream and how we are sold what we want. In the midst of a transitional generation it is about you and how you precieve the importance of petroleum. We again invite you to explore the conference grounds to see just what our dystopic future will look like.
In ESCAPE From SUBURBIA director Greg Greene once again takes us “through the looking glass” on a journey of discovery — a sobering yet vital and ultimately positive exploration of what the second half of the Oil Age has in store for us.
FILMS
Suburbia, and all it promises, has become the American Dream. With brutal honesty and a touch of irony, The END of SUBURBIA explored the American Way of Life and its prospects as the planet enters the age of Peak Oil.
01 02 03 The opening day of DYSTOPIA will be started off by the well known author, Paul Roberts. Paul Roberts will be bringing you up to spead with the core issues of Peak Oil. Opening up the conference with a strong insightful look at the basis for the entire purpose of DYSTOPIA. We want you to know exactly what the issues are before we move forward. The first day will also be a time for visitors to explore the grounds that the conference is being held on.
Place D’armes Hotel
NEW ORLEANS
ESCAPE FROM SUBURBIA
HOLY CROSS
(504) 524–7611
5PM
www.innonbourbon.com
DISCUSSION PANEL // Paul roBerts, mIcHael ruPPert, BasIl GelPKe and ray mccormacK "wHat comes neXt (BeyonD tHe transItIon)"
AT THE DYSTOPIA CENTER
541 Bourbon Street, New Orleans, LA 70130
3PM
mean for North America? As energy prices skyrocket in the coming years, how will the populations of suburbia react to the collapse of their dream? Are today’s suburbs destined to become the slums of tomorrow? And what can be done NOW, individually and collectively, to avoid The End of Suburbia ?
1PM
SPEAKER // mIcHael ruPPert
Inn on BourBon Hotel
DOCUMENTARY // collaPse
The consequences of inaction in the face of this global crisis are enormous. What does Oil Peak
9PM
HOTELS
NOVEMBER 13
But as we enter the 21st century, serious questions are beginning to emerge about the sustainability
8PM
DISCUSSION PANEL // Joel BaKan and GreGory Greene "corPorate GreeD's ImPact on our neeD For oIl"
of this way of life. With brutal honesty and a touch of irony, The End of Suburbia explores the American Way of Life and its prospects as the planet approaches a critical era, as global demand for fossil fuels begins to outstrip supply. World Oil Peak and the inevitable decline of fossil fuels are upon us now, some scientists and policy makers argue in this documentary.
PHOTOGR APHY
Suburbia, and all it promises, has become the American Dream.
1PM
SPEAKER // GreGory Greene
embedded in the American consciousness.
2PM
DOCUMENTARIES // tHe enD oF suBurBIa and escaPe From suBurBIa
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years, so too has the suburban way of life become
SPEAKER // Joel BaKan, marK acHBar and JennIFer aBBot
THE END OF SUBURBIA
DOCUMENTARY // tHe corPoratIon
the profile of the contemporary profitable business corporation to that of a clinically-diagnosed psychopath. The documentary concentrates mostly upon North American corporations, especially those of the United States.
7PM
theme is its assessment as a “personality”, as a result of an 1886 case in the United States Supreme Court in which a statement by Chief Justice Morrison R. Waite [nb 1] led to corporations as “persons” having the same rights as human beings, based on the Fourteenth Amendment to the United States Constitution. The film’s assessment is effected via the diagnostic criteria in the DSM—IV; Robert Hare, a University of British Columbia psychology professor and a consultant to the FBI, compares
Ty p o g r a p h i c H i e r a r c h y
The documentary shows the development of the contemporary business corporation, from a legal entity that originated as a government-chartered institution meant to effect specific public functions, to the rise of the modern commercial institution entitled to most of the legal rights of a person. One
3PM
DISCUSSION PANEL // mIcHael ruPPert and Paul roBerts "DealInG wItH tHe transItIon From FossIl Fuels"
THE CORPORATION
1PM
SPEAKERS // craIG smItH and BasIl GelPKe
of our modern lifestyle, from driving to work to clothing and clean tap water. A Crude Awakening asks the tough question, “What happens when we run out of cheap oil?” Through expert interviews, the film spells out in startling detail the challenges we would face in dealing with the possibility of a world without cheap oil—a world in which it may ultimately take more energy to drill for oil than we can extract from the oil the wells produce.
DOCUMENTARY // a cruDe awaKenInG
The documentary examines our dependence on oil, showing how oil is essential for almost every facet
SPEAKER // Paul roBerts
footage interspersed with news and commercial footage from the growth heyday of petroleum production. The documentary focuses on information and testimony that supports the projection of a near-term oil production peak.
A Crude Awakening: The Oil Crash explores key historical events, data and predictions regarding the global peak in petroleum production through interviews with petroleum geologists, former OPEC officials, energy analysts, politicians, and political analysts. The film contains contemporary
A CRUDE AWAKENING
back and forth on what to make of the extremism. Smith lets viewers form their own judgments.
run out of fossil fuel. While other experts debate this issue in measured tones, Ruppert doesn’t hold back at sounding an alarm, portraying an apocalyptic future. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway
Internet user, but he applies a unique interpretation. He is especially passionate about the issue of “peak oil,” the concern raised by scientists since the seventies that the world will eventually
Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any
COLLAPSE
FEATURED DOCUMENTARIES
same topic there will be discussion boards that will vehemently examine the issues of Peak Oil and social collapse.
The directors and writers of these films will be present to speak about their perspective of the issues at hand. With a good group of well informed individuals with many different takes on the
The body of this conference is composed of informative documentaries. Utilizing the most effective format of communicating the message allows for the audience to absorb the content efficiently.
EVENTS
COURSE Various Sources* 006
SCHEDULE
NOVEMBER 11 11AM
NOVEMBER 12
11AM
DYSTOPIA Our society is dependent on oil and the petrochemical industry. It
reaches deeply into our everyday life. So what happens when we hit Peak
Oil and our society’s infrastructure crumbles? Peak Oil is the point
when we will no longer discover any new oil reserves on the planet. From
that point forward we will be in a pattern of decline. This means that
as we come down the back side of the bell curve the prices of oil will
sky rocket. Governments will restrict a large quantity of oil in order
to keep emergency vehicles, military and other government serves. The
biggest hit will be that there be no fuel in order to ship goods and
food into major city centers. There will be a point that we will all be
given the option of what direction to take in the face of this impending
social collapse. The duality of man kind will be obvious as some decide
to take the Positive Path while others take the Negative Path.
AIRLINES
Class and any published US Airways promotional round trip fares. A 10% discount off unrestricted coach fares will apply with seven day
VIRGIN AMERICA agrees to offer an exclusive low rate for DYSTOPIA attendees. This special fare will offer a five percent discount off First
advance reservations and ticketing required.
Plan ahead and receive an additional five percent discount by ticketing 60 days or more prior to departure. These discounts are valid
providing all fare rules and restrictions are met. The offer is extended for travel from the Continental United States, Bahamas, Bermuda,
may apply on international travel.
Canada and San Juan, Puerto Rico. Meeting discounts are not combinable with other discounts or promotions. Additional restrictions
For Reservations Call VIRGIN AMERICA Meeting and Convention Reservation Office
1-800-334-8644
a cruDe awaKenInG HOuRs: 8:00 a.m. - 9:00 p.m. (Eastern Standard Time)
Refer to GOLD FILE NUMBER #34200049
SPEAKERS
Paul roBerts craIG smItH BasIl GelPKe mIcHael ruPPert
SPEAKERS tHe corPoratIon tHe enD oF suBurBIa escaPe From suBurBIa
10
P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
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P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Ty p o g r a p h i c H i e r a r c h y
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
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R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“Fail, fail again, fail better.”
COURSE
Nature of Identity
PHOTOGR APHY
Various Sources*
006
02
—SAMUEL BECKE T T
PROJECTS
01
02
03
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07
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ROL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
The Catalyst for Cultural Change.
COURSE
Nature of Identity
PHOTOGR APHY
Various Sources*
006
02 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Nature of Identity
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“Use a condom. Seriously, use one.”
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
Various Sources*
006
03
—JAMES VICTORE
PROJECTS
01
02
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
HOW WELL DO YOU REALLY KNOW HER?
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
Various Sources*
006
03 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Adver tising and Copy Writing
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“One of the greatest casualties of the war in Vietnam is the Great Society.”
COURSE
Integrated Communication
PHOTOGR APHY
Various Sources*
006
04
—Martin Luther King, Jr.
PROJECTS
01
02
03
04
05
06
07
08
09
10
OLI V ER S TONE ± FA LL 20 09 ± HUNTER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
The films of oliver stone.
COURSE
Integrated Communication
PHOTOGR APHY
Various Sources*
006
04 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
JFK
HEAVEN & EARTH
BORN ON THE FOURTH OF JULY
PLATOON
featured films
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER
005
PROJECTS
01
02
03
04
05
06
07
08
09
10
www.friendlyfire.com
HO CHI MINH CITY (Saigon) April 26th - 30th 2015
WASHINGTON D.C. Nov. 22nd - 26th 2014
MANHATTAN, NEW YORK Sept. 15th - 19th 2014
NIXON
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Integrated Communication
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“The city is WHAT it is because our citizens are what they are.”
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
Anthony Stimola
006
05
—PL ATO
PROJECTS
01
02
03
04
05
06
07
08
09
10
FA CE S OF A R CHI T EC T URE ± FA L L 2 0 0 9 ± S TA N ZIENK A P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
The faces of A CITY Through ARCHITECTURE.
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
Anthony Stimola
006
05 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA CE S OF A R CHI T EC T URE ± FA L L 2 0 0 9 ± S TA N ZIENK A P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT F O L I O
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
E x p e r i m e n t a l Ty p o g r a p h y
PHOTOGR APHY
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“If you can’t solve a problem, it’s because you Are playing by the rules.”
COURSE
Design Outside the Box
IL LU S T R AT I O N S
Anthony Stimola
006
06
—PAUL ARDEN
PROJECTS
01
02
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
EASY ANSWERS THROUGH CHEMISTRY.
COURSE
Design Outside the Box
IL LU S T R AT I O N S
Anthony Stimola
006
06 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Design Outside the Box
IL LU S T R AT I O N S
PROJECTS
Anthony Stimola
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“Open your eyes and find beauty where you normally don’t expect.”
COURSE
Intro to Motion Graphics
PHOTOGR APHY
Various Sources*
006
07
—JE AN PAUL GAULTIER
PROJECTS
01
02
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
Fashion at your finger tips.
COURSE
Intro to Motion Graphics
PHOTOGR APHY
Various Sources*
006
07 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Intro to Motion Graphics
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Intro to Motion Graphics
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Intro to Motion Graphics
PHOTOGRAPHY
PROJECTS
Various Sources*
01
02
03
006
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
± 0 0: 0 3 .1 ± 0 0:14 .9
± 0 0:10 . 3 ± 0 0:17. 2
COURSE
Intro to Motion Graphics
PHOTOGR APHY
Various Sources*
006
± 0 0: 2 3 . 2
± 0 0: 21.7
± 0 0: 3 0 . 0
PROJECTS
01
02
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Intro to Motion Graphics
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Intro to Motion Graphics
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“I like to see the human touch...it’s the impracticality that I adore.”
COURSE
Packaged Design 3
PHOTOGR APHY
Various Sources*
006
08
—CHRISTIAN LOUBOUTIN
PROJECTS
01
02
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 1 1 ± T om M c N ulty P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
HIGH end home furnishings.
COURSE
Packaged Design 3
PHOTOGR APHY
Various Sources*
006
08 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
Packaged Design 3
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
Various Sources*
006
09
MFA—THESIS PROJECT We are given the oppor tunit y to produce a graduate thesis project that makes a significant contribution to the world of design. This project is what defines an MFA from a BFA.
PROJECTS
01
02
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
“Be the change you wish to see in the world.”
COURSE
MFA T hesis
PHOTOGR APHY
Various Sources*
006
09
—MAHATMA GANDHI
PROJECTS
01
02
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 012 ± P H IL H A M L E T T P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E
AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O
005
AGRICULTURE FOR URBAN DWELLERS.
COURSE
MFA T hesis
PHOTOGR APHY
Various Sources*
006
09 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
PROJECTS
01
02
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
WE PROVIDE THE TOOLS FOR GROWTH IN VIBRANT CITY CENTERS.
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
Various Sources*
006
Home
Articles
Article 1
Article 2
Resources
Article 3
Animal Husband.
Pacific N.West
Chicken & Fowl
Goats
Rabbits
Ducks
Blog
Gardening & Agri.
Apiculture (Bees)
Laws & Regs.
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Soil Health
Soil Type & Text.
S.West
Species
N. Central
Hive Structure
Midwest
Water Guide
S. Interior
Other Resources
Mid Atlantic
Laws & Regs.
Honey Production Pollination
PROJECTS
01
New England
02
03
04
Legal Resources
05
06
Legal Forms
07
Ducks
08
09
10
U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
COURSE
MFA T hesis
PHOTOGR APHY
PROJECTS
Various Sources*
01
02
006
03
04
05
06
07
08
09
10
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
N O T E S ± A C K N O W L E D G E M E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
NOTES.
006
ACKNOWLEDGMENTS Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus. Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
PROJECTS
01
02
03
04
05
06
07
08
09
10
N O T E S ± A C K N O W L E D G E M E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
005
NOTES.
006
COLOPHON
COLOPHON
School
Academy of Art University, School of Graphic Design
Course
Portfolio Seminar / Grad
Instructor Student Telephone Address e-mail
Mary Scott Anthony Stimola +1 201 638 3805 2130 Fell Street (apt 11) / San Francisco, CA 94117 anthony.stimola@gmail.com
Website
www.anthonystimola.com
Bindery
The Key Printing and Binding 5851 Ocean View Drive / Oakland, CA 94618
Photography
DD Cheung, Whitney Clark, Anthony Stimola
Title of Book
PMA — Positive Mental Attitude
Text Stock
100 lbs. Cougar Text Paper
Typeface
DIN
Software
Adobe Creative Suite 6 ©2012 All rights reserved. No part of this publication can be reproduced without express permission from Anthony Stimola.
PROJECTS
01
02
03
04
05
06
07
08
09
10
P M A — P O S I T I V E ME N TA L AT T I T U D E
A N T HON Y S T IMOL A ± MFA P OR T FOL IO
“Now we are the masters of our fate. the task which has been set before us is not about our strength.”