Portfolio _ test

A N T H O N Y S T I M O L A ± M F A P O R T F O L I O P M A— P O SI T I V E M E N TA L AT T I T U D E

INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

006

PROJECTS

01

02

03

04

05

06

07

08

09

10

INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

006

PMA—POSITIVE MENTAL ATTITUDE

I got that attitude.

PROJECTS

01

02

03

04

05

06

07

08

09

10

INTRODUCTION

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“Now we are the masters of our fate. the task which has been set BEFORE us is not above our strength.

That its pangs and toils are not beyond our endurance. As long as we have faith in our cause and an unconquerable will–power.

Salvation will not be denied us. We are the masters of our fate. Long as we have faith, an unconquerable will–power. Salvation will not be denied us.”

006

— W IN S TON CHUR CHIL L

PROJECTS

01

02

03

04

05

06

07

08

09

10

IN T RODUCT ION ± W HO I A M P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

WHO I AM.

006

WHO I AM. I am a designer. I think. Sometimes I over think. I ask questions and constantly self-editing. I watch documentaries, TV shows and read about every random thing I can get my hands on as it all intrigues me—it all becomes part of my arsenal of knowledge and thought. I go to gallery events and conferences, or even just walk the streets of the city because my mind craves social interaction. I love talking, and most of all, inspiring a lively conversation. I am from New Jersey and as child I can remember dreaming of running away to Manhattan—even as a child I loved being in the middle of madness. It's a place where I thrive. I have now realized it's my mind at work craving the challenge—to make sense out of the chaos around me. I am a designer.

I grew up with Attention Deficit Disorder (ADD).

After years of trying to fit a triangle peg, into a hexagonal hole; I have found my place in this world. My mind allows me to brainstorm in a flurry of thoughts, images and concepts with avid enthusiasm. I run loops and circles, touching corners of ideas most people avoid, only to come back and find the answer. I am non-linear. After years of not being OK with ADD, I see it now as my greatest strength as a designer and ultimately as a creative problem solver.

PROJECTS

01

02

03

04

05

06

07

08

09

10

INTRODUCTION P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

MY

006

PROCESS, MIND, ATTITUDE.

PROJECTS

01

02

03

04

05

06

07

08

09

10

IN T R O D U C T I O N ± TA BL E O F C O N T E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

TABLE OF CONTENTS.

006

COLOPHON 01

Dystopia.

02

Rolling Stone.

03

Trojan.

04

Oliver Stone.

05

The Many Faces.

06

Sure.

07

GQ.

08

Louboutin.

09

Urbanis Âą MFA Thesis

Acknowledgements Colophon.

PROJECTS

01

02

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“I Would put my money on the sun and solar energy.”

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

Various Sources*

006

01

—THOMA S EDISON

PROJECTS

01

02

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

Peak oil and the collapse of society.

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

Various Sources*

006

01 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

+ + + + + + + + + + + + + + + + + + + + P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

DYSTOPIA

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

SOCIETY DEVOLVES IN THE AFTERMATH OF PEAK OIL.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

DYSTOPIA

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

NOVEMBER 11 – 13 2012 Our society is dependent on oil and the petrochemical industry. It reaches deeply into our everyday life. So what happens when we hit Peak Oil and our society's infrastructure crumbles? Peak Oil is the point when we will no longer discover any new oil reserves on the planet. From that point forward we will be in a pattern of decline. This means that as we come down the back side of the bell curve the prices of oil will sky rocket. Governments will restrict a large quantity of oil in order to keep emergency vehicles, military and other government serves. The biggest hit will be that there be no fuel in order to ship goods and food into major city centers. There will be a point that we will all be given the option of what direction to take in the face of this impending social collapse. The duality of man kind will be obvious as some decide to take the Positive Path while others take the Negative Path.

AT THE DYSTOPIA CENTER

HOLY CROSS NEW ORLEANS

PROJECTS

01

02

03

04

05

06

• Paul Roberts and Michael Ruppert

07

• Gregory Greene and Joel Bakan

• Paul Robert, Michael Ruppert, Basil Gelpke and Ray McCormack

08

09

(director of A CRUDE AWAKENING)

(writer // director of THE END OF SUBURBIA and ESCAPE FROM SUBURBIA)

(director of THE CORPORATION)

(director of THE CORPORATION)

(writer of THE CORPORATION)

GREGORY GREENE

JENNIFER ABBOT

MARk ACHBAR

JOEL BAkAN

RAY McCORMACk

(director of A CRUDE AWAKENING)

BASIL GELPkE

(from COLLAPSE and the author of CONFRONTING COLLAPSE)

(author of NO MORE OIL)

(director of A CRUDE AWAKENING)

CRAIG SMITH

MICHAEL RUPPERT

PAUL ROBERTS

SPEAKERS

"WHAT COMES NEXT (BEYOND THE TRANSITION)"

mIcHael ruPPert Paul roBerts BasIl GelPKe ray mccormacK

"CORPORATE GREED AND IT'S IMPACT ON SOCIETY'S NEED FOR OIL"

collaPse

SPEAKERS

"DEALING WITH THE TRANSITION FROM FOSSIL FUELS"

FILMS

DISCUSSION BOARDS

The third and final day of the conference will be concentrating on the fall out and social collapse that could come from Peak Oil. The day looks like there is less going on however the final discussion board is slated to be a far more indepth conversation with a large panel that will be involving the audience. The final day of the conference is about rolling out the real downside of our countries attachment to petroleum.

How will this all play out in the end...?

(877) 863–4780

www.hilton.com

(504) 561–0500

2 Poydras Street, New Orleans, LA 70140

HIlton new orleans rIversIDe

www.holidayinn.com

(504) 529–7211

124 Royal Street, New Orleans, LA 70130

HolIDay Inn Hotel new orleans

www.omnihotels.com

(504) 648–2009

621 Saint Louis Street, New Orleans, LA 70130

omnI royal orleans Hotel

www.placedarmes.com

(504) 722–7332

625 Saint Ann Street, New Orleans, LA 70116-3287

Joel BaKan marK acHBar and JennIFer aBBot GreGory Greene

The clock is ticking. ESCAPE From SUBURBIA asks the tough questions: Are we approaching Peak Oil now? What are the controversies surrounding our future energy options? Why are a growing number of specialists and citizens skeptical of these options? What are ordinary people across North America doing in their own communities to prepare for Peak Oil? And what will YOU do as energy prices skyrocket and the Oil Age draws to a close?

FILMS

Through personal stories and interviews we examine how declining world oil production has already begun to affect modern life in North America. Expert scientific opinion is balanced with “on the street” portraits from an emerging global movement of citizen’s groups who are confronting the challenges of Peak Oil in extraordinary ways.

The second day of the conference will be bringing the reality of the corporate infrastructure and cultural attachment to petroleum. The longest of the three days looking at the American Dream and how we are sold what we want. In the midst of a transitional generation it is about you and how you precieve the importance of petroleum. We again invite you to explore the conference grounds to see just what our dystopic future will look like.

In ESCAPE From SUBURBIA director Greg Greene once again takes us “through the looking glass” on a journey of discovery — a sobering yet vital and ultimately positive exploration of what the second half of the Oil Age has in store for us.

FILMS

Suburbia, and all it promises, has become the American Dream. With brutal honesty and a touch of irony, The END of SUBURBIA explored the American Way of Life and its prospects as the planet enters the age of Peak Oil.

01 02 03 The opening day of DYSTOPIA will be started off by the well known author, Paul Roberts. Paul Roberts will be bringing you up to spead with the core issues of Peak Oil. Opening up the conference with a strong insightful look at the basis for the entire purpose of DYSTOPIA. We want you to know exactly what the issues are before we move forward. The first day will also be a time for visitors to explore the grounds that the conference is being held on.

Place D’armes Hotel

NEW ORLEANS

ESCAPE FROM SUBURBIA

HOLY CROSS

(504) 524–7611

5PM

www.innonbourbon.com

DISCUSSION PANEL // Paul roBerts, mIcHael ruPPert, BasIl GelPKe and ray mccormacK "wHat comes neXt (BeyonD tHe transItIon)"

AT THE DYSTOPIA CENTER

541 Bourbon Street, New Orleans, LA 70130

3PM

mean for North America? As energy prices skyrocket in the coming years, how will the populations of suburbia react to the collapse of their dream? Are today’s suburbs destined to become the slums of tomorrow? And what can be done NOW, individually and collectively, to avoid The End of Suburbia ?

1PM

SPEAKER // mIcHael ruPPert

Inn on BourBon Hotel

DOCUMENTARY // collaPse

The consequences of inaction in the face of this global crisis are enormous. What does Oil Peak

9PM

HOTELS

NOVEMBER 13

But as we enter the 21st century, serious questions are beginning to emerge about the sustainability

8PM

DISCUSSION PANEL // Joel BaKan and GreGory Greene "corPorate GreeD's ImPact on our neeD For oIl"

of this way of life. With brutal honesty and a touch of irony, The End of Suburbia explores the American Way of Life and its prospects as the planet approaches a critical era, as global demand for fossil fuels begins to outstrip supply. World Oil Peak and the inevitable decline of fossil fuels are upon us now, some scientists and policy makers argue in this documentary.

PHOTOGR APHY

Suburbia, and all it promises, has become the American Dream.

1PM

SPEAKER // GreGory Greene

embedded in the American consciousness.

2PM

DOCUMENTARIES // tHe enD oF suBurBIa and escaPe From suBurBIa

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years, so too has the suburban way of life become

SPEAKER // Joel BaKan, marK acHBar and JennIFer aBBot

THE END OF SUBURBIA

DOCUMENTARY // tHe corPoratIon

the profile of the contemporary profitable business corporation to that of a clinically-diagnosed psychopath. The documentary concentrates mostly upon North American corporations, especially those of the United States.

7PM

theme is its assessment as a “personality”, as a result of an 1886 case in the United States Supreme Court in which a statement by Chief Justice Morrison R. Waite [nb 1] led to corporations as “persons” having the same rights as human beings, based on the Fourteenth Amendment to the United States Constitution. The film’s assessment is effected via the diagnostic criteria in the DSM—IV; Robert Hare, a University of British Columbia psychology professor and a consultant to the FBI, compares

Ty p o g r a p h i c H i e r a r c h y

The documentary shows the development of the contemporary business corporation, from a legal entity that originated as a government-chartered institution meant to effect specific public functions, to the rise of the modern commercial institution entitled to most of the legal rights of a person. One

3PM

DISCUSSION PANEL // mIcHael ruPPert and Paul roBerts "DealInG wItH tHe transItIon From FossIl Fuels"

THE CORPORATION

1PM

SPEAKERS // craIG smItH and BasIl GelPKe

of our modern lifestyle, from driving to work to clothing and clean tap water. A Crude Awakening asks the tough question, “What happens when we run out of cheap oil?” Through expert interviews, the film spells out in startling detail the challenges we would face in dealing with the possibility of a world without cheap oil—a world in which it may ultimately take more energy to drill for oil than we can extract from the oil the wells produce.

DOCUMENTARY // a cruDe awaKenInG

The documentary examines our dependence on oil, showing how oil is essential for almost every facet

SPEAKER // Paul roBerts

footage interspersed with news and commercial footage from the growth heyday of petroleum production.

The documentary focuses on information and testimony that supports the projection of a near-term oil production peak.

A Crude Awakening: The Oil Crash explores key historical events, data and predictions regarding the global peak in petroleum production through interviews with petroleum geologists, former OPEC officials, energy analysts, politicians, and political analysts. The film contains contemporary

A CRUDE AWAKENING

back and forth on what to make of the extremism. Smith lets viewers form their own judgments.

run out of fossil fuel. While other experts debate this issue in measured tones, Ruppert doesn’t hold back at sounding an alarm, portraying an apocalyptic future. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway

Internet user, but he applies a unique interpretation. He is especially passionate about the issue of “peak oil,” the concern raised by scientists since the seventies that the world will eventually

Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any

COLLAPSE

FEATURED DOCUMENTARIES

same topic there will be discussion boards that will vehemently examine the issues of Peak Oil and social collapse.

The directors and writers of these films will be present to speak about their perspective of the issues at hand. With a good group of well informed individuals with many different takes on the

The body of this conference is composed of informative documentaries. Utilizing the most effective format of communicating the message allows for the audience to absorb the content efficiently.

EVENTS

COURSE Various Sources* 006

SCHEDULE

NOVEMBER 11 11AM

NOVEMBER 12

11AM

DYSTOPIA Our society is dependent on oil and the petrochemical industry. It

reaches deeply into our everyday life. So what happens when we hit Peak

Oil and our society’s infrastructure crumbles? Peak Oil is the point

when we will no longer discover any new oil reserves on the planet. From

that point forward we will be in a pattern of decline. This means that

as we come down the back side of the bell curve the prices of oil will

sky rocket. Governments will restrict a large quantity of oil in order

to keep emergency vehicles, military and other government serves. The

biggest hit will be that there be no fuel in order to ship goods and

food into major city centers. There will be a point that we will all be

given the option of what direction to take in the face of this impending

social collapse. The duality of man kind will be obvious as some decide

to take the Positive Path while others take the Negative Path.

AIRLINES

Class and any published US Airways promotional round trip fares. A 10% discount off unrestricted coach fares will apply with seven day

VIRGIN AMERICA agrees to offer an exclusive low rate for DYSTOPIA attendees. This special fare will offer a five percent discount off First

advance reservations and ticketing required.

Plan ahead and receive an additional five percent discount by ticketing 60 days or more prior to departure. These discounts are valid

providing all fare rules and restrictions are met. The offer is extended for travel from the Continental United States, Bahamas, Bermuda,

may apply on international travel.

Canada and San Juan, Puerto Rico. Meeting discounts are not combinable with other discounts or promotions. Additional restrictions

For Reservations Call VIRGIN AMERICA Meeting and Convention Reservation Office

1-800-334-8644

a cruDe awaKenInG HOuRs: 8:00 a.m. - 9:00 p.m. (Eastern Standard Time)

Refer to GOLD FILE NUMBER #34200049

SPEAKERS

Paul roBerts craIG smItH BasIl GelPKe mIcHael ruPPert

SPEAKERS tHe corPoratIon tHe enD oF suBurBIa escaPe From suBurBIa

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P E A K O I L ± S P R I N G 2 0 11 ± A R I E L G R E Y P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Ty p o g r a p h i c H i e r a r c h y

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“Fail, fail again, fail better.”

COURSE

Nature of Identity

PHOTOGR APHY

Various Sources*

006

02

—SAMUEL BECKE T T

PROJECTS

01

02

03

04

05

06

07

08

09

10

ROL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

The Catalyst for Cultural Change.

COURSE

Nature of Identity

PHOTOGR APHY

Various Sources*

006

02 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

R OL L ING S TONE ± FA L L 2 010 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Nature of Identity

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“Use a condom.

Seriously, use one.”

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

Various Sources*

006

03

—JAMES VICTORE

PROJECTS

01

02

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

HOW WELL DO YOU REALLY KNOW HER?

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

Various Sources*

006

03 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Adver tising and Copy Writing

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“One of the greatest casualties of the war in Vietnam is the Great Society.”

COURSE

Integrated Communication

PHOTOGR APHY

Various Sources*

006

04

—Martin Luther King, Jr.

PROJECTS

01

02

03

04

05

06

07

08

09

10

OLI V ER S TONE ± FA LL 20 09 ± HUNTER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

The films of oliver stone.

COURSE

Integrated Communication

PHOTOGR APHY

Various Sources*

006

04 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

JFK

HEAVEN & EARTH

BORN ON THE FOURTH OF JULY

PLATOON

featured films

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER

005

PROJECTS

01

02

03

04

05

06

07

08

09

10

www.friendlyfire.com

HO CHI MINH CITY (Saigon) April 26th - 30th 2015

WASHINGTON D.C. Nov. 22nd - 26th 2014

MANHATTAN, NEW YORK Sept. 15th - 19th 2014

NIXON

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

OL I V ER S TONE ± FA L L 2 0 0 9 ± HUN T ER W IMMER P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Integrated Communication

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“The city is WHAT it is because our citizens are what they are.”

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

Anthony Stimola

006

05

—PL ATO

PROJECTS

01

02

03

04

05

06

07

08

09

10

FA CE S OF A R CHI T EC T URE ± FA L L 2 0 0 9 ± S TA N ZIENK A P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

The faces of A CITY Through ARCHITECTURE.

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

Anthony Stimola

006

05 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA CE S OF A R CHI T EC T URE ± FA L L 2 0 0 9 ± S TA N ZIENK A P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT F O L I O

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

FA C E S O F A R C HI T EC T U R E ± FA L L 2 0 0 9 ± S TA N Z IE NK A P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

E x p e r i m e n t a l Ty p o g r a p h y

PHOTOGR APHY

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“If you can’t solve a problem, it’s because you Are playing by the rules.”

COURSE

Design Outside the Box

IL LU S T R AT I O N S

Anthony Stimola

006

06

—PAUL ARDEN

PROJECTS

01

02

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

EASY ANSWERS THROUGH CHEMISTRY.

COURSE

Design Outside the Box

IL LU S T R AT I O N S

Anthony Stimola

006

06 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

S U R E ± F A L L 2 0 11 ± R O L A N D Y O U N G P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Design Outside the Box

IL LU S T R AT I O N S

PROJECTS

Anthony Stimola

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“Open your eyes and find beauty where you normally don’t expect.”

COURSE

Intro to Motion Graphics

PHOTOGR APHY

Various Sources*

006

07

—JE AN PAUL GAULTIER

PROJECTS

01

02

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

Fashion at your finger tips.

COURSE

Intro to Motion Graphics

PHOTOGR APHY

Various Sources*

006

07 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Intro to Motion Graphics

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Intro to Motion Graphics

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Intro to Motion Graphics

PHOTOGRAPHY

PROJECTS

Various Sources*

01

02

03

006

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

± 0 0: 0 3 .1 ± 0 0:14 .9

± 0 0:10 . 3 ± 0 0:17. 2

COURSE

Intro to Motion Graphics

PHOTOGR APHY

Various Sources*

006

± 0 0: 2 3 . 2

± 0 0: 21.7

± 0 0: 3 0 . 0

PROJECTS

01

02

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Intro to Motion Graphics

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

G Q ± S P R I N G 2 0 1 2 ± C olin S ebestyen P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Intro to Motion Graphics

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“I like to see the human touch...it’s the impracticality that I adore.”

COURSE

Packaged Design 3

PHOTOGR APHY

Various Sources*

006

08

—CHRISTIAN LOUBOUTIN

PROJECTS

01

02

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 1 1 ± T om M c N ulty P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

HIGH end home furnishings.

COURSE

Packaged Design 3

PHOTOGR APHY

Various Sources*

006

08 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

L O U B O U T I N ± S U M M E R 2 0 11 ± T om M c N ulty P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

Packaged Design 3

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

Various Sources*

006

09

MFA—THESIS PROJECT We are given the oppor tunit y to produce a graduate thesis project that makes a significant contribution to the world of design. This project is what defines an MFA from a BFA.

PROJECTS

01

02

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

“Be the change you wish to see in the world.”

COURSE

MFA T hesis

PHOTOGR APHY

Various Sources*

006

09

—MAHATMA GANDHI

PROJECTS

01

02

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 012 ± P H IL H A M L E T T P PMMAA——PPOOSSI T I TI IVVEE MMEENNTTAALL AATT TT I T U D E

AA NN TT HHOONNY Y SSTTI M I MOOLLAA ±± M MFFAA PPOOR R TT FF O L I O

005

AGRICULTURE FOR URBAN DWELLERS.

COURSE

MFA T hesis

PHOTOGR APHY

Various Sources*

006

09 PROBLEM Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna.

Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna.

Curabitur lobortis dictum libero eget hendrerit.

SOLUTION Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris.

Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

PROJECTS

01

02

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

WE PROVIDE THE TOOLS FOR GROWTH IN VIBRANT CITY CENTERS.

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

Various Sources*

006

Home

Articles

Article 1

Article 2

Resources

Article 3

Animal Husband.

Pacific N.West

Chicken & Fowl

Goats

Rabbits

Ducks

Blog

Gardening & Agri.

Apiculture (Bees)

Laws & Regs.

Planting Guide

Soil Health

Soil Type & Text.

S.West

Species

N. Central

Hive Structure

Midwest

Water Guide

S. Interior

Other Resources

Mid Atlantic

Laws & Regs.

Honey Production Pollination

PROJECTS

01

New England

02

03

04

Legal Resources

05

06

Legal Forms

07

Ducks

08

09

10

U R B A N A G R I C U LT U R E ± FA L L 2 0 12 ± P H I L H A M L E T T P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

COURSE

MFA T hesis

PHOTOGR APHY

PROJECTS

Various Sources*

01

02

006

03

04

05

06

07

08

09

10

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

N O T E S ± A C K N O W L E D G E M E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

NOTES.

006

ACKNOWLEDGMENTS Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.

Vivamus at nisi sapien, sit amet malesuada nulla.

Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh.

Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.

PROJECTS

01

02

03

04

05

06

07

08

09

10

N O T E S ± A C K N O W L E D G E M E N T S P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

005

NOTES.

006

COLOPHON

COLOPHON

School

Academy of Art University, School of Graphic Design

Course

Portfolio Seminar / Grad

Instructor Student Telephone Address e-mail

Mary Scott Anthony Stimola +1 201 638 3805 2130 Fell Street (apt 11) / San Francisco, CA 94117 anthony.stimola@gmail.com

Website

www.anthonystimola.com

Bindery

The Key Printing and Binding 5851 Ocean View Drive / Oakland, CA 94618

Photography

DD Cheung, Whitney Clark, Anthony Stimola

Title of Book

PMA — Positive Mental Attitude

Text Stock

100 lbs. Cougar Text Paper

Typeface

DIN

Software

Adobe Creative Suite 6 ©2012 All rights reserved. No part of this publication can be reproduced without express permission from Anthony Stimola.

PROJECTS

01

02

03

04

05

06

07

08

09

10

P M A — P O S I T I V E ME N TA L AT T I T U D E

A N T HON Y S T IMOL A ± MFA P OR T FOL IO

“Now we are the masters of our fate. the task which has been set before us is not about our strength.”