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CALNE

CHURCH

PLAYERS

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present

"Holy 路Family" by

R.H. WARD

in ~-

POTTERNE on January 26th 1

CHIPPENHAM (Parish Church), on February 2nd MARLBOROUGH (St. Mary's) on February 4th MELKSHAM, on February 9th BRADFORD ON AVON (Holy Trinity), on February 16th DEVIZES (St. James'), on February 23rd TROWBRIDGE (Parish Church), on March 2nd SALISBURY (St. Mark's), on March 9th ALDBOURNE, on March 16th AVEBURY DEANERY, (at Caine), on March 24th CALNE, on March 25th

All performances are at 8 p.m., excepting -

Chippenham and Caine at 7.30 p.m.

Members of the Company B. Appleton I. Appleton C. Craske L. Craske A. Gunning J. Gunning G. Halstead P. Halstead M. Henly T. Henly C. Keen D. Keen M. Goulstone H. Jones M. Matthews

K. O'Hanlon V. Sandford W. Smith R. Swaffield · M. Sweet N. Walters R. W ensley

Music:

The Rev. Michael Currah LIGHTING: R. Labram

ABOUT THE PLAY FAMILY was written in 1941 and first produced by H OLY the Adelphi Players at Christmas-time that year. It was toured during the war by the New Pilgrim Players, a group of Christian professional actors, who performed it in Churches, Canteens, Halls and Camps. It is a modern poetic drama.

The following notes are extracts from the Author's preface to the play:"Poetry is the natural speech of drama. Poetry translates the individual's experience into universal experience: it makes him see himself with a new kind of understanding, and, beyond himself, his world and his fellow humans in it." "In the case of HOLY FAMILY, the stage on which the chorus assembles represents no permanently defined place at all; there is no scenery to suggest any particular country, towQ, or house, and nothing is s~id in the words which gives the chorus, as such, any localization other than wherever the common man passes his days;· the stage becomes at once nowhere and everywhere. ' But it does become some more or less specific places as the story's incidents unfold. · It becomes the Temple of Jerusalem, the house of Zacharias and Elizabeth, Mary's house, a street in Bethlehem, the countryside in which the shepherds are keeping watch and so on. Here the words from the New Testament, which often speak explicitly of particular places, achieve whatever scene-setting is necessary. This is essentially the Elizabethan or Shakespearean device."

"For this reason I would certainly suggest that HOLY FAMILY should not be dressed in "biblical" costume, but either in contemporary costume, or, preferably, in costumes which belong to no specific period, perhaps in a kind of "uniform" evolved from . the words of the play by the costume designer's own imagination. For we are now talking not so much about the problem of place as about the problem of time, and just as the place the chorus lives in is nowhere and everywhere, so the time it lives in is both never and always. This statement again needs qualification, however. If the "placelessness" of the chorus is meant to leave the spectator free to" place" the chorus, with whom he is identified, in his own place, his village, his home, his factory, his church, as the case may be; and if the indications of specific places given in the New Testament passages are meant to leave him free, not only to build a shadowy Palestinian setting, but to do. so without losing his awareness of his own setting, this is in order that ·a kind· of fusion of (say) Mary's house with his own house may occur in his imagination. The time-process is similar. The "timelessness" of the chorus is meant, with the help of the words, to leave the spectator free to see the chorus as the common man of his .own time. The New Testament passages, however, throw him back, as the enactment of the scenes of the Nativity story throw the chorus back, into "the days of Herod the king"; but not in so. specific and detailed a way that the spectator loses touch with his own day; so that again an imaginative fusion is made between his own day and a remote one. Thus the sense of the reality of the New Testament events, and of their application to the spectator's own life, is preserved. Again, the purpose of all this is to make the Nativity story a real and immediate experience of the contemporary person." "If the chorus becomes one body, so may the spectators, as it were by reflection; if the chorus attains the altered condition of mind and heart, the loss of the individual self, which unity brings them, so may_the spectators.".

"It will perhaps be asked why this alteration is important in any case, and what it has to do with a play. The answer is that this a.ltered .state_is of the essence of both art and religion, and that HoLY FAMILY and other plays like it are essentially religious plays: they seek a knowledge of God; and their audiences may always contain those engaged in a similar search."

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MARY'S

SCHOOL,

FOUNDERS'

DAY

CALNE.

1959.

JOYOUS YOUTH SUITE

KALEIDOSCOPE

PICTURES AT AN EXHIBITION

Ei路ic Coates Moussorgsky

(The audience is asked not to clap until the end of the m1,1,sic) The Ballet opens with visitors walking round an art gallery. The curtain is drnwn to show t he pictures.

The Old Castle Troubadours serenade maidens before the castle gates.

The Tuileries Children with their 1rnrsemaids play in the palace gardens.

Bydlo Dance of Farm Workers.

Ballet of the Unhatched Chicks The chickens dancfl out of their shells.

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GIRLS' SUMMER

PUBLIC

SCHOOL.

S IGTUNA HDrflANIST ISK.A LAROVERK. AUGUST 2nd - 16th .

Swedish he admistr es s _. 'Mrs Nylen Engli sh heudmi Gtr es s ,.. Miss Barkley Head Gi r l - -sUs.an . McCu:lly Se.cond :}reo.d - Elisabeth-casement COMPANY LISTS. EDI1illND RICH

MOBERLY 1H ss EklW1d

l\lii ss Ivk:.tthews

A. Finch R. IH tcholl .• ~ ·· -··

·E. Almen

c.· s.

.~ - - -"'

------ .•..

' POORE

Andersson .Ander ss on L. Carlss on .D- · DD.hlbe r g I-.. l\li • Edlund M •. El v ius .,.., ;.iJ" Fo.l k L. Fors ell c. Ho.glind K. Hrunberger c-• Hellman A.S. Henrics s on B. Hul tq_v ist . ·.·· K.. Jonsson ·· r. Lindelof A. Marcus ; G. I\liarthin c. Iv1olander L. Nordhall r. Olsson K. Romberg

A. Harl and

E. BW1ting

G..---Ooonma n _...-

.J .• ...J:'ea.rson

Be r gmnn A. Berman E. Bjorck u. Do.niel s so n A. En gs trom J.°i. o Eri ks s on u.. Ewa ld c. · Gis se lduhl . E. M. Ho.m il ton G. Hoj er A. Li edgren E. Ly ek e K. Loov M. I\ilonsen E~ Moren Eo Nordenfolt G. PGrds on I oI( . Rafst edt c. Rub en I\li • Sundvnll c. Trescho w E •. We.st erlund P.;

L. Anderberg O '"" o Axel s son A. Bokstrom 1~ . Ca rl s son A.B. Oronst en Iv!• Ek l \.o · Frost er 1 ·. Fyrberg ., , L. · Grass I\~ . Gurenius G. Hedtjarn r. Johann.e sson · Mo Lagerlof' A.Mo Lingstal E .• Lundberg IVi . Lowing A. s. NyJ..ander. Eo Nystrom ··· · Ho Thustrup A. Wall erman M. Astrom B. Odesjo

" ·

...

'·

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DAILY PROGRAIV£ME o : · I

a. m.

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s.oo EL 30 9.00 9.30 9 o l+O ·- 10 • 20 lOo 20 - llo 00

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11. ·30 - 12. 10 l2o 30'

2.30

5. 00

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5. 30 7.00 -

9.• .oo

10.00

8.45, ·,

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·•·.·

Calling Breakfa s t I~ak e beds , ti dy rooms Chapel 1st les s on 2nd l es son Bre ak 3rd lesson Lunch Games or s wim.m ing Chan g ing time Dinner Activities : Eve ning Cha,pe..i. '· Bec1 .. Lights out

Wu c mae to 'sig tuno. in th e nfternoon. Tho Eng i ish g irls sho we d us to our rooms. Eh en we at e dinn e r . We boueht our boo ks and h o. d compruiy .mee ting s. We went to oe d 2t nine .o . clod'k. We sl ep t sl e~t vve il to tho next morn ing . ,: :

We soke up a t . 8 o'clock. J..f ter bre o.kf2st we a t e lunch. r h en mo s t 0.f t .h e girls v::c.n.t·. to Sig tuna9 it wns c. ve.ry s wee t to wn. In the cveni.p.g we had .~ n Norr Girls' p2rty E..1,nd ver·~/ . :tired;, we we nt to ., bed .. '•

'l'l.?:,esda y, Au gu. s t ~4--~h. . on. 'r uesdti.y VJo · vrnnt sw im.ming · in the boys' s vHmmi.q.g-pooL I thought the Wat er wc..s very oolq • . A photo grapher c arri.e ·und took c::. photq of ev<Jrybo'dy. In the e-Veni,\1 g we did coUrjt )".>YdMding in the gynmas tic room. )

......

"·

.. ,.

" \' ,.·'..

., .

Aft e r · lc ss o:ns we pl ayed tennis 9 -rounde1"s and. ping . pong and then some of us went s vv irmning in the l ake. In the evening we h a d o. tre asur e hunt foll owe d by c har a des . I thought that they we r e v ery furu1y.

!f1ur:q_9-2y9 .i~ugus t 6 th. ! >t thr.cc o'clock w e \'re nt to the bo y ' s school for sw immi n g . I n the evening we scwr an English film

T·h cpe 1f'! e jumpe d an d ·s wti.l'n. 11

A Mill ion Pound Note" ·

Fri d et;y ) . [~_g_us t 7 -~.!~. Aft er lunch we hnd o. tour Of Sig tuna c:nd Hrs Nylen 1vo.s the guid e • · ·:v ncn we c nme home nc p l aye d tenni s or . s wo.m in the 1 2kc . In the evening some p l aye d ping pong . ·i;hen vvc demo ed Scottish dCLn c Gs in the gymno.stic h o.llo .§_g:~~~SJ.uy1____ f~@..E?_~~-_§_~l); .

At ho.lf po.s t t wo v·.' c we nt to S\V imming in th e boys ' s wimming pool o.nd tri ed to Get p oint ~; fo r our comp L:.ny . In tho cvc nins we h ad s ome g m11cs . 'I 1he y wor e v ery diffic-q_l ~ t o . do , but 1He lHrn d them v e r y much.

Sundc,y, J..ugust 9th. It was n compMy dc.y . '.le g ot up l ntc 9 a t h ctlf p o.s t nine . iu' t e r chCLp el we prc.cti scd no me ch2r nd es CJl.d ske tche s thc.t we should hav e i n the e ven ing . In t h e afternoon we ho.d some sports . In the eveninc; we hc.d compo.ny on t ert ci.inmont s . '.L'h e y we r e very funny. Mondo.y> Jmcust 10th. It \V ClS 0.. hot dci.y a nd in the ci.f t c :rnoon WC b o. t hc d in the s wimming pool . In the evening we dnnc 6d Sc6ttish d o.ncos. Tu esd_~9

Augus~.-~l th.•

We went by boo.t to Slrnlc lo st or; rui.c1 in the evening I\lliss Bnrkley s ho we d u s some pictures of I:n e;l r:rid 0J1d St. I\lio.x-y' s s chool • . Ws; dn c sdi:~ y9

A~'\l?t

12th.

'r his time He svmm in the boys ' s wimminc p ool in the morn1ng9 and ctfter lunch we had u sing ing prnctic e rul.d some l e s s ons. In the evening we did country dctncingo 1 hursdqxp__!:!l.?-~;ustJ..3th o

Some cf us we r e in bed to-:do.y9 · but those wh'o we re we ll pl o.yed I'ounders or t ennis in the c:.f'ternoon. I n th e evening Mrs Nylen ohowc d us some int-c r est ing pictur e s of' Mexico o.nd New York . F '.'idLW? August ll.1-tho \'Je s wam in the boys' snimming pool f or t he l.::w t timco In th e evening the re w:::s c. FMcy Dr cs s pc.rty wh ich wets ve ry funny, and we play e d. some EO.mcs o.nd danc ed.

';ife h 2d . go.mes in th e CLf t e rnoon o.nd in the evening. we · pr.:tctis ed the things ..1.rv c would do for ? oundcr's' Day. Sugdcy , Ausust 1 6th. '11 hi G. v1 ets Poun de r s ' Dcty Ll.nd in th e morning some of our p c.r ents c clme L'J'1c1 \ 1.1.::: t ched us dc.ncing~ a cting, and p+ o.y ing g L:mes . 2:.nd thc,n, in th e . o.f'be rrioon 1rvo went home •.

In a big hous e Ther o was a li tt l e mouse, · Next door in . a fl a t the r e live d a b ig c a t.

Onc e the c o. t wonc ov e r o tno fl at , and a t e the littl e mous e o.nd went from the hou s e . In the big hou se the r e i s no mouse? but · in tho fl ::it the re lives o. fat bi g cat. Evo.-· Mo. ri o.. Hamil ton

The svo.llo ws fly. In the v e ry blue sky. There a r c ho clouds · i.nd the s w2llo ws chirp loud. Birgitt a. Odes j o

.,·

'•

l\ ic.ny hun dreds of y cc:. 1"' s o.go S i [;tuh q wc,r; the c c.p i t a l of 1

Swo d ori9 · c.m d c,1 s o c, b i g s-.:;ci.-to wn . The k ing li ved there c'nd t h e re were ma n y c hurchc:; wh ich 1.:' ·" . -, r. .d ,-,,,.,+·ro """'v d by 11i r-- ~:.na v '"'' .l. v -1 -~ + v '-' '-'. iJ u if · · l<i'n ..._,

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others9 'I'hcn U:Pl)SC.lc'. end Sto cl;:holm be c c.r;1c.; ti10 I' C imp ortc.nt c:.nd . Siz tur1 2' W2 S a l most for g o tt en unt il c.t the b cg innin[~ of th e. 20~ h c entur y . s ome of t he p e op l e who· we r e s t udy in g in Up psal2 wc:.n tc d .

to h ctv c a c nl m 'p l n ce whe re the y c ould · d i scus1:3 import an t que s t i on s o.b out r e l i .z i on .

I'hen thc ;y foun de d S i =;·cun2st ift ol r;:;on .

S·i g tunet i r; Di tuc.tcd on fh c 1'.la l c.r cn . The s t rcc rs s e em ve ry ol d o.nd ruro.1 1.1 i th the ir s mo.1 1 houses ::rnd g reen , tr ees .

I t h c:.s

c.bout 2 . 0 0 0 inhnbit c.nts c:nd i s _vis it c dby m.:i.ny tou-"'is ts. On Fridc.y a ll of us 'N cilt to l oolc a t S i e: tw1 c~ . Mr s Ny l en . . ..' sho •i/Cd u s c. ll t he f c~~10us Jch in g s. · l:~ i rst we 1:.:ont to Stif t e l sc n. .

I t i s c. v a ry b eaut iful p l a ce c:. li tt l e u ay from this school . Thero i s c:. very b i g libra ry th o~o • . Si g tunc. h:.."'.G nl o o c very bc ::rntiful church 9 t he I\~ c.. r• i o. Ohu.Pc h . I t i r3. the _o l des t ch urch Y!hic h i s built of b ride in Svifcdon. · The re a r c etl s o

c..:.

).ot of o l d ruins nn d .f'.11n c sto n c6 • . ·on c o f t h e b i e;gos t

ruin s Vi es of c, c hu r ch. ;I'hcrc hc.d b e e n

i:rn°l l-;: lind crgpound there

whurc mpnks h c."'. d run vrh cn t he VH:: ingc cc..mc c:nd con que r e d t h e c huP cho S t. P qrs Ru in i o c. b i g c tt rc1..ct i ono '.L'hc building hc,s f c.11 en d own, cxc;c pt for one to 1,_.-c r but rJt ill ~,rou c c..n rrnc tho. t it wc. s c.

b i~

c.n d , s t c.ta ly b uildin g . Si g tun. c~ hCLs c. smc~ 11 to .m h o.11..wh i c h i s v·cry pictur·csquc~ .. ... . . 1

It i s s i tuc.1t od in . ~h e

M::~I'lrn t

Pl c.cc. Bct:i i d c the l\'lc.rk o t P1 c.c c · i s

S i g tw1a ' s .__bi.c.sgc s t . str c0 t - t h e o l d es t in S17<;dcn. ( C'·ro up IV)

I 'HE SCHOOL .

The t wo buildings i n. .which we c.r c li ving arc ·· c o. ll cd Ba cka .

c.nd Bo~ga . They o. r c s ~tuc ~ c d on c. h ill ove rloo k ing Lake M~ l ~ rcn. I t is o. ve r y _l ov e l y p lci.c c . ·r _h c f ir st thir:i c; you obscPV C.q _ _when you l oot cl os e r c.. t the nchool is that the t wo building s a r c ox n ctly li lrn ccwh othc r9 c. t l ee. st

o ut s i~ c .

Both o.r o p e r t ly

cov e r e d vi i th i vy . All r ound the houses ther e ct r o tr ee s CU1d roc ks and bet ween them t he r e i s c. l c.wn wit h

flc. gpo l o .

No w l e t' s look at the inside of them. I n the b asements you ' ll find the cl assr ooms. I n one of t be r o oms in Be r g a there is a lso a room for p l ayinG pine p on5 . I f w ~ g d u p st a ir s we ' ll f ind the r ooms , whe re t h e pupils and the te o.c he r s s t ay dur ing the cou rs e . I n on e of the hous e s , call e d Back a, t h ere i s o. dining roo m and at the same pl ac e in the othe r one , the pe is a room wh e r e we hav e our chape l an d games . 'rhere is a l so an ·off ic e in Be r g a . In ev ery roo m of the pup il s the r e o.r e b eds , bo ok- she l ves, Wr i t in.':'.; t ab l e s , wardrobes and wo.s hst ands . "Je a re d i vided into thr•e e c ompani e s , wh ich compe te agai n st e ach o t he r. Poor e h a ve ,ye llo w bo r< s, :1!obe rl y hav e blue bo ws and Edmund .Hi .ch ·hav e · r ed bo ws . Ing rid Ol s son (1 3 y ears) Ke r stin Hamb e r g e r (13 ye a r s )

-I N·-- r :t-·-··E-; ·. S'4I J\!iMI -··-NG- POOL --- o --~-- · -

I r1 the r oom nh er e I am no w, i .. l o t

- - - --

of g irl s

I c ari. h ear a terribl e nois e . l aurrhin c'. a nd s ho utinr:- a l _____;;:1.t the--!s:;'-a",...m.,,e._·_,t, __J,.. ·m ,...,e..___ _ _ __

and ot hers a r e qui e t bec au s e they ar e s wi mm ing . '

I a m i n the S\'! imming pool of S i g tuna .

:·ie come here thr e e

times a 1.w ek and the n we try to ge t a s many points as _poss ibl e f o r t he c omp any comp e tition s . te g e t i)Oints f or s wimming s ome dis tanc es and jump ing fro m the h i gh b oards. Be s i d es s wi mming on our f ronts o.nd b a c ks we sh2.ll floett , dive9 p ick up br ic lrn fro~11 the b o t :t om o.nc1 h a.ve a .l e sso n on s a 'r ins; peopl e. Jill.n ~ I\fiari e Ling st ahl (1 3 y e ar s ) SWI!ViVi INC~ --·-

I N 'l'HE L.!1.E Ji;. ·- - ~.---"- · -"'-

When the weathe r is fine we go to !v'ial ar en , wh ere we c an s wim to s. r aft . It i s gr a t fun to dive and jump f rom it. 'The ~-ia t e r in the l ake .i _:s n 't so cleah CLS the wate r in t he s 1.·1i mm i n g poolo I think it i s v er•y nic e tha t we c a n ba t h e s o many 'times . in n week. He len a ;r hut)t rup (1 3 years)

_!_b e pay I_9mc __to __S,ig_~~~1 c; o "Oh 9 1.1 hc ro i s my c ::.1..,di gc.n 9 t he r e d one 9 not the b l u c . ?11 In the hou se on t h e h ill j_t 1,1;_..,_s n ot very c c;lm. I Fets shout in g o I t v-1 c. c t h e duy I s h ould t_i; o to 8 i g tun c.. I coul dn ' t f ind c.'.ny t hing. Ifother c.n d l~ c..ther wc r o :z w1nin g o.row1d li l{U h ens" I s tood on c. bie s ui tc cJrn <::\ nd tx•i c d t o g ot it to clo sc o I couldn' t do it. I 1

l e f t some thing s out c~n d t h is t i mci I mttn D.c.: cd to g e t it clos e d. But , I h o. d f o r c ott cn t he b l a nk et " I put it int o et bag . '!VC jump ed into the c c:r c.nd it st c.~ rted . On th e wc.y we s t opp e d t o b uy ic o cr c c:.m 'J.nd o.ppl c s . _.:.t l <::~ s t v:rc c Clmc to Si g tunn . 'Ne c~ k c d un o ld l ~ dy th e ryo.y to t h e schoo l. Sho po in ted a nd we ~e nt on . 'J.hon rrn stoppe d outs ide c. b uil d ing c.1 r:; i r l c c.me O\it and ·· showc.. c1 mo to my room . At l ast I \7 c-u:; h.c r e . I unp c~ c .k cd cJ1d. hung my cl ot hes in the cu pb oa rd. I'hcn it and o th er g i rls .

'v'!Ci3

t i me for d,·inn c r end · I met the t c o. c b.c r s

Chr i st inc. i.nde I's s on ( 14 y cc.t ro)

Th e Ne w Girl o' P::.~ rt..1Y:-O ~ fuc n I sew the po~ t c r I became v ery s urpr i s ed . A Now G i r l ~ ' Po.r t yi

I thou gh t thc. t some n cv girls (b osidcs :thooo wh9 '

. ..

hc.1d cilr cc:dy come) h c.d c:.rri vc d. I · ·1~'.G very w1c crta in so I uskccl one Sn glish g irl 9 I t h i nk it \K.G Anq and s h o s2 id th::-. t in En g-:l a nd onc d a t e rm t ho ~ h a d c party li ke th i s wc lcominCT a ll ne w g irls . I v.rc.E5 lon g ing for th e r cD t of tho dety t o e o quicl~ ly. At l e.Gt it ·.;u1s seve n o 'cl ock. JG ve r:~'.J)ody \'I.::ts ;i n Bc.egc. in th e biggest ro om . All the t c2chcrs cn d the Bn gli sh g i r l s s tood in c 1 in c c.nd 'NG sa id qBow do you do " to ovo ryon c of t hem. 'E hen l1Hso Bo.r kl oy ::::nd 8u Gnn .

o ::~ id th c~ t

·rn we re d i v idc d in s ix tee.ms with on e En gli s h g irl o.s ·the 1 029.er . · ic h.'..:d som e c;ci.mor3 o.nd wo a ll l c.u ghcd ve r y much bccc.u so th e g,::,_m cs wo r e funny. JJ.l tho te ems won once . I n on e gaM a we a ll h cd t o i mi t c t o different animal s whe n wo h ctd fow1d c: b c<.'J'l. Oh 9 who. t c.: n o i oc 1 J Everybo dy shout e d c. s loudl y c. s they coul d a nd af t er ths t e very on e wc s ho c. :r> G G o

L cn1on c~ dc

i:::r1d cetkcs t c.o tcd v ery go od l.lf t c 1 the 1

gc~mc so

li.fi i sr3

Barkl ey a s ke d u s, wh en we were in 3ccka if' we Vi[.;.nte d to h ave some mo r e

-~; a. mes

h ~v in r

our l emona d e,

oI' 0·0 to b od ' Cu css ho1·1

ma ny D2nt e d to go to bed 1 Yes, th~t ' s ri ~ ht ! No one . So ve ha d some mor e : amcs a n d san g some a ongs beto re we h~ d to c o ~o · b e d . ..>r.o r>ybody so. id they ht.--:d h ad a l ove l y p ar ty .:rnd hoped tha _t t here . 1rnul d :b.e mc n.y p.:.lrti es lik e thi r3 bef or e the 1 6t h of I.u c;ust ' . vhen th e course fi ni shes. Len e. Parsell :o.nd Len o. ,1.nd e r•bor :.~ ( 1.1+ ye C:H'S

1 G :ye o.rB)

Company SJ?o rt s . On Sund&y nft e rnoon

\.J e

n very hot . d ny and the s un

:1:.1d come Comp2J1y Sport s . I t rrn.s 1;10.s .

s hin].ng • ./;t lk lf

p c~ s t

t v;:o we

b e c an . :.Ct wo.s· on the s p orts gr ound. · fe begnn wi th :.:•unning . Pc1c e s •. 1'irst ea ch c omp any r an a nd af t er tha t t h e thr ee bes t in e ach co mp any rc.n to ce ther • · ~Che n 1'1rc h acl a t hr e e l ogi:i;ed r o.c e . Two peopl e r em to c e t he r '.il th a sc a r .f' round the l eg s, whic h V'rn re n ea res t eac h o t her. 1-u"ter t h2 t ne hnd the go.me, ':'ihich is ca ll e d c.n ec ~~ ;_ ~n d sp oo n r c.c e , e h .:i.d to run 11ith c. t e nn i s b o.11 on e. sp oon. It wets r :..1the r difficult . 'I'hen 11e hCt.d o. pot a to r a c e . 1Ve had to put fiv e s ton es in c. basket CLn d r·un to t he - rope. i-1.t 1-o.s t . we h a d which i s c a ll e d hn obst a cl e ~ a c e . ]'irst vre hetd to f i n d our s ho c;s . i-u t e r that we h .:id to find our· bo ol:s u.nd :put them on ou r he nc1r3 . Jc h .:ld co dl" i nk the w.::ltcr Hi t h th e book on our h ead so !St e r t hc.t V1e h8d to ec'. t a b un , which wc.l.s h<.>.n z ing on a p i e c e of st rin e-, vi i thout u s inc our han ds . 'I1he re s ult n Edmw1d Ric h ll~ point s

Poore

5 poin ts

Mober l y

CetCho

Elis nb et Al me n

(13 years)

' 'I

AUcm.......,.__,._...,. :E' 11 tho

The..._v i s _ t L J.9_.-~!.s.s.k..1=.S?.!3.~~?£ · Yes t erda y we went t o. ' Skok.las t er . by .

bo ~ t.

star t e d ut

t we l ve o ' c l ocl: f rom Si ,:-;tun c. c.nd after on e bc<::utiful h our in . th e bo o. t L C c c,mo to Slco klost c r . lh .r>st 1if8 h ::1d lunch of s <.r ndwiche fJ ctn c1 or a.n ["{ c s q_u cLsh • .,~_ft c r t he lw1ch ii S cou:i.. d lo ot:: ..:tt t h e t, cn·dcn s o 'l'h e r:o..i'.'dc n \ ras v e r y . b i g ci.n d o.t the back there WD.s " '

a b i g lL-1 \.'n Fvi th m~~ny d i ff er ent flo \:1 c:cs round i t • . J.rou11d that

the r e wer e man y t rccn . At tho fro nt the re wc s a d e li gh tful v ie w, ov er• the d e ep .·.10oc1ed vnll cys · '=~nd the gre en Lake iv19. l a r eno 1 rhe buil din .:~· s ·;: c.i."'B built t h rc; c . hund2ecl yc e..rs 2. [; 0 o I1hcr e :.'.re thr ee storeys and i .n ea ch c orn e::r t.h e.r e i s a b i c, to HG.i."' . The colour is Hh it c and a.round t he 1:·1 indo ws it is b l a c k:. 'I'hc buildin c h 2s many rooms , but we c ould onl y h o v e a l ook a t s ome of the m. F irs t ~ e s 2w t he b ed ~ o om s , which were very ni ce i,1 ith the ir s tr an ge colouro o.nd nic e furnitur 00 J\:'c Skoklo ste r the r e wc.s et l s o o. b i g coll ec tion of f;UJls o.nd 'i'Jeo.pons . ii.ftel"' we hc.d Deen the ins i de, the time VJGS shoJ'."t, s o we won t down to the boo.t. The journ ey h ome 1·, r a s re o.l l y ples.san t the s un V18."' shining an d _t · not too h i [!;h. Eli sc,b(;; th Bjor c k ( 13 y o ~::i.r s )

Found er s

D ~: o

On the l c.s t d a y we s p qnd ut. the c+ i r' l s ' Summer Public

S+

Schoo l , Cnln o thi .s is the mos t i.mportan t dci.y in t he sc hool your o The governors of the schoo l, parents J: ,i,

u 0

i'·F ·1 rtr c• t,'. ' ;.:i

J. ..... \,.

of the g i rls, all t he st 3ff and tho pup ils ccthc r to ge t her at St . ~ary ' o and have 2 tho.nt s g i vi n c s e rvi c e . Thi s i s the ·' occ a sion r1hc n r1 e ::.~c;. 1-: c m.b cr a n d thank Goel. fop thd f oun d e r s of tho s chool and c:.11 members past en d p:;:> :.:; scn t '.rho h c.vc wo r/,ced to ge ther t o rm:.:.l-ce the s choo l : :.'. s ucc e ssful 8J1d happy pJi .~.~cc o In the afte rn oon th e school enter t a in s t he p crents

w i~h

play or d ancinc displ ay and there is 2 l o.r ac t e a. party. At Si c;-tuna we uim to sho 1'if :..~ 11 the p o.r ents 2n d fr i cds of the pup il s 9 1vh o he. vc c. t t end ed the Sum.rn c r 3 choo l 9 tho.t we h 2vc l ed o. var i ed o.nd int erest ing lif e . Our f i rst considerat i on is t o enc our o.gc everyon e t o try thei r h and a t mor e than on e r..i. ctiv ity . F.:ve r yonc l eclrn s some song s o.nd d anc e s o.nd mc.ny t o.ke pc..rt in a cting short s ke tch es . Some g irl s sho w some t ennic pra ctice an d othGrs s ing in o. cho ir. Th e st a ff o.nd gi!:l s from St . ]i1c.ry' s appr e ci o.te ve r y muc h the oppo rtuni ty to me e t the po.rents of the g irls9 v:hom 1

the y h ave got to lcnov路1 so wel l dur ing the for t n i ght we h a v e spent to ge t he r o. t the Girls' Sum.rne r Pub lic School. i~ . K. Bc::r lc l ey .

cuurfu:t~-n-U-my

13Tac c

c c1 t~

ic wo uld b e eas y Be c a u se it wo.s so f a t Sudd enly I h eard o. cry I thought it mu s t be my bl a clr. ca t Who s c~s so f o. t . I saw a man wi th c.. h a t. I thought it ~as he ' fuo had s tol en my b l a ck f a t c at . I nste d him - ho so. id - NO Then the c r y c ame ago. in. I s aw my b l ack f o.t c o. t. It sat t here i n a corn e r. Stuc k f 2s t b e c a us e h e w2s so fat Eve r y mous e wc:s l (.1u ghin13 c; t h i m MY BLACK F A'r CAT . Gor cl Hcdt j a rn

-------=-i1Cki;~~~-=------

Boarders Day Girls

170

Lower Sixth (East) Miss Thouless Age

Upper Six th Age Alison Finch Huth Mitchell Susan Wood Katherine Costley-White Gay Goodman vVendy Laughlin Ruth Lloyd Juliet P e arson Anne Smellie

25 16 7 6 14 26 9 29 3

3 4 4 3 6 1 6 7 6

Margaret Brooke Karen d e Chassiron Christian Duff Rosemary Hill Sarah James Alison Kennedv J osepbine Kessler Phyllida Nicholson Elizabeth Saunders Griselda Williams Angela Wood

16 22

1 4

13 16 27 ~6

7 21 15 17

Came 42 42 42 42 42 42 42 42 42

44 43 11 42 7 42 4 42 1 41! 9 41 11 41 11 42 10 42 3 42

1954 1954 1\153 1954 1955 1947 1954 1954 194'7

3 1 3 3 3 Day 3 3 3 Day 1

1955 3 1955 1 1954 2 1955 2 1954 3 1955 2 1954 3 1953 3 1954 3 1955 1 1955 2

Karen Balfour Morwenna Brewer Sarah Butle r Anne Carter Penelope Chorley Anna Collingwood Faith Compton Philippa Finch Louise Findeisen Susan Frost Susan Guest Rosemary Harris Penelope Harrison Smith Fiona Milligan Lucy Moir Charlotte More Jillian Pask-Hughes Susan Pearson Carole Seymour-Jones Kari Sheppard Rosemary Stanley Kate Trevelyan Celia Voelcker Julia West Elizabeth Wrangham 25

10 28 27 6 30 2 17 30 23 12 13 30 30 7 28 27 4 14

1 9 2 4 3 8 9 5 5 2 10 7 4 3

Came 44 43 44 44 43 43 43 44

44 44 43 43 43 44. 6 44 2 44 8 42 8 43 3 3 43 30 10 43 2 44 5 23 9 43 14 10 43 21 7 42 18 3 44

1956 1956 1956 1955 1955 1955 1955 1956 1955 1956 1957 1955 1955 1955 1955 1955 1956 1955 1955 1955 1956 1955 1956 1954 1956

1 2 3 3 3 3 3 3 3 1

3 3 1

3 3 3 1

3 3 3 2 3 2 3 3

Lower Sixth (West) J\fiss Rea.wood Age

Jane Baron Alison Bartholomew Vivien Bellamy Patricia Bow te ll Susan Brennan Ann Bmmey Sally Corry Sarah Conrtauld Janice Hardie Paula Herring Alice Higginbotham Carla Hill-Norton Marcia Holbrow Bridget Jan es Clare Jen sen Jane Keevil Susan Mitchell Monica Moore Madeleine Reed Judith Russell Penelope Sabben-Clare Jill Sevenoaks Rachel Woods 23

10 6 16 28 7 10

12 43 9 42 2 43 3 42 4 43 5 44 ~ ::! 4::1 3 6 43 31 12 43 2 l 4il 5 8 43 14 11 43 7 8 42 30 4 43 15 7 44 3 2 43 19 1 43 1 5 4;; 24 6 42 11 7 44 6 6 44 25 3 44 8 9 43

Came 1956 1955 1955 1949 1955 1955 1955

1 1

3 2 Day 3

3 3

19 ~ 6 1

1956 1954 1955 l\J56 1947 1955 1956 1948 195:) 1948 1955 1955 1955 1958 1956

3 3 1

3 Day

3 2

Day 3 3 Day 3 Day 3

3 1

Upper Fifth (East) Miss Stedmond Age

Lindsay 13art holom ew Lucinda Carling Helena Cowgill Diana Finch Hilary Hord e rn Jane Jones Hope Leather Susan Lloyd Anilrefl. Smith Patricia Stanton Rosalind Whinney Mary Wright

24 2 1 15 29 25 27 30 21 4 11

3 5

44 44 7 44 10 44 11 44 8 44 11 41_ 9 44 9 43 1 45 12 44 4 44

Came 1957 1955 1956 1957 1956 1954 1956 1956 1949 1957 1956 1955

3 2 I

3 3 Day 3

3 3 Day 1 2 3

Lower Fifth (East) Miss Wood Upper Fifth (West) Miss Murfitt Veronica Bardswell Elizabeth Barratt Caroline Carr Susan Casement Virginia Clapham Jennifer Cole Tessa Dawson Helen Dunn Sally Duveen Penelope Forde Nicola Green Helen Gresford Jones Juliet Le Fanu Susan Moore Angela Newton Dunn Caroline Proby Sally Richards Susan Woodward 18

Age 8 45 4 43 11 44 7 44 9 44 4 44 9 43 5 43 4 45 1 45 11 43 9 43 12 44 8 44 8 44 8 43 10 44 10 10 44

30 17 18 30 2 17 7 10 8 26 2 23 20 23 19 4 29

Came 1957 3 1955 3 1957 2 1956 3 1956 3 1949 I Day 1955 3 1955 3 1957 2 1957 2 1956 1 1955 3 1957 1 1949 3 Day 1956 3 195;) 3 1957 3 1956 3

Frances Baker Veronica Brinton 8heila Bullick Mary Falk Carolyn Fison Rosemal'y Fi!;on Katharine Garvey Philippa Good Sally Hazell Jane Henderson Pippa Herring Joanna Jam es Celia Jenkins Susan Labouchere Christine Phillimore Sarah Proby Susan Roffey Susan Still Elizabeth Syms Susan Vaughan Marilyn Wintber 21

Age 6 45 8 46 5 45 6 46 7 45 2 46 7 46 7 45 1 45 12 45 3 45 2 46 11 45 10 3 46 2 46 10 9 5 45 4 46 10 23 7 45 10 11 45 26 1 45 1 10 44 9 24 30 8 24 19 14 15 11 24 16 28 10

Came 1958 1 1958 3 1957 3 1958 3 1958 1 1958 1 1958 2 1958 1 1957 3 1957 3 1957 3 1958 3 1957 s 1957 3 1958 2 1958 1 1958 3 1957 3 1951 .1 Day 1957 3 1957 2

Upper Fourth (West) Miss Lewis Lucy Arden-Close Harriott Bagley Sarah Barber Susan Birtwistle Rachel Clarke Elizabeth Errington M>trgaret Evans Marianne Fison Pl'iscilla Kershaw Nicola Le Fann Angela Rathbon e Veronica Sheppard Caroline U pcher Rose V oelcker Clare Woodward 16 Eliza.beth Wright

31 25 12 7 4 26 2

27 3 28 13

6 7 20 16 22

Age 8 47 8 46 4 47 5 47 12 46 11 46 6 46 2 47 6 46 4 47 8 46 5 47 7 46 6 47 8 47 4 46

Came 1959 3 1959 3 1959 3 1959 1 1959 1 1958 3 1958 3 1959 2 1958 1 1958 s 1959 1 1959 3 1959 1 1959 1 1959 3 1958 ;{

Lower Four th (Miss Tyler) Age l\'lary Bartholomew Mollie Cook Alison Cooke Rosalind Courage Eliza beth Cowgill Susan Cowgill Dorothy Hosburn Kathryn Jenkinson Diana Judd Rosemary Marnham Margaret Peddie Jane Reed Janet Rivett Charmian Rylands Thelma Wallace Belinda Whittle Mary Jane Wilson

7 27 29 16 19 19 12 28 6 23 15 2

6 4 4 1 1 5 10

3 7 11

8 12

16 1 26 17

12 7 7 7

47 47 47 47 48 48 48 47 47 47 47 47 46 46 48 47 47

Came 1959 3 1955 I 1959 3 1959 3 1959 3 1959 3 1957 2 1959 2 1959 3 1959 3 1959 3 1954 3 1952 I 1959 3 1959 3 1955 I 1952 3

Day

Day Day Day Day

St. Margaret's

Upper Third Victoria Brain Penelope Head Charlotte Merz Rosemary Stephens Lorna Williams

Age

3 5 3 8 13

Came

12 48 10 48 8 47 5 48 3 48

1954 l Dav 1958 3 Day 1955 3 Day 1958 1 Day 1953 2 Day

Middle Third Hilary Atwell Sarah Bailey Anne Blackford Barbara Bridges Susan Clark Sally Hislop Georgina Fitzmaurice Judith Wilson Susan Wiltshire 9

Age 6 50 15

24 18 23 H

10 2 11

8 10 1 3 I 1 3 5

48 49 49 50 50 50 50

Came 1955 1954 1953 1954 1954 . 1959 1957 1955 1955

2 Day 3 Day 3 Day 1 Day 2 Day 3 Day 2 Day 2 Day 1 Day

Lower Third (Miss Matthews) Age Alexandra Gale Averina Knowles Karen Phillips Suzette Ste phens Philippa Witcomb

31 16 20 17 7

11 4 2 8 3

Came 50 50 51 50 51

1958 3 Day 1956 1 Day 1955 3 Day 1958 1 Day 1958 1 Day

Upper Second Janice Bevan Wendv Blackfo1路d Cathe;路ine Gale Jean Geol'ge Lynda Jeary Charles Knowles Emma Knowl es Jane Reeve Svlvia Smith Zoe Wilson

23 4 3 29 13 20 20 19 18

Age

Came

3 51 12 51 12 51 10 51 6 52 12 51 12 51 8 51 10 51 5 52

1959 1956 19:')8 1956 1959 1957 1957 1956 1956 1957

Age

Came 1957 3 Day 1957 2 Day 1957 3 Day 1958 1 Day 1958 3 Day 1958 3 Day l9i\7 2 Day 1959 1 Day 1957 3 Day 1957 3 Day

1 Day 3 Day 3 Day 3 Day 2 Dav 2 Day 2 Day 2 DaT 3 Day 1 Day

Lower Second Jill Bailev Nicola Clements Victoria Evans Vivien Gough Sally Hargrave Christine Heath Susan Maundrell Celia Montague David Wiltshire Sharon Woodley

8 1 5 30

11 6 8

52 52 52 4 53 6 10 52 17 7 52 19 2 52 27 11 52 29 10 52 IS 3 52

form I ('.'dist! Devenish ) Anne Chamberlain Mervyn Cole Cicelv Greenwood Martin Hudson Susan J effes Charles Phillips Simon Reeve

15 20 8 8 25 30 7

Kindergarton Carolyn Mills Andrew Phillips Peter Stockley Charlotte Wilson Tessa Wilson

A1e

Came

5 63 2 53 5 53 10 52 12 52 6 53 12 52

1958 1958 1958 1957 1957 1958 1957

Age 24

9 28 15 15

8 54 11 54 9 54 9 54 9 54

2 Day 2 Day 2 Day 3 Day 3 Day 2 Day 3 Day

Came 1959 1959 1959 1959 1959

3 Day

2 Day 3 Dav 3 Day 3 Day

3 -----

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MUSIC FESTIVAL Oonducto1路: DR. REGINALD JACQUES, C.B.E.

PROGRAMME Unison Song

Come let us all this day

Bach

Cradle Song

Byrd Este

How merrily we live Sweet Nightingale Orchestra

arr.: Jacqiies

Concerto in G major for viola and strings Largo

Cantata Two-part chorusRecitative Solo Recitative Solo Chorus Two-part chornsRecitative Chorus Chorus Recitative Chorus

allegro

andante

Telenwnn

presto

from Acis and Galatea Shepherd what art thou pursuing Lo here my love Love in her eyes 0 didst thou know As when the dove Happy we

Handel

Would you gain the tender creature His hideous love Love sounds the alarm Must I my Acis 'Tis' done Galatea dry thy tears

INTERVAL Junior Songs from Shakespeare

Armstrong Gibbs

You spotted snakes

John Ireland

Full Fathom Five

Orch0stra

Dirge for Fidele

Vaughan Williams

When Icicles hang by the wall

Vaiighan Williams

1st Movement Military Symphony 2 Move.m ents from Caprio! Suite Basse Danse -

Haydn Warlock

Pavane

Part Songs

Music when soft voices die Come away Death The Gardener

Unison song

The Ploughboy

Charles Wood Brahms Brahms arr. : Benjamin Britten

A collection will be taken during the Interval for the Oxford Committee for Famine Relief (World Refugee Appeal.) November 14th, 1959.

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UPPER V EAST PRESE1"'T SCENES FROM II

LFTH

NI GHT "

********* CAST in order of appe arance~ R. WHINNEY.

PROLOGUE 9 SIR TOBY BELCH, Uncle to Olivia 9 SIR ANDREW AGUE-CHEEK, FESTE, a clown, MARIA, Olivia's Waiting-woman, MALVOLIO, Steward to Olivia, OLIVIA, SERVANT, FABIAN, Servant to Olivia, ATTENDANTS TO OLIVIA

MUSIC PRODUCER

S. LLOYD. J. JO:NES. H. LEATHER. D. FINCH. M. WRIGHT.

H. COWGILL. P. STANTON. L. CARLING. ( L. BARTHOLOMEW. ( H. HORDERN.

A. SMITH. R. WHINNEY.

SCENES. Scene 1 Scene 2 Scene 3

* *

Olivia's house. Olivia's garden. Olivia's house.

*********

UPPER FDURTH WEST PRESENT

THE

MERCHANT Producer

0 F

VENICE

• • • Nicola Le Fanu CAST

H. Fi son. . Bassanio . • . • • E. Wright. s. Barber. Shylock • • • • . A. Rathbone. Antonio • • • • . c. Upcher. Gratiano • . . Nerissa . . • s. Birtwistle. P. Kershaw. Duke .• v. Sheppard. Lorenzo • • . • . Solerio . • . E. Errington. Messenger . • . . . R. Clarke. ( H. Bagley. Pages • • • • . ( c. Woodward. Prologue . . • L. Arden-Close. N. Le Fanu. Curtains • . • Portia

Clothes

" •

•

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C. Upcher.

M. Evans.

******* Scene I

The Casket Scene.

Scene II

The Trial Scene.

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ER V

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CAROL SERVICE

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PROGRAMME

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Members of the congregation are asked to join m the hymns, and the carols numbered 1-6.

Hymn

Hark the herald angels sing

Extracts from the Ceremony of Carols a Procession b There is no rose c Balulalow d As dew in Aprille e Recession LESSON

Hymn 1 2 3 4

We three kings The First Now ell Away in a manger In the bleak midwinter Mater Ora Filium LESSON

A. & M. 60

Britten

St. Luke Ch. II

Once in Royal David's City

-·-

A.&M.432 Leaflet 2 Leaflet 18 Leaflet 3 A. &M. 67 Leaflet 10

St. John Ch. I

Out of the Orient Crystal skies My Dancing Day Wither's Rocking Hymn In Dulci Jubilo 6

Hymn

0 Little Town of Bethlehem While shepherds watched

Leaflet 17 A. &M. 62

All hymns are from the Revised A. & M. Hymn Book. There will be a collection for the Girls Friendly Society. 13th December, 1959. r-

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