ARCHITECTURE PORTFOLIO
MIKAYLA ROBSON
GRADUATE OF ARCHITECTURE
SKILLS
3D MODELING
• Rhinoceros
• Grasshopper
• Karamba
• Revit
• RhinoInside
2D MODELING
• AutoCAD
ADOBE SUITE
• InDesign
• Illustrator
• Photoshop
RENDERING
• Enscape
• Lumion
• Maxwell
MIKAYLA ROBSON
GRADUATE OF ARCHITECTURE
Email: mikkyrobson@gmail.com
ABOUT ME
Born and raised in the Adelaide Hills I developed a design interest at a young age, which over time drove me towards an interest in construction and Architecture. I have a strong interest in working towards more environmentally conscious design and construction and design techniques. As a designer I strive to continuously achieve my best and to push my ideas and concepts ensuring I follow it up with representation suited to portray my ideas. I am always looking for new skills and techniques and strive myself on my learning capabilities to grow from what I teach myself and what others teach me.
EDUCATION
MASTERS OF ARCHITECTURE
• The University of Adelaide
• 2021-2022
BACHELOR OF ARCHITECTURAL DESIGN
• The University of Adelaide
• 2018-2020
HIGH SCHOOL: SOUTH AUSTRALIAN CERTIFICATE OF EDUCATION
• Cornerstone College
• 2013-2017
SIMULATION
• Design Builder
• ENVI-met
LINKS
LINKEDIN
• www.linkedin.com/in/mikayla-robson-214336240
EMPLOYMENT / EXPERIENCE
ARCHITECTURE INTERNSHIP | 2022
Mulloway Studio
• 5 weeks full time student internship
• Graphical images and diagrams
• Research collection and collation
• 3D topography model completion (completed in sketchup)
• Using site model to execute axonometric diagrams for information graphics
• Site surveying and site visit
• Programs used: Sketchup, Vectorworks, Adobe Suite
DAN MURPHY’S | 2019 - current
• High quality customer service standards with high volume customer interaction
• Product recommendations and in-depth product knowledge development
• Stock and warehouse management / organisation
• Money handling and leadership experience
• Dealing with difficult situations
CLIO CAFE | 2019
• High quality customer service
• Barista capabilities and food handling
CHEEKY GREEK | 2018
• Food handling
• High volume customer interaction and service
• Money handling and leadership experience
CARL’S JR | 2017 - 2020
• Working within strict time constraints
• High quality of customer service
ADVANCED CONSTRUCTION RIPPLE
IMA GIN ASCEND SCHOOL: STRUCTURE AND SERVICES STUDIO URBANISM STUDIO CULTURES DESIGN STUDIO IV CONSTRUCTION III ADELAIDE CONTEMPORARY REPAIRING ANSTEY HILL QUARRY FINAL STUDIO RECONNECT STUDIO ARCHITECTURE 6 14 18 20 22 24 26 CONTENTS HOUSE DESIGN REID ROAD 28
EFFECT
REPAIRING ANSTEY HILL QUARRY
FINAL ARCHITECTURE PROJECT: FIFTH YEAR 2022
SOFTWARE: Rhinocerous, Enscape, Photoshop, Illustrator, Indesign
Mining has been a practice for thousands of years with great evolution of techniques brining in billions of revenues annually. However, the last several hundred years of mining have come at a cost with abandoned mines leaving damaged landscapes reducing habitats and native ecosystems. The practice of repairing abandoned mining sites has begun to take off with interventions across the globe, but little is done to ensure this is completed leaving many sites left to rot or form toxic water ways or dumping grounds. This project aims to implement a design intervention in Adelaide quarry, Anstey Hill, working to repair the environment and relationships associated with the site through a series of four architectural interventions.
EFFECTS OF MINING
Toxic quarry lake: After closure the open pit quarry flooded and with a lack of flow and natural filtration has formed a lake with high levels of amonia
Rubbish:
Quarry classed as private property with no solution for rubbish resulting in people littering due to their disregard for the environment and no connection to nature
Floating above site
Point of observation: repair the relationship between human and nature
Cut into the site
Return what was taken: using what was taken from site during mining and repairing it
Lack of biodiversity:
Damage to landscape due to the removal of native trees and vegetation resulting in the loss of habitat for native animal species
TIMELINE OF REPAIR
Hanging from site
Moment of suspension: using a man made landscape to repair the relationship between humans and mine, humans and nature, nature and quarry
Site covered in numerous species of flura and fauna
Quarrying begun with the deforestation of vegetation resulting in biodiversity loss After closure many visited site as dumping grounds
The intervention begining the process of repairing the site ecosystem and cultural relationships associated withAnstey Hill Quarry
Repair of site takes time, and future repair reflects the quarry once clean as an aquatic ecosystem
Pre-quarry Quarrying Illegal dumping Intervention of repair Future repair
1. Rubbish 2. Lack of biodiversity 3. Toxic quarry lake 4. Relationship with quarry
6
The Anstey Hill quarry was the largest open cut in the Hills area during 19th century. Due to the years of closure, nature has begun to return to the area with a rough outline surrounding the quarry roadways.
This site provides opportunities for both community and culture repair and conservation and ecosystem as the site was used for dolomite, sandstone, and quartzite rock, meaning less heavy metal compounds are leaching from surface. This ensures safer use of land and the quarry lake which has become an attraction.
There are four strategies of repair selected in relation to the site. Two repair the landscape and relationship between human and landscape. Two repair the quarry and relationship between human and quarry.
4. CULTURE
3. COMMUNITY
1. CONSERVATION
4. CULTURE SITE PLAN
3. COMMUNITY
1. CONSERVATION
2. ECOSYSTEM
2. ECOSYSTEM
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1. CONSERVATION
REPAIRING THROUGH RESEARCH
1. Cleaning the quarry
2. Breeding program
RUBBISH RECYCLING ON SITE FOR HABITAT
Plastic Collected Plastic shredded
Floating and cut in Using a floating and cut in to interact landscape and form.
Molded
Melted Sheetpress Construction
Vet
Clinic
BREEDING PROGRAM
SPECIES: Chestnut-rumped
Heathwren
STATUS: Endangered
This species is endangered due to habitat loss
PLANT CULTIVATION
Artificial lighting for when UV rays limited through green house Researching the best plants for natural aquatic filtration for the quarry lake. Used in accompanyment with water treatment filter
Low roof line to provide protection and cover from predators Interlighting system Toplighting system
Low shrubs to encourage Chestnutrumped Heathwren
8 UP
Research
Plant
Research
cultivation
Recycled plastic, to construct breeding areas spaces
labs
Cultivation Breeding areas RESEARCH CENTRE PLAN RESEARCH CENTRE SECTION
labs Plant
Workshop
Vet clinic Greenhouse
The research centre proposed for this site acts as the brain behind the repair. Any construction or investigation required is to be done in this building. The program is three components:
3. Plant cultivation
2. ECOSYSTEM
REPAIRING THROUGH OBSERVATION
The lookout is a location designed to blend into the landscape, providing another dimension for visitors to appreciate the natural ecosystem on site and witness how it progressively being repaired. It begins to repair the relationship between humans and nature encouraging interaction with vegetation and animals. The floating architecture is to appear as if it is not there adding to the landscape instead of subtracting from it.
Floating
LOOKOUT PLAN
Soil
Water retention layer
Drainage layer
Root barrier
Filter layer
Membrane protection
150 concrete roof
LOOKOUT SECTION
UP
Appearing suspended on landscape, not intruding on the natural ecosystem.
Secondary roof LVL beam connected to primary with butted plate and bolt connection
Primary roof LVL beam
Timber LVL structural column connecting to primary roof LVL with plate and bolt connection
90x75 timber LVL column connected with bolts
Steel support foot with dowel joint connected to footing
Concrete footing
ROOF STRUCTURAL SUPPORT SYSTEM
DETAIL 1: TIMBER
Main lookout Lower lookout
DETAIL 2: ROOF
Greenroof Lookout
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REPAIRING THROUGH INTERACTION 3.
The community-based program is a water treatment/filter and diving centre. The filter component is formulated to begin repairing the quarry lake into a safe and usable space to come together as a community encouraging interaction and gathering of the site above and below water surface. The architecture was formulated around cutting into the topography by returning a rock once taken from site.
Cut in Cutting into the landscape to return what was taken from it.
QUARRY LAKE FILTRATION
Filtered water
Step 4: RO membrane - removes 95% of impurities
Unfiltered water pumped from quarry
Step 2 + 3: carbon block - removes organics, chlorine and chloramine
Step 1: sediment filter - remove large particles from water
Reverse Osmosis Deionization System
STRUCTURAL FACADE AXONOMETRIC
Waste water
Pre-filtration Interface: intercept of particles
Polishing filter
Filtered water
Secondary Sand Filter for Heavy Metals
Stone facade blending building into quarry topography
150x90 secondary cross structural steel beams supporting stone facade
150x90 primary structural steel beams supporting stone facade
Nutrients
Nitrite NO
Amonia
centre
Nitrogen Access
N2 Scuba diving centre Water treatment facility Scuba
Bank stabilisation - provided by plant root systems
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UP UP Suba Diving 101
COMMUNITY
2
3
Nitrate NO
diving
Bathroom / change room
Sediment run off - becomes food jetty Quarry jetty
Quarry
stairs Access stairs
FILTER AND DIVING PLAN
FILTER AND DIVING SECTION
4. CULTURE
REPAIRING THROUGH RELATIONSHIP
The fourth component is based on repairing the relationships within the site: human, quarry, and nature. The museum is derived to do this through three aspects:
1. Viewpoints: repairing relationships with nature and quarry by open views projecting across the lake
2. Movement: repairing the relationship between by a circulation path descending the topography
3. Education: repairing the relationships through learning about the site including encouraging understanding of damage caused by the mining industry and ways to repair.
Hanging
UP UP
MUSEUM PLAN MUSEUM SECTION MUSEUM ELEVATION
Hanging from the quarry to form view points and interaction with quarry.
Using the quarry outlines to form the museum and movement.
Timber LVL angled beam connected to cliff face with bolt and concrete connection Butted joint connecting timber LVL to steelplate bolted into concrete support Concrete support connecting the timber structural system to cliff face DETAIL 3: CLIFF
Display plinths Moveable display boards Projection area for exhibition displays
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1. CONSERVATION
• Laser cut: - MDF
-Cardboard
• Foam
2. ECOSYSTEM
• Laser cut: - MDF
-Cardboard
• Foam
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3. COMMUNITY 4. CULTURE
• Laser cut:
- MDF
• Plaster
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• Foam
RECONNECT
STUDIO ARCHITECTURE: FIFTH YEAR 2022
SOFTWARE: Rhinocerous, Design Builder, Lumion, Enscape, Photoshop, Illustrator, Indesign
Aquaponics
Located central North Adelaide, Reconnect is a vertical farm providing residents and visitors a connection to nature often lost in urban environments. The site is owned by Immanuel Lutheran Church and the brief required a non for profit giving back to the community. To do this, Reconnect is formulated around a vertical farm providing produce for residents and an income for the building with produce sold in the ground floor farmer’s market. This provides a source of fresh food for the community whilst being served in the community kitchen for the homeless or those in need.
Aeroponics
Hydroponics
The apartments include private balconies with gardens encouraging dwellers to cook and sell in the farmer’s market. Extensive greenery is inclusive of the building with a ground level orchard, farming units and rooftop garden all within easy access providing much need garden space within North Adelaide.
Grow to Sell Green Space
Grow to Eat
Provide
Grow to Learn Build a Green Facade Grow to
FLOOR PLAN
GROUND
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APARTMENT PLAN
WATER DISTRIBUTION
THERMAL CHIMNEY
Exhaust air
Mechanically opened and closing greenhouse
Fresh air ventilated through open terraces, facade and balconies
APARTMENT SECTION
Fresh air
Warm air
Daylighting capacity
Rainwater Distribution
Greywater Collection
Greywater
Re-distribution
Black water: to sewage
GREEN WALL CONSTRUCTION
Atrium acting as thermal chimney syphoning hot air
Structure system
Waterproof protection
Irrigation support
Irrigation system with drippers
Growing medium (ie. soil)
Capillary breaks
Water catchment
Planter box boarder
Plants
GREEN ROOF CONSTRUCTION
Soil
Reservoir Layer
Aeration Layer
Drainage
Membrane
Protection
Rooftop Garden
Filter Fabric
Moisture Retention Layer
Thermal Insulation
Root Barrier
Capillary breaks
Roof Structural System
Double Glazing: clr 6/13mm argon gas Concrete with Cladding Opening: 75%
Atrium / Aquaponics
Farmer’s market Internal farming / Hydroponics
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16
SECTION DETAIL 1 ATRIUM ROOF CONSTRUCTION
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SECTION DETAIL 2
RIPPLE EFFECT
STUDIO URBANISM: FOURTH YEAR 2021
SOFTWARE: Rhinocerous, Enscape, Photoshop, Illustrator, Indesign
FLOW: additional flow is incorporated to promote movement down the Torrens in the location of water fountains and the water wall
FILTRATION: additional filtration is added by native riverbed planting surrounding the Adelaide Oval side
MIST: mist is incorporated to immerse visitors within water, loosing sense of location and only hearing the falling water
SOUND: the sense of sound is highlighted beneath water wall isolating visitors from their surroundings
REFLECTION: reflective points located on underside of Light Bridge
DIGITAL ART: digital art projections located on introduced water fountains/walls providing a backdrop to the display
LIGHT WATER ENVIRONMENT SECTION A 18
Ripple effect is a project working towards improving the deteriorating condition of the River Torrens, a landmark which became a toxic water way due to human interventions. With the Festival Plaza redevelopment the site aims to bring art to one area providing the opportunity to expand.
The design is formulated around using the environment and science as a display of art allowing visitors to embrace the natural site. The three main components making the design is the environmental improvements repairing the River Torrens, the use of water as art and incorporation of light and reflections as art. Together this introduces urban digital art and highlighting natural elements of light and water reflections whilst using the design to improve the environmental conditions on site.
SOLAR PANELS
Solar panels on water foutains to power electrical requirements on site
PLANTING
Additional riverbed planting adding filtration removing carbon dioxide, nitrates and nitrites
WATER FOUNTAINS
Additional flow gradually removing and preventing algae growth
SHADE
Additional shade for visitors to site for year round comfort from sun and rain
MIST EXPERIENCE SOUND EXPERIENCE ACCESS DIGITAL ART
1 2 3 4 1 2 3 4 ENVIRONMENTAL
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IMPROVEMENTS
IMA GIN A WORLD WITHOUT GIN
STUDIO CULTURES: FOURTH YEAR 2021
SOFTWARE: Rhinocerous, Enscape, Photoshop, Illustrator, Indesign
Rooftop: Bar
8th: Tasting
7th: Indoor greenhouses
6th: Bottling
4th: Redistilling
2nd: Distilling
1st: Grind, mash, ferment
GF: Drive thru
Grain sourced from external supplier
Grinding, mashing and fermenting grain into ethanol
Fermented ethanol distilled into a neutral spirit
Neutral spirit distilled with botanicals to create gin
Bottling of gin and preparation for sale
Greenhouses to grow botanicals infused within gin
The gin is ready for drinking
GF 1ST 2ND 4TH 6TH 7TH 8TH ROOFTOP SECTION A SECTION B 20
FENESTRATION
The existing Marine and Harbors building reveals itself as neglected a statement for Brutalist architecture during the 1970’s. The location borders industrial Port Adelaide and Residential and Commercial where surrounding buildings were repurposed. Drawing inspiration from this, the existing Marine and Harbors building with be repurposed into a vertical gin distillery with connections to heritage and modern Port Adelaide.
The gin distillery will function vertically to mimic the production process of gin with the rising of vapor engrossing visitors in the gin distillery experience. The hollowed out internal floors provide vertical insight of production beginning.
STRUCTURE
Steel frame with additional primary structural beams
Beginning on the Ground floor is a drive thru creating ease of access. First floor begins production where an externally sourced grain is ground, mashed and fermented into an ethanol. This ethanol is taken to the second floor where it is distilled into a neutral spirit before progressing to the fourth floor. Here the neutral spirit is redistilled to create gin. Within the copper stills is gin baskets where botanicals infuse the spirit as it is heated, and the vapors rise through the columns. The product is now ready to be bottled on the sixth floor.
Concrete support columns from existing building
Located on the seventh and eighth floor is internal greenhouses growing the botanicals used in production. The eighth floor enhances the gin tasting experience immersing visitors in the smells as they taste and make gin.
20mm thick Copper paneling
20mm thick external glass facade
Steel beam facade support
Grated flooring supported by beams
*NOT TO SCALE 21
ASCEND
DESIGN STUDIO IV: SECOND YEAR 2019
SOFTWARE: Hand drawn
The site for Ascend was located within the Adelaide Botanical Gardens for a design where wood was the primary construction. To accompany this, a chair was selected to feature in the design. The site selected was secluded and surrounded by extensive vegetation and tall trees. The program formed was to create a vertical tower acting as a rising picnic area for people to visit and experience the nature from a higher vantage point.
• Laser cut:
- MDF
• Balsa Wood
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The tower was constructed from a Glulam Timber truss system with Jarrah wood features. The mechanisms work on a pulley style type system allowing the circular platform to raise up the tower where it is fitted with a kitchen and toilet. Within the tower featured an emergency stair system in the event an emergency occurred.
*NOT TO SCALE
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SCHOOL: STRUCTURE AND SERVICES
CONSTRUCTION III: THIRD YEAR 2020
This school was a floorplan provided with the requirement to replicate/build a 3D model to determine the structural requirements and services. It is a school and preschool located in Adelaide. The final solution had to ensure that the services and structure selected was to code and compliant with fire safety and construction codes standards for South Australia.
5 02 5 02 PRIMARY STRUCTURAL SHS COLUMN 150x150MM 9MM THICK CONNECTED TO PFC BEAM WITH ENDPLATE AND BOLT CONNECTION CONCRETE LOAD BEARING WALLS 200x90 PFC BEAM 14MM THICK CONNECTED TO SHS WITH ENDPLATE AND BOLT CONNECTION 125x65MM PFC BEAM 14MM THICK CONNECTED TO 360UB UNIVERSAL BEAMS USING A WELDED CONNECTION PRIMARY STRUCTURAL SHS COLUMN 200x200MM 9MM THICK CONNECTED TO 360UB BEAM USING ENDPLATE AND BOLT CONNECTION 360 UB BEAM 259x172MM 10MM THICK CONNECTED TO PFC AND SHS COLUMN USING ENDPLATE AND BOLT CONNECTION CONCRETE LOAD BEARING WALLS SUPPLY DIFFUSER 600x600MM CONNECTED TO RECTANGULAR DUCT WITH RECTANGULARROUND TRANSFORMATION CITY MAINS WATER FROM CITY WATER RESERVE DISTRIBUTED THROUGH BUILDINGS VIA WATER HEATER WATER HEATER FAN COIL UNIT CONNECTED TO CEILING DUCTS USING RECTANGULAR - ROUND TRANSFORMATION HOT WATER PIPE DISTRIBUTING WATER THROUGH BUILDINGS AFTER PASSING THROUGH WATER HEATER WASTE WATER PIPE LEADING BUILDING SEWERAGE OFF SITE TO MAIN SEWERAGE DISPOSAL RECESSED DOWNLIGHT CAN INCANDESCENT 203MM EMERGENCY EXIT LIGHT 230 VOLT ROUND DUCT CONNECTED TO RECTANGULAR DUCT WITH TRIANGULAR - ROUND TRANSFORMATION CORRUGATED GRAY ROOF SHEETING PLANT ROOM CONCEALING ELECTRICAL AND WATER SERVICES CIRCULAR SKY LIGHT ABOUT STAIRCASE VOID EXTERIOR VERANDAH 76x110x230 BRICK EXTERIOR ALUMINUM STEEL EXTERIOR CLADDING 10MM THICK GLASS WINDOWS FIRE EXIT SAFETY DOOR FIRE EXIT SAFETY DOOR FIRE EXIT SAFETY DOOR FAN COIL UNIT GENERAL LEARNING AREA EARLY LEARNING CENTER
STRUCTURAL AXONOMETRIC SERVICES AXONOMETRIC 2 ARCHITECTURAL AXONOMETRIC UP UP Ground floor 0 First floor 3600 Ceiling level 2700 First floor ceiling level 6300 5 02 MAINS COLD WATER SUPPLY FROM CITY WATER RESERVE SUPPLY DIFFUSER 600x600MM CONNECTED TO RECTANGULAR DUCT WITH RECTANGULAR - ROUND TRANSFORMATION WATER CLOSET TOILET WALL MOUNTED LAVATORY VANITY CITY MAINS WATER DISTRIBUTED THROUGH BUILDINGS VIA WATER HEATER WATER HEATER FAN COIL UNIT CONNECTED TO CEILING DUCTS USING RECTANGULAR - ROUND TRANSFORMATION HOT WATER PIPE DISTRIBUTING WATER THROUGH BUILDINGS AFTER PASSING THROUGH WATER HEATER WASTE WATER PIPE LEADING SEWERAGE OFF SITE TO MAIN SEWERAGE DISPOSAL WASTE WATER PIPE RUNNING FROM BUILDING TO SEWERAGE Q R S 5 02 CEILING DUCTS ROUND PRESSED BEND SLIP JOINT EMERGENCY FIRE SPRINKLERS LOCATED FIRST AND GROUND FLOOR CONNECTED TO WATER SYSTEM FAN COIL UNIT CONNECTED TO DUCTS WITH RECTANGULAR - ROUND TRANSFORMATION RECTANGULAR DUCT RECESSED DOWNLIGHT CAN INCANDESCENT 203MM EMERGENCY EXIT LIGHT 230 VOLT ROUND DUCT CONNECTED TO RECTANGULAR DUCT WITH TRIANGULAR - ROUND TRANSFORMATION SUPPLY DIFFUSER 600x600MM CONNECTED TO RECTANGULAR DUCT WITH RECTANGULAR - ROUND TRANSFORMATION Q R S SHS COLUMN 150x150MM TO PFC BEAM WITH CONNECTION BEARING WALLS THICK CONNECTED TO AND BOLT CONNECTION 14MM THICK CONNECTED TO BEAMS USING A WELDED SHS COLUMN 200x200MM TO 360UB BEAM USING CONNECTION 259x172MM 10MM THICK AND SHS COLUMN USING CONNECTION BEARING WALLS 600x600MM CONNECTED TO WITH RECTANGULARTRANSFORMATION CITY WATER RESERVE BUILDINGS VIA WATER CONNECTED TO CEILING DUCTS ROUND TRANSFORMATION DISTRIBUTING WATER THROUGH PASSING THROUGH WATER GRAY ROOF SHEETING CONCEALING ELECTRICAL SERVICES EXTERIOR EXTERIOR CLADDING WINDOWS DOOR DOOR FIRE EXIT SAFETY DOOR LEARNING CENTER PROJECT TITLE STUDENT NO. DRAWING TITLE DATE: SCALE: DRAWING NUMBER 2010102030405060708090100mm 7/06/2020 7:14:36PM 1:200 C:\Users\Mikayla\Documents\1st semester\Construction\Assignment 3\Assignment 3c\Final model.rvt ASSIGNMENT 3C a1747868 AXONOMETRIC, ELEVATION, SERVICE PLANS 01 1 200 NORTH ELEVATION 4 1 200 GROUND FLOOR SERVICES 5 1 200 1ST FLOOR SERVICES 6
PROJECT STUDENT CONSTRUCTION III 2020
SOFTWARE: Revit
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ADELAIDE CONTEMPORARY
ADVANCED CONSTRUCTION: FOURTH YEAR 2021
SOFTWARE: Rhinocerous, Revit, Illustrator, Indesign
The brief required a flexible usage space accommodating exhibitions, events, workshops, and office space with a total target area of 15,000 square meters. The form created allowed optimum usage with the division between floor levels whilst still maintaining an open space that was flexible.
A paneled glass roof system provided an atrium style space drawing light into the building, optimising wall usage and light protection from displayed artworks. The paneled glass roof draws attention to the flow and form highlighting the structural stability.
The key load bearing external wall supported the wall form and acted as the main load distribution to the ground. The structure consisted of UB 600x300 primary structural beams with additional support from UB 300x150 cross bracing.
Connecting to this is the steel concrete composite flooring structure system which horizontally distributes load to the structural wall and load bearing 500x500 concrete columns and the 800mm thick stair and elevator shaft.
The roof features a 500x150 open web truss which connects to columns, shafts, and structural wall. The glass roof and wall elements are a panelled glass system. The glass roof is 300x150 beams featuring a built-in gutter system to down pipes located within columns. The glass walls consist of 150x25 beams with 20mm thick glass.
0 Ground Floor 5000 First Floor 10000 Second Floor 15000 Third Floor D C B A SC2 06
FIRST FLOOR PLAN @ 1:400 THIRD FLOOR PLAN @ 1:400 Longitude Section Longitude Section Cross Section Cross Section A B C D A B C D 1 2 3 4 5 1 2 3 4 5 A1747868 | MIKAYLA ROBSON A1749028 | TRAYTON HANNATH A1741651 | CHELSEA YOUNG A1747760 | RHYSE GUTSCHMIDT ASSESMENT 1 DRAWINGS ASSESSMENT 2: ENVELOPE DETAILS + PROTOTYPE ARCH 7033 ADVANCED CONSTRUCTION (M) 01 SHEET TITLE 1:400 SCALE A3 PAGE SIZE FIRST FLOOR PLAN @ 1:400 THIRD FLOOR PLAN @ 1:400 Longitude Section Longitude Section Cross Section Cross Section A B C D A B C D 1 2 3 4 5 1 2 3 4 5 A1747868 | MIKAYLA ROBSON A1749028 | TRAYTON HANNATH A1741651 | CHELSEA YOUNG A1747760 | RHYSE GUTSCHMIDT ASSESMENT 1 DRAWINGS ASSESSMENT 2: ENVELOPE DETAILS + PROTOTYPE
01 SHEET TITLE 1:400 SCALE A3 PAGE SIZE CROSS SECTION 1ST FLOOR PLAN 3RD FLOOR PLAN
ARCH 7033 ADVANCED CONSTRUCTION (M)
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19MM DIAMETER BY 95MM SHEAR CONNECTOR STUD CONNECTING COMPOSITE FLOORING SLAB TO 600UB40.3
CORRUGATED STEEL SHEETING USED AS REINFORCEMENT WITHIN COMPOSITE FLOORING SLAB: RIBBINGS 150X80 TO ALLOW FOR 4M SPANNING
STRUCTURAL STEEL/CONCRETE COMPOSITE FLOORING WITH 200MM SLAB DEPTH CONNECTING TO STRUCTURAL UB BEAMS AND OPEN WEB JOIST
STRUCTURAL PANELLED GLASS WALL WITH 150 x 25 STRUCTURAL STEEL SUPORT BEAMS
20MM THICK GLASS CURTAIN WALL CONNECTED TO STRUCTURAL PANELLED SYSTEM AND FLOOR SYSTEM USING PLATE AND BOLT CONNECTION
20MM THICK SPANDEL GLASS PANEL CONCEALING STRUCTURE FROM EXTERNAL VIEW CONNECTED USING PLATE AND BOLT CONNECTION
75MM THICK BRADFORD FIRESEAL WALL SEALER TO DECREASE THE SPREAD OF FIRE WITH GALVANISED STEAL SHEET AS SMOKE BARRIER
75 x 30MM STEEL STUD FRAME CONNECTED TO UB BEAM USING PLATE AND BOLT CONNECTION
PLATE AND BOLT CONNECTION CONNECTING STEEL FRAME AND SPANDREL PANEL TO UB BEAM
ENDBOLT AND PLATE CONNECTION BETWEEN UB BEAM AND OPEN WEB JOIST
600UB40.3 PRIMARY STURCTURAL BEAM OF COMPOSITE FLOOR CONNECTED TO OPEN WEB JOIST WITH ENDPLATE AND BOLT CONNECTION
500 x 150 SECONDARY OPEN WEB JOIST CONNECTED TO COMPOSITE SLAB USING SHEAR CONNECTOR STUDS
R80 BATT INSULATION
13MM GYPROCK PLASTERBOARD SUSPENDED CEILING CONNECTED TO OPEN WEB JOIST USING CEILING TIES
90 x 30 STEEL FRAMING SYSTEM SUPPORTING INTERNAL GYPROCK
13MM GYPROCK INTERAL WALLS CONNECTED TO STEEL FRAME USING PLASTERBOARD NAILS
CEILING TIES CONNECTING SUSPENDED CEILING TO OPEN WEB JOIST
DETAIL WINDOW SECTION
TAKEN FROM LONGITUDIONAL SECTION
*NOT TO SCALE A1747868 | MIKAYLA ROBSON A1749028 | TRAYTON HANNATH A1741651 | CHELSEA YOUNG SECTION DETAIL NO.1 ASSESSMENT 2: ENVELOPE DETAILS + PROTOTYPE 05 SHEET TITLE 1:10 SCALE A3 PAGE SIZE
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REID ROAD
HOUSE DESIGN: 2020-2021
SOFTWARE: Revit, AutoCAD
BED 4 (carpet) RETREAT (vinyl)
ALFRESCO (tiled)
DINING (vinyl)
LAUNDRY (tiled)
parliment hinge
GARAGE
ENTRY (vinyl) PORCH (tiled)
BED 3 (carpet)
BED 2 (carpet)
FAMILY (vinyl)
KITCHEN (vinyl)
LIVING (carpet)
MASTER BED (carpet)
WIR (carpet)
HALLWAY (vinyl)
parliment hinge parliment hinge
WIP (vinyl)
WIL (vinyl WIR 2 (carpet)
WC (tiled)
BATHROOM (tiled)
ENSUITE (tiled)
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freestanding sh
robe robe robe desk shelves
w/o fr sh STRIP DRAIN
STRIP DRAIN bench cbds linen bench top
FLOOR PLAN
Reid Road is a current personal house project located in the Adelaide Hills, which is currently under construction, due for completion early 2023. It is a four-bedroom house centralising around the open concept kitchen, living and dining which joins onto the alfresco to create an indoor/outdoor entertainment space. The master bedroom is situated at the front of the house with views onto opposing paddock and easy access to garage, front door, and separate living space with a private courtyard. The remaining bedrooms are located off the family room with separate retreat opening onto the alfresco. The cavity door allows for the back of the house to be closed off for heating/ cooling purposes in the event no one is in the rooms.
The kitchen consists of warm white cabinetry with a contrasting black granite benchtop (to be install) with vinyl plank flooring to be install across the house. All bedrooms and front living space will include dark grey carpets. Opposite photos are of construction progress.
The design for this included working within encumbrance restrictions for the housing estate including a front setback of minimum 5 metre and 1 metre minimum from fence line. Once the floorplan layout for Reid Road was completed, it was taken to the chosen building company where they completed the engineering specifications (including the roof).
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6. Tiled alfresco
7. Kitchen and pantry
3. Internal framing
5. Alfresco
1. Pre-slab
2. Steel frame complete
4. Tiles
MIKAYLA ROBSON ARCHITECTURE PORTFOLIO LINKS LINKEDIN www.linkedin.com/in/mikaylarobson-214336240