Rep 2, Seek Light, Haoyang Liu(Abel)

HAOYANG LIU (ABEL) A1754027 REP 2. 19 STRUCTURE OF LIGHT

SEEK NATURE LIGHT

CONTENTS PART I PLACE

PART III FORM

1 SITE DESCRIPTION

PAGE 01 - 02

1 PLAN, SECTION & FORM EXPLORATION

2 SITE ANALYSIS

PAGE 03 - 06

2 SECTION, ELEVATION & SPATIAL QUALITY PAGE 18

3 LIGHT STUDY 1: LUMINOSITY PAGE 07 - 08

PART II IDEA 1 IDEA GENERATION METAPHOR PAGE 09 2 IDEA 1 PAGE 10 3 IDEA 2

PAGE 11

4 IDEA 3

PAGE 12

5 PRECEDENTS

PAGE 13 - 14

6 LIGHT STUDY 2: REFLECTION

PAGE 15 - 16

PAGE 17

3 3D MODELLING VIEWS

PAGE 19 - 20

4 LIGHT STUDY 3: OPACITY

PAGE 21 - 22

PART IV MATERIAL 1 CONSTRUCTION

PAGE 23 - 24

2 MOBILITIES

PAGE 25 - 26

3 LIGHT ATMOSPHERE

PAGE 27 - 28

4 INTERNAL & AERIAL & GROUND VIEW

PAGE 29 - 30

5 LIGHT STUDY 4: FILTRATION

PAGE 31 - 32

The large area of glass in Braggs building can reflect large areas of light during the day and print a reflection of the surrounding environment on the glass.

At night it can emit internal light, give a bright and advanced feeling, can make people pay attention to it at the first glance.

PART 1

SITE DESCRIPTION

AERIAL VIEWS & GROUND VIEWS PHOTOS: DAYTIME & NIGHT-TIME

PAGE 1 - 2.

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NORTH ELEVATION

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Meters

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SCALE 1: 1000 

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BARR SMITH LIBRARY

SOUTH ELEVATION

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SCALE 1: 500

Meters

SCALE 1: 1000

Meters

BARR SMITH LIBRARY

SCALE 1: 1000

SUMMER 12 p.m.

SUMMER 3 p.m.

SUMMER 9 a.m.

PART 1

WINTER 9 a.m.

SITE ANALYSIS

WINTER 3 p.m.

WINTER 12 p.m.

SHADE & SHADOW STUDY SCALE STUDY

PAGE 3 - 4.

PART 1

SITE ANALYSIS

ACCESS & MOVEMENT

PAGE 5 - 6.

PLACE SOCIAL CHARACTER.

The flow of people in front of the Barr Smith Library is the largest.

ACCESS MOVEMENT

Large areas of lawns are often used to host community activities or school gatherings. The tables and chairs around are for rest.

LUMINOSITY In Shanghai, one thing that never escapes from your eyes is Shanghai Tower, the iconic landmark of the city. Located in Lujiazui of Pudong, the 632meter and 121- level tower is China’s tallest and world’s second tallest skyscraper, rises high above the skyline with curved facade and spirals up like a cluster of ivy stretching to reach the sky, symbolizing the dynamic emergence of modern China. To match the great momentum of the tower, Traxon & e:cue provides full lighting solutions to the green tower.

Over 22,000 sets of LEDs are used as facade lightings, including 500 Nano Liner Allegro AC XB, Washer Allegro AC XB and In-Ground XTRA AC. Further, 7,200 customized Crown dots serve there as a LED panel for video playback. 15,000 customized Media Tube RGBAW with 5 colors in pixel pitch were installed to enable it as the longest LED screen ever on earth. The gorgeous facade lighting effects are operated by e:cue control system, which includes LCE-fx, Butler S2 and Butler PRO, and ensures well synchronization with other systems to deliver festival lightings, for instance, during Chinese New Year. As a green tower, 6,500 OSRAM down-lights with natural lights illuminate the atrium. The brightness is adjustable via e:cue system, including Butler S2, to create comfortable atmosphere.

Luminosity is an absolute measure of radiated electromagnetic power (light), the radiant power emitted by a light-emitting object. In astronomy, luminosity is the total amount of electromagnetic energy emitted per unit of time by a star, galaxy, or other astronomical object. While in architecture, luminosity can change the visual feeling and overall atmosphere of a building.

Light: From old English leoht, meaning luminous, from Indo-European leuk-, to shine, to see.

‘Luminosity’ is not an event in existence, it cannot be ‘said’, but only ‘shows’ as its horizon. Light, as a ‘building material’ has been an important element in the development of architectural as well as artistic forms. People conceive, use and experience the illuminating qualities of colors and things in a culturally specific way.The color and surface of the object may emit or ignore brilliance, color or saturation, and such changes may indicate sacred, spiritual or other specific social dimensions.

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PART 2

IDEA

IDEA GENERATION METAPHOR IDEA 1

Nature Nature forms a natural barrier that separates the light. The process of seek fro light and light in nature is also a kind of growth like seed germination.

PAGE 9 - 10.

PART 2

IDEA

IDEA 2 & IDEA 3

PAGE 11 - 12

Cloud of Luster Chapel

PART 2

Idea

PRECEDENT STUDY

PAGE 13 - 14

The previous Aile-Blanche Chapel, part of La-Vienna Wedding Ceremony Hall in Himeji, Japan, was planned to be replaced by a new one that translates the importance and significance of the wedding day into physical space, a place where to engrave the memory of one of the most important days in life.

Dreams and light were depicted as curves and glass,a cloud shaped space for the chapel was enveloped in transparent curved glass bringing daylight from all directions.Only the organ space and the technical room are enveloped in a circular white wall at the back of the chapel.

The Chapel opens to the garden and the green walls in front.The left side is open to a water basin and limited by a green fire wall isolating the chapel from the main ceremony hall building.

The Cloud shaped Chapel is all white, a minimalistic ceiling free of any technical machineries or equipment is supported by round columns with a hyperbolic cone head.

The same columns support the roof of the approach connecting the main ceremony hall to the chapel and gives access to the garden. The plan is composed by circles of 5m diameters put together at a 5m pitch for the approach and 6m inside the Chapel.

REFLECTION

Reflection is the change in the wavefront direction at the interface between two different media, so the wavefront returns to the medium from which it originated.

Common examples include reflections of light, sound, and water waves. The law of reflection says that the wave at the angle of the specular reflection is incident on the surface equal to the angle at which it is reflected. The mirror exhibits specular reflection.

In philosophi, reflection means a thought, idea, or opinion formed or a remark made as a result of meditation. In inorganic nature, reflection is the process of things reproducing, under the influence of other things, traces or imprints of the things exercising that influence; in organic nature, reflection is an active process, such as in the adaptation of animals to their environment or the irritability of plants and other organisms. Here, properties in the organism which are the outcome of a long process of adaptation by the species are manifested actively by the individual in the immediate influence of other bodies in the environment the like of which have been present during this period of development.

Even though modernism promotes the transparency of glass buildings, many people in the movement are still aware of the monotony of large glass walls, and even Mies van der Rohe uses elements such as the trademark mullion. Destroy his curtain wall. But since then, there have been countless uniform structured glass skyscrapers that have made urban residents bored. In response to this, the unconventional reinterpretation of the external wall has aroused people’s interest.

With the light and brightness that can help create the iconic architecture and the belief of a better human world, glass and metal have been innovatively engineered to produce crystal images. As a result, the meaning of the building has shifted from the original internal space form to the outer surface.

Celebrating the transparency of transparent and reflective images throughout the building’s skin, in the early 20th century, Paul Scheerbart and Bruno Taut envisioned a “colored glass”, “sparkling in the sun”, “white glass” The crystallized shape constitutes a new glass culture that makes “jewelry-like buildings seem insignificant.” Mies van der Rohe abandoned the rectangular tower for Berlin’s Glass Skyscaper proposal and replaced it with This vision is absorbed when the free form of glass is skinned. In 1921, in a 1968 interview, Mies explained his doubts about the monotonic effect of glass on urban monotony: “Because I am using glass, I am eager to avoid dead light. The light reflected from the surface is too strong, so I broke the little plan of the facade so that the light could fall on them at different angles.

Glass elements that bend inward and outward distorted the perception of the city, water and sky.

They stand in stark contrast to the international style of uniform flat glass curtains. This environment is not considered a clear mirror, but a process of modification and reproduction.

Due to the curvature of the balcony, the building reflects the dots or lines of the light streaks.

When the sky is blue or diffuse, the unique curve reflects the light as a bright line, similar to the horizontal lines in the automotive industry design. In direct sunlight, bright luster will appear and jewel-like shimmer will be evoked. In addition, the vertical and horizontal convex curves of many individual glass elements enhance the sparkling distortion of the sky. Overall, the curved facade and its printed dot-like screen evoke vivid and fluid images that express a close connection with the surrounding waters. The Elbphilharmonie is built on the historic brick and tile warehouse below and features an abstract arrangement of complex, distorted light reflections that are eye-catching.

PART 2

LIGHT STUDY

REFLECTION

PAGE 15 - 16

Library Reception

Section Line

Reading Space

Toilet

Toilet

Toilet

Seminar Room

Exhibition

Seminar Room Storage

Scale 1: 300

Movement

B

A

A

PLAN

SECTION B

B SD1 24

SD2 24

SECTION A

Scale 1: 300 PART 3

FORM

Scale 1: 300

ALUMINUM SHADING

GLASS SHADING

GLASS ROOF

Elevation 1

Scale 1:300 GLASS ROOM ALUMINUM SHADING STEP

UNDERGROUND

Elevation 2 PLAN, SECTIONS, ELEVATION & MOVEMENTS

Scale 1:200

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3D VIEWS

PART 3

FORM

3D VIEWS

3D VIEWS

PAGE 19 - 20

Opacity is a measure of the impermeability of electromagnetic radiation or other types of radiation, especially visible light. In radiation transfer, it describes the absorption and scattering of radiation in media such as plasma, dielectrics, shielding materials, glass, and the like.

In philosophy, opacity, transparency and density are often compared , opacity being the condition in which things cannot be made out clearly, and density that, much more often opaque than transparent, in which the process of explaining must go on because it has shown itself to be inadequate. Philosophically, there is a reaction from professional public opinion, but its judgment is much more vague than the court’s judgment criteria or the judgment made by the group of experimenters who directly or indirectly examine the work. Therefore, philosophy is similar to science in terms of transparency, opacity and density, but its clarification is not clear in itself and is not widely accepted.

Extreme changes in weather and daylight have led to a unique daylighting in Scandinavia, where architects used a white surface to solve the long, dark winter. The low position of the sun in the northern region creates long shadows, so sunlight enters the building from the side rather than from above. On the contrary, in the evening of the summer, a diffuse light is emitted. Early examples of white architecture have been found in medieval churches in Denmark, and this design method still influences modern sacred architecture. For example, as Plummer said, the complex concept of daylight comes from three directions: “ The north is low to emphasize the black steel cross. A wider view from the south; further, the walls of the nave are irregularly made of white bricks texture caused.�

In a similar way, Jørn Utzon’s Baghswad Church, as the architect explained to Plummer, played white and white: “Light is the most important feature of the church. I offer white walls and the white ceiling is used to make full use of daylight that is restricted in Denmark for most of the year, and the resulting light intensity is always greater than the outdoor.” According to Plummer, Alvar Aalto (Alvar) In the 1930s, Aalto introduced the concept of white diffusion for the Paimio sanatorium, which used white plaster, white enamel steel and white linoleum, and reached its peak in 1972 at the Nordyjllands Art Gallery.

OPACITY

PART 3

FORM

OPACITY

White shades cover walls, floors and ceilings, as well as expressive daylight shovel. However, the power of pure white volume is not the only feature of the Nordic architectural environment. Natural pulsations with transient modes of light or dramatic light and shadows are also unique to the Nordic light method.

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SD1 24

GLASS ROOF 1: 5

PART 4

MATERIAL

GLASS ROOF DETAIL &

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FOOTING DETAIL

Cover strips with splashwater channelling

Column rebars

Attractive flat round-headed screw joints with an EPDM sealing water Continuous EPDM outer seal

Column

Column stirrups

Optimised insulation core Triple-pane insulating glazing with a “warm edge”as a standard feature Optimised seal system

Spread footing’s neck

Hook

Footing Reinforcement bar grate

SD2 24

FOOTING 1: 5

PART 4

MATERIAL

MOBILITIES

PAGE 25 - 26

PART 4

RENDER

MATERIAL

PAGE 27 - 28

RENDER

The pavilion through filtration of light allows visitors to experience the light atmosphere better.

PART 4

MATERIAL

INTERNAL VIEWS & AERIAL & GROUND VIEWS

PAGE 29 - 30

PART 4

LIGHT STUDY

Filtration is a physical, biological or chemical operation that separates solid matter and fluid from a mixture with a filter medium that has a complex structure through which only the fluid can pass.

FILTRATION

FILTRATION

Filtration is an important unit operation in process engineering with the purpose of separating the dispersed phase from the liquid phase. Since liquid clarification has a longer history than, for example, gas filtration, attention is paid to the advantages of liquid filtration having a broad historical basis.

It is both a quiet and complicated place. The contrast between a series of museums creates differences and authenticity. This is a major symbol based on Arabic architecture: the dome project. But here, because the dome clearly deviates from the tradition, the dome is a modern proposal. The double dome with a diameter of 180 meters provides horizontal, perfectly radiating geometry, randomly perforated woven material, and provides shadows that are interrupted by sunlight. The dome shimmers in the sunshine of Abu Dhabi. In the evening, this protected landscape is an oasis under the sky. The complex pattern of the dome is the result of a highly studied geometric design. It involves close collaboration between the architectural design team at Ateliers Jean Nouvel and the structural engineers at BuroHappold Engineering. The pattern is repeated in various sizes and angles in eight overlays. Each beam must penetrate eight layers before it appears and then disappears.

The result is a cinematic effect as the path of the sun progresses throughout the day.

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From the simple phenomenological observation of filter behavior to the highly detailed study of the separation of individual particles in the filter pores, the historical development of filtration studies can be illustrated.

At night, it can see 7,850 stars from the inside out. Over the years, this effect has been called “rainwater� and has become the subject of many models and models and is one of the defining features of the concept.Luminosity is an absolute measure of radiated electromagnetic power (light), the radiant power emitted by a duntur, quostia.

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Corepedi optatias pore veruptate re autecep eratur rem denecab inimus que natur. Fugiam volupta epudae periber epudae verum volute ipit aut pelent dolestem fuga. The dome is supported by only four permanent docks, each of which is 110 meters apart.

These are hidden in the museum building, giving the impression that the dome is floating. The height of the dome is 29 meters from the bottom floor to the underside of the cladding. The highest point of the dome is 40 meters above sea level and 36 meters above ground.The design of the museum is a collaboration between traditional design and modern architectural techniques. The tranquil environment encourages visitors to enjoy the ever-changing relationship between the sun and the dome as well as between the ocean, buildings and land. The complex engineering concept made the Louvre Abu Dhabi one of the most innovative and challenging museum projects recently built.

HAOYANG LIU (ABEL) A1754027 REP 2. 19 STRUCTURE OF LIGHT

9/09/2019