Katiegourley

Page 1

ge Industrial Herita e n y -T

stl a wc e N

n o p u e

Katie Gourley W14032891


North-East England


A study into the industrial fashions during World War 1.


C ombining t he st rengt h and st r uc tura l advancements of t he infamous Ty ne Br idge, w it h t he st rengt h of t he women w ho help e d to bui ld it. L o ok ing into t he indust r i a l fashions dur ing t he First World War and using it to inspire lo oks, w hich w i l l emp ower women to d ay. Ta k ing inf luences f rom b ot h t he textures and st r uc ture of t he br idge in order to de velop a col le c t ion.






“Fashion is architecture; it is a matter of proportions.� - Coco Chanel


“Look for the woman in the dress. If there is no woman, there is no dress.� - Coco Chanel




Black

Haverfield

Borden

Sandes

GwynneVaughan

Wharton

Inglis

Cavell








A dress to promote feminine curves, using many pattern pieces to evoke the overlapping shadows on the heavy metal structure. A metal zip running all the way down the spine of the dress. A racer back to show off the shoulders. Heavy denim reflecting metal workers heaving jumpsuit material.



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.