LAWRENCE CARROLL
Works on paper, 2022 Studio Trisorio, installation view
Works on paper, 2022 Studio Trisorio, installation view
Untitled, 2010 painting, collage, pencil on paper 197 x 142 x 3,5 cm
Untitled, 2010 oil, wax, graphite and collage on paper on wood 144,5 x 125 x 3,5 cm
Untitled, 1984-88 gouache, wax and collage on paper 76 x 56,5 cm, framed 102 x 83 cm
Untitled, 1990 gouache and collage on paper 76 x 57 cm, framed 102 x 83 cm
Untitled, 1991 gouache and ink on paper 76 x 57 cm, framed 102 x 82,9 cm
Untitled, 1985 house paint, oil, graphite on paper 57 x 44,7 cm, framed 83 x 70,8 cm
Untitled, 1990 gouache, wax, collage and graphite on paper 58 x 45 cm, framed 83,5 x 71 cm
Untitled, 2002 house paint, wax on paper 61 x 48 cm, framed 72 x 59,2 x 2,5 cm
Untitled (Object Drawing Flowers), 2009 house paint, fabric on paper 85 x 71,5 x 9,5 cm
Untitled, 2003 house paint, wood pieces on paper framed 74,5 x 110 x 3,5 cm
Untitled, 1999 house paint, graphite, wax on paper 57,5 x 63 cm, framed 83,5 x 89 cm
Untitled (Tube Painting), 2013 house paint, cardboard, canvas, wax h 32 cm, Ø 21 cm
Untitled (Table Painting), 2008-2010, oil, painting, cardboard, wood, screws 124 x 65 x 72 cm
Untitled (Table Painting), 2005 oil, wax, painting on cardboard, wood, screws 160 x 32 x 32 cm
Untitled (Magdeburg Painting), 2018 house paint, cardboard, glue 42 x 41 x 4 cm
Crumpled Drawing, 1991 house paint, wax, paper 7 x 13 x 10 cm
Morning oak - 2, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
Rose, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
Snowball, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
Lillies – 3, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
Studio road – 1, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
Studio road – 3, 2019 archival ink jet print, velvet fine art paper framed 72 x 52 x 4 cm edition of 5
LAWRENCE CARROLLBorn in Melbourne in 1954, Lawrence Carroll studied at the Art Center College of Design in Pasadena before settling down in New York, where he began his career as a visual artist in the midEighties. In 1988, he held his first solo exhibition in New York, followed by a series of major exhibitions in Europe, including Einleuchten at the Deichtorhallen, curated by Harald Szeemann, in Hamburg in 1989; Documenta IX, in Kassel in 1992; and, the Venice Biennale in 2013. His works are part of important public institutions and private collections the world over, such as the Guggenheim Museum in New York, the Museum of Contemporary Art in Los Angeles, the Museum of Fine Arts in Houston, the Museo de Bellas Artes in Caracas, the Municipal Museum of Contemporary Art in Tokyo, the Städtisches Museum Abteiberg in Mönchengladbach, the Städtische Kunsthalle in Mannheim, the Galerie der Stadt in Stuttgart, the MART in Rovereto, the Collezione Panza di Biumo, and the Museo Madre in Naples.
Nato a Melbourne nel 1954, Lawrence Carroll ha studiato all’Art Center College of Design di Pasadena prima di stabilirsi a New York, dove ha iniziato la sua carriera di artista visivo a metà degli anni Ottanta. Nel 1988 ha tenuto la sua prima personale a New York, seguita da una serie di importanti mostre in Europa, tra cui Einleuchten al Deichtorhallen di Amburgo nel 1989, curata da Harald Szeemann; Documenta IX, Kassel, nel 1992; la Biennale di Venezia, nel 2013. Le sue opere fanno parte di importanti istituzioni pubbliche e collezioni private in tutto il mondo, come il Guggenheim Museum di New York, il Museum of Contemporary Art di Los Angeles, il Museum of Fine Arts di Houston, il Museo de Bellas Artes di Caracas, il Municipal Museum of Contemporary Art di Tokyo, lo Städtisches Museum Abteiberg di Mönchengladbach, la Städtische Kunsthalle di Mannheim, la Galerie der Stadt Stuttgart, il MART di Rovereto, la Collezione Panza di Biumo, il Museo Madre di Napoli.
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