ARCHITECTURE DESIGN
PORFOLIO
‘12 ‘17
SUDH ANSHU MITTAL
2018
Architecture
design
PORTFOLIO Sudhanshu Mittal
Sudhanshu Mittal 19th September 1994
Contact details +91 9999 856 469
mitsudhanshu@gmail.com issuu.com/sudhanshumittal Kailash Hills, East of Kailash, New Delhi - 110 065 India
ABOUT ME Learning is a long journey. My journey started a while back, since then I’ve come across many things, having developed an opinion at an early stage, I started collecting experiences in my mind as positive and negative. Learning is a long journey, and I believe that my journey has just started. I believe there is much for me to see, feel and experience in this world, not just to be a better designer, but to be a better problem-solver. Learning is a long journey, and at times it has been scary for me to look forward and see another road, that I must travel to get somewhere and to be someone. But I believe we must keep moving to reach your end goal.
CV
OBJECTIVE The objective is to be part of an architectural studio where I can enhance my professional capabilities, understand the power of selling your design and expand my skill set in both the creative and the technical aspect. Additionally, I feel, gaining exposure and experience, under the right person, will propel me to my final goal in the field.
EDUCATION
SOFTWARE SKILLS Autodesk AutoCAD Adobe Photoshop Adobe Illustrator Adobe Creative Suite Sketchup+Layout Autodesk 3DS Max Autodesk Revit CorelDraw Microsoft Office
Bachelor of Architecture MBS School of Planning and Architecture, Dwarka
2012-2017
Senior Secondary School Bluebells School International, Kailash, 12th - CBSE (90.8%)
1998-2012
WORK EXPERIENCE TOOLS OF THE TRADE I have had a knack for computers and technology since early on in my years. It does not take me long to get comfortable with any software. Beyond that, I am very comfortable with working in AutoCad, Sketchup, Illustrator, Photoshop, CorelDraw, Revit, 3DS Max, V-ray for rendering. Some other programs that I’m good at are HTML, CSS, Adobe Premiere, Pix4D, Microsoft Office, Adobe Muse, Adobe Indesign, Rhino. This list will always remain unfinished out of my need and personal interest to equip myself of more softwares.
Associate Architect - M:oFA Studio Pvt. Ltd, Kalkaji, New Delhi Started as a trainee, with graphic work and a residential project. Later, promoted to associate architect, while heading a residential project and working on various others.
Project Incharge - UNI.xyz / UNIEGIS NETWORK Private Limited Started as project in-charge for a new ventrure. Work included intensive research and graphic design. Project Incharge - M/s Jyoti Sarup Mittal Engineers, Contractors, Developers & Builders Worked as site in-charge for completion of one project and tendering and administrative work for various other projects.
CREATIVE INVOLVEMENT & WORKSHOPS §
Summer School Programme Programme detail: Unbuilt London Architectural Association, London
§ Unit Secretary for MBS SPA for NASA India in 2014-15 § Unit Designee for MBS SPA for NASA India in 2013-14
PERSONAL INTEREST RESEARCH WORK § Dissertation - Vertical Cities § Mehrauli village § Unfinished/unbuilt structures in UK
§ § § § § § §
Form and mass evolution Design development though sketching Project management Design flow and evolution Working drawings with new details Research work Aerial mapping
July, 2014
CONTENTS
1 Professional work, 2 Architectural Design Studio,
practical training & work as Associate Architect
academic folio
3 B. Arch Dissertation, 4 Miscellaneous,
academic dissertation on Vertical Cities
summer school program
WORK AT M:oFA
conceptual and working design at Manifestation of architecture during my period as an intern and associate architect
1
Gupta Residence,
2
India Design - 2017,
3
Golden Tusk Resort,
4
Miscellaneous
Naraina Vihar, New Delhi
Residence for the Gupta family, a family of 6 members, including two kids. The owner was very open minded and willing to try new and innovative things. The residence has two habitable floors (G+1), and two open to air-nature floors, which houses spaces for entertainment and a forest type garden.
NSIC Grounds, New Delhi
India Design ID, by Ogaan Media is a showcase in form of an exhibition of home decor, across categories like furniture, accessories, kitchens, furnishing, lighting and plenty more, with other interactive events like symposium. M:oFA Studio was invited in 2017 to be a design partner and create exhibits to tie up the event.
Jim Corbett, Dhela, UK
Spread over 7 acres, away from the mainstream hotels and resorts of Jim Corbett, Golden Tusk is a family run resort, which amplifies the beauty of the area by housing exotic flora and fauna on property site. The property was such a success in its first phase that the client acquired new area for expansion of the resort.
Chatterhouse, Sharma Residence, DPS School, Goa Bazaar Apart from the major projects dealt with and handled by me, I worked on various other tasks for other projects. Some of my work includes Media presentation for Chatterhouse, Khan Market; working drawings for Sharma Residence, conceptual planning and design for DPS, Tran Taran and conceptual visualization for Goa Bazaar.
SINGLE FAMILY RESIDENCE M:oFA DESIGN STUDIO, KALKAJI, N. DELHI PROFESSIONAL WORK / 2016-17 / GUPTA RESIDENCE A residential project has many meanings to many people. To the owner it may be a view to where he wants to get in life. To the city it may be a start of something new. To the neighbors it may become a landmark. To an architect it may be a big step into the new. This project was all that and much more. Based in Naraina Vihar, New Delhi, home to a family of four adults and two children. The project could be considered by many as an architects project, since the owner was not only open to new ideas, but himself wanted push the envelope on what a residence could be, how it could look and how it could function. The project helped me understand the relationship between the site and an architectural office, and how to manage the same. The project also helped me exploring new materials, new construction details, and increase my overall skill and experience in the field.
Top Structure Lvl... .................
PROJECT HIGHLIGHTS SITE LOCATION................ ............... ................NARAINA VIHAR, NEW DELHI TOTAL SITE AREA ........... ............... ................300 M2 TOTAL BUILT UP AREA. ............... ................9000 FT2 PARKING ............ .............. ............... .............. 4
ABOUT THE TEMPLE A residence is about the users habits, routines and the way of doing things, and is always best designed around those aspects of his life. The family wanted to have a temple in the house, and we proposed to build something befitting to the importance of religion in their life. The form of the temple is derived from various elements in nature and what connects us to religion. It occupies the heart of the house and stretches from the basement all the way to the second floor of the house. Its not just an architectural element for the aesthetics but also talks a lot about the people living in the house and their way of life.
The top most section from walkway lvl to top of the structure lvl during construction
Walkway Floor Lvl .................
Terrace Floor Lvl... .................
First Floor Lvl......... .................
Ground Floor Lvl... ................. Stilt Floor Lvl.......... ................. ..................
TEMPLE STRUCTURE PEEK INTO OTHER ELEMENTS As much as the bigger elements like the elevation define a residence, it's the smaller elements that define the feel and experience of it all. These smaller elements don't just leave a lasting impression in a visitors mind, but also help in making the space less monotonous to the person that lives in it everyday.
Formal living room area in the basement
Wall design running along the staircase
SPATIAL DESIGNING M:oFA DESIGN STUDIO, KALKAJI, N. DELHI PROFESSIONAL WORK / 2017 / INDIA DESIGN 2017 Exhibition events hold a very important place in our society and for all professionals and an industry. It is an opportunity for people or the industry to showcase their work on a large scale, which is not possible in normal course of day. For a society, exhibitions are generally about education and culture, and in many ways shows how mature a society is. Exhibitions have different experience for everyone coming to attend, from a lay-man to an industry mogul, everyone can find something new, and keep pushing the advancements in an industry forward, the perfect example, The Great Exhibition. India Design is one such event, where the building/construction/architectural industry showcases the best of itself. It is one event where architectural industry is given lead. Spatial treatment of the whole exhibition was the task at hand for the studio. We were able to come up with structures that were user-interactive, and could enhance the overall look and feel of India Design 2017. This project was a site-work intensive project for me, and helped me grasp the importance of time and hard-work that goes into each site to meet deadlines.
SITE PLAN AERIAL SHOT PROJECT HIGHLIGHTS SITE LOCATION ............. .............NSIC GROUNDS, NEW DELHI TIME OF COMPLETION. .............3 MONTHS MATERIALS USED.......... ...............MS. STRIPS & WOOD
INSIGHT The site for the exhibition is the famous NSIC Ground, Okhala, New Delhi, and had a typical layout with 4 halls created around the permanent structure, which would be used for symposiums and other events with audio-visuals. The concept we developed was inspired by trees and how our growing concrete jungle is felling more trees everyday. The concept allowed us to showcase the true scale of the event to the people attending it. We tried to recreate trees with the urban material of steel/metal. Taking inspiration from the form and other physical and functional qualities that makes trees and our environment so versatile.
AERIAL MAPPING AND SITE STUDY M:oFA DESIGN STUDIO, KALKAJI, N. DELHI PROFESSIONAL WORK / 2016-17 / GOLDEN TUSK RESORT, CORBETT Golden tusk resort in Corbett, was a project already done by the design studio. The owners had come back to the studio for the extension of the property. Being a resort already designed by us, the owners asked the entire team to visit the site and stay to get the experience they had created with the M:oFA design. They wanted us to better understand how they want the new part of land acquired connect and be a piece of the existing resort. This is one of my first projects where I was able to do aerial mapping of the site, and connect our plans to the actual built design. We also did a extensive site study, to make the new block area designed to the best of the given conditions.
PROJECT HIGHLIGHTS SITE LOCATION................ ............... CORBETT NATIONAL PARK, RAMNAGAR, UK TOTAL SITE AREA ........... ............... ................20000 M2 approx ORIGINAL DESIGN TIMELINE..... ................2009-2012 ADDITIONAL SITE AREA.............. ................2500 M2 approx NEW DESIGN TIMELINE ............... ................2016-2017
ABOUT THE SITE The site itself is not a regular shaped site. The owner has acquired pieces of land from different people in the area to form the main site. The irregular shape becomes a challenge for the studio to bring out the best in it. The existing site, as designed in the first phase, has been separated out in different blocks in the layout and further separated with the vegetation. This has created a special experience for the guests of the resort, as each room has its own niche and a micro space. This separation further helps in making the resort site feel much bigger than it actually is. The flora also makes the site feel more natural, and is aesthetically very pleasing, and gives the visitor a feel of the national park.
ACADEMICS
undergraduate architecture design studio
1
URBAN INTERVENTION
2
SOCIO - CULTURAL CENTRE
3
GROUP HOUSING SOCIETY
YEAR 4 / 2015 / URBAN DESIGN STUDIO
Based in the populated area of AIIMS, INA, aurobindo marg, New Delhi, the urban design problem is one faced by many Delhiites on a daily basis. Urban level planning and intervention is needed to give this area life again
YEAR 3 / 2015 / DESIGN STUDIO
Based in Vasant Kunj, New Delhi. Delhi is an up and coming world city. Being the capital of the country, it plays an important role not just for it’s local citizens, but for citizens of the country. While the city is moving at a very fast pace, socio-cultural activities are not able to cope up, one of the major reason being, lack of proper infrastructure.
YEAR 3 / 2014 / DESIGN STUDIO
Based in Dwarka Sector -26, New Delhi. The population in Delhi is exploding, and in the race to earn a livelihood, many are not able to afford a proper standard of housing. Group housing has been one of the solutions to this problem, where affordable high-rise structures are providing this ever increasing population of Delhi a place to call home.
URBAN INTERVENTION INA AND ITS PRECINTS YEAR 4 / 2015 / DESIGN STUDIO INA and its precincts are located at one end of Aurobindo Marg, with Qutub Complex and Mehrauli on the other end of this road. INA and its precincts include AIIMS and Safdarjang Hospital; Vikas Sadan, Laxmi Bai Nagar, West Kidwai Nagar, the new development of East Kidwai Nagar, INA colony and the INA market. All the places in this region lead to a culmination of many different activities, including office people commuting to Vikas Sadan, CVC office; people shopping at INA market and Dilli Haat; others at AIIMS; and all the other activities of three residential colonies. Another important fact that makes this region all the more important is the fact that Aurobindo Marg is a high density road and helps disburse around the city on a large scale. The region is in urgent need of design rejuvenation, since it is a historically and culturally important place for Delhi, and it was not originally designed for the kind of density, traffic movement and environment that currently exists. It is and has always been an important area considering Safdarjung tomb, airport, and now INA to keep up its requirement. The design studio aims at creating a better understanding of architecture on a city level scale, where design interventions have an effect on a city-wide scale. The study of cause and effect of design intervention also creates an awareness about design strategies. The scale of the project plays an important factor, since management of work load and time efficiency are put to a test.
PROPOSED SITE
PERSPECTIVE VIEW OF EXISTING SITE
AUROBINDO MARG AND ITS CONNECTIONS
PROPOSED SITE EXISTING TRAFFIC MOVEMENT ON SITE
EXISTING SITE PERSPECTIVE VIEW
LEGEND Laxmi Bai Nagar AAI Colony INA Market Motor Market
PROPOSED SITE PERSPECTIVE VIEW
DESIGN DEVELOPMENT
FAST-TRACK PEDESTRIAN BRIDGE
INA MARKET
DILLI HAAT
CONNECTION OF MOVEMENT
DILLI HAAT
4-WAY BRIDGE RECREATIONAL BRIDGE
INA MARKET
Buffer-rift
courtyard
COURTYARD
COURTYARD
CREATION OF INA MARKET
TREE OF HOPE Double Decker Bridge RECREATIONAL BRIDGE FAST-TRACK PEDESTRIAN BRIDGE
RECREATIONAL BRIDGE
ARCH
DILLI HAAT AND KASHMIRI HAAT Dilli Haat is already a well established cultural center, relocating and rehabilitating Kashmiri Haat makes this area a cultural hub which will attract thousands of visitors, renovation of the exisitng plan of Dilli Haat to give it more space and a well worked parking also helps to make it more comfortable.
ARCH Arch acts as the gateway to the starting and the end of Aurobindo Marg. It also unites and ties up the two distinct features of this new area.
SIGNAL FREE ROAD A signal free road plays an important part in disbursing trafďŹ c and that too at a fast pace. This plays an important role since the vehicular movement in the area is high. It also makes the roads safer and less prone to accidents.
TRANSPORTATION HUBS
Apart from the already existing movement pedestrians and vehicles for Vikas Sadan a other institutional buildings along with AIIM Safdarjung hospitals, new movement creat Dilli Haat, INA, Tree of Hope and Kashmiri H needs proper management to provide easy accessibility. Transportation hub facilitates accessibility via all public transport.
TREE OF HOPE A recreational plaza, visible from all over the city, with light shows to accentuate the space, to create a public space for both the citizens and tourists to enjoy the view of the city.
of and MS and ted by Haat, y s
INA REHABILITATION INA has been rehabilitated to include new shops, increasing the overall standard and capacity of the market from a grocery and meat market to a market serving both the basic and recreational needs of the surrounding, which also helps to reduce trafďŹ c movement.
ABOUT THE DESIGN The design ideology that was followed was aimed to elevate and bring the design and quality of the area to an international level, to make the place more pleasurable for the visitors and visitorfriendly. We have tried to convert Aurobindo Marg into a signal-free corridor in the region, which helps to open up blockades created by cross-walking citizens. This brings us to another important aspect of the design ideology, which was to keep the design not only pedestrianfriendly but to actually make it pedestrian oriented as much possible with the given restrictions. We have also created designated parking zones for both public and private vehicals, as a major identiďŹ ed problem is unplanned auto-rickshaw stands which create a ruckus.
TRANSITIONAL PLAZA IN FRONT OF INA MARKET
BRIDGE AND ARCH
PROPOSED SITE PLAN
SECTION AA’
LONGITUDINAL SECTION THROUGH LANTERN GARDEN
SECTION BB’
CROSS-SECTIONAL THROUGH LANTERN GARDEN
SECTION CC’
SECTION THROUGH INA MARKET
SITE PLAN
LANTERN GARDEN, DILLI HAAT, KASHMIRI HAAT
RG MA ND O
LVL +3000
200
0
AUR
LVL +
185
0
OBI
LVL +3000
LVL +
LVL +3000
RAM
PE 1
A
P
SLO
P
PE 1
LAZ
RAM
SLO
:12
LVL +3000
VEH
LVL
+18
50
LVL
+20
LVL
00
+00
ICU
LAR
ENT
RY P
:12
LVL +3000
LVL +3000
AU
TO
DRO
LVL
PO
FF P
LAZ
A PED
EST
RIA
+20
00
LV
L+ NTR 00 YP LAZ
NE
A
SITE PLAN
INA MARKET
PERSPECTIVE VIEW NIGHT TIME VIEW
SOCIO-CULTURAL CENTER VASANT KUNJ, NEW DELHI YEAR 3 / 2015 / DESIGN STUDIO A Socio Cultural place is where the culture of the society can be shared and such activities can be undertaken. it provides with places where perform, display, learn at.Special attention is also given to provide easy access for the differently-abled, by the use of ramps and elevators, making the complete site as accessible as for any other user. This proposal tries to create a place where people can perform, learn, stay, display via different means for example dance in the auditorium, or learn at the library. The design studio aims at creating an understanding of how to deal with authority based restrictions and contoured-site. Importance is also given to climatic conditions, sustainability, accessibility for the differently-abled, contour planing.
PROJECT HIGHLIGHTS SITE LOCATION
VASANT KUNJ, NEW DELHI
TOTAL SITE AREA PERMISSIBLE GROUND COVERAGE PROPOSED GROUND COVERAGE
63,640 M2 33% (21,001 M2) 17% (10,810 M2)
PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO
75 26
PARKING
748
E 300 M LIN
ABOUT THE SITE The site falls in Vasant Kunj in zone J (South West zone) along the proposed 75m ROW Mehrauli-Mahipalpur Road. The site lies in institutional area and also has schools near-by. The site is in close proximity to Sultan Garhi Tomb which is an ASI protected monument and hence appropriate approvals need to be taken before hand from the authorities. The site lies beyond the prohibited area for construction.
LINE OF CONTROL 100 m Line from the protected monument; Construction or any such activity is strictly prohibited
100 M LINE
300 m line from the protected monument; Regulated area, where activity with approval can be undertaken
PROPOSED SITE
ASI PROTECTED, SULTAN GHARI TOMB
L E V E L V A R I AT I O N LEVEL IN M ABOVE SEA LEVEL
88 89 90 91 92 93 94 95 96 97 (ROAD LEVEL) 98 99 100 101 102
PROPOSED SITE CONTOUR AND HEIGHT VARIATION
DESIGN DEVELOPMENT The site has been so planned, that the natural and existing elements of the site are highlighted. Using the natural elements also helps protect the interest of the site, since it is in close proximity to Sultan Garhi Tomb, which is an ASI protected monument.
The main aim hence became to create an axis not only with the tomb, to give it importance, but also to make a connection with the water-body and the undulation of the land. The focal point of the planning is the administration block, which maintains a direct link with the tomb and also connects to the site and all the buildings. The administration block helps to place the buildings in such a way that none of them block each others view, and at the same time, a clear view of the tomb and the water body is possible from any block or building. This creates an equilateral triangle on both major levels of the site.
CRUCIAL ELEMENTS OF LAYOUT DESIGN: 1. Bring out the connection of the site with the tomb, 2. Utilizing the drop of level, 3. Preserving the natural slope and the water body on the site LEVEL DROP OF 5 M
SULTAN GARHI TOMB
Basement
MAIN VISUAL AND MOVEMENT AXES CONNECTING THE SITE TOGETHER
LEGEND
CONCEPTUAL SECTION OF THE SITE, PRESERVING THE NATURAL LEVELS AND THE NATURAL DRAINAGE OF THE SITE LEVEL DROP OF 5 M
CONCEPTUAL SECTION OF THE SITE, HIGHLIGHTING THE DROP IN LEVEL OF THE SITE
Primary Point Secondary Points
Tertiary Point Other place
Visual Connections
DEVELOPMENT OF AXES
X
M
IT
74
EX
ID
W E AD RO
8
9 Y
6
3 5 7
Y’
1 4
EN
TR Y
2
X’ EXIT
12.5 M WIDE ROAD
PROPOSED SITE PLAN 1. ADMINISTRATION
3. LIBRARY + LEARNING CENTER
6. CONVENTION CENTER
2. PERFORMING ARTS CENTER
4. VISUAL ARTS CENTER
7. PROVISION FOR GUEST HOUSE
5. RESTAURANT
8. OPEN-AIR-THEATRE
AUDITORIUM 1 (SEATING CAPACITY 520) AUDITORIUM 2 (SEATING CAPACITY 220)
9. RESTAURANT CORE AREA (STAIRCASE + LIFT)
PERFORMING ARTS CENTER Y
A
Store
X
g
Dressin Room
g
Dressin Room
Y’ Store Dressing Room
sing Dres Room
X’
FLOOR PLAN AT LVL +102
ELEVATION AT A
LVL +109.5 LVL +108
G. LEVEL +102
SECTION AT YY’
LVL +111.5 LVL +110
G. LEVEL +102
SECTION AT XX’
The Performing Arts Center has two high grade Auditoriums, with seating capacity of 520 and 220 persons each. Along with each Auditorium, there is individual storage space as per requirement.
ACCESSIBILITY
A R T WA L L
The center has its separate drop-off, along with ramps directly connected to the basement level, this also helps in minimizing vehicular movement inside the site. Further, the basement parking is directly connected via lifts.
The wall which is on the interior of the site is a Art Wall, which can be used for various purposes including displaying art, projection at night, flex and other such temporary or permanent options. This creates a more artistic environment on the site, and promotes art at the same time.
LIBRARY + LEARNING CENTER B
Y
Resource Center LVL +102.75
Security Officer
Studio II
Studio IV
Studio III
Studio I Children’s Library
X
X’
LVL +101.25
Y’ FLOOR PLAN AT LVL +102
ELEVATION AT C
ELEVATION AT B
C
LVL +108.5 LVL +106.5
LVL +102
SECTION AT XX’ THROUGH LIBRARY + LEARNING CENTER
LVL +108.5 LVL +106.5
LVL +102
SECTION AT YY’ SHORT SECTION THROUGH LIBRARY
CONVENTION CENTER Conference Room 3
ter I
ss Cen
Busine
ter II
ss Cen
Busine
Dining
Room
Kitchen
Store
Adminis tr
ative S taff
FLOOR PLAN AT LVL +98.5
rence
Confe
Suppo
rt Staff
2 Room
m1
nce Roo
Confere
Banquet Hall II
Banquet Hall I
with outdoor space
with outdoor space
Kitchen
FLOOR PLAN AT LVL +102
FLOOR PLAN AT LVL +102
Kitchen
PERSPECTIVE VIEW BIRD’S EYE VIEW NORTH-WEST
SITE SECTION XX’ SHORT SECTION
SITE SECTION YY’ LONG SECTION
PERSPECTIVE VIEW BIRD’S EYE VIEW SOUTH-EAST
LVL +105.5 LVL +102 LVL +98.5 LVL +95
LVL +105.5 LVL +102 LVL +98.5 LVL +95
CO-OPERATIVE GROUP HOUSING SOCIETY SECTOR - 26, DWARKA, NEW DELHI YEAR 3 / 2014 / DESIGN STUDIO Shelter is a basic human need. Shelter is one of our basic needs: it is a place that can protect us from the elements, keep us warm and safe, and give us the encouragement to satisfy our other needs. Housing satisďŹ es the need of belonging, gives a sense of safety and provides for a comfortable physical environment. Considering the out growth of population in India, there is a need to provide sustainable housing at the same pace, otherwise more and more people will have to live without proper shelter. This proposal may be implemented by Private ownership. The design studio aims at creating an understanding of function driven design keeping in line with the given norms and regulations, as per the city’s civic authority. Importance is also given to climatic conditions, basic human needs, sustainability.
ABOUT THE PROJECT The project is located at sector 26 ,Dwarka, the site is accessible via 30m wide main road and 20m wide service road, giving it good accessibility. Adjacent to the proposed site exists Bharthal Village covering an area of 4.48Ha. The site surroundings are proposed as Residential zones in the Master Plan of the city. The project caters to a high population density of 1.75 dwelling unit per hectare, with HIG and MIG housing, apart from the necessary housing for EWS. Thus, a total of 720 units are required for the group housing.
BHARTHAL VILLAGE
HAF - 2
AREA 44.8 Ha
RESIDENTIAL AREA 1.17 Ha
30m W
IDE RO AD
PROJECT HIGHLIGHTS PROPOSED
SECTOR 26, DWARKA
SITE
TOTAL SITE AREA
4.43 Ha PERMISSIBLE GROUND COVERAGE 33% (14751.5 M2) PROPOSED GROUND COVERAGE 33%
AREA 4.43 Ha
HAE - 3 AREA 1.02 Ha
20m W
SITE LOCATION
IDE RO AD
RESIDENTIAL
RESIDENTIAL PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO
200 196
TOTAL PARKING POPULATION DENSITY
1550 1.75 DU/Ha
DESIGN DEVELOPMENT
AREA 1.48 Ha
30m W
RESIDENTIAL AREA 1.04 Ha
IDE RO AD
PROPOSED SITE Placement Of Clusters The clusters are placed on the periphery of the site. This has been done, among other reasons, to improve and highlight the site itself and the space created by the clusters, since the site is surrounded by a main road, a village and other potential unwanted elements. Its a space rich for socializing and safe for children.
Hierarchy of spaces Living Room Bedroom
Toilet
Dining Room Toilet
Kitchen
Bedroom
Community Terraces Community Terraces to provide social break-out spaces which are a little more private to the building, and also act as good green space to sit, have been provided at different levels in different buildings. These will also serve as refuge areas in emergency situations, where people can take cover.
30M W
IDE RO AD
X
3 7 8
9
30M W
EWS HOUSING 6000 M2
IDE RO AD
6
1
4 2 LEGEND 1 Tower Type 1 2 Tower Type 2 3 Tower Type 3 4 Banquet Hall 5 Clubhouse 6 Swimming Pool 7 Badminton Court 8 Basketball Court 9 Parking
30M W
IDE RO AD
PROPOSED SITE PLAN
A
X’
PERSPECTIVE VIEW AERIAL VIEW OF THE SITE TOWER 3 81,200
TOWER 2 63,200 TOWER 1 57,200
G.L. 00.00
SITE SECTION XX`
TOWER 1 2BHK UNITS
TOWER 2 3BHK UNITS
DN
UP
UP
UP
TYPICAL FLOOR PLAN 2BHK
2
Kitchen
Toilet
3.7 x 3.8 m
2
4.1 x 3.8 m
3.3 x 4 m
2
Dining Room 3.6 x 5 m
Master Bedroom
Bedroom
TYPICAL FLOOR PLAN 3BHK
Toilet
2
2
Living Room 3.45 x 6.8 m
2
Dining Room 3.7 x 5 m
2
Living Room 4.1 x 5.4 m
2
Bedroom
Bedroom
4 x 4.1 m
2
3.8 x 4 m
Kitchen
Bedroom
Balcony
3.5 x 4.3 m
2
2.1 m wide
FLOOR PLAN SINGLE UNIT
TYPICAL FLOOR PERSPECTIVE VIEW
FLOOR PLAN SINGLE UNIT
TYPICAL FLOOR PERSPECTIVE VIEW
2
Toilet
1.5 m wide
Toilet
Balcony
Toilet
TOWER 3 2BHK UNITS
X
UP
UP
X’
TYPICAL FLOOR PLAN 2BHK
Kitchen 4 x 5.5 m2
Living Room 4.2 x 5.3 m2
Bedroom 4.3 x 3.9 m2
Balcony 2 m wide
Bedroom 4.3 x 3.9 m2 Dining Room 4 x 4.5 m2
Balcony 2.1 m wide
FLOOR PLAN SINGLE UNIT
TYPICAL FLOOR PERSPECTIVE VIEW
SECTION XX’
SWIMMING POOL ABOVE
30M WIDE ROAD A
SEWAGE TREATMENT PLANT
VEHICULAR MOVEMENT GROUND FLOOR PLAN
KEY PLAN A
ELEVATION AT A SOUTH-WEST
PERSPECTIVE VIEW VIEW TOWARDS THE CLUBHOUSE
TOWER C WORM’S EYE VIEW FROM WEST
MISCELLANEOUS
the back-end
1
VERTICAL CITY
2
UNBUILT LONDON
3
WORKING DRAWINGS
YEAR 4 / 2015 / DISSERTATION Cities in this era have started become a mess, which planners and designers continually try to fix so that they can keep functioning. One of the major reason for this can be linked to how our cities are economic centers, and more and more people are migrating to these urban centers for growth. Vertical Cities is a possible solution for the cities of the future.
ARCHITECTURAL ASSOCIATION / 2014 / SUMMER SCHOOL PROGRAMME There are many buildings and structures around the world which were never completed and were never used, only left behind by the stumps or the unfinished structures. This summer programme tries to find out, what could be if those buildings were actually completed, and what can the stumps left behind be used for, today.
YEAR 3 / 2014 / BUILDING CONSTRUCTION One of the most important part of being an architect is being a designer, and by definition a designer is a problem-solver. For an architect, the concept design or the aesthetics, are arguably not the most important things, it’s the drawings. GCC or working drawings are the actual medium which help any technical designer transform his idea into reality. A good working drawing can mean the idea coming to life, and a bad one can result in the opposite.
VERTICAL CITY A F U T U R E O F S U S TA I N A B L E C I T Y YEAR 4 / 2015 / DESSERTATION
People have imagined ideal cities for millennia. Plato's Republic was an ideal city, although lacking in the spatial detail of later schemes. Renaissance architects designed numerous geometric cities, and ever since architects have been the chief source of imaginative urban proposals. In the twentieth century, Le Corbusier, Frank Lloyd Wright, Paolo Soleri, and dozens of other architects have designed cities on paper. Although few have been realized in pure form, they have influenced the layout of many new towns and urban redevelopment projects. In his "Contemporary City for Three Million People" of 1922 and "Radiant City" of 1935, Le Corbusier advocated a high-density urban alternative, with skyscraper office buildings and mid-rise apartments placed within park-like open spaces. Different land uses were located in separate districts, forming a rigid geometric pattern with a sophisticated system of superhighways and rail transit. Frank Lloyd Wright envisioned a decentralized low-density city in keeping with his distaste for large cities and belief in frontier individualism. Areas are also carefully set aside for small farms, light industry, orchards, recreation areas, and other urban facilities. A network of superhighways knits the region together, so spatially dispersed facilities are actually very close in terms of travel time. So what will the ideal city of the future? How will our cities evolve to fulfill our growing needs? What will be the main ideas around which our cities will develop and grow? The vision of a new Vertical City is inspired by how the current urban planning approach that is rooted in the environmentally harmful, energy inefficient, and unsustainable post-World War II mentality of cheap fossil fuels, car ownership, and an exhausted transportation system, and needs a drastic change for the future. It is a call for a new paradigm to address the urgent problems of unprecedented human population totals and tidal waves of rural migration into cities. The solution it seems lies in the optimization of population density, thereby changing every important aspect of a city. A Vertical City is a high-capacity, high-efficiency ultra-tall buildings occupying a relatively small car-free, pedestrian friendly parcel of land. In my view, A Vertical City starts with a large piece of land. Then there is a raised podium above which the city exists. The city is surrounded by green land, cropland, and agricultural land. And then rise out of the podium, ultra-high towers, some 250 floor, and even 400 floors above the podium. These tower connected to each other via bridge like Sky Lobby, which are green and have people shopping, drinking, relaxing, sunbathing, swimming, or just socializing. These sky lobbies are like “village centres”, where people naturally gather, local artists, performers, and even street vendors displaying their skills. Surrounding this city is open croplands, which help to get produce for the city, which also give a beautiful open view of green lands to the citizens from their ultra-high tower. These farmlands also act as a buffer between the existing city and its gimmicks, separating the two out, connected via a super-highway.
U N B U I LT L O N D O N LO N D O N S T U M P S ARCHITECTURAL ASSOCIATION / 2014 / SUMMER SCHOOL PROGRAMME From Cedric Price’s Fun Palace, to Winston Churchil’s Was Room, and the hundreds of spaces, buildings, and years in between and since, London is characterised by the seminal projects that define the form and culture of the city. London has been shaped by both the built and unbuilt projects throughout its history. At the school we aimed to invent, speculate and design our own London Project by inventing new worlds to challenge the status quo. The programme aims to challenge students to consider London’s major projects as propositions that suggest new architectures alongside cultural, political and social repositioning of the city.
PART 1: EXPLORE
PART 2: FABRICATE
PART 3: OCCUPY
PINNACLE TOWER AS IT EXISTS SINCE 2008 TEST SAMPLE
SKIN LIKE FACADE
POST DRYING OF POP PINNACLE TOWER
Watkin’s Tower 1891
Pinnacle Tower 2008
PIGMENTATION PROCESS
STUMP AS IT EXISTS
WOODEN CONNECTIONS
The point of departure is the ‘stump’: an abandoned structure that was destined to become a tower on the London skyline. We study and replace a failed London tower using our own imagination. We then built a structure that carries Victorian optimism and embraces a future vision for London. London’s two stumps, the Pinnacle and Watkin’s Tower were objects of their designers’ highest ambitions to create the tallest and most complex structure in the skyline of London. They do not only represent engineering ingenuity: they were meant to be an icon, a tourist attraction and a market-driven idea that fell just short of riding their wave of momentum. MOULDING
PRESENTATION OF WORK
AA SUMMER SCHOOL 2014 - UNIT 7
FINAL MODEL
SAMPLING AND TESTING
WORKING DRAWING 340
COOPERATE GROUP HOUSING SOCIETY 12 2
36
50
311 0
36
15
25
8
27
2780
118
D4
3
D4
9
3395
A -B --
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116
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C --
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113
F.D.
S3
121
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109
W3
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650
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42 W1
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111
865
M
685
30
7
120
6 402
6
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D3
98 21
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1800 115
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6010
102 W1 103
112
104 FFL\ +624 Tos\ +620
1
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85 W2
W2 22
D2
Open\ To\ s
0
70
D2
380
22
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a1.1 a4.2
P L A N T O I L E T D E TA I L P L A N SCALE 1:50
85
103
FFL\ +624 Tos\ +620
0
380
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Tos\ +620 FFL\ +624 D1
13 S6
Tos\ +620 FFL\ +623
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103
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124 132
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BB
UP
rsr\ 15 TRD\ 30
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70
164393
AA
16
122 26
20
20
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139 133
N
30
98
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0
5
127
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600 560
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343 806
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W3
126
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1050
138
150
36
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139
Z
300
385
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0
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S
T
200\ mm\ su
F I R S T F L O O R P L A N T Y P I C A L F LO O R P L A N S E C T I O N A L - E L E VAT I O N A
SCALE 1:300
SCALE 1:50
1
2
4
3 2619
5
3615
6
3915
3735
1080
1615
370
450
1080
950 1000
810
1160
1125
1125
1160
750
700 1200
630
1700
1270
1200
1000
700
1350
700 700
950
1270
47000
1185
3110
950
1200
700
460
460
1185
810
1000
1400
1000
975
B
700
975
700
795
700
1185
1390
A
900 1020
940
1015
940
1020
590
1175
1175
590
250
900
1700
900
450
900
1270
930
1100
1185
1270 1015
1100 1100
1000
2097
930
1700
450
1300 1400
940
950
1100
825
450 C
850
1700
385
850
362
310
310
75
860
300
975
540
1100
1250
760 760
975
TL1 600
1025
750
350
1250
860
300
1250
1250
1025
1100
750
1025
760
E
860
640
250
660
700 640
700
1806
640
860
D
2230
Y
311
0
S4
50
S4
36
311
0
D4
230
Q
Ledge\ Wal
D3
W1
20
98
20
W1
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X
790
0
790
343
W
0
5
180
180
5
135
2350
22
137
D3
D5 460
0
460
W4
S3
130
D3
D5
5
162
720
18
42 W1
98
6
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D3
U
131
D4
30
42
30
21
402
140
5
30
W1
V
123
D4
1200 161
D3
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141
S3
Parapet\ Wal
97
D3
39
1
17
W3
129
660
19
5600
W3
21
20
615
F
R E F L E C T E D C E I L I N G P L A N TYPICAL UNIT PLAN SCALE 1:200
S E C T I O N A L - E L E VAT I O N D SCALE 1:50
18
17
1615
16 2620
15 3615
14 3915
13 3735
27 2525
26 2280
25 4670
6 2680
5 3735
4 3915
3 3615
2 2620
1 1615
Mumty\ Leve 63200 Level\ 2 60200 Level\ 1 57200 Level\ 1 54200 Level\ 1 51200 Level\ 1 48200 Level\ 1 45200 Level\ 1 42200 Level\ 1 39200
4600
Level\ 1 33200 800
5850
450
Level\ 1 36200
Level\ 1 30200 Level\ 27200
150
Level\ 24200
5850 4600
450
Level\ 21200
800
Level\ 18200 Level\ 15200
Level\ 9200
Living\ Roo
Lobby
Stairwell
Lobby
Living\ Roo
2850 150
2210 640 Bedroom
3050 150 150
Kitchen
Level\ 6200 Level\ 3200 Level\ 0 Level\ -3200
3050
3050 150
Bedroom
9151220 715
2850
150
Level\ 12200
Level\ -6200
S E C T I O N A A’ D E TA I L 3 B H K U N I T P L A N SCALE 1:300
SUDHANSHU MITTAL mitsudhanshu@gmail.com