SUDHARSANA KESAVAN T C sudharsank7.tc@gmail.com 8012418687, 8667461400 No-3, Satya Pramodh nagar, Vegavathi Street extn, Kanchipuram, Tamilnadu, 631 501
PROFILE
EDUCATION
DOB
27th Sept 1996
AGE
22
SEX
Male
LANGUAGES
Tamil , English
NATIONALITY
Indian
B.ARCH
NIT TIRCHY
96.4%
Swamy Vivekananda HSS 2012
95.4%
CLASS X
EXPERIENCE
Autodesk Autocad
INTERNSHIP
Sketchup Lumion Keyshot Adobe Photoshop Adobe Illustrator Adobe Indesign
GPA - 7.11
CLASS XII Swamy Vivekananda HSS 2014
SOFTWARE
Vray for Sketchup
2014 - 2019
KUKKE ARCHITECTS, BANGALORE, JUN - NOV 2017
RESPONSIBILITY ORGANISING HEAD - Archcult 2018, Department Symposium HEAD - SKETCHING TEAM - LIK TROPHY, NASA 2017 ORGANISER - FESTEMBER 16 & 17 EVENT COORDINATOR - NITTFEST 17
SKILLS
ACHIEVEMENTS
Sketching
CITATION – LOUIS I KAHN TROPHY NASA - 2016 SPECIAL MENTION – LOUIS I KAHN TROPHY NASA - 2017 Top 60 in ANDC ( Annual NASA Design Contest) - 2016
Model Making Hand Drafting Visualization Graphic Design Digital Arts Design Development
INTERESTS
PROJECTS I YEAR
Additive and Subtractive model Design, Hostel room Redesign, Bedroom Design
II YEAR
Rural Study - Konerirajapuram , Residence Design, Ponmalai Market Redesign
III YEAR
Highway restaurant, Maternity Hospital, Indoor Sports Complex, Vernacular studies
IV YEAR
Sustainable neighbourhood development - Nagapattinam, Environment control and design workshop
V YEAR
Eco Resort - Pondicherry, Thesis - Sangam Reinterpretation of language and cultural centre
CONTENTS
01
RESIDENCE SEM III DESIGN - 2015
02
PONMALAI MARKET REDESIGN OF A PUBLIC MARKET SEM V DESIGN - 2016
03
MELUKOTE A STUDY OF WATER SYSTEM LIK TROPHY - 2017, SPECIAL MENTION
04
SANGAM RE-IMAGINING OF LANGUAGE & CULTURAL CENTRE DISSERTATION - SEM X- 2019
05
INTERNSHIP WORKS KUKKE ARCHITECTS BANGALORE SEM VII- 2017
01 RESIDENCE SRIRANGAM, TIRUCHIRAPPALI ACADEMIC WORK - 2015 (SEM III)
The project brief was to design a residence along the banks of river Kaveri, for the family of a businessman with two kids and elderly parents. The 1152 sq. m site is located in Srirangam, Trichy, with river Kaveri to its south and Amma Mandapam road to its north. The basic requirement was to design a 4BHK residence with a home office, incorporating the traditional architectural values of the location in the design.
River Kaveri
The design approach was to reflect the traditional design values of the neighbourhood in terms of both planning and design, while exploiting the site’s proximity to the Cauvery river.
Amma Mandapam road
CONCEPT
1. Spaces are arranged based on their level of privacy with private spaces overlooking the river.
2. Central courtyard is created as the core of the residence, dividing the public and private spaces.
3. Semi-open spaces are created on either side to establish a connection with the surroundings.
4. Horizontal and vertical circulation paths are created, that connects the different spaces
5. Additional private spaces such as Master Bedroom are added on the first floor.
6. The facade is modified to match the architectural style of the neighbourhood.
GROUND FLOOR PLAN
FIRST FLOOR PLAN
ISOMETRIC VIEW DINNING INFORMAL LIVING BEDROOM 1 KITCHEN COURTYARD FORMAL LIVING HOME OFFICE
GROUND FLOOR VIEW
SECTION
INFORMAL LIVING
COURTYARD
MASTER BATHROOM MASTER BEDROOM BEDROOM 2 LIBRARY GYM FAMILY ROOM GUEST BEDROOM
FIRST FLOOR VIEW
MASTER BEDROOM
FORMAL LIVING
BALCONY
02 PONMALAI MARKET REDESIGN OF A PUBLIC MARKET
PONMALAI, TIRUCHIRAPPALI
ACADEMIC WORK - 2016 (SEM V)
The project brief was to redesign the Ponmalai weekly market. This market was established in 1928 to support the employees workers of the Golden Rock Railway Workshop. Situated on a vacant plot belonging to the Workshop, the market majorly consists of temporary or semi permanent shelters and shades. With over 500 shops selling variety of products, the market has become a major commercial center of the city. Hence requiring a redesign to facilitate better circulation and efficient usage of the site.
SITE PLAN EXISTING
EXISTING MARKET The market is divided into various zones like vegetables, fruits, plastics and clothing. The shops are arranged along the natural shade pattern. Vegetables are the major products sold, hence the density of the shops are comparatively high in contrast to the pots, pets shops which are low in density and in number. Food stalls occupy the areas along the main road to attract more people.
Layout of the market in relation to its vegetation
Zoning of the neighbourhood around the market
User circulation patterns inside the market
Vehicular circulation and parking around the market
Ponmalai Market was initially started as a weekly vegetable market, later on evolving into a major commercial centre supplying all kinds of dry and wet goods, including metal wares, pots, clothing and plastic items. The market is majorly concentrated along the S-W. This is due to its close proximity to the main access points. The area is closer to the main junctions and are comparatively denser than the northern part of the neighbourhood.
The Tree line grid is used as the base of the design to exploit the natural shading, as well as a continuation element of the existing market.
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A grid pattern is designed for the shops with trees acting as negative spaces, providing shade for the circulation and resting spaces.
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A pattern is evolved based on two main axes, to enable the freed movement, that culminates near the permanent building.
SITE PLAN A Permanent Vegetable market is designed at the core of the market to meet the daily needs of the neighbourhood, with shops arranged in a Tetris pattern around it. The vegetables and fruits occupy the northern end of the market as it attracts all kinds of users and is closer to the parking. The pets, pots and plants attracts specific predetermined users, hence occupies the closer southern side. The clothes, plastics and food acts as a buffer between the contrasting zones.
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1 - PERMANENT MARKET 2 - VEGETABLES 3 - FRUITS 4 - FLOWERS 5 - FOOD AND JUICE 6 - CLOTHES 7 - PLASTICS 8 - AQUARIUM 9 - PETS 10 - PLANTS 11 - POTS 12 - PARKING (VENDORS) 13 - PARKING (BUYERS) 14 - SECURITY OFFICE 15 - LIBRARY 16 - WATER TANK
MODULE 1 VEGETABLES, FRUITS, FLOWERS
Pedestal for the sellers to sit and keep the products
MODULE 2 PLASTICS, CLOTHES, AQUARIUM Metal frames separates shops and also provides space for hanging products
Bench for the sellers to sit
MODULE 3 FOOD AND JUICE STALLS Benches for the customers to sit and eat
Tables for Food preparation and selling
MODULE 4 PETS, POTS, AND PLANTS Pedestal for the sellers to sit and keep the products
Additional space for the larger products
1 2 3 4 5 6
PERMANENT MARKET PLAN
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ADMINISTRATION STORAGE LOADING / UNLOADING RESTING AREA TOILET (F) TOILET (M)
03 MELUKOTE
A STUDY OF WATER SYSTEM
MELUKOTE, KARNATAKA LOUIS I KAHN TROPHY - 2017 NASA SPECIAL MENTION
The competition brief was to record and document sites which best represent the adaptation of traditional knowledge systems of a particular geographical region. The aspects of this study deals with the water harvesting system of Melukote, with the idea of bringing together the physical constituents and manipulating them scientifically, with people on one side and the place on the other. I was mainly involved in analyzing and understanding the working of the system and its current situation, and was also the head of the sketching team.
ZERO ENERGY SYSTEM:
SELF SUSTAINING:
The water harvesting system of Melukote works on the optimal tapping of available resources topography and rainwater. Rain water is collected in an highly efficient manner, manipulating the topography and the knowledge of the catchment areas and water table. Thus the system being aided only by gravity becomes spontaneous.
Melukote is an isolated plateau with rain as the only major source of water, which led to the ground breaking Rain-water harvesting system with 108 ponds, and using the knowledge of the topography to identify water collection areas at different levels with catchments in all directions, and manipulating even the smallest details like water filtrations.
SYSTEM OF MELUKOTE
The functioning of the system requires keen understanding of the water courses and catchments which are spread out in different directions, but eventually end up in large collectors called ‘Keres’ (lakes). The ponds are located at the identified depressions both natural and man-made, at different levels of the contour. There are about eight water courses. The major ones are The Yoganarasimhar course from Yoganarasimhar temple to Dalvoye kere, The Rajabeedhi course from Rayagopura to Kalyani, and The Ashtatheertha course from Dalvoye kere to Tonnur Kere.
ASHTATHEERTHA COURSE ISOMETRIC SECTION
EVOLUTION OF SETTLEMENT
STAGE 1:
STAGE 2:
Cheluvanarayana temple is built by Ramanuja. Settlement develops around the temple, with the whole system confined to the temple and its administration. The Kalyani and Narasamiha temple are also built.
The Rajabeedhi serves as the main axis (N-S), which the Iyengars occupy, with sub-streets emerging from it (E-W), leading to more private areas, forming a grid iron pattern.
YOGANAR ASIMHAR COURSE ISOMETRIC SECTION
R AJABEEDHI COURSE SECTION
STAGE 3:
STAGE 4:
The town grows beyond the Pete Bagilu (village door) in the nor thern side, with a commercial zone developing in the nor thern end of the settlement and along the Rajabeedhi.
Parallel street to the Rajabeedhi arises called Terina Beedhi (Car street), forming the boundary for the main settlement fabric. Mathas and Chatras come up along the Rajabeedhi.
K ALYANI PLAN
SECTION A A’
SECTION BB’
AKK A THANGI PLAN
SECTION BB’
COLLECTION POND
OKK AR ANE
MANDAPA POND
VIMANA CONSTRUCTION
FLAT ROOF DETAIL CORBELED ROOF
KUMUZHI THOOMBU
KUMUZHI THOOMBU SECTION
SPOUT DETAIL
BALL AND SOCKET JOINT
TYPICAL POND EXPLODED VIEW
CORNER STONE DETAIL
FLOOR BED DETAIL
PLINTH SECTION
FILTER
MUSEUM EXTERIOR VIEW
04 SANGAM REIMAGINING OF LANGUAGE AND CULTURAL CENTRE
SEVILIMEDU, KANCHIPURAM DISSERTATION - 2019 (SEM X)
The aim of the project is to establish a central identity for the Tamil language and culture through architectural means, and to promote and preserve its language and cultural identity and autonomy, by reimagining and redefining of the Sangams that were present in the ancient times. And to design an integrated space with a museum pertaining to the language and culture along with facilities for research and development, and also to accommodate various cultural activities to create awareness and involvement among the local population.
SANGAM
very much connected, yet a distant memory
HISTORY / LEGEND
The mythological origins and existence of Tamil Sangams tracks back to the lost land of Kumari, that lies south of present day Tamil Nadu, with gods and sages alike participated, presented and debated, deep works of literature and language. From a historical basis however, the lost landmass is comparatively small, and the term ‘Sangam’ itself is used much later at around 8th cent. CE, in ‘Irraiyanar Kalaviyalurai’ which must have been adopted from Buddhist/ Jain councils. Even-though the years of existence can be debatable, such an assembly of scholars must have been prevalent, both with and without royal patronages. These assemblies gathered and shared knowledge, discussed and debated on literary works, and helped in adapting and updating the language.
kanchipuram the land of temples
Kanchipuram, one of the oldest cities in the country, with the earliest references dating back to 2nd cent. BCE. It served as the political, economical, educational, cultural and religious center. What separated Kanchipuram from other historic cities is its ‘Historic continuity’ from classical age to the present. The main residuals of various time period that stood the test of time are temples and their inscriptions from early Pallava Rock-cut caves to Vijayanagar temples. Another important aspect of the city is its neutral nature both politically as well as religiously
‘Manasara Shilpa Sastra’ records Kanchipuram to have ‘NANDYAVRTA’ pattern, with Siva Kanchi in NW, Vishnu Kanchi in SE, Jaina Kanchi in SW, Buddha Kanchi in NE, forming the shape of a Peacock, with a Citadel at its core at the intersection.
The city of Kanchipuram is naturally bounded in the south by Palar river, and in the north by NH-47. The land around Kanchipuram is flat, with predominantly alluvial soil and the land slopes towards the south and east.
The site is located in Sevilimedu near the banks of palar, and sevilimedu lake. The main advantage of the site is its connectivity, as its close to 3 Highways, connecting the city to rest of the state.
The Site is situated in the fringe of the city surrounded by Residential and commercial neighbourhood, along with agricultural fields near the lake.
SITE PLAN
The concept behind the inward arrangement of the buildings is based on the idea that each of the main building represent different stage of the language and cultural, Museum - Past: Cultural centre - Present: Research centre - Future, which converges at the centre to form the spiritual core of the complex represented by the temple.
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1 - TEMPLE 2 - MUSEUM 3 - RESEARCH CENTRE 4 - CULTURAL CENTRE 5 - OPEN AIR THEATRE 6 - WATER BODY 7 - SCULPTURE COURT 8 - ESTATE MAINTENANCE 9 - SECURITY OFFICE 10 - CAR PARKING 11 - BIKE PARKING 12 - MAIN ENTRANCE 13 - SERVICE ENTRANCE
The site is connected to the road through a narrow part, which is restricted for the vehicular access, and the rest of the site is used as a pedestrian zone. A central axis is established around which the complex is designed.
wa
y
The Site is divided into different zones based on different types of users, with a plaza at its core along the main axis, creating a central convergence space where all the user types overlap.
Ka
12
nc
hip
ura
m
-V an
da
vas iH igh
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The Buildings are designed as arcs overlooking the centre, with Research centre in the NW, Museum in the E, Cultural centre in the SW and The Temple in the Centre NW of the Plaza.
KURINJI
MULLAI
MARUDHAM
NEIDHAL
KURINJI
MULLAI
MARUDHAM NEIDHAL
HUNTING
HERDING
FARMING
TRADING
HUNTING
HERDING
FARMING
TRADING
YAMAM 10 pm - 2 am
MAALAI 6 pm - 10 pm
VAIGARAI 2 am - 6 am
ERPADU 2 pm - 6 pm
SCANT LIGHTING
DIM LIGHTING
BRIGHT LIGHTING
DIFFUSED LIGHTING
MULTIPLE LEVEL
ZIG ZAG MOVEMENT
LINEAR MOVEMENT
ZIG ZAG MOVEMENT
The Sangam age was characterised by Five different land types called “Ainthinai”. These were Kurinji(Mountain) , Mullai(Forest), Marudham(Plains), Neidhal(Coast), and Palai(Barren land). Each had its own characteristics such as occupation, food, lifestyle, emotion, and God. This depicts the evolution of human from Hunter-gatherers to Herdsmen, to Farmers and then to Traders. Paalai is seen as a mere temporary deformation of Kurinji in drought conditions, where the Hunters transform into bandits and raiders.
CONCEPTUAL EVOLUTION OF FORM
The Convex shape is created based on its position in the site .
A linear form is created to enable a narrative experience.
The linear form is then skewed to represent the changes in history
Additional volume is added to accommodate the admin wing
The volume is tapered to resemble the form of a temple
Additional volumes are subtracted to create double height spaces
EXIT LOBBY DARK AGE GALLERY LITERATURE GALLERY
CULTURAL GALLERY SANGAM AGAM
LANGUAGE GALLERY
CULTURAL GALLERY SANGAM PURAM
NARR ATIVE DESIGN The Narrative thread is at two levels, at the Spatial level, each gallery and its form represents a Sangam age Virtue (Thinai) and at the Exhibit level, the information is conveyed directly through the exhibits. These to are interlinked and create a unique experience at each space, as well as making the journey itself an experience.
ENTRANCE LOBBY
LANGUAGE GALLERY KURINJI
SECTION AA’
LITERATURE GALLERY MULLAI
CULTURAL GALLERY - PURAM MARUDHAM
CULTURAL GALLERY - AGAM NEIDHAL
MUSEUM PLAN
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B
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R
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W
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PLAN @ - 1.0 M
1 - ENTRANCE LOBBY 2 - RECEPTION 3 - CLOAK ROOM 4 - MUSEUM SHOP 5 - CAFETERIA 6 - WORKSHOP 7 - STORE 8 - SERVICES 9 - EXIT LOBBY 10 - MEETING ROOM 11 - SURVEILLANCE ROOM 12 - OFFICE 13 - STAFF LOUNGE 14 - CURATOR 15 - ASST. CURATOR 16 - RESERVE COLLECTION 17 - MUSEUM ARCHIVES 18 - STORAGE VAULTS 19 - CONSERVATION LAB 20 - PRESERVATION LAB
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A - CULTURAL GALLERY PURAM - (GALLERY 1) A - CULTURAL GALLERY AGAM - (GALLERY 2) C - LANGUAGE GALLERY (GALLERY 3) D - LITERATURE GALLERY (GALLERY 4) E - DARK AGE GALLERY (GALLERY 5) F - STATUES OF POETS G- MURAL OF NAMES
T T R
L - LIFT N - ENTRY R - RAMP T - TOILETS W- WATER BODY X - FIRE EXIT
PLAN @ 2.1 M
X
D
R
D
L
W
R
W
C
L
C
L
L 18
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L
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L 17
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PLAN @ 6.1 M
PLAN @ 10.1 M
TEMPLE EXTERIOR VIEW
TEMPLE OF TAMIL THAI At the core of the complex is the Temple of Tamil Thai, that serves as the conjunction of different user types that visit the complex, essentially representing the spirit of the language. The temple made of concrete is a contemporary adaptation of core values of a Pallava temple architecture, specifically inspired from Kailasanathar and Vaikunda perumal temples of Kanchipuram. The double walled shrine encloses sets of stairs, that provides access to the other two levels and the terraces with a light well at the core to bring sun light.
TEMPLE SECTION
The descending levels from entrance towards shrine is in contrast to traditional temple. This is done to establish a direct visual connection for the users right from the entrance , along with the reducing volumes, to induce a sense of intimacy and spiritual connection with the shrine.
TEMPLE PLAN
PLAN
PLAN
PLAN
VIMANA
LIGHT WELL
SHRINE
WATER BODY
ISOMETRIC VIEW
05 INTERNSHIP WORKS KUKKE ARCHITECTS JUN - DEC 2017
The internship at ‘Kukke Architects’ was from June to December 2017, as a part of the Professional Training Program in the VII semester. My experience during internship involved my participation in projects at different levels. I got involved in various residential projects where i had the opportunity to visit sites, to work on 3D models, Working drawings, Presentation drawings, Visualizations, Costing and Estimation. This experience enabled the understanding of the role of architect in various stages of a project from the conceptual to the completion stage,
DR.SATYAKI’S RESIDENCE
THIMMAIAH’S RESIDENCE
THIMMAIAH’S RESIDENCE
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1
CILL @ +3'10" W4 LINTEL @ +8'6"
W5
CILL @ +3'10" W5 LINTEL @ +8'6"
CILL @ +3'10" LINTEL @ +8'6"
CONTROLS
PUJA
SUMP 7' CLEAR DEPTH
SEATING
WASHING AREA (FLOOR)
A A'
DINING
A A'
UTILITY
KITCHEN
KITCHEN
W6 IRON TOP
CILL @ +2'6" LINTEL @ +7'0"
GARDEN
LIFT
POWDER ROOM
STORE DRYER
DISH WASHER
WASHING MACHINE
D2
VERANDAH
W3
UP
CORRIDOR AND STAIRS
17 18
16
B
20 21
19
22 23
24
B'
33 32 31 30 29 28 27 26 25
D1 W7 CILL @ +2'6" LINTEL @ +7'0"
C
BEDROOM
TOILET
SWING
C'
LIVING MD
DRAIN
D2
ENTRANCE
I
WARDROBES
I
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12 CILL @ +0' W8 LINTEL @ +7'0"
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W8
CILL @ +0' LINTEL @ +7'0"
11
4'
3'
2'
1'
ROAD
GROUND FLOOR PLAN
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3
2
1
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@ +0' W11 CILL LINTEL @ +7'0"
CILL @ +0'
W10 LINTEL @ +7'0"
SOFT DUCT
WARDROBES
WARDROBES AND DRESSING
SON'S BEDROOM
A A'
W12 CILL @ +5' LINTEL @ BB
D2
A A'
LIFT W13
TOILET
CILL @ +5' LINTEL @ BB
D1 W3
UP 34 35 36 37 38 39 40 41
WOODEN FLOORING
B
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CORRIDOR AND STAIRS
B'
51 50 49 48 47 46 45 44 43
D1
C
TOILET
C'
STUDY TABLE OR WARDROBE (to be discussed)
D2
WARDROBES
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CILL @ +0' LINTEL @ +7'0"
CILL @ +0' LINTEL @ 7'0"
3'
2'
1'
W9
CILL @ +0' LINTEL @ +7'0"
4'
W8
FIRST FLOOR PLAN
W14 CILL @ +5' LINTEL @ BB
MASTER BEDROOM
WORKING DR AWINGS
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+46'-6" lvl
+38'-6" lvl +36'-" lvl
ENTERTAINMENT CENTER
CORRIDOR AND STAIRS
+28'-6" lvl TERRACE
+26-0" lvl
WOODEN FLOORING
CORRIDOR AND STAIRS
+18'-6" lvl
DINING CORRIDOR AND STAIRS
+8'-6" lvl
VERANDAH
GARDEN
BASEMENT CORRIDOR AND STAIRS
±0'-0" lvl
SECTION
ROOF LINE
A
A
18"X18"X12 mm MS PLATE
DETAIL A
PLAN A
A
1 4"
THK PLATE CUT TO SHAPE
75X150 MM BOX SECTION
PLAN 1 4"
THK PLATE CUT TO SHAPE
WELDED MESH TO BE SELECTED
48X96X3.2 MM 48X96X4.8 MM 12MM PLATE CUT TO SHAPE
65X65X6 MS ANGLE
ENTERTAINMENT ROOM FLOOR LVL 12MM PLATE CUT TO SHAPE
SECTION AA
SECTION A-A
ROOFING DETAILS
STAIRCASE DETAILS
MUKUND’S RESIDENCE
GROUND FLOOR PLAN
ELEVATION
PRESENTATION DR AWINGS
SECTION AA’
SECTION BB’
A
K
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J
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H
CILL @ +4'6" LINTEL @ +7'
SEAT
CILL @ +2'6" LINTEL @ +7'
W12
CILL @ +2'6" LINTEL @ +7'
W12
V3
TOILET
SHOWER
D'
W18
CILL @ FFL LINTEL/CHAJJA @ +8'0"
STUDY + 17'1" LVL
CHAJJA @ 8'0" REFER SEC DD'
BOOK SHELF
D3
MASTER BEDROOM
COURT
D2
D2
WALK IN WARDROBE
GARDEN BELOW
D'
D1
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UP
F'
UP
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FIRST FLR + 18'1" LVL
W21
Slab line
F
F'
36
CILL @ 2'6" LINTEL @ +7'
W9
37
UP
WHITE SLIDING SHUTTERS - INLINE FITTING - LOUVERED NO LINTEL
SD1
D1
W19
SHOWER AREA
50
DUCT FOR ELECTRICAL CONDUITS DB
DUCT FOR DATA CABLES
W11
FAMILY ROOM
LIFT
CILL @ BEAM TOP W20 LINTEL @7'0"
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STORAGE BELOW STAIRCASE
V4
CILL @ +4'6" LINTEL @ +7'
CILL @ BEAM TOP NO LINTEL (TILL LANDING SLAB BOTTOM)
WALK IN WARDROBE
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STORE
TOILET
D2
D2
BEDROOM 2
C' C'
G G'
CILL @ +3'0" LINTEL @ +7'
W13
A
A'
E
J
I
B
H
K
GROUND FLOOR PLAN
K'
E
J
I'
B'
H'
W6
CILL @ 2" LINTEL @ +7'
CILL @ 2" LINTEL @ +7'
W6
WATER @ 2" W7 CILL NO LINTEL BODY
Line of Basement wall
GARDEN
W16 Line of Basement wall
FORMAL LIVING
PUJA
FAMILY AREA
W15
GARDEN
D' D'
E'
J'
FIRST FLOOR PLAN
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DOWN
UP
D1
W17
CILL @ BEAM TOP NO LINTEL
OPENING
FOYER + 7'1" LVL
DINING
W15A
SEAT
F' F'
E'
D J'
F J'
C SINK
D1
REFRIGERATOR
WASHING MACHINE
DISH WASHER
D2
DB
SD
W5
SINK
WARDROBE
TOILET
LIFT
POWDER RM
HOB
MD
W1
HOB
CILL @ +3'6" LINTEL @ +7'
CILL @ +3' LINTEL @ +7'
W4
CILL @ +7' NO LINTEL
V2
TALL UNIT (STORAGE)
@ +4'6" V1 CILL LINTEL @ +7'
KITCHEN
REFRIGERATOR
CILL @ +3'6" LINTEL @ beam bottom
GRILLED AREA
BEDROOM 1
D2
DUCT FOR ELECTRICAL CONDUITS
DUCT FOR DATA CABLES
BREAKFAST COUNTER
TALL UNIT (STORAGE)
WET KITCHEN
SD
UTILITY
W8
C' C
C'
F SINK
@ +3'6" W3 CILL LINTEL @ +7'
3
8 7 6 5 4
13 12 11 10 9
DOWN
ENTRANCE
D2
G G'
D SINK
CILL @ +3'6" LINTEL @ 7'0"
W2
SKYLIGHT
CHAJJA REFER SEC GG'
A'
K'
E
J
I'
B'
H'
E'
C
J'
SEAT
DR.SATYAKI’S RESIDENCE
F
D
C
D
WORKING DR AWINGS GRILL & MESH
W15A
SEAT W15
ELEVATION B
ELEVATION A
FIXED GLASS
STAINED GLASS
SLIDE
SLIDE
FIXED GLASS
SLIDE
SLIDE
FIXED GLASS
FIXED GLASS
SEAT
2" SKIRTING
2" SKIRTING
ELEVATION A
ELEVATION B
LIVING ROOM WINDOW DETAIL MASTER BEDROOM TOILET
MASTER BEDROOM TOILET
CILL @ +4'6" LINTEL @ +7'
V1
CILL @ +4'6" LINTEL @ +7'
V1
SLOPE
WALK IN WARDROBE
SHOWER AREA
20 MM TILE DROP
SLOPE
WALK IN WARDROBE
SHOWER AREA
20 MM TILE DROP
STARTING POINT
FONDO montefalco 10cm x 30cm
FV
FONDO montefalco 10cm x 20cm
STARTING POINT
HF FV
D2
SLOPE
GRAFITO narcia 90cm x 90cm
HF
20 MM TILE DROP
D2
SLOPE
FONDO montefalco 30cm x 90cm
20 MM TILE DROP
H
GREY WATER
C
SOIL WATER
SHOWER HEAD
SHOWER HEAD DIVERTER
SPOUT
DIVERTER
HV
SPOUT
WALK IN WARDROBE
SHOWER AREA
HV
SOIL WATER
SECTION AA
WALK IN WARDROBE
SHOWER AREA
GREY WATER
STARTING POINT
STARTING POINT
SECTION CC SECTION AA
SECTION CC
MIRROR
MIRROR C
H
STARTING POINT
C
H
STARTING POINT
GREY WATER WADROBE
SECTION BB
STARTING POINT
SECTION DD SECTION BB
MASTER TOILET TILE LAYOUT
SECTION DD
MASTER TOILET PLUMBING LAYOUT