Sukhvinder Kaur | Architectural Portfolio | 2021 | School of Planning and Architecture, New Delhi

SUKHVINDER KAUR ARCHITECTURAL PORTFOLIO Selected Academic Works 2 018-2 1

SCHOOL OF PLANNING AND ARCHITECTURE, NEW DELHI

SOFTWARE SKILLS DRAFTING

3D MODELLING

Curriculum Vitae 2018-21

SUKHVINDER KAUR Instagram : sukhvinderkaur.1009 sukhvinderkaur1999@gmail.com Contact: +91 82191 76744

QUALIFICATIONS 2018-Present Architecture Student 4th Year | B.Arch School of Planning and Architecture New Delhi 2015-2017 89.5% CBSE | Non-Medical Akal Academy Sirmour, Himachal Pradesh 2014-2015 10 CGPA CBSE | 10th DAV Public School Bilaspur, Himachal pradesh

RENDERING

PRESENTATION

SIMULATIONS & CLIMATIC ANALYSIS

RESEARCH & DOCUMENTATION 2021

2019

2018

Autocad Rhino Sketchup Rhino Revit Grasshopper Twinmotion Lumion Enscape Photoshop Indesign Illustrator Microsoft Office Ecotect Ladybug

WORKSHOPS & CONFERENCES 2022

Wood From Finland Online Certified Course LAB University, Finland

2021

Digital Diversities Elective | Academic Ar. Prarthna Misra

2021

Universal design Elective | Academic Parag Anand

2019

Narrative in Design NASA

2019

Hotel Planning and Design Elective | Academic Prof. Ar. Taranjeet Singh Chandpuri

2019

Building Integration and Management (BIM) Elective | Academic Prof. Prabhjot Singh Sugga

2017

Delegate Harvard Model United Nations India (HMUN) Hydrabad

Can we Pandemic Proof the Schools?

Seminar Research Weavers Colony, Maheshwar, Madhya Pradesh Settlement Study Dakshinchitra, Muthukadu, Tamil Nadu Syrian christian Housing Measured Drawing

COMPETITIONS 2021

REVERENCE | SQUAROID Special Mention

2020

ANDC | NASA Top 100 Shortlisted Entries

PROJECTS -

01

02

03

MULTIFAMILY HOUSING

PAHAAD-I RESIDENCE

ACADEMIC PROJECT | SEMESTER 6 2021

INTEGRATED TOWNSHIP ACADEMIC PROJECT | SEMESTER 5 (COLLABORATIVE) 2020

04

ACADEMIC PROJECT | SEMESTER 3 2019

WESTIN RESORT

ACADEMIC PROJECT | SEMESTER 7 2021

S

A

05

06

07

08

HOME IN A BOX

MISCELLANEOUS WORKS

ACADEMIC PROJECT | SEMESTER 1 2018

Option 1

SOUND CULTURAL HUB

ACADEMIC PROJECT | SEMESTER 4 2020

ukhvinder Kaur rt and Architecture Appreciation

DIGITAL | HANDWORK

Option 2

OTHER PROJECTS

ACADEMIC PROJECTS | RESEARCH

Assignment 6

INTEGRATED TOWNSHIP ACADEMIC PROJECT | SEMESTER 5 | 2020 COLLABORATIVE (TEAM OF 4)

Rhino render

01

MULTIFAMILY HOUSING ACADEMIC PROJECT | SEMESTER 6 | 2021

02

Twinmotion render

This MEGA-RESIDENTIAL INTEGRATED TOWNSHIP was spread in 75 ACRES on the outskirts of Amritsar. In the Design Development semester, I further developed multifamly housing of the Integrated township project individually. Hence, the design is developed in different scales throughout the year taking various systems and strategies of varying scale into considerations.

movement creation of this INTERACTION ZONES green spine.isItencouraged forms thethrough major the public realm connecting SHADOW ANALYSIS SHADOW SHADO (12 ANA P SHADOW INTERACTION ZONES green spine.

It forms the major public realm connecting To increase interaction during the day, different activity SHADOW ANALYSIS SHADOW SHADOW (12 ANALYSIS PM) SHADOW ANALYSIS (12 PM) ANALYSIS (12 PM) (1 the overall flatted development through heirarchial To interaction during the day, different activity theincrease overall flatted development through heirarchial zones are created in the community spaces through the greens. zones are created in the community spaces through the greens.

CENTRAL SPINE AND INDIVIDUAL WELL BEING greens. and inclusiveness greens.Accesibility Accesibility and inclusiveness forms forms the corethe of core of In the township, free unhindered pedestrian and cycle Jan May M May May Jan May Ju Jan Jan Jan FebMay Fe differentinteraction interaction zones different zones movement is encouraged through the creation of this

SITE PLANNING STRATEGIES

PRODUCED BY AN AUTODESK VERSION PRODUCED AN AUTODESK STUDENT VERSION PRODUCEDSTUDENT

BY AN AUTODESK STUDENT VERSION BY PRODUCED

BY AN AUTODESK STUDENT VERSION

SHADOW ANALYSIS INTERACTION green spine. ItZONES forms the major public realm connecting SHADOW ANALYSIS SHADOW SHADOW (12 ANALYSIS PM) SHADOW ANALYSIS (12 PM) ANALYSIS (12 PM) (12 PM) Jan Jan Jan Jan Fe To interaction during the day, different activity theincrease overall flatted development through heirarchial Jan Ja zones SHADOW greens.are created in the community spaces through the SHADOW ANALYSIS SHADOW SHADOW (3 ANALYSIS PM) SHADOW ANALYSIS (3 PM) ANALYSIS (3 PM) AN (3 SHADOW ANALYSIS SHADOW SHADO (3 ANA P greens. Accesibility and inclusiveness forms the core of May May May May May June Ju different interaction zones Sep Sep Sep Sep Oc May

May

Sep

May

Jan May

S

Ju

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

Jan Jan Jan Jan Feb Fe SUBWAY PLAZA SHADOW ANALYSIS (3 To encourage free and safe pedestrian movement across M SHADOW ANALYSIS SHADOW SHADOW (3 ANALYSIS PM) SHADOW ANALYSIS (3 PM) ANALYSIS (3 PM)May (3 PM) Jan Jan Jan Fe Jan SUBWAY PLAZA the vehicular roads and revenue rasta, subway plaza is Sh SHADOW ANALYSIS (5 PM) INTERACTION ZONES Sep (5ANA SHADOW SHADOW ANALYSIS ANALYSIS (5 PM) PM) SHADOW SHADOW ANALYSIS PM connecting the housing to community center Toproposes encourage free and safe pedestrian movement across Sep Sep Sep Sep (5 Oct O SHADING TIME ANAL Jan J To increase interaction during the day, different activity and educational facility.

To activate this zone, other the vehicular roads and revenue rasta, subway plaza is May zones are created in and the community through theMay May May May June Ju community facilities retail storesspaces are proposed.

SHADOW ANALYSIS (5 INTERACTION ZONES Sep Sep Sep SepPM) Oc SHADOW SHADOW ANALYSIS AN ( SH SUBWAY PLAZA proposes connecting the housing to community center greens. Accesibility and inclusiveness forms the core of To encourage free and safe pedestrian movement across To increase interaction during the day, activity CENTRAL SPINE AND INDIVIDUAL WELL BEING May May Th Ju and educational facility.

To activate thisdifferent zone, other Jan Jan Jan May JanMay FebJan Fe different interaction zones the vehicular roads and revenue rasta, subway plaza is In the township,zones free unhindered pedestrian and cycle movement is encouraged are created in the community spaces through the Shading community facilities and retail stores center areSHADOW proposed.

ANALYSIS (5 PM) ZONES SHADOW SHADOW ANALYSIS ANALYSIS (5 PM) (5 PM) SHADOW ANALYSIS (5SP SHADOW ANALYSIS (5Sep PM) Febsu proposes connecting the housing to community Jan Jan Jan J Jan through the INTERACTION creation of Accesibility this green spine.

It inclusiveness forms the major public realm connecting SHADING TIME ANALYSI greens. and forms the core of To increase interaction during the day, different activity and educational facility.

To activate this zone, other the overall flatted development through heirarchial greens.

May Sep dM different interaction zones Shadow analy zones are created in and the community through the community facilities retail storesspaces are proposed.

Sep Sep Sep Sep Oct O greens. Accesibility and inclusiveness forms the core of May The sOJu May May May May The June Jan different interaction zones sha Jan Sep Sep Sep Sep Spacing sunlig May June M May Jan Feb May Jan JanMay JanFeb F Jan site feat SHADOW RANGE A SUBWAY PLAZA deter and nor ORIENTATION BLOCKS Shadow analysis To encourageOF free and safe pedestrian movement across south ea All blocks are oriented in a manner all the units thethe vehicular roads and revenue rasta, that subway plaza is Sep S recieve ample sunlightthe throughout the day without any TheSepshadow a proposes connecting housing to community center Sep Sep Sep OctSep O comprimise.

Predominantly, Blocks are in east Spacing betw May May and educational facility. To activate thisoriented zone, other May May May June J May June May and south direction. site features Sep Oct liS Sep Sep Sep community facilities and retail stores are proposed.

SUBWAY PLAZA SHADOW RANGE ANA SUBWAY PLAZA and north wes ORIENTATION OF BLOCKS ORIENTATION OF BLOCKS To encourage free and safe pedestrian movement across INTERACTION ToZONES encourage free and safe pedestrian movement across south east blo VARIABLE HEIGHTS the blocks are oriented in adifferent manner that all the units All the blocks are oriented in aactivity manner that the units the vehicular roads and revenue rasta, subway plaza is To increase All interaction during the day, zones areall created inisthe the vehicular roads and revenue rasta, subway plaza Through shadow range analysis throughout the year, ample sunlight throughout the day and without any proposes connecting the housing to community center recieve ample throughout the day without anythe core community recieve spaces through thesunlight greens.

Accesibility inclusiveness forms proposes connecting the housing to community blocks with smaller heights are placed at the south of thecenter comprimise.

Predominantly, Blocks are oriented in east and educational facility.

To activate this zone, other of different interaction zones Predominantly, Blocks are oriented in east comprimise. and To activate this zone, Sep other ploteducational to let in winter south and south direction.

Oct Sep Sep Sep Oct O Sep community facilities andfacility. retail sun. stores are proposed.

SHADING TIM

SHADOW RA

and south direction. community facilities and retail stores are proposed.

VARIABLE HEIGHTS Through shadow range analysis throughout the year, VARIABLE HEIGHTS blocks with smaller heights are placed at the south of the Through shadow range analysis throughout the year, OF BLOCKS plot toORIENTATION let in winter south sun. blocks smaller heights are placed the south of All thewith blocks are oriented in a manner that allat the units recieve sunlight throughout plot to letample in winter south sun. the day without any comprimise. Predominantly, Blocks are oriented in east and south direction.

Sep

Sep

the

ORIENTATION OF BLOCKS HEIGHTS All theVARIABLE blocks are oriented in a manner that all the units Through analysis year, recieve ample shadow sunlight range throughout thethroughout day withoutthe any blocks with smaller heights are placed at the south of the comprimise.

Predominantly, Blocks are oriented in east ORIENTATION OF BLOCKS plot to let in winter south sun. and south direction.

All the blocks are oriented in a manner that all the units recieve ample sunlight throughout the day without any VARIABLE HEIGHTS VARIABLE HEIGHTS comprimise.

Predominantly, Blocksthe are oriented in east Through shadow range analysis throughout year,with smaller heights are Through shadow range analysis throughout the year, blocks andwith south direction. blocks smaller heights are placed at the south of the placed at the south of the plot to let in winter south sun. plot to let in winter south sun.

VARIABLE HEIGHTS Through shadow range analysis throughout the year, blocks with smaller heights are placed at the south of the

S

Shado

PRODUCED BY AN AUTODESK STUDENT VERSION

PRECINCT SITE PLAN ±0

BIG TREES LIKE BAHEDA ARE USED ON WEST MEDIUM SIZE TREES WITH HEIGHT UPTO 6m ARE USED IN SOUTH LIKE- AMLA, SOHANJNA

P1

P2

P3

P4

P5

VEHICULAR ENTRY RAMP FOR UNIVERSAL ACCESS

+00

Revenue Raasta

EXIT

ENTRY +00 -4500

+00

X3

8240

2400

1 2 3 4

5 6 7

16 15 14

3600

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1200

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21 31 41 51 61

5

MM0033 - THGIEH ROOLF SPETS 22 MM003 - DAERT MM051 - RESIR

4 3 2 1 286

2604

G.C. 800x820

2824

10 PASSENGER LIFT LIFT WELL 1950x1800

5 6 7 8 9 10 11 12 13

+00

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15 PASSENGER STRETCHER LIFT LIFT WELL 3000x1950

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G.C. 800x820 P.S. 1000x970

PU L.V. SHAFT 1030x600

H.V. SHAFT 1800x600

11 01 9

8 7 6 5

0961

F.H.C. SHAFT 1200x970

1600

X4

FIREMENS' STAIRCASE FLOOR HEIGHT - 3300MM 22 STEPS TREAD - 300MM 10 PASSENGER RISER - 150MM FIREMENS' LIFT LIFT WELL 1950x1800

UP

16004001600

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4 3 21 0961

+300

+150

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+00 X17

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00

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PRECINCT LEVEL PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION

X1

DIFFERENT HEIRARCHY OF GREENS serve as different type of community spaces catering to the needs of different age groups during different times of the day. The main green spine increase the walkability and cyclability of citizens.

Other green pockets and parks surrounding by built forms around, provide an important public space for the housing citizens.

PARK AMENITIES - Badminton courts, Half Foorball field, Childrens’ Park, Fitness equipments, OAT and seating benches.

ENVIRONMENT STRATEGIES

IME ANALYSIS (SUMMER)

SHADING TIME ANALYSIS (WINTER)

Base for th to th shad

ENVIRONMENT ENVIRONMENT STRATEGIES STRATEGIES

SHADINGSHADING TIME ANALYSIS TIME ANALYSIS (WINTER)(WINTER) DINGSHADING TIME ANALYSIS TIME ANALYSIS (SUMMER) (SUMMER)

Based onBase the a for the basem for th to the south to the an shading during shad

SHADOW RANGE ANALYSIS (9-5) SHADOW RANGE ANALYSIS (9-5) SHADOW RANGE ANALYSIS (9-5) SHADOW SHADOW RANGE ANALYSIS RANGE ANALYSIS (9-5) (9-5) SHADOW SHADOW RANGE ANALYSIS RANGE ANALYSIS (9-5) (9-5) SHADOW RANGE SHADOW ANALYSIS RANGE(9-5) ANALYSIS (9-5) Shading Time Analysis (Summer)

IME ANALYSIS (WINTER)

Shading Time Analysis (Winter)

A

The shading time analysis shows the number hours the ground will have Shading Time Analysis Shading(Summer) Time Analysis (Summer) Shading Timeof Analysis Shading (Winter) Time Analysis (Winter) SUMMERS WINTERS DINGSHADING TIME ANALYSIS TIME ANALYSIS (WINTER) (WINTER) sunlight suring the day. It is done for both simmer and winters. It helps to determine the location of activities relevant to the seasons.

The shading The time shading analysis time shows analysis theshows number theof number hours the of hours ground will ground have will have st the 21 June 21stand June sunlight suring sunlight thesuring day. Itthe is done day. Itfor is both donesimmer for bothand simmer winters.

It winters. helps toIt helps to 21st June

B

determine determine the location theof location activities of activities relevant to relevant the seasons. to the seasons. st st 21 RANGE ANALYSIS (9-5) 21stst June June 21st 21 June June 21 June 21st June

DOW SHADOW RANGE ANALYSIS RANGE ANALYSIS (9-5) (9-5)

C A A

C

C

A

B

B

B D

DD

21st Dec 21st Dec21st Dec st June 21st June 21st21 June

21st Dec 21st Dec 21st Dec st Dec 21st Dec 21 st

21 Dec

Sha

Shading maskSha at Sh

Shading masksShad fon

Sha

Shadow Range Shadow analysis Range (9AM-5PM) analysis for (9AM-5PM) summer andfor winter summer solstice andshowing winter solstice mutualshowing shadingmutual in blocks. shading in blocks.

Shadow Range analysis (9AM-5PM) for summer and winter solstice showing mutual shading in blocks.

Sha

Spacing between Blocks and site features like play areas, tot lots, and interactive placemaking spaces are determined is defined by SHADOW AND SHADING TIME ANALYSIS.

21st Dec 21st Dec

21st Dec

Shading mask Shading at Cmask at C

Shading mask at C

Sha

EAST FACADE

WEST FACADE

EAST FACADE

Detailed Envelope Radiation Analysis Detailed Envelope Radiation Analysis

WEST FACADE

EAST FACADE

EAST FACADE

Detailed Detailed EnvelopeEnvelope Radiation was done on done all facades for both for summers and winter months.

Radiation was on all facades both summers and winter mont Through Through the analysis, we can infer thatinfer south and Eastand facade more sunlight (which is(w es the analysis, we can that south Eastreceives facade receives more sunlight the norththe and westand facade lessvery sunlight. north westreceive facadevery receive less sunlight.

SOUTH FAÇADE SHADING OPTIMISATION SOUTH FAÇADE SHADING OPTIMISATION

NORTHSHADING FAÇADE SHADING OPTIMISATION NORTH FAÇADE SHADING OPTIMISATION EAST FAÇADE OPTIMISATION EAST FAÇADE SHADING OPTIMISATION

WEST FAÇADE WEST SHADING OPT FAÇADE

PERIPHERY BLOCK IN EAST WEST ORIENTATION PERIPHERY BLOCK IN EAST WEST ORIENTATION ENVELOPE INCIDENTENVELOPE RADIATION (WINTER) INCIDENT RADIATION (WINTER)

SOUTH FACADE

SOUTH FACADE

NORTH FACADE

NORTH FACADE

WEST FACADE

WEST FACADE

shading device optimization shading device optimization EAST FACADE

EAST FACADE

and winter months. ummers and winter months. more sunlight is(which essentially housing) and the spaces eceives more (which sunlight is esrequired sentially in required in housing) and theon spaces on

ON

WEST FAÇADE SHADING OPTIMISATION WEST FAÇADE SHADING OPTIMISATION

NORTH FAÇADENORTH SHADING OPTIMISATION FAÇADE SHADING OPTIMISATION

WEST FAÇADE SHADING OP WEST FAÇA

North Facade is already North Facadeshaded is already shaded and do not and needdo any notshading need any shading device. device.

To cut off the west Tolow cut sun, off the low sun, west Facade is designed with 400 with 400 Facade is designed mm wide louvres at 500 mm at 500 mm mm wide louvres distance, with a 20o tilt towards distance, with a 20o tilt towards north. north.

East and South devices East shading and South shading devices are designed block theto block the aretodesigned afternoon and evening sunevening in afternoon and sun in summers. summers.

7

7

Ecotect

Block level Strategies -

THINNER FLOOR PLATES to let in sun in maximum floor area.

ORIENTATION of room on south and east facade only.

SELF SHADING by undulating mass.

CORRIDOR ON WEST side to act AS BUFFER for heat.

4 Ventilation shafts spread throughout the mass.

HIG/MIG Block Structure -

600 DEEP RCC BEAM

600X300 COLUMNS

300 MM THICK SHEAR WALLLS

700X400 BASEMENT COLUMNS 600 MM BEAM DEPTH

DETAILED HIG/MIG BLOCK PRODUCED BY AN AUTODESK STUDENT VERSION

NOTES:

ALL DIMENSIONS ARE IN MILLIMETERS(

B

A 150

C

8000

2270

3820

4000

1500 740

2000

F

E

G

58000

4000

7000

1545

H 6000

6000

19600

4000

4280

3190

M

L

J 6960

3000

N

4040

1615

7830

2000

740 1500

COORDINATE THIS DRAWING WITH RE SERVICE DRAWINGS.

150

8000 1540

DIMENSIONS ARE TO BE READ AND NO

3820

2270

SETTING OUT DRAWING TO BE READ IN STRUCTURAL DRAWINGS AND OTHER F

150 4000

800 445 2010 1645 2010 755

6300

2500

1590 1000

3820

1500 740

2000

2 G.C. H.V. 800x820 1800x600

7000

L.V. 1030x600

1545

26090

2475 3315

4000

6000

HVAC SHAFT 2200x970

F.H.C. P.S. 1000x970 1200x970

19600

6

2010

H

-

2100

6000

2400

-

2700

900

2700

900

W3

2700

900

W4

2700

300

W5

2700

300

V1

2700

2100

G1

2700

-

4280 W2

3190

NOTE : ALL LEVELS ARE TAKEN FROM FINIS

TITLE:

TYPICAL FLOOR PLAN

FROM LEVEL 1 TO 6 AND LEVEL PROJECT:

PRODUCED BY AMRITSAR, PUNJAB, INDIA

686

471 2012

150

2345

A

633 1806

1884

8000

2440

1063

4000

B

1000

C

1700

4000

D

1500

B

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824

900

387 2634

4000

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3000

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6000

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549 1439

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958

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58000

F

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4000

E

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4040

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2441

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BUILDING CONST.

1967

8000

M

L

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A

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NAME:

SUKHVINDER KAUR

A/3207/2018 IV YEAR SEC A

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6000

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2470 3320

1 2 3 4 5 6 7 8 9

2 G.C. H.V. 800x820 1800x600

L.V. 1030x600

1995 1500 735 3645

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3320 1500 735

15 P STRETCHER LIFT 3000x1950

W - 1500 DN T - 300 R - 150 23 22 2120 1918 17 16 15

LIFT LOBBY 5020x4500

10 P LIFT 1950x1800

UP 1 2 3 4 5 6 7 8 9

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MIG - 85 M2

HIG - 145 M2 2012

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UP

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PRODUCED BY AN AUTODESK STUDENT VERSION

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1

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PRODUCED BY AN AUTODESK STUDENT VERSION

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MULTIFAMILY HOUSIN

A

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D2 D3

7

PRODUCED BY AN AUTODESK STUDENT VERSION

2

D1

W1

3645

1500 735

1500 740

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4000

LINTEL SILL SYMBOL HEIGHT HEIGH

G

1995

8000

TYPE

RECTANGULAR C

PRODUCED RECTANGULAR C

SCHEDULE OF DOOR

58000 5

12 11 10 9 8 7 6 5 4 3 2 1

UP

150

F

UP

5100

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LIFT LOBBY 5020x4500

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C

1 2 3 4 5 6 7 8 9

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C1 C2

4

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DN

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NAME PLAN

7

1

SCHEDULE OF COLUM

2

2600

15 P STRETCHER LIFT 3000x1950

B

14 13 12 11 10

1145

5100

A

5 6

ALL DIMENSIONS SHALL BE CHECKED A RELEVANT ARCHITECTURAL AND STRU AMBIGUITY, DISCREPANCY OR OMISSIO THE NOTICE OF THE CONSULTANT IMM COMMENCING OF WORK.

1

8090

4000

800 445 2010 755

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3320

26090

2470

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PRODUCED BY AN AUTODESK STUDENT VERSION

2501

6300

2010

2

1645

1

150

OUTER WALLS ARE 230MM BRICK MASO BRICK MASONRY.

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633 1806

8000

1884

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3000

1000

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4000

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2000

6000

549 1439

1988

58000

2500

6000

95

VENTILATION SHAFT OPENING ON ROOF

DOUBLE HEIGHT REFUGE TERRACE

CORE VENTILATION SHAFTS OPEN STAIRCASE

SINGLE HEIGHT COMMUNITY SPACE

MAIN ENTRANCE LOBBY

EXTENDED BASEMENT

HIG MIG

UCED BY AN AUTODESK STUDENT VERSION

DETAILED MIG/LIG/EWS BLOCK

BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

INDIVIDUAL INDIVIDUAL UNIT UNIT LAYOUTS LAYOUTS

PRODUCED BY AN AUTODESK STUDENT VERSION

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EWS/LIG/MIG BLOCK

X1

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1000.00

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1000.00

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1000.001000.00

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Y

Y'1 Y'1

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X9

X10

X11

Y2

X15

X18

X17

Y

Y'3 Y4

Y'3 Y'3

Y2

Y4

Y5

Y'3

Y6 Y3

Y'4

Y3 Y6

Y Y4

Y'4

Y7

Y4

EWS LAYOUT - 30 M2 - 30 M2 EWS EWS LAYOUT - 30 M2

Y5

X16

Y1

Y'2

Y7

LIG - 66 M2 LIG LAYOUT - 55 M2 LIG LAYOUT - 55 M2

Y6

X3

X2

X1

X2

X1

X5

X4

X3

X6

X5

X4

X7

X6

Y6

X8

X7

X7

Y

Y5

X8

X7

Y7

For creation of flexible spaces, sliding folding doors are used which can open up the space for other activities when required and can also be used as partition for EWS/LIG BLOCK private areas.

2000.00

2000.00

1000.00

1000.00

2000.00

4000.00

2000.00

4000.00

2000.00

2000.00

2000.00

2000.00

2000.00

2000.00

2000.00

2000.00

2500.00

2500.00

Y1

X14

Y3

Y4

Y1

X13

Y'2

Y3

Y5

Y7

X12

2000.00 2000.00

Y2

X3

2000.00 2000.00

X1

2000.00 1000.001000.00 2000.00 2000.00 1000.001000.00 2000.00

Y1

4000.00 4000.00

Y1

Y1

Y2

0.00

4000.00 4000.00

Y1

00

10M

20M

50M

CORE VENTILATION SHAFTS

SINGLE HEIGHT COMMUNITY SPACE

DOUBLE HEIGHT REFUGE TERRACE

MAIN ENTRANCE LOBBY

LIG MIG EWS

Twinmotion render

WORKING DRAWINGS PRODUCED BY AN AUTODESK STUDENT VERSION

1

5

4

3

2

7

6

8

9

10

11

12

13

14

15

16

17

18

20

19

NOTES:

21

ALL DIMENSIONS ARE IN MILLIMETERS(MM) DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED.

154900

COORDINATE THIS DRAWING WITH RELEVANT STRUCTURAL AND SERVICE DRAWINGS.

3200 8000

7700

7000

7750

8000

8500

8200

5400

8500

8500

8500

8500

8200

8700

9300

6350

7900

8000

SETTING OUT DRAWING TO BE READ IN CONJUNCTION TO STRUCTURAL DRAWINGS AND OTHER FLOOR PLAN DRAWINGS.

8500

OUTER WALLS ARE 230MM BRICK MASONRY. INNER WALLS 115mm BRICK MASONRY.

6600 5000

B C

4000 8100

4000

4000

M

3000

5000

5000

3000

35

00

8000

4000

R1

L

11900

K

5000

0

00

R6

4200 6500

6500

15700

N

90°

PROJECT:

S

AMRITSAR, PUNJAB, INDIA

9 50 0 60 800 49

28100

2500

R

SETTING OUT PLAN

CHECK

00

39000

46

5600

Q

TITLE:

5000

4000

3000

MULTIFAMILY HOUSING

8300

P

3000

10100

5000

4000 6750

96700

H

27000

6060

G

W - 1500 T - 300 R - 150

W - 1500 T - 300 R - 150

PRODUCED BY AN AUTODESK STUDENT VERSION

F

38900

3000

4000 7000

E PRODUCED BY AN AUTODESK STUDENT VERSION

90°

3000 4000

D

J

ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE RELEVANT ARCHITECTURAL AND STRUCTURAL DRAWINGS. ANY AMBIGUITY, DISCREPANCY OR OMISSION SHALL BE BROUGHT TO THE NOTICE OF THE CONSULTANT IMMEDIATELY BEFORE THE COMMENCING OF WORK.

CHECK

A

WORKING DRAWINGS

BUILDING CONST.

90°

STARTING POINT

DWG NO:

AR PL/02

NAME:

37300

SUKHVINDER KAUR A/3207/2018 IV YEAR SEC A

7000

N

PRODUCED BY AN AUTODESK STUDENT VERSION

BASEMENT / SETTING OUT PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION

B

A

C

F

E

G

H

NOTES: M

L

J

ALL DIMENSIONS ARE IN MILLIMETERS(MM)

N

DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED.

58000 4000

6960

4040

1140

1140

8000

8000

COORDINATE THIS DRAWING WITH RELEVANT STRUCTURAL AND SERVICE DRAWINGS.

2600

8000

SETTING OUT DRAWING TO BE READ IN CONJUNCTION TO STRUCTURAL DRAWINGS AND OTHER FLOOR PLAN DRAWINGS.

2450

C1

C1

C1

C2

C1

C1

3400

6300 2100

2950

C1

SHEAR WALL

6500X300

26090

2800

2600

2600 3020

6

C1

C1

NOTE : ALL LEVELS ARE TAKEN FROM FINISHED FLOOR C1

7 2600

C1

SW

5100

2200

3050

C1

1900

4070

3120

RECTANGULAR COLUMN 1 400X300

8090

5990 2880

C1

DIM.

RECTANGULAR COLUMN 1 600X300

C2

5

C1

1050

3080

2100

C1

3400

C1

SW

SW

6060

C2 3400

1930

C2

4020

2800

C2

2100

C2

C2

C2

2070

2030

C1

2600

C1

C2

5990

4070

C1

7

3080

4020 2070

4020

8090

1050

3020

C1

1900

C2

SW

C2

C2

TYPE

C1

4

S1

L1

C2

5010

6

4630

C1

4020

5110

3000 2600

C2

3800

C2

LIFT LOBBY

S2 4000

SW

6960

2330

L1

L2

1460

C1

1670

2620

C2

C2

5010

3400

C2

SCHEDULE OF COLUMNS NAME PLAN

6300 2100

5100 2600

3380

7000

3800

C1

C1

5

2600

2

ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE RELEVANT ARCHITECTURAL AND STRUCTURAL DRAWINGS. ANY AMBIGUITY, DISCREPANCY OR OMISSION SHALL BE BROUGHT TO THE NOTICE OF THE CONSULTANT IMMEDIATELY BEFORE THE COMMENCING OF WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

26090

4 PRODUCED BY AN AUTODESK STUDENT VERSION

1

2900

C1

2900

C1

OUTER WALLS ARE 230MM BRICK MASONRY. INNER WALLS 115mm BRICK MASONRY.

150

6000

6000

1950

4000

7000

4000

150 1950

4000 2

2450

2050

1

4000

2050

8000

2600

3970

3970

2030

2000

TITLE:

FRAMING PLAN PROJECT:

MULTIFAMILY HOUSING AMRITSAR, PUNJAB, INDIA

WORKING DRAWINGS

150

8000

4000

3000

4000

4000

6000

6000

4000

3000

4000

4000

8000

150

BUILDING CONST.

58000 A

B

C

D

E

F

G

H

J

K

L

M

N

AR PL/08

NAME:

SUKHVINDER KAUR A/3207/2018 IV YEAR SEC A

PRODUCED BY AN AUTODESK STUDENT VERSION

TYPICAL STRUCTURAL LAYOUT

DWG NO:

N

PRODUCED BY AN AUTODESK STUDENT VERSION

NOTES: ALL DIMENSIONS ARE IN MILLIMETERS(MM)

B

A

C

8000

2600

F

E

4000

G

58000

4000

7000

H 6000

6000

M

L

J 4000

6960

N

4040

8000

DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED. COORDINATE THIS DRAWING WITH RELEVANT STRUCTURAL AND SERVICE DRAWINGS.

2600

SETTING OUT DRAWING TO BE READ IN CONJUNCTION TO STRUCTURAL DRAWINGS AND OTHER FLOOR PLAN DRAWINGS.

150 2010

715

W1

G1

1000

2000

W3

5890

ROOM

G1

D2

2345

2130

D2

G1 W1

ROOM

W2

1880

D3

2130

D2

1920

D2

W1

D2

4000 1100

26090

5100 2600 735

W3

D2

1005

2820

2940

ROOM

950

W1

G1

D3

W3

TYPE

DIM.

C1

RECTANGULAR COLUMN

600X300

C2

RECTANGULAR COLUMN

400X300

SCHEDULE OF DOORS/WINDOWS LINTEL SILL SYMBOL HEIGHT HEIGHT HEIGHT WIDTH D1

2700

-

2100

D2

2100

-

2100

D3

2100

-

2100

700

D4

2400

-

2400

1600

W1

2700

900

1800

2000

W2

2700

900

1800

1000

W3

2700

900

1800

1500

W4

2700

300

2400

3200

W5

2700

300

2400

1700

V1

2700

2100

600

800

G1

2700

-

1800

2500

1400 900

NOTE : ALL LEVELS ARE TAKEN FROM FINISHED FLOOR

1060

4650

D2

W1

D2

KITCHEN

ROOM

W2

ROOM

2940

D2

2900

D3

ROOM

8090

1920

6

ROOM

D3

3825

KITCHEN

1375

3345

2889

KITCHEN

1355

D3

D2

ROOM

ROOM

ROOM

KITCHEN

1060

D2

D2

2945

ROOM

ROOM

5

7

1015

2600

3830

D2 3825

D3

W2

ROOM

D4 D1

D3

4

D2

D3

1375

D2

D3

D3

D3

HVAC SHAFT 2200x970

580

D1 2885

2000

ROOM

2170

735

2940

D3

D2

W3

2170

UP

G1

F.H.C. P.S. 1000x970 1200x970

D1 2885

D1

12 11 10 9 8 7 6 5 4 3 2 1

G1

D3

ROOM

D3

2170

580

D1 1050

1355

W - 1500 T - 300 R - 150

DN

LIFT LOBBY 5020x4500

L.V. H.V. 2 G.C. 800x820 1800x600 1030x600

ROOM

W1

W5 1314 151617 1819 20 2122 23

1 2 3 4 5 6 7 8 9

1490

W2

W4

10 P LIFT 1950x1800

3080

8180

UP

5890

D3

15 P STRETCHER LIFT 3000x1950

1145

2320

1415

14 13 12 11 10

5415

5790

W - 1500 DN T - 300 R - 150 23 22 2120 1918 17 16 15

D1

1800

3345

6300 5

2600

4286

7360

D3

D2 ROOM

7

11000

3610

SCHEDULE OF COLUMNS NAME PLAN

W1

G1

G1

2

ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE RELEVANT ARCHITECTURAL AND STRUCTURAL DRAWINGS. ANY AMBIGUITY, DISCREPANCY OR OMISSION SHALL BE BROUGHT TO THE NOTICE OF THE CONSULTANT IMMEDIATELY BEFORE THE COMMENCING OF WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

5100

KITCHEN

2940

2170

2600

1065

V1

1

6300

2940

D3 V1

2940

6

2270

D2

ROOM

D2

D3

ROOM

8090

D2

ROOM

2940

KITCHEN

3820

W3

W1

ROOM D2

4

26090

1545

3820

ROOM D2

W1

PRODUCED BY AN AUTODESK STUDENT VERSION

1545

W1

1065

D3 1100

2

W3

5160

D2

5160

3820 715

2010

2270

4000

1

150

OUTER WALLS ARE 230MM BRICK MASONRY. INNER WALLS 115mm BRICK MASONRY.

D2

TITLE:

TYPICAL FLOOR PLAN

FROM LEVEL 1 TO 6 AND LEVEL 9 TO 10

2345

PROJECT:

MULTIFAMILY HOUSING AMRITSAR, PUNJAB, INDIA

WORKING DRAWINGS

150

8000

4000

4000

3000

4000

6000

6000

4000

4000

2960

4040

8000

BUILDING CONST.

150

58000 A

B

C

D

E

F

H

G

M

L

K

J

DWG NO:

AR PL/04

NAME:

N

SUKHVINDER KAUR

A/3207/2018 IV YEAR SEC A

N

PRODUCED BY AN AUTODESK STUDENT VERSION

TYPICAL FLOOR PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION

NOTES:

L

J

OUTER WALLS ARE 230MM BRICK MASONRY. INNER WALLS 115mm BRICK MASONRY.

105 103

BRICK BATS

101

99

+13800

97

LVL 5

RCC SLAB 150 THK 81

83 79

85

77

87

75

95

93

89

73

L

J 6850

20MM NOSING

2 KOTA STONES STUCK TOGETHER

4

2100

4

W5

W - 1500 T - 300 R - 150

DN

75X150MM GI STRIP

13 14 15

4300

FIXED TO BRICK WITH 50MM LONG FASTENERS

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE RELEVANT ARCHITECTURAL AND STRUCTURAL DRAWINGS. ANY AMBIGUITY, DISCREPANCY OR OMISSION SHALL BE BROUGHT TO THE NOTICE OF THE CONSULTANT IMMEDIATELY BEFORE THE COMMENCING OF WORK.

107

7 6 5

4 3 2 1

UP

EMBEDDED IN MORTAR TO SUPPORT THE RAILING 12 11 10 9 8 7 6 5

TITLE:

STAIRCASE DETAIL

5400

20 THK MORTAR

SETTING OUT DRAWING TO BE READ IN CONJUNCTION TO STRUCTURAL DRAWINGS AND OTHER FLOOR PLAN DRAWINGS.

LVL 6

150

20 THK KOTA STONE

PROJECT:

MULTIFAMILY HOUSING AMRITSAR, PUNJAB, INDIA

4 3 2 1

WORKING DRAWINGS

BUILDING CONST.

D4

6850

J

6

1600

8950

L

150

6

PRODUCED BY AN AUTODESK STUDENT VERSION

STAIRCASE DETAILS

ALL DIMENSIONS ARE IN MILLIMETERS(MM) DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED. COORDINATE THIS DRAWING WITH RELEVANT STRUCTURAL AND SERVICE DRAWINGS.

11000

+17250

5100

20MM NOSING

M

DWG NO:

AR DL/04

NAME:

SUKHVINDER KAUR

A/3207/2018 IV YEAR SEC A

N

Twinmotion render

03

WESTIN RESORT IN GOA ACADEMIC PROJECT | SEMESTER 8 | 2021

REJUVENATION BY

Nature

The Resort is an ESCAPE FROM OUR FAST LIFE. It provides a healthy REJUVENATI with all natural elements - EARTH, WATER, FIRE, AIR, & SPAC

DESIGN PROCESS CONCEPT :

ING environment filled CE.

WATER

PRIVATE POOLS LAGOONS FLOATING BAR

AIR & SPACE

GRAND VIEWS WINDS SEMI-OPEN

FIRE

FIRE PITS SUNSET VIEWS LIGHT

EARTH

PRIVATE GREENS COURTYARDS LEISURE

CLIMATE - HOT AND HUMID

CLIMATIC ANALYSIS

8 MIN WALK

6 MIN WALK

4 MIN WALK

2 MIN WALK

WALKING DISTANCES AND EXISTING TREES ON SITE

SITE : MAJORDA BEACH, GOA TOTAL SITE AREA - 86,500 SQM

BUILDABLE SITE AREA (CRZ) - 39,244 SQM OPEN PARKING AREA - 2,389 SQM (Basement not allowed)

INTEGRATION OF CONCEPT IN SITE PLANNING

MAJ ORD ACH A BE

VEHICULAR ROAD

17

16

BEACH SHACK

MAIN ENTRANCES AND DROP OFFS MAIN PATHWAY BUGGY PATH BUGGY PICKUP AND DROP OFFS EMPLOYEE PATHWAY

12

15

MASTER PLANNING ZONING AND CIRCULATION:

18

LEGEND 1. MAIN GUEST ENTRANCE 2. ALL DAY DINING 3. FUNCTION 4. SPA AND RECREATION 5. LOADING DOCK 6. ENGINEERING AND MEP 7. POOL BAR 8. KING ROOMS (WATER) 9. KING & FAMILY ROOMS (FIRE) 10. PRESIDENTIAL SUITE 11. DELUXE SUITE 12. TEMPORARY ROOMS 13. PUTTING GREEN 14. OUTDOOR FUNCTION AREA 15. SUNSET VIEW 16. BEACH SHACK 17. YOGA 18. BUS PARKING 19. VALET PARKING 20. BICYCLE PARKING 21. EMPLOYEE PARKING

EMPLOYEE / SERVICE ENTRANCE 20

11

SERVICE DROP OFF

21

5

6

MAIN GUEST ENTRANCE

8

1 7

13

19

MAIN SITE ENTRANCE

2

14

BANQUET GUEST ENTRANCE

3 9 10

4

Yoga pavillion and Beach Shack located in premium location taking advantage of site shape have excellent views on beach and is perfect for Party culture of Goa.

BOH ha different fr

40 Temporary guest room in NDZ zone experience an outstanding view of the Majorda Beach with an different experience of living in a thatch room structure.

Sunset View Point surrounded by green Gardens, Golf course, Joggin tracks and walk along the beach w eagy buggy connectivity on site.

Twinmotion + Photoshop render

MASTER PLANNING SALIENT FEATURES :

This narrow Entrance road is utilized as an idle bycycle Parking for the Site.

The Main entrance block is double height space which is well located on the site entrance and is well connected to other resort amenities.

as a seperate entrance and is totally rom the FOH functions. Its located on the Northern corner of the Site

ng with

The Spa is an introverted Private Space with a large courtyard & Pond.

Function area enjoys a segregated entrance with no privacy issues from guests and have a expandable outdoor area for destination weddings

MAIN ENTRANCE LOBBY

SPA AND

GROUND FLOOR

GROUND FLOOR

FIRST FLOOR

FIRST FLOOR

PUBLIC SPACES LAYOUTS :

D DINING

FUNCTION AREA

GROUND FLOOR

FIRST FLOOR

1 DELUXE SUITE located primium location with green areas and view beach.

LEGEND KING ROOMS FAMILY SUITESDOUBLE DOUBLE ROOMS EXECUTIVE SUITES DELUXE SUITE PRESIDENTIAL SUITE

MASTER PLANNING GUEST ROOM ZONING

40 TEMPORARY KING ROOMS are located in Air zone in close proximity to the beach with beautiful views and extraordinary experience.

d in the h large w of the

1 PRESIDENTIAL SUITE located in the Southern part of site, surrounded by trees and beautiful Sunset view.

8 EXECUTIVE SUITES located around water bodies and in close proximity to Main entrance as well as Meeting rooms in function area.

68 KING ROOMS located around water bodies in water zone of the site.

40 FAMILY SUITES / DOUBLE DOUBLE ROOMS are located in fire zone of the site. They have direct connection with carefully located Fire Pits.

KING ROOM AREA - 44.6 SQM

TEMPORARY KING ROOMS

SALIENT FEATURES :

(THATCH ROOF) AREA - 44.6 SQM

FAMILY SUITE AREA - 84 SQM

1) Integration of the greens & blues inside the room overall adds to the rejuvenating experience of the users. View of green private courtyard from the comfort of the bed.

2)Connection to the Outdoors catering to all the user senses. VIsual connection helps in rejuvenation.

3) Sunken Bathtub - View of pool and greens from all the washrooms.

4) All the pool spaces have perforated jaali wall to maintain privacy as well as bring in light inside the spaces. The outdoor view has not been compromised in any of the layouts.

GUEST ROOM LAYOUTS LAYOUTS AND SALIENT FEATURES :

EX

1) These primium

2) All the with gree experien

3) The DE and dou garden.

XECUTIVE SUITE AREA - 90 SQM

DELUXE SUITE AREA - 125 SQM

are designed as a natural retreat for its users located in m locations.

e spaces are porous and have a good green ot built ratio en spaces coming in between the built adding to the goan nce on the users.

ELUXE Suite has a private yoga deck, private office, pantry uble height living area with a connected pool and green

PRESIDENTIAL SUITE AREA - 195 SQM

1) Designed as a perfect Integration of Fire, Water, Space, Air and Earth in one suite with premium location surrounded by trees and beautiful sunset view.

2) Double height living room space with direct connection and view of large 6x6 private swimming pool .

3) Large private garden area with a private fire pit as outdoor seating space.

Twinmotion render

04

PAHAAD-I RESIDENCE ACADEMIC PROJECT | SEMESTER 3 | 2019

The studio brief was to design a residence in your hometown for your future family.

AREA - 620 m2 LOCATION - BILASPUR, HIMACHAL PRADESH CLIENT - ARCHITECT COUPLE The site is located in sub-tropical monsoon type climate with an altitude of 400-900M above MSL. The Site is contoured in east-west with a 3m drop facing east.

All the functions wrap around a big mango tree, located on site, framing its view for the residents and creating a mini open garden inside. To keep the residence in harmony with the topography and the culture of the place, a single storey building is designed with area spreading on the ground.

SITE PLAN

N N

13167

14932 13167

GYMN 10 M2

14932

GURUDW ARA

GYMN M PLE'S ROO COU 10 M2 23 M2

35 M2 GURUDW ARA

M CHILDS' ROO 20 M2

ROOM COUPLE'S 23 M2

35 M2

DN

M CHILDS' ROO 20 M2

DN

PARENTS' ROO 24 M2

HOBBY ROO

M

KITCHEN & LAUNDARY

20 M2

GUEST ROO 15 M2

29457

M DINING ROO 22 M2

M FAMILY ROO 45 M2

M

F/TERRACE GREEN ROO

30 M3 TERRACE

24 M2

30 M3 STUDIO 55 M2

M DINING ROO 22 M2

35130

GUEST ROO 15 M2

TERRACE

KITCHEN & LAUNDARY 35130

M FAMILY ROO 45 M2

F/TERRACE GREEN ROO

M HOBBY ROO

24 M2

UP

M

20 M2

PARENTS' ROO 24 M2

UP

29457

M

STUDIO 55 M2

M

RES D

COURTYARD

LIVING ROO

M OFFICE

55 M2

COURTYARD

23 M2 LIVING ROO

M OFFICE M WAITING ROO 23 M2 15 M2

55 M2 ENTRANCE PORCH

WAITING ROO 15 M2

UP ENTRANCE PORCH

DN

M

DN 22344

Year

UP

22344

Name Subject

2

LEVEL 1 1

Level 1

Scale

1 : 100

2

1 : 100

1

Level 2 Level 2

Level 1 1 : 100

LEVEL 2

1 : 100

The 1st level is wholly dedicated to the Private functions for the family while the 2nd level is more dedicated to public functions (Home office and studio).

Both private and public entrance is planned for 2nd level.

Studio

Office Green Terrace

Mango Open Tree Space Living Room

SECTION A-A’

Access Road Parking Powder Area Room

FAMILY ROOM CHILDS’ ROOM

GUEST ROOM

GURUDWARA

PRIVATTE STAIRS TO 2ND LEVEL

VIEW OF MINI GARDEN LAUNDARY

KITCHEN DINING

MINI GARDEN The mango tree in the middle of the enclosed mini garden creates a cozy open to sky space to enjoy the morning sun and leisure time.

FAMILY ROOM

Curvilinear

Room

Green T

errace

LIVING ROOM

Mini G

arden

Revit

The Shape of the roof and green terraces helps to blend in the building with its surroundings creating a harmony with nature.

Green terrace over 1st level compensates the large ground coverage and creates a coherency with the topology of site. this in return, also keeps the indoors cooler during hot summers.

COUPLE’S BEDROOM

“The Residence merges with its Surrounding by folowing the same topography as the context. The design explores curved roof forms to create experiencial qualitiews in both exterior space and interior space with play of different volumns.“

Hand-made model

HOBBY ROOM AND STUDIO

Green Terrace

Waiting & Office Parking Area

Mango Tree

Couples Bedroom

Studio & Hobby

Living Room

Gurudwara Kitchen

EAST ELEVATION

Twinmotion Render

The curvilinear shape of the roof blends with the existing mountaineous terrains as well as creates an indoor space with varying ceiling height.

SOUND CULTURAL HUB ACADEMIC PROJECT | SEMESTER 4 | 2020

Twinmotion render

05

NODE

MATHURA ROAD

BHAIRON MARG

PURANA QILA ENTRANCE HIGH TRAFFIC NODE

SITE ANALYSIS AND PLANNING

Twinmotion render

BIG IDEA AN INTERACTIVE SOUND CULTURAL HUB BRINGING PEOPLE TOGETHER, IMPARTING KNOWLEDGE ABOUT MUSIC AND ITS EVOLUTION. A PLACE WHERE PEOPLE WILL ENJOY TO SPENT THEIR TIME.

CIRCULATION DIAGRAM The idea is to design functions and built form enhancing the context and adding to the overall user experience. It is appropriate to the context of Purana Qila adding value to its location. As purana qila routinely helds cultural music and light shows, the center acts as an year round open cultural hub to promote as well as celebrate the culture of Delhi through music and storytelling.

FORM DEVELOPMENT

Block placed on site to create minimal grade change.

Volumes Stacked in traditional manner.

Organising these volume views and pedestal m

Music is Repettitive, engaging and can take various forms. It could be soothing and relaxing or it a different story. Music is the core of all the cultures. Music is ORGANISATION OF SOUNDS in a ce organisation is in itself, Music.

Light and shadow play as community interaction space

Roof Stairs projected on the ceiling of the cafe, creating volumetric focus towards purana qila.

es according to movement.

Movement, Structure and fenestration.

Changing shape to maximise Ventilation and Views.

t could be dramatic and engaging. Each generation, each art movement has a different music, ertain order that each note is connected to the other. Spaces denote to Sounds and their

LEVEL 3

LEVEL 2

LEVEL 1

PLANNING

Level 2 with truss structure levitates over the OAT shading it during harsh summers.

View from the roof of 1st level

Transparent curved front glazing for Yoga Room to create open and fresh atmosphere.

HOME IN A BOX

ACADEMIC PROJECT | SEMESTER 1 | 2018

Twinmotion render

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The Studio Brief was to design a personalised space inside the boundaries of a 7m*7m*5m Box which is tilted at an angle of 30 Degees.

The organisation of different functions inside a pre-determined form posed a challenge to deal with corner spaces in an optimised way and innovative way.

Following the philosophy of function follows form, spaces are designed by thinking in terms of volumes to assign different functions rather than in plan.

The big idea was to design a cozy personal space which is flexible yet distinct catering to my needs.

RELAX, CHILL, READ, WATCH SPOT

NS

TIO

NC

FU

ARTSIE SPOT

RA

FO

SWIM, BATH, RELAX SPOT

FITNESS, DANCE, EXCERCISE SPOT

CE

PA

LS

A ON RS

PE Programmatic Distribution of Proposed Functions in Conceptual Section

WOODEN FACADE TO MAXIMISE PRIVACY ON THIS FACADE

GLASS FACADE FOR VIEWS TO THE OUTSIDE

BATH AND RELAX SPOT

The movable deck reveals an indoor swimming and bathing spot of 1500mm width with an view to the outside. Curtains can be closed for privacy when required.

FITNESS SPOT

The whole level is for physical activities with a whole mirrored wall to excersice, enjoy and practice dance or enjoy dress up.

RELAX AND CHILL BIG SCREEN ARTSIE SPOT BATH, SWIM AND RELAX FITNESS, DANCE AND DRESS UP ENTRANCE

ARTSIE SPOT

The facade is extruded out to create indirect lighting for this spot with stationary storage at an arms length.

RELAX AND CHILL SPOT

This area is designed to spend the leisure time watching some webseries or to just enjoy the outside view while resting

COFFEE AND READ SPOT

A siting area is extruded in the facade to create a cozy area to relax and enjoy the view, coffee or to read novels.

PLAN LEVEL 1

PLAN LEVEL 2

OTHER PROJECTS

Rhino render

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BALANCE OF ARCHITECTURE WITH ART ACADEMIC STUDIO | SEMESTER 6 | 2020 GUIDE - Ar. PRARTHNA MISRA

DISSECTING THE LAYERS OF PLAN OF SIMMONS HALL BY STEVEN HOLL

Sukhvinder Kaur Art and Architecture Appreciation

MORPHING MY ARTWORK WITH TABLEAU NO. 1 AND ADDING NEW ELEMENTS Option 2

Assignment 1

SURFAC

The task of this studio was to understand the different layers in a Plan and use architectural representation as a tool for Visual design process to find the balance between the functionality of architecture with the emotions of Art.

TABLEAU NO. 1

OVERLAYING GRIDS, LAYERS, AND LINEWEIGHTS ONTO ONE ANOTHER

CE ARTICULATION Option 1

PIET MONDRIAN

DEVELOPED SURFACE

OPENING UP THE SURFACE INTO A 2D SURFACE Option 2

The Final work was an articulation of a morphed space made by folding the developed surface again into an enclosure. The focal point of the space was on the internal corner.

Rhino render

DIGITAL DIVERSITIES ACADEMIC STUDIO | SEMESTER 7 | 2021 GUIDE - Ar. PRARTHNA MISRA

In the recent years, our consumption of images has proliferated. With the advent of social media pla medium of images than we ever have. During the pandemic, people also began to experience space for architects and designers to understand the implication of merging different materials to explorin

The task of the studio was to design a hotel building represented through 3 cohesive images of differ using Style transfer AI, blending modern architectural spaces with vernacular architecture and hand

The sharp edges of the building contrasts with the Goan-Portuguese style and vernacular Bamboo a spaces demonstrate a strong relationship with the outside by blurring the boundaries between built porosity and fluidity.

Form Image

Style Image

attorms like lnstagram, Snapchat, Facebook. etc. we consume more information through the es, primarily through images. The use of AI to blend images together opens up various opportunities ng texture and aesthetics.

rent scales - Exterior space, Large Interior space, and small interior space. The images are made dicraft.

architecture in such a way that each element comes together to create a surrealistic space. The t and unbuilt. The non-uniform spread of vegetation slowly takes over the built space adding to its

Form Image

Style Image

Form Image

Style Image

Style Transfer AI Photoshop

CAN WE PANDEMIC PROOF THE SCHOOLS? ACADEMIC RESEARCH | SEMESTER 7 | 2021 COLLABORATIVE (TEAM OF 7) RESEARCH GUIDE - Ar. GUNJAN JAIN

ANALYSIS OF SCHOOL BUILDING MANAGEMENT GUIDELINES AND NATURAL VENTILATION

Keywords: Natural ventilation, Indoor air quality, Airborne, Covid 19, Student Performance, Disease transmission, Sick building syndrome, Management guidelines

In the last one and a half years since the pandemic began, the unprecedented closing of educational institutes has not only affected the overall well-being of students but has also stripped school going children of their right to basic education. Now as the schools are gradually reopening, there is a dire need to decrease the probability of virus transmission in the schools.

The research aims to analyse natural ventilation strategies in schools in a composite climate, in conjunction with building management guidelines, to minimize the risk of virus transmission without compromising on thermal comfort.

Relevant school buildings have been studied from the available literature to understand the management of indoor air quality and thermal comfort based on window opening patterns, retrofitting, and various ventilation strategies. Based on the willingness of the schools to participate in the study and considering the time bound nature of the research, two secondary schools (one government and one private) in Delhi have been taken up as primary case study. With the help of the school staff, efforts were made to analyse the implementation of building management guidelines and to analyse the ventilation rates in classroom layouts.

An online survey was conducted across secondary class students from Delhi to understand the effect of closing down of the schools on their overall well being, and the problems, if any, faced by the students w.r.t to indoor air quality and thermal comfort in relation to natural ventilation in their school classrooms.

Based on the Inferences drawn from the secondary and primary studies, a matrix of design interventions, retrofitting solutions and management guidelines has been generated that could be incorporated in existing as well as new school buildings to make them resilient against any similar future outbreak.

Research Paper Link : https://issuu.com/sukhvinderkaur1009/docs/group_5_final_research_paper

Reconsider Redesign Retrofit:

Can we Pandemic Proof the schools?

MISCELLANEOUS WORKS

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SOFT PASTELS ON PAPER

WATER

Special Mention REVERENCE SQUAROID 2021

PHOTOSHOP | DESIGN COM

R COLOURS AND OIL PASTELS ON PAPER

MPLETITION ENTRY

PEN ON PAPER

PHOTOSHOP | ILLUSTRATION | EXPLORATION

OIL PASTELS ON PAPER

OIL PAINTS ON CANVAS

GRASSHOPPER & TWINMOTION | MODELLING & RENDER | EXPLORATION

TWINMOTION | RENDER | EXPLORATION

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PHOTOSHOP | MUSIC COVER DESIGN | COMMISSIONED WORK

STYLE TRANSFER AI | EXPLORATION

BLENDER | MODELLING & RENDER | EXPLORATION

FURNITURE FRANK STELLA Having finished his undergraduate degree at Princeton, Frank Stella moved to New York where he worked as a house painter to pay his rent. He used commercial paint bought at a dollar per gallon with simple painter brushes to create his Black Paintings (195860), which made him famous when he was just 23. The works were foundational in the development of Minimalism, as his statement, “What you see is what you see,” became the movement’s mantra.

“What you see is what you see” - Frank Stella

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DAN FLAVIN

Japanese designer Shiro Kuramata achieved international fame in the 1980s. Kuramata said, “My ideal is to see objects floating in the air with no support. I am attracted to transparent materials because transparency does not belong to any special place but it exists and is everywhere, nevertheless.”

Nothing makes a minimalist interior pop like an ultra-limited palette of colors and materials.

Minimalistic Master Of Light Dan Flavin was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures While outwardly simple and direct, these arrangements produce visual effects of surprising subtlety.

In the 1990s, an entire generation of minimalist architects and designers came to prominence. Like Peter Zumthor, John Pawson, Naoto Fukasawa, Tadao Ando, Jasper Morrison, Maarten van Severen, and more. Living simply, banishing the unnecessary, and focusing on what matters most became their shared rallying cry.

While the principles of minimalism include serious directives—reduce forms, limit palettes, eliminate waste, and leave plenty of open spaces—there’s always room to have some fun.

“One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.”

- Dan Flavin

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INDESIGN | BOOKLET DESIGN | GRIDS AND COMPOSITION Link: https://online.pubhtml5.com/fofo/yagk/

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PHOTOSHOP | PACKAGING DESIGN | COMMISSIONED WORK

Dada or Dadaism was an art movement of the European avant-garde in the early 20th century.

Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works.

All the protitypes were made without thinking about any logic and reason. They were the product of intuitive reaction to material and location. Out of all, The one that made least sense was chosen to be carved into cement sculpture.

The figure has no meaning whatsever, but it still evokes curiosity.

Prototypes for Sculpture

Final Cement Sculpture

This wooden sculpture is conceptualised in the form of a simple cactus in an candy world. It is made using tongue and groove joints where the the bigger leaves of cactus works as a tongue for smaller leaves with grooves.

Wooden Sculpture (Collaborative)

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