Wo r k i n g w i t h a v o c a b u l a r y o f p re c i s e s h a p e s f o rg e d f ro m s t a i n l e s s s t e e l a n d wire mesh elements, Ken Bortolazzo creates three-dimensional compositions of strength and grace. His sculptures range in scale from small pieces suitable for architectural interiors to monumental outdoor works.
Simplified abstract forms
r e v e a l a M i n i m a l i s t s e n s i b i l i t y, w h i l e d e l i c a t e s u r f a c e t e x t u r e s c r e a t e v i s u a l c o m p l e x i t y.
Earlier designs feature intricately interlocking geometric shapes
i n s p i r e d b y t h e a r t i s t ’s c h i l d h o o d f a s c i n a t i o n w i t h p u z z l e s . More recent constructions explore the specific concerns of kinetic sculpture, such as mass, balance and changing spatial relationships with the animated visual interplay of layered textures and form.
By burnishing the stainless
steel, Bortolazzo achieves a surface that brilliantly reflects light, which is an essential element of his work. The integration of wire mesh allows for a visual transformation from transparent to opaque as parts of the sculpture move through space.
These kinetic compositions often present shifting optical
illusions similar to the Moiré effect, with juxtaposed linear patterns formed by the recurring motion of overlapping perforated steel elements. Born in 1947, Ken Bortolazzo is fascinated by complex puzzles and the way disparate pieces fit together into a cohesive unit.
Early collaborations with Irma Cavat at the
University of California and apprenticeships with Kenneth Noland and Julio Agostini p r o v i d e d a s t r o n g f o u n d a t i o n f o r t h e y o u n g a r t i s t ’s p e r s o n a l e x p r e s s i o n .
H o w e v e r,
his primary mentor was the renowned American kinetic sculptor George Rickey (19072002), with whom he worked closely for many years. Other influences include artists David Smith and Jesus Rafael Soto. Bortolazzo has exhibited widely and his work is represented in numerous public and private collections nationwide.
In addition to traditional art venues, his exacting
constructions attract recognition from the disciplines of technology and science. C u r re n t l y h i s l a rg e - s c a l e s c u l p t u re s a re i n c l u d e d i n a re t ro s p e c t i v e a t We s t m o n t College in Montecito and in the “State of the Art Gallery” public installation on State Street in Santa Barbara.
With unique vision, Bortolazzo explores the tactile
characteristics and physical presence inherent in three-dimensional art, while changing light and kinetic aspects add another layer of experiential intricacy to his dynamic steel forms. Nancy Clare Caponi Director of Contemporary Art
We a re s t a y i n g o p e n l a t e t o w e l c o m e a r t i s t s , c o l l e c t o r s , a n d i n t e re s t e d c o m m u n i t y m e m b e r s t o c o m e e x p l o r e o u r e x h i b i t i o n o f K e n B o r t o l a z z o ’s s c u l p t u r e , o u r s o l o exhibits for John Nava and Jack Smith, and our Fall Salon of important American paintings.
The night will feature a chance for good conversation, refreshments,
a n d a n o h o s t b a r.
Please join us.
Sullivan Goss AN AMERICAN GALLERY
7 East Anapamu Street Santa Barbara, CA 93101 (805) 730-1460 P LE A S E VISIT OUR NEW WEBSITE: h t t p : / / www.sullivangoss.com
Prsrt Std. U.S. Postage PAID Santa Barbara, CA Permit No. 553