CELEBRATING OF BOOM SHAKA
Millennials, we really are up next. Let’s face it, we are now the adults — it’s time to take our rightful place as grownups. In less than two months, I turn 35. The perception and attitude is that, after 35, it’s all downhill. Looking at their definition of young people (between the ages of 14 and 35), the National Youth Commission Act (1996) and National Youth Development Policy Framework (2002) concur that my time is up.
The truth hurts, but what stings more is paying for my sins as I write this. Three days of weekend partying have turned into an extreme sport. My alcohol tolerance is way lower than two years ago. The hangover is unruly, I’m not coping, this one is trying to take me out. The morningafter misery now lasts for 48 hours or longer — hot flashes, irritability, migraines, tummy cramps, fatigue, muscle aches.
My ego can’t handle the fact that I’m now one of the cranky and grouchy geriatrics I once frowned upon, making cruel and mean jokes about their “senior moments”. I’m the meme — mutton dressed as lamb. My mentor, Lesley Mofokeng, used to smile mischievously at me with every careless judgement I uttered about his old age, then softly charged,
From the
Dolce & Gabbana sunglasses, R2 020, Essilor Luxottica essilorluxottica.com; knit pullover, R2 250; shorts, R900, both Gugubygugu hello@leoszn.com; Puma sneakers, R2 299, Shelflife shelflife.co.za
“Your time is coming.” Forgive me, my friend, the joke is now on me — time has caught up with me, I’m humbled.
Man down, I accept defeat, my “salad days” are behind me. I’ve come full cycle; this is my transformational era. I’ve never been one to wallow in self-pity, I will honour with pride my duties as rangwane, malome, grootman or timer. Put me on the wedding or funeral programmes, I will be sending the word of thanks on behalf of the family — just don’t ask me to babysit. Then it dawns on me: part of harnessing my wisdom as the family elder means I have to fully understand setšo sa Sepedi (my Sepedi culture and values).
In the middle of my hangover — read mgowo — on an early Sunday morning, a thought crosses my mind: how am I supposed to keep alive my Sepedi values, norms, and traditions if I’m clueless about many of them?
So, I immediately ring up my mother in Limpopo, just after 9am. It’s the wrong time for my cultural awakening, as she informs me that she’s getting ready for church. I’m persistent, keeping her on the line to teach me “sereto sa ga Tjiya” — a praise poem dedicated to my clan names. To my surprise, she says that she can only recite her maiden praise poem (Maupa), she’s rusty with the one of the clan into which she married (Tjiya). All she can offer me is the hook, “Tjiya ya maphele.” This info is useless to me — we both know the catchphrase.
She then stresses the importance of tracing my roots, before giving me a quick lesson on my family tree. For more clarity, she offers to get me in touch with my paternal aunt (Regina Mamoswatse Tshoma) living in a nearby village, who has kept the traditions of my people alive.
It’s not an easy task, but some 48 hours later, for the first time I have the praise poem to my clan names, word for word (and backed up on my iCloud). I can’t explain the pride and joy of taking that first step in preserving my culture. I’m the adult now, in a position to educate the next generation. It’s eye-opening how easily I had lost sight of who I am because I was naively enjoying my youth. My ignorance came at a high cost, making too much room for Western civilisation while sacrificing my African values.
Shout-out to Castle Milk Stout, steeped in heritage, for always reminding young people, campaign after campaign, to get back to their roots. And while you retrace your roots, revive your rich culture, and celebrate your traditions, let our annual Heritage issue be part of your story. We are honouring 30 years of Boom Shaka with a touching tribute to the late Lebo Mathosa from the surviving members. The future of Mzansi sound is in safe hands, thanks to sibling musical trio Biko’s Manna & Mfundo. Queen Modjadji leading lady Makoma Mohale is also shining a light on her forgotten Balobedu culture, while fashion designers Mzukisi Mbane (Imprint ZA) and Mpumelelo Dhlamini (Ezokhetho) cook up a storm in the kitchen, Mzansi style.
Passing it on, from generation to generation, here is the first stanza of the Tjiya praise poem:
Rena re bowa tšetše gare ga morotwana wa kgomo
Mo barego ngwana wa ntshe o rota e se monene
Yena a gogomoga a tlala diatla
Re bowa sedibeng matebeleng,
Kwa ga mamuše, mohlaka mogolo wa kgomo
Ba re feta o bone ngwana wa thutsi
Yena ke yela o dutše le Morefi
Kua murulana leetsana
Ga mamasenya wa kgoši
Happy Heritage month!
It’s wedding season — the sun is out, the African traditional attire is cooked, the doek is snatched, and you have polished your “step” game. But do you know the lyrics to your fave traditional African songs?
Fear not, SMaggers, for Castle Milk Stout, aka Inkunzi Emnyama, has your back. This Heritage month, Castle Milk Stout launches AfriKaraoke, a campaign that fuses music and culture. AfriKaraoke aims to empower young adults by teaching them the lyrics to African traditional songs. On the official Castle Milk Stout website (castlemilkstout.co.za/landing/afrikaraoke), you can join the AfriKaraoke community and discover the lyrics to traditional African songs, no matter the occasion — weddings, coming-of-age ceremonies, or moments of mourning.
“We’ve used a fun platform — karaoke — and infused it with traditional African songs that carry deep cultural meaning,” explains Khwezi Vika, marketing manager at Castle Milk Stout. “Through this, we hope to educate and inspire young adults to embrace traditions that are often overlooked in today’s fast-paced world.”
The coolest rappers in Mzansi, Yanga Chief and Ntate Stunna, have partnered with Castle Milk Stout for the AfriKaraoke campaign. The AfriKaraoke docuseries will see Yanga Chief and Ntate Stunna travel to their ancestral homes (Stutterheim in Eastern Cape and QwaQwa in the Free State, respectively) to reconnect with their cultural roots as they learn more of the origins of traditional African songs and their meanings.
The docuseries will premiere on SABC 1 on Heritage Day, 24 September, with a rerun airing on Saturday, 28 September.
“We selected Yanga Chief and Ntate Stunna because they resonate with today’s young adults through their music and their reflections on culture,” adds Vika. “AfriKaraoke is about more than just music; it’s about highlighting the importance of learning and of preserving traditional songs, and we did this by taking the artists back home, so they can learn the traditional songs that define who we are.”
As part of the campaign, Metro FM listeners stands a chance to win R5 000 cash in a fun and interactive radio competition, where they call in and finish the lyrics of traditional songs.
EDITOR-IN-CHIEF EMMANUEL TJIYA (SMAG@SOWETAN.CO.ZA)
TOWN: SAMANTHA PIENAAR 082 889 0366 pienaars@arena.africa
BUSINESS MANAGER: LUXURY CELESTE KHUMALO (KHUMALOC@ARENA.AFRICA)
SMag is available with all copies of Sowetan newspaper, five editions a year PRINTED by Novus Print for Arena Holdings, Hill on Empire, 16 Empire Road (cnr Empire and Hillside roads), Parktown, Johannesburg, 2193
MAKEUP: FESTIVAL CODED STAND OUT FROM THE CROWD THIS SEASON WITH NOSTALGIC LOOKS RANGING FROM BRAT GIRL TO THE THUNDER DOME
BEAUTY & HAIR
1. Mad Max:
Take your inspiration from festivals such as Afrika Burn and the Mad Max franchise for an edgy, desert-warrior look that would fit perfectly in the dusty terrains of festivals like Rocking the Daisies and Oppikoppi. The aesthetic calls for all things metallic, spiked, and vampy, so don’t hold back — go for metallic stick-on embellishments that are spiked or resemble facial piercings and don’t forget a swipe of vampy, black or deep burgundy lipstick with slightly smudged-out edges.
Try: MAC Retro Matte
Liquid Lipcolour in Caviar 5ml, R550; Gold mini faux piercings, R240, lovisajewellery.co.za
2.
Brat girl:
ICYMI, “brat” is no longer a reference to a spoiled child or Barbie’s baddie doll rival, but the aesthetic all the girls want to wear this season. Musician Charli XCX and her latest album, called Brat, have sparked the bratgirl summer movement and new-found love for 1990s grunge mixed with the party-girl look of the 2000s. This summer, it’s all about smudgy, slept-in makeup, glossy, undone lips, and washes of acid green on eye lids, lash lines, and nails.
Try: Kylie Cosmetics
Kyliner Gel Eyeliner Pencil in 001 Matte Black, R490; Chanel Le Vernis in 183 Rêveuse, R690
DITCH
text : NOKUBONGA THUSI
“DEMURE AND CUTESY” IN FAVOUR OF THESE HIGH-IMPACT, SAY-IT-WITH-YOURCHEST, HERITAGEINSPIRED TRENDS
LUISA SPAGNOLI
1. The Boom Shaka effect: Take your cue from legendary SA music group Boom Shaka for your next braided hairstyle. Thanks to the nostalgic kick we’re all on and the group’s recent 30th anniversary, members Thembi Seete and the late Lebo Mathosa’s butt-grazing braids styled in a high ponytail wrapped with a headscarf are making their comeback. Bring the style into the now by wrapping braids or dreads with a headwrap to create a turban effect, as seen on Willow Smith, or go for box braids styled in a high ponytail, like fashion consultant Candace Marie Stewart, accessorised with hair rings and clasps.
2. Koroba braids: Our social-media feeds are abuzz with Koroba braids. A Yoruba braiding technique originating in Nigeria, Koroba (meaning basket in Yoruba) braids start from the centre of the head and spread out in all directions, with intricate coils at the end of each braid. Go for the traditional style or pay homage to the intricate detailing, as seen at the Dior Haute Couture show, where cornrows were finished off with oversized, braided coils instead of braids being left loose.
3. Slicked & braided: You might not be everyone’s favourite if you’re right up front at a music performance, but you’ll definitely turn heads. Go sculptural and make braids a standout feature by taking the dual-textured route. Skip braiding the entire head and slick hair up into one or two ponytails, depending on the design. Blend hair extensions of a different colour into your natural hair by braiding sections into the ponytails to make long braids. Create structure by weaving pieces of wire into the braids and bend into sculptural shapes at the crown of the head to create a 3D design.
4. Elevated rows: There’s no need for braids to be boring. Add an elevated touch and visual interest to simple box braids and cornrows with an overload of hair clips, pearl embellishments, beads in varying sizes, and hair accessories such as ribbons, bows, and barrettes in mismatched styles, finishes, and colours. There is really no rhyme or reason to this one, so go wild, switch up your accessories to match the vibe of every festival day, and have fun.
5. Hair-tage artistry: Braids don’t always have to be practical — sometimes we love styles that are visual masterpieces. At TRESemmé X MaXhosa Africa, hair told a story of heritage and artistry as models were sent out in braids styled in various statement designs, including one resembling the traditional Zulu isicholo, with thick braids that wrapped around the head and single braids dangling next to the ears. Have a professional hairstylist create these or go for a DIY braided headband made from hair extensions and blended into hair.
GET BACK TO YOUR ROOTS AND TAKE INSPIRATION FROM BRAIDING STYLES STEEPED IN HERITAGE
EDITOR’S CHOICE:
1. Flawless By Gabrielle
Union Repairing Edge Control
63g, R105
2. Mizani True Textures Sleek Holding Gel 250ml, R470
3. Naturally Africa Hair & Scalp Oil 50ml, R100
Creme of Nature Argan Oil Sulfate-Free Moisture & Shine Shampoo
R160
Sheer
BLUE NOTE
AND PAINTING
THE TOWN BLUE
Jozi’s hip and in-the-know culture vultures have been painting the town blue. Savouring the 25th anniversary edition of the Standard Bank Joy of Jazz’s Follow the Blue Note & All That Jazz events, which kicked off on September’s First Thursday.
As the regular Keyes Art Mile, First Thursday crowd immersed themselves in visual arts experiences on the ground floor, the A-league surreptitiously filed past, went up a staircase, through a passage, up more stairs until they reached their destination.
film, music, literature, and more, showcasing how they intersect and enrich each other.
Poetry, Vinyls & All That Jazz was the first of four pop-up experiences to explore these intersections as we make our way to the 2024 Standard Bank Joy of Jazz. After Mathabo Tlali had handled the formalities, Nombuso Mathibela — a cultural worker, writer, educator, sonic practitioner, and vinyl selector — took over, blending our musical history, present, and future with an innovative multimedia vinyl set. Saxophonist, Ofentse Sebula, added depth and flair to the performance.
No powerful evening is complete without meaningful conversation. Andile Buka, a jazz photographer and collector, and Umlando, a vinyl DJ and owner of Bantu Records, engaged in a compelling discussion about their inspirations, interactions, and motivations as creatives and cultural practitioners.
All was set at Momo Kuro, one of Rosebank’s exquisite restaurant turned speakeasy for the night. Although far removed from the restriction defying times of Sophiatown in the 1940s and 1950s or of Chicago in the 1920s and 1930s, where something special taking place felt cool and important.
The place was hot and heaving, with electrifying energy. Thandi Ntuli, the 2018 Standard Bank Young Artist for Jazz, was the headline act. Her set reminded all present that South African
jazz is making serious waves with its abundance of incredible talent, and institutions and supporters that back its development.
The appreciative audience of artists, creatives, media, music lovers and organisers lapped it all up as they nibbled on Asian/ fusion-inspired canapés. Jazz is an integral part of the wider arts and culture landscape, and the Follow the Blue Note series aims to highlight the connections between various art forms. This includes poetry, fashion, photography, visual arts,
It was First Thursday after all and guests wanted to also have fun. With the vibe right, Spartz Motlhamme and Ofentse Sebula ignited the dance floor with support from their band. Thandi Ntuli followed with a soul uplifting and refreshing set before fashion designer, rookie ceramicist and jazzophile, Bathini, took to the decks for a final round-up of the night.
City slickers must get out of town some time. The Cradle of Humankind played host to the second Follow the Blue Note event. Art & All That Jazz took place at Momo Outskirts.
For more on how that went, and how to be a part of the next event, follow Standard Bank on all socials.
FINAL LEG OF FOLLOWING THE BLUE NOTE AND ALL THAT JAZZ BECKONS FOR MUSIC LOVERS
By Following the Blue Note and All That Jazz events, jazz lovers have experienced jazz-infused poetry, visual art, photography, discussions, and of course live jazz.
But now all eyes (and ears) are firmly on the main event and more of the Blue Note experiences that will magnify their time at the Standard Bank Joy of Jazz.
The 2024 Standard Bank Joy of Jazz – Africa’s premier jazz festival – takes place on September 27 and 28 at the Sandton Convention Centre, with an exciting line-up of headlining jazz stars from across the world.
We have created this guide to help you make the most of your time at the festival.
the best out of the two-day event, follow these 10 essential tips.
1. PLAN AHEAD
Research the line-up and plan your evening but stay flexible and open to spontaneous discoveries. Think about how to get to the venue and how to get home; where to park, e-hailing services etc. For more visit www.joyofjazz.co.za/home
2. BUY TICKETS EARLY
Tickets are available through Ticketmaster. Standard Bank cardholders qualify for a discount of up to 15%*. The offer is limited to two tickets per person, and only on usage of a valid Standard Bank debit, cheque or credit card and is subject to availability. Terms and conditions apply.
3. DON’T BRING CASH
The event is cashless and is powered by Standard Bank. Priority queues will be available for Standard Bank cardholders at all public bars.
10 ESSENTIAL TIPS TO GET THE BEST OUT OF THE STANDARD BANK JOY OF JAZZ
This year, the Standard Bank Joy of Jazz will host over 50 worldclass musicians, from more than 10 countries. Artists will perform across five stages in two days, showcasing jazz music accents from the African continent, Europe, East Asia, and the Americas to weave a truly global display of jazz. To ensure you get
4. DRESS APPROPRIATELY, PACK LIGHT & SMART
Wear comfortable shoes and light, breathable clothing. Style is great but prioritise comfort. Bring essentials like lip balm, a portable power bank and a jacket or wrap for air-conditioned venues.
5. FAMILIARISE YOURSELF WITH THE LAYOUT
Check out the entrances, stages, toilets, food and bars, escalators, lifts and emergency exits. Also mark convenient meeting points among friends.
6. ARRIVE EARLY
Sandton will get extremely busy. The festival is expected to draw around 30 000 people over the two-day period, necessitating a strict cordoning off of roads and a system of park and rides to ferry audiences to the venue. Check https://www.joyofjazz.co.za/ home for vicinity maps.
7. FOOD & DRINK
Bars will be set up in and around performance stages and a variety of food options will be on sale at the food court.
8. PACE YOURSELF
With five stages and more than 40 shows it can get overwhelming. You can’t do it all. Don’t burn out early. Take breaks, sit down when needed, have a drink, catch a Blue Note activation, and balance partying with rest.
9. SAFETY
Prevention is always best. Follow all safety protocols and familiarise yourself with where to get assistance. Watch out for pickpockets, look after your belongings and stay in contact with friends.
10. HAVE FUN
Chill, relax and enjoy the jazz!
BONUS TIP
11. FOLLOW THE BLUE NOTE
If you have been following Follow the Blue Note and All That Jazz on social media, then you will know the special touches to the build-up to this year’s Standard Bank Joy of Jazz. The Blue Note experiences are a series of pop-up jazz events for all jazz fans in the know. Follow Standard Bank on social media and stay tuned to Brenda Sisane on The Jazz Standard show on Kaya FM 95.9 for all the details. You don’t want to miss these.
DON’T MISS OUT ON THE STANDARD BANK 4TH FLOOR EXPERIENCE
Over two days, across the five stages, the producers of the 2024 Standard Bank Joy of Jazz have
put together a show for music lovers to reconnect and feel the jazz everywhere.
Headline sponsors, Standard Bank, have also curated a special guest experience where the fourth floor of the Sandton Convention Centre will be converted into a modern jazz lounge and speakeasy. Visitors to the festival can take a beat to rest in one of the lounge areas and have access to two exclusive-use cash bars.
If showgoers are Standard Bank cardholders, they gain access to an even more exclusive lounge, the Blue Note Jazz Lounge, where drinks and food are complimentary. Guests will also find Standard Bank’s bespoke 1862 gift shop — a must-visit jazz record/memorabilia store — with some wonderful items on sale, as well as a photo booth zone for that perfect picture.
Remember to stay informed by connecting with Standard Bank Arts on:
Facebook: @StandardBankArts
X: @StandardBankArt
Instagram: Standard Bank Arts
Website: www.standardbank. com/sponsorship
SHAKA THE BOOMLEGACY
THETRAILBLAZINGKWAITO GROUPTAKESASTROLLDOWN MEMORYLANEASTHEYMARK THEIR30THANNIVERSARY
The Boom Shaka reunion we’ve been waiting for is finally happening. In honour of the group’s 30th anniversary, they will perform their smash hits It’s About Time, Thobela, and Bambanani at the DStv Delicious International Food & Music Festival in Joburg. Theo Nhlengethwa, Junior Sokhela, and Thembi Seete have also been in the studio, cooking up new music. In a personal tribute, the trio remembers the sheer brilliance of the late Lebo Mathosa, who died in a car crash in 2006.
THEO NHLENGETHWA
It’s been a very interesting journey that I’d describe as freedom of expression. I started as a dancer; I was in the group Magents. We met at this place ran by [DJ and producer] Oskido called Club Arena, in Hillbrow. I was the last member to join Boom Shaka.
Lebo and I used to sing at Mariston Hotel in downtown Joburg. We’d do covers and that’s how we started making money. We sang I’ll Be There by Mariah Carey and Trey Lorenz — I was Lorenz and she was Carey. I would say 1995 and 1996 were the craziest years for us. I remember we were performing in East London and the hall was so packed that people were hanging from the windows. A front-page story said that Boom Shaka had vandalised the building.
My mental health took a huge toll when Lebo died. I was in denial for two years. She passed on the day before we’d planned to discuss our reunion. She was very protective of me. During one of our last conversations, we were in a car with a girl I was dating at the time. She looked at her and said, “Take care of this one.” She was very happy in those days and told me that she’d found someone and was in love. We shared a lot.
I felt like I lost a sister. Every time I feel low, I remember her saying, “There is no time for this.” She was driven and didn’t dwell on sad things. She was brave and she wanted to instil that in me.
THEMBI SEETE
Lebo and I communicated everything in terms of styling. We explored everything under the sun — from hair to clothes, beads, makeup, nails, lashes, and shoes. We had hair secrets for days and some of our hair was created from peculiar materials from Kwa Mai Mai market. There was this super-blonde hair that was so curly; Lebo was obsessed with that. We used very soft goat’s hair to create that hairpiece, and glue for the micro bonding. Then we dyed it. I had it in red, she in blonde — we rocked it at the SA Music Awards (Samas). Lebo was obsessed with blonde, I think she knew that her skin tone was perfect for it. She was born to be an artist.
My signature was always bright and colourful. I rocked anything from yellow to purple and red hair. I was never afraid to try different things. I was exploring, finding this person and who I am. I’m not afraid to explore, try, test, and fail.
The funny thing is, we never won an award as Boom Shaka. But the special moments of opening for international artists made up for it — from Shabba Ranks to Shaggy. We opened for Janet Jackson in 1998 and are doing it again on 21 September.
Meeting Nelson Mandela was special — and him telling us to stop what we were doing after we’d messed around with Nkosi Sikelel’ iAfrika. We opened a lot of sporting events and realised that young people didn’t know the national anthem. We had entered a change as a country and it started with understanding who we are, so we thought, “Let’s bring young people together and teach them in a fun way.”
Before Lebo’s passing, we were getting close once again after having drifted apart. That week, we thought we were going to hang out. An event came up — DJ Chilli M (the late Vukani Masinga) had invited Lebo to this Germiston Lake event. Lebo asked me to come; it was a picnic vibe on a Sunday. But I had a very early flight to Cape Town and, after some backand-forth, decided not to go. On Monday, I got off the flight in Cape Town and went straight to set, as I was shooting a campaign.
My phone started going off. One person would call and then drop the call. The next person would ask if I was ok. A lot of people might have thought it was me in that car, because initially it was only reported as being one of the Boom Shaka girls. So, people called me to verify. I was a zombie,
Contents & Pages 10-11 : From left, Theo: Fez, R700, Simon and Mary; sunglasses, stylist’s own; knitted sweater, R6 596; shorts, R900, both GugubyGugu; socks, model’s own; Karl Lagerfeld boots, R9 690, Preview. Thembi: Kate Spade earrings, R4 990, Preview Accessories; bodysuit with fringe, R2 500, Ezokhetho; skirt, R3 200, The Bam Collective; heels, R1 990, Steve Madden. Junior: Knitted vest, R4 900; trousers, R1 400, both GugubyGugu; sneakers, R1 999, Converse Page 13, clockwise : Thembi: Tory Burch earrings, R4 990, Preview Accessories; bodysuit with fringe, R2 500, Ezokhetho; skirt, R3 200, The Bam Collective Group: Junior: Shirt, R9 650; trousers, R8 250, both Thebe Magugu. Thembi: DKNY earrings, R1 090; Karl Lagerfeld choker, R3 990, both Preview Accessories; white pistachio top, R6 000; pleated skirt, R6 500, both Thebe Magugu; heels, R4 990, Europa Art. Theo: Hat, R850, Simon and Mary; scratched denim jacket, R12 700; denim trousers, R8 500, both Thebe Magugu
Theo: Fez, R700, Simon and Mary; sunglasses, stylist’s own; knitted sweater, R6 596; shorts, R900, both GugubyGugu; socks, stylist’s own; Karl Lagerfeld boots, R9 690, Preview Junior: Knitted vest, R4 900; trousers, R1 400, both GugubyGugu; sneakers, R1 999, Converse
I was finished, I don’t even know how I got to Daveyton from Cape Town. I miss my sister. I miss my right-hand man. I miss my fighter. I miss that fire.
JUNIOR SOKHELA
I used to be a member of Prophets of Da City (POC). I just wanted to do something different. Lebo was the easiest to convince to join the group. She was a persistent girl, she came to me one day in Hillbrow and said, “I know you from TV, you’re that brother who raps.” I asked her who she was, and she said, “I’m Lebo. I’m a dancer and singer. I want you to put me on TV also.” She was bubbly and lively, and I never forgot her.
When I was working on Boom Shaka, I did two songs in which I needed to feature a woman. I found Lebo and asked her to be part of this project. We then did Love’s Taken Over and Hey-Hey-Hey. In 1994, we started doing shows. Lebo was alone and bored, because I was always chilling with my rasta friends. So, she suggested that she bring her friend Thembi. Then Theo came in and it just grew.
It’s About Time was mostly freestyle; I had this instrumental that I got from DJ Christos that I started playing around with. I composed Lebo’s part first because I had that melody in my head. I wrote Thobela when I was in Yeoville and Lebo was living next door to me. Oskido brought the instrumental to me and we were jamming. It took me an hour to write Thobela. When we were recording it at Kalawa they decided we should have Thebe do some ad libs on top.
When I was writing music, I would write for Lebo’s voice. When you are in the army, you have your generals — Lebo was that. At the time she recorded her debut album, we had issues as a group, which made Lebo very unhappy. She felt like she was working too hard for people who did not appreciate her. We also had issues with our record label. We were at a crossroads, where we felt people were just using us.
Lebo was a big part of the group. That voice is greatly missed and needed. As we record new music, we will try to manoeuvre around it.
text
photography :
place of light
From left, Biko: Kite cap, POR, Thebe Magugu; tweed bodice, R1 900; tweed skirt, R2 000, both Sash South Africa; white sneakers, R249, Mr Price Mfundo : Blxckie t-shirt, R199, Mr Price; belt, R149, H&M; denim shorts, R219; sneakers, R229, both Mr Price
Manna: Velvet tracksuit, R7 000, Sash South Africa; Chuck Taylor All Star Tectuff sneakers, R1 999, Converse
Joburg’s hipster haven Maboneng Precinct — where trendy street style meets contemporary art, eclectic architecture, and thrill-seeking tourists, all topped off with superb restaurants — holds a dear place in the backstory of Biko’s Manna and Mfundo. Call it the magic kingdom of the swoon-worthy sibling musical trio, made up of Biko (17), Manna (15), and Mfundo (9) Nhlangothi. Before shooting to TikTok superstardom and eventually landing on America’s Got Talent (AGT), the trio were street performers in Maboneng with their musician father Sebone Rangata, aka King Bzorobzarabza.
A quick Google search will tell you that all great musicians have to start somewhere: notably, Ed Sheeran and Tracy Chapman also first wowed the street crowd as buskers. The inspirational story of Biko’s Manna and Mfundo began in similar manner.
“Life really started to flourish for them in Maboneng, the place of light. It’s quite funny because they are people of light. In both families, there is a lot of good, positive light they send out,” notes their mother Ayanda Nhlangothi, a musician and actor.
The three were destined for greatness, coming from a linage of musicians that includes veteran artists Thenjiwe and Tu Nokwe, their grandparents.
“We are freelance artists ourselves; sometimes there is work and sometimes it’s dry,” says Ayanda. “So, if you have creative kids who want to express themselves and explore, keeping them in the house is the worst thing. I’m a proud freelance artist; I would rather struggle [than] busk. But I had to learn that, during hard times, the kids were independent — they made their own money and had the freedom to express themselves.”
Rangata never thought twice about busking, although he confesses that their time in Maboneng wasn’t always rosy. Yet they made great industry connections that formed the trio’s early foundation, especially in television. “This one time, we had busked since morning and there was a container for our money,” Rangata remembers with a crack in his voice. “It started to rain and someone offered to help us, but that person stole our money. That was a low moment for me — I was so angry. That money [would have] helped us to buy bread and electricity.”
Rangata says they were criticised for taking an approach of self-directed education with their children, so much so that they started to doubt their decision.
“People didn’t just accept that they were following a different direction of education. When we were busking in Maboneng, there were people telling me that I was wasting the kids’ time,” Rangata says. “Had we continued with the traditional education system, I don’t think Mzansi would be talking about these kids or that they would have ended up at AGT.”
At about the same time, Biko was given a pink guitar by Thenjiwe. Soon afterwards, guitar lessons with jazz maestro Bheki Khoza followed.
“We tried new methods of learning, where they were learning from home. There were tears,” Ayanda says. “One attempt after the other, and then their father figured, ‘Let’s just be led by the kids.’ At the time, the kids just wanted to play. They played a lot for a very long time — school was in the park and during long walks. That’s when they started to release a lot of the things that were making them cry, and that’s when history began.”
Ayanda saw that Biko was showing signs of having exceptional musical talent from as early as the age of three.
“My mom owned this rehearsal studio where bands used to come, from Caiphus Semenya to anyone you could think of. Biko had this talent, she was inspired by the music and she would sing anything,” Ayanda says. “We’d listen to songs that Biko would compose on the spot; she didn’t learn to read fast, she learnt to sing fast. She was just a natural singer. When she wanted to communicate, she said it musically.”
Fast forward to 2022, when the trio self-recorded a music cover and uploaded it on Ayanda’s TikTok account. The post gained huge traction. But it was the next clip, uploaded on the trio’s newly launched account, that took the world by storm — a cover of Higher by Madison Ryann Ward. It caught the attention of Jada Pinkett Smith, Viola Davis, and other Hollywood A-listers.
“People went crazy and the thing that made them go crazy was the crazy things the little one [Mfundo] was doing. It was like, ‘This is great music, but what is happening in the back?’” Ayanda laughs. “The phone was buzzing non-stop. We were actually celebrating my mother’s birthday, she had been struggling for years with an illness that was not diagnosed. She was still in bed, but on 1 October we celebrated her birthday and the celebrations never ended because we were running around screaming that Viola Davis had just shared it. That’s what made them — their followers were so committed.”
Before long, renowned entertainment lawyer Jonathan Leonard, based in Atlanta, reached out to them on social media. He helped them rebrand their social-media presence, which grew rapidly with the help of a US team. Then came their first US tour in 2023, after Tennille Amor had invited them to perform at Festival of Nations in St. Louis, Missouri. During the tour, they travelled all over the US, meeting famous composers and producers such as Warryn Campbell (married to Erica Campbell, one half of gospel duo Mary Mary). The icing on the cake was the appearance of Biko’s Manna and Mfundo on The Jennifer Hudson Show.
“When they arrived, their fans were there — most of whom were elders. It was a scene out of Coming to America,” Ayanda says.
This year, the trio hit another career milestone as contestants on the latest season of AGT.
Their SMag cover shoot at the end of August almost didn’t happen, as it clashed with the quarter-final performance, filmed live in Los Angeles. But they were able to make the shoot date at the last minute after being eliminated, coming just short of making the top five.
“One of the talent scouts eventually reached out, because so many online users were tagging them in their videos,” Ayanda says, describing how they ended up on AGT. “They were supposed to be in the last season, but that’s when they had just gone viral, so there was a lot going on. They tried for this season and that’s history now. They won every level of the competition process and eventually made it to the audition stages. Even though they were eliminated, they are so excited about each chapter.”
Next, Biko’s Manna and Mfundo plan to release new music and merchandise. Biko has fulfilled another childhood dream as a NickMusic presenter on NickToons — she even brought a TV crew to the SMag set to film an insert for the show.
Page 16-17, clockwise : Mfundo: Playsuit, POR, Rich Mnisi; sneakers, R349, Mr Price Biko: Kite cap, POR, Thebe Magugu; tweed bodice, R1 900; tweed skirt, R2 000, both Sash South Africa; white sneakers, R249, Mr Price
Manna: Velvet tracksuit, R7 000, Sash South Africa; Chuck Taylor All Star Tectuff sneakers, R1 999, Converse Biko: Kate Spade earrings, R2 690, Preview Accessories; linen dress, R4 000, Sash South Africa; Mary Jane platform shoes; R299, Mr Price
Mfundo: Blxckie t-shirt, R199, Mr Price; belt, R149, H&M; denim shorts, R219; sneakers, R229, both Mr Price
MAKOMA MOHALE : ROSE OF BOLOBEDU
text : EMMANUEL TJIYA
production : THOBEKA MBANE
“
Be careful what you wish for, ’cause you just might get it…”, Nicole Scherzinger sings at the top of her lungs in the song When I Grow Up by The Pussycat Dolls. This is no longer just a catchy verse for rising star Makoma Mohale — she is feeling the joy expressed in the 2008 girl-power anthem. Sure, manifestation has become a buzz word on social media, but Mohale can’t stop beaming as she breaks down how she has felt the maximum impact and power of understanding intentions, energy, and words.
By scoring the titular role in epic drama Queen Modjadji, inspired by the mystical power of the Balobedu rainmaker, the windows of heaven opened, clouds became heavy with water, and the proverbial rain fell on Mohale. This year has been a season of breakthroughs for the 27-year-old actor, with all her dreams coming to fruition.
“It’s been an incredible year. I manifested all of it,” Mohale says with a twinkle. “I have this book where I write down my goals — where I want to be and the things I want to do, from appearing on billboards and walking runways to getting a lead role in a huge production. So, when it all happened, I was just ticking it all off. I’m playing Queen Modjadji. There is this huge billboard and I got more than I wanted because now my face is all over the taxis in Bolobedu [Limpopo]. I asked for a rose, but I got a whole bouquet.”
photography : AART VERRIPS
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INTERVIEW INTERVIEW
Cover and above: Earrings, stylist’s own; cotton-lace shirt dress, R9 000; waistcoat, R4 446, both Thebe Magugu; heels, R3 690, Europa Art Pages 18 & 20: Kate Spade earrings, R 2 690, Preview Accessories; bodysuit, R6 440; sculptured mesh dress, R21 000, both Viviers; socks, stylist’s own; platform heels, R1 999, Steve Madden
The Mzansi Magic series helmed by Duma Ndlovu has also helped Mohale connect more with her Balobedu roots and heritage. Mohale was born and spent her early childhood living with her grandmother in the Limpopo village of Ga-Lekalakala, outside the small town of Mokopane. When she started primary school, she moved to Mamelodi, east of Pretoria, living with her great-grandmother. A year or so later, she moved in with her parents in Mabopane, north of Pretoria, which became her permanent home.
“Firstly, this is my home language [Khelobedu], but it’s not the language that we speak at home. It’s my dad’s first language,” she says. “My parents grew up in Pretoria and I was raised there. The only language I knew and could speak fluently was my mom’s, which is Sepedi. But Khelobedu, never. I would hear my dad speaking with his siblings and thought it was an interesting language. I understood a few things, so when this project came, I knew I had to learn to speak it.”
Mohale credits her father — plus working with linguistic and cultural advisors on set — with helping her get into character and then forming a stronger connection with her Balobedu side.
“On a personal level, I didn’t know much about the Balobedu culture, even though it’s part of my heritage. This role helped me discover so many of our customs and traditions — how we present ourselves, how we communicate with our ancestors, how we dress, and how we approach elders,” she says.
The series has not been short of drama off-screen. A few days before it premiered in July, a courtroom drama saw the Balobedu royal family trying to stop MultiChoice from airing it as per schedule. But the Pretoria High Court struck the urgent application to halt the series off the roll. Mohale admits that it was a difficult week for her.
“I was nervous,” she confesses. “There was initial noise with the drama a month or so before the show aired. That died down. Then the urgent court interdict came a week before [the air date]. I was scared that we were never going to air. Luckily, we had a WhatsApp group where someone kept us updated and calm. It was a lot.”
Another big challenge was being a principal actor in Queen Modjadji and e.tv daily drama Scandal!, filming both at the same time. While the experience was exhilarating, it meant very little sleep for Mohale for about three months.
“I was not really sleeping, maybe two hours at the most. So, I would be on first call on Scandal!, they would have me from 6.45am and then maybe wrap at 12pm,” she says. “When I stepped off set, the driver to the Queen Modjadji set was already there to pick me up. We would then shoot until midnight in North West and then I had to travel back to Joburg. I would get home around 2am, quickly freshen up, and read my lines for Scandal!. Sometimes, I wouldn’t even read the Queen Modjadji lines, I would just scan them so I could at least get two hours’ sleep. Then, after shooting Scandal! and driving to North West, I would read my Queen Modjadji lines.”
Mohale has done well for someone who didn’t have any acting ambitions until her second year of studying biomedicine at varsity. She dropped out to pursue performing arts at the South African State Theatre.
“During gossip sessions [with a group of friends], I would imitate the people in our stories,” she remembers. “I did it so well and they would validate me. Then people started to encourage me to model, too. I tried modelling and did one casting, then I saw a poster for a public audition for something on Mzansi Magic. I auditioned and got cast. That’s how the acting started.”
Before long, she got a small role as vixen Tlhogi in Scandal!.
“When I first started, it was only a three-month contract. I never thought it would be more than that,” she says. “I did my three months and my part. I thought I’d gotten an opportunity in a big soapie, so what is next? I then received a text from one of our creative writers, saying I had one scene here and another there, we’d see. I did that and then, out of the blue, came a year-long contract. Since then, it has been insanely incredible.”
Now that she has everyone’s attention, Mohale says she wants to do it all, in front and behind the camera — acting, directing, and producing her own shows, like her role model Connie Ferguson. If her power of prophesy is anything to go by, like the pleasant smell that fills the air just before it rains, that day is fast approaching.
Clink, clink! Spring is here and nothing says SMag heritage like bubbles in a can. Whether you are attending an underground speakeasy, cutesy picnic, poolside soirée, Heritage Day braai, or outdoors music festival, nothing sets the vibez in high gear like Chateau Del Rei.
Speaking of braai, Ezokhetho fashion designer Mpumelelo Dhlamini, adored for his viral food page Umpheko, hosted a demure SMag get-together (see p. 28) to welcome the new season. He curated some mouthwatering cocktails made with Chateau Del Rei to quench the thirst of the guests, including fellow fashion designer Mzukisi Mbane (Imprint ZA) and SMag editor-in-chief Emmanuel Tjiya.
All the action is captured in episode three of SMag’s new vlog 5Ws + 1H, dropping on YouTube, TikTok, and Instagram on Heritage Day, 24 September.
As you wait, join in on the fun with these signature cocktails by Dhlamini with a Chateau Del Rei twist.
INSTANT CELEBRATION!
EVERY SPARKLING MOMENT THIS SPRING IS CHAMPOPO O’CLOCK WITH CHATEAU
DEL REI
PINEAPPLE
MIMOSAS WITH CHATEAU DEL REI SWEET WHITE
INGREDIENTS
• Chateau Del Rei Sweet White
• 100% pineapple juice
• Pineapple chopped into triangles (for garnish)
METHOD
1. Fill champagne flutes 1/3 with pineapple juice.
2. Fill up the rest of the glass with Chateau Del Rei Sweet White (don’t over-fill!)
3. Garnish with chopped pineapple.
( Tip: for a refreshing drink, make sure all the ingredients are ice-cold)
UMPHEKO’S DIRTY FLIRTINI WITH CHATEAU DEL REI SWEET ROSÉ
INGREDIENTS
• Chateau Del Rei Sweet Rosé
• 1 1/2 shot of vodka
• 1-1 1/2 tablespoon of blueberry compote (2 handfuls of blueberries, 1 handful of sugar, juice from 1 squeezed lemon, and 1cup water, cooked over medium heat for 7-10 minutes)
• Edible flowers (for garnish)
METHOD
1. Using champagne flutes, add the blueberry compote, followed by the vodka.
2. Fill up the glass with Chateau Del Rei Sweet Rosé.
3. Garnish with edible flowers.
UNFILTERED AYE PAPI! ATLEGANGSONGO
S Man cover: Sweatshirt, R8 999, Diesel; shorts, R728, GugubyGugu; shorts underneath, R9 999, Diesel; socks, stylist’s own; sneakers, POR, Converse Pages 24-25: Prada sunglasses, R5 520, Essilor Luxottica; necklace, R89; layered necklace, R59; 4-pack rings, R39, all Mr Price; ribbed vest, R199, H&M; trousers, R9 999, Diesel; printed trousers underneath, R1 500, GugubyGugu; Converse sneakers, R2 299, Superbalist
PLEASE ATLEGANG SONGO S
uffice to say, in 2024, TikTok is more entertaining than pay TV, and it’s all thanks to content creators such as @PapiNiceThingz — real name Atlegang Songo. After discovering TikTok in 2019, the 23-year-old from Soshanguve, Pretoria, has never been the same. His over-the-top skits featuring various alter egos in drag have made him one of the most exciting local content creators to keep social-media users glued to their smartphones. When one of his comedic skits pops up on your FYP, you are guaranteed to laugh until your stomach hurts.
WHAT INSPIRED YOU TO START CREATING CONTENT ON TIKTOK?
I had been creating content on other social-media platforms, so my move to TikTok was to grow my audience and invite more people to watch my content. At the time, I learnt that TikTok was this huge platform that enabled a wider reach and I thought I should try my luck — and look at me today! Developing my style was a natural process. I had no plan; I just allowed my talent to create. I allowed my content to flow and, somehow, found myself creating characters who resonate with many people.
HOW DO YOU COME UP WITH THE ALTER EGOS IN YOUR CONTENT?
Creating all these characters wasn’t something I planned, I just found myself embodying all of them as I grew as a content creator. I often get inspiration from people around me or trends on TikTok, and I write a script on how my skit should go. Of course, people love Tash Nika and Palesa, but I resonate more with Tintswalo and her mother. She reminds me of the relationship I have with my mom and is one of the characters I’d like to see grow.
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WHO INSPIRED TASH NIKA?
Tash Nika was inspired by a friend of mine named Natasha. I gave her a call and told her that I wanted to do away with Palesa and her friends. I wanted to challenge myself and get out of my comfort zone by adding a new dynamic, but it would feature her name.
HOW DID YOU FIND YOUR NICHE?
I believe I’m relatable and depict the everyday life of someone in SA.
DO YOU REMEMBER THE FIRST TIME YOU WENT VIRAL?
Two years ago, with the skit of Palesa and friends, SMag first approached me and asked to do an interview. It was my first time having a newspaper article about me. I couldn’t comprehend what was happening because the exposure was unbelievable. It changed my life and how I see my content.
HOW HAVE TIKTOK’S “FOR YOU” OR SEARCH FUNCTIONS LED YOU TO A NOTEWORTHY DISCOVERY?
I suffer from social anxiety and find myself a little lost at social events. So, most of the time, I do searches on how to articulate myself in public places and not being nervous during interviews. I search such content to boost my confidence and find courage when expressing myself around people. I also search for fashion tips and the latest trends.
WHAT ADVICE WOULD YOU GIVE TO ASPIRING TIKTOK CREATORS?
I believe in having an impact more than anything, and inspiring others as best as I can. The only way I can do so is to lead an authentic life — the world we live in today is all about instant gratification and life isn’t like that. So, being real to my followers will help them realise that hard work is what gets you up there and keeps you remaining at the top of your game. It’s like building a house — the foundation needs to be extra solid. Respecting time and valuing your craft is also essential.
HOW DOES IT FEEL TO HAVE A-LISTERS LIKE BONANG MATHEBA SHOWING YOU LOVE?
Bonang is someone whom I adored growing up. She’s one of the key people whom I look up to and who inspire me. So, to have someone like her watching and engaging with my content is still hard to believe.
HOW DO YOU NAVIGATE FAMILY LIFE AND PEOPLE FROM YOUR NEIGHBOURHOOD AFTER FAME?
Before I got my role on The River last year, my mother said she was giving me until 2024 to make this whole TikTok thing work. When she first saw me on TV, that’s when she understood how big a deal this is. She, my family, and people from my neighbourhood have been so supportive. Whenever I’m shooting, my whole street goes silent — they know when the tripod is out, Atlegang is busy. I appreciate them for that.
STANDUP?
LEAVE THAT HAT AT HOME AND EMBRACE THE PATE WITH OUR GUIDE ON NAVIGATING MALE-PATTERN BALDNESS
What is the difference between how balding presents in men versus in women? Malepattern baldness is largely influenced by inherited genes that make them more susceptible to the hormone dihydrotestosterone (DHT), which weakens hair follicles and leads to hair loss. Women can also experience balding, but it is less common and typically occurs because of different factors such as stress or hormonal changes.
THE GUY’S GUIDE TO BALDING
“Hair today, gone tomorrow” may be the motivational pun people use to remind themselves that hair grows back when mustering up the courage to experiment with a new hairstyle or go for the big chop but, for many men, the “gone” part is a fact of life. From as early as the age of 20, men can show signs of male-pattern baldness, owing to a number of environmental, lifestyle, genetic, or hormonal factors. In a world of ever-changing hair trends and TikTok videos showing the power of a haircut on a man, not having hair can make you feel like you’re missing out. Although it’s a natural and, at times, inevitable occurrence, some men can still feel ridiculed, prematurely old, and unconfident existing in the world completely bald. When male-pattern baldness sets in, the first instinct may be to hide it by wearing hats or start shaving a chiskop so that no-one is any the wiser. But the insecurity is still there and without information on its causes or advice on possible treatments, can you truly embrace going bald? We chat to Dr Judey Pretorius, biomedical scientist and founder of Biomedical Emporium Skincare, about the causes of male-pattern baldness and new technologies to treat it.
What are the main causes of balding, especially in younger men? Genetic factors, stress, poor diet, hormone imbalances, or certain medical conditions.
What are some of the myths surrounding balding?
Myth: Wearing hats or helmets can cause balding. Truth: This does not directly cause balding. However, tight or ill-fitting hats can contribute to hair loss by causing traction alopecia.
Myth: Balding is caused by frequent hair washing. Truth: Washing your hair frequently does not cause hair loss. In fact, maintaining good hygiene can promote healthy hair growth. Also, refrain from using shampoos that contain sulphates.
Myth: Hair loss is always permanent. Truth: Some types of hair loss can be reversed with proper treatment. Are there cases where balding can be prevented? Preventing balding entirely is challenging, especially when it is driven by genetic
text : NOKUBONGA THUSI
and hormonal factors. Yet some treatments can slow down hair loss and, in some cases, regrow hair: Medication: Minoxidil (Rogaine) is a scheduled product that is suitable for both men and women. Finasteride (Propecia) is a prescription oral medication for men that reduces DHT levels. It is not recommended for women, especially those who are pregnant.
Lifestyle change: A balanced diet rich in vitamins and minerals, such as iron, vitamin D, biotin, Vitamin B12, and zinc, can support hair health. Chronic stress can contribute to hair loss, so techniques such as meditation, exercise, and sufficient sleep can help manage stress levels. Avoid harmful hair practices by limiting the use of heat-styling tools, harsh chemicals, and tight hairstyles.
Medical aesthetic treatments:
Platelet-Rich Plasma Therapy involves injecting the patient’s own platelet-rich plasma into the scalp to promote hair growth. LowLevel Laser Therapy uses laser devices to stimulate hair follicles.
Hair transplants: Follicular Unit
Transplantation involves removing a strip of scalp and transplanting hair follicles to thinning areas. Follicular Unit Extraction involves extracting individual hair follicles and transplanting them. Early intervention: Consulting a dermatologist or a medical aesthetic practitioner for early diagnosis and treatment can be more effective. Medicinal triggers: Avoid medications such as cortisone that can cause hair loss.
Hair:
DOS AND DON’TS FOR A SHAP CHISKOP
1. Do choose your tools wisely. When it comes to shaving your head, the question is always, “clippers or blade”? A razor blade will provide a super-close and clean shave; however, commit to regular upkeep as hair regrowth after a close shave can cause ingrown hairs owing to the hair’s curl pattern. Go for clippers if you’re planning to shave more infrequently (weekly or biweekly). Clippers tend to be more forgiving on the scalp and produce fewer razor bumps and ingrown hairs as the shave is not as close, so the hair curl is less likely to grow out and coil back into the scalp. 2. Don’t use hairremoval creams without doing a patch test. Hair-removal creams specifically formulated for the scalp are great for maintaining a chiskop and provide a super-smooth result. However, always do a patch test on a small area of the scalp before applying to the entire head, to test for skin sensitivity or any adverse reactions to the product. 3. Do clean blades before every shave to avoid cross-contamination. Use methylated spirits for clippers and razor blades to kill bacteria that can cause skin infections and irritations. 4. Don’t ignore scalp irritations such as inflamed bumps, whiteheads or rashes. Take a short break from shaving and use soothing, barrier-restoring products that calm irritation and strengthen the scalp barrier before shaving again. If experiencing serious discomfort, consult a dermatologist for professional assistance. 5. Do invest in regular barber visits if you don’t enjoy the admin of shaving at home but still want to maintain a completely smooth chiskop. Professional barbers can ensure that you get a nick-free shave and monitor your scalp health.
What are the latest treatments to combat balding?
Injectables and scalp-topical applications that contain hyaluronic acid, salicylic acid, and niacinamide (vitamin B3).
Trending:
Bald celebrity icons
TIPS AND TRICKS FOR EMBRACING YOUR BALD ERA
1. Close shave: Take your cue from actor Taye Diggs and commit to being bald by going for regular clean shaves to maintain a smooth, even, hair-free appearance.
2. Beard gang: Whether you have a full beard, moustache or just a goatee, the coolest complement to a bald head is facial hair, as seen on rapper Common. Invest in a beard oil and regular trims to keep your beard hydrated, neat, and groomed.
3. Accessory armour: Don’t divert attention but lean fully into your bald era, like designer Rich Mnisi, by using statement accessories such as sunglasses, reading glasses or earrings to create visual interest and complement facial features.
4. Vivid wash: Use your baldness as the perfect canvas for makeup, as seen on singer Nakhane. Go for simple yet striking eye looks that are perfect for male features, such as a single wash of eyeshadow or guy liner smudged into the waterline.
1. BioMedical Emporium Scalp Serum, R805 2. Philips OneBlade Face + Body Groomer, R1 199, clicks.co.za 3. Markham Men's Beard Oil 30ml, R179, bash.com 4. Sorbet Man Post Shave Balm 50ml, R69, clicks.co.za 5. Origins Dr. Andrew Weil Mega-Mushroom
R670, woolworths.co.za
Nothing says we love Heritage Day more than the food we indulge in as we celebrate the special holiday. And what better way to honour our heritage and culture than to be inspired by the marriage between fashion and home-cooked favourites?
At the magnificent home of Imprint ZA designer Mzukisi Mbane, guests — including SMag editor-in-chief Emmanuel Tjiya and stylist-to-the-stars Thobeka Mbane — tucked into a flavourful menu of classic homemade dishes with a modern twist, curated by Ezokhetho designer and foodie Mpumelelo Dhlamini. As the guests broke bread at the harvest table, they shared memories of their favourite foods.
Mzukisi Mbane, fashion designer
Steamed bread with umleqwa, which is our version of free-range chicken. It symbolises home and connects me with memories of growing up. My mother cooks it for me and it’s the most exciting thing she does for me when I go home in Cape Town. She prepares the steamed bread and the chicken. She knows how much I value it. It’s a way for us to connect as a family and brings me home.
Mpumelelo Dhlamini, designer and food stylist
My food heritage was shaped by several dishes. The dish that stands out is one my mom taught me, which is cabbage with beef bones. To make it, you boil the bones until they are rendered down into a flavoursome broth. Then you add cabbage, eggplant, and curry paste and cook it for another two to three hours. The bones add a buttery silkiness to the dish because of the fat from the bone marrow. This is my go-to meal.
Nombuso Kumalo, SMag writer
No family celebration is complete without a crumbling, fluffy, steamy
text : NOMBUSO KUMALO
YOU WEAR WHAT YOU EAT
THIS HERITAGE
DAY, FASHION MEETS FOOD WITH AN SMAG-STYLE BRAAI HOSTED BY FASHION DESIGNERS MPUMELELO
DHLAMINI AND MZUKISI MBANE
Guests, from left: Paul Mgobozi, Emmanuel Tjiya, Nombuso Kumalo, Stunning Maze, Mzukisi Mbane, Mpumelelo Dhlamini, La’key Ndaba, Siyababa Mtshali, Asanda Africander, and Thobeka Mbane
UMPHEKO’S CHICKEN FEET/MAOTWANA WITH VEGETABLE BROTH
INGREDIENTS
• 2 medium onions (diced)
• 3 medium carrots (diced)
• 1 batch of celery (sliced)
• Salt and pepper
• Cooking oil or butter
• 4 x 25g sachets chicken stock concentrate
• 2-3 litres of boiling water
• 1-1.5kg chicken feet
METHOD
1. Sauté onions, carrots, and celery in oil or butter with salt and pepper.
2. Add the stock concentrate and let it cook for about 5 minutes.
3. Follow up by adding about 2-3 litres of boiling water, bringing it to a boil.
4. Add the chicken feet and let them simmer for 45 minutes to an hour on low to medium heat, or until they are tender to your liking.
5. Serve with broth as a starter.
Or you can serve it as a main with dumplings or creamy samp.
heap of uphuthu (crumbly pap) with fresh goat mogodu (tripe) in a savoury broth. Preparations begin the night before, when the overwhelmingly pungent smell boils away into the early morning. The magic happens the following day. The mogodu is seasoned with stock cubes, chopped onions, and coarse salt (if you must) and left on the fire to soak up the goodness. My mom often seasons it with herbs and spices, but I have come to enjoy this version. Enjoy while it’s hot and nix mapha!
Ray Manzana, photographer and videographer
My dad makes the world’s best umngqusho (samp and beans). As a traditional Xhosa man, growing up we rarely saw him in the kitchen, so experiencing him behind the pot was a special occasion. He cooked it in the biggest pot at home. He brought his unique flare to the classic Xhosa dish by adding mince, cabbage, carrots, and potatoes. It was finger-licking — very spicy. He would take all day making it, showing so much discipline and focusing on the details, which is an approach I bring into my creative process as a photographer/ videographer. My dad and I are not close, but that dish bonded us.
Emmanuel Tjiya, SMag editor-in-chief
Atchar is my fighter. It’s the most delicious homegrown condiment. I can indulge in atchar day and night with almost every meal, adding it to rice, pap or bread to enhance the meal. My favourite combo is probably pap, grilled cabbage, and atchar. Pap, mopane worms, and atchar also slap. I want the good stuff, not the store-bought pickled version. Give me homemade mango atchar from my home province of Limpopo — extra spicy and tangy, then deliciously soaked in vegetable oil and finished with garlic. Here is the sad twist: I have terrible stomach ulcers, but atchar is the hill I’m willing to die on.
EAT YOUR HEART OUT THIS HERITAGE MONTH WITH EXCLUSIVE BOOKS
BTHE GREAT MARULA MENU, J’SOMETHING AND THE LAZY MAKOTI
Explore the bold flavours of South Africa with Amarula, from culinary favourites J’Something and The Lazy Makoti. The Great Marula Menu has recipes for every type of cook, with ingredients we all know and love. Make a hearty lunch, a delicious dessert or a much-need cocktail with easy recipes featuring the world-famous liqueur.
ONE POT, LOUISA HOLST
Save time, money, and effort while making the most of delicious local flavours, all in one pot, with nutritious ingredients, fun flavour combinations, and simple recipes that take less than an hour. One Pot is perfect for time savers, families, and firsttime cooks, with everything from soups to stir-fries, pasta, and sweet treats!
uild your recipe repertoire this month with two local cookbooks brimming with proudly South African flavour combinations. If you’re new to cooking, looking for something new to wow your friends or just need some inspiration for weekly dinners, Exclusive Books has the perfect local cookery selection for your imagination to run wild. Celebrate South African cuisine with delicious, simple recipes, perfect for any home cook: Shop in store or at exclusivebooks.co.za
THE MEETING
Kgaugelo: In April 2017, I was going through the most horrific heartbreak. I was accompanying my friend to a graduation but, due to limited space at the venue, decided to meet up with another friend at Campus Square [in Auckland Park, Joburg]. There was this guy who looked gentle and kind who knew my friend. He made me feel at ease and I was happy to talk to him. We were there from 5pm to 11pm, just talking. We shared our first kiss that night and exchanged numbers.
Lindokuhle: I had made plans to have dinner with our mutual friend at Campus Square. At the time I was single and sussing out the scene. I joined them at their table. She had short hair and bright-red lipstick, and I was immediately attracted to her. The friend left us on our own for the longest time and during our time together something clicked. She was authentic, fearless, and spoke her mind — a match made in heaven. The next day, when I drove down to Durban to meet my brothers, I showed them photos of her and told them she is the one.
Clash of the cultures
THE LIGHTBULB MOMENT
Lindokuhle: She mentioned that her birthday was coming up in May and I wanted to do something special for her [a road trip to Mpumalanga]. At some point it got frustrating, we got lost, and I panicked because I wanted everything to be perfect. She calmed me down. I remembered that what mattered was that I was with her.
Kgaugelo: About the time he planned the road trip, I was falling for him and felt secure in his love. Less than a year later I fell pregnant with our firstborn and gave birth in December 2018.
LOBOLA NEGOTIATIONS
Lindokuhle: I was nervous and stressed. The talks were robust. Don’t negotiate for yourself because it’s too emotive for you to have clarity of mind and could derail you from getting the wife of your dreams.
Celebrating a fusion of love and heritage with Kgaugelo Masweneng and Lindokuhle Gumede’s modern multicultural nuptials
text : NOMBUSO KUMALO
Kgaugelo: I felt like a spectator because we love each other and then these other people would decide whether we continued with our love or not. However, the reality is that it’s for your own good. It was an act of love, and it revealed to me how my family see me. It was a beautiful feeling.
CULTURE SHOCK
Lindokuhle: Marrying across different cultures [he’s Zulu, she’s Pedi] is both interesting and challenging. It’s not the culture that is challenging, but the understanding and translation of customs is very different. One thing Kgaugelo and I agree on is that Zulu and Pedi people are similar in their cultural nuances; our temperament, zeal, and passion.
Kgaugelo: I was marrying a Zulu man and I’d never seen a Zulu wedding growing up. It was unheard of in my village or my family and caused quite a stir. Through me, they [family] experienced him. In my village, I’ll always be the girl who married a Zulu man.
THE WHITE WEDDING
Kgaugelo: I was an extremely late bride — that’s the highlight of my wedding. After a ceremony at my in-laws’ in Eshowe we made our way to the venue in Ballito, KwaZulu-Natal. Even though we were extremely late, my entrance with the brass band was worth the wait and soothed our guests. Lindokuhle: It was stressful, but I enjoyed the way she came into the chapel — she didn’t walk down the aisle in the traditional fashion, she mixed it up. The priest said to me that it reminded her of a scripture where David had gotten back the Ark of the Covenant and he was dancing with jubilation. I was like, “Wow — this woman was truly made for me.”
THE TRADITIONAL WEDDING
Lindokuhle: As an African man, it was important for me to be married in accordance with my culture, for my people in my village to bear witness to my marriage. It filled my heart how my community showed up and were happy for us. It was a momentous day, beyond my wildest dreams.
Kgaugelo: The ceremony welcoming the bride, umabo, was the most explosive experience of my life. It was a friendly battle of cultures; we had our brass band and they came with their dance boys, or amabutho. We won. It was a beautiful exchange of us as people. I felt welcomed and full.
GROOM’S FIT
Lindokuhle: I looked like royalty in the Zulu traditional attire. To add the amabutho — the crowd of men who accompanied me and belted out our songs — awakened something deep within my soul that says I’m a proud African.
BRIDAL DRESS
Kgaugelo: During my consultation with my designer, Tuelo Nguyuza of TN Collectiv, the brief was to mix our two cultures and marry them into one look. The dress was a pleated ballroom gown in
red, which is a colour I only wear on important days. The hemlines had different Pedi colours and beadwork that spoke to the Zulu culture. I wanted something bold and authentically me, and I loved it.
TIP FROM THE BRIDE
Kgaugelo: Brides should be flexible. I insisted that my dad walk me down the aisle and we waited until 5.30pm for him to come back, which he did not, only for my brother to walk me down the aisle. I almost jeopardised my day due to my stubbornness.
*Masweneng is an employee of SMag’s sister publication TimesLIVE
“MARRYING ACROSS DIFFERENT CULTURES [HE’S ZULU, SHE’S PEDI] IS BOTH INTERESTING AND CHALLENGING”
NTATE STUNNA
The Lesotho-born rapper has teamed up with Castle Milk Stout, aka Inkunzi Emnyama, for the AfriKaraoke campaign, fusing music, heritage, and culture
text : MASEGO SEEMELA
MY FAVE AFRICAN ARTISTS
I’m an avid lover of Ntate Budaza’s [Mapefane] music. He used to sing jazz, but in Sesotho. I also love Tsepo Tshola. These two men have a plethora of classics from the catalogues. I believe songs like Go Lokile will become cultural songs in the next 20 years — even though they are already sung at gatherings, people will adopt them more in the future. I love Stimela (his 2022 hit song with 2Point1 and Nthabi Sings) — it’s one of the songs that showed me that you could go platinum by just singing in your own language.
GO-TO AFRICAN MEALS
My top choice is dumpling and tripe. This is a meal I usually have when I’m in Joburg. I only eat traditional food; burgers are not my thing. My next-favourite meal is sour milk with pap or dumplings. Another favourite is skopo [cow, goat or sheep’s head] with pap.
HOW I’M PRESERVING MY HERITAGE
It has to be through my fashion. I always aim to fuse my culture or garments from my heritage with whatever is trending. My music is the best way I capture who we are as Basotho and ensure our melodies or sounds are heard by the younger generation. I carry the Lesotho flag high wherever I go and make sure my heritage is seen in partnerships I have with brands.
A PROUD MOSOTHO
The Sotho language is super cool. It just flows. Every time we talk, it feels like we’re rapping a song. Our landscape is one of the most beautiful out there. We may experience the coldest seasons but our drip, meaning the blankets we wear, is what sets us apart and makes us unique. Our music is so intricate and unique; it sums up the kind of people we are as Basotho.
AFRIKARAOKE VALIDATED ME
This campaign with Castle Milk Stout gives me the validation that I’m on the right track regarding my music and how I represent my heritage. It’s made me so proud to be a part of an initiative that doesn’t require me to change myself to fit in, I don’t have to do much but be myself. I also loved how I got the best directors and cameramen to shoot a documentary (the AfriKaraoke docuseries premiering on SABC 1 on Heritage Day) that captures the essence of who I am. I couldn’t have asked for a better experience. I also made a friend in Yanga Chief [fellow rapper featured in the same campaign], which is exciting.
HANGING OUT WITH
WHISKY NEW FLAVOURED CIDER
whisky It’s giving
