Sun Valley Magazine | Winter 2015

MAKING MOVIES | STARS IN OUR MIDST | LIFE OF AN EXTRA | FILM FESTIVALS | CINEMATIC FEASTS

the

Film Issue

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contents // features

86

To Tell a Story

The Curious World of Making Movies

BY ADAM TANOUS

90

Hollywood Comes to the Gem State

From Nell Shipman to “Napoleon Dynamite,” Idaho has long been home to stories told in film.

BY LAURIE SAMMIS

96

Film Festival Nirvana

Sun Valley is a hotbed for new and exciting film festivals.

BY SVM STAFF

100

Stars in Our Midst

The film industry is powered by remarkable talent on both sides of the camera. Meet some of the people who make great films possible.

BY KATE ELGEE, DANIELLE FLAM, MIKE MCKENNA AND ADAM TANOUS

108

This Idaho Town: Preston, Idaho

Put on the map by “Napoleon Dynamite,” Preston endures its fame 10 years later.

BY MIKE MCKENNA

on the cover:

Rising star Marilyn Monroe models a burlap Idaho potato sack–Janurary 1, 1951; Los Angeles, Calif.

Photograph by earl theisen / getty images 18 sunvalleymag.com | Winter 2015

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The Liberty Theatre is one of several Valley theaters bringing diverse film events to the community.

Dave Stone shares his experience of being an extra in “Dumb & Dumber To.�

38 76 In Every Issue

Art & Galleries

Food & Drink

24 From the Editor

115 Art and Technology Virtual Galleries Americans for the Arts

139 Cinematic Feasts W hen mouth-watering dishes drive the narrative

122 Gallery Guide

148 Dining Guide

26 Contributors 31 Local Buzz A Day in the Life The Life of an Extra Up & Comers Future Filmmakers Forum 49 Things We Love Elegant holiday gifts, baubles and obsessions 59 Body & Soul The Power of Storytelling Healthy Movie Snacks Technology & Film Get Red Carpet Ready 73 Get Out There Idaho Drive-Ins Local Movie Houses Going Pro #SVGRAM Winter Events Calendar

by Cheryl Haas

great escapes p. 133

by julie molema

49

See more amazing items like these handmade bags from The Wildflower!

133 McCall Beckons Renowned for its summer fun, McCall also offers a fun take on winter with its Winter Carnival, lake skating and numerous skiing options.

by ADAM TANOUS

20 sunvalleymag.com | Winter 2015

photos clockwise from top left: kristin cheatwood | ray j. gadd | courtesy brundage mountain resort | ray j. gadd

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online // sunvalleymag.com

Arts

Dining

Shopping

Play

Wellness

online exclusives Are you newly engaged? Have you ever wondered how to build your own backyard ice rink? Trying to answer the perennial question of what to cook for dinner?

We just might have the answer. Visit our blogs at www.sunvalleymag.com/blogs/ to read about a whole range of topics from our eclectic bloggers: food, art and design, health and fitness, recreation and local happenings.

Exclusive Video Interview with Charles Brandt: Go to sunvalleymag.com to see a video interview with author Charles Brandt (featured in “Day in the Life,” page 32). Brandt is the author of “I Heard You Paint Houses,” which is being made into a movie with Robert De Niro, Al Pacino and Joe Pesci.

Winter Wedding

Getting hitched? Check out Sun Valley Magazine’s online resource for brides-to-be planning a fabulous Sun Valley wedding. sunvalleymag.com/hitched/

facebook.com/sunvalleymag pinterest.com/sunvalleymag twitter.com/sunvalleymag instagram.com/sunvalleymagazine

22 sunvalleymag.com | Winter 2015

Stellar Adventure Media: Stellar Adventure Media is one of our film industry “Up and Comers” (page 42). Yancy and Wyatt Caldwell are a big part of Stellar. These two Valley residents are not only big mountain snowboarders, but are also talented filmmakers and integral members of the Stellar team. Check out their video on our website: sunvalleymag.com.

Future Filmmakers Forum: Students from the Community School have an ongoing participation with the Future Filmmakers Forum, a program created by the Sun Valley Film Festival (see “Young and Creative in Sun Valley,” page 46). Check out their work at sunvalleymag.com.

photos clockwise from left: kirsten shultz | kristin cheatwood | courtesy Future Filmmakers Forum | wyatt caldwell / courtesy stellar media

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Fromtheeditor // insight

“We live in a box of space and time.

Movies are windows in its walls.”

– Roger Ebert.­­­

f not quite the windows to the soul, movies do allow us entry into the creative world of another. The way a scene is shot, the lighting that is chosen, the rise or sweep of the music, and the angle, speed and distance of the camera all work together with a single and defined purpose: to convey the mood and theme of the story. The characters and the dialogue may be what we take away from the film as quotable sound bites, but the many elements that happen behind the scenes—a good number of them prior to a single costuming moment or director yelling “action”—are part of what make the iconic films what they are to us today.

Without the grip (the crew member responsible for building, maintaining and setting up all of the camera support equipment) and the lighting technician, we wouldn’t have gotten quite the same delivery of Clark Gable’s “Frankly, my dear, I don’t give a damn!” as Rhett Butler in “Gone with the Wind” (1939), or even Tom Hanks’ “There’s no crying in baseball!” from “A League of Their Own” (1992). And without the boom operator and the special effects supervisor, we wouldn’t have had Arnold Schwarzenegger’s famous line, “I’ll be back” from “The Terminator” (1984).

All three of the above movies have a direct connection to Sun Valley, and ever since the opening of the Resort in 1936, Sun Valley has had a long and storied relationship with Hollywood celebrities, producers and directors. The “Sun Valley Special,” a Union Pacific train with direct service from Los Angeles’s Central Station, whisked the likes of Clark Gable, Gary Cooper (a frequent hunting and fishing partner to Ernest Hemingway), Greta Garbo, Errol Flynn, Joan Bennett, Claudette Colbert, Madeleine Carroll, Marilyn Monroe and Lucille Ball to Shoshone, and then by coach to Sun Valley. In more recent years, Sun Valley has played host to celebrities such as Clint Eastwood, Tom Hanks, Bruce Willis, Demi Moore, Ashton Kutcher, Jamie Lee Curtis, Michael Keaton and Adam West (both of whom played Batman in different movies or on TV), Arnold Schwarzenegger, Richard Dreyfuss and Drew Barrymore.

But it has been the men and women behind the scenes who have helped define the true movie connection here. After all, it was famous producer David O. Selznick of “Gone with the Wind” fame (ranked as the highest grossing film ever made when adjusted for inflation) who helped fill the seats on Union Pacific chairman and resort owner Averell Harriman’s first “Sun Valley Special” in December 1936 for the grand opening of Sun Valley Resort. Selznick, who can also be credited with bringing Alfred Hitchcock to America, wasn’t the only Hollywood kingpin with ties to Sun Valley. Darryl Zanuck, who helped found three of the major studios (20th Century Pictures, MGM, 20th Century-Fox) and his son Richard Zanuck, who can be credited with launching the careers of Tim Burton and Steven Spielberg, both had ties to Sun Valley, as did Samuel Goldwyn (of MGM), “King Kong” producer Merian Cooper and, more recently, comedy writing and producing duo Bobby and Peter Farrelly (of “Dumb and Dumber,” “My, Myself and Irene” and “There’s Something About Mary” fame).

So while Marilyn Monroe, who became one of Sun Valley’s most iconic movie stars with the filming of 20th Century Fox’s “Bus Stop” here in 1956, graces our cover in the most stunning rendition of an Idaho potato sack we have seen to date, this issue of Sun Valley Magazine—our special Film Issue—is about so much more than Hollywood celebrity.

It is about storytelling and how that most basic of human activities pulls us together. It is about the magic and the mystery, and even, a little bit about the wonder of film, which is perhaps what drew stars like Marilyn Monroe to the industry and what draws each of us to the theaters again and again.

publisher

24 sunvalleymag.com | Winter 2015

Laurie Sammis / editor-in-chief

photograph: FiveB studios

I

contributors // writers & photographers

KAREN BOSSICK discovered the rich treasure trove of stories that reside among the people of the Wood River Valley after a 23-yearstint with the Idaho Statesman where she chased Kris Kristofferson down the Greenbelt, tubed the Boise River with Billy Graham and mulled trips to the moon with John Denver over post-concert salmon dinners in the Green Room at the Boise State University Pavilion.

When she isn’t checking out the Valley’s happenings, you’ll find her hiking with her tiny Lab retriever, Shiloh, or skate skiing the Valley’s fabulous trails. Her secret wish?

That Sun Valley’s Proctor Loop could be refrigerated for summer skiing. (Day in the Life, p. 32; Young and Creative in Sun Valley, p. 46; More Than Just Flicks, p. 76)

26 sunvalleymag.com | Winter 2015

ZACK D. BROWN is a designer, illustrator, and 3D artist with a passion for purpose-driven work aimed at positively impacting people through effective communication and creative exploration. Inspired from his youth by everything from C.S. Lewis to “The Legend of Zelda” to the beauty of his hometown of Hailey and the surrounding area, Zack knows firsthand the power, beauty, art and story have to ignite the imagination, transcend boundaries and tell the truth. He also has a tendency to write grandiloquent run-on sentences. Zack studied art and design at the excellent but unfortunately located John Brown University in Arkansas, where he was also privileged to work for a time post graduation. He is now glad to be back home where he belongs in the Sun Valley area.

(To Tell a Story, p. 86; Hollywood Comes to the Gem State, p. 90; Film Festival Nirvana, p. 96)

RANDI MCENTEE is the owner of RP Graphic Design Studio where she uses both her design training and strategic thinking skills to help local businesses and nonprofits excel in their marketing efforts.

Her passion is working with the people in this Valley who make this community a unique and special place to call home. Randi began her career in the Wood River Valley 12 years ago as art director of Sun Valley Magazine and coming full circle to work on this issue has been especially fun for her.

The former East Coaster’s passions lie in spending time with her husband, two daughters and dog, mountain biking, skiing, and, of course, her pantone color guides.

(To Tell a Story, p. 86; Hollywood Comes to the Gem State, p. 90; Film Festival Nirvana, p. 96; This Idaho Town, p. 108)

CHERYL HAAS traded the concrete canyons of Manhattan for the mountains of Idaho, gratefully returning to fresh powder and the solitude of the high country. As a freelance writer, she has written award-winning copy, scripts and collateral for Fortune 500 companies and nonprofits and has been a frequent contributor to healthcare and tourism magazines. She was trained as a classical stage actor and worked in New York and regional theatres. Currently, she is putting pencil to paper, chronicling a sojourn in India titled “My Seat on the Temple Bus.” Her faithful companion, Red Dog, gives a shout out to his buddies Sophie, Lucy, Jake and Buster. (Virtual Galleries, p. 116; The Leading Edge, p. 118)

TWO GREAT STORES, ONE OUTSTANDING CAUSE

w i n t e r

2 0 1 4 – 2 0 1 5

publisher/editor-in-chief Laurie C. Sammis

managing editor Adam Tanous

guest art director Randi McEntee

advertising sales manager Heather Linhart Coulthard

production director/ web editor Kate Elgee

marketing coordinator Taylor Holden

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CONTRIBUTORS

photography & illustrations

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Karen Bossick, Heather Linhart Coulthard, Kate Elgee, Danielle Flam, Cheryl Haas, Kathleen Kristenson, Mike McKenna, Julie Molema, Patti Murphy, Margot Ramsay, Laurie Sammis, Adam Tanous, Kira Tenney

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sunvalleymag.com/localbuzz/ who | what | where | now

local buzz

photograph : kristin cheatwood

p. 32 day in the life

p. 38 the life of an extra

p. 42 up & comers

p. 46 future filmmakers forum

DON’T MISS •

dumber

So, you want to be a movie star? To get to the land of milk and honey, you might have to start at the bottom.

That was just fine with Valley residents Dave Stone and Frank Salvoni, who put their hearts and souls into work as extras in “Dumb and Dumber To. ” Yes, they have day jobs, but this one sounds like a lot more fun.

Winter 2015 | sunvalleymag.com 31

LOCALBUZZ // profiles

A DAY IN THE LIFE...

OF A SUN VALLEY LOCAL photography Kristin Cheatwood Sun Valley is one of those rare places where one’s dream day actually becomes reality more often than not. With an unlimited outdoor playground and a wealth of cultural offerings, the Valley has something for everyone. In our “Day in the Life” series, Valley locals share their favorite haunts and activities for an ideal Sun Valley day, whether lunching midmountain, soaking in Frenchman’s hot springs or writing the next great book.

theWRITER Name: Charles Brandt Hometown: Staten Island, NY Years in Sun Valley: 14

i am: An author of four books, including “I Heard You Paint Houses,” a nonfiction book “closing the case on Jimmy Hoffa,” which is being made into a film starring Robert De Niro, Al Pacino and Joe Pesci; a retired homicide investigator, prosecutor, Chief Deputy Attorney General of the State of Delaware, junior high English teacher and welfare investigator.

My perfect winter day in Sun Valley starts with: A deep breath

of Sun Valley’s fresh air. My mom came out here in 1993, stood on the porch and said, “You don’t even have to breathe here—the air comes to you.”

My favorite place for breakfast is: Shorty’s—I grew up in

the old-fashioned diner atmosphere. And they make such a fuss over my 2-year-old grandson.

My favorite place for lunch is: Cristina’s. Being half Italian, I like her Mortadella Panini—it’s a form of Italian bologna.

My afternoon includes:

Writing my fifth book on my laptop for a couple hours in one of the corner cubicles at The Community Library.

My day wouldn’t be complete without: Playing with my grandson— I’m the “tickle monster.” Oh, and a visit to The Coffee Grinder—I love the gluten-free goodies there.

My favorite place to après is: The Duchin Room—I love listening to Joe Fos.

My favorite place for dinner IS: Michel’s Christiania—I fell in love with it 30 years ago and they still have great food, great service.

-Interview by Karen Bossick 32 sunvalleymag.com | Winter 2015

theVIDEOGRAPHER Name: Meredith Richardson Hometown: Las Vegas, nv Years in Sun Valley: 4

I AM A: Freelance videographer currently working with Boise filmmaker Karen Day on a full-length film about silent filmmaker Nell Shipman. I was formerly an NBC reporter in Reno and also filmed XGames and other footage for ESPN.

gluten-free muffins or a slice of cinnamon walnut harvest raisin bread.

My perfect winter day in Sun Valley starts with: Making

My favorite place to après is:

breakfast with my boyfriend and hiking up Titus Ridge to board down through a foot of fresh powder. Or, catching the first chair on a powder day.

It is a: Monday because Mondays are never the same. I’m fortunate enough to have a life that offers so much diversity that I can never anticipate what Monday will bring.

My favorite place for breakfast is: At home—I love cooking

sweet potato hash with elk sausage. I work part-time at NourishMe, so I reap the benefits of the organic produce and meat they sell.

It includes: A midday break at

Frenchman’s hot springs, which is 7.2 miles from our front door.

My afternoon includes: Sitting

on a ridgeline looking over the valley with a Thermos of hot tea and one of my homemade

My day wouldn’t be complete without: Spending time with my family.

Sitting on the patio outside Warm Springs Lodge in the sun in my comfortable snowboard boots, Bloody Mary in hand listening to a live band.

My favorite place for dinner is: Rickshaw—I love Asian food, and Rickshaw

not only offers fresh food but caters to those with food restrictions.

My favorite movie is: “Beetlejuice.”

I watched it every day until I was 4—my parents had to buy multiple copies of the tape because I wore so many out. I’m drawn to the theatrics, the costumes, the crazy animated storyline.

If they were to make a movie about my life, this actor would play me: Emma Stone—she has a flair for the dramatic but doesn’t take herself too seriously.

-Interview by Karen Bossick Winter 2015 | sunvalleymag.com 33

208.721.1641 • kristin@cheatwoodphoto.com

LOCALBUZZ // profiles

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My perfect winter day in Sun Valley starts with: Sleeping in followed by a leisurely start to the day.

It is: Definitely a weekend so the whole family is involved.

My favorite place for breakfast is: Bigwood Bread for their

breakfast burritos.

After breakfast: We drop the kids off to snowboard and then I go up and do some runs with my husband and some friends.

My favorite place for lunch is: Averell’s for fondue and Bloody Marys.

Heaven!

AprÈs skiing: From the mountain we roll 34 sunvalleymag.com | Winter 2015

home for a family hot tub and then invite some friends over. I love to entertain and cook in my kitchen, especially slow-cooked meals like a hearty stew. The girls will all huddle around the kitchen and drink wine and the guys will be in front of the TV watching football. There will be a big fire in the fireplace.

My favorite place for dinner is: Enoteca. Burke Smith is unbelievably good

at matching the perfect wine with their divine food. He’s the consummate professional.

My favorite movie is: Recently,

“Silver Linings Playbook.”

If they were to make a movie about my life this actor would play me: Oh man, maybe my fellow South African compatriot Charlize Theron? I’ve had people tell me there’s some resemblance; I’m not mad at that!

-Interview by Mike McKenna

I AM A: Bartender at Whiskey Jacques’ and Grumpy’s and thespian specializing in “abridged” plays based on Shakespeare and the Bible.

My afternoon includes: A walk with my family around Elkhorn—it’s so beautiful and pristine.

My perfect winter day in Sun Valley starts with: Having a day off

wife and son.

It is a: Thursday because that’s the day I

I’m a huge gambler. Also, a morning cup of tea—PG Tips is the only kind I drink. I’ve been drinking it since I was a toddler.

so I can hang out and read a book to my son.

Right now, he’s into “I Want My Hat Back.” don’t work at Grumpy’s or Whiskey’s.

I want to spend time with: My My day wouldn’t be complete without: Placing a bet on something—

My favorite place for breakfast is: The Kneadery. Home’s

My favorite place to après is:

It includes: A midday break at Grumpy’s

My favorite place for dinner is: Il Naso—the lamb is excellent.

My favorite place for lunch is: The ice rink for a noon hockey game with

My favorite movie is: “The Princess Bride”—it’s got action, it’s got comedy, it’s got vengeance and it’s got Andre the Giant. I love everything about it.

good, too—I can whip up a nice ham and spinach omelet with Swiss cheese.

for a beer and a chance to shoot the breeze with my friends and see what everyone’s up to.

my bartender hockey player friends.

Grumpy’s—it’s got the coldest Budweiser in town.

-Interview by Karen Bossick

theTHESPIAN Name: Will Hemmings Hometown: Beverly Hills, ca Years in Sun Valley: 25

Winter 2015 | sunvalleymag.com 35

LOCALBUZZ // profiles

thePRODUCER Name: Mat Gershater Hometown: Flagstaff, AZ Years in Sun Valley: 16

I AM A: Film producer, executive of the nonprofit Idaho Base Camp and director of Mountain Adventure Tours summer children’s camps.

My perfect winter day in Sun Valley starts with: A cup of coffee from Perry’s topped with a conversation with Keith, followed up with skiing on Baldy and a few hours in the office creating a program that will enhance people’s lives.

It is: Any day of the week because every day of the week is a good day.

My favorite place for breakfast is: Wrap City, where I can get

a veggie wrap.

It includes a midday break at: Atkinson Park where I can ice skate.

My favorite place for lunch is: The Roundhouse—fondue for two at Averell’s.

Located Upstairs in The Galleria 351 Leadville Ave North, Ketchum 208-928-7620

My afternoon includes: Hot

tubbing with my wife.

I want to spend time with:

People with a positive attitude towards life.

My day wouldn’t be complete without: Spending time with my woman.

My favorite place to après is: 5B Garage where I can catch up with Caleb Baukol and other good people around the tuning benches, good music pounding in the background.

My favorite place for dinner is: Rickshaw.

My favorite movie is:

“Braveheart”—it’s a story of courage and tenacity, where you have someone with passion fighting for what he believes. I also like “Avatar” because of how it shows the divine in all of us and addresses living in harmony with our surroundings.

If they were to make a movie about my life, this actor would play me: Robert Downey, Jr., Matthew McConaughey or Johnny Depp— people say they remind them of me.

-Interview by Karen Bossick 36 sunvalleymag.com | Winter 2015

LOCALBUZZ // dumb & dumber to

Locals Frank Salvoni (left) and Dave Stone (right) at Grumpy’s with Puffy the dog from “There’s Something About Mary,” another Farrelly Brothers Production.

lights. camera. action. the life of a movie extra

BY Laurie Sammis / PHOTOGRAPHY Kristin Cheatwood Dave Stone and Frank Salvoni might just be destined for movie stardom. After all, they were movie extras in the newly released blockbuster film “Dumb and Dumber To,” a sequel to The Farrelly brothers’ original “Dumb and Dumber” comedy that became an instant classic in 1994, rising to number one and grossing $127 million in the U.S. The original “Dumb and Dumber” is also the movie that landed Jim Carrey (who co-starred with Jeff Daniels) into the sevenfigure salary range as an actor and helped cement his reputation as a comedic genius.

So, could Stone and Salvoni be next?

38 sunvalleymag.com | Winter 2015

Why not? Lots of big stars got their start as extras. John Wayne was an extra in silent films before his first starring role in “The Big Trail” in the 1930s, and Clint Eastwood started as an extra in the 1950s. Sylvester Stallone was an extra in Woody Allen’s “Bananas,” (1971) and Brad Pitt was an extra billed as “Partygoer / Preppie guy at fight” in “Less Than Zero” (1987) starring Andrew McCarthy and Robert Downey, Jr. The courtroom scene of “The Verdict”(1981) starring Paul Newman features Bruce Willis as an extra, and both Matt Damon and Ben Affleck were extras in the Fenway Park scenes in “Field of

Dreams” (1989). And most of those were not talking parts—the typical role of an extra is to fill in the background on set or become bodies in the crowd. War films and sweeping epics often employ hundreds or thousands of extras.

Stone and Salvoni, however, were not your typical extras. They were featured extras—they had speaking parts—a fact that inspired one fellow actor on the set of “Dumb and Dumber To” to quip, “Oh, you guys have speaking parts, you’re going to make a lot more money.” Stone and Salvoni made exactly $64 each. “Actually, $54.01 after taxes,” stated Salvoni.

The Essence of Sun Valley.

Sun Valley Magazine met the pair at Grumpy’s in Ketchum this past fall, just weeks before the official premiere of “Dumb and Dumber To,” to talk about life as an extra on the sequel to a blockbuster comedy.

The two arrived in character, ready to talk about their experiences on set. Salvoni was wearing an early ’90s color-blocked sweater and dark green cords similar to how he was costumed on set. Curiously, the ensemble was topped off with a Speed Racer crash test helmet, which Salvoni was quick to point out was not part of his on-screen character.

Lots of big stars got their start as extras. John Wayne was an extra in silent films before his first starring role in “The Big Trail” in the 1930s, and Clint Eastwood started as an extra in the 1950s.

“Really, it was part of my preparation and training as an actor,” Salvoni claimed.

“It helped me get into the role.” Stone had a director’s chair emblazoned with his name and the words “Dumb and Dumber To” on the back (a gift, courtesy of Salvoni). He was channeling his inner goober, and was color coordinated in an original SCOTTeVEST multi-pocketed device and early ’90s red terrycloth headband and Smith shades. With the dedication of trained method actors, they never broke character all evening, and the interview was a bit like stepping onto the set of “Dumb and Dumber To.” Winter 2015 | sunvalleymag.com 39

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LOCALBUZZ // dumb & dumber to

40 sunvalleymag.com | Winter 2015

Q&A WITH SV’s DUMB & DUMBER As movie extras on “Dumb and Dumber To” (2014), starring Jim Carrey and Jeff Daniels, released this year as the sequel to the blockbuster 1994 comedy “Dumb and Dumber,” Dave Stone and Frank Salvoni provide some insight into the life of a movie extra. In our own version of “Inside the Actor’s Studio,” the Bravo program hosted by James Lipton, we ask our version of the famous 10 questions that have been posed to the likes of Anthony Hopkins, Robert De Niro, Meryl Streep and Cate Blanchett.

&

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Highlight of the experience as a movie extra?

STONE: It was a bucket list item. The cast and crew were amazing and local Mark Charpentier, a producer on set, “hooked us up!”

SALVONI: The catered lunch was out of this world! But do you know that they have a fuel truck that comes around every single day and fills the gas tanks for the cars of everyone involved on set?

Brush with stardom?

Stone: I ran into Jim Carrey on set … I mean I literally “ran into” him in the hallway in the first scene.

Salvoni: During filming, the producer called me out in one scene. What he was yelling was something along the lines of “Hey d***head, get out of the scene!” Apparently, I had walked into the line of sight. But, at least, I got noticed.

Who did you channel for your role in this film?

Salvoni: Polly Shore Stone: William Shatner

In what ways has stardom changed your life?

Stone: The paychecks. We made close to $54 for our role.

Salvoni: My waistline. It was like being on a cruise. All we did was eat and drink for four days.

Highlight of filming?

Salvoni: When producer and director Peter Farrelly said, “You brought it!”

Stone: Was that before or after he yelled “Hey d***head, get out of the line of sight!”

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Greatest accomplishment on set?

Salvoni: Doing our scene in two takes. Everybody else did it in five or six.

Stone: Being Frank’s body double.

Strangest moment on set?

Salvoni: When Dave asked for a piece of gum and four different people went running in every direction … they returned with 16 types of gum in every flavor.

Stone: Being Frank’s body double.

What is your favorite word?

Salvoni: ******

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Stone: Riboflavin

What is your least favorite word?

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Salvoni: Jailtime … Wait, is that a word?

Stone: Frank

What turns you on creatively or emotionally?

Salvoni: Janet, my wife Stone: Janet, Frank’s wife

What turns you off?

Salvoni: Chest hair on women Stone: Chest hair

Winter 2015 | sunvalleymag.com 41

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LOCALBUZZ // up & comers

up & comers new talent rising in the film industry

BY Kira Tenney

From ski-film legend Warren Miller shooting his first ski

has been and continues to be fertile ground for those who seek to create and showcase, whether on camera or behind it. Sun Valley is currently burgeoning with young talent.

Innovative and ambitious locals are making a name for themselves in the film and TV industry. Here are a few worth keeping up with.

42 sunvalleymag.com | Winter 2015

photograph : will wissman

Hollywood’s finest claiming the Valley as home, Sun Valley

/ courtesy stellar media

films while camping in the Baldy parking lot, to handfuls of

Wyatt Caldwell shooting in the Hoodoo Mountains of Alaska.

Stellar Adventure Media Capitalizing on decades of experience within the industry, Reggie and Zach Crist, Will Wissman and, most recently, Yancy and Wyatt Caldwell combine their expertise as professional skiers, snowboarders, photographers and videographers in a business that is both a media company and an adventure travel business. The team has found that pairing heli-ski guiding with high-end, extreme backcountry film production works well, as the pros can go out and shoot during the “golden hours” of dawn and dusk, while, during the day, provide expert guiding and filming for their clients. Stellar is currently editing “Migrations,” a film to be followed by an online series. Thanks to Stellar’s business model, the focus of the project is on the art of the athletes rather than on developing sponsorships.

Winter 2015 | sunvalleymag.com 43

D

MA

INE+OL L E I

ER

Reggie Crist, on location for Stellar Media, skiing the last run of the day on “Bell Ringer” in Haines, Alaska.

Bringing two uniquely complementary worlds together over many cups of tea, Pia Saengswang Ayliffe and Gerry Moffatt began brewing up the idea of Thunder Dragon Media (TDM) in Ketchum’s cafés more than 18 months ago.

Saengswang described TDM as, “an idea borne out of both my experience and Gerry Moffatt’s experience in our respective universes—Gerry being a 32-year veteran in adventure expedition and documentary filmmaking, and my having a 25-year background working in social entrepreneurism, education and documentary filmmaking. The vision of Thunder Dragon Media was born to create a production company that would focus on inspirational stories of what is going on in the world that is good and hopeful, not just

V

top right photograph : yancy caldwell

/ courtesy stellar media

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LOCALBUZZ // up & comers

DeSiree’ Fawn films a wild horse roundup in Challis, Idaho, for her documentary “Capturing Wild Horses.”

MOHOC Developed and founded by Ketchum-based team of Eric Dobbie, Connor Duncan, John Prosser and Dan Fuhrman, MOHOC is a specialized military-optimized helmet camera 44 sunvalleymag.com | Winter 2015

set to hit the world market in February 2015.

Dobbie, Duncan, Prosser and Fuhrman previously worked together at ESS, a combatspecific eyewear company, and so have a strong background in creating and bringing products to government and law enforcement. A year ago, the team harnessed experts in research and development to focus on the camera’s form, function, ruggedization and user experience, all specifically tailored to military users.

Noting some specifics of the development of the MOHOC camera, Dobbie said, “The base has curvature to it because it is designed to mount directly to helmets. When operating in really confined spaces, you can’t have anything get snagged. And when jumping out of an airplane, you need something that is really low profile and sleek. MOHOC also does not interfere with any other equipment already on the helmet, such as lasers or night vision. It can withstand big falls and is water-

proof, all aspects that are crucial and come with the nature of the job.”

Spencer Cordovano Video Productions Ketchum local Spencer Cordovano started Spencer Cordovano Video Productions (SCVP) two years ago. At SCVP, he personally films and edits Internet-specialized brand and product videos. SCVP has taken Cordovano from Baja for a Smith Optics shoot, to Argentina to film pro skier Michelle Parker.

Cordovano specializes in remote location filming and is usually outside and on the move while on the job. With his Idaho-boy skills and expertise, Cordovano is able to get those unique, off-the-beaten-path shots.

Fawn Films DeSiree’ Fawn, a fifth-generation native of the Sun Valley area, created, owns and oper-

photograph : courtesy fawn films

extreme, adding a depth of meaning by marrying social change together with adventure.”

TDM’s first production is a documentary feature film called “Roof of the World,” which follows Moffatt on a 3000-mile journey through the Himalayas on motorcycle, kayak and foot. Along the way, viewers are introduced to a number of social entrepreneurs who are doing work to preserve the future of the Himalayas.

“Roof of the World” will be released on the festival circuit in late 2015. It is the first of a series of similar films TDM is producing that explore our planet’s greatest adventure destinations through the lens of social change.

Spencer Cordovano takes a break from filming the Tailgate Alaska Festival in Valdez.

photographs top to bottom : courtesy scvp

/ courtesy thunder dragon media

Gerry Moffatt crossing the Himalayas in “Roof of the World.”

ates Fawn Films. Fulfilling a personal desire to learn about and shed light on the local conflict over the re-introduction and hunting of wolves in the West, Fawn set out to make a documentary film on the issue. “The Phantom Wolves of Sun Valley,” released in 2011, was recognized by multiple film festivals, winning awards at both the Yosemite Film Festival and the Film Festival of Colorado. Fawn’s latest work, “Capturing Wild Horses,” explores another national issue through an Idaho lens: the conflict over the wild horses living near Challis, Idaho, and the wild horse management program. “Capturing Wild Horses” won “Best of Fest” at the 2014 Sun Valley Film Festival.

web extra

Check out videos from these talented rising stars on the Sun Valley Magazine website. Go online to see Spencer Cordovano’s “Argentina Calling” featuring pro skier Michelle Parker. www.sunvalleymag.com

Winter 2015 | sunvalleymag.com 45

LOCALBUZZ // future filmmakers

Community School Junior Max Polito working on a film project for the Sun Valley Center for the Arts’ ongoing multidisciplinary program “Under the Influence of Rock and Roll.”

young and creative in sun valley the future filmmakers forum

BY Karen Bossick “Sun Valley Serenade” is getting a remake— by two dozen teenagers who had never seen the 1941 movie that put Sun Valley on the map for thousands of moviegoers.

Community School students are filming a much-abridged, 15-minute version of the film that starred Sonja Henie to enter in the Future Filmmakers Forum of the Sun Valley Film Festival, which runs March 4-8, 2015.

“I’ve seen that movie more times than I can count—I spent many summers and winters 46 sunvalleymag.com | Winter 2015

in the Sun Valley Lodge where it plays repeatedly on Channel 4,” said Peter Burke, video production teacher at Community School.

“It’s good clean fun. It highlights our beautiful valley. It calls for a big mass of people to be involved. And it enables the kids to perform all the physical activities, from ice skating to skiing,” he added.

The Future Filmmakers Forum debuted at last year’s film festival, offering middle and high school students an opportunity to submit

films and compete for awards. The Hot Shot Award will be presented for the best national film submitted by a student. The Gem State Junior will be awarded for the best film submitted by an Idaho student. A reception and awards ceremony will follow the screenings.

Bex Wilkinson and Pirie Jones Grossman, a former anchorwoman for “Entertainment Tonight,” co-directed the Future Filmmakers Forum drawing, which was inspired by a few student films Festival Director Candice Pate had shown the year before. Some of those competing in the festival may turn out to be the next Martin Scorsese or George Lucas of tomorrow.

“Filmmaking is a feasible industry for any student—it gives them the chance to do a wide variety of things, from writing to directing,” Wilkinson said. She has worked with Ketchum documentary filmmaker Steve Crisman and once championed an indie film festival in Ketchum.

“I’ve always been an advocate for film in this valley,” Wilkinson said. “It’s an accessible medium and a world connector. We all communicate through YouTube, et cetera, so I think our future is really dependent on our ability to communicate in this medium. And, in terms of Sun Valley, it’s a no-brainer. We have so many people involved in the craft of film who live here—not just famous actors but people who make films, like Steve Crisman, like Freida Lee Mock.”

Students and adults alike filled the Community School Theatre last year to watch 30 films running 15 minutes or less. They were chosen from 60 submissions.

The Hot Shot Film Award and a $500 cash prize from Big Wood Ski went to Malone Lumarda of Monrovia, Calif., for her mystical walk along “Black Rock Creek.”

photographs : courtesy future filmmakers forum

Peter Burke in the Community School’s Media Lab.

Ethan Holt, a Meridian High School senior, won the Gem State Junior Award and a $250 cash prize for his eight-minute film, “The Mind Absent of Silence.” The film revolves around a teenager who finds someone to quiet his uncomfortably loud inner monologue, only to have to deal with a breakup.

Holt said it took a month to write, six days to shoot and an exhausting string of nights editing it. “The kiss was the toughest part,” he said. “It involved a lot of takes because neither of us wanted to do it.”

Twenty-five Community School students under the guidance of Burke last year weathered inclement winter weather to shoot a documentary film featuring Higher Ground’s therapeutic recreational program for wounded veterans and blind students.

The Essence of Sun Valley.

“There was a moment of, ‘holy cow! Look what we made!”

–peter burke, community school video production instructor

Not only did the students learn about filming and editing, but they learned problem-solving, time management and followthrough, Burke said.

“There was that moment of, ‘Holy cow!

Look what we made!’ as the kids sat on the front row of the theater and appreciated what they’d accomplished,” Burke observed. “Getting to see someone with post-traumatic stress disorder or a physical disability was a reality check, as well. Many of these kids seem to have everything going for them, and they were like, ‘Oh, wow—there are bigger things than me in this world.’ ” Wilkinson’s son, Travis, now a 16-yearold sophomore at The Sage School, entered a video last year that featured animation superimposed on real-life film in the story of a young man going into a dream world of critters. He plans to submit another video this year.

Last year’s Forum was a turning point, he said. “I’ve been making shorts on skiing and biking and for nonprofits such as Higher Ground, ERC and The Advocates. But I never had an audience before. Sitting there with other filmmakers was awesome. I know now I definitely want to be a filmmaker. It’s a great way to express your opinion and to capture an experience.”

Bex Wilkinson said she expects this year’s Forum to be bigger and better. “It’s awesome because these students are taken seriously.

They’re called filmmakers. They’re treated like filmmakers. And they’re so excited to be included.”

Winter 2015 | sunvalleymag.com 47

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body & soul p. 62 healthy movie snacks

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p. 60 storytelling

DON’T MISS •

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Silent film star Nell Shipman moved to northern Idaho in the 1920s to make adventure films, of which she made more than 25, starring alongside pet bears, wolves and sled dogs. Boise filmmaker Karen Day and Ketchum videographer Meredith Richardson (featured in “Day in the Life,” p. 33) are making a feature-length documentary on Shipman that will premiere in 2015.

Winter 2015 | sunvalleymag.com 59

body&soul // spiritual film

the power of storytelling Discovering Spiritual Value in the Movies We Watch

BY Patti Murphy / ILLUSTRATION Zack D. Brown

Can watching a movie like “Fried Green Tomatoes” help you discover your personal courage? Does “Mrs. Doubtfire” provide insight into dealing with divorce? And can “The Bucket List” teach us how to grow older more gracefully?

While most people watch movies like these for mere entertainment, a growing number of therapists believe that films, just like art, theater, music and dreams, can help us learn more about ourselves, connect us with each other and help us work through a myriad of life issues.

60 sunvalleymag.com | Winter 2015

Cinema Therapy The website cinematherapy.com lists hundreds of movie titles and the issues they relate to. The basic concept is simple: Characters in a movie struggle with the same types of issues as we all do, and we can learn new approaches to solving our problems.

Movies encourage tears and laughter and help reduce anxiety, fear and bottled-up anger.

They provide a safe environment to examine our feelings.

Intentional Watching Most cinema therapy occurs with the guidance of a therapist but can also be

experienced on a personal level. The key to gaining insight from a movie or other art form is to experience it with conscious intention and process your feelings afterwards, such as in a discussion with a therapist or group of friends.

“Just experiencing art in itself can have a healing effect, but I think the intention we bring to it helps determine its effect,” said Reverend Ken Brannon, rector at St. Thomas Episcopal Church in Sun Valley.

“So, if you go to a movie because you know it’s on a particular theme and it’s something you’re experiencing in your life, you open

Furniture, Gifts & Interior Design your heart to whatever you might learn. That might be more therapeutic than saying, ‘I’ve got some time to kill, let’s go to this play.’

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Brannon’s familiarity with using drama, role-playing and storytelling in therapy comes from his studies at New York University where he earned his master’s degree in Drama Therapy. He subsequently worked in New York psychiatric units and with prisoners on Rikers Island using drama therapy and improvisational theater in their treatment.

“How do you feel, how did you connect with the other actors, are questions to ask,” Brannon said of movie watching. “Part of it is: What am I looking to get out of the movie, and also the self-awareness of who am I, who do I understand myself to be? If we have those kinds of conversations, our ground is just riper for things to take root.”

The Power of Storytelling Stories, fables and fairytales have been part of therapy for a long time. Likewise, according to Brannon, much of the power of movies comes from storytelling. “That’s how we connect with each other—we tell stories about our day at the dinner table, we listen to our children’s stories about school. Movies give us something to talk about, a common ground that connects us.”

“I think movies can be deeply spiritual,” Brannon said. “Some movies can be spiritually uplifting, and some can be spiritually damaging. I’ve walked out of movies before because I’ve felt like it wasn’t good for my spirit to be in that movie.

Horror movies for me are not helpful. They are made to activate that place in the brain that triggers fear, and I kind of feel that, as a people, we’re scared enough,” he laughed.

Defining Our Roles He noted that movies help us define and expand the roles we see ourselves in. “Let’s say you understand yourself to be a victim.

You can ask yourself, ‘What would it be like to be in a role of empowerment, or a hero?

How can I expand or deepen my roles?’

“Movies can help us do that because they give us examples, and we see that, ‘Hey, I can be more than I am, I don’t have to be stuck.

There’s more available to me than what I’m living out.

“Good art can definitely be healing.”

Winter 2015 | sunvalleymag.com 61

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body&soul // movie snacks

Jicama root sticks rolled in lime juice, cilantro and cayenne pepper make for a crunchy and healthy movie snack.

snack attack healthy movie snacks for movie night

BY Margot Ramsay / PHOTOGRAPHY Paulette Phlipot We’re hardwired for it. Even young children who have yet to step foot inside a movie theater—who have not hitherto glided past the colorful concession stand and inhaled the smell of butter-slathered movie popcorn— understand the power, and the need, for a movie snack. The perfect symbiosis of a welltimed snack and movie cannot be understated, and although the ethereal “Sno-Caps,” 62 sunvalleymag.com | Winter 2015

and delectably spicy “Hot Tamales” are tempting to include in your at-home movie snack repertoire, there are other healthy alternatives that pack a serious flavor punch.

Local chef and caterer extraordinaire, Judith McQueen, lends her expertise to our snacking cause with a few ideas for delicious treats that you can create in your own kitchen. McQueen preaches simplicity when

it comes to her food, and one of her movienight snack recipes that is deliciously simple is roasted grape tomatoes. When they’re roasted, these little beauties develop a charred skin, while their insides are sweet and caramelized. Add some kosher salt and a few flecks of pepper and you have a deliciously gourmet movie snack.

Along with your roasted tomatoes, try this take on the crunchy and iconic movie snack we call popcorn—add a splash of Braggs Liquid Amino Acids to your kernels for some salt and depth of flavor. Then sprinkle on a few teaspoons of olive oil. The combination of the two flavors adds a saltiness and rich quality to the popcorn that becomes a seemingly decadent treat. Braggs is full of, well, amino acids, and protein, thanks to the nonGMO soybeans from which it’s made. Olive oil is a healthy eater’s best friend and is a great alternative to butter on your popcorn.

For even more crunch appeal, try peeling and slicing a jicama root into sticks. Mix together a squeeze of lime, a few sprigs of cilantro and cayenne pepper. Roll the jicama sticks in the mixture, sprinkle with sea salt and munch away!

Molly Brown, owner of Glow Live Foods Café, has a special appreciation for movie nights. With two small children and a successful business, Molly definitely enjoys being at home, especially if it’s a night with her husband, yummy vegan snacks and a good flick. One of her family’s favorite movie night snacks is coconut-oil-crazed popcorn.

For this Brown pops one-quarter cup of organic popcorn seeds in one-quarter cup of coconut oil (high heat). She then drizzles an additional cup of melted coconut oil over the popcorn and sprinkles with four tablespoons of nutritional flakes (which are high in protein and B vitamins) and some pink salt.

For an adult bowl, she adds two tablespoons of spirulina.

For a healthy hot drink, Brown makes a vegan hot cocoa by mixing and lightly warming homemade almond or coconut milk, melted coconut oil, a sprinkle of cinnamon and one tablespoon of raw cocoa.

Whatever your perfect movie night at home entails, be sure to include some of these scrumptiously healthy snacks. You might even try smuggling a few of these nibbles into your local movie theater. You’ll leave the movie both enlightened and healthier. Just make sure you don’t get caught!

Judith McQueen likes to roast heirloom teardrop tomatoes for a healthy but flavorful snack on movie night.

roasted heirloom teardrop tomatoes from judith mcqueen ingredients 2 pints small baby tomatoes Good quality olive oil Salt, freshly ground pepper Lemon thyme sprigs directions Pre-heat oven to 450 degrees Put the tomatoes in a bowl and add just enough olive oil to coat. Place the tomatoes on a sheet pan and sprinkle with salt and pepper (remember, tomatoes soak up salt, so feel free to add more than you otherwise might). Place whole herbs on top of the tomatoes.

Roast in the oven for 10 minutes, cool and remove the herbs.

Molly Brown makes her popcorn in coconut oil and sprinkles it with nutritional flakes and spirulina.

Eat with a spoon for a flavorful, healthy snack. The roasting brings out a special flavor in the tomatoes.

Winter 2015 | sunvalleymag.com 63

body&soul // technology and film

From Magic Lanterns to Holodecks Technology’s March Continues to Enhance the Movie Experience

BY Kathleen Kristenson

The magic of movies is that they can instantly transport us to a different space and time.

Filmmakers serve up a new and different world for us and our imaginations take it from there. The magic of technology is that this mysterious leap of faith can happen anywhere we happen to be. Anywhere.

Consider my dad’s report from his otherwise uneventful return home from Norway: “My screen on the second leg of the trip didn’t work, so I couldn’t watch movies.”

Let’s give that a closer look. He could not watch movies at 35,000 feet above the Atlantic Ocean while traveling at over 500 miles per hour. Hmm. The last time I had my teeth worked on, I watched a movie from a flat screen that was mounted on the ceiling.

In restaurants, unruly children are pacified with movies on smartphones and tablets.

Safe to say, movies have become an integral part of our everyday activities.

It all started with a remarkable 17th century invention called the magic lantern.

Danish mathematician Christiaan Huygens discovered that by placing a concave mirror behind an oil lamp, an image painted on a glass slide (and eventually photographic film) could be projected onto a wall. As slides were added and then mechanically moved in and 64 sunvalleymag.com | Winter 2015

out of the projected light, motion pictures were born.

The first modern-day movie theaters opened around the turn of the 20th century showing short, silent, black-and-white films.

The era was marked by two epic featurelength silent films: D.W. Griffith’s 1915 release of “The Birth of a Nation” and the 1925 debut of “Ben Hur,” which did not include Charlton Heston, the iconic actor most associate with the film.

In 1987, when “Planes, Trains and Automobiles” was released, few people could predict that in a couple of decades that same film could be viewed via built-in screens on planes, trains and automobiles.

Films with synchronized sound, or “talkies,” were introduced in the 1920s, the most notable of which was “The Jazz Singer,” a feature film musical starring Al Jolson. While Technicolor was invented in 1916, it took decades for color to find its way into everyday

film fare. Some consider the 1952 release of “The Wizard of Oz” to be the true coming of age for color film.

For the following couple of decades, advances were mostly in quality: the fidelity of the sound and resolution of the images.

That was the case until the advent of 3D films, which had their heyday in the ’50s, with a resurgence in the ’70s and ’80s, and again in the last few years. Computergenerated imagery (CGI) also found its way into films during the ’70s and ’80s, with the “Star Trek” films and “Indiana Jones and the Last Crusade,” among others. The first full-length CGI film was “Toy Story,” which was produced by Pixar Animation Studios and released in 1995. Before that, it would have been hard to imagine that a computer could generate imagery sophisticated enough to convince us to care about the story of a bunch of toys.

Theaters themselves have also evolved from the intimate, single-screen theaters to include drive-ins, IMAX theaters, and sprawling multiplexes. There are now “4D” offerings in which the experience of a 3D film is augmented by effects in the theater like wind, mist and vibrating seats.

Advances in technology have also enabled us to bring these sophisticated experiences home. In fact, some home theaters are on par with the most state-of-the-art theaters open to the public. Older viewers will remember the old 8mm film projectors playing family three-legged races and birthday parties.

Those were replaced by videotape (remember the Betamax versus VHS wars), then DVDs and now Blu-Ray discs. With everything converting to digital format, one can easily and instantly access almost any film ever made. Movies can be rented from local shops, vending machines or online companies. With dedicated movie channels on cable, video on demand, and streaming on the Internet, the same transaction can be done all electronically and remotely.

As technology progresses, it becomes more and more portable. And so do our movies.

No longer restricted to theaters or living rooms, we are free to roam the planet and watch movies at will. In 1987, when “Planes, Trains and Automobiles” was released, few people could predict that in a couple of decades that same film could be viewed via built-in screens on planes, trains and automobiles. This advancement has made travel more pleasurable for many people, not least

of whom are the parents of small children.

Portable DVD players, smartphones, tablets and laptops play movies anywhere we happen to be. The proverbial silver screen is now pocket sized.

Size doesn’t matter though. It’s more about the experience one is after. The world’s largest IMAX screen is 117 feet tall; Google Glass’ display is less than an inch and is integrated into eyeglasses. It doesn’t support movie watching yet (most people prefer using both eyes for that activity anyway) but that doesn’t mean it won’t soon.

The future of movie watching could even be “a chip in your head,” said Kyle Baysinger, owner of Maestro Technology Solutions.

“But seriously, no matter how the technology changes, the majority of us don’t have a room dedicated to immersing ourselves completely in a story told by light and sound. Going out to a movie theater will always be an entertainment experience people will want. Who knows, maybe someday it will be a holodeck (of “Star Wars” fame) with a completely interactive story that is personal to the individuals attending. Whatever we as humans can imagine, someday the technology will probably exist to make it happen.”

Winter 2015 | sunvalleymag.com 65

body&soul // red carpet ready

getting red-carpet ready All of the local Shops and Stops to Look Like a Star

BY SVM Staff

Today, the red carpet is synonymous with entertainment awards, Hollywood glamour and VIPs, but just why is it we use a red carpet? Legends and stories abound, but most sources point to the red carpet color being attributed to ancient Greece and the classical play “Agamemnon,” in which the lead character in the play is welcomed home on a red carpet that is representative of the gods. The red

66 sunvalleymag.com | Winter 2015

carpet subsequently became worthy of those who were “god-like” in the eyes of Hollywood.

The world’s most famous walk the red carpet for awards ceremonies, such as the Oscars, to strut the latest fashion trends, hairstyles and priceless jewels. However, you don’t need to be a celebrity to create your own red-carpet look or throw an Oscarworthy party! Our Valley has all of the per-

fect shops and professionals to get you “redcarpet” ready.

‘the devil wears prada’ Ladies and gents, let’s start with the gown, or tux for you dapper dudes. Lists abound for the best (and worst) dressed at the Oscars, and some careers soar or stumble based on those choices—whether Renée Zellweger’s

Local Resources

Elle Rose on Sun Valley Road (designers such as Versace, Alaia, Alexander McQueen, Missoni, Jitrois, Dolce & Gabbana, Roberto Cavalli and

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Valentino), with baubles and bags to match. Brass Ranch in the Sun Valley Mall carries Ralph Lauren (cue Gwyneth Paltrow’s girly pink Oscar win) and Panache features exclusive collections of fabulous Diane Von Furstenberg and Donna Karan, as well as the understated, yet elegant, Brunello Cucinelli, with all the trimmings to match. Sheepskin Coat Factory and The Board Bin both rent tuxedos for gents, and Consign Design and Déjà Vu offer an opportunity to visit the best consignment and vintage designer stores, where you can find designer brands at a fraction of the price.

Splurge while sipping champagne at Paula’s in Hailey and remember to own that red-carpetworthy look!

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‘Diamonds Are Forever’ Dripping in diamonds turns heads. No redcarpet event would be complete without talking about the “rocks,” and actresses (tastefully) dripping in jewels is a tradition that began in 1944 when actress Jennifer Jones first borrowed pieces from Harry Winston’s

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yellow, Halle Berry’s sheer floral, Anne Hathaway’s glittering silver or Gwyneth Paltrow’s girlish pink Ralph Lauren gown.

The good news is that not only can you find your perfect outfit right here in Sun Valley, where shops carry lines from all the black label designer name brands like Versace, Alexander McQueen, Missoni, Dolce & Gabbana, Roberto Cavalli and Valentino, Ralph Lauren or Brunello Cucinelli, but local shop owners can also provide expert advice on how to customize your look to be on trend with that particular and unique local style know as “Sun Valley Formal”—where everything from glittering gowns to jeans and jewels abound. And men, don’t worry if you traded in all your suits for North Face gear, you don’t need to buy a tux. From baby blue with ruffles to classic black and slim tie, renting a tux has come a long way, baby, and you can choose from high-end designer to retro and cool.

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Winter 2015 | sunvalleymag.com 67

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to walk the red carpet. Nowadays, actresses are dripping in jewels. Lupita Nyong’o was decked from head to toe in Fred Leighton for her 2014 Oscar win for Best Supporting Actress, while competitor Jennifer Lawrence donned a $2 million Niel Lane crystal, diamond (100 carats) and platinum necklace (down her back). But neither could top the $15 million Harry Winston cluster pendant worn by Charlize Theron (featuring more than 155 total diamonds). Now that’s a statement necklace! But sometimes all you need is a simple bangle or a pair of sparkly earrings to create a similar effect (cue Gwyneth Paltrow’s stunning cuff with her earring- and necklace-free white Tom Ford ensemble in 2012). The stones you choose have impact as well. Diamonds, which are the only gemstone composed of one pure element, carbon, are bonded in perfect symmetry in every direction, which explains their reputation as gemstones bringing clarity, power, strength and longevity, while emeralds were rumored to offer protection and rebirth and were a favorite of Cleopatra, who wore them and even engraved them with her likeness to be given to her guests as gifts. You won’t find Angelina Jolie handing out the 115-carat emerald earring from Lorraine Schwartz from her 2009 Oscar appearance, but you may find some dazzlers of your own to create a lasting look for your own perfect ensemble!

Local Resources

Barry Petersen Jewelers on Sun Valley Road and Holli Jewelers in Ketchum both offer unique pieces out of the ordinary, Towne and Parke in Sun Valley is a treasure chest of bedazzling bounty and the jaw-dropping displays at Jensen Stern in The Galleria are not to be missed. Looking for one-of-a-kind estate pieces? Bring your outdated ‘80s pieces into Christopher & Co. (in Hailey) and have Christopher create a fresh new look for a fraction of the price!

‘Gentlemen Prefer Blondes’ Now that you are outfitted, let’s talk about your locks. From up-dos to sleeked-back ponytails, the flair for great hair abounds at any red-carpet event (the Sun Valley Wine Auction and Share Your Heart Ball count, too)! Fortunately, the Valley abounds with highly trained stylists who can transform your hair into a mane of luxury or stunning up-do. Bring a photo sample and then turn it over to the pros. Just remember that the style may need to be altered to fit your face shape, 68 sunvalleymag.com | Winter 2015

hair texture, color or length. Tips from the pros: Book your appointment ahead of time and be sure to wear a button-down in order to avoid wrecking your creation before you even get a chance to slip on your gown. One more tip: Most hair designers prefer that your hair not be squeaky clean because it’s easier to work and tease slightly dirty hair.

Local Resources

3rd Floor Salon, Halo Hair and Chic in Hailey have experts who can help tame your mane. And Vertu and Three Monkeys in Ketchum feature top stylists as well.

‘Let’s Make Up’ Next on our list: makeup! No need to go to department stores—all of the paint and polish a girl could desire is at her fingertips here in Ketchum. Begin with a facial to remove those dead skin cells and create that healthy glow. Buff and polish right down to your toes—a mani-pedi is an easy way to add polish and flair. Gone are the days of French tips; think outside the box with choices like grey, green and gold!

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body&soul // red carpet ready

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body&soul // red carpet ready

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And, finally, there isn’t an A-list star in Hollywood that doesn’t splurge on a spray tan, so don’t be caught looking pasty white at your red-carpet party. Just remember to wear loose clothing, and shower and shave before you go—you don’t want to rub, scrub or wash off your newly acquired glow. Of course, if you really want to do as the celebrities do and turn back the hands of time, consider a little injection. Botox and fillers are more common than you may think. Just make sure you do your research first. Slight bruising or redness might occur, so plan ahead.

Va-va-voom! You are ready to host your own red-carpet party and look fabulous!

Local Resources

Your first stop is Pure for an amazing facial and professional makeup session—pure heaven! A full line of Smash Box cosmetics awaits the do-ityourself gal at Brass Ranch, and Simply Skin is a great place to find SPF-friendly products that keep those damaging rays out. To achieve your healthy beach glow, book a spray tan at Zenergy (and consider a massage before as well). The 3rd Floor Salon in Hailey also offers expert spray tanning. Second, go to the Tanning Company and opt for a quick machine spray tan or bake in a bed. Or third, have Simply Skin apply all-over tanning cream. Fingers and toes will thank you if you book your treatment at the glamorous Chic boutique in Hailey (offering hair, nails, toes and beauty treatments such as facials and waxing).

Saigon Nails in Hailey offers walk-in appointments, and In-and-Out in Ketchum is affordable, friendly and fast! And Nails by Sherine offers a soothing aromatic experience with meticulous attention to detail. Dr. Tom Crais in Hailey and Simply Skin in Ketchum’s 511 building have a complete menu of treatments, from Botox and fillers to peels and eyelash treatments.

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get out there

photograph : ray j. gadd

p. 74 idaho drive-ins

p. 76 local movie houses

p. 78 going pro

p. 80 #svgram

p.82 events calendar

DON’T MISS •

theaters

The theaters in this relatively small community think big. Not satisfied with just playing the latest box office hits, the Valley’s theaters take on opera from the Met, indie film festivals and high definition performances of the Israeli Philharmonic. The Liberty Theatre, pictured here, screens entries in the Sun Valley Film Festival, as well as productions brought in by the Sun Valley Center for the Arts.

Winter 2015 | sunvalleymag.com 73

GETOUTTHERE // drive-ins

Idaho boasts nine drive-ins throughout the state which is more than its fair share of the approximately 350 in the U.S. today.

the really big screen the drive-in movie experience in idaho

BY Mike McKenna Americans have had a long love affair with cars. From the craze that Henry Ford’s first Model T created in 1908 to the glamour cars of the fifties to modern-day minivans, hybrids and monster trucks, we love our automobiles—and we spend a lot of time in them.

The average American spends as much time driving during a lifetime as it would take to drive to the moon and back more than three times. We clearly love to drive.

We love the power and freedom cars provide.

We also love to talk, eat, sing and, occasionally, procreate in our cars. So, it should come as no surprise that drive-in movie theatres are not only still alive, they’re doing pretty well, especially here in the Gem State.

Although many folks think that drive-in 74 sunvalleymag.com | Winter 2015

theaters have gone the way of the dodo bird, there are actually more than 350 still open nationwide, including a handful in southern Idaho (see sidebar). Sure, it’s a far cry from the more than 4,000 drive-ins scattered across the country at the peak of their popularity during the Eisenhower Administration.

But the genre is far from extinct.

The Terrace Drive-in Theatre in Caldwell first opened in 1958 but closed after a massive fire destroyed the projector building.

Alice Estrada was a youngster back in Texas when the Terrace started, but after she first saw the big blank screens sadly standing in a large lot overgrown with weeds, she knew what she had to do. She bought the place that day, moved over to the western edge of

the Treasure Valley and brought the theater back to life in 1990.

Thanks to the addition of a new state-ofthe-art $100,000 film projector, the Terrace now offers an exceptional movie-watching experience and regularly hosts more than a hundred cars during weekend showings from April through October.

“The picture is so good you feel like you’re indoors, except for the stars … or the wind or rain,” Estrada said with a friendly smile, in between greeting carloads of movie fans from the check-in booth. Estrada doesn’t just take folks’ money (kids 11 and under are free), she also chats up all the patrons.

The first drive-in theater was little more than a sheet hung up between two trees by a rather entrepreneurial guy in New Jersey back in 1932. Besides the quality of the screen and projector, the biggest difference about going to a drive-in theater now, as opposed to back in its heyday, is the boxed speaker that used to hang from the car window has been replaced by simply tuning the rigs’ radio to 105.5 FM.

The Terrace Drive-In offers all of the regular movie snacks like popcorn and candy, plus barbeque items. Thaddeus Crofts, Estrada’s son, even mans the grill when he’s not up running the projector. Unlike some other drive-ins, you can also bring whatever you’d like to eat or drink, which is popular with the scores of families who pile into the back of pickup trucks and SUVs and wrap themselves up in blankets, sleeping bags and pillows to enjoy the show.

“It’s like going back in time, except the picture is much better now,” Crofts said.

“People just love to sit in their metal boxes.”

idaho drive-ins Spud Drive-In Driggs Opened in 1953, the Spud is arguably the most famous drive-in in the Gem State.

The Spud is known for its fifties-style concessions and for the giant potato that’s perched atop a pickup truck in front of the theater. spudrivein.com Sky Vu & Motor Vu Drive-Ins Idaho Falls Originally opened in 1947, Motor Vu once hosted more than 600 cars for showings.

Located about four miles apart, both theaters have now consistently been entertaining audiences in the “Big I-F” every summer for over a half-century. idahofallsmovies.wix.com/movies

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Sunset Vu Drive-In Grangeville Opened in 1955, the Sunset Vu has had— and continues to have—a long history of opening and closing. Here’s hoping they can keep the tradition alive. bluefoxtheatre.com

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Teton Vu Drive-In Rexburg Offering a terrific menu that includes burgers, barbeque wings and ice cream treats, the Teton Vu has closed and reopened numerous times over the years, but has been steadily open now since 2009. paramount5.com/theaters/teton-vu/

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Motor-Vu Drive-In Twin Falls The closest drive-in to Sun Valley, MotorVu originally opened in 1948 and is now the only drive-in left in Twin Falls after the Grand-Vu closed last year. cinemawest.com

GETOUTTHERE // local movie houses

Bigwood4 Cinemas in Hailey.

The Opera House in Sun Valley.

more than just flicks the valley’s theaters deliver

BY Karen Bossick PHOTOGRAPHY Ray J. Gadd It was 10 o’clock on a Saturday morning when 120 people crowded into a theater at the Bigwood4 in Hailey. Of all things, they were there for a performance of Verdi’s “Aida” broadcast live from New York’s Metropolitan Opera.

The Hailey theater is one of only five Idaho theaters that airs “The Met: Live in HD” performances twice monthly, October through April.

“It allows me to get closer to the performance than I would at The Met,” said Sun Valley Opera Director Mary Jo Helmeke.

“And I love having the camera take us behind the scenes and to interviews with the stars.”

Family fare, such as the 2013 animated feature film “Frozen,” remain the theater’s bread and butter, said Manager Larry Davenport. But Big Wood 4 also presents highdefinition performances of the Israeli Philharmonic and “The Nutcracker Ballet.”

The theater offers stadium-style seating, reduced prices Mondays through Thursdays and 3D movies.

The Sun Valley Opera House, which opened in 1937 with 10-cent movies like “National Velvet,” has hosted USO shows, community plays and Sun Valley Jazz Festi76 sunvalleymag.com | Winter 2015

The original Magic Lantern Cinema in Ketchum.

val performances. It even doubled as church for Catholics while theirs was being rebuilt.

But the theater has continued its mission as a movie theater, launching each ski season with the latest Warren Miller movie, hosting the Family of Woman Film Festival and offering free showings of “Sun Valley Serenade,” in addition to first-run movies. Those dining at Bald Mountain Pizza get free tickets, according to Sun Valley’s Marketing Director Jack Sibbach.

“There’s nothing superior to theater—not iPad, computer, TV, even home theater.”

–rick kessler, owner of the magic lantern cinemas The theater seats in Rick Kessler’s office at the Magic Lantern Cinemas are testament to his lifelong love of films that began with a 25-cent Saturday matinee of “Snow White.”

There were no theater seats in the IOOF Hall where Kessler opened his first theater in 1974. Theatergoers got their pick of a frontrow bench and beach chairs as they watched two divergent classics: “Alice in Wonderland” and “Last Tango in Paris.”

Kessler now has six theaters, all running first-run movies—something he couldn’t get the first five years in business. “‘Blazing Saddles’ and ‘American Graffiti’ came out in the fall of 1973—Ketchum audiences didn’t see them for six months,” he recalled.

Kessler started the Magic Lantern Fall Film Festival 25 years ago as counter-programming to football and the World Series.

Bigwood4 Cinemas lobby.

He later added a Spring Film Festival, allowing Ketchum’s sophisticated filmgoers to see foreign and independent films that normally wouldn’t make it to Sun Valley.

When Kessler opened, the country was abuzz about “Deep Throat,” the comedic and pornographic film of 1972. Kessler promised the city fathers that he would not show XXX films, but he did get them to allow X-rated films, citing the respectable examples of “Midnight Cowboy” and “Last Tango in Paris.” Kessler did, in fact, open with the latter. He also launched a porn-of-the-month club. People lined up outside the movie theater in trench coats with paper bags over their heads, Kessler recalled.

More recently, he has provided a forum for special events, such as the Sun Valley Center for the Arts’ showing of documen-

The Opera House in Sun Valley opened in 1937 and has hosted a wide variety of events, including USO shows to entertain our military troops.

WE ARE SVSEF

Film memorabilia at the new Magic Lantern in Ketchum.

tary shorts on forest fires. He’s also shown old classics like “M*A*S*H” and “Blazing Saddles” for the local film society.

Kessler’s was one of the first theaters in the country to get a beer and wine license— early on, people were bringing cases of beer with them, he said. Steve McQueen was among those attending his “Get Smashed with ‘M*A*S*H” kick-off, paying $1 for the movie and all the beer he could drink.

Kessler still serves beer, wine, even pizza and ice cream. But you won’t find him serving dinner during movies. “When the lights go down, your focus should be on the screen,” he said. “There’s nothing superior to theater— not iPad, computer, TV, even home theater.

The movie theater is a social experience— where you can walk down the street and hear people screaming during a horror movie.”

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GETOUTTHERE // going pro

HEROIC FILMMAKING a few tips for the gopro era

BY Kira Tenney PHOTOGRAPHY Tal Roberts

Pro skier Banks Gilberti goes big on Dollar Mountain in Sun Valley.

78 sunvalleymag.com | Winter 2015

Believe it or not, wingsuiting down the Swiss Alps and skiing off 100-foot cliffs aren’t prerequisites for making engaging outdoor sports movies. With the expert advice from local photographers and videographers Bryan Huskey, of Silver Creek Outfitters Media Department, and Spencer Cordovano, of Spencer Cordovano Video Productions, your next GoPro outdoor sports edit could go big, or, at the very least, captivate friends and family while capturing the lifetime memories of Sun Valley and beyond.

Bryan Huskey is an expert on creating quality short videos efficiently. In terms of offering advice to those creating their own outdoor sports movies with GoPros and personal cameras, he stresses being deliberate with what you are doing, from the storyline, to the video to the audio.

“Whether 30 seconds or 30 minutes, have a beginning, middle and end to your edit,” Huskey explained in a recent interview.

“For anything that’s sports or outdoors related and includes people, try to ask questions when filming: ‘Who are you? Where are you? What are you doing? Why?’ Also, by prompting a person to describe what they’re feeling, it gives you rich content and building material to work with.”

Regarding filming, Huskey warned of our inclination to turn the camera on the moment we leave the house and to let it run until nightfall. “Cameras today have such large memory cards that oftentimes users turn them on and run around all day, ending up with so much footage that it is just overwhelming to sort through, edit, and find the good stuff,” he said. “Every time you go out, think about why you are turning on the camera and what you are trying to get. Be deliberate.”

Huskey also emphasized the importance of quality audio. “Even if we don’t consciously register it, sounds add texture, atmosphere, tempo and feel to video. Chances are, edits

people consider the best are rad because the incredible audio of the movie tricks viewers into thinking that they’re there.”

The brutal truth that we all need to hear is that the rest of the world might not find our every turn on the ski mountain or mountain bike climb as intriguing as we do.

So, one of the best pieces of advice from the experts is to make your outdoor sports movies short.

“The shorter you can make something, the better,” Huskey said. “If it starts out as 10 minutes long, it will probably be twice as good when it’s five minutes long. When you’re done with your movie, make it half the length—no matter how long it is. Keep the stuff that has to be there for someone else to connect (with it).”

When it comes to equipment, GoPro stands out among the experts as the favorite and most durable camera of its type, especially with the recent release of the GoPro Hero 4. In terms of additional equipment, the next recommended purchases are a microphone and a tripod. For editing, Cordovano recommends the iPhone GoPro app for examining frames and shots, and Polar Pro Filters for an enhancement of footage. Huskey and Cordovano said that more important than getting the latest and greatest equipment is becoming familiar with the camera you have and taking advantage of its full capabilities.

Stay close to subjects when using cameras with less capable ranges, and experiment with different angles so as to take your movie out of the “all-GoPro-videos-look-the-same” category. GoPros have a variety of settings, so experiment and use them, and as Huskey said, “Fake it ‘til you make it.”

And with that advice, go be a hero.

web extra

Visit www.sunvalleymag.com to see some of Bryan Huskey’s unbelievable GoPro footage!

Brian Drussel on the edge at the Hailey Skate Park.

Winter 2015 | sunvalleymag.com 79

On the Sun Valley Mall (208) 622-3522 towneandparkejewelry.com

GETOUTTHERE // #sunvalleymag

#svgram the places, faces and parties of sun valley Enjoy some of the Sun Valley life as captured by all of our local and talented photographers (both amateur and professional) on Instagram. We’ve collected some of our favorites to share. Follow us on Instagram at @sunvalleymagazine. Caption your photos #SVGram and #sunvalleymag; you may become the next Annie Liebovitz discovered on our pages!

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@langemcneal #sending!

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GETOUTTHERE // events calendar

Check out

sunvalleymag.com

for an up-to-date calendar and events coverage

The Christmas Eve celebration in Sun Valley.

The Boulder Mountain Tour.

winter 2014-15

There is never a shortage of things to do, places to see or people to meet in the Wood River Valley.

The greater Sun Valley area is a vibrant hub of recreational and cultural activities. Here’s a brief rundown on some of our favorite winter events.

Guy Davis Concert December 12, 2014

The Sun Valley Center for the Arts is bringing famed bluesman Guy Davis to the Sun Valley Opera House as part of its multidisciplinary program, “Under the Influence of Rock and Roll.” sunvalleycenter.org

“Peter and the Starcatcher”

December 18 – January 3, 2015 Company of Fools presents the five-time Tony Award-winning play based on the novel by parttime Valley resident Ridley Pearson and Dave Barry. “Peter and the Starcatcher” is a prequel to “Peter Pan” and promises to be a fun and magical production. sunvalleycenter.org

Sun Valley Tree Lighting December 20, 2014

The Sun Valley Village is a special place, particular82 sunvalleymag.com | Winter 2015

Sun Valley Carolers December 20 – 30, 2014

Come join an evening of caroling in the Sun Valley Village. Traditional carolers will perform throughout the Village and various restaurants. sunvalley.com

Christmas Eve Celebration December 24, 2014

Join the holiday fun at Sun Valley Resort on Christmas Eve. Festivities will begin at 5 p.m. at the Sun Valley Lodge terrace and outdoor ice rink. Be sure to bundle up to stay warm for all the outdoor events! sunvalley.com

SVGA Gallery Walks

December 27, 2014; February 13 and March 13, 2015 Stroll through town enjoying world-class art and discussions with artists during the Sun Valley Gallery Association’s Gallery Walk. Galleries host with wine, friendly conversation and their latest installations. svgalleries.org

nils ribi

Can’t-miss events

The Sun Valley Suns are celebrating their 40th year of competitive hockey by joining the new Black Diamond Hockey League. The Suns will be going up against teams from Jackson, Wyoming; Park City, Utah; and Bozeman, Montana. sunvalleysunshockey.com

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December 5, 2014 – March 14, 2015

ly during the holidays. Come watch the lighting of the tree and enjoy a visit with Santa, the Sun Valley Carolers, gingerbread cookie decorating, live holiday music, delicious food and hot cocoa. sunvalley.com

photographs from top left: courtesy sun valley company

Suns Hockey Games

SVCA Casino Royale January 24, 2015

Hosted by Company of Fools, Casino Royale is a fundraising benefit for the Hailey theater group.

Guests enjoy a night of gambling, cocktails and socializing, all while raising funds for this Sun Valley Center for the Arts partner. sunvalleycenter.org

The New Year’s Eve Bubbly Bash.

Garrett Fischbach and Friends December 30, 2014

As part of its Sun Valley Artist Series, the Sun Valley Center for the Arts presents the renowned string quartet. The group will be playing Mendelssohn and Dvorak. svartistseries.org

New Year’s Eve “Bubbly Bash” December 31, 2014

The Sun Valley Center for the Arts ushers in the New Year with its fourth annual celebration at River Run Lodge. Enjoy the music of DJ Shark and champagne toasts at this Center benefit. sunvalleycenter.org

Idaho Pond Hockey Classic January 10 – 11, 2015

photographs : courtesy sun valley company

Join the annual four-on-four pond hockey tournament at the Christina Potters Ice Rink at Atkinson Park. Put on by the Ketchum Parks and Recreation Department, the event features both A and B divisions with a no-goalie format. bcrd.com

Will Shortz Lecture

Bill Payne in Concert January 30, 2015

Blues pianist and co-founder of the band Little Feat, Bill Payne will perform at the Sun Valley Opera House. The concert is presented by the Sun Valley Center for the Arts. sunvalleycenter.org

LIVE MUSIC ALL WINTER LONG! -

DEC 19

B-SIDE PLAYERS -

Sun Valley Nordic Festival

DEC 20

January 30 – February 8, 2015

This weeklong event is filled with Nordic skiing, demonstrations, races and seminars held throughout “Nordic Town USA.” The festival culminates with the running of the 34.3-kilometer Boulder Mountain Tour. nordictownusa.com

Boulder Mountain Tour

MCKENNA FAITH -

DEC 26

FOX STREET ALL-STARS -

February 7, 2015

Test your mettle at this 34.3-kilometer Nordic ski race that draws some of the nation’s most talented skiers. For a less intense experience, enjoy the “Half Boulder,” a 15-kilometer course that includes racers of all abilities looking for a fun ski event. bouldermountaintour.com

Share Your Heart Ball

DEC 27

DILATED PEOPLES -

DEC 28 ACES UP

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February 21, 2015

This annual benefit for Camp Rainbow Gold is a dining and dancing extravaganza. The event supports the camp’s year-round programs, medically supervised summer camps, college scholarships and other emotionally empowering experiences to

January 13, 2015

DEC 29

MICKY AND THE MOTORCARS -

DEC 30

The Sun Valley Center for the Arts presents a talk

by Will Shortz, NPR’s “Weekend Edition Sunday,” the crossword editor of The New York Times, and the founder and director of the American Crossword Puzzle Tournament. sunvalleycenter.org

WHO’S BAD(THE ULTIMATE MICHAEL JACKSON TRIBUTE

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DEC 31

The Second City

NEW YEAR’S EVE

January 15, 2015

Chicago’s legendary improvisational comedy group returns for two nights of fun at the Liberty Theatre in Hailey. Be prepared to laugh. sunvalleycenter.org

251 N. MAIN ST. • KETCHUM

208-726-5297

WWW.WHISKEYJACQUES.COM Winter 2015 | sunvalleymag.com 83

GETOUTTHERE // events calendar

The Janss Pro-Am.

The Janss Pro-Am Classic March 5 – 7, 2015

The annual fundraising event for the Sun Valley Ski Education Foundation comprises three days of ski racing and festive social events. Pro racers are teamed with amateurs in giant slalom races on the Warm Springs side of Bald Mountain. Costumes required. svsef.org

US Masters Nationals

Dent Conference March 22 – 25, 2015

Now in its third year, the Dent Conference brings together executive directors, CEOs, entrepreneurs, scientists and politicians for presentations and discussions on how to “put a dent” in the future. dentthefuture.com

Get Your Tickets, Student Packages & Gift Certificates Online!

2015 Plays Dial “M” for Murder May 29–August 2

By Frederick Knott

The Tempest June 4–July 24

By William Shakespeare

The Secret Garden

Book and lyrics by Marsha Norman, music by Lucy Simon, based on the novel by Frances Hodgson Burnett July 3–August 30

King Lear

By William Shakespeare August 7–27

The Fantasticks

Book and lyrics by Tom Jones, music by Harvey Schmidt September 4–27

The Kindercup

March 2015 (date to be determined)

more than 300 Idaho children diagnosed with cancer and their families. camprainbowgold.org

Family of Woman Film Festival February 25 – March 1, 2015

Now in its eighth year, the Family of Woman Film Festival brings films from around the world that highlight issues faced by women and girls. Several filmmakers and subjects of the films will be in attendance for discussions. familyofwomanfilmfestival.org

Sun Valley Film Festival March 4 – 8, 2015

Season Sponsor

Season Partners

Season Media Partners

Check out our website at

idahoshakespeare.org or call 336-9221

Featuring cutting-edge films, music, parties and top industry special guests, this festival has quickly earned a reputation as being one of the top film festivals in America. The five-day film festival in Sun Valley offers avant-garde independent films, filmmaker Q&As, the Screenwriters Lab and the Future Filmmakers Forum. sunvalleyfilmfestival.org

M–F, 10 am to 5 pm 84 sunvalleymag.com | Winter 2015

Take your little ones out to Dollar for the Papoose Club’s Annual Kindercup on Dollar Mountain. This fun race for skiers age 3 to 13 started way back in 1957. The free event is a spring tradition for future Olympians. papooseclub.org

Sun Valley Wellness Festival May 21 – 25, 2015

The Sun Valley Wellness Festival is an annual gathering of the nationally renowned speakers and practitioners of mind, body, spirit and environmental wellness. sunvalleywellness.org The Janss Pro-Am.

photographs : craig wolfrom

Sun Valley Resort will host the four-event—slalom, giant slalom, super-G and super combined— national championships featuring some of the nation’s best skiers. ussa.org

/ courtesy the janss cup

March 15 – 20, 2015

Atkinsons’ has your ingredients for the perfect party!

KETCHUM Giacobbi Square 726.5668 | HAILEY Alturas Plaza 788.2294 | BELLEVUE Main Street 788.7788

www.atkinsons.com

86 sunvalleymag.com | Winter 2015

To Tell a Story

The Curious World of Making Movies

BY Adam Tanous // illustration Zack D. Brown

Winter 2015 | sunvalleymag.com 87

After nearly 30 years of producing films, both as a studio executive and as a successful independent producer, Allyn Stewart projects a disarming equanimity about an industry known to be punishing for the fAint of heart.

“You have to realize that 15 no’s don’t mean anything. You get told no most of the time. It doesn’t even matter how successful you are. I’ve had monster hit movies, and the next project I’m starting over again.” This, Stewart explained, is because the stakes are so high. Movies are expensive to make, and they are a single product issuance. Sometimes a movie’s fate is sealed by midnight of its opening night. “It’s not like you can amortize your investment,” she said. “And I’ve had it happen where you spend a year making something, and all of a sudden you wake up and think, ‘Uh, oh.’”

While Stewart may have had her share of “Uh, oh” moments, she has had a remarkably successful career that began in her early 20s working on “Chariots of Fire.” She was a studio executive at Warner Brothers and Columbia, producing films such as “Driving Miss Daisy,” “Dangerous Liaisons,” “Friends At Last,” “Bliss,” “I Dreamed of Africa,” and “Man of the House.”

Four years ago, she started an independent production company, Flashlight Films, with Kipp Nelson, a fellow Ketchum, Idaho, resident and former Goldman Sachs partner. Stewart and Nelson have eight projects ongoing, all at varying stages of development.

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Story, Story, Story

While there are any number of critical paths to making a successful movie, few are as important as the development of a compelling story.

For Stewart, this means answering two key questions. First, is there an audience for the movie? It is difficult to get films financed in today’s industry because, as Stewart pointed out, “audiences have their eyes on a lot of stuff.”

Consider the number of movies released in a given year. According to the Motion Picture Association of America (MPAA), in 2013 there were 659 films released, which is a 35 percent increase over the past 10 years. Then there are cable TV productions, network television shows, pay-per-view series, DVD releases, streaming content, YouTube videos, video games, and the list goes on.

In evaluating a market for a film, a producer has many ways in which to parse the potential audience. One traditional, though crude, approach is to divide the world among those under 25 and those over 25, as well as by gender. A film aimed at just one of those four segments is going to have a tougher time getting financing than is a film targeted at two or three of those markets. While a “Transformers” movie may not appeal to 55-year-old women, it will probably attract a good chunk of the men and women under 25, and perhaps a decent number of men over 25.

Beyond audience, Stewart looks for stories that offer a “transformational experience. Is there a journey? I look for archetypal story and some sort of visual adventure deserving of being on the big screen.”

A case in point is a film project that Flashlight Films is developing about the great American rower Jack Kelly. Kelly was a poor, IrishAmerican bricklayer from Philadelphia at the turn of the century who decided he wanted to join the gentlemen’s sport of competitive rowing. Kelly essentially taught himself to row, then was sent off to fight in World War I. After returning slightly injured, Kelly went on to become the most successful rower in the history of the Olympics.

What’s more, he ultimately married and became the father of film star and eventual Princess of Monaco, Grace Kelly.

When Stewart and partner Nelson bought the script, they knew it was a great story, but it was a bit old-fashioned in the way it was presented. “It’s always a task,” she said, “how to tell a period story in

a way that has a contemporary feel.” This led to two years of rewriting and story development. Paul Tamasy and Eric Johnson, both of whom worked on the screenplay for the 2010 Academy Award-winning film “The Fighter,” wrote the current version of the screenplay, which Stewart loves.

Jeff Rose is an entrepreneur and independent producer who worked at Miramax in the early 1990s, a time when the independent film industry was booming. Currently developing a film project with a screenplay by John Musero, Rose said that successful projects come down to the same metrics as the real estate business—location, location, location—in this case, it’s “story, story, story. And not just what happens and where it happens. In any great movie the story is about characters, and, for me, I like films that touch your emotions in some way.”

Today, stories for movies come from any number of sources besides the traditional screenplay. They might be novels, magazine articles, even comic books. For example, Flashlight is developing the book “Highest Duty,” which is about the emergency landing of flight 1549 in New York’s Hudson River by Captain Chesley “Sully” Sullenberger.

Another project in the works stems from optioning the rights to a New Yorker article about death-row inmate Cameron Todd Willingham.

Winter 2015 | sunvalleymag.com 89

Hollywood Comes to the Gem State A Trailer of Idaho Film History

BY Laurie Sammis

Perched along the northern Rocky Mountains, Idaho has been, for more than 80 years, the unlikeliest of homes away from home for the film industry and its stars. Silent film star Nell Shipman started it all in 1922 when she left Hollywood to make films at Priest Lake, Idaho. And then there was the stroke of marketing genius by Steve Hannagan, publicist for the newly built Sun Valley Resort, who recruited Hollywood stars for the opening of the resort’s lodge in 1936. It was endorsement marketing at its best, lending glamour to an unknown stop on the Union Pacific rail line. The ploy worked; celebrities and their film crews have been coming to the state ever since. Perhaps it is the uncommon beauty of the state, or the off-the-grid feel of it. Either way, Idaho continues to be a film industry favorite.

In our Idaho film history timeline below, we have highlighted some of the key scenes that have played out over the years in the Gem State. Enjoy the show …

90 sunvalleymag.com | Winter 2015

Canadian born Nell Shipman becomes the first woman to do a nude scene onscreen in “Back to God’s Country” (ShipmanCurwood Company), the most successful silent film of the era. In 1922, she moves to Priest Lake, Idaho, to film “The Grub-Stake,” creating her own production company and building her own movie camp called Lionshead Lodge.

Actress Lana Turner is born (Julia Jean Mildred Frances Turner) in Wallace, Idaho.

In the stuff of Hollywood legend, she was discovered at the age of 16 while drinking a soda at Schwab’s Drug Store in Los Angeles. Turner is best known for “Ziegfeld Girl” (1941), “The Postman Always Rings Twice” (1946), and “The Bad and The Beautiful” (1953).

historic photographs : courtesy sun valley company

One of the advantages of owning the story in the movie business is that it buys one some independence. If a studio owns the script, it determines when the movie is made, how it is made, who is involved, and, perhaps most importantly, what the budget is going to be.

For Stewart, with a quality script in hand for “Kelly,” she can now seek out the director she thinks would be best for the project. Having a director “attached” to a project is critical when it comes to finding financing. “You have much greater success finding the money if you can create a package,” she said. Ideally, Stewart would have a proposed lead cast in place, too, but agents will often balk at projects that do not have the financing lined up first.

Because the studios are focused on producing tent-pole movies— big-budget productions of known brands such as “Transformers,” “Fast and Furious” and “Spider-Man”—the majority of films released today are being made independently. The big studios may distribute and market the films, but the actual production costs of the independent films are covered through a myriad of financing methods.

/ nell shipman photograph : courtesy boise state university Special collections and archives

Getting to Green

historic photographs : courtesy sun valley company

One common approach is to leverage both foreign sales and equity financing. To raise cash for production, a producer might sell off rights to foreign box office sales, which can be substantial. To wit, in 2013, total U.S. and Canada box office receipts were $10.9 billion, whereas overseas receipts were $25 billion. Depending on the amount of capital needed, a producer can selectively sell off rights country by country.

Another variation of this approach might be to use the international sales rights as collateral for a bank loan to finance production.

Equity financing of a film entails selling equity in the project itself (and forfeiting a percentage of profits, if there are any) for cash up front. Depending on the size of the proposed film budget, any number of domestic private equity or hedge funds might participate in a given project.

According to Rose, a number of independent financing companies such as Legendary Films and Relativity Media have become very successful over the last 10 years or so financing productions for the big studios. This success has enabled them to expand into production and distribution services, ultimately becoming “studios themselves.”

Given the foreign interest in the sport of rowing and the fact that Kelly’s daughter, Grace, became the Princess of Monaco, Stewart anticipates that 70 percent of “Kelly” might be financed with foreign sales, and 30 percent with domestic equity. But, as she repeatedly pointed out, every movie is different.

Sun Valley Lodge “Opens with a Bang” with deep Hollywood connections; guests include Cary Grant, Greta Garbo, Claudette Corbett, Errol Flynn and famed movie mogul David O. Selznick, best known for producing Academy Award winner “Gone with the Wind” (1939), the highest grossing film of all time when adjusted for inflation.

Action!

To understand the complexity of logistics in making a movie is to begin to appreciate how the costs of films today can skyrocket. Granted, the budgets of films vary dramatically. Production costs for the 2014 release of “The Amazing Spider-Man 2” have been estimated at $220 million.

By contrast, last year’s “American Hustle,” which garnered 10 Academy Award nominations, cost approximately $40 million. And plenty of movies have been made for less than $1 million. Still, it is hard to ignore the observation that costs seem to scale exponentially with the complexity of a film.

In his authoritative book “Making Movies,” director Sydney Lumet describes the logistics of shooting on location for one of his low-budget films, “Running on Empty.” Some of the basic needs on location included a truck for grips (lighting technicians), truck for electrical

Sun Valley is the location for the Tyrolean village scenes in the feature film “I Met Him in Paris” (Paramount) starring Claudette Colbert, Melvyn Douglas and Robert Young.

“Northwest Passage” (MGM) starring Spencer Tracy and Robert Young is shot on location on Payette Lake in McCall. It becomes MGM’s most expensive film since “Ben Hur” (1926).

Winter 2015 | sunvalleymag.com 91

Movie mogul and producer Darryl F. Zanuck produces “Sun Valley Serenade” (20th Century Fox), starring international figure skater Sonja Henie. Local ski school director Otto Lang is hired to stage all skiing scenes, which featured skiing stand-ins performed

by Hans Hauser and local Gretchen Fraser, the first American to win an Olympic gold medal in skiing.

92 sunvalleymag.com | Winter 2015

because, “it’s easier to make a period piece in England,” she said.

In addition to managing this cash-devouring beast of a production team, the producer’s job, according to Stewart, “is to know the essential goal of the story you want to tell and then fight for it every day—and also to know that certain shifts take place. But you have to make sure that there’s nothing you compromise that really hurts the film.”

Rose explained that if a producer has a property that he really believes in, his job is “to make sure that not only does the writer’s vision stay true to what was written, but it becomes better with the addition of a director and actors—a better story, better for the audience.”

Of course, shooting the film is just one phase of production. There might be three months of pre-production, which includes rehearsals, scouting locations, planning shoots, building sets, sourcing costumes and arranging permits. After shooting, there is the post-production, which might take five months if all goes well. The film has to be edited not only for content quality but for tempo and overall length. A musical score will be developed, along with sound effects. Finally, the various audio tracks—dialogue, music, sound effects—are mixed and balanced, then integrated into the film.

Naturally, things don’t always proceed as smoothly as planned.

Actors and directors may drop out, financing can fall through or current events might even alter the market environment and complicate the release of a film. Stewart said that she developed “Forrest Gump” for eight years.

The Army commissions 20th Century Fox to produce an official ski technique film for 10th Mountain Division recruits. Darryl Zanuck hires local Otto Lang, who shoots scenes around Galena Summit and the surrounding mountains for “Basic Principles of Skiing” (20th Century Fox). Lang then leaves skiing to take a position as assistant director with 20th Century Fox where he worked on hundreds of projects as both director and producer, and sometimes writer. He is known for producing “Call Northside 777” (1948) with Jimmy Stewart, and the Golden Globe winner “Five Fingers” (1952), as well as acting as associate producer on the Academy Award-winning blockbuster “Tora! Tora! Tora!” (1970).

“To Have and Have Not” (Warner Brothers) becomes the first onscreen film pairing of the famous duo Humphrey Bogart and Lauren Bacall. It is not filmed in Sun Valley, but is written by local author Ernest Hemingway, with screen adaptation by William Faulkner.

historic photographs : courtesy sun valley company

equipment, truck for generators, truck for makeup and hair, campers for actors, transport vehicles for actors, buses for extras, portable toilets truck, Teamsters personnel, security personnel, cops to control traffic, makeup crew, lighting crew, rigging crew and caterers. Lumet points out that the crew for a large action film can easily get into the hundreds. This doesn’t even factor in the cost of the cast, or permits to shoot on location, or money needed to compensate businesses that must close during filming.

On the movies Stewart has made, which haven’t been big-action films, the average cost to shoot was between $150,000 and $200,000 per day. Part of the producer’s job, she said, is to “make sure you shoot your days. The villains of your day can be bad weather, or equipment malfunction, or an actor is upset and won’t come out of his trailer.

You are very aware of the fact that if that happens for a few hours, it’s $50,000 out the window.” A typical film might shoot for 55 days, so it is easy to see how an even modest film can get expensive very quickly.

While “Kelly” is technically set in Philadelphia and on the Schuylkill River, Stewart and Nelson will look at their options and choose the cheapest location for shooting. One frontrunner will likely be England,

Opening Buzz

historic photographs : courtesy sun valley company

For independent films—those made outside the big six studios (Walt Disney Studios, Paramount Pictures, Sony Pictures, Twentieth Century Fox, Universal City Studios, and Warner Brothers)—the marketing and distribution deals producers can strike with the studios are critical to their financial success. And that deal typically specifies the number of theaters in which the film will open and the dollar amount of advertising the studio will spend to market the film.

It is not uncommon for the marketing budget of a film—whether a studio release or independent film—to be comparable to the production costs. For example, the marketing costs for “The Amazing Spider-Man 2” were approximately $180 million; production costs were estimated at $220 million. For a $30 to $50 million independent movie, a decent ad buy would be $20 to $25 million, Stewart said. But the producer has to fight for it, she added.

Famous action sports ski filmmaker Warren Miller’s first film, “Deep and Light,” (Warren Miller Entertainment) debuts in California. Miller famously bought his first 8 mm movie camera and camped in the Sun Valley Resort parking lot, living out of a teardrop trailer and earning money as a ski instructor (he was originally hired by ski school director Otto Lang in 1946) while filming his trademark brand of ski films.

The mountains around Sun Valley stand in for a small village in the frozen wilderness of Alaska in “Back to God’s Country” (Universal International Pictures) starring Rock Hudson and Marcia Henderson. It is the remake of the 1919 silent film starring Idaho producer and silent film star Nell Shipman.

The other piece of a distribution deal is the release date and number of theaters in which to open. In addition to all of the TV, Internet, print and social media advertising that $180 million will buy, “The Amazing Spider-Man 2” had the advantage of being released in 4,324 theaters, which is considered a “wide” release.

When a studio needs “product” will help determine when a film is released. “Part of it is you want their sole attention,” Stewart said.

A given studio may agree to release a film in 2,500 theaters in July.

However, if the same studio is releasing another movie the next week, it may start bumping the first one from theaters if it’s not performing at the box office. That’s why the opening weekend is so important. More to the point, opening poorly can doom a film’s chance at profitability— the studio will start yanking the film from theaters to make room for another one that may deliver more sales.

There is, however, a ground shift occurring in the film industry with the advent of film-on-demand, streaming distribution.

“Companies like Netflix, Amazon and iTunes have basically provided an endless distribution funnel for films,” Rose said. This fall, for example, Netflix and the Weinstein Company announced that

Actor Groucho Marx, 63, marries actress Eden Hartford, 24, in the Sun Valley Lodge.

Hollywood icon Marilyn Monroe and Don Murray star in “Bus Stop” (20th Century Fox), with scenes filmed in and around the valley, including the North Fork Store and the Susie Q Ranch in Picabo.

Winter 2015 | sunvalleymag.com 93

they would release the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and in IMAX theaters, totally bypassing distribution through theater chains. Netflix also signed a deal with comedian Adam Sandler to finance and distribute through its streaming service four films starting in 2015.

Just as video-on-demand altered the television landscape forever, so too, it seems, will film-on-demand deals disrupt the film industry.

Perhaps most threatened are the big studios and large theater chains that currently wield tremendous market power through their lock on the distribution channels. It may be that the next great business battle will be between old Hollywood and the new technology companies From the ground level, a movie-goer might see the film industry just like Amazon, Netflix, Google (via YouTube) and iTunes. as he or she has always seen it: as a glamorous and lucrative business

churning out a steady mix of blockbuster movies, romantic comedies and a leaner diet of art house flicks. But pull up and away from the industry landscape a bit, and one might see two storylines unfolding.

On the one hand, studios—burdened with high overhead costs and the rising costs of making movies—are making fewer films and safer films. These are what are known as “pre-awareness” blockbuster films—films that are derivative of a brand, such as the “Iron Man” series, or “Transformers.” They are grossly expensive, but if they strike

Sun Valley local Dick Barrymore, who began his film career at the 1960 Winter Olympics in Squaw Valley, Calif., films the cult classic “The Last of the Ski Bums” (1969), followed shortly by “The Performers” (1972), another cult classic. Both films were named as two of the top films for the Ski Hall of Fame and the International Ski History Association “Best 100 Ski Films” ever made.

94 sunvalleymag.com | Winter 2015

“Breakheart Pass” (United Artists) starring Charles Bronson as frontier lawman John Deakin.

Shot at locations in and around Lewiston, Idaho, including the Camas Prairie Railroad (doubling for Nevada).

historic photographs : courtesy sun valley company

Diverging Storylines

“Bronco Billy” (Warner Brothers), directed by and starring Clint Eastwood as “Bronco Billy” McCoy, along with Sondra Locke, is shot in less than two months in Boise, Idaho, in the fall of 1979.

And, finally, there is now the possibility of distributing and marketing through film-on-demand companies. Gone are the days when the studios had complete vertical integration: ownership of the content, stars and directors on contract, financing power and control of the distribution channels.

What has not changed in this century-old industry is its underlying premise: that people care about and are moved by stories. The dramatic arc of a life, if told in a compelling way, can touch even the most cynical of viewers. Perhaps because character determines the outcome of any given story, and the fact that the human character is infinitely unpredictable, we never really know where a story will lead. But we wonder, and that keeps us watching.

historic photographs : courtesy sun valley company

/ napolean dynamite photograph : craig wolfrom

a public chord, they can be grossly profitable as well. “Iron Man 3,” for instance, chalked up a profit of $432.6 million. When Stewart was an executive at Warner Brothers, they were making 25 to 30 movies per year. Now, most studios make eight to 10 per year. Both the quality and quantity of the fare is ever more limited.

At the same time, advances in technology and innovative financing and distribution models are driving a second, more expansive storyline.

Today, over 80 percent of movie screens across the globe are digital.

This reality removes the burden and cost of making a movie with film.

Digital cameras, iPhones, tablets, laptops and other devices offer highquality audio-visual, editing and mixing capabilities at relatively low costs. The era of the micro-budget film is dawning. As Stewart pointed out, “If you can make a film at the right price point—as the Internet is expanding and pay-per-view is expanding—there is a growing value in content. And that’s exciting.”

What’s more, with a range of financing options available— debt financing, equity financing, crowd-source funds and pre-sale agreements—the possibilities for aspiring filmmakers have expanded considerably.

Clint Eastwood breaks the Hollywood mode and films “Pale Rider” (Warner Brothers) on location in the Boulder Mountains north of Ketchum.

“Dark Horse” (Republic Pictures International) directed by former local David Hemmings, stars Ed Begley, Jr., Mimi Rogers, Ari Meyers and Donovan Leitch, with scenes filmed in Ketchum (at Louie’s and Creekside Bar, both now gone), as well as in Picabo and over Trail Creek.

“Town & Country” (New Line Cinema), starring Warren Beatty, Diane Keaton and Nastassja Kinski, becomes the last big budget movie to be made in Sun Valley.

“Napoleon Dynamite” (Fox Searchlight Productions), which was an indie film shot in 22 days and edited on producer Jeremy Coon’s Macintosh using Final Cut Pro, becomes a cult classic. Jon Herder was reportedly paid $1,000 to play Napoleon Dynamite (the film grossed over $40 million in the U.S.). It features the longest cast credits in movie history—all 181 student extras were listed by name in the closing credits.

Winter 2015 | sunvalleymag.com 95

Film Festival Nirvana

A Rundown of the Valley’s Rich Mix of Film Festivals

BY SVM Staff

Sun Valley has long had a storied relationship with the film industry and its stars since the Sun Valley Lodge opened in 1936. Over the last several years, that relationship deepened with the advent of a number of quality film festivals taking root in the Wood River Valley. The stories and issues brought to the screen are diverse; the commitment to quality is uniform across the spectrum. Here is a rundown of the festivals gracing the Valley annually.

Banff Mountain Film Festival: January 30 - 31, 2015

Magic Lantern Film Festivals: May and September 2015

Founded in 1986, The Banff Mountain Film Festival has grown to become a renowned world film tour with an annual stop in Ketchum. Every year, the Banff World Tour organization curates approximately 25 films to take on the road. The subjects run the gamut from climbing, skiing, kayaking and biking, to culture, adventure and the environment.

Past Banff festivals touring Ketchum have been held in support of the Friends of the Sawtooth National Forest Avalanche Center.

It is safe to say that the annual Magic Lantern Film Festivals—held in spring and fall— have become an institution in this valley of cinephiles. Started more than 25 years ago

by Magic Lantern owner Rick Kessler, the semiannual event celebrates art house, foreign, and independent films—works that would otherwise never be available in such a small market.

Typically, the fall festival, held in September, offers three weeks of films; the spring event held in May runs for two weeks. Kessler originally initiated the event to provide cinema buffs a viewing alternative to the fall onslaught of football and baseball playoffs.

A film screening of the Sun Valley Film Festival at the Liberty Theatre in Hailey.

The Fly Fishing Film Festival highlights short films by private and corporate filmmakers.

Sun Valley Film Festival: March 4 - 8, 2015

Freida Lee Mock addresses attendees at last year’s Family of Woman Film Festival.

Family of Woman Film Festival: February 25 - March 1, 2015 The Family of Woman Film Festival—now in its eighth year—brings films from around the world that highlight issues faced by women and girls. Founded by Peggy Elliott Goldwyn (see her profile on page 101) and co-chaired by Stephanie Freid-Perenchio, the festival benefits the United Nations Population Fund (UNFPA).

Each year the group celebrates a theme; this year’s offering is “Women and Their Dreams.” Goldwyn plans on bringing several filmmakers and even some of the subjects of the films to the February gathering, which will feature six films from Nigeria, Iran, Syria, India, Pakistan and Brazil.

The festival will kick off with the Bonni Curran Memorial Lecture for the Health and Dignity of Women. Julie Sheffield, founder of the organizations Family Care International and Women Deliver, will give the opening talk.

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Founded in 2012, the Sun Valley Film Festival enters its fourth year with a fervent Valley following, as well as a growing national reputation. The festival runs for five days with a rich lineup of independent films and support programming. Events include filmmaker question and answer sessions, the Screenwriters Lab, and the Future Filmmakers Forum, which highlights the next generation of talented filmmakers. As always, there will be a full complement of receptions, dinners and spirited discussions about film.

Silver Creek Outfitters Fly Fishing Film Festival: July 2015

Ethan Holt shows off his Gem State Junior Award at the Sun Valley Film Festival.

For those bitten by the fly-fishing bug, the Silver Creek Outfitters Fly Fishing Film Festival is a true gem. Combined with a fly fishing product fair, the festival offers eight to 10 short films each year. The 5- to 15minute-long films are shown on one night at the Sun Valley Opera House. Bryan Huskey, who handles marketing for Silver Creek Outfitters, said the fishing-related adventure films are produced by both private and corporate filmmakers. Huskey finds a number of the films through the Fly Fishing Film Tour (F3T), a national tour dedicated to the sport.

The Sun Valley Film Noir Series held its inaugural event in 2014.

Sun Valley Jewish Film Festival: July 2015

The Sun Valley Jewish Film Festival will be celebrating its third year in July. Ketchum resident Linda Cooper founded the festival in order to bring independent films about Jewish culture to the area. In a recent interview, Cooper explained that annually the festival committee previews over 200 films—all feature length—before making a selection of three or four to present. The films are screened free of charge for the community.

Cooper said that the organization opts for cultural films, not those that are political or religious. She said her aim is to share the Jewish culture with both Jewish and nonJewish audiences.

Annual Warren Miller Film Debut: November 2015

While not technically a festival, the annual showing of the latest Warren Miller film serves as this mountain town’s official opening to winter. This past November’s offering was “No Turning Back,” which takes viewers to the mountaintops of Niseko, Japan, the Swiss Alps, Montana and France, among other distant lands.

Inspired by a 1947 Sun Valley Opera House airing of a John Jay film, Miller began making 8 mm films while living in a trailer in the Sun Valley parking lot. November’s showing marked Miller’s 65th ski film celebrating adventure and mountain life.

Sun Valley Film Noir Series: September 2015

The newest addition to the film festival scene is the Sun Valley Film Noir Series, which premiered this past September with three days of films themed “Dark Dreams.”

The 2014 series opened with the 1944 “Double Indemnity” (1944) directed by Billy Wilder. Also screened were “Laura,” (1944) directed by Otto Preminger, and “Kiss Me Deadly” (1955), which was based on the Mickey Spillane mystery novel of the same name.

The festival was organized by Jeannine Gregoire, who was inspired by a similar concept now in its 38th year at the Seattle Art Museum. In fact, the museum’s film director, Greg Olson, selected the films for the Sun Valley series.

Kaylyn Richardson takes a steep line in Warren Miller’s “No Turning Back.”

Lunafest Film Festival: November 2015

Hunting Film Tour: August 2015

The Hunting Film Tour is a nationally touring event that made its inaugural stop in Ketchum this past August. Scheduled to be back in 2015, the event screens quality films showcasing all kinds of hunting adventures. None of the films are scripted, but rather document a number of characters as they embark on different types of hunts.

Hosted by the Girls on the Run of the Wood River Valley, the Lunafest Film Festival is dedicated to promoting awareness about women’s issues, as well as to bringing women together in their communities. The short films of this travelling festival range from animation to fictional drama and delve into diverse topics, including women’s health, motherhood, body image, aging, cultural diversity and breaking barriers.

Lunafest is now in its 14th year of presenting films by and about women and girls. Proceeds from the festival are used to support The Breast Cancer Fund.

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Stars

in our Midst The film industry is powered by remarkable talent on both sides of the camera. Meet some of the people who make great films possible.

BY Kate Elgee, Danielle Flam, Mike McKenna and Adam Tanous

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Peggy Goldwyn From Sitcoms to Women’s Advocacy

BY Adam Tanous

photograph : cheatwood photography

As founder of The Family of Woman Film Festival, Peggy Elliott

Goldwyn does not traffic in light fare. The films she brings to the festival deal with issues such as female genital mutilation in Mali, acid attacks on women by their “dishonored” husbands in Pakistan, and sex trafficking in Eastern Europe. Ironically, Goldwyn’s work today is a world away from how she made her name decades ago as one of television’s first female comedy writers.

It was a pursuit that started early. “As a child, I was constantly writing skits, sketches and spoofs,” Goldwyn said in an interview this fall. “I was doing comedy, even in grade school and high school, because I always wanted to be a writer.”

To that end, the ambitious 18-year-old from El Paso, Texas, headed west to pursue her dream. She got a job working as a documentary film writer in Los Angeles and loved it. Not long after this, comedy writer Garry Marshall arrived in town to write for the Joey Bishop Show. He was tasked with writing political jokes—not his strong suit— so Marshall turned to his friend, Goldwyn, for help. And, it turned out, she was funny.

Marshall encouraged her to become a comedy writer and introduced her to her eventual writing partner of many years, Ed Scharlach.

The two hit it off and, as Goldwyn put it, “Ed became like a brother to me. And because we were reliable writers, we became the flavor of the month.” The pair was hired to write episodes of “That Girl,” “The Odd Couple,” “Love, American Style,” “Room 222,” “Happy Days,” and others.

It should not be forgotten that this was 1966, and Goldwyn was a 22-year-old woman in an all-man’s world. She used to joke that she was the only “unbearded writer.”

That notwithstanding, Goldwyn said she always felt at home with the comedy writing crew.

In 1969, Goldwyn married Samuel Goldwyn, Jr., son of the legendary filmmaker of the same name. The young couple built an independent film company of their own, Samuel Goldwyn Films (SGF). “It was a real mom and pop operation,” she said. They began by bringing foreign films to the U.S. for distribution and eventually produced their own titles.

Peggy Goldwyn is putting on her eighth film festival this year.

While producing for SGF, Goldwyn raised two children, Liz and Peter, and worked on a number of television projects, both as a writer and producer. After divorcing Sam in 2003, Goldwyn began migrating to the Wood River Valley and eventually moved here full-time in 2007.

Goldwyn’s current life and activities sprang from an invitation to join the United Nations Population Fund (UNFPA) board of directors.

When charged with the task of promoting the UNFPA’s mission of advocating for women and girls, it occurred to Goldwyn that “telling stories through film was the way to engage people’s attention,” she said.

And thus began, in 2008, the Family of Woman Film Festival, now in its eight year.

This year’s theme is “Women and Their

Dreams” and will feature five films about women and girls who have asserted control of their futures. Goldwyn will also bring several of the filmmakers and subjects of the films to the festival.

The funds Goldwyn raises through the festival this year will benefit the organization Women Deliver, a collaborator with UNFPA. Goldwyn acknowledged that the money she raises at this festival is not enough to make a dent in the problems women face across the globe. But, she was quick to add, “There is a ripple effect. I do believe that the people who come to these films have spheres of influence. Who knows how much money you raise in the long run because a film sticks in someone’s mind?”

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Leah WarShawski & Todd Soliday Effecting Change Through Film

For the husband and wife duo, Todd Soliday and Leah Warshawski, documentary filmmaking

was not their first choice in careers. “My father worked in documentary film, and he warned me against it my whole life. There’s no money in it,” Warshawski said. “And yet, somehow, here I am,” she added with a laugh.

Soliday, who left his family’s northern Idaho homestead to work for a TV station in Seattle when he was 17, said he “fell in love with the adventure. Getting out into the world and stretching ourselves to tell a story, getting to meet people along the way—that’s what I’m hooked on. Film is just the medium we use to do it.”

Both together and independently, they’ve worked for many of the major television production companies, including Discover, National Geographic, Outside, TLC, CBS, NBC and ABC. They also create music videos, commercials and reality TV shows in between their global adventures. “We do the corporate work to fund our independent documentary projects,” Soliday said. “It’s the only way to afford it.”

Their most recent project, “Finding Hillywood,” which screened at the 2014 Sun Valley Film Festival, focuses on a fledgling Rwandan film festival and its power to heal a nation struggling to cope with trauma.

They are now working on a second feature documentary film, “Big Sonia,” about a largerthan-life, 89-year-old woman who owns a shop in a crumbling Kansas City mall.

Under the umbrella of their limited liability corporation, Inflatable Film, these two have become a tag-teaming, soup-to-nuts operation.

Warshawski does most of the development before directing and producing, while Todd also directs, edits and takes over the postproduction tasks. Together they market and distribute their films through platforms such as iTunes, Google Play, Amazon and Netflix.

Surprisingly, neither filmmaker has a

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background in the genre; Soliday studied history and Warshawski Japanese. But their personal relationship solidified through a love of film. “She was my dream girl and partner, in both life and work,” Soliday said. They met in Seattle through mutual friends working in the industry. However, before he proposed, he said, “I had to see if she liked the mountains.”

As it turned out, she loved the mountains, so much so that the couple decided to marry here, in the River Run Lodge.

For these two adventurers who split their time between Ketchum and Seattle, “This is a little slice of heaven,” Warshawski explained.

She learned to surf while living in Hawaii and is now learning “to surf on snow.” They get their adrenaline fix by hiking, kayaking, mountain biking and paddle boarding (which recently inspired a short film for Outside Television of Hawaiian C4 watermen surfing the Salmon River.)

“There is an attitude here—a lifestyle attitude,” Soliday said. “People are here because they really want to be, and there are stories to be told in that. This place is just ripe for filmmaking.” The pair has a few Idaho projects in the works, including a potential reality TV show in Meridian.

“Documentary filmmaking is important for its ability to effect change, to influence policy and conversations,” Warshawski said. “Not every film is a tool for social commentary, but you can impact people in a unique and emotional way.”

“If we can reach one young person, to change their mind or be active or engage in something, then we’ve done our job,” Soliday added.

Their next journey may lead them to New York, Africa or Hong Kong. But when the camera is off, they’re in the mountains, on the water, chasing horizons and fall lines, searching side by side for the next heartpumping adventure and their next “Big Sonia.”

photograph : courtesy leah warshawski and todd toliday

BY Kate Elgee

Warshawski and Soliday’s film projects often entail adventures across the globe.

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Bob Poole filming on the biggest of stages

BY Adam Tanous

Anyone with a taste for adventure would want to lead Bob

Poole’s life. For much of his adult life, Poole has been tracking and filming wild animals all over the world. His cinematography work has been the subject of documentaries by Nova, PBS Nature, Discovery Networks, National Geographic and the BBC. And, by the way, there was an Emmy Award along the way for his work on the National Geographic film “Great Migrations.”

That’s not to say his is an easy life. In my last correspondence with him from Mozambique, he was recovering from his fourth bout of malaria. Over the years there have been exchanges with poachers, close calls with elephants and travels through roadless territories in a war-torn Sudan. But clearly Poole is a man who has found what he loves to do on a continent that is both wild and complicated but with as big and dramatic a stage as one could hope to work on.

Born in Connecticut, Poole moved with his family to Malawi when he was 3. His father, a director with the Peace Corps, held posts first in Malawi, then in Kenya. By age 5 Poole was living alongside sisters Joyce and Ginny in Kenya. What he remembers most about those childhood years was “camping with my family in the African bush and the 104 sunvalleymag.com | Winter 2015

incredible and abundant wildlife.”

Poole’s father died in a car accident when Poole was 17, but prior to his death, he had arranged for his son to join a project darting and relocating Cape buffaloes. The helicopter pilot on the project, Wolfgang Bayer, was also working on another project with National Geographic filming elephants. He asked the 17-year-old Poole if he’d like to come along.

“That’s when I got a lucky break driving the camera car and guiding the crew to places where they could film elephants.”

After returning to the U.S. to earn a degree from Montana State University, Poole had a second lucky break. He was kayaking near Jackson, Wyoming, when he ran into Bayer, who hired him on the spot to work on his wildlife films.

Much of Poole’s work has centered on Mozambique’s Gorongosa National Park, which he said, “was once perhaps the best park in all of Africa.” However, Mozambique suffered a 15-year war for independence, followed by a 17-year civil war that killed more that a million people. “It brought the country to its knees,” Poole said. “Almost everything in the country was destroyed, including the national parks and the wildlife they were home to. Gorongosa was hit as hard as anything because it was the spiritual

home of the resistance and an asset for whatever army controlled it. The animals fed the troops; the elephants were killed for their ivory, which was exchanged for arms.”

However, in 2008, Greg Carr, an entrepreneur and philanthropist, signed a 20-year agreement with the Mozambique government to restore the Gorongosa ecosystem. “Thanks to Carr, the wildlife is rebounding,” Poole said.

For the past two years, Poole has been working on a six-hour series for PBS and National Geographic International on Gorongosa. Scheduled to air in the fall of 2015, Poole served as both the director of photography and the on-camera person through whom the story of the park is told.

Wrapping up the Gorongosa film in September, Poole and his wife, Gina, headed to the Mozambique coast, then back to Ketchum for a few days, then New York, then on to Bristol, England, for the Afrika Eye Film Festival. Come January, he’s back to Kenya to start a new film project on elephants.

With such a peripatetic lifestyle, I asked Poole what he missed most when he was out there in the middle of Africa.

“Sometimes I worry that I might be missing a powder day.”

photograph : gina poole

Bob Poole working in Gorongosa National Park.

TARA BUCK Big Dreams / Small town roots

BY Mike McKenna

photograph : courtesy tara buck

If you ask any of actress Tara Buck’s longtime friends if they

ever thought she would be best known for screaming, most of them smile and say, “No way!”

Buck, they will tell you, is a sweetheart, not the type of person you would picture starring in a gory, lewd and extremely popular HBO show about vampires. Heck, she was a cheerleader for Wood River High, for crying out loud!

Best known and much beloved as “Ginger” on “True Blood,” Buck has built an impressive résumé as an actress. But long before she became a famous “scream queen,” she was just another local kid with big dreams.

“I consider it my home,” Buck said about Hailey and Sun Valley, while at her current home in Southern California. “It’s a really special place. The people and relationships you form there are so special. It’s unlike anyplace else.”

After graduating from high school and cutting her teeth in local plays, Buck headed to Los Angeles to study acting. She didn’t have a single connection in Hollywood but felt like she had an entire community rooting her on back in Idaho.

“I always had a core belief I could make it happen, but it was also incredibly daunting,” she said about the beginning of her career.

“I really believe that being raised in a place like Sun Valley, that’s so supportive, makes a big difference.”

Buck especially credits her former high school English and drama teacher, Bob Kesting. “He really encouraged me to continue on and to do it. He really believed in me and helped me pursue my passion,” she said.

It’s a passion she’s proven to be pretty darned good at. Her résumé includes guest star spots on some of the most successful TV shows of the last 15 years, from “Party of Five” and “The X Files” to “Bones,” “Southland” and “Criminal Minds.” Despite her success, Buck’s friends will also tell you that she has remained as humble, as sweet and down-to-earth as ever.

“The most important thing you can do in life is to stay grounded. I’m glad people

Tara Buck starred as Ginger in “True Blood.”

see me that way,” Buck said, when told her friends are impressed with her humility, especially given the fame she has garnered for her unique, and rather humorous, ability to scream. “If people know you and recognize you and support your work, who cares why?”

In 2012, Buck married musician Chris Pierce. The two return to Idaho regularly, but not as much as she would like.

“People who have never been to Idaho have no idea how special it is,” she said, recalling the first time she brought her native Angelino husband to Sun Valley. “People are

shocked to find out how incredibly beautiful it is and how cultured the people are here.”

As Buck continues to add to her impressive filmography, she will undoubtedly continue to be thankful for the people and place she’s always called home.

“What I love most about Sun Valley is that it cultivates big dreams. It offers all the best things in life: great people, diverse culture and lots of natural beauty, all in one small place where everybody knows you,” Buck said, adding, “Growing up there gives you wings!”

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Holly Foster WElls Preserving the Legacy of Peggy Lee

BY Danielle Flam

vocalists of all time, many people in the Wood River Valley, when asked if they’ve heard of Peggy Lee, say they aren’t entirely sure. This is precisely what Holly Foster Wells, granddaughter of the famous singer-songwriter, loves about the Wood River Valley.

When Wells was growing up in Ketchum, she spent her vacations at Peggy Lee’s home in Los Angeles and often went on the road with her. They traveled the world together, visiting Australia, Japan and even the White House. But after each vacation, she would come back to Idaho, where she’d tell people about whom she met, and they would say, “Who?” This she found incredibly grounding. “No one at Hemingway Elementary cared that I had met Elvis over the summer!” she exclaimed.

Interestingly, Peggy Lee, best known for her songs “Fever,” “Big Spender,” and the soundtrack to “Lady and the Tramp,” never visited Sun Valley. She, nonetheless, has a presence here. When Wells was ice-skating with her kids at the Sun Valley Lodge over the summer, she heard “Big Spender” playing over the sound system. And then there are the Peggy Lee gowns and wigs floating around the Valley; Lee used to send them to her daughter, Nicki Foster, to wear in community theater shows in Ketchum. Lee even sent the gown she wore on the Nat King Cole Show so that Wells could dress up as a princess for Halloween.

Today, Wells runs her grandmother’s music company, Peggy Lee Associates. It is a job Lee groomed her for over the course of their remarkably close relationship. Wells and her team manage Lee’s 1,000 recordings, as well as over 200 songs she wrote. They control her name, likeness and image, put out CDs of her music and license her music for films, TV shows and commercials. Her favorite part of the job is when people make requests that allow her to go through her grandmother’s catalogue. For example, they’ll ask for something upbeat of Lee’s from 1952, and Wells gets to suggest a song.

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Running Peggy Lee Associates has changed Wells’ perception of her grandmother. Lee was known for being a perfectionist, but now, as head of the company and with a perspective on the business side, Wells has begun to understand why it was necessary. “She knew the way she wanted things to sound. When I was younger I thought it was a pain in the butt, but now that I am in that position, I, too, have to say ‘no’ a lot in order to preserve her legacy.” It makes Wells happy to know that she understands what Lee would have wanted her to do and the way she would have wanted it done.

Wells is currently working on a Peggy Lee biopic, written by Pulitzer Prize-winning playwright Doug Wright and directed

by Todd Hayes. The film will star Reese

Witherspoon, who became involved through a stroke of luck. Wells read an interview with Witherspoon in which she was asked about whom she would like to see a musical biopic made. Witherspoon replied, “Peggy Lee.” Wells jumped at the opportunity.

Not only does she think Witherspoon has enough mainstream appeal to introduce Lee to a new generation, but she also remembers her grandmother loving Witherspoon. “We watched ‘Legally Blonde,’ ‘Pleasantville’ and her other movies together.”

The film is still in the early production phase, but with Wells as a consultant, it’s sure to be a fascinating and intimate reflection of the singer, songwriter, composer, and grandmother that is Peggy Lee.

photograph : courtesy holly foster wells

Despite her reputation as one of the most influential jazz

Holly Foster Wells with her cardboard office companion Peggy Lee, the singer-songwriter behind the hits “Forever” and “Big Spender.”

Dan Wells Get A Grip

BY Danielle Flam

photograph : courtesy dan wells

Dan Wells on set in Los Angeles.

Hearing Dan Wells describe his job is like listening to a foreign

language or, at least, a new dialect. In Wells’ words, he is a grip and a best boy. He keyed the TV show “Rules of Engagement,” was a best boy grip for the film “(500) Days of Summer” and for the television series “The King of Queens,” and worked on the rigging side of “Get Him to the Greek,” “Oceans 11” and its two sequels. But for Wells, this Hollywood lingo is just part of his daily parlance.

What is a grip? According to Wells, “There is not a simple answer for what a grip does.” Perhaps it’s not surprising for a

job with such an unusual title. Put simply, a grip is the person responsible for the setup, adjustment and maintenance of production equipment on a set. This can include camera support, lighting and mechanical rigging and a number of other responsibilities.

“We do a lot of lighting,” Wells explained.

“We shape the light. We fly big silks with cranes and condors. We’re also camera support. We’re the ones who mount cameras on cars, planes, and helicopters.”

A best boy is a key grip’s second man.

The term is rumored to originate from when the head of the grip or electric department needed another body; they’d ask another

department head to “lend me your best boy.”

Best boys are responsible for the day-to-day operation of the grip department, including everything from hiring, scheduling, management of crew and ordering inventory, to coordinating with rigging crews and more.

When working as a key grip, Wells said, “If I go in and do a scout, and I say, ‘I need x, y, and z,’ then the best boy will go and get them.” It’s not uncommon to bounce from being someone’s boss to being a hammer (a nickname for a grip), then back to key grip, as Wells often does.

Wells wasn’t always so comfortable with this Hollywood dialect. He grew up in the Wood River Valley, his parents still live here, and he returns two to three times a year with his two children and his wife, Holly Foster Wells. Though the couple graduated from high school together, they had not seen each other for 10 years when they reconnected on one of Foster Wells’ trips to the Valley.

When Wells first moved to Los Angeles, he knew nothing about Hollywood. His wife set up job interviews for him at two different production companies. He picked a job at Carsey-Werner, “because it paid $5 per hour more than the other,” he said. He worked at the company’s set storage warehouse, loading and unloading sets for two months before they promoted him to grip. “They shipped me over, and I was a grip before I even knew what a grip did,” Wells joked. “From there it was just learning.” It wasn’t long before he moved up the ranks again and started keying, which has to do with manipulating lighting and backgrounds to achieve special effects.

Speaking to Wells, it’s immediately clear that he’s “so not Hollywood,” as his wife said. She jokingly recounted a time when he came home and said, “I played basketball with Tom Clooney.” Foster Wells had to ask, “Do you mean George Clooney?”

Despite not being entirely hip to the actor scene, Wells said that the best thing about working in Hollywood is that he loves the people he works with. “I meet a lot of really interesting people and get to go a lot of places other people don’t—like in a lot of the old hotels closed for asbestos.”

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This Idaho Town:

Preston, Idaho 108 sunvalleymag.com | Winter 2015

Put on the Map by “Napoleon Dynamite,” Preston Endures Its Fame 10 Years Later

BY Mike McKenna // PHOTOGRAPHY Craig Wolfrom

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For the most part, there’s nothing particularly special about Preston, Idaho.

But the pretty and predominantly Mormon town of 5,204 found its own 15 minutes of fame thanks to a hit Hollywood movie; a fame that appears to be lingering. Even though the locals may be a bit tired of it all, being home to “Napoleon Dynamite” will long be Preston’s biggest claim to fame.

‘Flippin’ sweet!’

It’s been a decade since “Napoleon Dynamite” found surprising success at theaters nationwide. Written and directed by former Preston residents Jared Hess and his brother Jerusha, the film’s quirky humor, memorable one-liners and odd but endearing characters instantly resonated with audiences. The movie has become a cult classic. Its 10th anniversary celebration last summer received loads of press and even included the unveiling of a Napoleon Dynamite statue, wearing a “Vote for Pedro” shirt, of course, in Los Angeles.

The film’s widespread popularity instantly made Preston a tourist destination. The town even held a “Napoleon Dynamite Festival” for a few years before interest died down.

While the tetherball may be missing from its post, and Big J Burger has had a facelift, Preston doesn’t look much different from the way it did in the movie.

So when the odd tourists, like journalists from Sun Valley, still come in search of Napoleon’s house or the old bowling alley, they don’t leave disappointed. For the most part, locals are still tolerant, if not overly welcoming, about it all. There’s even a sign that reads “Heck Yeah, Napoleon Dynamite’s House” in the front yard of the brick, ranch-style landmark. The house and dirt road look pretty much the same way they did when Uncle Rico threw a steak like a football at Napoleon’s head and a llama named Tina lived in the pasture next door.

The Pop’n Pins Bowling Alley is one place in town that still celebrates its legacy.

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While the tetherball may be missing from its post, and Big J Burger has had a facelift, Preston doesn’t look much different from the way it did in the movie.

Winter 2015 | sunvalleymag.com 111

photos from the shoot still adorn the wellmaintained, retro bowling alley. But the walls of the Pop’n Pins seem to be more nostalgic for the movie than most of the town folks.

“A lot of people came here for a while because of the movie, so it was a good plus for the town for a while, but it’s starting to die down,” said Chris Pitkin, who was born, raised and is now raising his own family in Preston, and whose grandfather owns the alley. “But everyone here is pretty much over it. I know I am.”

‘Heck yes!’

One of the first things visitors to Preston notice is how pretty the Cache Valley is.

The sweeping valley is awash in lush farm fields, sprinkled with deciduous trees and surrounded by mountains—the Bear River Mountains to the east, and the Wellsville and Bannock ranges to the west.

The Pioneer Historic Byway (Highway 34) slices through the Cache Valley, following the Oregon-California Trail for a spell and passing by what the region had been most famous for—before “Napoleon Dynamite” came to town—the Bear River Massacre site. In late January 1863, shortly after Idaho’s first permanent settlement was formed in nearby Franklin, U.S. soldiers killed more than 250 Shoshone men, women and children in one of the worst slaughters of Native Americans in the history of the West.

Later that same year, President Abraham Lincoln gave the Gettysburg Address.

While Lincoln was extolling that “this nation, under God, shall have a new birth” in Pennsylvania, scores of Mormons were following similar advice from Brigham Young and starting communities throughout the Intermountain West. The Cache Valley to the north of the Great Salt Lake became a popular destination, especially after Young declared, “No other valley in the territory is equal to this.”

The Bear River meanders through the northern section of Cache Valley and where it crosses Highway 34 is where you can find the Riverdale Resort. The heated mineral springs resort opened in 1984, after the rancher who owned the property finally figured out why the snow was always melting in one section of his property.

The natural hot springs resort is a popular spot for families and is open year-round.

Even though Riverdale wasn’t in “Napoleon Dynamite,” the director of the film 112 sunvalleymag.com | Winter 2015

does come for a soak every now and again, according to Sara Argyle, who owns the resort.

“A lot of locals will roll their eyes when you ask them about it,” Argyle said of the film, as she gave photographer Craig Wolfrom and me a tour of the property.

“But you’re in Preston and it’s part of the attraction. People definitely still come here because of the movie.”

Eat & Stay Tattles Bar & Grill on the western edge of town is the spot for a tasty traditional breakfast or lunch. The New York Deli on Main Street is a great spot to grab a mouth-watering sandwich served with ribbon fries or freshly cut steak.

Most locals say El Tapatio Restaurante is the best Mexican restaurant in town.

The Plaza Motel is on the south side of town by the Pop’n Pins Bowling Alley. The Riverdale Resort, about six miles north of town, offers rooms that include Jacuzzi tubs and passes to their outdoor natural hot springs.

‘Whatever I feel like I wanna do, gosh!’

One thing people definitely do not come to Preston for is the party scene. Liquor laws in Franklin County, Idaho, are very strict.

Most places, like the bowling alley or the most popular restaurant in town, New York Deli, don’t sell alcohol.

The town offers two bars for the general public. Both bars offer beer that’s 4 percent alcohol by volume or below. Last year, after jumping through numerous hoops with the town and county, the Owl Club started selling wine as well.

Located in the heart of Main Street, the Owl Club has been a staple of Preston since 1934, although women weren’t allowed in the place until 1975, earning the club the nickname “man’s last hangout.” The pool hall and watering hole is, like many old Western bars, long and narrow. But unlike most, it’s exceptionally clean and uncluttered.

Rose and Steve “Buck-O” Berquist have owned the place for close to two decades now.

“It’s the ‘Cheers’ of Preston,” Steve Berquist said, and his words were prophetic.

As soon as photographer Wolfrom and I entered the bar, all eyes were on us. Several

folks even leaned out of their barstools to see what Wolfrom was doing once he began taking photos. Almost instantly, a woman at the bar yelled out, “It’s not nice to take pictures of people without their permission!”

By the time we’d finished our first round of beers, explained that we were doing a story for Sun Valley Magazine and would be happy to delete any photos of people unwilling to take part, the bar had basically emptied out. We’d ruined the Saturday night of nearly 20 locals.

Among the handful who remained, one transplanted local offered up some commentary on life in the heavily Mormon community, but asked to remain anonymous. “This is the type of place where they don’t ask you your religion, they ask you which ward. Everyone is pretty much LDS around here. Some of us just don’t practice it as hard. But if pictures of people drinking showed up in a magazine, it could hurt their businesses or jobs.”

The folks over at Preston’s other bar, Tattles, take on more of a Napoleon Dynamite approach to their lives and do what they want to do. Catering to a younger crowd and popular with the non-Mormon residents of the area, it has a fun and festive atmosphere.

Tattles offers a breakfast and lunch restaurant on one side and an A-framed bar on the other. Joyce Pitcher has owned Tattles since 1999. She renamed the former Al Joes Bar “Tattles” because she thought the name was a perfect fit for the community. “It’s a small town,” she said before returning to the kitchen to cook up another breakfast order. “Everybody talks.”

Pitcher is certainly right. A decade later, people are still talking about “Napoleon Dynamite” and making pilgrimages to the little Western town where it was made.

The local paper, The Preston Citizen, even offers a map of sites from the film and sells related merchandise.

Sure, most people in Preston may be over the town’s 15 minutes of fame, but loaded with funny catch phrases and ultimately heart-warming humor, there’s no doubt high school kids in Idaho and across the country will be watching and quoting “Napoleon Dynamite” for decades to come.

There are, of course, worse claims to fame than being the home of a character about whom movie posters announced: “From rural Idaho comes a new kind of hero!”

Preston living combines the familiarity of small town social gathering spots with the calm beauty of rural Idaho. At top, diners share a meal at the New York Deli. The Owl Club and the Worm Creek Opera House, below, are popular destinations for the evening crowd.

Winter 2015 | sunvalleymag.com 113

L I N DA C H R I S T E N S E N DIALOGUES

D E C E M B E R - J A N U A RY

GAIL SEVERN GALLERY 400 First Avenue North

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PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 • 208.726.5092 Fax W W W. G A I L S E V E R N G A L L E R Y. C O M

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info@gailseverngallery.com

sunvalleymag.com/SPARK/ art | design | innovation

art & galleries p. 116

virtual galleries

p. 118

art & technology

p. 122

local art galleries

DON’T MISS •

galleries

Technology and art, at first blush, would seem to be at odds. Increasingly, however, the arts world is embracing the role of technology.

Last summer, the advocacy organization Americans for the Arts held its annual conference in Sun Valley for the first time. Read about what they learned and the policies they have adopted to advance art through the use of technology.

Winter 2015 | sunvalleymag.com 115

ART // virtual galleries

Gail Severn Gallery has embraced technology in marketing its art.

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virtual galleries Local Art Galleries Leverage Advances in Technology

photograph : courtesy gail severn gallery

BY Cheryl Haas The Internet and other forms of technology have had a dramatic effect on the way galleries sell and market art. Less than 10 years ago, by definition, a gallery was a beautiful bricks-and-mortar space. Today, serious collectors can browse through an online gallery at their leisure anywhere in the world.

Barbi Reed, owner of Anne Reed Gallery, took her gallery completely online in 2009.

“We were pioneers,” she said. “Maybe the first established gallery, representing wellknown artists, to totally relinquish its space in favor of focusing attention on what I instinctively felt was the new paradigm. It was obvious that the Internet’s power lay in its ability to convey information, through both words and images. That being said, the value of seeing art in physical galleries can never be underestimated. It is not an either-or debate.”

“Absolutely, we’ve seen a huge difference (with technology),” said Gail Severn, owner of the Gail Severn Gallery, a bricks-andmortar gallery in downtown Ketchum.

“It has changed the way we do all of our marketing, promoting and communicating.

We use email, our webpage, Facebook, Twitter, Instagram and blogs in an effort to reach out to our customer base as a means of educating and informing them.” Severn said that during a recent area conference, the gallery sent out a tweet to participants and reached potential customers who might not have known the gallery existed. “We can stay connected to our customer base, whether they are on vacation or traveling on business half a world away.”

Severn pointed out that one enormous change in her business has been the influx of digital photography. “It has replaced the traditional form of photography. We used to shoot 4-by-5-inch transparencies to make prints, but digital has made the process much simpler. We can create a large format in high resolution and use the image for many different media.” However, she cautioned,

even with all the benefits of technology, color may display quite differently on different computer monitors.

L’Anne Gilman, owner of Gilman Contemporary, said she “is a firm believer in bricks and mortar” and that only 2 percent of the gallery’s sales are online. While she uses Instagram, email and a website to stay connected to her customers, she said that most clients have already physically seen work by the same artist before they buy.

“The bricks-and-mortar model works for me because part of what I love about my job is the relationship you build with the client you meet,” Gilman said. “Online is not the same. For me it’s a very personal thing. My clients like that. They want to feel secure with who they’re buying from.”

Gary Lipton, owner of Lipton Fine Arts, a gallery that is open two days a week, said his gallery does 95 percent of its sales online. “In Ketchum, Idaho, with a population of 3,000 people, there’s no need to have a large gallery with overhead costs. A lot of people who walk in a gallery have no idea what they’re looking at—they just think it’s pretty. I don’t see a lot of curatorial knowledge. My online buyers are educated and know exactly what they’re looking at. They are very specific: they want to know the provenance, the condition and what’s my best price.”

“My model has made my business very successful,” Lipton said. “I don’t have any overhead, my physical gallery is open only two days a week, and I can enjoy my life, which I do!”

Gail Severn said that technology has changed how people think about art and what art is. “Now, any opening or event is one click away from thousands of people seeing it via various social media outlets,” she explained. “Projects like the Bay Lights in San Francisco (baylights.org) are a perfect example of how technology and art impact peoples’ lives. What has not changed is that most people still want to feel connected to their art.”

Winter 2015 | sunvalleymag.com 117

Virginie Baude

The Aspen Trail oil on linen 72” x 48”

K N E E L A N D G A L L E R Y 271 First Avenue N, Ketchum, ID 83340 PO Box 2070, Sun Valley, ID 83353 www.kneelandgallery.com art@kneelandgallery.com 208.726.5512 • 800.338.0480 Winter 2012 | sunvalleymag.com 117

ART // art & technology

The Leading Edge Where Art and Technology Intersect

BY Cheryl Haas On a Friday evening during last fall’s annual Wood River Valley Studio Tour, a group of collectors and would-be patrons gathered in the Wood River Fine Arts gallery and listened to owner Tom Bassett describe the process of casting bronze.

Because the finished piece is often much larger than life, the artist first creates what is called a maquette—or small version—that allows the artist to work out the compositional details. Technology has dramatically changed how the maquette can be “scaled up” to the finished size. What used to take months, measuring by hand with calipers and rulers, can be completed in weeks through laser scanning and computeraided design. It’s a telling example of how technology intersects with art. And Sun Valley is poised to become a prominent voice in the national discussion of how that interface will define arts and audiences.

Last summer, Americans for the Arts, the advocacy body best known for establishing the National Endowment for the Arts, 118 sunvalleymag.com | Winter 2015

convened its annual Leadership Roundtable in Ketchum.

“We want to expand the value proposition for arts,” said Robert Lynch, president and CEO of Americans for the Arts. While no one questions the value of technology, “corporate leaders want to know the practical value of the arts before they think about funding. So we tell the story through the prism of money.” The annual economic impact of the arts in the Wood River Valley is estimated to be $10 million.

This was the first time the roundtable program partnered with a community of arts leaders rather than one institution.

“Arts leadership in the Wood River Valley is really stellar,” said Marty Albertson, chair of the Sun Valley Marketing Alliance and the driving force behind landing the roundtable. “This event raised Sun Valley’s national profile as a tourist, intellectual and cultural destination. It allows artists and arts advocates in the local community to insert their voices in the national dialogue.”

The local planning committee included Suzanne Hazlett, artist, and president and co-founder of the Wood River Valley Studio Tour; Claudia McCain, chair of the Ketchum Arts Commission; Trina Peters, board member of the Sun Valley Center for the Arts and member of the Ketchum Arts Commission; Kristin Poole, artistic director of the Sun Valley Center for the Arts; Gail Severn, owner of the Gail Severn Gallery and president of the Sun Valley Gallery Association; and Jennifer Teisinger, executive director of the Sun Valley Summer Symphony.

They were joined by artists, philanthropists and corporate leaders, including members of The Conference Board, an influential business research firm that provides authoritative data on leading economic indicators. “The Conference Board is a spectacularly powerful organization,” Lynch said. “And they’re saying that the number one thing businesses want in workers is creativity.”

The roundtable discussions led to four policy recommendations that local leaders are already adopting as way points to further increase arts advocacy.

ART // art & technology

First, the group suggested the use of technology to market the arts to new communities in user-friendly ways. For example, Suzanne Hazlett uses social media as a way to promote the Studio Tour and to attract visitors into the studio so they can experience the making of art. “We want to create personal experiences that will engage people,” she said. In addition to organizing presentations such as Bassett’s, Hazlett reached out to new constituencies by providing transportation for senior citizens and creating a virtual tour online.

A second point of action was to identify ways to embed the arts industry into the corporate ecosystem and culture: specifically, tech companies who use a creative workforce.

“In the Wood River Valley, we have a lot of connections to Seattle and the Bay Area,” Hazlett explained. “Many of those tech companies have major art collections.” In one example of embedding arts into the corporate ecosystem, Lynch cited the Kohler Company, the first company to make plumbing fixtures fashionable. “For 40 years, Herb [Kohler, Jr.] has had artists in residence at the plant in Wisconsin,” Lynch said. “The artists stimulate new thinking, new design and new products. It’s a win-win.”

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A third recommendation was to use technology to allow all communities to engage with resources for direct arts education experiences. Poole said the Sun Valley Center for the Arts is planning a project on drones and robots. She wants to bring in Camille Utterback, an artist who garnered a MacArthur Foundation Genius grant for her “digital technologies that create visually arresting works that redefine how viewers experience and interact with art.” Utterback visited the Arts Center in 2004 and told Poole that it was essential for young students to know basic computer programming.

“We want the producers of events such as TED, SxSW and WIRED By Design to introduce the narrative of Americans for the Arts into their events.”

–suzanne hazlett, president of the wood river

valley studio tour “Utterback said that as a young artist she saw a lot of young men in the tech world but

few girls. I’d like to bring her back to work with young women at the high school,” Poole said. “We’d like to find a way to enhance computer programming opportunities for students in the Wood River Valley.”

Finally, the group vowed to further engage the tech community to appreciate and support the arts. “We need to engage and inspire creative thinkers to adopt what we’re trying to achieve here,” Hazlett said. “We want the producers of events such as TED, SXSW and WIRED By Design to introduce the narrative of Americans for the Arts into their events.”

“One of the highlights of the roundtable was seeing the leaders of this arts community coming together for a single cause,” Albertson offered. “The outcome was wonderful.”

Snagging the Leadership Roundtable was a major coup, and the accomplishment continues to pay off. Lynch said he was impressed by the level of community engagement in Sun Valley and has already committed to coming back.

“My hope is that we have a longstanding partnership with Americans for the Arts and establish Sun Valley as a center for arts development, education and advocacy,” Albertson said.

photograph : brennan rego

Participants at the Americans for the Arts Leadership Roundtable.

Left to right: (Front row) Trina Peters, Nora Halpern, Gail Severn, Kristin Poole, Suzanne Hazlett; (back row) Claudia McCain, Marty Albertson, Robert Lynch, Jennifer Teisinger.

DILATE YOUR EYES.

Sun Valley, Idaho

Gary Lipton • 248.561.5120

ART // galleries

Walter Martin and Paloma Muñoz, The Search C-print mounted on plexiglass at Gilman Contemporary

local art galleries Exquisite Art in an Accessible Setting The Wood River Valley is a small community with the artistic sensibilities of a cosmopolitan center. From Chagall to Andy Warhol, Boaz Vaadia to Carl Rowe, the art displayed in the more than 20 art galleries of the area is not only eclectic but world caliber. Here’s a peek at what’s showing this winter.

aurobora 340 Walnut Avenue Ketchum, ID 415.546.7880 www.aurobora.com works on paper | www.aurobora.com | 340 Walnut Avenue, Ketchum | 415.546.7880

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Jennifer Bellinger Art Studio & Gallery 511 East 4th Street Ketchum, ID 208.720.8851 www.jenniferbellingerfineart.com

Marc Chagall, Bay of Angels Lithographic Poster at Lipton Fine Arts

friesen gallery Sun Valley Road at First Ave Ketchum, ID 208.726.4174 www.friesengallery.com

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Tom Lieber, RED OVER, oil on canvas, 72’’ x 72’’

Contemporary realism paintings & sculpture by nationally known Idaho artists Jennifer Bellinger, Russ Lamb, Dave LaMure, Jr. & Ken Newman; Also Canadian painter Ian Roberts & renowned mountaineer Lou Whittaker’s bronze “Mountain Guide,” Wes Walsworth Fine Furniture, Michele Black art jewelry, Gabriel Embler river rock stone vessels.

Jennifer’s paintings can be found in public, corporate & private collections worldwide.

Commissions accepted.

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Friesen Gallery exhibits contemporary paintings, glass and sculpture by widely recognized and acclaimed artists: Adela Akers, Christopher Brown, Mia Brownell, Rachel Brumer, Nicole Chesney, Ford Crull, Dennis Evans, Lawrence Fodor, Jeff Fontaine, Gregory Grenon, Steve Jensen, Richard Jolley, Mary Josephson, Tom Lieber, Holly Lyman, Dara Mark, Nancy Mee, William Morris, Trinh Nguyen, Piper O’Neill, Phranc, Chris Richter, Ginny Ruffner, Catherine Eaton Skinner and Barbara Vaughn, among others.

MARTUMILI On view this Winter Holiday Season in Sun Valley, USA 391 First Avenue North Ketchum, ID 83340 USA info@harveyartprojects.com | Phone (208) 309-8676

Paintings from Newman, Western Australia

HARVEYARTPROJECTS.COM Australian Indigenous Art exclusively on view in Sun Valley & Aspen

Master Framing and Installation Services

GAIL SEVERN GALLERY 400 First Avenue North • Ketchum, ID 208.726.5079 • www.gailseverngallery.com

since 1974

Severn Art Services, for over 38 years the principal framer for art collectors and galleries. Specializing in quality custom and archival picture framing, featuring exquisite copies of vintage and contemporary frames for fine art, three-dimensional objects, and mirrors, of all sizes. We provide experienced installation and curatorial services for homes, collectors, and corporations. We also provide cost effective framing and care for prints, posters, personal mementos, and family photographs.

Please visit us in our showroom, next to Gail Severn Gallery in the Severn Building at 400 First Avenue North, for consultation and frame selections.

Also, contact us for your installation, conservation and restoration needs.

Art Hanging & Installation Hardwoods • Leathers • Specialty Mats • Plexiboxes Gold Leaf • Custom Metals • Period Frames Conservation & Restoration

Lynda Lowe, Poiesis, Watercolor, oil and wax on panel, 40” x 36”

Celebrating 37 years featuring contemporary painting, sculpture and photography: Jenny Abell, Victoria Adams, Nicolas Africano, Squeak Carnwath, Linda Christensen, James Cook, Kris Cox, David deVillier, Raphaëlle Goethals, Morris Graves, Michael Gregory, Rod Kagan, Jun Kaneko, Margaret Keelan, Lisa Kokin, Gary Komarin, Hung Liu, Lynda Lowe, Robert McCauley, Laura McPhee, Gwynn Murrill, Ed Musante, Marcia Myers, Luis González Palma, Robert Polidori, Joseph Raffael, Christopher Reilly, Jane Rosen, Brad Rude, David Secrest, Mary Snowden, Julie Speidel, Jack Spencer, Mark Stasz, Allison Stewart, Boaz Vaadia, and Theodore Waddell. Visit Severn Art Services for all your custom picture framing, art installation needs, packing and art shipping.

Follow us on Twitter Gail_Severn. gilman contemporary 661 Sun Valley Road • Ketchum, ID 208.726.7585 www.gilmancontemporary.com

Severn Art ServiceS 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 208.726.5088 • fax 208.726.5092 artservices@gailseverngallery.com WWW.GAILSEVERNGALLERY.COM

Kevin Sloan, Our Fragile Past, acrylic on canvas, 48” x 42”

208.726.4263 • www.lloydconstructioninc.com 481 B-Bell Drive, Ketchum

Since opening our doors in 2007, we have been recognized for both the quality and variety of exhibitions we bring to the Valley. Presenting photography, paintings and sculpture from nationally and internationally recognized artists in a vibrant and relaxed setting. The gallery is both committed to encouraging the appreciation of contemporary art as well as giving back to the community that supports us.

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R.S. Riddick, CAA

R.S. Riddick, CAA

“The Trapper’s Trade”

60” high X 72” wide

Located In The Courtyard | 360 East Avenue | Ketchum www.woodriverfinearts.com | 208.928.7728

HARVEY ART PROJECTS USA

Contemporary Indigenous Art from Australia

391 First Avenue North • Ketchum, ID 208.309.8676 • www.harveyartprojects.com

Experience Ruby Springs Lodge.

Bugai Whyoulter, Untitled, acrylic on canvas, 36” x 36”

Aboriginal art is Australia’s leading contemporary art movement yet its origins are derived from the oldest continuous artistic tradition known to man. Today, aboriginal art provides indigenous Australians significant economic and cultural stability through ongoing connection to family, country and Tjukurpa (Dreamtime). Harvey Art Projects USA is a unique presence in the USA. Founded

by Australian indigenous curator Julie Harvey, the organization is dedicated to developing greater cultural awareness, understanding and appreciation of aboriginal art in America.

The Ketchum-based gallery represents many of Australia’s leading desert artists and their communities, including the renowned Papunya Tula Artists, through regular exhibitions and satellite events in New York, San Francisco and Los Angeles.

Kneeland Gallery 271 First Avenue North • Ketchum, ID 208.726.5512 • fax: 208.726.3490 art@kneelandgallery.com www.kneelandgallery.com

Fly fish some of Montana’s most storied rivers and private-access spring creeks.

Revel in superb cuisine and beautifully-appointed riverside cabins. Lose yourself in a classic Montana landscape. www.rubyspringslodge.com info@rubyspringslodge.com 800-278-RUBY (7829)

Lock Step (detail), Pete Zaluzec, Gampi Print, 17” x 26”

Exhibiting paintings & sculpture by nationally recognized as well as emerging artists living and working in the West. Featured artists include Steven Lee Adams, Carol Alleman, Joe Anna Arnett, Virginie Baude, Ovanes Berberian, John Horejs, Shanna Kunz, Jennifer Lowe, Robert Moore, Jean Richardson, Thom Ross, Carl Rowe, Linda St. Clair, Sherry Salari Sander, Linda Tippetts, Bart Walker, Andrzej Skorut & Pete Zaluzec. Additional artists can be viewed on our website.

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400 Sun Valley Road Ketchum | 208.928.6550 | huckandpaddle.com

“ Idaho Spring Lambs ” Oil

J. Bellinger ©

“Dreamer’s Dance” Bronze Vessel

Dave LaMure Jr ©

Jennifer Bellinger Gallery 511 East 4th Street •

Ketchum, ID

• 208-720-8851 • www.JenniferBellingerFineArt.com

Jennifer Bellinger • Russ Lamb • Dave LaMure Jr. • Ken Newman • Ian Roberts

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lipton fine arts 411 N. Leadville Avenue Ste. 3• Ketchum, ID Gary Lipton • 248-561-5120 liptonfinearts.com/

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Marc Chagall, The Four Seasons (1974), lithograph

Automation & Control > Intelligent Lighting Home Theater > Whole House Audio > Climate Control Soundwave is the premier custom installer and electronics retailer in the Wood River Valley.

Visit our showroom The Courtyard Building, 360 East Ave., #6, Ketchum (208) 726-0987 • soundwaveinc.com

It’s unlikely that you’ll stumble across another gallery carrying world-renowned artists such as Marc Chagall, Pablo Picasso, Jim Dine, Alexander Calder, Robert Motherwell, Annie Leibovitz, and Jean Dubuffet. Lipton Fine Arts not only carries contemporary art, but features dozens of inspirational media such as sculptures, Native American art, antiques, Oriental rugs and pottery. For more information, call Gary Lipton at (248) 561-5120.

For media and press inquiries, contact Sabina Dana Plasse at sdanap@gmail.com. wood river fine artS 360 East Avenue • Ketchum, ID (In The Courtyard) 208.928.7728 www.woodriverfinearts.com

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Jim Morgan, Freeze Up – Early December Oil, 24” high x 36” wide

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Wood River Fine Arts features traditional and contemporary works by artists who capture the natural grandeur and unique peoples of the American West. The awardwinning paintings and sculpture of these contemporary masters have received national and international acclaim and appear in private and public collections throughout North America. In addition to CAA award winners Grant Redden, James Reynolds (1926 – 2010) and R.S. Riddick, gallery artists include Christopher Blossom, G. Russell Case, Walt Gonske, Logan Maxwell Hagege, Richard Loffler, Dave McGary (1958 – 2013), Jim Morgan, John Moyers, Terri Kelly Moyers, Ned Mueller, Paul Mullally, Ralph Oberg, Andrew Peters, Mary Roberson, Amy Sidrane, Matt Smith and Kathryn Stats.

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works on paper | www.aurobora.com | 340 Walnut Avenue, Ketchum | 415.546.7880

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WHERE RESCUED AND RECLAIMED MEET MODERN AND CONTEMPORARY

red6redidaho@gmail.com

WWW.RED6RED.COM

208.630.4226

(208) 630-4226 616 N 3rd St • McCall,ID www.red6red.com

sunvalleymag.com travel

| explore | escape

photograph : courtesy the shore lodge

great escapes

DON’T MISS •

mccall

Just a four-hour drive from Sun Valley, McCall and its Payette Lake are two gems tucked away in the middle of the Payette National Forest.

While McCall has long been a favorite summer destination for people around the state, less well known is its appeal for winter fun. With its Winter Carnival, 5,300-acre pond for ice-skating, catskiing and snowmobiling, McCall is a great escape to try this winter.

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photograph : courtesy the shore lodge

GreatEscapes // mccall

Gem of the ‘Northwest Passage’ A Trip to McCall Can Be a Carnival

BY Adam Tanous Ask a film aficionado who starred in the 1940 classic “Northwest Passage” and the stock response will be Spencer Tracy, Walter Brennan and Robert Young. However, the true movie buff will come back with the Double Jeopardy answer: What is McCall, Idaho? For, as unlikely as it may seem, McCall and its Payette Lake were production locations for the cinematic tale of the Raid on St. Francis (Quebec), a mid-18th-century battle during the French and Indian War. The irony here is twofold: not only is McCall nowhere near the Northwest Passage, but the film’s title refers to an entire subsequent plot134 sunvalleymag.com | Winter 2015

line that was not included in the film. (There were plans for a second film, but they were never realized.)

What is not ironic is that the stunning beauty of McCall and environs translated beautifully into lush Technicolor—so well, in fact, the film was nominated for a 1941 Academy Award in cinematography.

For McCall in the summertime, with its glacial Payette Lake, rich forests and life paced by little more than water lapping on sand, is reminiscent of another place and time: Lake Tahoe, perhaps, 30 years ago. It has all of the beauty and twice the charm.

Less celebrated but an equally enchanting experience is McCall in the wintertime.

Certainly, the Sun Valley area offers a wealth of winter activities, but McCall provides a quite different and refreshing take on winter.

Imagine ice-skating on a 5,300 acre “pond” surrounded by ponderosa pines and Douglas firs. For those displaced Minnesotans, the ice-fishing opportunities are plentiful. And snowmobilers—whether beginner or “highmarker”—will find 544 miles of groomed trails available throughout the county. This is all above and beyond the action at two ski resorts—Brundage Mountain (which offers

photographs : courtesy the shore lodge

cat skiing) and Tamarack Resort—60 kilometers of groomed Nordic skiing and virtually unlimited snowshoeing possibilities. Yet another option is to skip the activities and go straight to the two geothermal springs in the area: Burgdorf and Gold Fork hot springs.

Perhaps the highlight of the winter season, however, is the annual McCall Winter Carnival (January 30 through February 8), which draws nearly 60,000 people. Started in 1924, the event is celebrating its 50th consecutive year.

Throughout the week there are parades— a children’s torchlight and a Mardi Gras parade—live music, snow bike races, hockey games, curling events and the ever-popular Monster Dog Pull competition. The headline event, though, is the Idaho State Ice Sculpting Championships. Artists come from all over the Northwest to create enormous yet intricate ice sculptures. These are not your average Frosty the Snowman creations with a corncob pipe and button nose. They are, rather, something to behold: giant unicorns, Sphinxes, cupcakes and cartoon characters.

Not to worry, however, there is a “locals” category that caters to the icy works of families,

businesses and otherwise aspiring sculptors.

One of the true historic gems of McCall is the Shore Lodge, which overlooks one leg of the “A”-shaped lake. Established in 1948, the lodge has long been a weekend refuge for Boiseans. In 2008, Joe Scott, grandson of Joe Albertson of the Albertsons grocery chain, and his partners purchased the lodge and the nearby Whitetail Club, a gated community and golf course. Since that time, the Shore Lodge has undergone a multi-million dollar renovation of its 77 suites, three restaurants and spa. Much of the décor, which includes floor-to-ceiling windows, large pine logs, polished marble and river rock, serves to incorporate the natural beauty of the area, as well as reflect McCall’s history in the mining and logging industries. The property also boasts a boutique spa with indoor and outdoor saltwater immersion pools, as well as a 5,000-square-foot, three-suite lake cottage available for guests.

As one might expect in a town that caters to a large tourism business, the eatery scene in McCall is lively. Some of the notable spots include Bistro 45 (which has great grilled panini, steamed mussels and an extensive

wine collection), Rupert’s and Steamers, the latter two of which would be considered more in the fine dining category. The Sushi Bar is another popular spot that is fashioned after Japan’s Izakaya-style restaurants. It reportedly offers the largest selection of sake in Idaho.

For those looking for a morning hangout, the Fogglifter Café, the HUB Coffee House and the Alpine Pantry are all inviting spots that serve great coffees and breakfasts.

While the film “Northwest Passage” might be a little outdated in its stereotypical and arguably racist portrayal of Native Americans, the McCall scenery in Technicolor is true to life today. McCall and Payette Lake are as breathtaking as they were when filmed over 75 years ago. And, safe to say, the lodging and dining are now top rate. If you go, just don’t expect to find the Pacific Ocean, or the Atlantic, for that matter.

summer in mccall

For those looking for a taste of summer lake living, McCall is a special place. The lake is clear and cold (though it warms in August) and full of great coves for water skiing, wake boarding, jet skiing and—a kid favorite—tubing. In the early morning and evening time, an excursion out on a paddleboard is not only peaceful and relaxing but great exercise. The area offers some lovely, yet reasonably priced, golf courses. Of particular note are the courses at Jug Mountain Ranch and the Whitetail Club. McCall Golf Club in town and the Osprey Meadows course at Tamarack Resort are also great alternatives.

Looking for a more aerobic experience?

The hiking and biking options in the area are plentiful. Ponderosa State Park, Bear Basin Nordic Center and Jug Mountain offer miles and miles of well-maintained trails. And, last but not least, there is the whitewater. The Payette Rivers nearby— main, north and south forks—provide rafting and kayaking options for experts as well as beginners.

The Lake Grill at the Shore Lodge is perched on Payette Lake.

Winter 2015 | sunvalleymag.com 135

Authentic idAho Luxury

IN THE WILDS OF WESTERN IDAHO, perfectly situated on the majestic shores of Payette Lake, exists the quintessential mountain-lake refuge, Shore Lodge. Since 1948, the world has retreated here to experience Idaho as it was meant to be: pristine, peaceful and wild. We invite you to make the discovery for yourself.

77 Luxurious Guest Rooms. Endless McCall Adventures. ONE LOCATION.

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Let’s Eat

A TAsTe of sun VAlley

From the valley floor to the top of Baldy, dining adventures abound in Sun Valley. You’ll find every type of cuisine from family friendly to some of the Northwest’s finest dining. Call restaurant reservations for seasonal hours 622-2800 or visit www.sunvalley.com/things-to-do/dining/ Gretchen’s 208-622-2144

trail creek cabin 208-622-2019

short line deli 208-622-2060

konditorei 208-622-2235

a la Mode 208-622-2243

bald Mountain Pizza 208-622-2143

the raM 208-622-2225

duchin lounGe 208-622-2145

sunvalleymag.com/yum/

food & drink

photograph : paulette phlipot

p. 140

cinematic feasts

p. 146

our favorite movie recipes

a blog about food

p. 148

dining guide

DON’T MISS •

feasts

Just as films are often discussion fodder for fine meals, so too has food been the subject of great films. The two have been intertwined for nearly a half-century. Writer Julie Molema takes a look at three wonderful “foodie” movies—“Julie & Julia,” “Ratatouille,” and “Like Water for Chocolate.” She explores the food that drives their narratives and gets insight from some local chefs about the films’ signature dishes.

Winter 2015 | sunvalleymag.com 139

FOOD&DRINK // cinematic feasts

cinematic feasts

read the recipe p. 146

classic dishes from beloved movies

BY Julie Molema / PHOTOGRAPHY Paulette Phlipot The 2014 movie, “Chef,” stars John Favreau as Carl Casper, a gourmet chef at a popular and swanky Los Angeles restaurant. After a bad review precipitates an epic rant gone viral on social media, Casper trades in his high-paying chef position for a food truck.

He travels from Miami to Los Angeles, making and selling culturally inspired dishes from Cubanos and Yucca Fries, to Po’Boys and Barbecued Brisket. This charming comedy shares people’s love of back-to140 sunvalleymag.com | Winter 2015

basics food and the food-truck craze that has taken America by storm with its popular gourmetstreet-fare scene.

“Chef” is the latest in a long tradition of Hollywood releases in which food is so integral to the narrative that it might as well be one of the lead characters.

Here are three delightful films with the enticing, mouth-watering dishes they celebrate.

Film: “Julie and Julia” Dish: Boeuf Bourguignon “Julie and Julia,” the 2009 hit starring Meryl Streep and Amy Adams, juxtaposes the lives of chef Julia Child and blogger Julie Powell. The latter takes on the daunting task of cooking every dish in Childs’ “Mastering the Art of French Cooking” in one year. In the movie, Julie cooks boeuf bourguignon for Judith Jones, who was the real life editor responsible for publishing Childs’ classic cookbook.

“Boeuf bourguignon is my go-to stew,” said Kate Metzger, executive chef at il Naso Wine Bar and Restaurant in Ketchum. “It’s one of those rainy day dishes for me—I start

it in the afternoon and have it for dinner.”

According to Metzger, any kind of stew meat will work, because the dish cooks for several hours. “I like to use chuck roast, and crimini mushrooms, cipollini onions, bacon, tomato and beef stock and, of course, two bottles of wine—one to cook with and one to drink while cooking,” Metzger offered with a smile. “I use a Cote du Rhone wine, but any Burgundy or pinot noir will work,” she added.

Boeuf bourguignon, like many stews, is even better the day after it’s made. Metzger recommends putting the leftovers in sandwich-sized Ziploc bags to freeze so you have ready-to-go meals when needed.

Winter 2015 | sunvalleymag.com 141

FOOD&DRINK // cinematic feasts

read the recipe Film: “Like Water for Chocolate” Dish: Quail with Rose Petal Sauce In the critically acclaimed film, “Like Water for Chocolate,” the main character, Tita, struggles to claim her forbidden, true love (who married her sister in order to be close to her), as well as her independence. Tita cooks a quail and rose petal sauce dish with her true love in mind, and her passion infuses the dish.

Derek Gallegos, chef at Sun Valley Resort, said that the rose petal sauce is a sweet, floral sauce, and can be made with plums 142 sunvalleymag.com | Winter 2015

p. 147

(or guava), rose petals, anise, chestnuts and honey as the basic ingredients. “Fresh rose petals can be hard to find in the winter (and so can fresh plums …), but you could also try making a demi-glacé of quail bones by browning them in a pan and deglazing the pan with rose water,” Gallegos said. Rose water is used as aromatherapy, so you’ll be able to smell the roses rather than taste them. “You could use crumbled, dried rose petals as a garnish too, if fresh roses aren’t available,” he added. Steer away from grocery store roses, as it is hard to know what they’ve been sprayed with.

Organic red roses are best.

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photo: paulette phlipot

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270 Northwood Way Suite 104, Ketchum, ID www.davisembroidery.com Winter 2015 | sunvalleymag.com 143

FOOD&DRINK // cinematic feasts

Film: “Ratatouille” Dish: Ratatouille Pixar’s hit “Ratatouille” wowed audiences of all ages with its debut in 2007. Remy, a loveable rat, endears us with his wit and his cooking. Linguini, a young garbage boy, befriends Remy and helps his new friend achieve his lifelong goal of becoming a chef.

In the film’s last scene, Remy cooks ratatouille for the evil food critic, Anton Ego. With the first bite, the flavors in the ratatouille bring Ego back in time, transporting him to his childhood as a young boy, eating his beloved mother’s ratatouille.

“Sometimes I’ll have a raspberry or strawberry with great flavor that will bring back childhood memories for me,” said Scott Mason, owner and chef at Ketchum Grill and Enoteca Restaurant. “Or something as simple as a farm fresh egg, scrambled with cream, reminds me of my childhood and my grandmother making me eggs,” he added.

As far as ratatouille goes, Mason likes to make it as a side dish, first chopping the eggplant, zucchini, red pepper and onions, then roasting them. Mason seasons his ratatouille with thyme, oregano and garlic.

“I don’t cook it in the traditional sense with the layering of vegetables,” he said.

“Everybody’s is different. The eggplant and zucchini breaks down nicely and can become pulpy, if that’s the texture you’re read the aiming for.” recipe Sarah Buchanan, p. 146 chef at The Grill at Knob Hill, also favors the gratin style for ratatouille.

“Vegetables like eggplant, zucchini and even potatoes work great, and can be diced up small to make a gratin,” Buchanan said.

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fo

BREAKFAST

LUNCH

w rD O in pen ne r

DINNER

EXPERIENCE A FRESH TAKE ON CLASSIC ALPINE CUISINE espresso • salads • wine list • spaetzle • pastries

Located in the Sun Valley Village 208.622.2235 www.sunvalley.com

No

FOOD&DRINK // recipes

bourguignon From “Mastering the Art of French Cooking” by Julia Child

until nicely browned on all sides.

Add it to the bacon.

INGREDIENTS

In the same fat, brown the sliced vegetables. Pour out the sautéing fat.

6 ounces bacon 1 tablespoon olive oil or cooking oil 3 pounds lean stewing beef, cut into 2-inch cubes 1 sliced carrot 1 sliced onion 1 teaspoon salt 1/4 teaspoon pepper 2 tablespoons flour 3 cups full-bodied, young red wine, such as a Chianti 2 - 3 cups brown beef stock or canned beef bouillon 1 tablespoon tomato paste 2 cloves mashed garlic 1/2 teaspoon thyme Crumbled bay leaf Blanched bacon rind 18 to 24 small white onions, brown-braised in stock 1 pound quartered fresh mushrooms, sautéed in butter Parsley sprigs

Directions

Remove rind from bacon and cut bacon into lardons (sticks, 1/4 inch thick and 1 1/2 inches long). Simmer rind and bacon for 10 minutes in 1 1/2 quarts of water. Drain and dry.

Preheat oven to 450 degrees.

Sauté the bacon in the oil over moderate heat for 2 to 3 minutes to brown lightly. Remove to a side dish with a slotted spoon. Set casserole aside. Reheat until fat is almost smoking before sautéing the beef.

Dry the stewing beef in paper towels; it will not brown if it is damp. Sauté it, a few pieces at a time, in the hot oil and bacon fat

Return the beef and bacon to the casserole and toss with the salt and pepper. Then sprinkle on the flour and toss again to coat the beef lightly with the flour. Set casserole uncovered in middle position of preheated oven for 4 minutes.

Toss the meat and return to oven for 4 minutes more. Remove casserole, and turn oven down to 325 degrees. Stir in the wine, and enough stock or bouillon so that the meat is barely covered. Add the tomato paste, garlic, herbs, and bacon rind. Bring to simmer on top of the stove. Then cover the casserole and set in lower third of preheated oven. Regulate heat so liquid simmers very slowly for 2 1/2 to 3 hours. The meat is done when a fork pierces it easily.

While the beef is cooking, prepare the onions and mushrooms. Set

them aside until needed.

When the meat is tender, pour the contents of the casserole into a sieve set over a saucepan. Wash out the casserole and return the beef and bacon to it. Distribute the cooked onions and mushrooms over the meat.

Skim fat off the sauce. Simmer sauce for a minute or two, skimming off additional fat as it rises. You should have about 2 1/2 cups of sauce thick enough to coat a spoon lightly. If too thin, boil it down rapidly. If too thick, mix in a few tablespoons of stock or canned bouillon. Taste carefully for seasoning. Pour the sauce over the meat and vegetables. Recipe may be completed in advance to this point.

For immediate serving: Cover the casserole and simmer for 2 to 3 minutes, basting the meat and vegetables with the sauce several times. Serve in its casserole, or arrange the stew on a platter surrounded with potatoes, noodles, or rice, and decorated with parsley.

Ratatouille From Judith McQueen Entertaining

INGREDIENTS

1 large eggplant peeled and cut into cubes 2 green bell peppers, rough chopped 6 zucchini sliced in 1/2 inch pieces 1.5 rough chopped onions 6 large, peeled and seeded tomatoes chopped into 1 1/2 inch pieces, saving the juice 10 cloves of garlic, diced 1/3 cup of white wine (optional) 7 sprigs of thyme 8 stems of basil, leaves only, rolled together and sliced thinly as in chiffonade

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DIRECTIONS

Sprinkle eggplant with 1 tablespoon of salt and put in a colander for about 20 minutes.

This will draw the bitterness and moisture from the eggplant.

Cook each vegetable individually, except the tomatoes, until lightly browned in a bit of olive oil. Drain in a colander and set aside.

Heat 2 tablespoons of olive oil and cook the garlic until soft but not browned.

Add the remaining cooked vegetables, including the tomatoes and their juice, the wine and the sprigs of thyme. Cook for about 20 to 30 minutes until the juices are absorbed.

Adjust the seasoning with salt and pepper but remember that the eggplant has already been salted.

Add the basil when the veggies are cooked. Serve hot or cold.

Note: Rough chopped usually means about ¾-to 1-inch pieces.

quail From “Like Water for Chocolate�

by Laura Esquivel

Serving irresistible homemade ice creams such as Sea Salt Caramel or Peanut Butter Cup. Milkshakes and Banana Splits are made exactly the way you like while you enjoy a sunny Sun Valley day!

INGREDIENTS

12 roses, preferably red 12 chestnuts 2 teaspoons butter 2 teaspoons cornstarch 2 drops attar of roses 2 tablespoons anise 2 tablespoons honey 2 coves garlic 6 quail 1 pitaya

OPEN DAILY!

11AM - 9PM

10PM ON WEEKENDS!

SUN VALLEY VILLAGE 208.622.2243

www.sunvalley.com

DIRECTIONS

Brown the quail in butter and season with salt and pepper.

Remove the petals carefully from the roses.

Ground the petals with anise in a mortar.

Separately, brown the chestnuts in a pan.

Remove the peels and cook them in water, then puree. Mince the garlic and brown slightly in butter; when it is transparent, add it to the chestnut puree along with the honey, the ground pitaya and the rose petals, and salt to taste.

To thicken the sauce slightly, add two tablespoons of cornstarch.

Lastly, strain through a fine sieve and add no more than 2 drops of attar of roses. As soon as the seasonings have been added, remove sauce from heat. The quail should be immersed in this sauce for 10 minutes to infuse them with the flavor, and then removed.

Place the quail on a platter, pour the sauce over them and garnish with a single perfect rose in the center. Scatter rose petals all around.

Winter 2015 | sunvalleymag.com 147

Enjoy our hand-tossed pizzas, homemade pasta and salads while you dine in the heart of Sun Valley Village!

EY VALL SUN A HOUSE OPER

ne *O

n rso pe er p et tick

Get TWO FREE movie tickets to the Sun Valley Opera House when you dine with us!*

Sun Valley Village 208.622.2143 www.sunvalley.com

FOOD&DRINK // dining guide

eat out tonight the best in local cuisine After a day on the slopes or cruising the art galleries and shops, take refuge in one of Sun Valley’s exceptional restaurants. Here’s a peek at some of what the Valley has to offer. asian fusion dang’s thai Also known as “Dang Good,” Dang’s Thai Cuisine is a favorite among the locals! A newer addition to the Wood River Valley, Dang’s offers a wide selection of popular dishes ranging from Sushi, Green Papaya Salad, Pad Thai, and their infamous Green Curry with Chicken. If you like spicy food, don’t forget to

price and key guide Full Bar Beer/Wine  Outdoor Dining B Breakfast L Lunch D Dinner

$ under $10 $$ $10-20 $$$ $20 -30 $$$$ over $30

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up on a chilly day, the café offers a full complement of artisanal coffee and hot chocolate drinks, plus house-baked European pastries.

Sun Valley Resort, 208-622-2235, $-$$, , B, L.

ask for the little jars of Sambal and Thai Chili Sauce. Highly recommend as an affordable, flavorful and fun experience in Hailey! 310 N

the moose girls cafe Formerly known as the Rustic Moose, The Moose Girls Café is a locals’ favorite, owned and operated by twin sisters Maxine and Marlene. The spacious open patio with views of Baldy and Ketchum Town Square make it a great spot for breakfast or lunch. 360 East Ave.,

Main St., Hailey, 208-928-7111, $-$$, ,  , L, D.

Ketchum, 208-727-9767, $-$$, ,  , B, L.

breakfast & cafes java coffee & cafe Truly a great coffeehouse! Baking from scratch daily. Serving the finest Fair Trade and organic coffees. Sound like a local and order the “Dirty Hippie Burrito” and a “Bowl of Soul.”

Wake up and live! Ketchum: 191 4th St. W., 208726-2882, Hailey: 111 N. 1st Ave., 208-788-2297, $,  , B, L.

konditorei Lunch dishes range from pumpkin spatzle with sausage and apples to roasted chicken crepes with spinach and spicy Liptauer cheese.

To satisfy sweet-tooth cravings or just to warm

johnny g’s subshack “The Subshack” was born in 1992 with killer sandwiches, toe-tapping music, cold beer and personal service. Only the finest quality meats and cheeses on delicious fresh-baked bread are used at Johnny’s. Take it to go, or stay awhile— you won’t leave Johnny G’s wanting.

371 Washington Ave., Ketchum, 208-725-7827 $, ,  , L.

perry’s Voted “Best of the Valley” by Mountain Express readers numerous times for breakfast, lunch, and sandwiches, Perry’s Restaurant has been a Ketchum fixture for 26 years. 131 West 4th St., Ketchum, 208-726-7703, $, ,  , B, L, D.

Best Après Ski Spot in Town!

Corner of 4th & Washington • Sandwiches made with the finest quality of meats and cheeses.

• Fresh bread made daily!

• Fast and friendly service!

• Affordable!

208.725.7827

Monday-Friday 11am-4pm Saturday 12-3pm

Try Our Monkey Fries!

“Ketchum’s Killer Meal without the Killer Price A Great Kids' Menu Too!”

Grill Open

11:30am - 10:30pm Daily (Bar open late) Burgers, Salads, Wings, Hoagies, Fresh Cut Fries and More!

HD Satellite TV Sports “All the Games, All the Time”

For Takeout Call: 726.2744 231 6th Street, Ketchum at the corner of 6th & Washington

Apple’s Bar & Grill WARM SPRINGS ROOTS • homemade soups • local beers • great wines • lunches daily

Happy Hour 4-6 daily!

Tuesday - Sunday & closed on Mondays (skiing) 5 minutes from Ketchum with tons of parking!

215 Picabo St, Ketchum 208.726.7067 • applesbarandgrill.com

Winter 2015 | sunvalleymag.com 149

FOOD&DRINK // dining guide

wrapcity Wrapcity is fast, fresh, and fun food! Located next to the Kentwood Lodge on Main Street, Wrapcity serves up creative wraps and salads, homemade soups, and unique quesadillas. Wrapcity also serves breakfast wraps all day with special breakfast creations on Saturdays and Sundays. Voted “Valley’s Best Lunch” in 2011. 180 Main St. S., Ketchum, 208-727-6766, $,  , B, L.

a la mode Sun Valley Resort has a new sweet spot serving irresistible gourmet cocoas, sundaes, shakes and sodas. A la Mode is located in the village next door to the Short Line Deli. You’ll be tempted by 17 specialty cocoas such as the Raspberry Snowball, Sea Salt Caramel, or the Orange Dreamsicle. Sun Valley Resort, 208-6222243, $, L.

short line deli From the Deli case to the sandwich board, over 15 sandwiches can be made to order, such as The Challenger, Italian ham, dry salami, genoa salami, banana peppers, roast red peppers and provolone piled high on a baguette.

Sun Valley Resort, 208-622-2060, $, , L.

italian & pizza bald mountain pizza & pasta A family-friendly restaurant featuring handtossed pizza, pasta bowls and salads.Very casual and fun fare for kids. A full take-out menu is available and Bald Mountain Pizza delivers to Sun Valley Resort properties. Sun Valley Resort, $-$$, , L, D.

smoky mountain pizzeria grill Smoky Mountain Pizzeria Grill is a comfortable, casual, dynamic family restaurant in downtown Ketchum. Our extensive menu features unique pizzas and pastas, delicious salads, sandwiches, grilled steaks, hamburgers and more. You’ll also find a kids’ menu, an exciting selection of seasonal appetizers, entrées and desserts, daily lunch specials, an extensive beer and wine selection, TVs, catering and fast, friendly delivery service. 200 Sun Valley Rd., Sun Valley, 208-622-5625, $-$$, ,  , L, D.

hours in Sun Valley, Idaho. Travel writer Sarah Robertson wrote, “Even when people are far away, they’re still thinking about the food at Ketchum Burritos. This cheerful, laid-back burrito joint serves delicious fish tacos and offers a make-your-own burrito, with a choice of 27 fillings.” Ketchum: 260 N. Main St., 208-9286955, Hailey: 121 N. Main St., 208-788-7217, $, ,  , L, D.

pubs & grills apple’s bar & grill Established over two decades ago, Apple’s Bar and Grill is still the best spot to fuel your body after a long day ripping turns on Baldy! Of course, it is also the best spot to grab a beer or glass of wine and entertain one another with stories from the epic day of skiing. Let Hank and Heather and their great staff take care of all your needs. Kick back and enjoy a great meal and a pint of beer at one of the most spectacular mountain bar locations! 205 Picabo St., Ketchum, 208-726-7067, $-$$, ,  , L, D.

grumpy’s It started as a place where the workingman and local could come have a beer and burger and not be bothered. Today, Grumpy’s is a favorite of locals and tourists alike. We are a little hard to find, but not hard to find out about. Grumpy’s hosted Rachel Ray for a lunch segment on “40 Dollars a Day in Sun Valley” in 2004 and was most recently mentioned in USA Today’s “LIFE” section. But don’t just read about us, come in and discover the local’s hangout. 860 Warm Springs Rd., Ketchum, No Phone, $, ,  , L, D.

lefty’s bar & grill Lefty’s has been a local and visitor favorite for more than 20 years, and for good reason. Lefty’s has a great casual dining menu, including killer burgers served on fresh-baked bread, monster hot sandwiches, wings, salads and our specialty, fresh-cut French fries. For families, Lefty’s has all the foods kids love, at a price you’ll love. There is no better place to watch sports than Lefty’s, whose motto is “All the games, all the time.” Live music. Great outdoor deck! 231 6th St. East, Ketchum, 208-7262744, $, ,  , L, D.

mexican kb’s The New York Times named KB’s as a must stop in its article of top 10 things to do in 36

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the haven Ketchum’s food truck! The Haven is located in Ketchum at the Play Hard Give Back

landing pad off Warm Springs Road and 7th Street. The food truck is open Monday through Friday from 12-2 p.m. as well as at a variety of locations throughout weekends, including next to Whiskey Jacques’ from 12 p.m. to 2 a.m. and evenings at the Sawtooth Brewery in Ketchum, filling a niche for late night bites. Warm Springs Rd. & 7th St., Ketchum, 503-349-0035, $,  , L, D.

whiskey jacques’ Whiskey’s is the premier live music venue and sports bar in Ketchum, with eight HD bigscreen TVs and one projector screen. Whiskey’s kitchen is famous for their brick-oven pizza, awesome wings, refreshing salads and tasty grinders. The upstairs room is available for your private event. 251 N. Main St, Ketchum, 208-726-5297, $-$$, , ,  , L, D.

regional northwest atkinsons’ market Atkinsons’ Market serving you and your family at our three locations in the Wood River Valley. Ketchum: 451 E. 4th St., 208-726-2681, Hailey: 93 E. Croy St., 208-788-2294, $-$, , B, L, D.

bigwood grill The Bigwood Grill is an outdoor restaurant with amazing views of Baldy, the Boulders and Galena Peak. It’s open for lunch and dinner from June through late September. The Grill features a full-service bar with daily Happy Hour specials from 3-5 p.m., lunch served from 11-3 p.m., with dinner service starting at 5:30 and ending at 9:30. Bigwood Golf Course 115 Thunder Spring Rd., Ketchum, 208-726-7067 $-$$, , ,  , L, D.

ck’s real food Real food from real places featuring local and Northwest regional ingredients and fresh fish nightly. Great wines from all over. Dine in a comfortable, casual and energetic space. Eat here, eat well! 320 Main St., Hailey, 208-788-1223, $$-$$$, ,  , D.

main st. market Main St. Market offers a gluten-free section, a wine bar, salad bar, produce section, meat & seafood section, cheese section, local foods, catering, and an amazing deli.

100 N. Main St., Ketchum, 208-725-2222, $-$$, ,  , B, L & D.

Wake up and Live

rasberrys Whether you are seeking a quiet getaway place for lunch or are wanting to host an elegant gathering for friends, Rasberrys’ two establishments in Ketchum and Hailey will meet and exceed your desires. Callie and Maeme Rasberry believe all the senses must be involved in meal preparation; therefore, the menu is eclectic, just like the chefs, with dishes prepared with fresh local ingredients when available and their own take on comfort and ethnic food.

Hailey: 315 S. Main St., 208-928-7711, Ketchum: 411 Building 5th St., 208-726-0606, $-$$, ,  , L.

roundhouse Perched midway up Bald Mountain on the River Run side, the Roundhouse was built in 1939 by Sun Valley’s founding father, Union Pacific Railroad Chairman Averell Harriman.

Today this restaurant is a culinary destination not to be missed. Serviced by the Roundhouse Gondola, the restaurant is accessible for skiing and non-skiing clientele. Bald Mountain, Ketchum, 208-622-2012, $$-$$$, , ,  , L, D.

the club house Possibly Sun Valley’s most popular lunch spot. The Sun Valley Club is open for guests and the public and doubles as the Sun Valley Nordic and Snowshoe Center in winter. 1 Trail Creek Rd., Sun Valley, 208-622-2919, $-$$, , ,  , L.

steak & seafood the ram Modern steakhouse with organic and local Idaho products, full service. Live music with Larry Harshbarger on the piano. Located in the Sun Valley Inn. Make your reservation now! Sun Valley Resort, 208-622-2225, $$-$$$, C,  , B, L, D.

trail creek cabin A romantic hideaway since 1937, Trail Creek Cabin is a must Sun Valley dining adventure.

Wagons depart for the restaurant from the village near the Sun Valley Inn during the summer season, sleigh rides during the winter season, and you may also drive. The purchase of a wagon ride ticket confirms a reservation for dinner at Trail Creek Cabin. Dinner is additional and is paid for at the cabin. The seasonal menu has a Western flare all complemented by a great wine list and a full bar. 51 Trail Creek Rd., Sun Valley, 208-622-2800, $$-$$$, ,  , D.

Winter 2015 | sunvalleymag.com 151

Home of the Bowl of Soul TWO CONVENIENT VALLEY LOCATIONS

JAVA - HAILEY 111 1ST AVE. N. 208.788.2399

JAVA ON FOURTH - KETCHUM 191 4TH STREET WEST

208.726.2882

whywelivehere // parting thoughts

“I used to think as I looked out on the Hollywood night, ‘There must be thousands of girls sitting alone like me dreaming of being a movie star.’ But I’m not going to worry about them. I’m dreaming the hardest.”

—Marilyn Monroe

152 sunvalleymag.com | Winter 2015

Proud to be part of Sun Valley's Future

Conceptual Rendering, Subject to change

“Professionals Dedicated to Building Excellence�

Diamond Back Townhomes at White Clouds Sun Valley Resort's newest housing opportunity. The Diamond Back Townhomes boast spectacular views of the world class White Clouds Golf Course and Trail Creek Summit. Six two bedroom, eight three bedroom town homes and one single family residence will be ready for occupancy Fall 2015.

640 South 2nd Ave, Suite B1

|

Ketchum, Idaho 83340

|

208.806.1399

|

www.maglebyconstruction.com