XIYUAN SUN + SVA JUNIOR PORTFOLIO

XIYUAN SUN 2018-2019 JUNIOR PORTFOLIO

A Long Way.

Contents.

004 BOOKS & PUBLICATIONS Shakespeare Book Series Cookbook Typographic Zine Photography Publication Underwear

066 POSTERS Night on Earth Botanical Fanaticism

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PACKAGING Cello Suite No.1

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IDENTITY Arras Foundation

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INTERACTION DESIGN Treasure in the Jungle Frick Collection

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MOTION GRAPHICS Caught in the Web Private View: Santiago Calatrava

Books & Publications.

SHAKESPEARE BOOK SERIES Shakespeare’ books have grave implications which are hard to express.

I chose a simple element to represent the complicated life of characteristics.

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SIZE: 5.25×8 in TYPEFACES: Times

BOOKS & PUBLICATIONS

SHAKESPEARE BOOK SERIES

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BOOKS & PUBLICATIONS

SHAKESPEARE BOOK SERIES

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BOOKS & PUBLICATIONS

SHAKESPEARE BOOK SERIES

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COOKBOOK This is a redesign project. Before designing, I went to book shops for finding a cookbook and found out that there were a lot of badly designed cookbooks, so I want to design a unique cookbook which has an attitude.

Every food material has its color, so I use color as the way to let people feel foods and discover the happiness of cooking.

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SIZE: 8Ă—10 in TYPEFACES: Arial, Din

BOOKS & PUBLICATIONS

COOKBOOK

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BOOKS & PUBLICATIONS

COOKBOOK

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BOOKS & PUBLICATIONS

COOKBOOK

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BOOKS & PUBLICATIONS

COOKBOOK

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BOOKS & PUBLICATIONS

COOKBOOK

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BOOKS & PUBLICATIONS

COOKBOOK

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TYPOGRAPHIC ZINE This is a weekly zine assignment. Every week I find an interesting theme which gives me a space to try new things. The result is fascinating. After I combined 14 zines together, I realized I have tried so many different things and used a lot of funny elements. I experience the sense of achievement.

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SIZE: 5.5Ă—8 in

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BOOKS & PUBLICATIONS

TYPOGRAPHIC ZINE

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BOOKS & PUBLICATIONS

TYPOGRAPHIC ZINE

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PHOTOGRAPHY PUBLICATION The project is in total freedom. I have chosen to design a publication about photography, including photographer interview, poems about photography and photography awards. The book has a handy size and a unique open way.

After the book opens, on the left you can find interviews, and at the back, there is a 2018 SONY photography award winners and their works. On the right, there are several poems about photography.

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SIZE: 4.7Ă—9 in TYPEFACES: Merriweather, Roboto

BOOKS & PUBLICATIONS

PHOTOGRAPHY PUBLICATION

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BOOKS & PUBLICATIONS

PHOTOGRAPHY PUBLICATION

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BOOKS & PUBLICATIONS

PHOTOGRAPHY PUBLICATION

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BOOKS & PUBLICATIONS

PHOTOGRAPHY PUBLICATION

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BOOKS & PUBLICATIONS

PHOTOGRAPHY PUBLICATION

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UNDERWEAR Underwear is a poem book written by Lawrence Ferlinghetti, which is very interesting. I started from the traits of underwear, so I have thought about texture, color, pattern. I created several different images which can express the feeling of underwear. Also, I used grids to match the poem.

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SIZE: 5.5Ă—8.5 in TYPEFACES: Arial

BOOKS & PUBLICATIONS

UNDERWEAR

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BOOKS & PUBLICATIONS

UNDERWEAR

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BOOKS & PUBLICATIONS

UNDERWEAR

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UNDERWEAR

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UNDERWEAR

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UNDERWEAR

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Posters.

NIGHT ON EARTH This is a posters design for the movie Night on Earth. In the movie, several short stories happen at night, and in some way, the stories have some connections in between. I use black and white to represent night. I have drawn finger prints lines to represent connections between characteristics.

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SIZE: 36Ă—48 in

POSTERS

NIGHT ON EARTH

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POSTERS

NIGHT ON EARTH

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BOTANICAL FANATICISM Botanical Fanaticism is a poem written by Thylias Moss, and the photographer I choose is Imogen Cunningham. For this project, finding the inner connection between poetry and photography is significant. The poster is double-sided, on one side, the poem and photography are harmonious, and on the other the poem and photography are discordant. I use a flexible grid to combine poetry and photos.

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SIZE: 36×48 in ENVELOPE: 9×12 in TYPEFACES: Sabon VIDEO: 00:30

My ancestors weren’t hippies, cotton precluded fascination with flowers.

I don’t remember communes, I remember ghettos. The riots were real, not products of hallucinogens.

Free love had been at Redbones since black unemployment and credit saturation.

THYLIAS THYLIAS THYLIAS MOSS MOSS MOSS THYLIAS MOSS

The white women my mother cleaned for didn’t notice she had changed.

I guess it was a small event, a resurrected African jumping out the gap in her front teeth.

My ancestors weren’t My ancestors weren’t hip- hipcotton pies,pies, cotton precluded fascination precluded fascination withwith flowers. flowers.

I don’t remember I don’t remember com-communes, I remember munes, I remember ghettos. ghettos.

The The riotsriots werewere real,real, not not products of hallucinogens. products of hallucinogens.

Free Free love love had had at Redbones beenbeen at Redbones sincesince unemployment blackblack unemployment credit saturation. and and credit saturation.

THYLIAS THYLIAS THYLIAS MOSS MOSS MOSS THYLIAS MOSS

I guess it looked a cockroach; she was I guess it looked like alike cockroach; that’sthat’s whatwhat she was supposed to have, not dignity. supposed to have, not dignity.

My mother just couldn’t get excited about the Beatles, My mother just couldn’t get excited about the Beatles, she swilled thosethose mopsmops she swilled in ammonia everyday on their heads. in ammonia everyday on their heads.

Besides, she didn’t but alike a woman; Besides, she didn’t workwork like alike doga dog but like woman; aren’t the same. theythey aren’t the same. growing forsame the same reasons PinocThe The hair hair was was growing longlong for the reasons Pinocchio’s chio’s nosenose did. did.

I canI think can think onlyonly of a of lesbia lesbian draping an draping crepecrepe paper paper chains chains over over my my headhead to make to make a a blackblack Rapunzel Rapunzel possible; possible; that’sthat’s howhow a white a white woman woman triedtried to lift tomy lift my burdens. burdens.

At the Attime the time I didn’t I didn’t rejectreject her for herbeing for being lesbian lesbian or or whitewhite but for butboth for both bur- burdens.dens.

ThatThat was was whenwhen I didn’t I didn’t wantwant IvoryIvory soapsoap to to be what be what cleaned cleaned me, made me, made me preme presentable sentable to society. to society.

All the Allsuds the suds I’d seen I’d seen werewere white, white, theythey still still are but are who but who cares? cares?

I’m I’m moremore interested interested in in howhow soapsoap dwindles dwindles in my in my hand, hand, under under the faucet. the faucet.

Besides,Besides, she Besides, didn’t work like she Besides, didn’t she she didn’t work didn’t work likework likelike a dog but like a awoman; they a dog abut dog like dog butabut like woman; like a woman; a they woman; theythey aren’t the same.

The was aren’t aren’t thearen’t same. thehair the same.

The same. hair TheThe was hairhair waswas growing longgrowing forgrowing the for same reagrowing long long the long for same the for the same rea-same rea-reasons Pinocchio’s nose did. sons Pinocchio’s sonssons Pinocchio’s Pinocchio’s nose did. nosenose did.did.

My mother just couldn’t getjust My mother MyMy mother just mother couldn’t just couldn’t couldn’t get get get excitedexcited about the Beatles, excited about excited about theabout Beatles, the the Beatles, Beatles, those mops swilled in thoseshe those mops those mops shemops swilled she she swilled inswilled in in ammonia everyday on everyday their ammonia ammonia ammonia everyday everyday on their on their on their heads. heads.heads. heads.

I guess Iitguess looked like cockI guess itIlooked guess it alooked itlike looked alike cocklike a cocka cockroach; roach; that’sroach; what she was supthat’s roach; that’s what that’s what she what was shesupshe waswas sup-supposed to have, dignity. posed posed tonot posed have, to have, not to have, dignity. not not dignity. dignity.

BOTANICAL FANATICISM BOTANICAL BOTANICAL BOTANICAL FANATICISM FANATICISM FANATICISM My ancestors weren’t hippies, My ancestors My My ancestors ancestors weren’t weren’t hippies, weren’t hippies, hippies, cotton cotton precluded fascination cotton precluded cotton precluded precluded fascination fascination fascination with flowers. with flowers. withwith flowers. flowers.

I don’t Iremember communes, I communes, don’t I don’t remember I don’t remember remember communes, communes, I I I remember ghettos. remember remember remember ghettos. ghettos. ghettos.

The riots prodThewere riots Thereal, The were riotsnot riots were real, were not real,real, prodnot not prodproducts of ucts hallucinogens. of ucts hallucinogens. ucts of hallucinogens. of Free hallucinogens.

Free FreeFree love had been atlove Redbones love had love been had had been at Redbones been at Redbones at Redbones since black and and andand sinceunemployment since black since black unemployment black unemployment unemployment credit saturation. creditcredit saturation. credit saturation. saturation.

The white my mother Thewomen white TheThe white women white women my women mother my my mother mother cleanedcleaned for didn’t notice she cleaned for cleaned didn’t for didn’t for notice didn’t notice she notice she she had changed.

I guess wasI guess aitIwas had changed. had had changed. changed.

Iitguess guess itawas it was a a small event, aevent, resurrected smallsmall small event, a resurrected event, a Afriresurrected a resurrected Afri- AfriAfrican jumping outcan thejumping gapthe in can jumping can jumping out outher gap out theinthe gap her gap in her in her front teeth. front front teeth. front teeth. teeth.

THYLIAS THYLIAS THYLIAS MOSS MOSS MOSS THYLIAS MOSS

I guess Iitguess looked like cockI guess itIlooked guess it alooked itlike looked alike cocklike a cocka cockroach; roach; that’sroach; what she was supthat’s roach; that’s what that’s what she what was shesupshe waswas sup-supposed to have, dignity. posed posed tonot posed have, to have, not to have, dignity. not not dignity. dignity.

My mother just couldn’t getjust My mother MyMy mother just mother couldn’t just couldn’t couldn’t get get get excitedexcited about the Beatles, excited about excited about theabout Beatles, the the Beatles, Beatles, those mops swilled in thoseshe those mops those mops shemops swilled she she swilled inswilled in in ammonia everyday on everyday their ammonia ammonia ammonia everyday everyday on their on their on their heads. heads.heads. heads.

Besides,Besides, she Besides, didn’t work like she Besides, didn’t she she didn’t work didn’t work likework likelike a dog but like a awoman; they a dog abut dog like dog butabut like woman; like a woman; a they woman; theythey aren’t the same.

The was aren’t aren’t thearen’t same. thehair the same.

The same. hair TheThe was hairhair waswas growing longgrowing forgrowing the for same reagrowing long long the long for same the for the same rea-same rea-reasons Pinocchio’s nose did. sons Pinocchio’s sonssons Pinocchio’s Pinocchio’s nose did. nosenose did.did.

Besides,Besides, she Besides, didn’t work like she Besides, didn’t she she didn’t work didn’t work likework likelike a dog but like a awoman; they a dog abut dog like dog butabut like woman; like a woman; a they woman; theythey aren’t the same.

The was aren’t aren’t thearen’t same. thehair the same.

The same. hair TheThe was hairhair waswas growing longgrowing forgrowing the for same reagrowing long long the long for same the for the same rea-same rea-reasons Pinocchio’s nose did. sons Pinocchio’s sonssons Pinocchio’s Pinocchio’s nose did. nosenose did.did.

My mother just couldn’t getjust My mother MyMy mother just mother couldn’t just couldn’t couldn’t get get get excitedexcited about the Beatles, excited about excited about theabout Beatles, the the Beatles, Beatles, those mops swilled in thoseshe those mops those mops shemops swilled she she swilled inswilled in in ammonia everyday on everyday their ammonia ammonia ammonia everyday everyday on their on their on their heads. heads.heads. heads.

I guess Iitguess looked like cockI guess itIlooked guess it alooked itlike looked alike cocklike a cocka cockroach; roach; that’sroach; what she was supthat’s roach; that’s what that’s what she what was shesupshe waswas sup-supposed to have, dignity. posed posed tonot posed have, to have, not to have, dignity. not not dignity. dignity.

BOTANICAL FANATICISM BOTANICAL BOTANICAL BOTANICAL FANATICISM FANATICISM FANATICISM I can think only of a lesbian draping crepe paper chains over my head to make a black Rapunzel possible; that’s how a white woman tried to lift my burdens. At the time I didn’t reject her for being lesbian or white but for both burdens. That was when I didn’t want Ivory soap to be what cleaned me, made me presentable to society.

All the suds I’d seen were white, they still are but who cares? I’m more interested in how soap dwindles in my

The white my mother Thewomen white TheThe white women white women my women mother my my mother mother hand, under the faucet. cleanedcleaned for didn’t notice she cleaned for cleaned didn’t for didn’t for notice didn’t notice she notice she she had changed.

I guess wasI guess aitIwas had changed. had had changed. changed.

Iitguess guess itawas it was a a small event, aevent, resurrected smallsmall small event, a resurrected event, a Afriresurrected a resurrected Afri- AfriAfrican jumping outcan thejumping gapthe in can jumping can jumping out outher gap out theinthe gap her gap in her in her front teeth. front front teeth. front teeth. teeth.

My ancestors weren’t hippies, My ancestors My My ancestors ancestors weren’t weren’t hippies, weren’t hippies, hippies, cotton cotton precluded fascination cotton precluded cotton precluded precluded fascination fascination fascination with flowers. with flowers. withwith flowers. flowers.

I don’t Iremember communes, I communes, don’t I don’t remember I don’t remember remember communes, communes, I I I remember ghettos. remember remember remember ghettos. ghettos. ghettos.

The riots prodThewere riots Thereal, The were riotsnot riots were real, were not real,real, prodnot not prodproducts of ucts hallucinogens. of ucts hallucinogens. ucts of hallucinogens. of Free hallucinogens.

Free FreeFree love had been atlove Redbones love had love been had had been at Redbones been at Redbones at Redbones since black and and andand sinceunemployment since black since black unemployment black unemployment unemployment credit saturation. creditcredit saturation. credit saturation. saturation.

I guess it looked like a cockroach; that’s what she was supposed to have, not dignity.

BOTANICAL FANATICISM BOTANICAL BOTANICAL BOTANICAL FANATICISM FANATICISM FANATICISM My ancestors weren’t hippies, My ancestors My My ancestors ancestors weren’t weren’t hippies, weren’t hippies, hippies, cotton cotton precluded fascination cotton precluded cotton precluded precluded fascination fascination fascination with flowers. with flowers. withwith flowers. flowers.

I don’t Iremember communes, I communes, don’t I don’t remember I don’t remember remember communes, communes, I I I remember ghettos. remember remember remember ghettos. ghettos. ghettos.

The riots prodThewere riots Thereal, The were riotsnot riots were real, were not real,real, prodnot not prodproducts of ucts hallucinogens. of ucts hallucinogens. ucts of hallucinogens. of Free hallucinogens.

Free FreeFree love had been atlove Redbones love had love been had had been at Redbones been at Redbones at Redbones since black and and andand sinceunemployment since black since black unemployment black unemployment unemployment credit saturation. creditcredit saturation. credit saturation. saturation.

The white my mother Thewomen white TheThe white women white women my women mother my my mother mother cleanedcleaned for didn’t notice she cleaned for cleaned didn’t for didn’t for notice didn’t notice she notice she she had changed.

I guess wasI guess aitIwas had changed. had had changed. changed.

Iitguess guess itawas it was a a small event, aevent, resurrected smallsmall small event, a resurrected event, a Afriresurrected a resurrected Afri- AfriAfrican jumping outcan thejumping gapthe in can jumping can jumping out outher gap out theinthe gap her gap in her in her front teeth. front front teeth. front teeth. teeth.

My ancestors weren’t hippies, cotton precluded fascination with flowers.

I don’t remember communes, I remember

The white women my mother cleaned for didn’t notice she had changed.

I guess it was a small event, a resurrected African jumping out the gap in her front teeth.

I can think only of a lesbian draping crepe paper chains over my head to make a black Rapunzel possible; that’s how a white woman tried to lift my burdens. At the time I didn’t reject her for being lesbian or white but for both burdens. That was when I didn’t want Ivory soap to be what cleaned me, made me presentable to society.

ghettos. The riots were real, not products of hallucinogens.

Free love had been at Redbones since black unemployment and credit saturation.

My mother just couldn’t get excited about the Beatles, those mops she swilled in ammonia everyday on their heads.

Besides, she didn’t work like a dog but like a woman; they aren’t the same.

The hair was growing long for the same reasons Pinocchio’s nose did.

I guess it looked like a cockroach; that’s what she was supposed to have, not dignity.

All the suds I’d seen were white, they still are but who cares? I’m more interested in how soap dwindles in my hand, under the faucet.

The riots prodThewere riots Thereal, The were riotsnot riots were real, were not real,real, prodnot not prodproducts of ucts hallucinogens. of ucts hallucinogens. ucts of hallucinogens. of Free hallucinogens.

Free FreeFree love had been atlove Redbones love had love been had had been at Redbones been at Redbones at Redbones since black and and andand sinceunemployment since black since black unemployment black unemployment unemployment credit saturation. creditcredit saturation. credit saturation. saturation.

My ancestors weren’t hippies, My ancestors My My ancestors ancestors weren’t weren’t hippies, weren’t hippies, hippies, cotton cotton precluded fascination cotton precluded cotton precluded precluded fascination fascination fascination with flowers. with flowers. withwith flowers. flowers.

I don’t Iremember communes, I communes, don’t I don’t remember I don’t remember remember communes, communes, I I I remember ghettos. remember remember remember ghettos. ghettos. ghettos.

THYLIAS THYLIAS THYLIAS MOSS MOSS MOSS THYLIAS MOSS

My mother just couldn’t getjust My mother MyMy mother just mother couldn’t just couldn’t couldn’t get get get excitedexcited about the Beatles, excited about excited about theabout Beatles, the the Beatles, Beatles, those mops swilled in thoseshe those mops those mops shemops swilled she she swilled inswilled in in ammonia everyday on everyday their ammonia ammonia ammonia everyday everyday on their on their on their heads. heads.heads. heads.

I guess Iitguess looked like cockI guess itIlooked guess it alooked itlike looked alike cocklike a cocka cockroach; roach; that’sroach; what she was supthat’s roach; that’s what that’s what she what was shesupshe waswas sup-supposed to have, dignity. posed posed tonot posed have, to have, not to have, dignity. not not dignity. dignity.

BOTANICAL FANATICISM BOTANICAL BOTANICAL BOTANICAL FANATICISM FANATICISM FANATICISM

The white my mother Thewomen white TheThe white women white women my women mother my my mother mother cleanedcleaned for didn’t notice she cleaned for cleaned didn’t for didn’t for notice didn’t notice she notice she she had changed.

I guess wasI guess aitIwas had changed. had had changed. changed.

Iitguess guess itawas it was a a small event, aevent, resurrected smallsmall small event, a resurrected event, a Afriresurrected a resurrected Afri- AfriAfrican jumping outcan thejumping gapthe in can jumping can jumping out outher gap out theinthe gap her gap in her in her front teeth. front front teeth. front teeth. teeth.

Besides,Besides, she Besides, didn’t work like she Besides, didn’t she she didn’t work didn’t work likework likelike a dog but like a awoman; they a dog abut dog like dog butabut like woman; like a woman; a they woman; theythey aren’t the same.

The was aren’t aren’t thearen’t same. thehair the same.

The same. hair TheThe was hairhair waswas growing longgrowing forgrowing the for same reagrowing long long the long for same the for the same rea-same rea-reasons Pinocchio’s nose did. sons Pinocchio’s sonssons Pinocchio’s Pinocchio’s nose did. nosenose did.did.

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POSTERS

BOTANICAL FANATICISM

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Packaging.

ELLO S I E NO.1 When I listen to Cello Suite No.1, an image emerges in my mind. Universe, planets, sky, stars..., so I choose the universe and planets as the main clue.

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SIZE: 12Ă—12 in TYPEFACES: Univers

PACKAGING

CELLO SUITE NO.1

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1.ON ETIUS OLLEC

JOHANN SEBASTIAN BACH

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PACKAGING

CELLO SUITE NO.1

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PACKAGING

CELLO SUITE NO.1

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PACKAGING

CELLO SUITE NO.1

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PACKAGING

CELLO SUITE NO.1

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Identity.

ARRAS FOUNDATION In Sagi eismar’ class, there is a real client called Arras Foundation. e had a face-to-face conversation in which I understand what kind of identity they want. I have drawn about logos and chosen one to refine.

I inspired by collaboration and communication which are significant for Arras Foundation. I use people as the main element to express meaning.

For typography, I choose Source Sans which can show a strong and tasteful identity. For color, red represents enthusiasm purple represents calmness.

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TYPEFACES: Source Sans

B 1

, 4 , 14

B

, ,

B

1 ,

,

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IDENTITY

ARRAS FOUNDATION

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IDENTITY

ARRAS FOUNDATION

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Interaction Design.

TREASURE IN THE JUNGLE This is an interactive game which is supposed to be in a public space for people to play together.

There are three chapters which need at least three people to collaborate.

The first chapter is finding a piece of the boat by which you can go to the jungle for finding treasure. The second chapter is finding the treasure map.

The third chapter is finding the key to open the door of the treasure.

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INTERACTION DESIGN

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orking very hard.

ant to play.

. Sleepy.

TREASURE IN THE JUNGLE

1.

4. Someone need help

. Curious.

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elp

. Very curious.

. Puzzled.

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. The game shows on the screen.

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1 . Take a tumble

11. Finding the piece of boat.

1 . Find out the piece.

1 . Try to pick it up but the leaves go back to the original place.

14. Try again and ask his friend for help.

1 .

1 . Congrats

is friend picks the piece up.

INTERACTION DESIGN

1 . Nothing happens.

1. The monkey jumps up and take the map out.

. Chapter : ump to find the key.

1 . Try to scream but the voice is low.

TREASURE IN THE JUNGLE

1 . Chapter : Find map by scraming.

. Ask his friend for help and the voice is loud enough.

. Take the map.

4. Th cave shakes slightly.

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. More people jump together.

. The cave shakes acutely.

. The key drops down.

. The cave opens

. Find the treasure

. Take it

1. Thank you

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. See you

INTERACTION DESIGN

TREASURE IN THE JUNGLE

Credits to:

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FRICK COLLECTION This website is for educating self-motivated viewers by in-museum visual experience.

PROBLEM:

After doing primary and secondary research, I have found several pain points in The Frick Collection. ne of the biggest problems is that viewers cannot get a convenient audio guided tour or headphones for them to get information about the collections.

SOLUTION:

Starting from the problem, I create an in-museum website for viewers to quickly get paintings’ information.

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INTERACTION DESIGN FRICK COLLECTION

Typography

Adobe Caslon Pro Regular ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz

Lato egular ABC EF I LMN P STUV abcdefghijklmnopqrstuvwxyz

Colors

FFFFFF

EF 1

#000000

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User Flow: Vertically STEP1 Scan the Painting

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INTERACTION DESIGN

FRICK COLLECTION

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STEP Get Information

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INTERACTION DESIGN

FRICK COLLECTION

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User Flow: Horizontally STEP1 Choose Painting by Scrolling

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STEP Get Information

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INTERACTION DESIGN

FRICK COLLECTION

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Motion Graphics.

CAUGHT IN THE WEB This is a title sequence of a famous Chinese film called Caught in the eb which is about cyber-violence. I choose an arrow to represent network which is the main thing in the movie.

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ION: 00:48

MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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MOTION GRAPHICS

CAUGHT IN THE WEB

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PRIVATE VIEW: SANTIAGO CALATRAVA Santiago Calatrava is a well-known architect, structural design and analyst engineer, sculptor, and painter, who has a unique view about architecture. e combines enigma and architecture together.

SUBTITLES:

ow important is architectuer how important Architecture could be just... you see in a transportation net what is important is that the trains work.

Also not only a structure who works and works well, but also structures who are in a way a little bit enigmatic. Because enigma is part of the art, you know.

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DURATION: 00:39

MOTION GRAPHICS

PRIVATE VIEW: SANTIAGO CALATRAVA

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PRIVATE VIEW: SANTIAGO CALATRAVA

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PRIVATE VIEW: SANTIAGO CALATRAVA

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PRIVATE VIEW: SANTIAGO CALATRAVA

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MOTION GRAPHICS

PRIVATE VIEW: SANTIAGO CALATRAVA

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MOTION GRAPHICS

PRIVATE VIEW: SANTIAGO CALATRAVA

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MOTION GRAPHICS

PRIVATE VIEW: SANTIAGO CALATRAVA

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MOTION GRAPHICS

PRIVATE VIEW: SANTIAGO CALATRAVA

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