LG WILLIAMS/ESTATE OF LG WILLIAMS, WORKS

LG WILLIAMS ESTATE OF LG WILLIAMS

Crazy About You: Don’t Eat Fish While Crossing The Line Between Real Life And Entertainment With 8 Grams Of Cocaine, Zig Zag Wrappers And A Broken Tablet Of Albuterol, 2010, towel, 100 x 150 cm. Cover: Screw Yourself, 2000, 6cm, brass screw.

LG WILLIAMS/ESTATE OF LG WILLIAMS © 2011 SUPER WINDOW PROJECT / ALL RIGHTS RESERVED / WWW.SUPERWINDOWPROJECT.COM

LG WILLIAMS ESTATE OF LG WILLIAMS Born in 1965 (USA) Lives and works in Honolulu and Los Angeles (USA), Tokyo and Kyoto (Japan) Solo exhibitions

2011 In absentia, Super Window Project, Kyoto, Japan 2010 Closed, Super Window Project, Kyoto, Japan

Alot Of Fucking Good This Fucking Is Going To Fucking Do-Do, FUCKTHATGALLERY, Los Angeles, USA

Closed, FUCKTHATGALLERY, Kansas City, USA

You Feel Good < Grope >, FUCKTHATGALLERY, Waikiki, USA

Stupid Fucking Closed, FUCKTHATGALLERY, Waikiki, USA

Party Every Night, FUCKTHATGALLERY, Waikiki, USA

White Flag, FUCKTHATGALLERY, Waikiki, USA 2009 Band-Aid, FUCKTHATGALLERY, Waikiki, USA 2008 Abandoned Gallery, If Your Not Laughing At The Morons…, with Shermine Sawalha, Happy Valley, USA 2007-08 House Where The Bottom Fell Out, Happy Valley, USA

Telephonebooth Gallery, One Square Foot, Kansas City, USA

Abandoned Gallery, Stupid Fucking, Wailuku, USA 2005 Gallery Subversive, Truly Yours, Cedar Rapids, USA 2004-05 Rat Bastard Protective Association International Award Exhibition, Lemon, Honolulu, USA

One Awesome Sculpture and That’s All !, Lemon, Honolulu, USA

Help Wanted!, Lemon, Honolulu, USA

Help Wanted: The Craigslist Exhibition, www 2003 Art Security Services, Yerba Buena Center for the Arts, San Francisco, USA

Art Security Services, The Di Rosa Art Preserve, Napa, USA

Hi Gallery, Honolulu Times, Waikiki, USA 2002 New Work, Dai Bak Hap Gallery, Berkeley, USA

10 New Installations, Princess Center For The Arts, Montreal, Canada

Dai Bak Hap Gallery, Berkeley, USA

Hi Gallery, Look, Jump, Mistake, Waikiki, USA 2001 Recent Work, Hi Gallery, Waikiki, USA

DON’T BE, DON’T BELIEVE, AFRAID OF BEING, www

B HERE | B GONE, www 2000 L.A HELLO, L.A GOODBYE, Miracle Gallery, Beverly Hills, Los Angeles, USA

Nine Variations On The Bottom Line, www 1999 Recent Paintings, Stephen Wirtz Gallery, San Francisco, USA

( ( blow : Wall Drawings, Lance Fung Gallery, New York, USA

CATHEXIX: LG Williams & Wally Hedrick, Nexus, Berkeley, USA

The Dow, www

Year in Rearview, www

Figuerlich Art Und Konzeptkunst, www

New Work, Lance Fung Gallery, New York, USA 1997 HACHACHACHA, California Fine Arts, Hollywood, Los Angeles, USA

Clean Shorts And Recent Wood, Gallery 16, San Francisco, USA 1992 Olga Dollar Gallery, San Francisco, USA 1988 Christopher Grimes Gallery, Santa Monica, USA 1988 Drawings, Allport Gallery, San Francisco, USA

Davis Art Center, Davis, USA

University of California, Davis, USA 1985 Athena Gallery, Kansas City, Missouri, USA 1981 Center for the Visual Arts Gallery, Illinois State University, Normal, USA

Flickr Of Dope: Chicken Wire Mommy Gushes On About Her Boyfriend After Being Released On Bail From Los Angeles County Jail, 2010, 480 x ø 100 cm, 1000 gallons propane tank.

LG WILLIAMS/ESTATE OF LG WILLIAMS © 2011 SUPER WINDOW PROJECT / ALL RIGHTS RESERVED / WWW.SUPERWINDOWPROJECT.COM

Group exhibitions

2010 FUCKTHATGALLERY, LG Williams / Estate Of LG Williams: Here’s The Rub, Waikiki, USA 2009 FUCKTHATGALLERY, LG Williams / Estate Of LG Williams: The Big Bad World™, Waikiki, USA

Selections from the Rene Di Rosa Collection, Curator: Richard Reisman, California State University, Sacramento, USA 2005 Linc Art in a Box: Boxx.com, Kuntzpanorama Luszerne, Luscerne, Switzerland

The 2005 Traveling Western RV Biennial Art Show, The John Natsoulas Center for the Arts, Davis, USA

Post, Los Angeles, USA 2004–05 Linc Art, San Francisco, USA 2004 Hero-Glyph, Post, Los Angeles, USA

Wouldworker, Linc Art, San Francisco, USA

Lemon, inaugural exhibition, Honolulu, USA

Minifesto, Luscerne Kunstpanorama, Luscerne, Switzerland 2003 Tossed Salad, Linc Art, San Francisco, USA

The Di Rosa Preserve, Faux Real: Curated by Charles Linder, Napa, USA 2002 Making Ends Meet (The 20-50 Show), Lucky Tackle, Berkeley, USA 2000 Take Off, Cerritos Art Gallery, Cerritos, USA 1999 Add / Drop / Add, California College of Arts and Crafts, Oakland, USA

FLAT, Nexus Gallery, Berkeley, USA 1997 Books, Prints and Multiples, Gallery 16, San Francisco, USA

Georgia State Univ., Univ. Plaza, Custom-Made-International, Atlanta, USA

COME-ON / IN-WARD, The Di Rosa Art Preserve, permanent installation, Napa, USA

California Museum of Art, Burbank Art Center, Santa Rosa, USA

Homeless Art Project Rock Concert, Great American Music Hall, San Francisco, USA

Native American, Eastern Oregon State, Hoke Gallery, La Grande, USA

California Fine Arts, Los Angeles, USA

Dreams of Life and Death, The Living Room, Santa Monica, USA 1996 Evergreen State College, 25 Years, Olympia, USA

Lance Fung Fine Arts, New York, USA

Cirrus Gallery, Los Angeles, USA

San Francisco State University, San Francisco, USA

From Paper to Ether, Anderson Ranch Art Center, Snow Mass Village, USA

Foothill College, Los Alto Hills, USA

SRO Corridor Gallery, Texas Tech University, Lubbock, USA

Women’s Vision Exhibition, Crovallis Arts Center, Corvallis, USA

Memphis College of Art, International Exhibit, Memphis, USA

Hearts Afire, Sun Gallery, Hayward, USA

San Francisco State University, American Media and Culture, San Francisco, USA

Paper Plate, Columbia College, Chicago Center, Chicago, USA

The Embattled Artist, South Bay Women’s Caucus for Art, Palo Alto, USA 1995 Home, Luther College Gallery, Luther College, Decorah, USA

Reflections on Hiroshima, Berkeley Public Library, Berkeley, USA

Keep it Simple, Seniwati Gallery, KIS, Ubud, Bali

Replenish, Carneros Distillery Gallery, Napa, USA

Sweet Bitters; Ideograms and Correspondences, Pence Gallery, Davis, USA

It’s in the Mail, California Museum of Art, Santa Rosa, USA

Born Lives #1, 2002, vinyl and engineer grade reflective sheeting on heavy-duty aluminium, 150 x 100 cm.

LG WILLIAMS/ESTATE OF LG WILLIAMS © 2011 SUPER WINDOW PROJECT / ALL RIGHTS RESERVED / WWW.SUPERWINDOWPROJECT.COM

1994

1993

1992

1991

1990 1989

1988

1987

1985

1984 1982

1980 1979

John F. Kennedy University, Annual Faculty Exhibition, Orinda, USA John Natsoulas Gallery, Amnesty International, Davis, USA Issues of Violence, Orange County Contemporary Art Center, Santa Ana, USA Postage Due, Texas Tech University, SRO Gallery, Lubbock, USA Drawn West: Fourth Biennial Drawing Exhibition, Nora Eccles Harrison Museum of Art, Utah State University, Logan, USA Exploitation, Butte College, Coyote Gallery, Oroville, USA Ethnic Pride, Luther College Gallery, Luther College, Decorah, USA The Ironic and Absurd, Long Beach Arts, Long Beach, USA Gallery Route One, Point Reyes Station, USA Miniatures II, Olga Dollar Gallery, San Francisco, USA International Exhibition of Electronic Art, Minneapolis College of Art, Minneapolis, USA A Tribute to Veronica, Headlands Center for the Arts, Sausalito, USA When Life Becomes Art, Modesto Junior College, Modesto, USA What Do Women Want?, University of California, Berkeley, Berkeley, USA B.Y.O.B., John F. Kennedy University, Orinda, USA New Year’s Group Exhibition, The Sanitation Plant, San Pablo, USA Fairy Tales and Other Fantasies, University of Wisconsin, Waukesha, USA Hope and Harmony, Falkirk Cultural Center, San Rafael, USA Crystal Night, John Natsoulas Gallery, Davis, USA University of California, Davis, Davis, USA 8th Annual Exhibition: Part II, Berkeley Art Center, Berkeley, USA Drawing Direction, Modesto Junior College, Modesto, USA California Works, California State Exposition, Sacramento, USA 67th Annual Crocker-Kingsley Exhibition, Crocker Art Museum, Sacramento, USA Transport!, Palo Alto Cultural Center, Palo Alto, USA The Segelstad Collection, Skyline College, San Bruno, USA Olga Dollar Gallery, San Francisco, USA Olga Dollar Gallery, San Francisco, USA Michael Walls Gallery, New York, USA Allport Gallery, San Francisco, USA Allport Gallery, San Francisco, USA New Work ‘88, Natsoulas/Novelozo Gallery, Davis, USA Drawings: The Bay Area, Bluxome Gallery, San Francisco, USA Introductions ‘87, Bluxome Gallery, San Francisco, USA Pence Gallery, Davis, USA Davis Graduate Show, Carter/Brace Gallery, Napa, USA B.F.A. Exhibition, Kansas City Art Institute, Kansas City, USA K.C.A.I. Selection, Nelson-Atkins Museum of Art, Kansas City, USA Highlights, Kansas City Art Institute, Kansas City, USA Painters and Potters, Kansas City Art Institute, Kansas City, USA Williams / Ryan, Kent State University, Kent, USA Illinois State University, selections from the Permanent Collection, Normal, USA Illinois Exposition, Springfield, USA Visual Arts Gallery, Illinois State University, Annual Exhibition, Normal, USA Hallmark National Achievement Award Exhibition, New York, USA Local Talent from Local Schools, Illinois Valley College, La Salle, USA

Figure Painting (Wheat Paste), 2005, 100 x 100 cm, installation view, Los Angeles, CA.

Selected actions, installations and public projects 2010

2009 2008

2007-08 2004 2003

2002

2001 2000

1997

1987 1986 1985

House Where The Bottom Fell Out: California Up-And-Coming Artist Who Stares At Curators, Collectors, And Dealers Boobs速, www.uacawsaccadb.com Requiem For The Automobile: The Defining Artwork For The Bankrupt, Post-Automobile Generation, www.autorequiem.com Five Gallons, Honolulu, USA Excursion Into Philosophy, Wailuku, USA House Where The Bottom Fell Out, Happy Valley, USA The Pain, November 22, In conjunction with Linc Real Art, San Francisco; and Lemon, Honolulu, USA Art Security Services, Yerba Buena Center for the Arts, Art Security Services, San Francisco, USA Art Security Services, The Di Rosa Art Preserve, Napa, USA Duct Tape Terrorist, Linc Real Art, San Francisco, USA Everybody Sucks, Berkeley, USA An Open Letter to The Transportation Secretary of The United States of America This Is American Art, in conjunction with Dai Bak Hap Gallery, Berkeley, USA Postcards To Dead Artists, Berkeley, USA To Whom It May Concern, in conjunction with Miracle Gallery, Beverly Hills, Los Angeles, USA Paper Toss, installation, Moorpark College, Moorpark, USA Brick Front Door, installation, Chico, USA L.A CART, installation, Los Angeles, USA Inverted Sign,installation, Los Angeles, USA COME ON / IN WARD, Di Rosa Art and Nature Preserve, Central Gallery. Napa, USA bOb, University of California, , Davis, USA liVEly, California Museum of Art, Santa Rosa, USA Road Painting, Davis, USA Phases, Davis, USA New Dimensions, Davis, USA

Yesterday, 1986, 50 x 65 cm, vinyl and engineer grade reflective sheet on heavy-duty aluminum.

700 Billion Years Across, 1986, 50 x 65 cm, vinyl and engineer grade reflective sheet on heavy-duty aluminum.

Twenty, 1987, 100 x 150 cm, charcoal on paper.

Carnal Notions, 1992, 100 x 150 cm, charcoal on paper.

Shifting Slogans, 1992, 55 x 76 cm, charcoal on paper.

The Crack of Dawn, 1995, 76 x 100 cm, mixed media on paper mounted on canvas.

Half-Ass Backwards, 1995, 100 x 130 cm, mixed media on paper mounted on canvas.

Untitled, 1995, 45 x 60 cm, ballpoint pen on paper.

Two Triangles, 1995, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Red Triangle Green Square, 1995, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Two Red Circles, 1995, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Black Triangle, 1995, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Y, 1996, 230 x 120 cm, vinyl lettering on glass.

B, 1999, 180 x 230 cm, mixed media on canvas. Private collection, San Francisco, USA.

Raged Saged, 1999, 180 x 230 cm, mixed media on canvas.

Raged Saged, 1999, 180 x 230 cm, mixed media on canvas.

Untitled (Matchsticks), 1999, 180 x 230 cm, mixed media on canvas.

I used to be different. I used to be like you!, 2000, 20 x 25 cm, C-Print.

I’M ALIVE !, 2000, 20 x 25 cm, C-Print.

Iâ&#x20AC;&#x2122;m so scared, 2000, 20 x 25 cm, C-Print.

OK, I AM A MONSTER!, 2000, 20 x 25 cm, C-Print.

I am sorry, this wasnâ&#x20AC;&#x2122;t my doing., 2000, 20 x 25 cm, C-Print.

I get hurt., 2000, 20 x 25 cm, C-Print.

Three Dot Painting #1, 2000, 20 x 25 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Three Dot Painting #3, 2000, 20 x 25 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Left: Iron Fist (Right Back), 2005, 100 x 76 cm, C-Print. Right: Iron Fist (Left), 2005, 100 x 76 cm, C-Print.

Someday Iâ&#x20AC;&#x2122;ll Be A Star, installation view.

Someday Iâ&#x20AC;&#x2122;ll Be A Star: Red Square, 2002, 150 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Someday Iâ&#x20AC;&#x2122;ll Be A Star: Yellow Triangle, 2002, 150 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Someday Iâ&#x20AC;&#x2122;ll Be A Star: Blue Circle, 2002, 150 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Painters Tape Drawings, 2004, painters tape on wall, dimensions and color variable.

For Immediate Release #3, 2004, 20 x 25 cm, C-Print.

Born Died #7, 2002, 60 x 100 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Dead End #5, 2002, 20 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bar Painting #4, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Dead End #8, 2002, 20 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Everything To Zero #4, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Everything To Zero #1, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Untitled, 2002, ink on engineer grade reflective sheeting on heavy-duty aluminum.

Untitled, 2002, ink on engineer grade reflective sheeting on heavy-duty aluminum.

Hello, Hello?, 1999, 60 x 90 cm, limited edition poster.

Dead Matter, 1999, 60 x 90 cm, limited edition poster.

This page: Sure Sign of Success, 2000, 50 x 50 cm, C-Print. Left: Untitled (Rope Sculpture), 2000, 70 cm, rope.

Next page: Happy People #3, 2007, 180 x 275 cm, mixed media on canvas.

Teddy, 2001, stuffed animal mounted on wall.

Blade, 2001, plastic sword on wall, 38 cm.

Eclipse, 2001, 10 cm, flashlight mounted on wall.

New Yorker #9, 2002, 50 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

New Yorker #5, 2002, 50 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

End of a Legend #1, 2000, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

End of a Legend -- French Version #1, 2000, 50 x 50 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Contemporary Landscape #2, 2004, 76 x 100 cm, mixed media on canvas, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Contemporary Landscape #4, 2004, 76 x 100 cm, mixed media on canvas, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Drawing Distinctions #4, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Drawing Distinctions #5, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Drawing Distinctions #11, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Drawing Distinctions #13, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Superstrings #4, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Superstrings #9, 2005, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Francisco Goya - The Sleep of Reason, 2000, 22 x 17 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Vincent Van Gogh - Self-Portrait, 2000, 22 x 17 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Laughing To The Bank #4, 2005, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Laughing To The Bank #7, 2005, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Laughing To The Bank #2, 2005, 76 x 100 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

We Had Been Dating For Over A Month And Just Split-Up A Few Weeks Ago â&#x20AC;&#x201D; He Had Been Staying At My Home With My Four Kids Who Are Aged Between Three And Twenty-Two

o Or Are We Seeing Another, More Gentle Personality? (Left Of Stupid), 2010, dimensions variable, lettering on wall.

Road Less Traveled #2, 2004, 100 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Road Less Traveled #3, 2004, 100 x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Road Less Traveled #8, 2004, 100 cm x 150 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Local & International Terrorist: Wally â&#x20AC;&#x153;Bullâ&#x20AC;? Hedrick, 2002, limited edition poster.

Bonar Familia #11, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #16, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #10, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #13, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #5, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #8, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #7, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Bonar Familia #4, 2002, 100 x 76 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Exhibition Posters, 45 x 60 cm, limited edition posters.

Eat This (I Did!), 2009, 60 x 130 cm, C-Print.

Bosoms And Bottoms, 2003, 2 channel video, installation view.

For Your Consideration, 2010, 90 x 60 cm, limited edition poster.

Amounts to Nothing #10, 2000, 21 x 27 cm, marker on yellow legal paper.

Figure Painting (Wheat Paste), 2005, 60 x 100 cm, Installation View, Los Angeles, USA.

Figure Painting (Wheat Paste), 2005, 60 x 100 cm, Installation View, Los Angeles, USA.

Figure Painting (Wheat Paste), 2005, 100 x 100, Installation View, Los Angeles, USA.

Figure Painting (Wheat Paste), 2005, 100 x 100 cm, Installation View, Los Angeles, USA.

Figure Painting (Stencil), 2005, 50 x 350 cm spray paint, installation view, Los Angeles, USA.

Figure Painting (Stencil), 2005, 50 x 350 cm, spray paint, installation view, Los Angeles, USA.

Figure Painting (Stencil), 2005, 50 x 350 cm, spray paint, installation view, Los Angeles, USA.

Excursion into Philosophy, 2008, chair, beach.

The Problem Is Of Course That...Forget That: Smash Or Burn, 2009, 48 cm, altered sledge hammer.

High Five! (Five Gallons), 2009, 90 x 320 cm, five gallons of paint on wall.

I Forgot (Mariah), I Forgot: Are We Talking Full-Frontal? Or Slow, Go Slow, Slower Not That! Why Do You Have To Do That?, 2010, oil paint on garage door. Private collection, Sante Fe,

USA.

Royd (Single), 2006, 150 x 100 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Royd (Three), 2006, 150 x 200 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Royd (Four), 2006, 150 x 200 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Royd (Four Over Four), 2006, 150 x 300 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Royd (Three), 2006, 150 x 130 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Royd (Two), 2006, 100 x 76 cm, wheat paste, installation view, Los Angeles, USA.

Royd (Three), 2006, 100 x 150 cm, wheat paste, installation view, Los Angeles, USA.

Royd (Two), 2006, 150 x 76 cm, Wheat Paste, Installation View, Los Angeles, USA.

Foxhole, 2009, Foxhole (Grab Your Shit Lock It Up), 2009, Installation: Artistâ&#x20AC;&#x2122;s complete personal possessions (sofa, file cabinet, lawn chairs, dresser, kitchen ustensils, cooler, etc) locke

ed behind a chain link fence. Honolulu, USA.

Once On Its Last Leg, 2007, 60 x 76 x 130 cm, mixed media sculpture.

(Unresponsive Swan) Like A 1 Mile An Hour â&#x20AC;&#x2DC;69 Charade: Orange Lady Parts On The Roof Of Her Summer Rental, 2010, utility ladder.

CC4T, 2007, 70 x 90 x 150 cm, two chairs and a table.

House Where The Bottom Fell Out, 2007, 2010, suspended house with entire floor removed, permanent installation, Wailuku, USA.

House Where The Bottom Fell Out, 2007, 2010, suspended house with entire floor removed, permanent installation, Wailuku, USA.

Our Sources Say: (Sounds Like A Wonderful Call Me) Don’t Know What You’re Talking About But OK! Or, To Put In Another Precious Ding, 2010

Take A Number, 2010, take a number dispenser and stand, 60 x 80 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

It Can’t Be As Fucked Up As This, But It Is, 2007, 76 x 100 cm, C-Print.

Last Round, 2009, 130 x 76 cm, gelatin-silver print.

Rembrandt Van RIun / Cy Twombly, 2010, 17,7 x 7,6 cm/ 7” x 3”, digital print mounted on plexiglas, spotlight. Unique.

Imagine Picasso But Better No.1, 2010, 17,7 x 7,6 cm/ 7â&#x20AC;? x 3â&#x20AC;?, digital print mounted on plexiglas, spotlight. Unique. More-Of-The-Same But Better No.1, 2010, More-Of-The-Same-B

But-Better, 2010, 17,7 x 7,6 cm/ 7â&#x20AC;? x 3â&#x20AC;?, digital print mounted on plexiglas, spotlight. Unique.

More-Of-The-Same-But-Better, 2010, 17,7 x 7,6 cm/ 7â&#x20AC;? x 3â&#x20AC;?, digital print mounted on plexiglas, spotlight. Unique.

More-Of-The-Same-But-Better, 2010, 17,7 x 7,6 cm/ 7â&#x20AC;? x 3â&#x20AC;?, digital print mounted on plexiglas. Unique.

Leave Home For Hospital Then Rehab (Once Appearing In Lower-Budget Films And TV Shows And Cult Classics) Or “Brainy”, “Athletic”, And Having Depth Of Character, But Often Critic 2010, 90 x 158, vinyl lettering on wall.

cized As Not Credible In An Outfit, Which Often Comprised A Compromised Low-Cut Tank Top And Tight Shorts, Elicited Comments Like: Ohmyfuckinggawd! Or Holy Shit!,

(Yes No Oh Shit) Who? There She Is! I Was Shocked And Shamed To Discover! Or, I Can See Where You Are Going With This, But With All The Funfare, Money, Flowers, And Actress

Wife — Where Was I? (Hey, Who’s Got The Chronic!), 2010, 60 X 120, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Avoid UTI! Or Dear Chairman Of The Joint-Chief-Of-Staff, I’m Bankrupt Again, May Owe $50 Mil! Or The Guy Is Really Smart — But He Just Spouted Off Some Clichés (Fr.) And Told Me Whole Week! Get It?, 2010, Big Rock (8 Tons), Roppongi Hills Mori Tower, Roppongi, Tokyo, Japan.

e To Read Some Speech Or Something Or Another Or Let Me Make My Self Perfectly Clear: Say Your Mom Puts A Fried Tuna Sandwich In Your School Lunch Box Everyday For A

For Immediate Release #5, 2004, 20 x 25 cm, C-print.

Honolulu Bull #2, 2004, 76 x 130 cm, drawing on newspaper mounted on canvas.

Untitled Or Perhaps It Is Better To Say (Think Of It: I Just Love The Moments We Have Together) Or Driving Miss Daisy From The Mortuary [In A Hospital Or Elsewhere] Re: Many Other G various dimensions, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Guys Across The Universe Must Share The (Emphasis Upon Tequila) Frustration So — Whatever…Repeat…Or, These Ones Goes Out To The One I Love Exhibition,

Untitled Or Perhaps It Is Better To Say (Think Of It: I Just Love The Moments We Have Together) Or Driving Miss Daisy From The Mortuary [In A Hospital Or Elsewhere] Re: Many Other G various dimensions, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Guys Across The Universe Must Share The (Emphasis Upon Tequila) Frustration So — Whatever…Repeat…Or, These Ones Goes Out To The One I Love Exhibition,

Untitled Or Perhaps It Is Better To Say (Think Of It: I Just Love The Moments We Have Together) Or Driving Miss Daisy From The Mortuary [In A Hospital Or Elsewhere] Re: Many Other G various dimensions, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Guys Across The Universe Must Share The (Emphasis Upon Tequila) Frustration So — Whatever…Repeat…Or, These Ones Goes Out To The One I Love Exhibition,

Untitled Or Perhaps It Is Better To Say (Think Of It: I Just Love The Moments We Have Together) Or Driving Miss Daisy From The Mortuary [In A Hospital Or Elsewhere] Re: Many Other G various dimensions, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Guys Across The Universe Must Share The (Emphasis Upon Tequila) Frustration So — Whatever…Repeat…Or, These Ones Goes Out To The One I Love Exhibition,

LG Williams, Party Every Night, 2010, 76â&#x20AC;&#x2122; red carpet, 2 velvet ropes, 2 stainless stanchions, 30 x 12 x 96 cm.

Left: Party Every Night, 2010, 60â&#x20AC;? red carpet suit. Right: Party Every Night, 2010, 60 x 90 cm, limited edition poster.

Closed, 2010, 120 x 160 cm, vinyl and engineer grade reflective sheeting on heavy-duty aluminum.

Grey Matter, 2004, 40 x 40 cm, ceramic.

Previous When The page: Event HELP Happened…Shit, US! 助け米国 !,We 2010, Were 100 Completely X 76 cm,Terrified vinyl andAnd engineer Devastated!!! grade reflective Or I’m Totally sheeting Fine,on Guys heavy-duty And Gals, aluminum.

But I JustThis Want page: To Address HELP US! This 助け米国 For Once !, 2010, And For athletic All Because field spec

cialty Everyone spray paint Has Been on grass, Asking Tokyo Me Midtown (AngelinaTower Jolie Was Park,Here!), Roppongi, variable Tokyo. dimensions, lettering on wall. Private Collection, Tokyo, Japan.

Angelina Jolie Was Here !, 2010, wallpainting, variable dimensions.

Let Me Be Perfectly Clear, 2010, limited edition poster.

LG WILLIAMS/ESTATE OF LG WILLIAMS © 2011 SUPER WINDOW PROJECT / ALL RIGHTS RESERVED / WWW.SUPERWINDOWPROJECT.COM