PORTFOLIO SURUTHI SANKARI K
ACADEMIC WORKS
WORKSHOPS
YEAR-1
Photography
Ar. Maniyarasan R
BASIC DESIGN Patterns from nature Ar.Belinda, Ar.Senthil kumar doss
Photogrammetry
Ar. Maniyarasan R
NOTHINGNESS Chithanavasal Ar.Senthil kumar doss, Ar.Deepak
GIS Mapping
Ar. Parvathy Kartha
YEAR-2
Contour Workshop Ar. Ophylia Vinodhini
RURAL STUDIO Pazhamaneri
Procedural
Ar. Balaji Rajasekaran
SCHOOL DESIGN Prof.Neelkanth Chhaya
Linocut
Artist Mark Rathinaraj
YEAR-3 FLEXIBLE-HOSUING Ar. Mahesh radhakrishnan, Ar.Judith Belinda Laura MALL DESIGN Ar.Senthil kumar doss YEAR-4
SURUTHI SANKARI K I believe that my creativity and sketching skills have always been my strength, and architecture has helped me develop these skills further. My interest is in exploring historical places and built heritage. I like to participate in programs related to heritage documentation and experiments to address new ways to solve problems.
MENTORS Ar. Neelkanth Chhaya
VOCCATIONAL SCHOOL Ar.Senthil Kumar
Ar. Maniyarasan R
URBAN DESIGN Dheeran Nagar, Trichy Prof.PVK.rameshwar
Ar. PVK Pameshwar
YEAR-5
Ar. Mahesh Radhakrishan
INTERNSHIP FHD Groups, Hyderabad
Ar. Sentil Kumar Doss
THESIS Interpretation center, Ar. Ramalingam, Ar. Maniyarasan R
Ar. Ramalingam
PERSONAL INFORMATION
EDUCATION
D.O.B
12-01-2000
College
CARE School of Architecture
Address
Voc street, Ramachandra nagar, Bodinayakanur,
2005 - 2010 BMS English school, Banglore 2010 - 2015 Bharathi Vidyalaya school, Chennai 2015 - 2018 SCISM school, Theni 2018 - 2023 CARE School of Architecture, Trichy ( B.Arch )
Theni, Tamilnadu Ph.no
+91 73589 61141
PROFESSIONAL EXPERIENCE
Email id
arsuruthisankari@gmail.com
2022 - 2023 FHD Group , Hyderabad ( Internship )
Ar. Suruthi Sankari
Hobbies
PERSONAL SKILLS
Photography, Traveling, Exploring Heritage
Measure Drawing Photo Documentation Sketching Illustration
sites, Sketching Sports
Volly Ball, Tennikoit
TECHNICAL SKILLS
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Phone Number +91 73589 61141
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Mail Id arsuruthisankari@gmail.com
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CONTENTS
01
INTERPRETATION CENTER - THESIS
02
SCHOOL DESIGN - WAYANAD
03
RURAL STUDIO - PAZHAMARNERI
04
PHOTOGRAMMETRY
05
BASIC DESIGN - CUBE MANUPULATION
06
BASIC DESIGN - BIO MIMICRY
07
FREELANCE - WAY CULTURAL CONSERVE
INTERPRETATION CENTRE - THESIS
01
History is the study of evolution over centuries across many different landscapes, cultures and time periods. Documenting and archiving such history is very important. It is not only the artefacts that are needed to be conserved it is also the way people lived, where they lived and the evolution of history across the urban level to be conserved. Here the proposal of a Interpretation center is not a single whole building which exhibits history. The Interpretation center is split into many venues in the selected urban context. Connecting the dots people go through a lot of experience. These venues can be visited like a heritage walk. Interpretation center can itself be an archived monument that is an adaptive reuse of buildings with historical value. The old buildings in that zone can be converted into a museum. Sense of architecture in a city level includes the streets, the common areas,shops, temples, etc.
Initial fortified development
Pallavan kollam
Development around the fortification
SITE Pudukkottai is where the two main Tamil Dravidian dynasty coincide. That is the Cholas and the Pandiyas. It has a mixed architectural influences from both the dynasty. Hence ending up to be the site chosen.
LOCATION All the historical places are located within 10km radius. To create a museum of Tamil Dravidian history which mainly consist of Cholas and Pandiyas where Tanjore is the headquarters of Cholas and Madurai is the headquarters of Pandiyas but Pudukkottai is located in the boarders of both the dynasties.
Further extention of Pudukkottai
There is a river named vellaru running through Pudukkottai. The region form north vellaru to south carvery is early chola dynasity whereas region from south vellaru to thamirabarani river is the pandiyas dynasity.
AIM The aim of this Interpretation center is to bring together people from all over the world to share and gain knowledge about history. The historical events will be converted into some installations which can be conserved for future generations. Through adaptive reuse we can enrich the heritage values. Adaptive reuse is a step towards sustainable development.
ARCHITECTUAL QUESTION What is our local history? Is it possible to bring a sense of interaction breaking the stereotype of a museum? Is it possible to scale up a museum to an urban context? Is it possible to adaptive reuse the abandoned buildings in that context to bring back its essence?
Selecting Trichy, Tanjore the chola dynasity or selecting Madurai the pandiyan dynasity restricts us towards one side of the Dravidian history. And also the factor that Trichy and Madurai are already in the process of urbanization and Pudukkottai is in the place to be taken care of in both historical conservation and revenue generation.
EVOLUTION OF PUDUKOTTAI The city of Pudukkottai is designed in a way keeping the pallavan kollam as the center of the development. It is one among the well designed urban city. Initial times it was a fortified city where we can find traces of it. Pudukkottai is a grid iron patter urban planned city during its initial development where the language is still followed in further developments. The site selected is located near the pallavan kollam which is the origin of pudukkottai city.
Entire Pudukkotai map
ACHITECTURAL ASSPECT • • • • •
Traces of buildings from megalithic period (BC 02) to colonial period are found in Pudukkottai district. All these buildings are found in a radius of 10km from the main town. Tamil Nadu was divided into 12 divisions during the Dravidian period. Pudukkottai was one among this 12 and was named as Pandrinadu. The architecture found in Pudukkottai is a mixture of Cholas and Pandiyas. Sir Amaravati Seshayya Sastri rebuilt the town Pudukkottai. He did the town planning of Pondicherry also. Hence we can find many similarities here.
ARCHEOLOGICAL EVIDENCE • •
C EDUCATION AND RESEARCH ZONE
B GALLERY AND EXHIBITION ZONE
Archaeologists say that maximum number of inscriptions are found in India out of which most are in Tamil Nadu, majorly in Pudukkottai. The traces about three main division of tamil that is iyal, isai and naadagam are inscribed in Pudukkottai.
HISTORY OF PUDUKKOTTAI Pudukkottai was its own nation even after India achieved independence, until it was eventually integrated into the Indian Union. Pudukkottai’s development was much more drastic than other places due to the amicable relationship the Pudukkottai king had with the British. During British rule, a bus service was established for the first time in the region, prior to which there was no such facility available.
A TOURIST AND RECREATIONAL ZONE
The Pudukkottai Samasthanam, unlike many of its surrounding dynasties, had a much lesser tax burden due to the warm relationship between its King and the British. The Pudukkottai Samasthanam comprises of five areas Pudukkottai, Thirumaiyam, Gandaravakottai, Alamkudi and Keeranoor. After the king signed the agreement to incorporate Pudukkottai into India, all of his property was repurposed as administrative buildings and government offices.
SITE A Starting from Pudukkottai bus stand, the heritage walk takes visitors through a wide array of colonial buildings, many of which have been adapted for reuse. These buildings provide a unique insight into the history of the area and make for an interesting and educational experience.
SITE B DOCUMENTATION The King gave his sister this palace as a gift, as she was unable to ascend the throne due to the fact that women are not allowed to wield power in this kingdom. Rajagopala Thondaiman was the last monarch of Pudukkottai who held ruling powers. After India’s independence, he willingly relinquished all his properties to the Indian government.
ON SITE DOCUMENTATION A
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EXISTING STRUCTURE 12210
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VIEWS FROM THE SITE
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FLOOR PLAN FIRST FIRST FLOOR PLAN
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GROUND FLOOR PLAN GROUND FLOOR PLAN
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VIEWS TO THE SITE
SITE C DOCUMENTATION The Maharaja’s Town Hall, erected by the Pudukkottai Public in 1899, was a building commissioned by His Highness Shree Brahadambadas, Raja Marthanda Bhairava Thondaiman Bahadur in honor of Her Most Gracious Majesty The Queen Empress of India. This building has been used as an assembly hall since its inception and continues to be used for the same purpose today. Most government meetings nowadays take place in this location.
EXISTING STRUCTURE
This town hall has ample space surrounding it, making it an ideal location for site selection. It is also located near the keela raja veethi along with the other venues are located.
ON SITE DOCUMENTATION 13618 13618
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VIEWS FROM THE SITE
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FIRST FLOOR PLAN
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FIRST FLOOR PLAN
VIEWS TO THE SITE
ENTRY 2
SITE A VISITORS CENTER 1
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SITE A Pudukkottai is a place rich in its architecture and history but people are unaware of it because there is no tourist attraction point inside the city. This visitors center acts as an attraction place to the people in and around Pudukkottai. The visitor’s center consists of a market area where local goods and crafts are sold, a small open air theater where drama and other programs held in a smaller crowd can be conducted. Then there is an A/V room with multiple projectors to educate people about the history of the region. A public library for all the people to access and read books. There is a water body inside the site which is one of the most special features of this site. As a connection between people and the water body a narrow walkway along the waterbody and a water deck is created. This lets the people enjoy the waterbody.
1. Car Parking 7. Cloak Room 13. Public Library 2. Two Wheeler Parking 8. Bazar Street 14. Restaurant 3. Temporary Shops 9. Open Air Theater 15. Ladies Restroom 4. Drop Zone 10. Green Room 16. Gents Restroom 5. Waiting Area 11. Multi-display Room 17. Open Dining 6. Information Desk 12. 360 View Deck 18. Lake View Dining
Not To Scale
GROUND FLOOR PLAN
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SECTION AA’ SECTION AA`
SITE B PALACE AS MUSEUM 1 2
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The Kallakottai Palace was an old, abandoned structure constructed by Rajagopala Thondaiman (Periyavar) to provide a home for his sister.
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The building had a central courtyard with a stage where marriages can happen. 22 14
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The structure of the building is made with sappa stone and lime plaster.
Not To Scale
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SECTION AA` 1. Car Parking 2. Two Wheeler parking
11. Waiting Area 12. Transition Space
21. Gents Restroom 22. Domestic Workers Resting
The central courtyard above the stage features traces of a madras terrace roof. A new building has been constructed next to this one, preserving and replicating the original building’s features in certain areas.
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SECTION AA’
The entire structure is in a state of disrepair, with much of the roof having collapsed.
GROUND FLOOR PLAN
We can observe broken roofs scattered throughout the area. Additionally, many of the windows and doors are missing. This building has great potential for adaptive reuse due to its rich heritage value and unique style. It is a great opportunity to preserve and repurpose this building for a new purpose.
The current condition of the building has many walls that are demolished due to weathering and no proper maintenance. The walls that have fallen off are used in the design. Handrails are laid for the safety of people, preserving the rest of the building.
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There is an open courtyard in the backyard of the palace which is converted into a central courtyard for the old and new building. This also Not To Scale is a waiting area for people. This place also acts as a transmission between the old and the new building.
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1. Existing Exhibition Space 2. New Exhibition Space 3. Digital Exhibition Spcae SECTION CC’ SECTION CC`
FIRST FLOOR PLAN
SITE C PERFORMANCE ART CENTER The performing arts center is created as an evidence to the rich art and dance form of Pudukkottai. Here workshops will be held as an exchange of culture and tradition with the tourists coming there. There is a street created around the existing building to give the people walking through the heritage streets of Pudukkottai. In those streets workshop and exhibitions are held which welcome people to participate and as well as take a look at the process happening.
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arking p Area Office
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kshop Area
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GROUNG FLOOR PLAN
SECTION CC’
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Inside the performing arts center there is a stage and space for people to sit and watch the programmes happening. There is also a balcony for people to watch the program from above. The new constructed buildings will be built following the same language of the existing building. 5
The town hall is used as primary government school classrooms due to the deficiency in classrooms so supplementary classrooms are designed in the other entrance of the campus. Not To Scale
ELEVATION
FRONT ELEVATION
1. Classroom 2. Workshop Area 3. Upper View Area 4. Performing Arts Center 5. Gathering Space
REAR ELEVATION ELEVATION
FIRST FLOOR PLAN
ON SITE DOCUMENTATION OF SITE B
Hand drafted and manually rendered
The existing structure in the selected site was documented entirely to understand its condition and to give it another purpose. This is the existing palace building that is remaining in the site that has been documented and converted into plans and sections. Backyard of the palace
lan for the side entrance and the open space inside the compound. There are exterior stairs to access the first floor of the palace.
This is the section showing the courtyard located in the backside of the palace it has a three sided sloped roof supported by beautifully carved wooden pillars. The truss and the rafters are also made out of wood.
This section passes through the kitchen and an open space located in the side entrance of the palace.
This structure has many arches. The detailed drawing with measurements is the image below. The inner stairs leading to the first floor are also detailed out.
This is the plan of the hallway in the main entrance. This is located in the way facing the pond which is located in the center of Pudukkottai.
This section depicts the transition of the outdoor space to indoor space in the side entrance. We can see public, semi private and private areas in this section.
Plan for the entrance courtyard. This place is full of arches of different sizes. There are four stairs on all four sides of the courtyard, the corridor around the arches are constructed using madras terrace.
This is the section of the first floor to understand the placement of the windows and doors. This shows the wall thickness and pillar details.
ON SITE DOCUMENTATION OF SITE C Hand drafted and manually rendered
Plan for the entrance corridor of the town hall in Pudukkottai. This corridor consists mainly of arches that are integratedly detailed. There are three stairs, one in the center facing front and two either side leading to the corridor which is more than one meter from ground level.
This is the detailed measure drawing of the entrance arch and the door seen through it.
Detail of the stairs leading to the entrance corridor with dimensions is given here.
This is one side elevation of the entrance corridor, the other side is the mirror of this. It consists of many doors also held by an arched structure on it.
The dimension of the rooms which have their entrance from the entrance corridor.
This is the detailed drawing of the huge entrance doors to the town hall. The arch detail is a fusion of wood and glass.
RENDERS OF SITE C
The elevation of the existing structure of the town hall. This was a building constructed during the british period having influence of the colonial style of architecture. Symmetry is the main ground rule followed all over the building.
The interior of the building is made out of pillars and huge arches. The roof is of madras terrace using wooden beams. The walls are 2feet thick lime plaster construction.
There is a walk through street designed to exhibit the outcomes of the workshops held here and place for the workshops to be held. People can walk in the street created around the building giving a chance to admire the architecture of the colonial structure in the center.
The interior of the town hall is converted into the place where all the programs will happen. There is a small stage in the center of the hall and there is a balcony from where people can see the program from the top of the building.
This town hall is a colonial building built during the British period. All the walls are two feet thick and plastered using lime mortar. The main architectural features here are the arches and columns of the structure. This town hall is located in the center of the site having setbacks on all the four sides of the building. The entrance is located in the front facing of the building where the two wheeler and four wheeler parking is located. After entering there is a drop zone created by a landscape and a fountain from the old ages. In south indian temple architecture the main building is surrounded by corridors of mandapam which is used by people to walk around the main building and admire the structure from all sides. Taking this concept the newly constructed structure is constructed as an offset of the existing structure. The corridor around the building is where all the workshops and exhibitions happen. The same language used in the building is used in the newly added structure.
Photo Courtesy Ar Sivakkumar B C
SCHOOL DESIGN - WAYANAD
02
In this studio, we explored as a collective on how to design structures for different contexts. This is a design proposal of a school for the localities of Wayanad, Kerala. This design not only focuses on developing the academic skills of the students, but also cultivates in them, the life skills for a traditional and sustainable living. Activities like singing, dancing, traditional craft making, farming, processing, extracting honey from beehive, etc are thought here. Children here are not able to get educated properly because the place is flooded almost throughout the year. So there is a need for a educational institute in the locality.
LOCAL ARCHITECTURE OF WAYANAD Hand drafted and manually rendered
Research regarding the local architecture and the tradition of the people was done to understand the importance with concern to climate and landform. Most of the buildings in kerala have sloped roofs because of heavy rainfall throughout the year. This place is located near thick forest which has their native tribal people who have a unique style of architecture. Mud wall is used but to prevent it from rain very low slope roofs are laid. Since wayanad is a hilly place cut and fill technique is used to level the land and to construct houses. Small cozy houses are built to trap heat inside the entity.
The selected site is located in Wayand, Kerala. The climatic condition of the area is mostly rainy and floods occur during heavy rain. The selected site is located in a valley area but the given area is almost a flat land. The school is located near a river. Due to heavy rain condition some precautions are to be taken to withstand the rain. Some precautions in design such as slope roof to reduce damage caused by the heavy rain. Since it is a flood prone area porous footing concept was introduced. Here the building stands on reinforced columns which does not disturb the drain pattern. Vernacular materials is been used to reduce construction cost and give local employment to the people. Treated bamboo is used as walls which creates a visual connectivity with the surrounding. The bamboo is arranged in a vertical manner replicating the Forrest where the site is located.
BLOCK MODULE TO UNDERSTAND THE STRUCTURE
LAYERS OF THE STRUCTURE The central courtyard acts as a entrance zone and a gatheing space too. Classes can happen in shade during rainy season and the rest of the time it can happen in this courtyard or the landscape in the central part of the school.There is a huge landscape which becomes a place where kids can play.
The whole structure is constructed using bamboo as it is a sustainable material. Bamboo bars are used to raise the height of the plinth; it also acts as the column for the structure. A Sloped roof is laid to reduce water staging and to protect the walls from exposure to heavy rainfall.
The above module is a design output for the local climatic condition. Since it is a heavily flooded area and the site is located in the lower contour there should be some features to allow water to drain from the site to the river running by the site. As a solution the plinth of the constructed area is raised and made porous allowing the water to pass by and drain as soon as possible.
SECTION AA`
This section depicts the activity happening in the classroom space. The classroom space is designed in such a way that it can adapt according to the activity happening there. The inter-relation between two buildings is through a huge landscape in the middle. The buildings are arranged around the landscape. During days of clear sky the classes need not happen in a closed area it can be in the open landscape under a tree where kids get a opportunity to interact with the nature. There is a small kitchen where lunch is provided to the kids who attend school. The waste generated is given to the cow and goat in the cattle shed which is near the kitchen.
GROUND FLOOR PLAN
SECTION BB`
RURAL STUDIO - PAZHAMARNERI
03
Pazhamarneri is a small village situated in the southern bank of the River Kaveri. It is located 30 km northwest of Thanjavur and 32 km northeast of Trichy. It is 2.5 km from Thirukattupalli. Growth is equal when both the development of rural and urban areas is on the same scale. To understand the needs and requirements of the rural people and designing them following the traditional language documented in the area is the motto of the design.
PRIMARY HEALTH CARE CENTER Hand drafted and manually rendered
ISO VIEW
The village was documented and surveyed using the people’s participatory methods. Through which we could understand their climate, vegetation, culture, skills, and tradition. The study of history of the place helped in understanding the origin and development pattern of the village. The requirements of the people could also be figured out through this. The basic facility such as a primary health care center was the main requirement of the people. There was no other place for the people to conduct functions and meetings hence a community hall was required here.
GROUND FLOOR PLAN
ELEVATION
RURAL DOCUMENTATION Hand drafted and manually rendered
Documented the rural agrahara houses of Pazhamarneri. This is a small village evolved around a Perumal temple located in that village. It is well known for its wall to wall linear constructions which is a climatological solution for hot and dry climate. Every house has a mutram which is a very important element. This mutram acts as a tunnel effect by letting hot air travel upwards resulting in a cool and comfortable feel inside the house.
SECTION
GROUND FLOOR PLAN Temperature analysis
CLIMATOLOGICAL STUDY
Light and Shadow analysis
The above plan represents the temperature analysis and light and shadow analysis respectively. The section makes us understand the tunnel effect due to the muttram located in the center of the house.
There are two climate studies conducted in the houses of Pazhamarneri, one of them is light and shadow test and the other is temperature analysis. As a result of the light and shadow test we can conclude that most of the house is shaded and dark creating a cool and comfortable place for the people to live in this hot area whereas the places like thinnai and backward are bright and lit for other uses . From the temperature analysis we can conclude that the dark and shaded area are cool compared to the other areas . The mutram is also a very important part of temperature control. The thick 2 feet wall and shared wall system is also causing the place to be cool.
Tunnel Effect in Mutram
According to the requirements analysis from the data obtained from the local people there is no proper place to conduct functions, events and meetings in this village. This community hall is a simple design constructed using vernacular material found in and around the village. Random rubble masonry, mangalore tile and slope roof is laid.
RURAL COMMUNITY CENTER Hand drafted and manually rendered
Kacha Road
Primary Health Care Center GROUND FLOOR PLAN Community center
Sun path Diagram Sun path Diagram
Entry
SECTION
Kacha Road Wind Analysis
SITE PLAN
ISO VIEW
PHOTOGRAMMETRY Workshop taken by Maniyarasan R
04
Photogrammetry is a process by which large numbers of still photographs, of an object or environment, can be combined to create a precise and navigable 3D model. Architectural photogrammetry is used to create a new level of accuracy in architectural renderings and research! Architects have many options for outputting data through photogrammetry software like outputting data as vector objects for CAD programs.
Uses of photogrammetry • The photographs may be archived for future use. • The photographs may be used either for monitoring or for the generation of data. • The technique is non-intrusive. • The technique is ideal for recording detail of a complex nature. • A high level of accuracy is achievable. • The use of digital data ensures total flexibility. • The level of detail to be extracted may be determined either by the client or the photogrammetrist. • It is cost-effective.
Camera points Point Cloud
Solid model
Photogrammetry is the science and technology of making measurements using photographs. The photogrammetric process is designed either to derive accurate information from aerial photographic image from which all errors have been removed. The blue rectangles represent where the software thinks a picture was taken while the point cloud should make an accurate impression of the object photographed. The wireframe model is the conversion of the solid block into a wired model made out of triangles. These triangles are interlinked to each other creating a 3d model in the easiest way to print it.
Wire frame model
Final output
Top view
Iso view
Point Cloud
Wire frame model Solid model
Wire frame model Final output
En number of photos are taken to create one photogrammetry ortho elevation. All the photos taken should be ensured to have 70% overlap to the previous image. These images are stitched using software. From the output we can get high quality details because it is a combination of many photos. The elevation obtained gives accurate measurements of the structure. These data then are used by conservation Architects to make conditional assessment of the buildings and to document it for future reference. This image then can be rasterized in vector software to get plans, sections and elevation. Solid model
Final output
Panoramic images
Solid model
In 3D modeling, a point cloud is a set of data points in a 3D coordinate system—commonly known as the XYZ axes. Each point represents a single spatial measurement on the object’s surface. Taken together, a point cloud represents the entire external surface of an object. The process of turning a point cloud into a 3D model is known as surface reconstruction. This is because a point cloud itself does not contain “surfaces,” only a multitude of discrete coordinates. Of course, the conversion of point cloud data into 3D models is not a simple process.
Final output
A panorama is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was coined in the 18th century by the English painter Robert Barker to describe his panoramic paintings of Edinburgh and London.
BASIC DESIGN - CUBE MANUPULATION
05
CUBE MANIPULATION A grid of cubes were taken and some edges of the cube was removed to represent it in abstract form. They were arranged to create interesting pattern. Those pattern were converted into voids. Those pattern were manipulated to gain a output.
BASIC DESIGN - BIO MIMICRY
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INSPIRATION FROM NATURE: Bio mimicry (literally: imitation of the living ) aims to take inspiration from natural selection solutions adopted by nature and translate the principles to human engineering. The bio mimicry approach aims to favor “choices” tested by nature which had millions of years to understand what works best and what doesn’t.
FREELANCE - WAY CULTURAL CONSERVE
07
WANNAPARTHY This is a palace located near Hyderabad in a village named Wannaparthy which is now being used as a polytechnic college. This was documented for conditional assessment due to some damage in the structure.The below drawing is a fussion of Cadd drawing and illustration of the building.
REFERENCE
Ar.Maniyarasan R Assistant professor & In-charge Design Cell, B.Arch, SPA, Delhi, 2008. M.Des(Photography Design)., NID, Ahmedabad, 2010. Ph.D in “Defining visual documentation framework for architectural projects”
Ar.Shabitha P Professor & In-charge Accreditations and Affiliations, B.Arch., TCE, Madurai, 2003. M.Plan., School of Architecture and Planning (SAP), 2005.
Ar. Suruthi Sankari Phone Number +91 73589 61141 Mail Id arsuruthisankari@gmail.com