Liverpool After Dark - Issue 4 by Activate Digital

Issue 4. March 2013 Free

e h t f o d Lor ance Tr

ous m a f n I : h n c r w a o r M B 0 n 3 e r 5 Der ire, 2 p m E l o o Liverp

Nicky Romero

Eddie Halliwell

Lee "Scratch" Perry

The Enemy Dennis Locorriere Circus Threshold Festival FACT 10th Birthday

Lianne La Havas

International Jazz Festival

March 2013

Contents Issue 4. March 2013

Events 5. Fact Birthday Hacking birthday bonanza 7. Derren Brown Empire preview 8. British Gymnastics Championships At Echo Arena 9. China State Circus At Liverpool Empire 10. Derren Brown Hypnotic interview with the bearded manipulator

Music 14. Johnny Marr At the O2 Academy 16. Dennis Locorriere 16. Classical Spectacular 17. Lee Scratch Perry Review at Eric’s 17. Gretchen Peters 18 International Jazz Festival

19. The Enemy 19. Jenn D New single 20. The Magic Band 21. Clannad 22. Lianne La Havas 23. The Threshold Festival Annual Baltic Triangle Shenanigans 23. Sam Lee & Friends 23. Soul4Soul

30. Circus Easter Sunday preview 31. Cream At Nation preview 32. Top 5 Bars Favourite City Centre hotspots for March

Nightlife

38. Hope Womack and Womack at the Royal Court 39. Whats On A run-down of March’s Theatre

24. Nicky Romero Romero’s Bleeding Good 26. Eddie Halliwell Eddie’s Monster 28. Sleaze Records Showcase 28. mUmU 5th birthday preview 29. Motion 29. My Top Five March by DJ Matt Gall

Eating Out 36. Top 5 Eateries Scran your face off!

Theatre

Cinema 43.Stoker Nicole Kidman unhinged! 48. Reviews The best film releases for March

Magazine Team Editor Anthony Bennett 0151 214 3235 tony@liverpoolafterdark.com Art Director Roy McCarthy 0151 214 3235 roy@liverpoolafterdark.com Designer Lisa Robson 0151 214 3235 lisa@liverpoolafterdark.com Photography & Video Production Jonathan Dawe 0787 0257 942 jonathan@liverpoolafterdark.com App Developer Steve Tickle Social Media Sean Weaver Features writer Rosie Cameron Interns Rebecca Frankland Owen Mountfield Advertising Advertising Manager Mike Clarke 0151 214 3232 mike@liverpoolafterdark.com Telesales Manager David Eaton 0151 214 3233 dave@liverpoolafterdark.com Digital Sponsorship Jon Saunders 0151 214 3231 jon@liverpoolafterdark.com Contributors

Rebecca Frankland, Josh Ray, Zoë Byrne, Ellie Phillips, Joe-Ann Randles, Larissa Wignall, Matt Gall, Amy Faith

Thanks to

Mike Cockburn, Adam Lewis, Warren Butcher, Joanne Evans, Rajesh Sharma, Joel Jelen, Ethan Allen, Craig Lawrenson, Alan McCarthy, Emma McHarrie, Kerry Quinn, Emma Allison, Clive Knowles, Eden Showers, Lisa Southern, Bill Elms, Mike Doran

Publishing Published by Survival Media Limited 4th Floor Elevator Studios 25-31 Parliament Street Liverpool L8 5RN Telephone 0151 214 3230 Website www.liverpoolafterdark.com Facebook facebook.com/liverpoolafterdark Twitter @LpoolAfterDark

March 2013

Events

Hacky Birthday To Fact

Bringing people, art and technology together since 2003 FACT, Wood Street 23 February 2013

oin FACT in celebrating 10 years since the FACT building opened on Wood Street in Liverpool. As is fitting for a FACT celebration They’re inviting people to hack or creatively re-programme the building in a family fun day full of party games, birthday cake and arty activities. Celebrations include: FACT is hacking into the traditional party game to give it a technological twist, so whether it is pass the parcel or pin the tail on the donkey expect the unexpected. Games will be developed by FACT’s young people’s group Freehand. Artist Will Nash returns along with some of his artist collaborators to his popular artwork Noisy Table, an interactive Ping-Pong table that makes sounds as people play. The day is host to the final match of the Battle of the Bands Ping-Pong tournament with Bido Lito that has seen bands like Afternaut and All We Are compete for the table tennis crown. Liverpool music legends Clinic return to DJ and are premiering a new song using sounds recorded during the tournament.

A performance by the Chiptune Samba band (pupils from Holy Cross Catholic Primary School), provides a musical centrepiece to the day. The children have worked with artist Ross Dalziel to compose and play a piece of music using their Nintendo DS’s and software specially created for FACT by internationally renowned chiptune musician Pixleh8. SoundNetwork is hacking the FACT building with Fairground Framework, a variety of fairground-inspired games and activities. These include Bouncy Castle Development Platform, a hacked bouncy castle which experiments with creative technologies and sound by artist Simon Jones and a crazy golf course inspired by FACT’s 10 years of artistic experimentation which encourages visitors to play their way around the building. Children have been asked to design a special birthday cake for FACT inspired their experiences in the building. The winner will be turned into a real cake and unveiled on the day. For more details visit FACT’s website at www.fact.co.uk/ hackybirthdaycake.

Picturehouse at FACT will be showing visitor’s favourite films after an online shout out for suggestions. To add to the list visit: www.facebook.com/ PicturehouseatFACT The day will also provide a last chance to see Winter Sparks, a light and sound show featuring electric sparks, dramatic charges from Tesla coils and the mysteries of the Wilberforce pendulum. The landmark FACT building opened on 23 February 2003 marking a major milestone in Liverpool’s cultural renaissance. Designed by architects Austin Smith Lord, the award-winning £10m development was the city’s first purpose-built cultural project for over 60 years and remains a vibrant flagship in the redevelopment of the Ropewalks area of Liverpool. Housing purpose-built gallery spaces and an independent cinema, FACT has welcomed over three million people through its doors and become a crucial part of Liverpool’s cultural life.

Events

Derren Brown Infamous Liverpool Empire 25th-30th March Tickets £36, £45 Derren Brown is undoubtedly one of the world’s most remarkable psychological illusionists. He has shocked us with his television shows Mind Control, Trick of the Mind, Trick or Treat and the controversial Russian Roulette and now he is in Liverpool fresh from a two year run of his Olivier Award-winning show Derren Brown: Svengali. With his new show Infamous embarking on a Nationwide UK tour, Derren Brown will be mesmerising and entertaining an audience of sceptics and believers, which, either way, is set to be a fun filled night. Derren says: “I enjoy the stage shows more than anything else. Live on stage is the best place for what I do: it’s unpredictable, and the audience knows there’s no possibility of judicious editing.” See for yourself what wonders await at the Liverpool Empire for five days only.

Events

Men’s and Women’s Artistic Gymnastics British Championships 2013 Echo Arena 22-24 March 2013

ickets for the 2013 Men’s and Women’s British Championships, to be held from the 22-24 March 2013 at Echo Arena are now on sale. The 2012 championships attracted record crowds, all wowed by the Olympians-to-be on route to the London Games and 2013 promises to be even more special with Olympic gymnasts, many of them now superstar medal winners, back competing for British titles in front of the allimportant home crowds. The local senior British champions of 2012, Olympic team bronze medal winner Daniel Purvis and Team GB’s youngest gymnast Rebecca Tunney, are set to be back competing and already excited about the prospect. Talking about the up-coming event, Southport’s Dan Purvis said, “The British Championship

Men’s and Women’s Artistic Gymnastics British Championships 2013 this year was an amazing event, the arena is world class and the crowds hugely supportive which built us up very nicely for the Olympics – I can’t wait to be back again in 2013.” Liverpool’s Rebecca Tunney commented, “Winning the senior British title is one of the best moments of my career and to do it in Liverpool a very special moment for me. Following the Games I am now living in the city and so hope in 2013 the crowd can give the same kind of support, and I can hopefully be up there in contention again.” John Moore, Echo Arena Sports Manager said, “I am delighted that this event is returning to the Echo Arena Liverpool for another year, it is further demonstration of the strong partnership the city has with British Gymnastics. The event will provide the Liverpool

public with an opportunity see world class gymnasts performing on home soil in the city that has significantly contributed towards their development and success.”

Schedule

Friday 22nd March Session 1: Women’s Artistic Juniors 12:30 – 14:50 Session 2: Men’s Artistic Under 16 & Under 18 18:45 – 21:40 Saturday 23 March Session 3: Men’s & Women’s Artistic Senior (Sub Division 1) 11:30 - 14:30 Men’s & Women’s Artistic Senior (Sub Division 2) 16:15 – 19:30 Sunday 24th March Session 4: Men’s Artistic Masters Finals 10:30 – 12:30 & 13:15 – 15:15 Women’s Artistic Senior, Junior & Espoir Apparatus Finals 10:30 – 12:30 & 13:15 – 15:15

March 2013

The Chinese State Circus

The Chinese State Circus Liverpool Empire Tuesday 19th March Tickets ÂŁ17, ÂŁ27

If you enjoy being kept on the edge of your seat, this one is for you. The Chinese State Circus is coming to town to entertain and enthral all ages. In this fast paced extravaganza you can witness acrobats defying gravity, human juggling, 12 artistes riding a single bicycle, the unpredictable and exhilarating twists of foot juggling with drums, the famous swinging poles, the sensational contortionist and the dynamic hoop divers with their amazing somersaults all against the backdrop of evocative sets, a soaring musical score and extravagant new costumes. A spectacle of daring, breath-taking and explosive performance that will stay with the entire family long after the final curtain falls.

Events

Lord of The Trance The infamous Derren Brown talks: After Dark listens

March 2013

ritain’s most famous, or should that be infamous, trickster Derren Brown makes a much anticipated return to the Liverpool Empire this March with his follow–up show to the Olivier winning Svengali. In the decade plus since the selfstyled “psychological illusionist” entranced his way into our collective consciousness, he’s single-handedly reinvigorated the ancient art of stage magic by rescuing it from the cheesy cabaret clutches of old style conjurers (epitomised a little bit by Paul Daniels... not a lot). Along the way the mind bending maestro has challenged our belief systems, our superstitions, our everyday perceptions; he’s made us question our free will, our morals and our ability to not be glued to a chair. But he’s also taken ordinary Joe’s and seemingly made them do the most extraordinary things such as landing aeroplanes with no flying experience, admitting to murder, saving the world from zombies and even attempting to assassinate national treasure Stephen Fry. Such controversy yielding exploits have led him to be fancifully described as everything from a post-modern anarchist to a really extreme selfhelp guru. “I don’t think either of those things,” declares Derren. “Gurus are always self-styled therefore just very dangerous, fuelling bad belief systems; so certainly not that. I’m not quite sure what a post-modern anarchist is but that sounds more appealing.” During a fascinating chat with the impeccably mannered and disarmingly gracious star, he revealed his thoughts on hypnosis, stage stress, rebuffing requests to spy and how weird it is to sell out a show before you’ve even written it. You’re back together with your long-time collaborator Andy Nyman; will that mark a change of direction for this particular show? Yes. We did every show together apart from Svengali, but even if

I wasn’t getting back with Andy there’d be a strong desire to do something a bit different and not quite give people what they would expect. So it will have a different tone to it but we’re still writing the show and have yet to rehearse it and it’s during that time that it really finds itself. There’s been a sort of template in my head with all the other shows, so it’s been quite exciting departing from that. It’s surprising to discover you’re still in the process of writing the show (in February), bearing in mind the show starts in March. How long does it take to put a show like this together and what’s the process? Two months - a month of writing and then a month of rehearsing, maybe 10 weeks in total. What’s very weird is having theatres sell out before you’ve got the first idea what you’re going to say when you walk out on stage. It’s a bit odd when somebody says to you “I’ve just spent a load of money to come and see you in Liverpool or Edinburgh” and you’re just thinking, “Oh god, I’ve got to think of something to say when I step out on stage”. It would be a luxury to be able to write it all well before we have a poster and a title for the show. But that commitment has to be made so that the artwork will get into the brochures. So with all the marketing stuff happening first, that starts to help shape the content and structure of the show. You’re coming to Liverpool quite early in the tour. Will you make changes as the show progresses? Yes completely. The first week we’re testing to see what works and then loads and loads of changes are made in the first weeks. The way the audience responds will absolutely define what happens. Because there’s so much that may not actually work reliably enough or doesn’t quite come together, or which might be a bit slow in terms of the pacing of the show; so a lot can get changed around in the first week. Do you adjust your performance based on different areas of the country or is it a similar response wherever you play?

There’s no doubt that audiences change a lot; but I don’t think, on top of everything else, I could be thinking about the show being different. With Liverpool in particular, because it’s got such an unusually famous sense of community, there’s such a strong, warm feeling when you’re walking out on stage and what that translates into as a performer is a feeling of “right, come on then; entertain us; we’re up for it, show us something”. Whereas with other cities, newer cities where there haven’t been generations of people who’ve grown up there, you tend to get crowds that are very polite and very attentive but there’s not this kind of thing going on between us, there’s more of a gap feeling, which is very different. Sometimes you might get more heckles etc. but there’s something about those big cities, particularly Liverpool, Bristol’s another one actually and Dublin, where there’s a strong sense that people are up for a good time and there’s something naturally welcoming. It makes a huge difference and those places become the hub places when you’re touring. With those big cities being so “up for it”, does that potentially make those crowds more suggestible? Not really. There’s just a kind of a buzz that happens in some places and not in others. I always try and make sure we do a show that’ll work across the board and there’ll be enough things to appeal to different kinds of people. Considering you’ve done six shows over the last ten years, as well as the TV specials, how much of a challenge is it to continually surprise and stay one step ahead of your audiences? Surely it must be a big pressure? Well it is when you say it like that! If you think about it in those terms then it would feel like a huge pressure, whereas all myself and my writing partner have ever done is say, “what would be great to see and be part of?” Not that I want to just please myself, we’re obviously conscious of the audience. It’s about looking at the shows and thinking “well, that really worked; how can we do that

Events

same sort of thing in this show and create a similar sort of feeling using a different technique or a different way to get there?” There are some things that theatrically seem to work really well and those are the types of things we try and find a way of achieving. But it’s just about trying to create the best show you can. If it was just about bigger and better, bigger and better all the time you’d just end up losing so much because it wouldn’t be rooted in the right things. It’s the same with the TV stuff. It’s never been about what’s bigger and more dramatic than the Russian Roulette or The Lottery or whatever. For me it’s been about what’s interesting to do, what feels important to me and what I want to watch and I just come with that approach with every new show. Is it difficult to enter into your stage persona and get up for a performance? No, in fact part of the problem, not so much now because I’m really used to it, but at the beginning was that I felt so relaxed on stage. Actually having some nerves, having some adrenalin is actually a good thing to walk out with and I had to find a way of achieving that. Because it was very easy for me to just walk out and be completely

comfortable, without feeling any change in heart rate or anything, standing out in front of thousands of people. So I kind of learnt how to create a pre-show ritual, not something religious, but warming up my voice etc., stuff you go through where by the time you’ve done it you know you’re ready. And then, it’s almost like being an actor in a way, you know how to stand, how to project and how to call up that energy on stage. So that comes with experience. It’s also about whether you’re comfortable. Some actors or performers get physically sick; you wonder why on earth they bother doing it. But I’ve never had that. I do find it very easy. For the first few shows there’s a bit more nervousness than usual because you’re not quite sure how it’s all going to work. But that’s more to do with running through everything I’ve got to do, running through things in my head, rather than that sick feeling, which I don’t get. Do you find yourself applying your skills in non-professional situations? Are there some bills you’re not paying? Maybe more when I started years ago. I was trying to do that stuff all the time, I was really excited by

it; it was like a new toy. But now I think unavoidably that to be that sort of guy and interact in that way it’s a very kind of showy thing and that’s just not how I am; not so much because it’s become like a job - it is something I do really enjoy, but generally I find myself very reluctant to kind of switch that sort of thing on. If I’m with a friend who’s depressed or upset or something then I can probably be more effective than the next person in helping them, so I think there it’s useful. But I don’t go around getting free drinks or wrangling upgrades; I’m not quite that sort of person. Over the years I’ve kind of moved away from that anyway. You’ll notice from the TV shows, I don’t really do that stuff anymore. I’ve genuinely grown out of whatever that sort of urge is… apart from some aspects of the showmanship. Have you ever been approached by any shady or clandestine organisations to put your skills to an alternative use? Nothing actually clandestine. I did get approached years ago by, I think it was the police, or some sort of public organisation… I don’t think it was the government... for some sort of spy stuff. I’ve had a little bit

of interest from that. I’ve always refused to do it because I’m an entertainer and I’m much more comfortable just doing that. I’m not interested in using the skill set in any other areas. I’m just happy doing it in my own little world. But maybe in time I might apply it to other things. I’d rather apply what I’ve learned to teaching or something like that. That would be a much more useful way of re-channelling it. That might be something I’d consider for a career change, teaching kids. I don’t mean teaching them how to read minds; just being a normal teacher but using all the subtle communication skills would be great for teaching. That would appeal to me more than working with shady people. That’s incredible that you’ve been approached about spying! Believe me; I regularly get a lot of weird requests. From people asking will I give them the lottery numbers, to really sad desperate pleas from people and real cries for help. Although it’s awful it’s become part of the job really, gently letting people down. And we have to deal with these things and respond to these people very responsibly. You know it is strange but likewise it’s strange when people come up and want an autograph or a photo and they’re shaking or they’re welled up because it means so much for them to meet you. There’s lots of weird aspects to being well known. It’s something that’s very odd. Generally you just try to get used to it without taking it too seriously. You said recently that you were amazed at how the guy in your TV show The Assassin was seemingly content to sit for ages in a bath of ice and that you were genuinely surprised by what he’d been able to do under hypnosis. Is that something you intend to explore further, to push the boundaries of what’s possible with hypnosis? Yes it really did hit me. The scientists who’d arranged the test was actually surprised and I was surprised. The thing with hypnosis

is that you’re considerably dependent on the person being hypnotised, there are no hard and fast rules about what the experience of it is or what you can achieve, it’s really down to the person. So just because he did that doesn’t necessarily mean that the next person will do it the same way. But yes, it actually did reawaken an interest. I think I’m naturally quite sceptical, and even though I use hypnosis, I kind of had a model of it in my head that I couldn’t make anyone do anything that they couldn’t do normally outside of hypnosis. When you see someone eating an onion on stage as if it’s a juicy apple, you can actually pick up an onion and eat it. You probably wouldn’t want to do it because it’s perfectly disgusting; but if you’re doing it, for example, to prove to somebody that you can do it, or if somebody’s

I’ve always been interested in what else you could do with it and how subtly hypnosis can work with people that are responsive to me. For example, with the guy in Hero at 30,000 Feet who landed the aeroplane, I was hypnotising him at one point; I’m hiding outside in the shed; I’m talking on a walkytalky; I’ve got a speaker under his bed; I’m going to wake him up in the middle of the night and tell him he’s asleep and create this sort of weird thing that hopefully A) he’ll go into that sort of trance state and B) hope that he’s sort of dreaming… and not knowing for sure exactly how that’s going to work. But it just sort of did. And all that stuff’s just really kind of interesting to explore. It wouldn’t work on everybody, but it works on people with whom I’ve created or achieved this sort of strong rapport, or this strong

I don’t go around getting free drinks or wrangling upgrades; I’m not quite that sort of person. just convinced you you can do it and made you feel confident about doing it, in fact, you can do it. So those kind of results really don’t show that anything magical’s happening. But obviously Chris (the guy in the show) being in the ice for that long did seem different from what somebody would do if you just said “go on, get in, you’ll be absolutely fine”. Would they be able to achieve the same result just by creating a bit of confidence? I don’t know. But then again on the flip side of it, pain is a very subjective thing. You can cut your finger and just not realise until you see the blood; it doesn’t hurt until you see it and then it starts to throb - all those things are very subjective. So yes, it was a really interesting thing and yes, it makes me think “ah right; how can I push this in other directions?” But equally, all the shows I do, like Apocalypse etc., are about pushing things in other directions. They’re very far from “when you wake up you’ll think you’re a ballerina”.

responsiveness. So I just find all that really interesting and, I guess of all the projects I do, I like to push things in other directions. But there’s just so much to explore with it. When will we next see you on our screens and what kind of show can we expect? When I finish this tour I’ll be going straight into making the TV show and that normally brings in round to September or October. I’ve no idea what’s going to be in the shows but during the tour I’ll be starting to think of ideas. But for now I couldn’t possibly say. I feel strangely compelled to tell you to go and see Derren’s new show Infamous at the Empire from 25th to the 30th of March. It will be the best thing you’ll ever see in your life and you’d be crazy to not SEE IT, so buy a ticket today or terrible things will happen. Urrgh… What happened? Where am I?

Music

Johnny Marr T

o celebrate the release of his debut solo album The Messenger on the 25th February, award winning “Q Hero” Johnny Marr has announced his first solo tour here in the UK. Speaking of his first debut album recorded in Manchester and Berlin, Marr said: “The underlying idea of the record is my experience of growing up in Europe. When you’re away from your home city you’re more compelled to write about it, whether that’s because you’re homesick or you’ve got more objectivity, I don’t know. Growing up in the city influences you, and I’ve continued to see stories and energy in it.” Marr contributes vocals and guitar as well as producing the record.

O2 Academy Liverpool Wednesday 20th March Tickets £19.50

Music

Dennis Locorriere

Classical Spectacular Echo Arena Liverpool March 16 £39.50 / £34.50 / £27.50 subject to a booking / handling fee. Dennis Locorriere Liverpool Philharmonic Hall Saturday 30th March Tickets £20, £26

Dennis Locorriere brings his Point Zero tour to the city of Liverpool on 30th March, along with his guitar, and his brilliant sense of humour. After achieving huge success with the hits Sylvia’s Mother, When you’re in Love with a Beautiful Woman, and A Little Bit More, the unmistakable voice of Dr Hook has gone on to attain a remarkable solo career, performing to over one million people in the UK alone.

According to Maverick magazine, this is a show “combining great songs with amiable chat”, where Locorriere enjoys himself as much as the crowd. Achieving fantastic press reviews wherever he performs is fair to expect a top show from this consummate showman. I once took the great man’s advice and said to a lady, “you have a beautiful body”. Not only did she not hold it against me, she punched me in the throat.

Celebrating 25 years and having been seen by over 2 million people worldwide, the UK’s greatest classical show, Classical Spectacular, is returning to Liverpool at Echo Arena on Saturday 16 March. No other show presents such a magnificent combination of the very best in classical music and state of the art technology. Ranging from a flood of pure white light to electrifying multi-coloured laser displays, the dazzling special effects bring to life the scenes and moods evoked by each glorious piece, changing the way you experience classical music forever. The Royal Liverpool Philharmonic Orchestra will be joined by the Royal Liverpool Philharmonic Choir and bring you a superb programme of classical greats including The William Tell Overture, Blue Danube Waltz, Nessun Dorma and Jerusalem. The evening will culminate in a spectacular finale of the 1812 Overture with thundering cannons, muskets and explosive indoor fireworks. www.echoarena.com Echo Arena Box Office on 0844 8000 400.

March 2013

Review

Lee “Scratch” Perry: The Godfather of Dub at Erics Sunday 17 February 2013

It was always going to be a struggle for a man whose talents lie in the production studio to transfer his genius over to a live performance. Lee “Scratch” Perry could have played through his Grammynominated album or toured with his recent collaborators The Orb but instead chose to host a night with Perry the character, the philosopher. However, living up to his “Upsetter” nickname, the ageing producer left a small but vocal number of the crowd resentful of the event’s hefty price tag. The local Beaten Track DJs warmed up proceedings and as they played out a mix of dancehall, dub and rare groove a diverse crowd of Matthew Street regulars, students and couples filtered into Eric’s basement. Things began to get a bit livelier as the energetic “sunshine music” of Toxtethbased White Bicycles coaxed the beginnings of a dance-floor out of the reserved Sunday evening crowd. Then it was time for Perry to take the helm. As the 75-year old veteran arrived onstage dressed in a bright red tracksuit and spike encrusted hat a high level

of respect for the idiosyncratic maestro could be felt. However this respect soon waned in parts of the crowd as it became apparent the performance would amount to nothing more than Perry toasting over some rather formulaic reggae played by his four piece backing band of guitar, bass, keys and drums. The majority of the crowd were able to see the event for what it was, a night in the presence of a man who in a prolific 50 year career built up a vast and diverse back-catalogue of studio productions and constantly blurred the line between genius and insanity. Though, the incessant heckling from the aggrieved minority coupled with a lack of stage visibility left crowd/ stage relations somewhat skewed and Perry’s performance became slightly awkward. Nonetheless the frail musician put on an energetic show that lasted the best part of two hours before the punters were ushered out through Eric’s secondary entrance which coincidentally leads into their upstairs bar. Josh Ray

Gretchen Peters Gretchen Peters Epstein Theatre Saturday 9th March Tickets £19.50

Gretchen Peters, nominated for a Grammy and composer of hits for Etta James, Neil Diamond and Bryan Adams, is in Liverpool to perform some of her melancholy country songs at the Philharmonic. Renowned for her soft warm voice and classic folk/country style, Peters is celebrating the work of her latest album Hello Cruel World, a representation of strength, joy and growth in a world where life can sometimes prove so hard.

Music

International Jazz Festival: Nice

iverpool’s first ever International Jazz Festival is set to sooth the city as some of the world’s finest jazz musicians come to The Capstone Theatre for four days of fantastic music. Roller Trio, Led Bib, Robert Mitchell, Kit Downes Quintet, Denys Baptiste’s Triumvirate and Courtney Pine are just a few of the acts visiting the city to establish that the spirit of jazz is still very much swinging here in the UK’s music capital. For jazz fans and music lovers alike, the festival will allow audiences to witness world class musicians who they may not get to see elsewhere, with some of the

performances even free of charge. Alongside the many shows, there will be workshops for budding musicians to attend which will provide them with valuable advice straight from the mouths and fingers of those who know best. Lessons on saxophone upkeep and improvisation will be free of charge, delivered to you by Pete Thomas, Bobby Wellins and Tony Kofi. The Capstone Theatre’s Neil Campbell said “The Festival will be the first of its kind in Liverpool and will give the opportunity to bring together some of the most high profile national and international artists alongside some of the City’s most creative

local jazz musicians”. As ever, Liverpool is budding with local musical talent, and the jazz scene is no exception. Resident Liverpool jazz acts Blind Monk Trio, Martin Smith’s The Weave, Perri and Neil Quartet, White Canvas and GORP will be performing alongside the big names. Commencing on 28th February and taking you smoothly through the weekend to the 3rd March, this is a must for jazz fanatics, and verifies the reputation of The Capstone Theatre as a sanctuary for world music here in Liverpool. The Capstone Theatre 28th Feb - 3rd March www.thecapstonetheatre.com

March 2013

Jenn D Hot New Pop Vixen Unleashes Hit

The Enemy With the release of their third album, Streets in the Sky, which has achieved top ten status along with their first two, indie rock idols The Enemy have begun touring the UK and are coming to the 02 Academy Liverpool on Saturday March 9th. Away From Here and We’ll Live and Die in These Towns became anthems to a whole generation of dedicated fans, who the band believe will be thrilled with their latest album; the three lads from Coventry believe it is their best yet. The band draws influence from bands such as Oasis, Kasabian and The Rolling Stones, all of

who the band have toured with and supported in recent years. Front man Tom Clark, drummer Liam Watts and bass guitarist Andy Hopkins are adamant about representing their background and upbringing, saying: “We are proud of being working class, there’s beauty and colour and light in life and that’s regardless of class.” The album reverts back to the original sound of their first album, with a loud, demanding, anthem like vibe. O2 Academy Liverpool Saturday 9th March Tickets £16.87

Jenn D is set to release her new single on 18th March. The UK’s hottest new pop vixen Jenn D is set to release her new single You Keep Giving Me Love, a mix of high energy and intoxicating melody on 18th March. Having been championed by the likes of PopJustice, tipped by Radio 1 as the “One To Watch” by Peter Robinson & Huw Stephens, get ready to hear a lot more from this ambitious young lady. The Liverpool born singer, songwriter and musician was snapped up by Universal/AATW Records last summer and since then she’s been working in various studios and writing her debut album, teaming up with the likes of Rymez (Wiley – Heatwave), Xenomania (The Saturdays), TMS (Professor Green; Little Mix; Emeli Sandé) and Andy Chatterley (Kylie; Diana Vickers) to name but a few. http://www.youtube.com/ watch?v=psHNk1S6WnE

March 2013

Lianne La Havas

Clannad

Liverpool Philharmonic Hall Saturday 9th March Tickets £28.50, £33.50 Boasting over fifteen million worldwide record sales, a Billboard’s World Song of the Year award, a Grammy for Best New Age Album, as well as an Ivor Novello and a BAFTA, Clannad have been a consistently ground breaking group, uniquely intertwining traditional Gaelic lyrics with modern Irish style and tone. And now the group are bringing their haunting vocals and mesmerising sound to the Philharmonic as part of their long awaited UK tour. Starting out at home in the secluded north-west county of Donegal, the siblings Maire, Pol, and Ciaran Brennan began singing in their father’s bar. When joined by their uncles Padraig and Noel Duggan, the group entered and won a talent contest in Letterkenny in 1970. Since then Clannad have had an astounding 20 years, with dedicated folk fans from across the globe. Female vocalist Maire has duetted with Bono, and the group’s songs have featured on famous soundtracks such as Patriot Games, Last of the Mohicans, Message in a Bottle and 80’s TV series Robin of Sherwood.

Lianne La Havas O2 Academy Liverpool Friday 1st March Tickets £14.62

Since the release of her debut album Is Your Love Big Enough? last summer, Lianne La Havas has embarked on her biggest UK headline tour to date. Highly regarded by Radio 1 DJs such as Fearne Cotton and Zane Lowe (who hailed Is Your Love Big Enough his Hottest Record in the World), The 22-year-old South Londoner has found famous fans in the form of Stevie Wonder,

Prince, Bombay Bicycle Club and many more. The star was catapulted to fame after her stunning performance on Later with Jools Holland back in October 2011 and since then has produced two critically acclaimed EPs. Performing at the O2 Academy on Friday 1st March, the gig is a rescheduled performance from October 2012.

Music

Threshold Festival 2013

hreshold Festival, March 8th, 9th and 10th will take place in The Baltic Triangle for the 3rd year running, taking over Camp and Furnace, The Picket, Elevator Bar and many more venues. The programme is complete and it’s packed full of goodness with over 180 performers and artists. On the Mainstages in Camp & Furnace, the line-ups are the usual blend of the unusual suspects and newcomers to the Threshold experience. JC Villafan is over from LA as part of his European tour, to top a superb Soul Inspired line-up including the hypnotic Coffee & Cakes For Funerals who were named repeatedly as a band to watch this year. Friday’s opening party will be a carnival of escapism with shows by Bring the Fire Project, Mr Wolf Collective & The Lemon Collective. The party will continue with Me & Deboe among many more alternative delights and be rounded off by Johnny Panic & the Feve. 808 State founder Graham Massey will perform with Paddy Steer’s purpose built Three Pronged Audio Bath on Saturday 9th in the Blade Factory on the A Culture Less Ordinary stage. For the 3rd year running The Roost will bring their usual display of art-rock electro and irreverent, provocative installations in the vast Gold Room deep within Camp and Furnace. On Sunday Little Panther productions will head up a stage of metal and classic rock to rival any in the country with a great band of

the scene Guardians promising to be a particular highlight. Other notable events will include a MelloMello take over of the Picket, including the MelloMello Kitchen creating delicious, healthy homemade veggie cuisine, improper interjections from resident improvised comedy experts Impropriety & also poetry from the great Gerry Potter. The music will come from a Louis Barabbas curated stage of alt-folk and gypsy punk pariahs from Debt Records & the local scene, headlined by a Liverpool debut from Beans on Toast. After-parties include Milk Presents on Friday and on Saturday a massive Drum N Bass/ Dubstep shakedown by Sleep Less Records, led by MC SAS with a headline set from Kumarachi. In the Waxxx run Haus venue there’ll be the Stankh Jam & Disco party in Camp & Furnace with Yum Yum DJs, Mike Zar, Detuned Radio, CMWMSMDM vs Kid Blast and Monkey DJ. Sunday sees an exclusive and first collaboration with award nominated production company Little Atom Productions. They welcome back to their stage Paul Du Noyer, talking about his bestselling book, Liverpool: Wondrous Place, with some bespoke inspired performances from Natalie McCool (pictured) and Thom Morecroft. The Threshold Festival Spark workshop and panel program will boast a wide range of accessible industry focussed and entertaining sessions, including key team members of the Giant Spectacular:

Sea Oddyssey of 2012, discussing, reflecting and answering your questions about one of the most exciting pieces of street theatre the world has ever seen. On the theme of impressive odyssies, local born adventurer Graham Hughes will talk exclusively about his recent record breaking achievement of visiting every single country in the world without the aid of aviation, or a safety net. The visual arts program is full to the brim with first views and site specific commissions such as Liverpool Art Prize winner Robyn Woolston and noted artists Charles Holden & Sam Skinner creating a bespoke exhibition “echoing Arnold van Gennap’s tripartite concept of liminality”. Meanwhile, over at Elevator Bar an absolutely sterling line-up for each day of the festival will mean packed out crowds. Liverpool Acoustic will again bring the finest from the local scene to the stage while later the likes of Milk Records’ Broken Men & the sonic stylings of Book Thieves. Robert Vincent will headline Saturday night. “We don’t do anything by halves. This has been a joy to piece together and my only regret is that I won’t possibly be able to see everything. It’s our best festival yet by a long way.” - Kaya Herstad Carney, Festival Director www.thresholdfestival.com Weekend Tickets: £20 Student Weekend Ticket: £15 Friday Tickets: £10 Saturday Tickets: £10 Sunday Tickets: £5

March 2013

Soul4Soul Presents Funky Soul The Du’Montts plus Amique featuring the 7th Eye Vibe

SOUL4SOUL Studio 2, Parr Street Sunday 31st March 8pm £5 On The Door

Sam Lee & Friends Epstein Theatre Liverpool Thursday 21st March Tickets £16

Having been described by The Guardian as “a singer who sets out to revive lesser-known traditional material in an often startlingly unexpected style”, Mercury Prize nominated folk singer Sam Lee performs live with his band, providing unconventional interpretations of traditional folk which re-define the genre. Lee is not only a singer, he is a song collector, teacher, radio host and TV personality, and is fast becoming a pioneer in alternative folk music.

Soul4Soul is Liverpool’s only regular live soul music event. The event aims to provide a platform for up and coming & established artists and musicians. March’s event features The Du’Montts plus Amique featuring the 7th EyeVibe. Best known for their starring roles as “terrible twosome” Rhona and Shona in high-school drama Waterloo Road, Hope and Millie Katana, aka the Du’Montts, have undoubted talent spanning from acting and modelling, to singing and song writing. The Du’Montts have that rare ability to not only captivate an audience, with their almost nostalgic “new-age motown” vocals , but also to entertain. A skill derived from the influence of rhythm and blues artists like Stevie Wonder, Luther Vandross and Diana Ross, the girls have shaped a sound that “brings our love for old school soul & RnB together”. Amique, a word which acts as both a symbol of rebirth as well as a name, makes music from

and for the spirit. As a singer, producer, arranger, composer and performer, the artist is bathed in the spiritual juices of D’Angelo, Prince, Joni Mitchell and Miles Davis. After honing his craft for several years Amique composes music for contemporary dance and other media and is now sparking a revolution of soulful, vibrant music, stripped to the spirit and soaked in revelation. The featured artists perform alongside Soul4Soul’s vocalists and house band that perform covers based upon a different theme each month. The event is on the last Sunday of every month at Studio 2, Parr Street. Soul4Soul is a relaxed, friendly event where artists, musicians and music lovers go to have a soul inspired conversation. “Come with friends and family. Come to listen, sing along, dance and let your soul be inspired.” www.facebook.com/s4slivemusic www.twitter.com/soul_4_soul

Nightlife

Romero is bleeding… good Nicky Romero Double Cream

o celebrate their return to the main room at Cream in March, After Dark has a double interview with 2 of the current top DJs in the world Dutch sensation Nicky Romero and bone fide legend Eddie Halliwell.

“You better be fit, ready to party and up for a great night out as we are going to have a blast”

Nicky Romero has enjoyed a meteoric rise to fame over the last few years following a series of successful productions, bringing him to the attention of and into the studio with some of the world’s top artists, including David Guetta, Avicii, Rihanna and Calvin Harris. After an unbelievable set at Cream last year, the DJ is back to Nation’s Main Room in March. He talked to After Dark ahead of his highly anticipated performance. The last time we saw you in the North West aside from December’s Cream was at Creamfields, how was your set there? That was absolutely amazing, it was my first time at Creamfields and I am really looking forward to March’s event, I love the UK crowd they are nuts. In our experience the Dutch party the hardest at Cream, is Holland a party nation? Yes it is, but in my opinion there is way too much on in Holland and the crowd is used to the biggest gigs with the biggest line-ups so the response is great but not always as good as abroad. So I like playing abroad and the English punters are always well up for a party. Are you ready for another crazy Liverpool crowd? Of course bring it on! I will do my best to make it a memorable set for everyone. Where did the title Iron come from for your track with Calvin? To be honest that just came to me, I thought the track was very strong so hence Iron I guess. And again Metropolis with Guetta? That is because the track was recorded in the Metropolis studios in London and because it just sounds really big. Talking of Guetta, he has really pushed you as an artist to watch. What’s the best piece of advice he has given you?

To keep both feet firmly on the ground always! You’ve also co-produced a track on Rihanna’s album, she seems to have embraced dance music over the past 12 months. How did this come about? That was via David. We were recording and she wanted to hear some of our new tracks, which I thought was amazing! So we played her some new tracks we had done, one thing led to another and there was the track. What do you feel makes you different as an artist from others? Jeeezzz that is a hard one. I couldn’t really tell you to be honest. I just know that I work really, really hard, am fairly good at what I do and try to be the best at almost everything I do and just be myself most of the time. Most DJs now use visuals and heavy production in their sets. Do you think this takes the attention away from the set at all? Not if it’s done right - I think it only adds to the performance. It’s all about how much of a good time you can give the crowd. People who spend their hard earned money to come and see artists play should get best value and adding to a show by way of visuals and fx only augments the experience. What are your ambitions for this year? I would like to keep on the track I am at momentarily, doing great collaborations with great people, and I would love to score that number one hit of course. Things are going really fast and I am having trouble keeping up; so if we continue the path we are following at the moment I’ll be a very happy chappy. And finally, do you have a message for your Cream fans? You better be fit, ready to party and up for a great night out as we are going to have a blast and celebrate in style. Seriously looking forward to partying with you!!

Nightlife

Eddie’s Monster Eddie Halliwell “When you get this connection with your audience it’s the best feeling in the world”

Having been named as one of the “New Superstar DJ’s” by Mixmag and nominated in its “Greatest DJ Of All Time” poll, Eddie Halliwell needs little introduction as a stratospherically successful purveyor of trance, techno, house and electro. A long-time resident at Cream Ibiza and a serial collaborator with the club super-brand, Halliwell returns to Nation this month bringing the signature lightning cuts, layered effects and slick scratches that have cemented his legendary status. You’re returning to Cream at its home at Nation for the March 2nd event. In your opinion what makes Cream such a special club? It’s particularly special for me as I used to go clubbing there before I started DJing. Cream always gets an excellent crowd who are well up for it - the atmosphere at Cream is unreal You’ve played events in pretty much every corner of the globe – where’s been your favourite gig and why? One of my most vivid gig memories has to be in Rio Brazil on NYE, playing to over one million people on the beach. Cream Ibiza is also right up there – year on year it just gets better and better. Judge Jules described you as having “an almost telepathic ability to read a crowd”. What do you think gives you that ability and is that the most important attribute a DJ can have? I think its very important to connect with the crowd – it’s a 2 way thing, I feed off them and they feed off me. When you get this connection with your audience it’s the best feeling in the world and reading them is something that comes naturally as you watch what is happening on the dance floor and gage the reaction. There are many different elements that make up a good DJ, reading your audience is just one of them.

Your syndicated radio show, Fire It Up Radio, broadcasts to over 13 million people worldwide. Is it a big challenge trying to keep that many listeners happy? You can never please absolutely everybody; I just try to give a good selection of fresh new dance music each and every week. You’re widely praised as a leading innovator in your use of technology. How do you stay ahead of the curve when it comes to utilising emerging technology? I love new technology and I’m always interested in discovering new things. I suppose I’m lucky in that sense because if you’re a technophobe it must be very difficult as new technology not only plays a massive part in music but in everyday life. It’s amazing to see how things have progressed over the last few years and it’s great to see how new technology can enhance your DJ performance, allowing you to be a far more creative artist. Your Toolroom Knights album has been a big hit this year, particularly Rock This Place and the remix of Beautiful World, as was your remix of Trisco - Musak. Can we expect any new tracks in 2013? Yeah definitely – I’m looking forward to putting more time into the studio this year. It was great working on tracks for the Toolroom Knights album and giving me the opportunity to express myself through such an excellent label. You’re successfully juggling your career as a DJ, producer, artist, label owner and radio broadcaster – which role do you enjoy most? DJing - I am a DJ through and through, this is my passion. You can see Eddie indulging his passion alongside Nicky Romero et al. as they simultaneously blow Cream’s collective mind in the main room at Nation, Saturday 2nd March.

Nightlife

Sleaze Records Showcase

Sleaze Records Showcase The Picket Saturday 2nd March Tickets £9

mUmU 5th Birthday Saturday 2nd March Venue TBA, Liverpool 10pm-4.30am

Sleaze records are back for another night of European underground electronica with their first showcase in Liverpool since 2011. The up and coming techno label from Glasgow, have hosted many showcases across the biggest cities in the UK since their launch over four years ago,

with the label boasting many top ten hits on Beatport. Set to make for a truly memorable night at The Picket on Saturday the 2nd of March, the line-up includes Sleaze founder Hans Bouffmhyre alongside Par Grindvik, Alex Bau, Lex Gorrie and Daz Kewley.

mUmU emerged onto the electronic music map in January 2008, showcasing live electronic, house and techno from the world’s best producers, record labels and DJ’s. A trademark sound of quality house & techno has cultivated a loyal following, with monthly parties in Liverpool seeing the likes of Rhadoo, Mathias Kaden and Anja Schneider rock clubs, basements, warehouses and terraces, leading to mUmU being voted 5th best UK clubnight 2008 by mixmag and to successful summer stints in Ibiza. The line-up includes: Ryan Elliott (Panoramabar), Dinky (Visionquest/Cocoon), Thugf*cker (Life&Death), John Heckle (live), Tred Benedict (Spilt Milk), Chris Maran (Fuse), Lee Rands and Scott Grant (mUmU). After Party 4am - late TBA

March 2013

Motion

Motion The Fallout Factory, 97 Dale St March 29th £8

Top Five: March

Matt Gall 1. I Could Be The One Avicii & Nicky Romero 2.Rest of My Life Ludacris ft Usher & David Guetta 3. Drinking From The Bottle Calvin Harris ft Tinie Tempah After the triumphant opening at the end of 2012, new underground night Motion has already put its stamp on the house and techno scene. The night returns this month with an even bigger event, headlined by rising DJ superstar Denney. The opening event on 30th November saw local talent David Glass (Circus/Robsoul Recordings) and Mr Paul (Discoteca Poca/Waxxx) bring techno loving revellers together in a packed out basement in The Fallout Factory Art Gallery. The intimacy of the event clearly built a unique relationship between the crowd and the DJ’s and has established Motion as being well and truly all about the music. It’s apparent that the night’s founder Chris Prudence, DJ name Noisy Audio, is passionate about this music scene, reflected in his choice of venue. “I wanted to create a unique clubbing atmosphere and The Fallout Factory Art Gallery fits Motion perfectly. It’s quirky and different and only holds about 160-180 people so imagine the place when it goes off! It’s epic,” says Chris. Motion have converted The Fallout Factory Art Gallery into

an underground music paradise powered by Funktion One sound systems and including state of the art graphics and animation. With their emphasis on local DJ’s and by choosing quality over quantity, you won’t see Motion events every week but when they do take place, expect charismatic and crazy nights. Chris said, “I want to work with the already established nights, letting each other know when we’re putting events on to avoid clashes. Working together and building relationships like this could lead to some very interesting nights in 2013”. The line-up for the 29th March event is guaranteed to blow the roof off The Fallout Factory. Denney (Hot Creations/20:20 Vision) is headlining the event and with help from local DJs Jimmy Allen (Waxxx), Noisy Audio, Sam Power (Shelter/mUmU), Sam Rice and Luke Hamilton, it’s going to be a night to remember. Tickets: www.3brecords.co.uk , also available from Men’s Room Salon in Liverpool. Twitter - @Motionliverpool Rebecca Frankland

4. Latch Disclosure 5. Cool Without You Tommie Sunshine & Disco Fries ft Kid Sister

This Month’s Hot Bootleg: I Could Be The Sweet One Lee Morrison Edit Avicii & Nicky Romero feat Temper Traps A sweet blend of Axwell & Dirty South’s remix of Sweet Disposition by the Temper Trap with an a capella of Avicii & Nicky Romero’s new track I Could Be The One by Liverpool’s very own Lee Morrison. I love this bootleg! Matt plays every Friday night at the Newz Bar and the first Friday of every month at Cruise, Chester for Intensity Promotions. Catch him at The Metro Victoria Street (soon to be known as the Graffiti Lounge & Bar) on Saturdays. twitter @mattgalldj

Nightlife

Circus

Easter Sunday Party

Camp & Furnace Sunday 31st March £20 advance 8pm – 4am last entry strictly 10.30pm

Circus returns with its Easter Sunday party at Liverpool’s best warehouse club space, Camp and Furnace, with another jaw dropping collection of electronic music’s most sought after heroes, assembled by the club’s founder Yousef. Positioned number one on RA’s most charted artists and 4th in their 2012 Top 100 DJs, Maceo Plex has had an unstoppable few years. With multiple RA mixes and an Essential Mix in the bag, Maceo is also a Circo Loco resident in Ibiza, and his revered label Ellum Audio continues a prodigious output. The past 18 months have seen the meteoric rise of Circus’ next guest Maya Jane Coles. Evolving into one of the most highly sought after producer and DJs, from her seminal track What They Say to current killer Easier To Hide, her phenomenal 2012 saw Maya at 10th spot in RA’s Top 100 DJs in December and 15th in Rolling

Stone’s top 25 most influential DJs. Her wildly-feted DJ Kicks mix album was album of the year in Mixmag. Yousef returns after the success of his 2nd artist album, A Product Of Your Environment, with his single Beg having reached the top spot of Beatport’s deep house chart for 8 weeks and was as high as number 3 on the overall top 100. His next release, the selfpenned vocal track Think Twice, comes with remixes by Catz & Dogz and Fred Everything. Also appearing are The Martinez Brothers whose rise to stardom has seen them triumphing at everything from a Circo Loco DC-10 residency last summer to a string of global gigs. Bicep enter 2013 as one of dance music’s most heralded pairings, making their long-awaited Circus debut with their “80s-inspired analogue house”. Expect some obscure deep gems and hot off the press edits from these guys.

Yousef’s Circus Recordings hosts room 3 with label mate Acid Mondays, David Glass and Makes No Sense all on deck duties. And finally, Steve Lawler, Ki Creighton and Circus residents Lewis Boardman and Scott Lewis round off this epic Easter Sunday party. 0151 706 8045 www.circusclub.co.uk Tickets: http://circus. eventgenius.co.uk/ To win 1 of 2 pair of tickets for the Circus Easter Sunday Party complete the following sentence: Yousef’s current album is entitled A Product of Your… A) Parents B) Environment C) Choice Answers via e mail please to hello@liverpoolafterdark. com Winners will be chosen & notified on 15 March.

Nightlife

Cream Returns to Nation

Cream At Nation, Wolstenholme Sq Saturday 2nd March 2013 10pm – 6am (last entry 1am), Courtyard open from 9pm

Cream will return to Nation on Saturday 2nd March for the first show of what is set to be an incredible 2013. They launch into the year with a line-up that blends the leading names in electronic music right now with the legends including Paul van Dyk, Nicky Romero, Eddie Halliwell, Aly & Fila, Third Party, Tim Mason plus many more. First up we welcome one of this year’s biggest breakthrough artists, Nicky Romero. The baby faced Dutchman has rapidly asserted himself into the house scene over the last 12 months with his DJ and production skills, which has seen him become the highest new entry in the DJ Mag Top 100 at number 17 and performing one of this year’s

stand out sets at Creamfields. Joining Nicky in the Main Room is Cream favourite Eddie Halliwell, along with two of the UK’s hottest producers Third Party and Tim Mason who have been quickly snapped up by Steve Angello’s Size Records label. Joining them will be Cream resident Gareth Wyn. Fresh from the release of his album Evolution, Paul van Dyk makes a welcome return to the Courtyard showing others how it’s done. Expect driving trance and those all-important hands in the air moments that have maintained Paul’s position as a leader in electronic music. Paul will be supported by trance duo Aly and Fila who have warned us to expect the following side effects from their set – “hairs on the back of your neck, reaching for

the lasers and losing your mind”. Completing the line-up for the Courtyard will be Adam Sheridan and Cream resident Rob Harnetty. 2012 saw the return of legend Paul Bleasdale to the hallowed Cream decks and now he’s back to headline the Annexe alongside Cream residents Anthony Probyn, Andy Mac, Jemmy , Lee Ellis and Ricochet Musica. Tickets on sale now: £25+BF (Early Bird). www.ticketmaster.co.uk / 0844 847 2448 www.facebook.com/officialcream www.twitter.com/ CreamLiverpool Dresscode: Jeans & Trainers ok, strictly no sportswear, Over 18’s only, Challenge 21 in operation - photo ID required. 0151 707 1309 / info@cream.co.uk

Nightlife

Rosie’s 5: Top City Centre Bars for March Whether you’re contemplating a trendy tipple, boozing with your buddies or wanting an all-out wild weekend, After Dark’s resident girl about town Rosie Cameron has selflessly sacrificed hours of bar crawling to bring you this month’s top joints to be reckoned with. 1 - Camel Club 18-22 Wood Street Liverpool L1 4AQ Telephone: 0151 707 1933 Nightlife in Liverpool thrives on club-style dance music, with an abundance of bars keeping the crowds happy with the latest commercial remixes and classic house numbers. But sometimes it’s nice to see a more chilled, relaxed venue that doesn’t make you want to bounce around and lose your head on the dance floor. Camel club is one of Liverpool’s hidden gems. Easy to pass as you stroll down Wood Street, the funky, modest club is situated upstairs from Revolution in a dimly lit cave-like, Moroccan themed setting. Dedicated to urban music, Camel is definitely the place to be when you want to bust some Beyonce style moves and rap all those 50 cent classics

you learnt off by heart. Expect to hear the likes of Kendrick Lamar, Drake, Azealia Banks, Big Sean, Usher and many more in this funky, hidden treasure. Whether you want to chill with a reasonably priced drink in their cosy, comfy booths, or get up and do the “dougie” on the dance floor – Camel is well worth a visit.

2 – Salt Dog Slim 79-83 Seel Street Liverpool L1 4BB Telephone: 0151 709 7172 If you have ever been sat in a bar and fancied a hot dog, Salt Dog Slims is the place to be. With a range of world beers and bespoke cocktails to sample and, of course, a hot dog if you wish, (why not?) Salt Dogs is one of Liverpool’s latest and best additions, whose quirky style rivals that of its sister, Santa Chupitos. Tucked

away in the corner, underneath an inspirational, interestingly decorated wall, is a bath… surrounded by comfy chairs and a leather sofa. Too cool! Topping this is a secret (sort of) upstairs cocktail bar. With a special code, provided by the friendly staff when asked politely, you can enter their exclusive upstairs bar and sample some bespoke cocktails away from the hustle and bustle of the downstairs crowd. The music is fantastic, the kind of music you don’t expect on a night out, with such a variation in genres. The bar is situated at the top end of Seel Street and is well worth a visit any night of the week. I recommend the “Slims Marshmallow Milkshake”, particularly for those who love creamy, milk based cocktails. Topped with whipped cream, a strawberry lace, a marshmallow and a cherry, you

March 2013 may want to avoid your dessert after tea if you’re planning to sample one of these; it’s extremely tasty and somewhat filling. Alternatively, why not sample one of their German Pilsner tankers? Not for the faint hearted, it’s by far the biggest jug of beer I have ever witnessed, at least in this city.

3 – Restaurant Bar and Grill Halifax House Brunswick Street Liverpool L2 0UU Telephone: 0151 236 6703 Sometimes, just sometimes, we all like to pretend we’re a little richer than we actually are. For these occasions, I like to visit the Bar and Grill, a restaurant-come-bar (as the name cleverly suggests) for a slightly overpriced amaretto and cranberry. Yes it is expensive, maybe not if you’re used to living in London where I believe it would be classed as averagely priced. Frequented by either people like me, or people who actually do have money, there is a laid back, friendly vibe; the staff are helpful and smiley and the bar is chic and stylish. It is one of Liverpool’s more elite venues and everything from the beautiful building on the outside, to the stylish interior on the inside, screams elegance and class. So get dressed up in your best outfit because anything less and you will look a show. Think mega classy; don’t slouch or slurp your drinks and you will be fine.

4 – Aloha 16-18 Colquitt Street Liverpool L1 4DE Telephone: 0151 706 0070 Every time I descend the stairs into Aloha, I take a sigh of relief. Another one of Liverpool’s hidden treasures, Aloha is paradise; a hideaway within the chaos of the city upstairs. It is a Tiki bar, the likes of which originated in Hawaiian and Polynesian culture. It is warm and full of candles; like

“Not for the faint hearted, it’s by far the biggest jug of beer I have ever witnessed” being on a tropical beach as the sun sets. They specialise in rum based cocktails and sometimes don’t even use glasses. They just casually whip out a pineapple instead (resourceful and tasty!) which I think is just perfect exactly what I want from an exotic refuge. The staff are friendly and skilled; they mix up drinks like it’s a theatre performance. As expected, the drinks are a little expensive but you are paying for an experience. You are chilling in paradise, drinking the tastiest of

cocktails, listening to an eclectic mix of music, and yes, the toilets are nice! The vibe is great, not pretentious or showy, but laid back and casual. Great for a midweek tipple in its quieter hours, or for a more upbeat atmosphere at the weekend.

5 – Eric’s Live 9 Mathew Street Liverpool L2 6RE Telephone: 0151 236 9994 Moving to the world famous Cavern Quarter now, Eric’s is the home of live music in the city. Look out in the week for some brilliant bands, touring with the music of yesteryear that some of the younger punters may not be familiar with. But if you’re looking for new music, Eric’s also hosts a platform for up and coming bands, both local and national, showcasing their original songs. Come the weekend, expect to hear some fantastic covers, mostly acoustic, as many flock to the Mathew Street area looking for that Beatles/60s/live music type night. The bar sells the basics, nothing fancy, and is relatively cheap. There may be a few fun loving stag and hen do’s about, but it doesn’t kill the atmosphere too much. It isn’t unruly, but don’t expect not to be bumped on the dance floor by a not too sober forty-something singing along to Mr Brightside at the top of his voice. Salt Dog Slim Photo: Amy Faith

Eating Out

Kill for a curry? In love with Italians? Whether you pine for pub grub, like to experiment with the more exotic or are simply craving proper, salty, grease- drunk chippy chips, Rosie Cameron once again

Rosie’s 5: Top City Centre Eateries for March

covers all bases as she lists this month’s favourite places to grab a bite. 1 - Bistro Pierre 14 Button Street Liverpool L1 9AS Telephone: 0151 227 2577 Top of the list has got to be Bistro Pierre in the Cavern Quarter.

Not only is the food amazing, the portions are more than enough and the price you pay won’t break the bank. £8.95 would get you a three course meal from the Lunch Rapide menu (between 12 and 4.30pm) which changes every week, meaning you’ll never get bored of eating at the same place! Choose from meat and fish dishes, pasta, pizza, and for those feeling a little more cultural, frogs legs

and deep fried white bait (eyes and all). With a real French feel, down to the staff themselves, who provide a great service, Bistro Pierre is an ideal place to go when you want a tasty, filling meal in an authentically themed restaurant, without splashing out. One downside would be the slight lack of space. The venue is very intimate and you may find yourself sitting extremely close to a few strangers. Nonetheless, it adds to the atmosphere and cosy couture theme.

from the bar menu where the food is equally as tasty and you can enjoy a more relaxing, intimate meal. As you would expect from such a place, it’s not cheap so you may want to bear that in mind for special occasions. Alongside the delicious food and theatrical performance, you can sample their traditional Japanese whisky or their reasonably priced and perfectly pleasant cocktails. A unique place for a foodie, fun filled experience.

2- Sapporo Teppanyaki

36-40 Stanley Street Liverpool L1 6AL Telephone: 0151 227 5774 Picture Italy. I’ve never been there but I imagine it’s pretty much like the Casa Italia. Situated on Stanley Street, this quirky, understated restaurant is as Italian as it gets (I imagine). Expect a warm welcome and a traditional Italian menu here, along with a reasonable price list. For less than you’d pay at some of the leading fast food restaurants, you can expect a tasty pasta or pizza. The menu is basic, but pretty much what you would want from an Italian. Great for families, and cosy for couples of an evening. Ran by real Italians, bringing you the best of Italy in the centre of Liverpool. Lovely.

134 Duke Street, East Village, Liverpool L1 5AG Telephone: 0151 705 3005 Are you bored of going to a restaurant just to eat food and then leave? Sapporo Teppanyaki on Duke Street flips all restaurant etiquette on its head. Bring a sense of humour and an empty stomach as this restaurant is here to entertain and fill you to the brim. The talented Japanese chefs will blow you away, literally, with their fiery, fast paced cooking skills, making snakes out of eggs and catching food in their hats. But don’t expect them to do all the work… take part in the fun by catching sauté potatoes in your mouth along with the rest of your table (you may share with another party depending on the size of your group) and have your food cooked just how you like it, right in front of your eyes, served hot and fresh directly to your plate. However, if you want to sample the traditional Japanese food without the fun and games, order

3 - Casa Italia

4 - The Lobster Pot 19 Ranelagh Street Liverpool L1 1JW Telephone: 0151 709 0157 You may be thinking, “why is this on the list?” Correct, it isn’t a restaurant. But it really does serve the best fish and chips in the city. Cheap and cheerful, but so, so yummy. It’s quick as well! Ideal

“take part in the fun by catching sauté potatoes in your mouth” 37

to grab after a spot of shopping to take home and sit in front of the tele with. You probably wouldn’t sit inside, (I usually choose not to) but the food is exactly what you crave when you are so hungry you can’t wait any longer and you need your stomach filling quickly with some tasty, greasy carbs. Goes down a treat and has that real chippy taste. Proper chips, big battered fish, mild curry sauce, everything you imagine when you fantasise about chippy food.

5 - Spice Lounge 6 Atlantic Pavilion Albert Dock Liverpool L3 4AE Telephone: 0151 707 2202 Situated on the world famous Albert Dock, Spice Lounge is everything you want from an Indian. The staff cannot help you enough, the service is impeccable and the food is fantastic. If you’re not a big eater, you may be happy to share between two. The portions are a good size, and you can always take home what you don’t finish. Ranging from a nice mild Korma to some of the hottest curries you can find in the city, it is ideal for a quiet, relaxing meal. Not exactly cheap, but certainly not expensive, the bill is usually what you would expect for a decent curry. The restaurant itself is warm and cosy, with a welcome atmosphere. Out of all the restaurants in this area, the Spice Lounge is the best value for money by far.

Theatre

Hope by Scot Williams

Royal Court Liverpool Wednesday, 6th – 30th March 2013 8pm Tickets from £12

orm is fed up with his lot. He longs for nothing more than to be a famous author. During one very hot summer, whilst writing what he hopes will be his breakthrough debut novel, he is struck down with severe writers block. As Norm becomes creatively marooned, he finds his life begins to strangely mirror that of his protagonist. Furthermore, as sleep deprivation takes hold, his characters start to come to life before his very eyes. A powerful expose into the loneliness of the writer, neurosis, infidelity, loss of youth and the notion of self, Hope is a darkly comic psychological thriller

starring some of Liverpool’s finest film and television acting talent, receiving its world premiere at the Royal Court Theatre. As part of an all-star cast Mark Womack, who recently starred in the BBC1 drama Good Cop, makes a rare return to the stage alongside his wife and former Eastender Samantha Womack, who takes the title role of Hope. Starring alongside Womack and Womack is Hillsborough, Liverpool One and Merseybeat actor and the play’s writer, director and producer, Scot Williams, who makes a long awaited return to the Liverpool theatre scene after a 18year hiatus. Joining the Womacks (Mark plays Norm) and Williams

(as Victor), and taking on the role of Guy, is René Zagger, a former regular of ITV’s The Bill. René began his television career in the children’s favourite Grange Hill and has most recently appeared in Martina Cole’s The Take, as King Herod in Rome and in Hard Boiled Sweets (2012) in which he co-starred alongside Williams. Described by Psychoville’s Reece Shearsmith as “a mesmerizing play. By turns deeply intelligent, funny and disturbing,” There will be a preview performance on 6 March (all £10 tickets), with a special benefit performance on 11 March in support of a very worthwhile Liverpool charity (TBA soon).

What’s On?

Epstein Theatre Hanover Street L1 3DZ

Heart and Soul

Wednesday 13th – Saturday 16th March Tickets £10 - £22.50 It is no secret that the music industry is merciless in its ways, and can easily destroy the hopes and dreams of the most talented, devoted and dedicated of people. Heart and Soul, a fresh new musical set in Liverpool, tells the story of a young woman as she reaches for success, all the while trying to maintain her love life and family relationships. Original songs that sway from jazz to Motown to rock, make this story of love and success a thrilling and inspirational journey. Set in the 1990s, the show is loosely based on the journey of producers Maria Cavanagh and Indra Nathaniel in their quests to “make it”. The show features a talented local cast including X Factor vocalist Tricia McTeague in the lead role of Cathy, with Radio City presenter Claire Simonsen playing her mother, while Emmerdale’s Kivan Dene plays love interest Red Carson.

Sleeping Beauty

Monday 25th – Wednesday 27th March Tickets £9

A youthful adaptation of the classic fairy tale Sleeping Beauty is brought to the Epstein by Chiltern Youth Theatre, who portray the timeless love story through a wondrous ballet, performed by pupils aged 8 – 16. When a spell is cast on a beautiful princess, she is doomed to sleep for 100 years unless she is kissed by a Prince. Will a hero break the spell and awake her from her slumber?

Lantern Theatre

Blundell Street L1 0AJ

The Nightingale of South Bank

2nd March 7.30pm £12 (Adults) and £10 concessions Relative Pitch Opera, the classical division of the award winning Little Pixie Productions, will be bringing The Nightingale of South Bank to The Lantern Theatre on March 2nd. The production is based on the life of the English soprano Florence Easton. Born in 1882, Florence was one of the most versatile English opera singers of the 20th Century. Helena Leonard sings Florence’s arias from operas including Madam Butterfly, Gianni Schicchi, Aida, Tosca and more as she tells the fascinating story of the celebrated soprano’s varied career.

Philharmonic Hope Street L1 9BP

The Beggars Opera

Sunday 3rd March Tickets £25 An ambitious beggar steals a story and writes an opera with some suspiciously familiar folk songs. Crooks are heroes and wrong is right in this riotous production featuring well-worn characters Polly Peachum, Lucy Lockit and the original Mack the Knife (Macheath).

Exploring the themes of poverty and politics, injustice and corruption with a satirical and highly humorous bite, The Beggars Opera has been outraging and entertaining audiences in equal measure since 1728. Britten’s brilliantly imaginative score brings the classic show into the modern day, and it’s performed by singers from the European Opera Centre and the Royal Northern College of Music.

Theatre 23rd March Philip Pullman, dubbed by The Guardian as “one of the supreme literary dreamers and magicians of our time” tells the mesmerising story of a boy who insists he used to be a rat. A humorous, moving tale that’s fun for all the family, has now been brought to life for the stage and combines adventure and fantasy with music and powerful physical performances.

The Ugly Duckling Liverpool Playhouse Theatre Friday 15th March Tickets £8, £6

little duckling as she grows into a beautiful swan.

Unity Theatre Hope Place, L1 9BG

Lady White Snake

Friday 1st – Saturday 2nd March Tickets £10, £12 China Pearl is back to present this year’s captivating performance, celebrating the year of the snake. A show that will combine traditional Chinese music, dance, and folklore, this is great fun for all the family, a colourful and mesmerising experience from a local organisation that is successfully celebrating Chinese culture and tradition in Liverpool. On the last day of the show, there will be free taster sessions allowing the guests to try various Chinese cultural activities including dance, martial arts, calligraphy and arts and crafts.

Why the Lion Danced

Liverpool Playhouse & Playhouse Studio

Williamson Square L1 1EL

The Misanthrope

Liverpool Playhouse Theatre Friday 15th February – Saturday 9th March Tickets £12 - £23 In 17th century France, an ambitious poet sets out to induce a revolution. Repelled by the French aristocracy with their fakery and gossiping, Alceste embarks on

a one man mission to rebel against upper class snobbery. However the catch comes when the love of his life may be the worst culprit. Is Alceste a hero or is he a fool? On the back of the success of Tartuffe and Hypochondriac, Roger McGough and Gemma Bodinetz yet again gracefully develop one of Molière’s satirical masterpieces and bring it to the Playhouse stage.

I was a Rat

Liverpool Playhouse Theatre Tuesday 19th – Saturday

An interpretation the famous Hans Christian Anderson fairy tale is told by Northern Ballet in a magical combination of ballet, theatre and music. Choreographed by Northern Ballet dancers Dreda Blow and Sebastian Loe, this is a lovely show for all the family and a great way to introduce young minds to the wonders of the theatre. A heart-warming tale tells the story of a poor lonely duckling, who is ignored by those around her who feel she is too ugly to fit in. Embark on a magical journey that follows the

Unity Theatre Liverpool Saturday 9th March Tickets £6, £8 Award winning Yellow Earth bring a family friendly, fun filled show that encourages its young audience into helping Tom and his family scare away the dreaded monster. In the Chinese mountains, every thirteenth moon the villagers must protect themselves from the terrifying monster that threatens to ruin their ancient communities. Discover what animal can save the villagers and the story behind the lion dance. Featuring live music, theatrical story-telling and dance, this show brings Chinese New Year to life in a colourful creation that is perfect for ages 5 and older.

Phoenix Dance Theatre:

Particle Velocity LiverpoolPlayhouse Tuesday 12th and Wednesday 13th March Tickets £12-£16 Particle Velocity comprises four scorching pieces from renowned dance company Phoenix Dance Theatre. Exloring the fascinating world of DNA through dance, with a specially commissioned score, this fiercly dominating performance by Phoenix Dance Theatre is artistic director Sharon Watson’s latest piece that takes the audience on a winding journey to unravel our genetic code. Secondly, Phoenix choreographer Douglas Thorpe brings to the stage Tender Crazy Love, the story

of a couple pushed to the outer edges of desire, with Thorpe’s signature raw, fiery deliverance. This beautiful piece uses music from greats including Al Green, Nancy Sinatra and Chuck Berry. Next, an intense duet inspired by Mongol warlord Ghengis Kahn. Jose Angudo’s first work for Phoenix is a tale of a young boy’s determination to become a legend. Completing the bill is a graceful number performed by the entire company to Ravel’s Sonata for Violin and Cello.

My Perfect Mind

Tuesday 5th – Saturday 9th March Tickets £8, £10, £12 When acclaimed actor Edward Petherbridge was cast to play the role of King Lear in the Shakespeare tragedy, it came as a devastating blow when on the second day of rehearsals, he suddenly suffered a stroke. Confined to a hospital bed and struggling to recover, Edward made a discovery: the entire role of Lear still existed word for word in his mind. This comic tale is a

moving exploration of the resilience of the human spirit through the prism of Shakespeare’s great tragedy. Performed by stage legend Edward Petherbridge and Told By An Idiot co-founder Paul Hunter, My Perfect Mind celebrates the theatre company’s 20th anniversary. Told By An Idiot has performed all over the world alongside artists such as Philip Pullman, Carol Ann Duffy, Michel Feber and collaborated with the National Theatre, RSC and the Barbican.

Theatre Café Chaos

Tuesday 12th – Wednesday 13th March Tickets £8, £10 Café Chaos delivers dance, physical comedy and music to bring us a laugh-out-loud, wild encounter where nothing goes smoothly. The award winning theatre company Kosh deliver a skilful, edge of the seat extravaganza, exploring the depths of denial and betrayal, secrets, love and friendship. Funny and down to earth, this irresistible production promises a night of physical and verbal extravagance.

Borges and I

Thursday 14th March Tickets £8, £10 A multimedia spectacle exploring the life of surrealist Jorge Luis Borges, brought to the Unity by Edinburgh Fringe sell-out company Idle Motion. Described by The Stage as “a poetic and visual feast”, the exhibition style drama explores the parallels between Borges’ work, his personal life, and his readership, revealing a man on the brink of blindness. This stunning display of visual theatre brings the audience images of labyrinths, tigers and a universe of libraries. Ingenious staging and creative storytelling makes this a perfect show for theatre lovers.

14th Tale

Friday 15th – Saturday 16th March Tickets £10, £12

“I’m from a long line of trouble makers, of ash skinned Africans, born with clenched fists and a natural thirst for battle, only quenched by breast milk.” Fringe First winner Inua Ellams tells of the riotous mischiefs of his upbringing, growing up on the streets of Nigeria, emigrating to Dublin, and ending up in London. Using poetry to recreate the stories of his past, Ellams challenges conformity, and asks what it is to be a young black male in today’s society.

A Strange Wild Song

Tuesday 19th March Tickets £8, £10 When a soldier’s camera is unearthed, his grandson searches for meaning through the photographs inside. He discovers a surreal world of childhood and imagination, as fragments of war explode into the present-day. After a sell-out run at Edinburgh Fringe, critically-acclaimed Rhum and Clay mix absurdist humour and an original musical score to tell a touching story about finding light in the darkest of places.

The Curse of Sherlock Holmes

Wednesday 20th – Thursday 21st March Tickets £8, £10 The Curse of Sherlock Holmes uncovers the story of actor Jeremy Brett, who became the embodiment of Homes in the Granada TV production. Sir Arthur Conan Doyle’s greatest creation may have jinxed Brett and this drama follows him as he fights for his sanity, and his life. Was acclaimed National Theatre actor Robert Stephens right when he said to Brett “Do not undertake the role of Sherlock Holmes. He will be your undoing”?

Wild Flowers

Friday 22nd March Tickets £8 With the 1995 Seaforth dockers’ strike as the backdrop, Wild Flowers is a hard hitting tale of a jealous brother whose actions tear apart his

whole family. Featuring an original folk/rock score, this gritty, intense drama reflects not only the family’s stories, but the time and place in which they are set, displaying the highs and lows of a city that maintains its sense of humour even throughout adversity. (Also showing at the Epstein Theatre on the 29th and 30th March, Tickets £10, £12)

Cinema

Stoker Released: March 1 Director: Park Chan-wook Starring: Mia Wasikowska, Nicole Kidman, Matthew Goode

hen her father is killed on the eve of her 18th birthday, India (Mia Wasikowska) is left in the care of her brittle but cold mother Evie (Nicole Kidman). Their world is thrown into further upheaval when long lost Uncle Charlie (Matthew Goode), a man neither India or her other has met, turns up. As both mother and daughter begin to fall under the spell of the charming and charismatic uncle, murderous events unfold. But will India’s suspiscions about

Charlie’s sinister background tear her family apart of draw her more towards her uncle? Oldboy director Park Chan-wook’s first Hollywood production of Prison Break actor Wentworth Miller’s first screen adaptation is a Hitchcock-esque psychological horror. Highly stylised and mutli layered, Chan-wook is given freerein to exploit his full repertoire of unsubtle cinematic tricks, such as the detached camera shots and excited editing, unfeted by Hollywood’s usual commercial

confines. While stunning looking, it’s visually challenging as well as graphically violent in parts, and its off centre sensibility won’t be for everyone. Miller’s minimalistic yet brutal script is darkly erotic with Freudian stained exchanges. When combined with the flawlessly dark, enigmatic performance of Wasikowska, the sinisterly magnetic Goode and the gloriously unhinged Kidman, Stoker has the hallmarks of an unbalanced classic.

Cinema

The Paperboy Released: 15 March Director: Lee Daniels Starring: Zac Efron, Matthew McConaughey, Nicole Kidman, John Cusack, David Oyelowo

riter-director Lee Daniels’ ambitious follow up to his creditable debut, Precious. The problem with The Paperboy is that there’s too much going on. Death row groupie Charlotte (Kidman) is convinced her condemned pen pal Hilary Van Wetter (Cusack) is innocent of killing a local sheriff. She convinces a couple of Miami reporters, local boy done good Ward Jansen (McConaughey) and black British journalist Yardley Acheman (Oyelowo), to come to the small town to find new evidence that will free Van Wetter and net them a sensational cover story. Together with Ward’s brother Jack (Efron), they embark

on an investigative trail that eventually leads to a murderous twist. The drama is considerably diluted, mainly due to the crush that Jack has, immediately, upon seeing sultry Charlotte. This side story takes far more precedence than it deserves and is more a distraction from the based-on-a-true-story about freeing a Death Row inmate. Singer Macy Gray is also woefully underutilized as Anita, the maid for the Jansen family who narrates the film. She knows the real story of Hillary and the Jansen family secrets but this is never satisfyingly developed. Nicole Kidman, once again on form this month, fits the bill exuding raw sex as Charlotte,

although exactly why she falls for Van Wetten is never convincingly explained. John Cusack does his usual trade in off-beat, slightly crazed characters as Hilary. Matthew McConaughey gives a solid performance as Ward. Zach Efron ambles around looking cute and lost, pining with unrequited passion for Charlotte. The quirky amalgam of characters could have worked if the plot has remained more focussed. However Daniels never holds all the strands together with enough rhythm to make it sufficiently engaging or lift it above the level of a salacious, redneck thriller.

Jack the Giant Slayer Released: March 22 Director: Bryan Singer Starring: Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Bill Nighy, Ian McShane, Ewan McGregor

Broken City Released: March 1 Director: Allen Hughes Starring: Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones

In a broken city rife with injustice, ex-cop Billy Taggart (Mark Wahlberg) seeks redemption and revenge after being doublecrossed and then framed by its most powerful figure, the mayor (Russell Crowe). Billy’s relentless pursuit of justice, matched only by his streetwise toughness, makes him an unstoppable force and the mayor’s worst nightmare. Broken City is an attempt at the classic private eye story in the Raymond Chandler tradition. Although the script is set in present-day New York City, director Allen Hughes (half of the Hughes Brothers of Menace

II Society and The Book of Eli fame) and writer Brian Tucker add nothing fresh or original to a tired old formula. It’s just a cliché ridden detective yarn in a contemporary trench coat. Complicated corruption, double crosses, hidden motives, femme fatales; as you’d expect, they’re all here but they’re so overdone and by the numbers that the plot ends up more absurd than edgy. Despite the talents of Crowe and Wahlberg, Broken City is instantly forgettable. It has more in common with Ace Ventura than classic noire like Chinatown.

Jack the Giant Slayer tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young Jack into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend… and gets the chance to become a legend himself. Starring teen-throb of the moment Nicholas Hoult (About A Boy, X Men: First Class, Warm Bodies) in his second major lead role in as many months. This is a reasonably fast paced, fantasy actioner taking the old nursery tale as its inspiration. The bean discarding Hoult adds his disarming charisma and X Men director Bryan Singer provides plentiful thrills to keep kids and some older teens suitably occupied for a pleasant enough afternoon. Be warned though, it may put the more nervous youngsters off gardening and climbing stuff.

Cinema

The Spirit of ‘45

The Spirit Of ‘45 (U) Picturehouse FACT plus Q&A with Ken Loach Tuesday 5th March 18.00

cclaimed film-maker Ken Loach returns to Picturehouse @ FACT, for a Q&A session following a special preview screening of his new film The Spirit of ’45. 1945 was a pivotal year in British history. The unity that carried Britain through the war allied to the bitter memories of the inter-war years led to a vision of

a better society. The spirit of the age was to be our brother’s and our sister’s keeper. Director Ken Loach has used film from Britain’s regional and national archives, alongside sound recordings and contemporary interviews to create a rich political and social narrative. The Spirit of ‘45 hopes to illuminate and celebrate a period of unprecedented 46

community spirit in the UK, the impact of which endured for many years and which may yet be rediscovered today. The film features interviews with Liverpool’s own Tony Mulhearn, Doreen McNally, John Farrell, Eileen Thompson, Sam Watts, Tony Nelson and Terry Teague.