Selected Architectural Works of
SURYAKIRAN JP Applicant to Master of Science in Design- Environmental Building Design program at the School of Design, University of Pennsylvania. First Name: Suryakiran Surname: Prabhakaran B.Arch, Faculty of Architecture, Manipal University, Manipal.
Content
Of interventions through...
Symbolization in architecture
Strongest Infinity
Indian National War Memorial Design Knowledge in architecture
Arched Stories Science Center and Planetarium Mobility in urbanization
A Junction Whitefield Metro Station Plaza Materials in architecture
Strutian Starbucks Cafe at Lavelle Road Bridging Rural-urban gap
A-Station Rural Development of Temple town at Perdur Technology in architecture
Parametric Facade Climate Responsive Design Through Automated Multi-Objective Optimization
Strongest Infinity
01
INDIAN NATIONAL WAR MEMORIAL
Personal | Competition Project | Sept-Dec, 2016 Supervisor: Ar. Leena Kumar | 080-25352656 | kumar.consultants.architects@gmail.com Author: Suryakiran | Yamini Kumar My Role: Site context and planning, Concept Development, Design Development, Presentation, 3D modeling.
How people could relate with macabre incidents in the past that changed the course of our nation, and how that grief mixed with pride could channel as emotions were the challenges I faced as an architect to design the National War Memorial. Symbolism being the conceptual element in the design seeks to evoke a relationship between the past and the present sentiment of the people. The design was published in the Coffee Table book, “IDEA NEXT� at The Festival of Architecture & Interior Design 2017 New Delhi, India.
The Central Axis of India Gate.
Context and Geometry
lotus flower - purity and faithfulness
flower of life - life as a part of a divine geometric plan
dodecagram- 12 pointed star marking the completion of a cycle
spiral - expanding consciousness of nature
the mandala - a microcosm of the universe
the shell - infinite space
Site set in Lutyen’s Delhi.
Lutyen’s planning of Delhi during the 1920s-1930s calls for a special historical significance at present, marking India Gate as the central embodiment of all ceremonies commemorating the Indian Soldiers and Officials for their sacrifices.
Spatial planning around Lawn-1
LAWN.1
LAWN.2 Utilizing all 3 lawns but, central axis is skewered
Utilizing lawns 2 and 3 for axial placement
Strongest Infinity
The India Gate
The Chhatri LAWN 3
disparate configurations
Every emotion or an entity is depicted by a Symbol or a Pattern that is found in Nature. Why they came to be called sacred geometrical patterns (Harmonic Proportions of the Earth) is answered when we start seeing these patterns repeat itself in things surrounding us. Such an imitation of nature has been symbolized from time to time with different interpretations depending on how people perceive it to be. The war memorial hopes to rekindle the sentiment of the people through a colossal depiction of these symbols.
Master plan
Scope for providing Solar Panels onsite was considered to generate power for maintaining the landscape
Ground is elevated forming a walkway, strategically positioned to form a vista of the whole space
Underneath which lies a calm waterbody dirsrupting all the emotions from the surroundings.
Pathways elaborating the overal hexagonal theme of the memorial.
Strongest Infinity
Master Plan
‘the flower of life’
01
02
01. Memorial Walls 02. Seating carved out of petal shaped raised ground 03. Hexagonal base pockets
Schematic development of flower of life
03
04
05
06
Development of memorial walls made of sandstone. The 25000 names of martyrs were to be engraved on the stone.
Strongest Infinity
The Flower of Life, with its six petals in perfect form, proportion, and harmony, scoops out the earth between its form. The petals slope down towards the center, marked by a six-sided starshaped water body. The walls of the memorial follow an undulating path between the scooped out earth.
‘the dodecagram’ The spiraling walls of the memorial represent the spiraling stars in our galaxy around a central force. Mathematically derived as the dodecagram, constituting 12 vertices, the memorial walls originate from the 12 vertices and tangentially connect with the inner circle.
People interact with space by walking to casually explore or by walking towards a known martyr’s engraving to pay sincere tributes. Also, people may sit to rest or sit to sink into the surrounding or sit to recollect and relive the past moments. The design responds to cater to all these circumstances.
A smooth transition of elements persists throughout the design, from engraved walls to seating, from steps to ramps, from planters to benches, from benches to the ground. The geometry is finally disrupted at the center as two irregularly shaped water bodies interlock to give rise to life as depicted by trees.
Strongest Infinity
‘the shell’ & ‘the chakravyuha’ The shell is inviting from the outside, calling for attention with its open way, but a specific path directing people towards the center of sacrifice. Engravings become denser at the center, evoking a feeling of suffocation. Can the sensation be mollified by the water fountain? Can the smooth transition from the ground to a bench be perceived as a calming component amidst the chaos?
The Chakravyuha is one of the most brilliant and deadliest military formations in the Hindu epic Mahabharata. “Chakra” translates to spinning wheel and “vyuha” translates to a formation.
The Chakravyuha in our design is a fragmented version of the formation. It is embedded within a hexagon and divided by steps going down as we approach the tall mural walls. This enables the people to absorb the design as a whole. The magnanimity of the shape is broken down to just one layer of defense, yet convincing enough to relate with its original. An element of water is introduced to form a sheer cascade of water over the mural walls, captivating the user visually and through sound.
Strongest Infinity
Arched Stories
02
SCIENCE CENTER AND PLANETARIUM AT VIJAYAPURA
Personal | Competition Project | Dec, 2017 Supervisor: Leena Kumar | | 080-25352656 | kumar.consultants.architects@gmail.com Team: Suryakiran | Yamini Kumar My role: Concept Ideation, Design Development, Presentation
The Science Center and Planetarium at Vijayapura were proposed for Karnataka Science and Technology Promotion Society to reach out to sub-urban regions in the state of Karnataka. The mission was to provide access to information and inspire the youngest generation to pursue an education in science-related fields. Our Design aimed at achieving a structure that awe-inspires the children by creating an impact through grandeur. Space was designed to respond to the local hot and dry climate of Vijayapura by introducing wind catchers and directing the wind through a water body beneath it and into the courtyards for circulation.
skeleton framework of the Science Center
Ideation
The unfinished arches of Bara Kaman in Vijayapurya led to the inspiration of using arch-shaped openings in our design. The construction stopped for the apparent reason that the arches’ shadow may fall on the Gol Gumbaz.
Bara Kaman
The dome of Gol Gumbaz in VIjayapura is known for its exceptional acoustics. The planetarium dome is finished with bricks of same color and texture as the dome of Gol Gumbaz. Ibrahim Rauza
Ibrahim Rauza
entering in quest of knowledge
looking around Symbolically the design of the partial spiral indicates a man’s journey to invariably seek knowledge, thus endlessly spiraling inwards.
Development of dome and the spiraling ramp
Wind Catchers are derived from traditional methods of trapping wind for passive cooling in hot and dry areas. Also, the Western side of the science center is closed with brick walls which prevents heat gain. ‘Jaalis’ or lattice screens are placed above the walls for ventilation.
An ab anbar (water reservoir) with double domes and windcatchers in the desert city of Yazd, Iran
A modern approach to the design of wind catchers.
Spatial Planning of Science center around a courtyard Elevation of the proposed Science Center incorporating the architectural elements present in Vijayapura
Arched Stories
Science Center
common courtyard
N
thematic galleries
view of arcade
E activity room
W entrance foyer
S auditorium 01.floor plates
04. exterior arcade
wind catchers on N-W side
max heat jaali windows
entrance courtyard 02.brick walls
05. fenestrations
curving roof view from first floor
view at entrance
03.ventilation through open arches
side entrance towards gallery
Arched Stories
06. wind flow diagram through wind catchers
exit from auditorium
Planetarium
Walkway Ramp to the planetarium Section
01
Drone View
02
Plan
03
Cross-sections of planetarium across the ramp
Arched Stories
Cross-section of planetarium across the dome
Composition of bricks
The Junction
03
WHITEFIELD METRO-STATION The proposed design is a solution to the problem of urban transport congestion in the city of Bangalore where existing public transport service systems have failed to provide faster services and instead create traffic congestion and low vehicular speeds. The thesis proposes a design for an upcoming Metro station in Whitefield, which aims at stimulating the surrounding urban space by integrating recreational spaces and facilities that are wanting at present.
Academic | Jan-May, 2015 | Individual Work Architectural Thesis Semester VIII Site: Bangalore, India Professor: Sonali Walimbe | 07760342341 | sonali.w@manipal.edu
Analysis
Kadugodi Railway Station
The existing overpass connecting the rail and bus stations suggested that commuters use railways for long distance travels which terminate at Whitefield and transfer to commute via a bus within the city, implying the need for a multi-modal transit hub.
designated crossing
STUDIES CONDUCTED Existing Land Use Site Accessibility Infrastructure Traffic volume Pedestrian Volume Travel Time Surveys
informal crossing LAND-USE MAP OF WHITEFIELD
The site lies in the transport and utilities perimeter. The immediate vicinity of the railway station has land uses which include medium to a high-density population comprising of mixeduse complexes to the north of the station and sparsely developed lands to its south.
Kadugodi Bus Station
The bus station acts as a domestic interchange for city buses. A few town buses are stationary for 15-30mins and leaves for a longer destination. The study indicated that the proposed metro station should cater to facilities such as waiting rooms and luggage rooms. Site Map of proposed metro station at Kadugodi junction
The small area on the underside of the bridge left for vehicles to take a U-Turn, while a majority of it is used as an Auto Stand and by domestic food seller carts.
The Junction
Functions
Platform area Tensile roof inspired by bionic systems in nature - spider webs forming intricate.
curtain wall -skin operational area
paid area
food court area Food establishments have a benefit of providing an exterior seating area.
unpaid area
operational area
The ground floor space is designed to accommodate the food court and other food establishments.
The Junction
Recreational Spaces
section
View shows the stretch between the station and the retail complex. The tranquility of the environment in this stretch complements the station landscape and bestows the strap-hangers with a place to relax. The footbridge connects the station to the retail strip to ease the movement of people exiting the station. Also, serves as direct access from the commercial complex.
The Junction
Strūtian
04
A STANDALONE FLAGSHIP STORE FOR STARBUCKS IN BANGALORE
The two-story structure’s design incorporates a combination of wooden members and steel reinforcements. The dense trees present at the site was a difficulty we addressed while planning the structure.
Professional Project | Aug 17-April-18 Supervisor: Ar. Leena Kumar Author: Suryakiran My Role: Design Development, Detailing, Construction drawings, Site Coordination. All visuals presented in this project is individual effort
ideation Parking area Outdoor Seating Timber Posts
ad
ro Timber Posts
Site Location
Options developed for external timber-steel facade posts
StrĹŤtian
Site plan
Criss-crossed wooden posts designed to support the ceiling
Another option developed to support planter boxes outside.
Ceiling plans
Simple truss-like facade
Curved Timber posts
Extended seating area at the back of the site
fabrication
01. Elevated by stilts to allow for rainwater to flow
02. Decking sheet with concrete floor,
03. Planters along the longest side abutting road.
View of the Seating area on the rear side of property
04. Timber posts replicate a truss that is rotated and tapered on one side.
06. A wooden deck allowing growth of existing trees. Interior View of the Cafe.
StrĹŤtian
A-Station at Perdur
05
BRIDGING THE RURAL-URBAN GAP The objective was to create a mark for Perdur in South Canara by proposing developments to support an independent economy using its pristine environment, heritage properties, and biodiversity. The only direct access to Perdur currently is via road. Besides the expansion of the highway and development of the area, it is expected to pay heed to the transits to ensure a free flow of traffic. The proposed bus station was designed to utilize locally available materials for construction and take advantage of the vast landscape in the site’s surrounding environment.
Academic | July-Dec, 2014 Subject: Urban Design Studio, Semester-VII Urban Design Group work (team of six students) + Individual Proposal (Bus Station) Professors: Pradeep Kini, Charlie Stella | 9019695055 | pradeep.kini@manipal.edu (All visuals presented in this project is individual effort)
Context Study UDUPI- AGUMBE PROPOSED DIVERSION Exit
Observation at Main nodes marked by Bus stops and auto-rickshaw stand: Bus stops lack shade Rudimentary seating area for auto drivers.
HULUVALLI
Drop Off
r 5min Stop
Entrance
MAIN BUS STAND
NCC GROUND BM SCHOOL
TEMPLE COMPLEX
PERDUR HIGH SCHOOL
BAIRAMPALLI
YELTHARE
KUKKEHALLI TO UDUPI
Kevin Lynch’s Five Elements
elevations of the vernacular architectural style of Perdur
platforms
bus station
5 MIN STOP PLATFORM
KERB
A-Station at Perdur
KERB
A Shaped - Timber Roof Truss is braced to support the tiles above and renders a structural integrity to the building. roof tiles with glass shops, restaurants, waiting lounge
ticket counter, atm, drivers’ waiting area, admin offices
KERB
ne Service La
The bus stand is planned to accommodate the constant circulation of bus traffic and movement of people. It accommodates buses stopping for short and long intervals. The terminal is designed with two fixed-route bays (bus layover for less than 5mins) and two dynamic bays (bus layover for 30mins and over).
SIVAPURA
GYANA MANDIR
JUMA MASJID (MOSQUE) APM CASHEW INDUSTRY
section : through parking lot
HIGHWAY DIVERSION
Exit
Platform fo
TO VILLAGE
BENAMPALLY HIGH SCHOOL
GOVT. PRIMARY SCHOOL
HOSANGADI
Entrance
Parking Area
View of the proposed bus stand at Perdur.
KALTHURU
HOSSERU
Perdur is a village in the Udupi district of coastal Karnataka. The town is connected by State Highway -65 (proposed National Highway) and Indian railway. The settlements are highly concentrated around the central Anantha Padmanabha temple and radially spread along the routes to the Timber and cashew factories.
Platform for 5min Stop
BUS TERMINUS
front view : dynamic entrance to the bus stand .
5 MIN STOP PLATFORM SERVICE LANE KERB
KERB
KERB
Parametric Facade
06
CLIMATE RESPONSIVE DESIGN THROUGH AUTOMATED MULTI-OBJECTIVE OPTIMIZATION
Summer School | May-2017 CEPT University, Ahmedabad Softwares Used: Rhino, Grasshopper, Ecotect Taught by Joy Mondal
This course used parametric tools as an aid in design decision making by looking at facade design as a complex inter-relationship of intrinsic and extrinsic parameters. Based on the variables, options were explored (as many as mathematically possible), by automating the process of iterations. These options were simultaneously exported to an environment analysis tool from where the result based on one or more modules of optimization (solar gain, daylight, glare, view, etc.) was imported back into the parent software and stored against the option number. The best option(s) was then selected based on the sorting of the result.
Model of the facade guided by two points and a spline.
Once a pattern is derived, it is offset inside with a value calculated from the desired window to wall ratio. Three kinds of offsets are used -simple offset, offset guided by 2 points, and offset guided by two curves.
Since the process is intuitive, around 200 unique patterns in total are conceived. However, around 40% of these are selfintersecting and unsuitable for facade design. Further 40% are isotopes to each other. Around 20% of the patterns are unique and usable, out of which 20 are selected.
Each pattern may have eight isotopes by varying the orientation of the two sets of curves while keeping the mutual configuration same. For each kind of offset, three facade designs are conceived corresponding to a window to wall ratio of 0.20, 0.40 and 0.60.
It is noted that 2 points and two curves guided offsets lose their gradient nature when the window to wall ratio approaches 0.60.
Honors:
‘Strongest Infinity’, Global Indian National War Memorial Design Competition, Ministry of Defense, India Finalists and Proposal published in Festival of Architecture and Interior Design, Coffee Table Book, 2017 ‘Pause’, Public Furniture Design, Nerolac-Breathing City India Competition Shortlisted Entry for the World Build India Exhibition in Mumbai, 2017
Experience:
Entry for Science Center and Planetarium Design Competition at Vijayapura (KSTEPS), 2018 Entry for National War Museum Competition at New Delhi, 2017
Workshops:
‘Climate Responsive Design - Automated Multi-Objective Optimization of Facades’, Summer School at CEPT, Ahmedabad, 2017 Attended hands-on training on Compressed Stabilized Earth Blocks production and masonry in Kerala, 2013
SURYAKIRAN JP Architect
Work:
Kumar Consultants, Bangalore (2016-2018) | Junior Architect
Education:
Faculty Of Architecture, Manipal University, India | Bachelor of Architecture
Softwares:
AutoCAD, Revit Architecture, Rhino 3D, Grasshopper, Adobe Photoshop, Indesign, Illustrator, Vray
Tests:
IELTS: 7.5
GRE: Q:156 V:154
AW:4