PORTFOLIO ARCHITECTURE DESIGN SU GU B.ENVS.UNIVERSITY OF MELBOUNRE
EDUCATION 2017.01-2017.02 UNIVERSITY OF STUTTGART Winter Exchange Program 2016.03-2018.12 UNIVERSITY OF MELBOURNE Bachelor of Environment major in Architecture 2015.01-2015.11 TAYLOR’S COLLEGE (UNIVERSITY OF SYDNEY) Foundation of Design (Science Stream)
WORK 2017.11-2018.01 HUASEN ARCHITECTURE & ENGINEERING DESIGNING CONSULTANTS LTD. Full-time internship
VOLUNTEER 2018.07-
CO-GROUND CAFE Cafe assistance/ Barista
2018.07-2018.07 OPEN HOUSE MELBOURNE Tour guide in Building 41x 2017.08-2017.09 MELBOURNE WRITERS’ FESTIVAL Venue support
SU GU E: gusue114@student.unimelb.edu.au P: +61 453668113 Issuu: https://issuu.com/suuuuuuuuuuu
OTHERS 2017.04
“RUN FOR KIDS“ MELBOURNE MARATHON Completed in 1: 42 : 30
2016.10-2016.10 INTERNALTIONAL CONFERENCE ON GREEN BUILDINGS, CIVIL AND ARCHITECTURE ENGINEERING Stony Creek Recreation (published in booklet ISBN:978-93-84468-74-3) 2015.10
NEW SOUTH WALES GOVERNMENT 2015 NSW International Studnet of the Year Award Finalists (Schools category)
2015.05-2015.05 ROTARY DISTICT 9876 MODEL UNITED NATION Rewarded as “Highly Recommanded Speaker”
SKILLS RHINO/AUTOCAD
ILLUSTRATOR/GRASSHOPPER
INDESIGN/PHOTOSHOP
MODEL MAKING
LANGUAGE MANDERAIN (NATIVE SPEAKER) ENGLISH GERMAN
CONTENTS
01. A PLACE FOR KEEPING SECRETE
02. STUDLY PARK BOAT HOUSE
03. NESTING
04.A u Rcadia
05.OTHER WORK
A
01. A PLACE FOR KEEPING SECRETE PREVIOUS STUDIES
The brief is about deign a pavilion to keep secrets on Herring island, Melbourne. Responding to the unique environment in Herring island, the overall design is about the journeys of nding and experiencing. This project is intended to create an “approachable” yet somehow “unattainable” feeling when people try to hide their secretes from the others. The true secret can only be found by a few. Unique special qualities create intangible and changeable secrete spaces, which could be depicted and perceived differently through lights and shadows.
Point/Line/Plane
Mass
Frame & In ll
Repetitive geometry and lights and shadows are the strongest tectonics that I developed from my previous studies. Therefore, deriving from these studies, my nal deisgn was formed by the similar language.
She called me evil Trying to hide me as deep as possible; She called me angle Lighting her re as bright like I am impossible She said I am treacherous Atracting endless admirers; She said I am loyal Being faithful to her than no one else
Lights and Shadows
She frowned Complaining that there are too many ways for people To get closer to me
A
GEOMETRY
But then she smiled As there are only a few Only the few can actually see Me, as the way a secret should be. Su Gu 05/25/2017 Northern & Southern Entries
Highest conservation area Nature recreation in Herring Island Adjacent Parkland Constructed Artwork & Sculpture Proposed Area
Section A-A
Northern & Southern Entries
Western & Easten Entries
Northern & Southern Entries Western & Easten Entries
Northern & Southern Entries Western & Easten Entries Roof & Toilet & Sequences of Walls
Roof & Toilet & Sequences of Walls
Underground
North Elevatoin
South Elevatoin
East Elevatoin
West Elevatoin
3
1
2
Final Model
Perspective 1(Western Entry) The Western Entry is desinged to t two people at each time. In this entry, people will get to experience the opticle illusion mainly. Perspective 3 (Underground) The underground space can only be entered from northern entry. Changable lighitng during the day will provide this space unique experiences. It is different any time people visit.
Perspective 2 (Southern Entry) This entry can only t one prson at each time. A beam of lights will be introduced in this space from the top.
LIgthting effects on Western Entry
The form of my pavillion are designed to spreadi out the whole site while invading to the underground. The whole projects connect the earth tightly with verticle relationships among above ground, on the ground and underground. People can entry the centre of upperground from four directions with distinct spacial experience(“various ways to get to close to a secret”). However, only the northern entrance will actually lead to the underground(“only a few can actaully see”). People will have to wonder around to nd the entrance to the underground world, although the steps to the “secret” place is identible from all directions.
Final Model
02. STUDLY PARK BOAT HOUSE CONCEPT DIAGRAMS
The proposed project is a replacement of the current boathouse located at Studley park, along the Yarra bend. Formal dining Restaurant, café, kiosk and boathouse are also included in the brief intended to create a recreational space in the park. This site embraces rich landscape with abundant vegetation and animals, while the existing boathouse is isolated from the signi cant landscape. In order to improve this situation, a concept of “blurry the boundary between architecture and nature” is promoted. The majority of new proposed boathouse is buried under the ground. No striking outline will be identi ed as it is surrounded by landscape and “grows” from the earth. Variuos types of openings are designed to bring different lighting effects in spaces, creating interesting changeable atmospheres.
PARTI DIAGRAM
GEOMETRY
Blury the Boundary
Introducing natural nature
Introducing lighting
Walking in the underground corridor
Central couryard
B A
A
B
CIRCULATION
1. Cafe/Courtyard 2. Boathouse Storage 3. Boathouse Workshop 4. Toilet/Shower 5. Kitchen for Cafe 6. Hire Counter/Of ce 7. Underground Corridor 8. Restaurant
North Elevation
Section A-A
Section B-B
To further richen the way visitors experience nature, circulations are designed to suggest people exploring from the hill, to the earth then ultimately touch the water. Different types of nature including natural nature and constructed nature are highlighted in various spaces to creae distinct moments. Open courtyard in the center and void slits on the walls are designed, expecting people physically feel the actual wind and even rain of the nature.
03. NESTING
The design brief is to propose a new order, façade and column design for Northcote Townhall, the arts and community centre in Merri Creek area. Driven inspiration from behaviours studies of the local ora (Common Everlasting Daisy) and fauna (Flame Robin) of Merri Creek, a new order is designed by us: nesting---when vigorous ame robin gathering and nesting around the burt bushes and nally calling it home. This order was given a new meaning that tightly connected with Merri Creek and its surroundings, becoming a resident who “grows” from Merri Creek rather than a foreigner. The whole design process of the project is a “form- nding” process through algorithm iterations and physical prototypes, based on parametric modelling and scripting.
COLUMN DEVELOPMENT
The order consists of two seperate but inherently associated layers : 1) Generating (Chrysocephalum apiculatum or Common Everlasting Daisy) • stems rapidly when touching the ground • seeds are widely distributed • can be easily burt by re
The Column, is created as a nal realization of the “Nesting“ concept. Not like the seperated layers of the facade which overlapping each other in a obvious way, the column merged two behaviours, two layers in a more subtle manner. The “birds” and thier “nests” eventually became a uni ed intergration.
Base curve: the starting base where nests are generated form
2) Nesting (Flame Robin) • agonistic displays: a breast-puf ng display where it puffs its breast feathers to defend their territory. • become more abundant in area where burt by bush res
Emerged
COLUMN ITERATIONS
Common Everlasting Dairy
Aesthetics Relevancy Opportunity Flame Robin
Constructability
Natural system
The nal form was a balance between complexity and fabrication. Its dense discrete lines create clean geometries (rectangles or squares). Apart from aesthetic consideration, the most important selection criteria of this stage is its constructability. It is surprising that the algorithm nds its main structure by its own. There are dense and repeated polylines and geometry run through the column which can be identi ed as the structure. Then the other ne geometries and lines are regarded as the substructure which hold no weights from one another. This form was regarded as a better developed one as it is continuous grown from bottom to the top without any broken or slim sections like the others. This is fairly important as the structure can fail without a strong core. However, the nal form was also just a selection from the existing iterations that we had at the design stage. We are aware that these dense ne geometries will become a challenge for fabrication. Future development through evaluations and simpli cation will be taken.
Northcote Townhall
FACADE DEVELOPMENT
A new world
Randomly picked up the locations of the seeds
Increasing the number of seeds(widly spreading)
Positive spaces to explore
Gathering near area burt by bushfire
Grwoing
Seeds grow and generate at nodes
Some areas are burt by bushfires
Defining the territory
Nesting
FINAL COLUMN DESIGN
Column capital
Column Elelvation
3D PRINTING CONNECTION DESIGN Simple small connections joining elements from 8 directions to accomadate different locations. Intersection angles are designed to be 45 degrees joining the discrete geometry in design.
With the idea of constructing various types of models of different scales by simple repeatitive elements, connections which are 3d printed are also designed and tested to generate a strong, rm and seamless performance. 10.4 mm (Radius of circular hollow section: 3.2 mm)
Direction 1
Direction 1 + Direction 2
Direction 1 + Direction 2 + Direction 3
Direction 1 + Direction 2 + Direction 3 + Direction 4
3D PRINTING CONNECTION DESIGN
After experiments and prototyping, all major componants of nal model are selected. The nal model was nalizied through three stages which was gradualy re ned through density increasing and colour spraying. The model is spayed to be black for aethetic and structural propurse: to hide unclean nishes and strenghthen the cotton string. Some problems also occured while assemblying, including inappropriate colour using for cotton strings. This could be rstly test during prototyping stage. Except from these, the whole fabrication process at this stage is fairly quick and smooth. Single connection
Slotting Balsa sticks into connections
Joinning
Assemblying
FINAL FACADE DESIGN
SOUTH ELEVATION
EAST ELEVATION
04.A u Rcadia ISSUES 1. The Site: • Lack of Greenery (dose not t into the surrounding temperament in Parkville) (Below left)
The design brief is to create a new learning complex, a sports centre and a general admin for University High School, which was located at the intersection of Royal Parade and Story street, Parkville. “AuRCADIA” is a reinterpretation of the word “Arcadia”, which used to describe a poetic shaped space associated with bountiful natural splendor and harmony. My project, similarly, aims to design a space which is harmonious with the nature. Moreover, the world “AUR” equals to “OUR”, creating a sense of belonging to the project. Based on the site analysis, talks with the users and learning theory (constructivism), “AuRcadia” is designed to be “an environment which stimulates active learning through exploring and discovering, being away from busy and noisy city-life, yet with high interaction with nature”.
Vegetation
Existing Bridges
Commerial Buildings with Limited Greenary
•
Existing circulations of buildings are not suf cient. (The only connection bridge between two buildings for VCE students are poorly designed. )(Abobe right)
SIte Plan
2. The users: • Love open area and Nature • Wish to access different buildings and areas on campus easily with good circulations
LEARNING THEORY •
•
Constructivism: learning with creating meaning from experience and exploring (informal learning areas) Student-centred active learning (formal learning areas)
Traditional teacher-centred classroom
Proposed student-centred classroom Teacher Student
STRATEGIES 1. Interaction with Nature: • Introducing great amount of vegetations (“Forrest-like site”, “secrete garden”, Green roof& wall ); •
Promoting Various levels of interaction with nature
1. Framing
2. Forrest-like landscape
3. Seatings
4. Hammock
2. Learning Through Exploring • Connecting the old and new proposed building blocks • •
Promote ef cient / diverse circulations and spaces for exploration in the new building blocks. Apply common study area as the Centre
1. Exploration
3. Underground/on the ground/ above ground
A. EASTERN CENTRAL ATRIUM
3. “Danial and Rewards“
B. ENTRANCE
FORM FINDING
C. WESTERN CENTRAL ATRIUM
1. Responding to the urban context by extending urban grids from Story street & Royal parade.
3. Interaction with the site: Sports centre and general admin are shared with the public; Learning complex are connectd with existing learning functions
2.Keep the existing vegetations; Introducing vegetations to the site, positioning greenaries according to the grids.
4. Layering buildings on the top of vegetations. The anl form is shaped according to the trees planted. The locations of the trees are also adjusted according to the buildings and open space. 5. Circulation bridges connecting the old & new buildgins blocks, enhancing the circulations within old complex. D. CONNECTING BRIDGE
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GROUND FLOOR 1. Sitting area 2. Female/Male Changing room 3. Toilets 4. Medical room 5. Aerobics Fitness Studio/Gym &Weights Room. 6. Storage Room 7. Staff of ce 8.Table tennis & rest area 9 . Classroom 10. Staff Of ce 11. Garden area 12. Reception 13. Cafe/Parent waiting area 14. Cafe kitchen 15. Outdoor sports area 16. Lockers 17. Outdoor seating area 18. Bike storage
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STADIUM BASEMENT
SECTION B-B
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19. Fire escape 20. Common learning area 21. Hammock 22. Small meeting room 23. Of ce 24. Staff Meeting Room 25. Staff Prep & Storage 26. Parent Meeting Area 27. Cleaners
28. Staff Prep& storage 29. Senior common room 30. Roof garden
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SECOND FLOOR
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FIRST FLOOR
SECTION A-A
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05.OTHER WORK CONSTRUCTION DESIGN 2018/SEMESTER 1/INDIVIDUAL WORK
PAINTING/KNOWING/SENSORY
DIGITAL DESIGN AND FABRICATION
2018/SEMESTER 2 / INDIVIDUAL WORK
2017/SEMESTER 1 / GROUP WORK
https://issuu.com/suuuuuuuuuuu/docs/painting_portfolio https://issuu.com/suuuuuuuuuuu/docs/su_gu_815638_drawing_folio.2
https://issuu.com/suuuuuuuuuuu/docs/su_gu_815638_ddf_m4_matt_mon_4_15pm
LOGO DESIGN FOR AVESTIC
INDIVIDUAL ART WORK
2018/INDIVIDUAL WORK
2016/INDIVIDUAL WORK