Sadler’s Wells Theatre & Lilian Baylis Studio Rosebery Avenue London EC1R 4TN 0844 871 0090
The Peacock
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Portugal Street London WC2A 2HT 0844 871 0091 Holborn, Temple
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Autumn 2015
Sadler’s Wells is
Sadler’s Wells Trust Ltd is a registered charity 279884
Sadler’s Wells is a world-leading dance house, presenting a vibrant yearround programme of dance of every kind – from tango to hip hop, ballet, flamenco, Bollywood and cutting-edge contemporary dance. It commissions and produces original work for its stages and tours productions to major cultural venues around the world, as well as bringing the best of British and international dance to large audiences at its three theatres in London. Sadler’s Wells’ aim is to champion the public’s enjoyment and understanding of dance, while at the same time developing the art form by supporting artists and the creation of exciting new work. Sadler’s Wells Associate Artists BalletBoyz® / Matthew Bourne / Sidi Larbi Cherkaoui / Jonzi D / Sylvie Guillem Michael Hulls / Michael Keegan-Dolan / Akram Khan / Russell Maliphant Wayne McGregor / Crystal Pite / Kate Prince / Nitin Sawhney / Hofesh Shechter Jasmin Vardimon / Christopher Wheeldon Resident Companies New Adventures / Russell Maliphant Company Studio Wayne McGregor / ZooNation Dance Company Associate Company English National Ballet New Wave Associates Wilkie Branson / Hetain Patel / Alexander Whitley
Save 20% when you book two or more shows at the same time Available on all shows displaying this symbol. Discount is automatically added in your online basket. Terms and conditions apply: sadlerswells.com/save
Family Friendly Performances with this symbol are suitable for most ages. Age guidance is given for some shows where relevant.
A message from Alistair Spalding
Photo: Hugo Glendinning
Welcome to the new season at Sadler’s Wells – Autumn 2015
Dance has a long tradition of collaboration with other art forms. While the Ballet Russes represents perhaps the most famous example of the creative coming together of performers, choreographers and artists in the history of dance, every contemporary dance performance is, almost invariably, the product of cross-pollination of ideas between dance artists and creatives from the world of music, design, literature and the visual arts. At Sadler’s Wells, it is an exciting and integral part of our role to actively encourage and support ground-breaking partnerships between dance makers and artists from other fields. For our Autumn 2015 season, I invited fashion designer Hussein Chalayan to take the artistic lead on the choreographic process in his first dance production, for which he worked with choreographer Damien Jalet. Gravity Fatigue deals with issues of identity, transition and displacement, conveyed through images and narratives steeped in Chalayan’s distinctive aesthetic vision. We celebrate the inspired, 20-year collaboration of choreographer Russell Maliphant and lighting designer Michael Hulls with Conceal | Reveal, a new programme including their acclaimed Broken Fall and two new works. We welcome the much-awaited UK premiere of Hofesh Shechter’s trilogy barbarians, including barbarians in love, the work we presented last season as part of an evening of our Associate Artists’ work. After its incredibly successful debut in the spring, Associate Company English National Ballet returns for its autumn run on our stage with award-winning mixed bill Lest We Forget, including choreography by Sadler’s Wells’ Associate Artists Maliphant and Akram Khan. We also go off-site as part of our continuing relationship with the Roundhouse, where Khan debuts his brand-new work for round venues Until the Lions. Finally, Christmas at Sadler’s Wells would not be the same without Matthew Bourne, who brings back to our stage his Gothic fairy tale-version of Sleeping Beauty.
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Front cover photo: barbarians by Hofesh Shechter Company. Part of #HOFEST. Photo by Jake Walters
Alistair Spalding CBE Chief Executive and Artistic Director
London Coliseum
Autumn 2015 Calendar 8 - 11 July Dutch National Ballet (London Coliseum)
2 & 3 October Sébastien Ramirez & Honji Wang
14 July - 9 August Matthew Bourne’s The Car Man
5 & 6 October Caroline Bowditch
23 & 24 July Shubbak 4 & 5 September National Youth Dance Company
5 - 10 October BalletBoyz 7 & 8 October Hofesh Shechter Company (O2 Academy Brixton)
8 - 12 September English National Ballet
9 October Robin Dingemans & Nick Bryson
15 - 26 September Les Ballets Trockadero de Monte Carlo
13 - 17 October Birmingham Royal Ballet
18 - 25 September Hofesh Shechter Company 24 September Wild Card: Botis Seva 28 & 29 September Sidi Larbi Cherkaoui 29 September 17 October Shaolin Monks 1 & 2 October Jefta van Dinther (Platform Theatre)
Sadler’s Wells Theatre
16 & 17 October Claire Cunningham 19 & 20 October La Veronal
3 - 7 November Rambert 11 - 13 November Sasha Waltz & Guests 16 & 17 November Christian Rizzo 25 November - 3 January The Snowman 26 & 27 November Nora 26 - 28 November Russell Maliphant Company 1 December 24 January Matthew Bourne’s Sleeping Beauty 3 December Wild Card: Leila McMillan
23 & 24 October Tiger Tale
12 December 3 January The Little Match Girl
23 October 14 November ZooNation Dance Company 28 - 31 October Hussein Chalayan
Lilian Baylis Studio
30 & 31 October Chotto Desh
The Peacock
9 - 24 January Akram Khan Company (Roundhouse)
Off-site
“A triumph of storytelling and stage design firmly in touch with the 21st century” Financial Times
Dutch National Ballet Christopher Wheeldon’s Cinderella UK PREMIERE Wednesday 8 - Saturday 11 July Dutch National Ballet presents a brand new interpretation of Cinderella, choreographed by Sadler’s Wells Associate Artist Christopher Wheeldon. Premiered by Dutch National Ballet at Dutch National Opera & Ballet in December 2012 to a rapturous reception from ballet fans and critics alike, this will be the first time Dutch National Ballet has performed Cinderella on stage outside the Netherlands.
Performance Times & Prices Wed - Sat at 7.30pm Sat & Thu Mat at 2pm £10 - £80
Influenced by the Brothers Grimm story of Cinderella, Wheeldon has created an enchanting ballet set to Prokofiev’s magnificent score – performed live by Royal Ballet Sinfonia – with stunning sets and costumes by British designer Julian Crouch. Wheeldon is one of the most sought-after choreographers in the dance world today. His Cinderella shows a kind-hearted heroine making the best of life without her beloved mother, while over at the Palace Prince Guillaume is struggling against the restrictions of royal protocol and princely duty. Elaborating on the traditional narrative with a fleshed out backstory for the lead characters, the ballet is choreographed with lyricism, elegance and wit to create a truly entertaining spectacle.
Photo of Maia Makhatheli by Petrovsky & Ramone
Lilian Baylis Studio
Sadler’s Wells Theatre
“Glamorous, sexy, funny and dangerous. A triumph!”
“An abstract and minimal dance, but sensual and extremely captivating”
Evening Standard
Le Figaro
Shubbak Into the Night: three works by Nacera Belaza
New Adventures Matthew Bourne’s The Car Man Tuesday 14 July - Sunday 9 August Matthew Bourne’s internationally acclaimed award-winning dance thriller is back. The Car Man is loosely based on Bizet’s popular opera and has one of the most thrilling and instantly recognisable scores in New Adventures’ repertoire. The familiar 19th Century Spanish cigarette factory becomes a greasy garage-diner in 1960s America where the dreams and passions of a small town are shattered by the arrival of a handsome stranger. Fuelled by heat and desire, the inhabitants are driven into an unstoppable spiral of greed, lust, betrayal and revenge.
Performance Time & Prices Tue - Sun at 7.30pm Sat & Sun Mats at 2.30pm £12 - £55 Audio-described performance: Sat 8 Aug at 2.30pm Touch Tour at 1pm Age Guidance 12+
Thursday 23 & Friday 24 July This evening invites audiences to immerse themselves in the evocative world of Algerian choreographer Nacera Belaza, who returns to London in a partnership with Shubbak, the UK’s premier festival of contemporary Arab culture.
Performance Times & Prices Thu & Fri at 8pm £17
Composed of three recent works, Les Oiseaux, La Nuit and La Traversée, this programme offers a chance to witness physical ideas unfold over a longer encounter. Central to Belaza’s last 20 years of investigation is the search for freedom conveyed by a distinctive form of meditative minimalism, creating a thousand images without ever singling one out. Her company, based in France, is critically acclaimed and she is known for the exacting discipline she puts her dancers through. Seen in the flickering half-light, the dancers including Belaza in the solo La Nuit, create poetry in motion, combining Sufi-inspired sensuality with an acute sense of the now.
Featuring Lez Brotherston’s epic design and Matthew Bourne’s vivid storytelling with music by Terry Davies and Rodion Shchedrin’s Carmen Suite (after Bizet’s Carmen), The Car Man is another spectacular production from the UK’s most popular dance theatre company.
“The Car Man is a superbly balanced, eye-grabbing combination of first rate choreography, effectively constructed drama and sheer entertainment” The Spectator
“Belaza starts with the intimate and asks about spirituality before dealing with form” Libération
Photo: Bill Cooper
Photo: Antonin Pons Braley
Sadler’s Wells Theatre
National Youth Dance Company & Guests Apex Rising
Sidi Larbi Cherkaoui – Yabin Studio / Eastman Genesis ⽣长
Friday 4 & Saturday 5 September
Monday 28 & Tuesday 29 September
UK PREMIERE
Apex Rising is a new annual festival presenting highlights of the most innovative and exciting dance being performed and created by young dancers today. This festival is comprised of two contrasting programmes that capture the power young dancers have in shaping the future of dance.
Performance Times & Prices Programme A Fri at 7.30pm Programme B Sat at 7.30pm £12 (£6 concs)*
Programme A features the work of world leading choreographers Jasmin Vardimon, Akram Khan and Sidi Larbi Cherkaoui; the vibrant and powerful National Youth Dance Company perform a panorama of their repertoire from the last three years. Programme B will be a surprising evening with a confluence of styles and energy featuring influential work from the National Youth Dance Companies of England, Scotland and Wales, complimented by repertoire from international guests.
Under 5s admitted *Concessions available for Access members, students, under 18s and over 60s
Sadler’s Wells Associate Artist Sidi Larbi Cherkaoui’s acclaimed company Eastman present Genesis – a show about the origins of things, commissioned by Yabin Studio.
Performance Times & Prices Mon & Tue at 7.30pm £12 - £38 Sadler’s Wells Patrons’ Event: Mon
Created by Cherkaoui and Chinese dance artist Yabin Wang, known for her incredible dancing in the Echo Games sequence of the feature film House of Flying Daggers, Genesis is about life and death and the constant testing and estrangement from nature that happens in between. Set to live music with roots in Africa, India, Japan, China and Poland, Genesis translates philosophical ideas about life, the pressures imposed on us by our society to perform and conform, into beautiful sequences of movement in which east and west, life and death, come together.
Photos: Tony Nandi & Peter Teigen Photo: Koen Broos
Sadler’s Wells Theatre
O2 Academy Brixton
Hofesh Shechter Company barbarians
Hofesh Shechter Company Political Mother: The Choreographer’s Cut
Friday 18 - Friday 25 September Hofesh Shechter’s brand new evening, featuring the worldclass dancers of his internationally celebrated company, brings together the barbarians trilogy in the UK for the first time.
Performance Times & Prices Fri, Mon, Tue & Thu at 7.30pm £12 - £29 Free post-show talk: Mon
For this evening Shechter presents a sparse world for three wildly different takes on intimacy, passion and the banality of love.
Sadler’s Wells Patrons’ Event: Fri 18 Contains nudity
Revealing his choreography at its most elegant and intimate, the highly acclaimed and perturbing the barbarians in love opens the evening. Trembling with emotion residing within order, an ecclesiastic baroque score accompanies a truly contemporary confession. What follows, as two more new works unfold, is a volatile explosion of dubstep grooves for an almost urban choreography and a quirky duet which together complete an evening showcasing the singular and wry voice of their creator and the versatility and talent of his individual dancers.
Wednesday 7 & Thursday 8 October Hofesh Shechter’s Political Mother was declared an ‘audio visual marvel’ after its premiere in 2010. Shechter revamped and reworked it into a bigger, louder work for 40 dancers and musicians and it is this version, Political Mother: The Choreographer’s Cut, which the company now presents at O2 Academy Brixton for the first time.
Performance Times & Prices Wed & Thu, Doors 7pm Please see sadlerswells.com for prices
Bringing the atmosphere of a rock gig, and brimming with gritty and emotional complexity, this extraordinary dance work is an experience like no other. The piece will be performed with a live band of guitarists, drummers and strings alongside the dancers of Hofesh Shechter Company in one of London’s most iconic music venues.
“Effortlessly hip, endlessly energetic, exhilarating, sexy and loud enough to burst your ear drums” Daily Telegraph
“Superb stuff: juicy, nervy ensembles and a wittily unsettling commentary” The Guardian (on barbarians in love) Photo: Jake Walters Photo: Tom Medwell
Sadler’s Wells Theatre
Les Ballets Trockadero de Monte Carlo
English National Ballet Lest We Forget Tuesday 8 - Saturday 12 September After captivating audiences and astounding critics at its premiere last year, English National Ballet’s ground-breaking Lest We Forget returns. Featuring works by three of the most sought-after choreographers working today – Liam Scarlett, Russell Maliphant and Akram Khan – the programme is full of unforgettable and haunting images, expressing the experiences of those who fought in World War I, and those who stayed behind.
Performance Times & Prices Tue - Sat at 7.30pm Thu & Sat at 2.30pm £12 - £45 Sadler's Wells Patrons' Event: Tue
Tuesday 15 - Saturday 26 September The fabulous, scene-stealing Les Ballets Trockadero de Monte Carlo (‘The Trocks’ to their friends), storm back into London… in size 12 pointe shoes. Hurtling through the classical ballet repertoire with skill, grace and a wit as sharp as scissors en pointe, The Trocks have been a global phenomenon since they formed in New York in 1974. Dancers, including Ida Nevasyneva and Olga Supphozova, present two programmes which effortlessly display their startling technical prowess and their no-less extraordinary make-up skills. Programme One features Swan Lake (Act II), Pas de deux, Paquita and Esmeralda. Programme Two includes Merce Cunninghaminspired Patterns in Space, Go For Barocco, a satire on Balanchine’s choreography, Les Sylphides and Don Quixote.
Through emotional pas de deux set to a score by Liszt, Scarlett’s No Man’s Land evokes the entwined destinies of the women working in munition factories at home, and the men fighting in the trenches. 20 dancers tilt and sway, rising and falling in semidarkness in Russell Maliphant’s Second Breath, set to recordings of survivors and a live orchestra. Winner of Best Modern Choreography at the 2014 Critics’ Circle National Dance Awards, Akram Khan’s Dust, with incredible dancing, a pounding soundtrack and atmospheric lighting, grabs you from the start and does not let go.
Performance Times & Prices Programme One Tuesday 15 - Sunday 20 Tue - Sat at 7.30pm Sat & Sun at 2.30pm Programme Two Tuesday 22 – Saturday 26 Tue - Sat at 7.30pm Sat at 2.30pm £15 - £38
Dance Consortium presents
The Trocks combine a genuine love of ballet with parody and preening in their laugh-a-minute shows that will delight both The Trocks initiated and ballet novices.
“Highbrow hilarity from New York’s marvellous all-male ballerinas. Priceless” Sunday Telegraph
“A remarkable evening” The Times Photo: Photography by ASH
Photo: Zoran Jelanic
Platform Theatre
Sadler’s Wells Theatre
Jefta van Dinther As It Empties Out
BalletBoyz Young Men UK PREMIERE
Thursday 1 & Friday 2 October Swedish choreographer and dancer Jefta van Dinther has been attracting growing attention internationally with his striking world of sensorial illusions and bodies compelled to move. His recent work, the provocative Plateau Effect for Cullberg Ballet, was presented as part of the Northern Light season in 2014. He returns with another ambitious project, co-commissioned by Sadler’s Wells, presented in partnership with Platform Theatre at Central Saint Martins.
Performance Times & Prices Thu & Fri at 8pm £17 Free post-show talk: Thu
As It Empties Out plays with scale, dimension and time in order to dislodge the senses and create an uncanny, beguiling world. The dancers exude energy and emotion, repeatedly vanishing and dissolving into a space that lacks boundaries, coaxing the audience to go deeper and forget where they are.
Monday 5 - Saturday 10 October Following a hugely successful sell-out run at Sadler’s Wells in January, BalletBoyz return with Young Men.
Performance Times & Prices Mon – Sat at 7.30pm £12 - £38
In an intensely moving portrayal of love, friendship, loss and survival, Young Men explores the theme of war and the bonds that develop between the men consumed by it. Drawing inspiration from images of conflict through the ages, the production is a compelling hybrid of dance, theatre and screen performance from the ever-inventive BalletBoyz and their all male dance company theTALENT. Young Men is choreographed by rising star Iván Pérez (Nederlands Dans Theater I and II, Ballet Moscow, and the National Ballet of Cuba) and features a commissioned original score from the cult singer songwriter Keaton Henson (albums Dear… and Birthdays).
Van Dinther creates sophisticated environments of light, sound and voice, using heavy electronic soundscapes that offer the audience powerful physical experiences. For this piece, he returns to long term collaborators: lighting designer Minna Tiikkainen, sound designer David Kiers and the set design duo SIMKA.
Featuring the ten award-winning dancers of theTALENT and live music, Young Men is a co-production with Sadler’s Wells and WW1 Centenary Arts Commissions, 14-18 NOW.
“Uncompromising and ruthlessly good” Der Standard Photo: Eva Wurdinger
Photo: Hugo Glendinning
Lilian Baylis Studio
Sadler’s Wells Theatre
Wild Card Botis Seva: InNoForm
Sébastien Ramirez & Honji Wang Breakin' Convention presents Borderline
Thursday 24 September The increasingly popular Wild Card series returns with more specially curated evenings from a new generation of dance makers bringing fresh perspectives to the stage. Hip hop dancer and choreographer Botis Seva is an artist with something to say. He has made performance pieces across theatre, film and local community work with his company Far From The Norm since 2010. He is concerned with tackling social and political issues often provoking a strong audience response. Using different physical foundations to create hip hop theatre with a contemporary sensibility, he has performed at Breakin’ Convention and other international showcases.
Performance Times & Prices Thu at 8pm £17 Pre-show activities from 7pm. Extra content to be announced. See website for details. Free post-show talk
Friday 2 & Saturday 3 October Sébastien Ramirez is a choreographer and dancer known for the finesse of his dance style, working with dancers from different cultural and choreographic backgrounds. Honji Wang is a choreographer and dancer born and raised in Germany by Korean parents, whose style is rooted in hip hop dance with influences of martial arts and ballet. Their choreographic language is often qualified as urban Tanztheater and has won them many accolades including the Outstanding Performers Award at the Bessies for their appearance at Breakin' Convention at the Apollo Theater, New York.
Performance Times & Prices Fri & Sat Doors at 6.30pm Show at 7.30pm £12 - £27
Borderline, a choreography for six performers, features not only bboying but elements of contemporary dance and a subtle use of rigging to create a fluid and energetic exploration of what defines people as individuals, and what ties them together as a group. Using lengths of rope and elastic, the performers unfurl themes of constraint, freedom and manipulation.
For his Wild Card, Seva curates a rebellious evening that reveals hip hop theatre in a new light, bringing us an immersive experience that invites the audience to question the commercialised products we have become entrenched in. Expect rude awakenings and uncensored delivery from his company Far From The Norm and special guests. Presented in partnership with Breakin’ Convention.
“Dazzling and profound” Le Monde
Photo: Camilla Greenwell
Photo: Agathe Poupeney
Sadler’s Wells Theatre
Birmingham Royal Ballet Swan Lake / Triple Bill
Shaolin Monks SHAOLIN Tuesday 29 September - Saturday 17 October The ultimate Shaolin Kung Fu masters return to the UK for the first time in seven years with a brand new show, jam-packed with incredible feats of strength and skill to delight the whole family.
Performance Times & Prices Tue - Sat at 7.30pm Sat at 2.30pm Sun at 2pm and 6.30pm £15 - £38
Shaolin is the ultimate display of theatre and physical prowess. The 30 member cast perform incredible feats, combining traditional Shaolin Kung Fu, inch-perfect choreography and dramatic lighting and sound that evokes the spirit of their traditions in one stunning performance. Taking audiences on a journey through the mystical history of this ancient martial art and demonstrating the beautiful movements of Chi Gong with astonishing weapons and combat demonstrations, Shaolin is an authentic and awe-inspiring performance.
“The most spectacular piece of theatre on stage” The Times
Under 16s half-price
Tuesday 13 - Saturday 17 October Ballet’s greatest love story returns in Birmingham Royal Ballet’s lavish production of the timeless classic Swan Lake. This romantic fable of ill-fated passion, powerfully illuminated by Tchaikovsky’s legendary score, has bewitched audiences for generations. Filled with exquisite ensembles, lyrical pas de deux, and bravura solos, Swan Lake is atmospheric, romantic and beautiful. In the Triple Bill Director David Bintley’s newest work is The King Dances, which re-imagines the very beginnings of ballet, when men were quite literally, the kings of dance. Theme and Variations is a joyous ballet, with its thrilling Tchaikovsky music, it has delighted audiences all over the world. Enigma Variations was Elgar’s springboard to fame, containing such famous pieces as the majestic 'Nimrod'. The piece is a series of musical and balletic sketches with Elgar's friends and Ashton’s choreography giving new life to each character.
Performance Times & Prices Swan Lake Tue – Thu at 7.30pm Wed Mat at 2pm Triple Bill Fri & Sat at 7.30pm Sat Mat at 2.30pm £12 - £45 Wed Mat £12 - £35 Free pre-show talk: Sat at 6.30pm Open class Sat at 11.45am. £10 inc booking fee
“A splendid production” Daily Telegraph (on Swan Lake)
Photo: Bill Cooper
Lilian Baylis Studio
“An hour of remarkable beauty and joyful humanity” Herald Scotland
Robin Dingemans & Nick Bryson The Point At Which It Last Made Sense
Caroline Bowditch Falling in Love with Frida Monday 5 & Tuesday 6 October After a sell-out run and a Herald Angel Award at the 2014 Fringe, Caroline Bowditch presents Falling in Love with Frida, an intimate and enticing performance exploring the life, loves and legacy of painter Frida Kahlo (1907-1954). The work is a reclaiming of a disabled artist, a love like obsession, and an enquiry into how we shape what we are remembered for and how much we can really control others’ memories of us. It exposes many little-known facts about the infamous woman, remembered for her art. Where affinities and parallels are drawn, happy distractions are employed and a tale of ‘the great concealer’ is skilfully revealed by and through powerful yet fragile bodies. Following on from the success of the =dance strand, Sadler’s Wells continues its commitment to presenting dance by deaf and disabled dance artists.
Performance Times & Prices Mon & Tue at 8pm Tue at 3.30pm £17 (£8.50 concs)* *Concessions available for Access members, students, under 18s and over 60s Age Guidance 16+ (contains themes of an adult nature) Free post-show talk: All performances All performances and talks are BSL-interpreted.
Friday 9 October The Point At Which It Last Made Sense is a multi-iteration work that combines the skills and sensitivity of dancer and Paralympic athlete James O’Shea and the Netherlands-based dancer Rosa Vreeling. Using dance, sound and video, this collaboration between Robin Dingemans and Nick Bryson shows beauty in all its aspects, from the profound to the superficial and everything in between.
Performance Times & Prices Fri at 8pm £17 (£8.50 concs)* *Concessions available for Access members, students, under 18s and over 60s Free post-show talk (BSL-interpreted)
Through a series of extraordinary images and startling poses of a young couple lip-syncing to perfect advertising voices, the work fast-tracks the audience to a logical conclusion of the advertising industry. Following on from the success of the =dance strand, Sadler’s Wells continues its commitment to presenting dance by deaf and disabled dance artists.
Audio-described performance: Tue at 8pm Touch Tour at 6.30pm
Photo: Anthony Hopwood
Photo: Chris Nash
Lilian Baylis Studio
Sadler’s Wells Theatre
Claire Cunningham Give Me A Reason To Live
La Veronal Voronia UK PREMIERE
Friday 16 & Saturday 17 October Inspired by the work of Medieval Dutch painter Hieronymus Bosch, Give Me A Reason To Live is a powerful solo taking the form of a series of tests, both of body and of faith. With a sound score crafted by Zoë Irvine, Give Me A Reason To Live is performed and choreographed by Claire Cunningham and features her haunting singing of one of J.S. Bach’s chorale cantatas. This mesmerising piece is a statement on our judgement of the human body; a study in the notion of empathy.
Performance Times & Prices Fri & Sat at 8pm £17 Talking Amongst Ourselves post-show discussion: Sat (BSL-interpreted)
Monday 19 & Tuesday 20 October Marcos Morau, founder and choreographer for La Veronal, is undoubtedly one of the most intelligent dance makers to have emerged from Europe in recent years. His style is sophisticated, delightfully illogical and a joy to watch. This is choreography which will stretch your brain.
Performance Times & Prices Mon & Tue at 7.30pm £20 Talking Amongst Ourselves post-show discussion: Tue (BSL-interpreted)
Morau’s latest work, Voronia, is an exploration of evil, religion and the deepest cave in the world – ‘Krubera Voronia’ in the western Caucasus region of Georgia. The piece is filled with startling visual images which are almost immediately destroyed and replaced, constantly producing the unexpected.
This evening will also feature the work of an international artist new to the UK, see sadlerswells.com for latest details.
After studying choreography in Barcelona, Valencia and New York, Morau founded the collective La Veronal in 2005. He works with a group of artists from the world of dance, film, photography and literature and all those influences are clearly visible in this great company and Dance Umbrella is delighted to be presenting La Veronal’s first production at Sadler’s Wells as part of their 2015 festival.
####“Stark [and] brutal with her customary integrity and conviction” Herald (on Claire Cunningham)
Photo: Ben Nienhuis
Photo: Edu Perez
Lilian Baylis Studio
Akram Khan Company and MOKO Dance Chotto Desh
Barrowland Ballet Tiger Tale Friday 23 & Saturday 24 October Something wild is prowling. She can hear it through her bedroom walls, but her mum and dad seem stuck in the dull routine of their everyday lives. Until one day the wild breaks in and everything changes. When the tiger invades it’s chaotic, it’s dangerous but brilliantly funny as the tiger reignites the family’s love for one another. Following an international tour, the London premiere of Tiger Tale features live music, theatre and dance to create a moving, intimate performance of a family whose worlds are turned upside down when a tiger invades. With captivating dancers and live music this insightful story of family relationships offers the audience the chance to sit up close to the action, surrounding the performers on all four sides with the opportunity to explore the set at the end.
Performance Times & Prices Fri at 3pm Sat at 11am & 3pm Adults £12 Children £7
Friday 30 & Saturday 31 October Sadler’s Wells Associate Artist Akram Khan’s DESH was an instant hit with both audiences and critics alike when it was first performed on the main stage in 2011. Now, Akram Khan Company and Theatre-Rites director Sue Buckmaster have adapted this much-loved production for children aged 7+ and their families.
Adults £12 Children £7 Age Guidance 7+
Age Guidance 5+ on adult tickets
Performance Times & Prices Fri at 2pm & 5pm Sat at 11am
Chotto Desh, meaning ‘small homeland’, draws on Khan’s unique quality of cross-cultural storytelling, creating a compelling tale of a young man’s dreams and memories from Britain to Bangladesh. Using a magical mix of dance, text, visuals and sound, Chotto Desh celebrates the resilience of the human spirit in the modern world.
BSL-interpreted performance: Sat at 11am on adult tickets
Supported by Arts Council England, MOKO Dance is a national dance partnership dedicated to opening the eyes of children and their families to the power of dance. The performances will be accompanied by MOKO Dance workshops and foyer activities to be announced later. See the website for details.
#### “Tiger Tale is a magical dramatization. Go wild and catch it!” Edinburgh Guide
Photo: Brian Hartley
Photo: Richard Haughton, DESH
Sadler’s Wells Theatre
Hussein Chalayan Gravity Fatigue WORLD PREMIERE Wednesday 28 - Saturday 31 October Hussein Chalayan is an internationally renowned fashion designer and artist whose collections are known for innovative design, bold use of technology and elegant minimalism. He was named British Designer of the Year in 1999 and 2000 and has designed costumes for Sidi Larbi Cherkaoui’s Faun, Michael Clark’s current/SEE and Sasha Waltz & Guests’ Passion with Pascal Dusapin. In his practice as a visual artist his work is regularly shown in major galleries including Musée Des Arts Décoratifs at the Louvre, London Design Museum and National Museum of Modern Art in Tokyo.
Performance Times & Prices Wed - Sat at 7.30pm £12 - £38 Pre-show Director’s Conversation: Thu, 6 - 6.45pm £4
In his first theatrical work, Chalayan will combine the visual creativity of his designs and concepts with contemporary dance to bring to life a transformational imaginary world. Working with award-winning choreographer Damien Jalet (Babel), the production takes its inspiration from themes of identity and displacement and the disconnection we experience in public spaces at moments of transition.
“He is among the most respected creators of our time” The Independent
Photos: Chris Moore & Hussein Chalayan
Sadler’s Wells Theatre
Rambert Love, art & rock n roll Kim Brandstrup / Didy Veldman / Christopher Bruce
ZooNation Dance Company Into the Hoods: REMIXED Friday 23 October - Saturday 14 November Into the Hoods: REMIXED is the newly revamped version of the award-winning production that stormed the West End in 2008. Under the direction of Sadler’s Wells Associate Artist Kate Prince, the much-loved show returns to the stage with all the wit and charm of the original, updated for 2015 with new choreography, a remixed soundtrack and fresh designs.
Performance Times & Prices Tue - Sat at 7.30pm Sat at 2.30pm Sun at 2pm & 6pm No show on Wed 4 Nov £15 - £38 Under 16s half-price
Set in the ‘Ruff Endz Estate’, the story follows two lost school children who have been tasked to find an iPod touch as white as milk, trainers as pure as gold, a hoodie as red as blood and some weave as yellow as corn. Along the way, they meet DJ Spinderella, wannabe singer Lil Red, vivacious rapper Rap On Zel, budding music producer Jaxx and a whole world of surprises!
“The massively talented ZooNation are genuinely mesmerising. Standing ovation stuff” Metro These performances will go on sale on Monday 18 May.
Tuesday 3 - Saturday 7 November Britain’s national dance company brings dances about love, art and rock n roll to Sadler’s Wells. Two lovers meet by moonlight in Transfigured Night. We see their confrontation from the woman’s point of view, then from the man’s, revealing their hopes, fears and secrets. Created by double Olivier award-winning choreographer Kim Brandstrup, it is a cinematic love story told through virtuosic dancing to Schoenberg’s beautiful score. The 3 Dancers is based on one of Picasso’s greatest paintings, and the tragic love triangle that inspired it. Choreographer Didy Veldman and composer Elena Kats-Chernin bring to life Picasso’s vivid Cubist imagery and the themes of love, desire and doom which haunt his work. Topping the bill is your final chance to see Rooster, Christopher Bruce’s funny, thrilling smash hit about boys meeting girls in the swinging sixties. Sharp-dressed, snake-hipped men dance to impress strong, sassy women, to the pulsating rock n roll of the Rolling Stones’ most famous tunes.
Performance Times & Prices Tue - Sat at 7.30pm £12 - £40 Schools Mat: Thu at 1.30pm Insight Mat: Sat at 2.30pm Rooster / Transfigured Night, plus special introduction £8 - £20 Family ticket for matinees £40 (Four tickets inc. at least one child) Sign language interpreted show: Wed Free pre-show talks: with Artistic Director Mark Baldwin (BSL-interpreted) Wed at 6.30pm with Music Director Paul Hoskins Fri at 6.30pm
##### “Gorgeously danced” The Independent Photo: Hugo Glendinning
Sadler’s Wells Theatre
Christian Rizzo d’après une histoire vraie
Sasha Waltz & Guests Sacre UK PREMIERE Wednesday 11 - Friday 13 November Based in Berlin, Sasha Waltz & Guests are known for developing highly original choreographic musical theatre performances. They have collaborated with more than 250 artists and ensembles, from 25 countries on nearly 20 productions since being founded in 1993.
Performance Times & Prices Wed - Fri at 7.30pm £12 - £29 Contains nudity
To mark the hundredth anniversary of Stravinsky’s The Rite of Spring, Sasha Waltz premiered her own vision of the piece in 2013. The tension-charged and angular composition is characterised by a strong rhythm and a layering of constantly repeating musical motifs.
UK PREMIERE Monday 16 & Tuesday 17 November Christian Rizzo is a French choreographer, set designer, director and visual artist. This Autumn he presents the UK premiere of d’après une histoire vraie (Based on a true story). Though Rizzo is known for his thoughtful, introspective approach to choreography, d’après une histoire vraie breaks away from his established canon, stripping back his usually detailed set in favour of an explosive, expressive choreography for eight male dancers.
Performance Times & Prices Mon & Tue at 7.30pm £20
Rizzo takes inspiration from his memories of a folk dance performance at a festival in Istanbul in 2004. Rizzo stowed this away in his memory, and has created this piece using the feelings evoked by the masculine, Turkish folklore dancing. Channelling these emotions into d’après une histoire vraie, Rizzo explores dance as it relates to communities, and how movement ties individuals together.
Earlier large-scale pieces of Waltz' work, including her Medea (2007) and Continu (2010), lay the foundations for this new piece, and showcased elements of Waltz‘ research into rites and group dynamics, which now culminate in Sacre.
Initially concentrating on minimal, ritualistic movements, his cast of dancers are propelled by two drummers, whose rapid-fire percussion lead the audience towards a neo-traditional rock rave.
Sacre is presented at Sadler’s Wells as part of a three-part evening, together with Sasha Waltz’ choreographies of Scène d’Amour (from Romeo and Juliet) with music by Berlioz, and Debussy’s L’Après-midi d’un faune.
“We are in awe. Which is normal: these are war dances after all” Liberation Photo: Bernd Uhlig
Photo: Marc Domage
Sadler’s Wells Theatre
“A genuinely innovative choreographer” Daily Telegraph
Russell Maliphant Company Conceal | Reveal Thursday 26 – Saturday 28 November This year marks the 20th year of the collaboration between choreographer Russell Maliphant and lighting designer Michael Hulls. Together they have developed a unique and unparalleled language between light and movement that is revered the world over. During Maliphant’s hugely successful career he has received many of the highest theatrical accolades including an Olivier Award, two South Bank Show Awards and three Critics’ Circle Awards. Similarly, Michael Hulls has won several awards including an Olivier for Outstanding Achievement in Dance and a Knight of Illumination award.
Performance Times & Prices Thu – Sat at 7.30pm £12 - £29 Pre-show Director’s Conversation: Sat, 6 – 6.45pm £4 Sadler’s Wells’ Patrons Event: Thu
For this special occasion, Russell Maliphant Company present both new and classic work, including the iconic Broken Fall with music by Barry Adamson - originally performed by Sylvie Guillem and the BalletBoyz. It will be presented in this programme by Maliphant’s own company of exceptional dancers who will also perform new creations, including a quintet and a solo for former Royal Ballet dancer Dana Fouras. With a commissioned score by Mukul and costumes by Stevie Stewart. Photos: Johan Persson, Warren Du Preez & Nick Thornton Jones, Gavin Evans
Lilian Baylis Studio
Nora Nora invites Burrows, Fargion and Tanguy
Wild Card Leila McMillan
WORLD PREMIERE Thursday 26 & Friday 27 November Nora is the coming together of dancers Eleanor Sikorski and Flora Wellesley Wesley. Their desire to dance together, their love of choreographic structures and their critical eye has given them the impetus to invite several distinguished dance-makers to create work especially for them. In their first collaborative endeavour they perform an evening of new works by acclaimed duo Jonathan Burrows and Matteo Fargion, and French choreographer Simon Tanguy.
Performance Times & Prices Thu & Fri at 8pm £17
Thursday 3 December The increasingly popular Wild Card series returns with more specially curated evenings from a new generation of dance makers bringing fresh perspectives to the stage.
Free post-show talk: Thu Leila McMillan is a Californian-born London-based choreographer, teacher and performer (Crystal Pite, Wendy Houstoun). Her adventurous spirit has taken her around the world, leading her to discover the work of Venezuelan dance artist David Zambrano, the creator of the Flying Low dance technique which is now widely used by international companies such as Ultima Vez and Rosas. Flying Low focuses on the dancers’ relationship with the floor but also uses speed with charged movement, making it compelling to watch. McMillan leads its development in the UK as a teacher and choreographer. This Wild Card is a chance to see works by UK and international artists working with Flying Low.
With Burrows and Fargion they have created a brand new translation of composer Morton Feldman’s For John Cage, the source of their iconic Both Sitting Duet (2002). This new piece, entitled Eleanor And Flora Music, reimagines the earlier work as a standing performance, building silent music from a gestural landscape of touch.
Performance Times & Prices Thu at 8pm £17 Pre-show activities from 7pm. Extra content to be announced. See website for details.
The evening will feature, amongst other pieces, an extract from her new work Family Portrait, a constellation of family members dealing with love, humour, dysfunction and harmony.
Up and coming choreographer Tanguy has worked with Nora to develop a complex score of movement and text, creating a unique and intricate portrait of the two women and the political world they live in. The evening will also include a third element, to be revealed closer to the date.
Photo: Camilla Greenwell
Photo: Manuel Vazquez
Sadler’s Wells Theatre
New Adventures Matthew Bourne’s Sleeping Beauty Tuesday 1 December – Sunday 24 January Since its premiere in 2012 Matthew Bourne’s dazzling production of Sleeping Beauty has won the hearts of audiences around the world. It returns this year, by popular demand, for an eight week Christmas season.
Performance Times & Prices Performance times vary on selected dates. See website for full schedule £12 - £65
Matthew Bourne’s haunting scenario is a gothic romance for all ages; the traditional tale of good versus evil and rebirth is turned upside-down, creating a supernatural love story that even the passage of time itself cannot hinder.
Early Bird Mini-Group ticket: £180 (4 tickets. Available on £55 until 31 Oct. Selected performances only. See website for details)
Featuring spectacular designs by Olivier Award winners Lez Brotherston (set and costumes) and Paule Constable (lighting). The sound design by Paul Groothuis takes the audience into the heart of Tchaikovsky’s magnificent score in specially recorded surround sound.
Family Ticket: £170 (4 tickets inc at least 1 child. Available on £55 & £45 tickets on selected performances. See website for details)
Don’t miss this chance to experience a new classic in New Adventures’ growing repertoire - it might just be another 100 years before Sleeping Beauty re-awakens.
Audio-described performance: Sat 16 Jan at 2.30pm. Touch tour at 1pm.
“Visually sumptuous and action-packed” Sunday Times Photos: Hugo Glendinning & Simon Annand
Lilian Baylis Studio
The Birmingham Repertory Theatre production of The Snowman™
Arthur Pita The Little Match Girl
Wednesday 25 November - Sunday 3 January
Saturday 12 December - Sunday 3 January
The stage show based upon the book by Raymond Briggs and the film directed by Dianne Jackson and produced by John Coates, has now transported a generation of children and their families into the wintery world of a boy and his magical snowman.
Performance Times & Prices 11am, 2.30pm & 7pm Please note that not every date has a performance. For full schedule, see see website
Following a sell-out season last year, celebrated director and choreographer Arthur Pita returns to the Lilian Baylis Studio this Christmas with his magical dance theatre show, The Little Match Girl.
£15 - £35 With music and lyrics by Howard Blake, including Walking in the Air performed by a live band, design by Ruari Murchison and lighting by Tim Mitchell, The Snowman is a tale of friendship and adventure including a visit to the North Pole to meet Father Christmas and a thrilling escape from Jack Frost. Virtuoso choreography by Robert North and direction by Bill Alexander make this show a much-loved festive tradition of storytelling, spectacle and magic.
Suitable for all ages Family Ticket: £110 (4 tickets including at least one child) Audio-described perf: Sat 12 Dec at 2.30pm Touch Tour at 1pm
By arrangement with Snowman Enterprises Limited (A Penguin Company) and Chester Music Limited.
Based on Hans Christian Andersen's classic story, this touching tale of an impoverished young street girl's hopes and dreams is beautifully told through dance, song and original music performed live on stage. A snowy stage sets the scene for an icy cold Christmas Eve. Pacing the darkening streets with just one final match flame to keep her warm, the little match girl sees a vision of her beloved Grandmother, who guides her up into the night sky, to the shining moon. Now, on a clear night, if you look closely, you might see the light of a shooting star, or is it a match burning brightly?
Performance Times & Prices Shows at 11am, 1pm, 3pm, 5pm & 7pm. See website for full schedule Adults £18 Children £12 £6 schools tickets are available on Mon 14 at 11am & Wed 16 Dec at 1pm Age guidance: 5+ Relaxed performance: Tue 15 Dec at 1pm adult tickets only
##### “Magical. Wonderfully inventive. A gem”
“Sheer theatrical magic. Go see The Snowman and melt”
The Observer
The Times
Photo: Herbie Knott
Photo: Phil Conrad
Roundhouse
Sadler’s Wells Extras Director’s Conversation Hussein Chalayan Gravity Fatigue Thursday 29 October, 6 - 6.45pm, Rosebery Room, £4
Alistair Spalding in conversation with Hussein Chalayan, internationally renowned fashion designer and artist. The discussion will explore how Chalayan's innovative design and vision has been translated into his first theatrical work. BSL-interpreted
Russell Maliphant Conceal | Reveal Saturday 28 November, 6 – 6.45pm, Lilian Baylis Studio, £4
Alistair Spalding and Sadler’s Wells Associate Artist, Russell Maliphant come together in conversation about the celebration of Maliphant’s 20 year collaboration with lighting designer Michael Hulls and this special presentation of both new and classic work from Maliphant’s repertoire.
Akram Khan Company Until the Lions WORLD PREMIERE Saturday 9 - Sunday 24 January Until the Lions is a brand new, full-length production from awardwinning choreographer and dancer Akram Khan. Until the Lions will see Khan make his debut on the Roundhouse stage in what is set to be one of his most spectacular works. Inspired by the epic Mahabharata, Khan uses kathak to tell the tale of Amba – a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge. This dramatic new work explores themes of gender and sexuality, and the changes that time forces on the body.
Performance Times & Prices Mon - Sun at 7.30pm No show on Sun 10, Wed 13, Sun 17 & Thu 21 £15 - £39 Previews Sat 9 & Mon 11 £10 - £34
For this very special piece, Khan reunites with some of the artistic collaborators behind his hugely successful DESH including writer Karthika Naïr, visual artist Tim Yip, lighting designer Michael Hulls, and dramaturge Ruth Little.
Thursday 26 November, post-show talk, on stage
Assisted Performances The Car Man Audio-described performance Saturday 8 August at 2.30pm, touch tour at 1pm
Caroline Bowditch BSL-interpreted performances Monday 5 & Tuesday 6 October at 8pm & Tuesday 6 October at 3.30pm Audio-described performance, Tuesday 6 October 8pm, touch tour at 6.30pm
Chotto Desh
Pre and Post-Show Talks
Rambert
On stage – free to same day ticket-holders
Sign language interpreted performance Wednesday 4 November at 7.30pm
Hofesh Shechter Company barbarians
The Snowman
Monday 21 September, post-show talk, on stage
Audio-described performance Saturday 12 December 2.30pm, touch tour at 1pm
Wild Card Botis Seva: InNoForm
The Little Match Girl
Thursday 24 September, post-show talk, on stage
Jefta van Dinther As It Empties Out Thursday 1 October, post-show talk, on stage (Platform Theatre)
Caroline Bowditch Falling in Love with Frida Monday 5 & Tuesday 6 October, post-show talk, on stage (BSL-interpreted)
Robin Dingemans & Nick Bryson The Point At Which It Last Made Sense Friday 9 October, post-show talk, on stage, (BSL-interpreted)
Relaxed performance, Tuesday 15 December at 1pm Relaxed performances are specifically designed to welcome people who will benefit from a more relaxed performance environment, including people with an Autism Spectrum Condition, sensory and communication disorders, and/or a learning disability. There is a relaxed attitude to noise and movement and some small changes made to the light and sound effects.
Matthew Bourne’s Sleeping Beauty Audio-described performance Saturday 16 January at 2.30pm, touch tour at 1pm
Workshops & Participation
Claire Cunningham Give Me A Reason To Live
Caroline Bowditch
Saturday 17 October Dance Umbrella presents Talking Amongst Ourselves, a facilitated post-show talk on stage (BSL-interpreted)
This workshop will introduce principles of universal design in dance and performance pioneered by Jurg Koch at Washington University, Seattle. Instead of using the disability approach of adapting movement to suit individuals, this approach allows everyone in the class to work with the same principles which push and challenge all that take part. This is a professional development workshop suitable for teachers, group leaders or anyone with an interest in working inclusively. Age suitability 18+
La Veronal Voronia Tuesday 20 October Dance Umbrella presents Talking Amongst Ourselves, a facilitated post-show talk on stage (BSL-interpreted)
Photo: Jean-Louis Fernandez
Nora Nora invites Burrows, Fargion and Tanguy
BSL-interpreted performance, Saturday 31 October, 11am
Saturday 17 October at 6.30pm, pre-show talk in the main auditorium
The Times
Wednesday 4 November BSL-interpreted talk with Artistic Director Mark Baldwin in the main auditorium Friday 6 November at 6.30pm Music talk by Music Director Paul Hoskins and Rambert Orchestra in the main auditorium
BSL-interpreted
Birmingham Royal Ballet Triple Bill
“Khan is a supremely lyrical dancer possessed of a mystical grace and self-effacing brilliance”
Rambert Love, art & rock n roll
Monday 5 October, 10am – 12pm, £12, £6 concs
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£12 rear stalls seats, 1 teacher free per 10 pupils, at Schools Discount Performances Under 18s only.
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shows may be subject to different group rates).
apply on certain shows, please check with Ticket Office. Under 16s must be accompanied by an adult
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Up to 2 half-price children per 1 full-paying adult. Minimum age limits
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Half-price tickets for children under 16 on selected matinees. Other discounts may be available. See individual show pages for details.
City
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(May exclude Fri and Sat evening performances. Some
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20% off stalls seats, must be booked at the same time.
sadlerswells.com/groups
Families:
Towards King’s Cross
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bookings, £1.75 for concessionary and online bookings. No charge when booking in person.
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GROUPS For adult groups of 8 or more*:
Transaction Charge: £2.50 for telephone
Portugal Street, WC2A 2HT
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Avenue, London, EC1: 10am - 8pm, Monday Saturday. Peacock Theatre, Portugal Street, London, WC2: Please call 0844 871 0091 for specific opening times.
The Peacock
Rosebery Ave, EC1R 4TN
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In Person: Sadler’s Wells Ticket Office, Rosebery
Sadler’s Wells & Lilian Baylis Studio
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PLANNING YOUR JOURNEY
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HOW TO SAVE
So
HOW TO BOOK
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Bus: 19, 38 & 341 stop outside Sadler’s Wells. Tube: Angel (Northern Line) is 5 mins walk. Bike: Bike stands near to the theatre. Santander
Bus: Kingsway, High Holborn, Aldwych, The Strand. Tube: Holborn (Central/Piccadilly Lines) is 5 mins walk.
cycle hire on Arlington Way.
Rail: Charing Cross, Waterloo and Waterloo East
Temple (Circle/District Lines) is 10 mins walk.
Under 5s:
Disabled Persons:
are 15 mins walk.
Please note, children under the age of 5 are not
For members of our Access Scheme a limited number of half-price seats are available. sadlerswells.com/access
Bike: Bike stands available outside the theatre.
permitted into performances unless indicated on the show information pages. Further age limits apply on certain shows, please check with
Students, unwaged, over 65s*:
Ticket Office (under 2s free entry where admitted - please book
A limited number of £8 seats in Sadler’s Wells rear 2nd circle or Peacock Theatre rear stalls for most performances.
aisle seats and leave the auditorium if the child causes disturbance to other patrons. Refunds will not be payable).
Exchanges: Tickets may be exchanged to future performances or credit issued in lieu if returned at least 24 hours before the scheduled performance time. A £2 per ticket booking amendment fee applies (maximum £6 per booking). Group bookings of 8+ (or any part thereof) must allow three weeks for exchanges. For more information and full terms and conditions, see sadlerswells.com/terms
Tickets will be held at Ticket Office. Proof of eligibility must be shown, otherwise the full price will be charged. A maximum of 2 tickets per person, per event.
Standby tickets*: From £17.50 to £25 for students, unwaged people, BECTU, MU and Equity card-holders, under 16s and over 65s. Cash or card payment only. Available in person only from 1 hour before the performance. 1 ticket per person, requires proof of status.
Santander cycle hire available on Sardinia St & Kingsway.
ACCESS Both Sadler’s Wells and The Peacock have a number of wheelchair spaces. For more
This brochure is available in a large print version.
information and to watch our access film: sadlerswells.com/access Booking is available by minicom/textphone (020 7863 8015) for people with hearing impairments. BSL-interpreted
Audio Description
Become a Friend For just £55 a year Friends of Sadler’s Wells receive money-saving benefits, including saving on shows, merchandise and programmes: sadlerswells.com/friends
Relaxed performances
For BSL-interpreted & Audio described
*Not available online
performances: sadlerswells.com/assistedshows
All discounts are subject to availability and cannot be used retrospectively or in conjunction with any other offers or concessions. Discounts do not apply to Lilian Baylis Studio unless indicated.
Private wide bay car park is available for patrons
The information in this booklet was correct at the time of going to print. Sadler’s Wells reserves the right to amend prices, discounts and benefits at any time. Fees and transaction charges are subject to change.
Printed on paper from FSC accredited material.
with disabilities (free), or over 65s (£5). Book in advance at Ticket Office. design: www.snow
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