VOL. 003 | Mano / Sahar Habibi

2017 SPRING/SUMMER ISSUE | PHOTOGRAPHY BY: SAM K. FARE

CHICAGO

VOLUME 003

MANO

SAHAR HABIBI | ANDREW BARBER | CHANCE THE RAPPER | GOAPELE

CREAT I VE DIR ECTO R O F PH OTO G R A PH Y Sa m Kfa re EDI TO R I A L PH OTO G R A PH ERS D o lly Av e Ore l J o rda n Ch o lle tte Bry a n Alle n L a mb Bi a n ca G a rci a E li se Sw o p e s Ade le Sa ke y Katri n a Ja y n e James Brananman COV ER S U B JECTS E mma n u e l “ M a n o ” Ni cke rso n Sa h a r Ha b i b i CO NTR I B U TI N G ED I TO R Nate Si mmo n s WEBS I TE CO O RDI N ATO R AJ Ca m a ra

inquiries terrell@swaggerareus.com

swgrus.com

EDI TO R -I N -C H I EF / FO U N DER Terrell Jo h n so n

VISIT US ONLINE VISIT US ONLINE VISIT US ONLINE

credits

CONTENTS

A Letter from the Editor.

A MAGAZINE REPRESENTING US. I started this magazine because of the void that exists in Chicago. We have a very vibrant scene full of talented creatives that control culture in more ways than it’s credited. I strive to be a platform to exist for the music video director, stylist, choreographer, producer, cover art illustrator, fashion designer and not only highlighting the world of music but spotlighting the ones to know — just in case you don’t.

With our third issue, which marks our 1-year anniversary since we decided to make print, we wanted to reiterate our love for Chicago and our humble appreciation for music creative culture. All the subjects that we’ve covered over the last 7 years is a testament of what we want to do in the future of Chicago’s music scene.

Our third volume covers MANO, one of the most driven, proverbial, outspoken and tell-you-what-he’s-thinking unapologetic kind of guy. Mano is easily one of the most successful producers and DJs that you can name if you pay attention to production credits — him being from Chicago is a plus. I wanted to celebrate his achievements through coverage of his past, present and future.

With SAHAR HABIBI, she’s the girl that you want to know. Aside from her being gorgeous her aura is bright pink which draws everyone to her energy. With her selection and taste in music she consistently reminds us why she’s apart of the Soulection label.

CONTENTS / MANO / DALLY AUSTON / ANDREW BARBER / SHEILA RASHID / CHANCE THE RAPPER / PROFILES / HOMME BOY S/S COLLECTION / EVAN BROWN / SAINT PABLO

BY SWOPES / GOAPELE / JERRY LORENZO / SAHAR HABIBI / SEB TORGUS / ANNA AGOSTA

We couldn’t have a Vol. 003 and not discuss CHANCE THE RAPPER as many of his friends talk about how he’s changed their lives for the better in this issue. We also want to contribute to those sentiments with our story on how Chance’s impact has not only inspired us but affected the entire city.

I wanted to create something not only I’m proud of but something you can be also.

#SWGRUS

Terrell Johnson EDITOR-IN-CHIEF

photography by adele sakey

CHANCING THE GAME words by terrell johnson Chance is heralded for being chicago’s hip-hop scene savior but at first I didn’t know what to expect.

D

iscovering Chance was an interesting one. It was the peak of the Drill scene in Chicago. Much like Vic Mensa’s attitude towards commentators like DJ Akademiks on Drill music -- I shared a lot of those same feelings towards outsiders looking into those real exemplifications expressed in the music. People who were grossly unaffected by the adversity that Drill scene music is describing and inflicts on our youth and society in Chicago were seemingly the main advocates or mockers. My sentiments regarding the new Chicago-based genre was a jaded one -- I seen what I knew to be a very diverse and positive scene turn into a caricature of what Chicago is ‘supposed’ to look like. With artists like Common, Kanye West, Lupe and many more influencing the scene to be more positive it was hard for me to see a moment being embraced so heavily which deterred from uplifting the communities in Chicago. My thoughts were conflicted on learning any new information about new emerging artists in Chicago. I was aware there were artists and bands like Kids These Days, Lili K and Bebe O’Hare but the scene was saturated with advocacy of real violent truths but perpetuated by those who don’t have any real connections to the city behind the Drill scene anthems.

When Chance emerged on the scene, his single “Fuck You Tahm Bout” was disguised as a Drill track which described a run in with a superior at a high school while on suspension.

The year was 2012, Chance was a new artist but it wasn’t Drill music but he used that sound to engage the Chicago audience but then began to speak on the main topic of his first mixtape “10 Day” which was inspired and made in spite of his 10-Day suspension from school. As time passed, Chance grew more popular. Kids, artists and vendors in the scene began to rally behind him. Even Chicago’s Red Eye gave him a cover story. This was a turning point in my thoughts about new rappers breaking into the scene again. It was a normal sunny day when Chance’s first RedEye cover story was available to read. The city was excited and those privy to Chance was even more anxious to see what was next for the rising hip-hop artist. My brother, friends and I were heading to Chipotle discussing the week’s RedEye cover. We’re in line and a voice behind us says, “Hey, do you know who that kid is on the RedEye?” Standing in line, we react, “Yeah, of course. It’s Chance The Rapper.” He smiles, laughs and says, “That’s my son!” We noticed his almost-identical younger brother Taylor Bennett with him further confirming their relation. That encounter turned into an article on my blog ‘Introducing Chance The Rapper’ to an invite to his Acid Rap listening party at the House of Blues where I witnessed Chance light up the eyes of her peers, family members and fans alike in the room. Since that incredible testimony of Acid Rap touching on topics like gun violence, critical opinions on his music, growing pains and experimental drug use featuring great acts like Twista, Childish Gambino, Vic Mensa and introducing us to people like Saba, Noname and more.

Since the success of Chance’s independent journey of music-making, the entire city has warped into a melting pot of newfound opportunity and support surrounding new creative initiatives started by friends -this magazine being one of them. Chance’s ideals of staying true to himself while poetically conveying proverbial thought while rhyming gives us the soundtrack to our active daily ambitious goals.

f a s t interview by terrell johnson One of Chicago’s most prolific connectors, Andrew Barber, tells us about starting Fake Shore Drive, how going to the Grammys with Chance The Rapper ranks in his life and how to quit your day job.

When you started Fake Shore Drive, did you fathom it would be the forefront of Chicago’s HipHop scene?

No, because when I started the site, I didn’t think I could make this a full-time thing. It was strictly out of necessity because there was no one doing it. Blogs were fairly new and there was no digital component for Chicago at the time. Everybody was still in the dark ages and wouldn’t come online for the most part besides artists like The Cool Kids. Artists weren’t really surfacing online; they were still trying to get their music videos on MTV, sell CDs, park a truck outside events and sell march hand-to-hand so there weren’t many people trying to commit to the digital age. There were so many things in Chicago that no one was covering.

How

did

you

get

here

to

this

moment?

I was at my day job and I would just spend any free time reading music blogs. With any down time and or a busy day, I would still keep up with new music on blogs. I would think to myself there’s nothing these people are writing about day-to-day that I couldn’t do or better because I was just as knowledgeable about Hip-Hop. So, I started the site and it was just, fakeshoredrive.blogspot.com, at the time. Did I ever think I’d be here? No. I was only doing it as a hobby. There were very few blogs that were able to do that full-time.

There were some blogs out doing digital content but most of that space was compromised by bigger multimedia magazines that were already existing just building on that digital space but not like FSD. There were hundreds-and-hundreds of blogs then but I don’t think any of them thought they can make a living doing it. Then it’ll springboard into some other things. I was only doing it as a hobby and I wanted to be in the scene somehow so FSD became my outlet.

Where did the name Fake Shore Drive come from?

To be honest, from studying marketing and watching Hip-Hop change over the years, you have to have a catchy name. It could be a group name, artist name, album title or record label name. It has to be something, that stands out that people will remember. I told myself, if this is gonna be a Chicago-thing, we gotta make it Chicago-centric. I don’t know why but I was in my apartment one day and “Fake Shore Drive” popped in my head and I said, “FSD, this is interesting.” and ran with it. It was a gift and curse, but not so much a curse but a gift because it was so much of a talking point.

It’s genius.

(continued on the next page)

photography by bryan allen lamb

l a n e

(continued from the last page)

“

a lot people have a fear of flying.

Don’t be scared to start and fail.

“

AB: People were saying, “Why do you call it ‘Fake’ Shore Drive?,” “Are you saying Chicago’s fake? What are you saying?” No, it was just a catchy name. People still ask why did I decide on that name to this day.

I think captivating that essence is genius because when I see a Lake Shore Drive sign in the city, if you’re connected to the HipHop scene you see the “Fake Shore Drive” logo in your head.

Thank you. I appreciate that.

With Chicago’s sound changing and being so diverse, is it sometimes hard to decide what’s important to listen to?

Not really. I think the beauty of music as a whole I can only tell you what I like. Do I like everything that I post? No. Absolutely not. My job isn’t to tell you what to like. I can tell you what I like and put it out there. It’s the job of the listener to decide what they think is important. Because music isn’t based on one person’s opinion.

Everyone hears music differently. Hear sounds differently.

What was the defining moment that determined that your movement was bigger than indie Chicago music and your preferences?

There’s a couple of answers. One, a reader did a feature on me in 2009, it was one of the first times I’ve been written about; I would usually do the writing. I went and I did a photoshoot.

Wasn’t that weird?

It’s weird to make that transition. Similar things will happen to you, y’know what I mean. You do this ‘thing’ then next thing you know you become the subject. When I did that, it was crazy because they wrote this article on me. It came out on a Thursday, The Chicago Reader comes out on Thursdays, I was sitting at my desk — .my boss at the time called me in his office and he was like, “Close the door.” He had the newspaper sitting on his desk. When I sat down, I saw my picture, all I was thinking was I’m about to get fired… I’m about to get in trouble. I didn’t really tell anyone at my job about what I do. Maybe one or two people knew in my office but didn’t know to what extent.

Blogs were still somewhat of a foreign concept. But they were like, “This is awesome! Why didn’t you tell anyone about it?” But he was cool about it. He got calls all day about it saying your employee is in the Reader and that’s when things started to change.

And there’s always a ton of new artists trying to fill that space.

It’s a lot easier to do hip-hop versus country or rock & roll because Hip-Hop and EDM are the easiest genres to get into because essentially all you need is a laptop. You don’t need any instruments. All you need is the ability to record and upload it online. It’s very easy. The points of entry aren’t as difficult as a jazz musician or people like that. You can’t really measure the success of it now. I believe it takes years to do that. I think 20 years from now, people will be able to look back at it’s contribution. FSD is coming up on 10 years since 2007. If you look at FSD you can measure the success of the contribution. Some of the people we’ve helped support and empower early on were artists like Chance The Rapper, Chief Keef, Lil’ Durk, Vic Mensa, Reese, G-Herbo, Saba, Mick Jenkins, Tink, etc. All those people came through from the first looks at FakeShoreDrive which is crazy.

How does that feel to know your entity is that strong of a launching pad for artists here in Chicago because to make it on FSD consecutively is almost like a badge of honor?

It’s honestly up to the artist to take it to the next level. All we can do is add a little gasoline to the fire but it’s up to the artist. A Fake Shore Drive post isn’t going to make you famous. It’s not going to make you successful but it can act as a launching pad. There’s hundreds of artist we’ve posted online. Some become huge stars but if you look over the past five years so many artists have a career. The goal at the end of the day is to make a living. Not everybody is gonna reach a Chance level. Not everyone is gonna become a multi-millionaire. The goal is: can you live off your art? Can you tour, pay your rent, car note, phone bill off your art?

Even if that’s $30,000 a year, $100,000 a year just doing what you love, you’ve won. Even if you haven’t made $10 million dollars and only $100,000 dollars you’re winning.

As far as supporting yourself, even as a blogger, someone who is creating online did you even think to monetize such as pay-per-post similar to World Star Hip Hop or other popular sites?

Nah, never.

So what happened after that change in energy in the workplace?

Did they respect you more? Did your boss want to invest?

That’s how sites like World Star Hip-Hop made a lot of money [laughs]

No, not at all. I think they had a newfound respect for me that I wasn’t a typical employee but people were embracing it but as it got bigger it became a distraction in meetings. Clients would say they want to talk about Fake Shore Drive so it created some tension so I knew my days were numbered. I was either going to have to leave or get fired. In 2011, I decided to focus on Fake Shore Drive full time.

Yeah. Millions. They also premiered videos from their YouTube and charge for that premium spot then make money from your views. They’re generating all the money on that. To me, that’s unfair. I think it’s unethical.

Do you think blogs are getting enough credit for cultivating artists?

I think it’s one of those things that’s gonna take awhile to appreciate what the blogs did. The blogs ushered in this new era of music and hip-hop. Music blogs were truly geared towards hip-hop. There could’ve been country or pop music blogs but the big ones were about hip-hop. The youngest music genre is the one that I believe most people pay attention to on a daily basis.

As a curator myself, with blogs being a niche space, I think people believe sometimes that a post is political in terms of who you know and how much is being offered to the site as far as a dollar amount.

But it’s not. And I’ve had people come up to me and tried to start blogs whether it’s on music, sports or fashion and say, “Man, I didn’t know how hard it is to start a blog” Or try to play this political game by taking money and it’s not that for me.

P ic tured wit h Cool Kids

P h o t o s f ro m An d re w Ba r b e r ’s I n s t a g r a m : @ F ake S h ore Dr i ve

People are curious to know how to sustain yourself financially with a blog.

Yeah, by being honest and having integrity. You last longer. You starting taking money from people, you take money from the wrong person in Chicago will not only get you killed but when people spend money with you they feel like they own you. Right?

“Remember when I gave you XYZ I need you to do this for me. Oh you don’t remember?” So, it’s a slippery slope. Different Chicago DJs were getting paid to play records by artists in the club when they stopped playing them they got beat up and things like that. When you start taking money, you have to be cautious about unsavory dealings. I could’ve made money faster that way but 10 years later I still have a career and growing every year.

GRAMMY Night; how was that experience?

Chance won awards and expressed his gratitude to you and Fake Shore Drive as a platform on the GRAMMY stage. What inspired that moment?

I had no idea that he was gonna do that. I had no idea that was going to happen at all.

That has to be surprisingly satisfying.

V i c M ensa

K e h lan i

Let me tell you where that sits on the list of the greatest things that have happened in my life: 1. the birth of my children 2. Getting married 3.

Getting a shout-out from Chance The Rapper at the GRAMMYs. I was so overcome with emotion.

There’s only a few times in your life where you feel a certain type of emotion. I was just so overcome with joy. I wish I can bottle that feeling up and sell it. I was with 5 buddies and we were all sitting together when it happened and that was the craziest day ever. We were there when it happened — celebrated his other two wins at the show and went to Chance’s afterparty at Chateau Marmont.

It was a magical day. I don’t think I’ll ever have another experience like that again. I felt like I won a GRAMMY. Everyone was celebrating the moment. I saw Chance and Pat and they gave me the biggest hug. Even his parents came up to me like, “He said your name first!” I’m just so proud of Chance and that is one crazy moment in my life.

That just solidifies how appreciative Chance is for the support that you’ve given him.

Not a lot people have given that support and that’s what’s so remarkable about Chance, is that he really is this great guy. I’ll see people argue on Twitter that “It’s a setup! He’s not that nice of a guy” that doesn’t know him but he really is. He hasn’t changed at all. He’s by far the most famous person I know personally that will return my text messages. Will pick up the phone and call. He’s actually gotten more humble as he’s become more success. A lot of artists I’ve helped over the years have not. So, he’s the man, that a guy that I can’t say enough great things about. The sky is the limit for him.

I think that’s dope but also a testament to what you represent in Chicago’s music scene as well. That moment is a capsule of what you and Fake Shore Drive means to the city.

What’s the aftermath of the GRAMMYs shout-out? More traffic? More opportunities? Has it been different in anyway?

I was definitely super popular after that. That was a moment where people didn’t necessarily know what or understand what I did but people started to realize your worth. People you’ve known for 20 years would come out of the woodwork just say “Ok… you’re actually doing something!” It’s not just you’re just taking photos with famous people but actually contributing something worthwhile. You’re popular when things like happen but to me it’s just another day at the office. You can’t let that type of things derail you. You have to keep it pushing and keep going. People do talk to me about that moment almost everyday after.

When I seen it, I thought that was one of the greatest moments for Chicago.

AB: I don’t think a blog has ever been shouted out at the GRAMMYs. No, it hasn’t.

And people thought I was crazy. When I told people I was gonna start Fake Shore Drive and focus primarily on Chicago music. People said, “This is never gonna work.

It’s a terrible idea.” People was telling me, I needed to focus on everything going on in the world and I said no. Everyone is already doing that. Maybe it took me longer or the ones covering everything has fatigued or doesn’t exist because what is their niche?

Fake Shore Drive is here to stay. I know there are many blogs that has been inspired by FSD but your blog has been the pinnacle of a new digital hip-hop music space — you mean a lot to the entire music scene here.

Do you feel the pressure to know who’s popping in the city? How do you navigate that?

The minute you start slipping or cooling is the minute you fall off. Because I never stop, I never slowed down.

You actively look for new artists and music everyday?

Yes. I’m always looking for new music and new talent. I mean, you have to right? I’m looking for who’s next. I like the mainstream stuff. But I always get a bigger kick out of finding what’s new. Who’s doing a lot with a little? Where’s the potential? I think some of my best qualities is the ability to see the potential in people early on.

That’s a talent. A&R’s make hundreds of thousands everyday.

Yeah, some do and most of them hasn’t picked as many artists as I have.

That’s a fact.

It’s just being able to see where the trend is next and what’s ahead and always being a couple steps ahead of everybody else. That’s what keep you fresh. The minute you slip, someone else is gonna come and eat your lunch. Any business is competitive.

The entertainment industry moves faster because it’s a desirable and a sexy business.

Everyone wants to be in it and everyone can’t.

They don’t know how hard it is.

I’ve seen so many people come and go because they see how hard it is and lot of time people think it happens overnight and it doesn’t just happen overnight. It takes 10 years to blow up overnight. People assume all of a sudden you’re popping but this took me 10 years to get where I am. People get frustrated because they want immediate results. They want their blog to be “FAKE SHORE DRIVE ALTERNATIVE” as soon as they start their blog. It doesn’t work like that.

Yeah, you have to prove you have the taste and it’s not just some run of the mill rap blog by night.

Yeah, they’re trying to come up because rap is an easy come up sometime and a lot of them aren’t truly that invested in hip-hop or care that much about it they just see the come up and get to hang out with cool people.Their motives are usually in the wrong place. Most of those people don’t last.

DESIGNER

JERRY

photography by nicholas maggio

LORENZO

From taming the industry to play by his rules to designing and influencing your favorite artists’ tour looks, designer and founder of Fear of God, Jerry Lorenzo is proving why you should have more fear of what he’ll do next. FOG is grunge rock meets hip-hop with a vintage and relaxed attitude with quality materials formed into thoughtful collections. Jerry has worked with top streetwear brands to provide his taste levels to many consumers in the marketplace from tour merch with Justin Bieber, PacSun collection, Vans collaborations and more.

With his current Fifth Collection, the mixes of flannel shirts, distressed denim, military sneaker boots, fur-lined jackets will keep you comfortably lit all season.

DESIGNER

Los Angeles based-designer Kyle J. Pak release his “Loose Ends” Collection beginning of the Spring/Summer ‘17 this year. This collection contains duotoned constructed pieces on the “loose ends” hoodie, biker jackets, shirts, cargo shorts, and more. The label is available in L.A. stockists like 424 and Europe store Selfridges.

‘loose ends’ SS17 collection

HOMME BOY

DESIGNER

CHANGE CLOTHES Everything changed for Chicagodesigner Sheila Rashid after Chance The Rapper made her overalls the discussion of the night at MTV’s Video Music Awards. Not only was her tailored garment for Chance revered by fashion critics, it was embraced

by Beyoncé herself. Sheila speaks to us regarding her upcoming capsule collection, design beginnings, what those VMA moments meant to her and meeting Anna Wintour.

INTERVIEW BY TERRELL JOHNSON PHOTOGRAPHY

BY

DOLLY

AVE

“ my whole point of living in New York was to go for networking. When I moved back, that’s when the overalls came about. I just knew I would be doing this forever.

“

How long have you been creating custom pieces?

I’ve been creating custom work for about 10 years starting in high school.

Who was your first client? Who did you start creating clothes for first?

I definitely started creating for my classmates first. I was campaigning t-shirts and cutting up the backs of hoodies Me and my friend had a joint brand company Nouveau Riche and people liked it and created a buzz and from there I wanted to expand on designing with clothes.

When did you know that you can make clothes for profit with Nouveau Riche and deem it a profession?

I think it was all in journey, after I stopped doing Nouveau Riche, I wanted to make clothes from scratch. I was interning for a local designer and learning the basics. Basically, I knew I wasn’t going to get my learnings from school so I had to teach myself as much as I could.

You

taught

yourself

to

sew?

I learned some basics by going to Columbia College Chicago but I taught myself the more complex side of things such as pattern making and building clothes from scratch. I definitely had to learn that. (continued)

I realized I wanted to be a designer when I moved out to New York. I was inspired. My whole point of living in New York was to go for networking.

When I moved back, that’s when the overalls came about. I just knew I would be doing this forever. I felt like I made a formula for myself. People wanted the pieces from me especially the overalls and I knew I’d have to keep making clothes after that.

The most memorable time I’ve seen your work, Chance The Rapper was walking down the red carpet for the MTV VMAs. How did that happen?

Over a couple years ago, I would run into Chance at local parties. He was always out. He always said to me that he wanted some overalls. He even mentioned me once on Instagram requesting them. I just never got a chance to get them to him. His stylist, Whitney Middleton, approached me and said he wants some overalls and could possibly wear them to an event.

She never really specified. I did the overalls in a day and got them to her.

The day of the VMAs, Whitney texted me to let me know he was wearing the overalls. I knew at that point it’s about to go up! So I had to find a TV as soon as possible so I went a friend’s house to watch the VMAs to see it for myself.

I remember watching the pre-show and him conducting an interview with DJ Khaled and I knew the overalls looked familiar. Then I went on Twitter to see you tweeting about it -- I said OK that’s where I know them from. How did it feel to see this new rising artist from Chicago sporting

It felt like it was destined to happen. He was wearing overalls before he started wearing mine so it was a staple for him. It was an iconic moment for him and myself. It was almost as if it was supposed to happen.

Your piece in that moment became apart of his style personality. He wore the overalls again on Billboard. Did he reach back out for more pair?

Whitney is the person connecting all of these dots. After he wore them for Billbaord, he humbly was so grateful for them. This was at Magnificent Coloring Day where I ran into him when he mentioned it. It was dope to know and sees that he actual appreciates the pieces I made for him.

Seeing Beyoncé touch a piece of fabric you made was your blessing last year. I remember seeing you post something about that. [laughs] Right! That was definitely exciting.

And it eventually became a meme. I was even appreciative when Kanye hugged him to in the overalls.

Other stylish prolific people like Aleali May has also been in your stuff too.

It’s funny because with Aleali, I’ve known her way before she got super popular. She would model for me when I was doing my first fashion show in 2008. I’ve known her for that long. She had just started working for RSVP Gallery. We’ve been friends since then. She’s just very influential now and it’s was that much easier to just go and drop some pieces off to her.

With your clothes now being so widely known from those two Chicago-based creatives alone, does that make you want to do a full collection of different pieces?

That’s exactly what I’m working on now. I’m working on a collection. It’s not dropping until it’s complete with full looks.

Being in this fashion world, I seen you met Anna Wintour and she’s posing for the photo.

No one really has selfies with Anna Wintour, how did the editor of Vogue get behind your selfie lens during NYFW? It all started with an invite from Condé Nast -- from Vogue saying you’re invite to a panel discussing diversity in fashion and design and it stated “You’re invited by Jim Nelson, Elaine Welteroth, and Anna Wintour.” So when you see those name you’re like, “Ok.” (continued on next page)

The person that hooked this up was the activist from Baltimore, Deray Mckesson, he’s really close to the editors there and it was his idea to do the panel which was dope. He’s friends with Anna Wintour. He’s the one who introduced me to her after the panel was done. He introduced me as, “This is Sheila. She’s the one who made Chance The Rapper’s overalls!” and she smiled and said, “Congratulations!” and I said “Thank you so much!” we looked at each other for two seconds and I didn’t have any words. So when we got to the selfie and I got my phone ready and prepared myself. She was still mingling and at the right moment I asked her can I take a photo with her.

The first one didn’t work and I had to do it over but she was really cool with it.

What next for you: Sheila Rashid?

I want to do collaborations with stores and I want everything to be a project from start to finish. Like with Fat Tiger Workshop, we haven’t finished our work yet. Shops like Sir & Madam and other places like KITH or H. Lorenzo. I’m focusing on expanding that’s what’s always going to be next for me.

What words would you say to Chance now after all of this has transpired?

I would definitely say “Thank You” not just for wearing my clothes but for all the positive change he’s done for the community and Chicago.

You can’t deny that he’s setting a good example. I would definitely say “Thank You” and if you need another pair of overalls … I got you. [laughs]

One person you’d trade places with and why: The gemini in me just can’t choose one. Therefore I’d have to go with Angie Martinez and Jay Versace. Angie represents the broadcaster and hard worker in me. She’s been surrounded by radio and the birthplace of hip hop all of her life.

I couldn’t imagine partying with Biggie, having Tupac fly me out to his house for an interview, or dating Q-Tip! Her longevity and credibility is so inspiring and I wouldn’t mind knowing what her overwhelming, exciting day to day life is like.

I’d also want to trade places with Jay Versace because he’s living carefree in 1996 and you never see his parents. I imagine his mom works second shift which is how he steals her wigs and makes funny videos all day.

One thing that will change my mind about Trump if he: Got saved. Cause Jesus is the only one who can change that man. At this point there’s no coming back from all the slander and demeaning actions towards women, babies, muslims, latinos and blacks. None of us are forgiving and forgetting that easily.

Your perfect day consists of:

vicki street radio jock / ambassador

Chicago-based radio host and brand ambassador Vicki Street is a charismatic voice that use her thoughts to draw the attention of the people around her.

What do you want to be known for?

I want to be known as someone who sees a void and fills it. An innovator.

Problem solver. A connector and pioneer. I want to start conversations and execute projects that’ll open doors for others. Just how my role models, MC Lyte, Angie Martinez, La La Anthony and Rocsi Diaz held it down for the ladies in urban media and inspired young women of color like me to have a voice in a competitive, male dominated field. I’m just trying to pay it forward by being the Voice of the Streets.

Favorite song to describe your mood at the moment?

It’s summer time so I’m in ratchet mood: “Rake It Up” by Yo Gotti featuring Nicki Minaj is such a mood booster. You can literally hear Nicki sticking out her tongue while she dances in the studio.

In 2017, I’m going to: Reinvent myself by adding a new element to my repertoire: DJing. I’m a lover of music. Hip-hop specifically has my heart and I’m in love with its elements. For the past 5 years I’ve hosted countless events, showcases and have rocked events side by side with DJs. I’m always thinking of new ways to challenge myself and now you can book me for both DJing and MCing.

One that is productive. In addition, a perfect day is always ones where I’m with my friends, or out at a fun event. People engage and network more at day parties which in turn translates to productivity to me. It’s all about partying with a purpose in my world.

If you could choose your creative parents who would they be: I’d choose Will and Jada Pinkett-Smith. I don’t know what kind of schools they send their kids to but Willow and Jaden are not from this world.

Their parenting styles encourages them to be who they wanna be unapologetically and to challenge/question everything that they’re told to be true.

The best advice I’ve received was: I received a lot of good advice from my dad that has helped shape the person I am today. #1. Don’t stress over things that are out of your control. #2 Don’t wear your heart on your sleeve. The first one has nothing to do with giving up when the going gets tough, but has everything to do with better assessing and getting to the root of a problem before it totally consumes you. I remember these two pieces of advice in my times of struggle and both are kinda of what contributes to my “cool under pressure” attitude.

PROFILES

From behind-the-lens of shooting very closely to artists like Chance The Rapper while also mocking up design work for brands like Modern Notoriety. Chicago-based photographer René Marban’s taste and keen eye for design is one of the best in the city.

One person you’d trade places with and why: I would say Virgil Abloh. I would trade places with Virgil because I always felt like I was supposed to design for DONDA, which is Kanye West’s creative content company- they are the ones that creative direct Kanye’s brand. Virgil Abloh is Kanye’s creative director and I just personally feel like me and him would work very well. We’ve met before, a long time ago. It was tight but I know I wasn’t ready. I am now, though. I have so many ideas for Kanye that I will someday bring to life with him. I believe it!

One thing that will change my mind about Trump if he: Nothing, cuh. just looking at him makes me want to throw hands.

Your perfect day consists of: A perfect day consists of listening to instrumentals, eating good when I’m feeling good. I really like going to coffee shops I’ve never been to, alone or with my best friend, Ashley. I really find peace in working on design or photo editing or simply making beats when I don’t know anyone in the room- I feel focused and time just seems to fly by like that. a perfect day also depends on the season/weather to me.

‘

rene marban photographer / designer

If you could choose your creative parents who would they be: I’m so happy with my real life parents. I wouldn’t trade them for the world.

The best advice I’ve received was:

What do you want to be known for?

I want to be known for being generous, for being myself & for spreading love.

I want to make people feel what I create, whether its a photo, design or song. I really want to take you back to that feeling you felt when you first fell in love, istened to your favorite song, met someone special -- those type of emotions is what I see when I take my pictures. all of them have a story, they are part of my life’s soundtrack.

I also want to really impact peoples imaginations but also let them know that they can do it themselves. just be you. trust your vision & strive for what you believe in- that drive and hunger can really make anything you’re passionate about become your life and career someday. no lie.

Favorite song to describe your mood at the moment?

For now, I would say “Finish Line/ Drown” by Chance really feels like home to me these days. The moment the choir starts singing in “Drown,” you absolutely have to turn the song all the way up- no matter where you are and just TALK TO GOD! In 2017, I’m going to: BE A BETTER ME.

This is a very hard question because I’ve gained so much wisdom from all the people that have inspired me but for now, this might be it: “Never give up on something you can’t go a day without thinking about.” This is so real to me. I believe being passionate about your dreams, a goal, a lover, a subject or anything is very important. It’s all possible. You just really have to chase it and never stop. Go 1000% if the opportunity is there and the time is right.

Projects I’m looking forward to witnessing this year are: I’m just looking forward to anything my brother Chance releases, anything Frank Ocean. my own personal projects, more SWGRUS projects, just everything. Good art is dope and I just love watching people and my friends express themselves.

PROFILES

What do you want to be known for?

PROFILES

P h o t o gr ap hy b y Nol is (rig ht) ; K ay I b rahim (left )

I would want to be known for my production/music and for being known as a good human being.

Favorite song to describe your mood at the moment?

I’m So Groovy by Future.

In 2017, I’m going to: Drop my first official project, stay healthy, positive, and spread some Peace ‘N Love because the world needs it right now One person you’d trade places with and why: Leonardo Da Vinci because he was ahead of his time and probably experienced some crazy shit back then. Dude was a genius! He did it all and had the answers.

One thing that will change my mind about Trump if he: JUST QUIT. Your perfect day consists of:

Chicago-based producer and DJ Smoko Ono is known for his contributions to projects of fellow SAVEMONEY members Vic Mensa, KAMI and Knox Fortune while simultaneously working on his upcoming solo project.

Waking up, working out, making some music, eating, getting up with the homies, kicking with my parents and learning something new.

If you could choose your creative parents who would they be: Pharrell Williams and Oprah Winfrey.

The best advice I’ve received was: Just keep it real, talk less, and believe in yourself.

smoko ono dj / producer

What do you want to be known for?

PROFILES

I want to be known for staying true to myself and genuinely being a cool girl. I know that the idea of being cool differs depending on the person but I am a very diverse and open-minded person. I appeal to many.

Favorite song to describe your mood at the moment?

Love Sick by Mura Masa.

In 2017, I’m going to: work really hard pushing Babes Only to as many cities as I can and connect with as many people as I can so that I can spread awareness naturally. I am also going to master producing and make a plan to really build myself into more than what I am thus far.

One person you’d trade places with and why: I wouldn’t trade places with anyone, if I did that I wouldn’t have the same family and friends who have supported me on my journey to finding myself. As far as shaping myself into a better person, I really look up to Keyshia Ka’oir. She’s such a boss in every aspect. My boyfriend is currently in jail and she inspires me to be strong. She waited a few years for Gucci Mane to get out.

One thing that will change my mind about Trump if he: Resigns.

Chicago-based DJ EvieTheCool is the #1 babe for her collective catering to women curators titled Babes Only.

Your perfect day consists of: A lot of sunshine, warm weather, productivity, good food, good music, good vibes, good people, a good book, and a conversation with my boyfriend.

If you could choose your creative parents who would they be: Lenny Kravitz as my father, we share the same birthday and he seems like he’s a really awesome dad.

The best advice I’ve received was: Towkio told me, “To never stop building, never stop working. the more you do, the more you grow.”

eviethecool dj / curator

One person you’d trade places with and why:

P h o t o gr aph y by El i j ah Do mi n i qu e

PROFILES

I wouldn’t ever want to trade places with anyone. I embrace my journey as a creative—every win and loss—and I think it’s important for others to do the same. But, I do admire people like Es Devlin, Dev Hynes, Hugo McCloud, and—the OG of OGs—Tinker Hatfield. I know that isn’t one name, but all of these names are alike in that they work with a relentless ambition to create work that is authentic and unique to their avenue of creativity.

One thing that will change my mind about Trump if he: Serves the people...all of us. My biggest gripe with Trump isn’t that his skin is the color (and texture, if I had to guess) of Goldfish crackers.

My biggest gripe with Cheeto in Chief is that he’s presumably in office to serve himself and grease his pockets even more. He’s a selfish, tyrannical leader, and that can only hurt our country.

Your perfect day consists of: Good food, good music, warm weather, and the freedom to make things. Mix in a visit from my closest friends and family and I couldn’t ask for a more perfect day. The weather is in Mother Nature’s hands, but, otherwise, I do my best to make every day as close to perfect as possible.

Springtime reminds me of:

New York-based designer Taj Reed known for his commentary on streetwear with Highsnobiety and planning a launch for his own apparel company called Extra Credit.

What do you want to be known for?

Ultimately, I want to be known for having used creativity to impact younger generations of people. That seems broad, but there’s a need for creative solutions to problems that will have lasting negative effects if not addressed. From the political climate to the actual climate, there’s a need for creatives to incite positive change. I want to become one of those provocateurs, playing a role in seeing that change through.

Favorite song to describe your mood at the moment?

Has to be Kendrick Lamar’s “Alright.” It’s a triumphant track about overcoming obstacles and making it out on the strong side of life’s challenges. I can’t think of a more fitting joint to describe my mood.

In 2017, I’m going to: Take a leap of faith. For the first time in my career I’ll be working and creating almost exclusively for myself. That is to say, I won’t be in-house at a publication or agency full-time. I recently created an initiative championing the idea of creative collaboration called Extra Credit. It’s the culmination of my life experiences, the work I’ve done with friends and brand partners at my previous outlets, and a device for me to be as creative as I want while working with people that don’t suck. It’ll be the biggest undertaking in my professional career and the closest I’ve come to finding some kind of “calling.”

If you could choose your creative parents who would they be: My birth parents are pretty creative in their own right. But, if we’re talking about recognizable creatives, I’d choose two designers I mentioned earlier: Tinker Hatfield and Es Devlin.

I’d probably look like Frankie Muniz, but I’d be the most creative sum’bitch there ever was.

I’m not particularly fond of Spring. Growing up on the East coast, it’s a time of year when you think you’d be able to break out the best in your wardrobe, but the sporadic and heavy rains ruin your shoes. But, then there’s outdoor basketball, which, I think, God created Spring for.

The best advice I’ve received was: My late uncle’s last words to me: “Don’t fuck up.”

I was thirteen-years-old at the time, and still live and create by that mantra.

Project I’m looking forward to this year: Jamiroquai is dropping an album this year, which means nothing else in music really matters. Aside from that, I’m looking forward to launching Extra Credit to the public. It’s been a lifetime-to-date in the making, and I’m at the end of my ergonomic desk chair in anticipation. Releasing a product with a narrative so closely connected to my personal life experiences is daunting, however. In the words of the great philosopher Erykah Badu, “Keep in mind that I’m an artist, and I’m sensitive about my shit.”

taj reed designer / curator

PROFILES

P h o t o g r a p h y b y Ore l J ordan C h o l l e t t e

Developing his talents at Chicago’s Second City and in his spare time capturing his essence in stills, Jeff Rumishek’s carefree personality and charismatic attitude can land him in the position to be Chicago’s next big on-screen star.

What do you want to be known for?

I want to be known for giving back to his city.

Through my hard work in acting and modeling.

Someone kids can look up to without a doubt. By that I mean, someone who worked hard for what they have, gave back to the city and made it all happen. Also, to be awarded Actor or Model of the Year would also be nice.

Favorite song to describe your mood at the moment?

“Do Not Disturb” by Drake because I feel like I’m at the point where things are looking up. No one knows but everyone is either shaking my hand and being nice to my face or they really support me. I’m just having trouble figuring out who is who. I just know all the love and support I need is with my family and close circle of friends.

In 2017, I’m going to: I’m gonna continue my education at Second City.

Finish up the acting program there while applying to more modeling agencies in the Chicagoland area. Just keep working hard and staying humble while I’m on the ride.

If you could choose your creative parents who would they be: Steve Jobs and Aaliyah. Jobs products at Apple were and still are perfect. Aaliyah’s way with music and the influence it still has on people today is just insane.

One person you’d trade places with and why:

JEFF RUMISHEK actor / model

If it was designer, it would be Kanye West. He keeps it real with the designs regardless if he is Wilding out every once in a while. I would change the prices for his products to make it more affordable for the youth.

One thing that will change my mind about Trump if he: If he reverse the damage he did by signing the Keystone Pipeline bill. We took that land away from the Native Americans years ago, and we continue that tread. That pipeline won’t make better jobs or “american jobs” as he says. Not to mention it will destroy our water if doesn’t work 10/10 times. I just can’t believe he did that.

Your perfect day consists of:

The best advice I’ve received was:

Waking up, making breakfast, seeing my mom and family then going to the gym with my best friend Jake Kubota. Make some post workout food that all fits in my current diet. Then would wanna do a photoshoot with my homie Orel Jordan Chollette in the city on a beautiful summer day. Head back home and see all my friends ready for the beautiful night ahead of us. Just enjoying each other and the time spent together.

From my Father, He said, “Ask for the moon, cause they can’t give it to you.”

It’s true, I could ask for everything and they can’t give it to me. I have to go and get it if I really want it… the moon.

Springtime reminds me of: Springtime reminds me of my birthday and the rest of the year, along with what I have planned and what I need to get done. That’s what Spring reminds me of: progress.

Project I’m looking forward to this year: I would say the new Spiderman. I’m really interested to see how they will do things since Sony is no longer in charge of the entire film now. I’m sure they will do it right but you never know!

photography by zoe rain

SebTorgus

HAPPY TEARS interview by terrell johnson

A year after Sadboy Anthem, Seb is gearing up to provide us with sounds that will keep us up all night, no sleep.

what do you want your music to represent?

I want my music to represent someone who isn’t afraid to push boundaries. I felt that for so long I found myself fighting for my art, whether it was trying to convince people to believe in me, or trying new things creatively that hasn’t been done yet. Everything I make is for the kids who felt like they’ve always been different and don’t feel like they fit in. I want to make “not being cool cool again”.

who is your favorite artist of all time?

I have a lot of favorite artists, but one of my all time favorites is Between Morrissey from The Smiths’ or Billy Idol. Both have played an important role in my life as an artist and now a musician. From Billy Idol’s attitude and styles such as chains, leathers, and bleached hair, to Morrissey’s songwriting, I feel like I share a connection with both these artists as a creative.

what makes you feel like ‘you’ most?

I want to make sure that I’m myself no matter who I’m around. I know it sounds easier said than done, I’ve managed to always stay true to who I am, and never change no matter who’s in front of me. By being yourself, you’ll find out that more and more people want to be around you and your energy. You also can’t expect everyone to like you, and more importantly, I don’t want everyone to like me, cause then you’re not doing something right :)

what moment is responsible for your carefree attitude?

Being carefree can be difficult sometimes because people LOVE to judge, but I think because I’m so into early 80’s rock stars, they had this attitude of seriously not giving a fuck. I also think it can be so much fun to being carefree because it allows more people to draw attention to your name whether they hate you or love you. One of my first songs I released made certain people uncomfortable, where they had to see what others thought before actually enjoying it. I love making people feel uncomfortable because it means you’re doing something right.

I think as I got older and more experienced, I began to feel more and more comfortable with myself which enhanced my carefree attitude. I think Chicago has so many artists, designers, and creatives who are not afraid to hold back and paving their own path instead of riding other names or cliques.

advice?

If I were to give any advice, take risks, lose, fail. Taking risks has been so important to me and my career, whether it was people doubting me, or even just putting everything you have into something. I was always told to focus on one medium, but I HATED only focusing on one thing, so some advice would be DO AS MUCH AS YOU CAN WHILE YOUR ALIVE! Everything connects in the end and will make you an even stronger artist.

AUSTON dally

PHOTOGRAPHY BY DOLLY AVE

Chicago-based rapper Dally Auston brings an effortless charisma to Chicago’s music landscape only the West Side can produce. We caught up with Dally at St. Alfred’s and Music Garage for insight on a day-to-day with the Chicago emcee.

DALLY AUSTON

DALLY AUSTON B e i n g f ro m t h e We s t S i d e o f C h i c a g o , w h a t d o e s t h a t m e a n to you?

Proud to be from Chicago in general. But being from a place big as Chicago. West side means home.

Yo u just released new EP ‘99 cents’ which emotes some gre a t re c ords; was this a co nscious decision to release 99 cents i n s t e a d o f Ro s es ?

Very much. It’s just a story. I’m directing it a lil’ different but going toward the same goal. It’s been a growing thing.

H o w h as b ein g in t h e SAVEMONEY c olle c tive inspire you?

Learning a lot ... Witnessing people loving what the do as much as the next man and making things manifest has been a sight to see.

W h at projects have you consumed recently that you’ve been im p res s ed wit h ?

It varies. I’m not the biggest critic. and I’m impressed with Vic Mensa.

W h a t d o es Ch an ce’s la te st e nde a vor me a n to you?

P ro u d . Bro d y r a w.

F in is h t h is s en t en ce: O n baby: “ I cou ld n ever go.”

W h o g o t t h e b es t Ch ick e n in Chic a go?

Mom’s crib. Easy.

H o w imp o rt an t is it t o re pre se nt Chic a go in a diff e re nt light?

Individuality. And being true to self. It’s healthy.

COVER STORY

INTERVIEW BY TERRELL JOHNSON PHOTOGRAPHY BY SAM KFARE

COVER STORY The often misunderstood and producer, MANO, (fka Million producing/DJing, working with his relationship with Kanye

outspoken Grammy Award winning Starboy$ Mano) speaks on his beginning affinity for The Weeknd, clothing apparel collaborations, West & JAY-Z and proving critics wrong.

I met Mano on an April afternoon in the South Loop area in Chicago. Mano is with his girlfriend Cherish accompanying him.

Mano pulls up in a black-matte wrapped Porsche Panamera with a pair of shades on.

We meet in Sam Kfare’s studio loft where he’s preparing the backdrops to capture Mano. Mano’s girlfriend, Cherish, assists him with the unboxing of his jewel accessories as he casually speaks on what’s currently happening in culture and Chicago.

The interview didn’t take place until nightfall while sit in the back seat of Mano’s Panermera while I enter my line of questioning regarding his first discovery of his passion for hip-hop.

WHEN DID YOU FIRST FALL IN LOVE WITH DJING? I think the first time myself seeing Hip-Hop it had to be late 80s. I was born in ’84. I had this Fisher Price turntable. It played an xylophone, it played these discs that were lullabies. I saw on TV, Run DMC scratching records so I thought I could do the same thing with this Fisher Price turntable and then I couldn’t because it was so slow and you would have to wind it up — it was so slow but my mom had a daycare center that had another Fisher Price turntable that actually played vinyl. My mom also had her old “45s from when she was a teenager at the school where all of the old storage was. I remember being there on a Friday and hearing a records play on vinyl. Those times, I remember it gave me that warm feeling you get when you’re happy. I was intrigued to know how DJs would scratch and it not skip. That was my childhood experience of what Hip-Hop was and learning about it’s different forms — not just Deejaying but B-boying, graffiti, rapping — all that shit.

WHEN

DID

YOU

START

DJING?

I started DJing at 14. I believe I could do it and it wasn’t accessible to me. As a hobby, it was very expensive back then but to me as a young person and a futurist I most definitely thought it would last in culture.

BEING INSPIRED AT SUCH A HOW HAS BEING FROM PARTICULAR INSPIRE YOUR

YOUNG AGE, CHICAGO IN PRODUCTION?

Being from Chicago and it being a House music city, I transpose a lot of music into dance music as well. It’s really cool because a lot of people can’t familiarize what meant something to them — I’m a detailed person. The fact that I was able to hear this legendary Chicago DJ named Pink House, he was on a radio station called 950 Rap Radio and it was really cool I was introduced to House music

“People believe once you get the success once, you’re good forever. no, You have to maintain it.” before it was Ghetto House which overall became Juke music — those aspects of Chicago and Hip-Hop in it’s purest forms are second city to New York. Like New York is a House city as well but it’s really cool.

Chicago is definitely it’s own place but it has bits and pieces of everywhere else. Like Paris being super influenced by our music here with the House music they make there. Hearing people like Pink House, DJ Pharris — who was super early in his career, my late great brother DJ Timbuck II as well.

Those guys are real DJs and legends in Chicago. Being able to hear them on the radio, just as a fan of music, really got me into blending — when I say blending like remixing an entire record live and take the lows out and put in the chorus for it to loop — those are magical moments to me. Anytime I hear a DJ making something particular to that taste, it would inspire me.

That aspect of Chicago House music before slamming records became a thing, Chicago DJs were still blending records. A lot of New York DJ as well as Timbuck 2 made slamming records really popular out here in Chicago. Tim would play a verse from one song and then go into a chorus of another so seamlessly as if it was an original song. You would only be able to experience that from hearing him play a set because that was his flavor.

LET’S DISCUSS YOUR MOST RECENT ACCOLADE WHICH IS WINNING A GRAMMY WITH THE WEEKEND — HOW DOES THAT FEEL?

It’s surreal. It’s almost unbelievable that it happened but at the same a lot of things are unbelievable in my life. It’s not like I don’t work towards them but I pray for them everyday. I forget that I am working towards these accomplishments because all this stuff is fun to me. So, I never really look at as work. I enjoying waking up knowing I have to create deadlines for myself or I’m receiving deadlines to make money the way I want to.

TALK ABOUT THAT MINDSET. THE RECORDING INDUSTRY IS SO DIFFERENT FROM ANY FACET OF PROFESSIONAL CRAFTS; HOW DO YOU STRUCTURE YOUR MIND TO CREATE ALONG THOSE DEADLINES?

As established or successful as I am, I’m always working like I have none of those things. Having that mindset always pushes me forward. If I took my reality at face value, it would feed into my ego and it wouldn’t make me work as hard as I know I should be. I don’t think [creating] is ever over. Not only am I helping myself, I’m helping so many other people that need this chance as well. I need to maintain this life. People believe that once you get the success you’re good forever. No, you have to maintain it. That’s true wealth is maintaining your fortune.

That’s why I tell people, they really have to do their homework with me. In my most humbled times, I always made sure I was straight.

I have expensive taste. I feel like a royal, so, therefore I am a royal.

“GRAMMYs are l i k e P H D s and doctorates in m u s i c . . . I don’t have any degrees.

T h a t s h i t is my d e g r e e.”

With this GRAMMY win, do you feel like the GRAMMYs still validate your craft?

Absolutely. I’m gonna keep it super 100. I didn’t expect to win a GRAMMY one day. I can’t front like I wasn’t hoping to have produced a hit record for someone but I didn’t know it would come in this fashion. GRAMMYs are like PhDs and doctorates in music and it puts you in the realm of people that legitimize themselves amongst their sells but almost amongst their peers. I’m incredibly appreciative that I have awards that validate what I do for a living.

As many Grammys as I want to get, one is enough to validate myself as a musician. If I didn’t have that Grammy, I would be valid in my mind but I have it substantiated on a piece of paper and no one can take that away from me. I don’t have any degrees. That shit is my degree.

Talk to us about the meeting with The Weeknd, how did the collaboration transpire?

It was really cool. We’ve always been homies. I met Abel when he was about 18 or 19 when he was first starting and he was working with a mutual homie named Doc Mckinney — he’s a mentor and big brother to both of us.

Doc always took a liking to my work and what I was doing on the producer side. I was just appreciative and in awe for considering me to work with someone like The Weeknd. I knew who he was because I heard “Loft Music” and thought it was cool but then I heard “What You Need” and was like “Woah, that shit is hot…” I said in my mind, “I need to work with dude…” then Doc started working with him and it made sense. At the time, I was DJing on tour with Jay-Z and Kanye West for the Watch The Throne Tour at the time which was dope because I introuced him to Ye at the tour in Toronto. It was even crazy at that time too because, I brought the XO crew Abel, Lamar, Hawk to the venue and walking them to the side stage and people knew him at that time too and they were going crazy from the sheer fact he was in the audience — so I seen at of it from the beginning. It’s just so wild to see his transition from then to now — he’s a megastar.

Myself and Abel have a shared interest in film and we have a lot of weird film interest. Our odd interests in film translates through our sounds. I like a lot of dark shit. I like horror movies.

It’s my favorite genre. I love movies period but I love horror films. I think with him he likes awkward thrillers like Korean film ‘O Boy’ or ‘Donny Darko’ it’s really cool because those things brought us close as well as the music we wanted to make.

I think one great thing about yourself and The Weeknd you guys have a great way of making something dark aesthetically and sonically beautiful. Like my all time favorite Weeknd song is “The Party & The Afterparty” is so good but it’s literally about almost overdosing on drugs. It was very dark but so sonically intoxicating.

Absolutely. When I made “The Hills” it sounded like him so he was like this joint is crazy — I’m like, “What the reference I just sent you?” Abel said, “Nah, the beat!!! Oh my god, this is crazy! I’m gonna make a hit to this.” I didn’t know it was going to happen but even in that moment it gave me a different level of confidence to associate sounds with people and who they are and how they want to be presented to the world.

That’s important as a producer. The Hills is 7x Platinum right now.

I think it’s a 9. They need to update it to RIAA. It’s kinda ridiculous.

Beyond the platinum status. We created history. Abel was the first artist since Rihanna to eclipse their own single from #1.

So much was still happening around that time, I had “3500 (Travis Scott),” records on Pusha T album, 2 records on Detroit, Hall of Fame, Dark Sky Paradise for Big Sean, Trey Songz, Gangsta Grillz with Drama last year and even False Alarm and Reminder on Starboy.

It’s dope even those records being big placements for me but it’s not giving me a place to settle like I can’t work with people who haven’t accomplished as much as I have. I really do need to have that personal want with their art as well. I might not be able to do that without establishing some trust. People have to understand that people have to want to involve themselves in their success and you can’t take that personal. That’s one thing you learn with growing pains. I definitely matured and learned that myself. You learn the best way, not just for yourself, but for everyone. You can’t take anything personal you just have to make the best art possible.

Who’s on the dream list you want to produce for; who do you think your sounds would compliment?

There are a lot of artist that I want to work with that are still alive but most of the artists that I wanted to work with are deceased. It’s unfortunate because there are definitive people that I wanted to meet in my life. Those people were them so it made me comfortable to be me.

DJing for Ye and Jay was one of those definitive thing. Seeing the amount of success Kanye has had in his incredible career. Jay as well. I was able to tell Jay Z and Kanye a lot of personal things that are apart of the fan side, respectfully, that I admired about them. I know that they were truly appreciative of that beyond the success.

It’s just certain things that people tell you are geniune. I was able to tell Jay that me and my friend in grade school went half on Reasonable Doubt and did our homework to it and I’m on stage with this guy while he’s performing… Shit is weird to me [laughs].

Even with Kanye, me desiring to be his DJ at an early age in my life to Kanye asking me to be his DJ later on -- I wielded that. It was awesome, that opportunity. Everything I learned and experienced at that time was extremely incredible and I’m truly grateful.

As far as your style, Treated Crew, you’ve had a few collaborations with brands here in Chicago and a few in New York: Stüssy, Black Scale, Jugrnaut. Can we expect more in the future?

We also done some stuff with Japanese label Phenomenon; we did the MA Bomber Jacket. They did a similar one with Mastermind that was really dope too. My friend Big O is a head designer for Phenomenon. I actually just wanted the jacket and he told me that we can design one and so we made that jacket together that was $1700.

I’m not just thinking the thought of me selling a jacket for $1700 — I’m thinking of the fact that we can make a jacket that’s worth buying as far as material, hardware, durability, quality. All those things mean something to me as a consumer I just try to make sure that I do the same thing when I produce merchandise as well.

You can absolutely expect more collaborative apparel in the future. My goal is to have so many collaborations that I can only sell our brand in the store and it won’t be regulated by only our brand, it’ll be that on top of collaboration pieces.

How important do you feel it is to prove critics wrong or people who has doubted you?

It’s not an obligation to prove anyone wrong. As long as you have things in your mind that make you comfortable with knowing whether you give a shit about people caring or not. If you do, you need to do whatever you need to to get over the fact that — if you’re crackin’ or if you fucked up, if people don’t like you they’re gonna shit on you. Doesn’t matter if you’re right or wrong, I feel need to pay attention to the positive attention because if you try to delegate the negative you put yourself in a position where it lowers the outlook on you because you’re giving the negative power.

(continued)

People don’t expect you to look at the negative. I’ve taken certain things from critics personal because I knew that their reviews were personal and they weren’t at a fair standard. At the end of the day, a lot of people get to joke, laugh and see things on the internet but when you see them in person — the reality of what you have and what they don’t is extremely definitive. You can choose to ignore it on the internet but what are you gonna say to the guy you talked shit about and you’re getting off the bus — it’s cool I ride public transportation too but — you see him pull up in an Aston Martin? You think twice, “Damn, I didn’t know that guy drove an Aston Martin…” or “I didn’t know this guy lives on this expensive street…” or maybe the shit people talk and say about you is because m’fuckers be mad. You have to think about it and see what is legitimized.

The reason I created that scenario is because I empathized with those people because I look to myself and say they have to see that reality and their reality is aggravated because they feel like these things that you have that they feel you’re not deserving of… if that makes you upset about a person you have to check yourself.

I go back to that because that confirms that I don’t have anything to prove to anyone because at the end of the day I’m a professional musician that has a co-publishing deal with Warner/Chappell. Shout-out to Big John.

What

made

you

want

to

sign?

I was offered a publishing deal early in my career and a good friend of mine told me not to sign a publishing deal now because you’ll get a bigger one when you do bigger records later on. I listening him and took his advice and he was right. That’s why I say the opinions of people matter when you make them matter. Those opinions don’t change the digits in the bank account. I don’t think about other people’s business because I have too much business of my own. I think sometimes people are upset that they aren’t inspired enough to act on their own dreams.That’s my point. I get profiled with this car all the time. I wear fashionable clothes and shit and people automatically think because I’m black I’m possibly doing something illegal which is aggravating because people give off judgmental vibes for those who they feel don’t deserve certain things. The same person who will say, “What is that beat you made in your mom’s basement gonna do for you?” will be mad once that same beat turns into a million dollar investment. Adults have to put stigmas in young people so they can believe not to do the impossible because the impossible factor is in you. When you believe adults, you kill your future. I don’t have anything to prove to critics. I have things to prove to the people that told me not to follow my dreams. The adults throughout my life that wanted to inspire other options for me. I have things to prove to the people that depend on me physically and financially. Those are the things that matter to me.

Treated

Crew.

Explain

that

collective

for

those

who

don’t

know.

Treated Crew has many members. A lot of us profile at a heightened factor sometimes due to relationships and resources. Like, HXLT, he’s signed to G.O.O.D. Music/Def Jam who put out his album last year. I produced a song on there called “Guitar”. One of the most beautiful tracks I’ve made. We have a lot of artists from all walks of art. We’re basically a creative collective design firm. My homie Brandon Breaux — he illustrated all of Chance’s artworks for his projects. My homie Edo — an incredible young artist from the Southside of Chicago who also has a design collective. OG Webbie — producer/DJ who responsible for Big Sean’s “All Your Fault” feat. Kanye West. Saint Millie — incredible rapper from the Westside. Jon James, Cardo, AU, Nick Junior, Boi Genius so many talents. We try to diversify the collective as much as possible and not stagnant on one form of art.

There’s a debate on what the term ‘Treated’ means; clarify that for us. Being from Chicago I know it to be used comparatively to the word ‘Joning’ if you will.

Exactly. That’s the origin of it. HXLT has a song called ‘Caked Up’ and on the second verse he says “Treat niggas is what I do / I’m treating niggas in my Treated Crew” and I was like ‘Oh shit! That’s us.’

And we used to go outside the clubs and roast bouncers and shit and amongst friends. We used to roast niggas so bad they used to wanna fight.

Chicago breeds some of the craziest mouthpieces.

We definitely have the gift of gab out here. [laughs] It’s the city of pimps. Y’feel me? [laughs] What do you say the young Mano who’s trying to breakout as a producer?

I can say be more patient and don’t take shit personal. Be there for your true peers and brothers.

Comradely also prevails. Don’t compromise your art for bullshit. Only compromise art to make it better.

SAHAR

COVER STORY

HABIBI

INTERVIEW BY TERRELL JOHNSON PHOTOGRAPHY BY SAM KFARE

S o u l e c t i o n ’s Pe r s i a n v i b e p r o v i d e r t a l k s l e a r n i n g how to spin, being apart of Soulection and favorite moments of being the crowd controlla.

Being a female DJ in the scene, how does it compare to your male counterparts?

I think by being a female DJ, it gives me a more flexible, diverse set. Definitely not saying males can’t and don’t do this – but I think for me, personally, I’m not scared to throw in an Aaliyah, Destiny’s Child, Monica, Missy Elliott track in a set, versus it might not be a ‘go-to’ track for males.

For me, it’s pretty easy to win a male audience when I’m DJing, but if you also hit the ladies soft spot with certain songs, you take the trophy.

Soulection is a premiere music brand at this point, how has that relationship help your DJ pursuits?

I’m thankful to be surrounded by talented producers, DJ’s, music diggers. Any time I get the chance to be around them or at their sets, I’m always taking mental notes.

And it’s always a reminder for me to get better or to go after DJing.

‘ S g a o p t o ‘ S

u l e c t i o n e m e t h e o r t u n i t y How many e l e a s e a hours did it u l e c t i o n & C h i l l ’ take to learn to m i x w i t h DJ? t h e m l a s t y e a r , w h i c h It took me 2 semesters of I w a s v e r y school to learn, and then g r a t e f u l I invested in a controller f o r . so I can practice at home.

T h a t m i x I ended up practicing and teaching myself other d e f i n i t e l y tricks and techniques and h e l p e d p i c k perfecting what I learned u p s o m e all summer. I’m still learning b u z z a n d more as I go… never not b r i n g n e w learning. But I would say it f a n s t o took me about a year to get all the basic fundamentals l i g h t . ’ down.

o v p r o

LUV

2

LUV

YA

COVER STORY What has been your favorite crowd response regarding being a DJ? Opening up for Kaytranada back in October. It was a sold out show of 1,500 at Concord Music Hall, and the energy and reaction of the crowd was so lively and responsive. I feel like I could play whatever I wanted and they would just react to it so positively. I would look up in the crowd and they’d just be screaming the words, dancing and looking like they were having so much fun. It was an amazing feeling knowing that that came from under my control.

Favorite artist alive and dead?

Michael Jackson, Aaliyah, Tupac are easily my top 3 dead. Anyone around me knows that these are my people!! I can’t name favorite artist alive. It switches up with the seasons. At the moment, I can say Anderson .Paak.

What artist embodies Soulection the most in your head right now?

Joe Kay. he’s the founder of Soulection and the weekly host of Soulection radio. He oversees everything.

Most memorable night since starting DJing?

Most recently, Chance The Rapper x GQ After Party for the GRAMMYs! So many people were there! It was in LA and it felt like the whole city of Chicago was there celebrating — as well as so many other inspiring artists. It was a lovely way to see everyone celebrate the first ever independent grammy nominated artist!

Favorite

song

to

play?

That’s tough. I’m bad with ‘Favorites.’ Let’s go with…. ‘Where The Party At’ by Jagged Edge featuring Nelly.

What artist do you secretly love that no one would expect you to?

People probably would never guess that I’m the biggest fan girl of Paramore. Top 5 favorite band/artists. People don’t know that I have a major Warped Tour side of me. People probably would never guess that I’m the biggest fan girl of Paramore. Top 5 favorite band/artists. People don’t know that I have a major Warped Tour side of me.

If you’re weren’t doing what you’re doing now, what would it be?

I’m not sure. I would definitely be doing something in music still.. Probably somewhere in events or music marketing. Outside of music? Probably an elementary school teacher.

Soulection is a start-up music label, radio show and collective based out of L.A. that spotlights the sounds of easy R&B blended with the moderate hip-hop.

concrete rose INTERVIEW BY TERRELL JOHNSON

A new face of soul is emerging in the Chicago scene and her name is Anna Agosta. Agosta’s single “Never Fall” is the song on your playlist that will have you texting your bae even if you’re forever alone.

photography by orel jordan chollette

anna agosta

When was the first time you discovered R&B? How did it change you?

I discovered R&B music for the first time at my family parties.

My dad is from a big Italian family, and he would always play R&B music around the house through big speakers.

His favorites included songs like Mercy Me by Marvin Gaye, I’m Every Woman by Whitney Houston, and Heard it Through the Grapevine by Gladys Knight. I’m drawn to music with soul, and I’ve run with that feeling through my music.

How has Chicago shaped your pursuits in music?

Chicago is so special to me. This city has supplied me with enough inspiration through its atmosphere alone to write for days, but the best inspiration Chicago has given me are the people here and their varying cultures.

It’s allowed me to fall into who I am as an artist and keep me on my toes by not knowing what will happen next.

When you think of your R&B influences who comes to mind?

My top R&B influences would include Nao, Lianne La Havas, Beyoncé, and Jorja Smith.

How has being in love helped you write music?

Being in love has opened my eyes to ideas that I never would have thought twice on before. It’s brought me to connect feelings to physical themes that I use all the time within my writing process.

What Chicago artists do you admire?

Chicago artists I admire include Chance The Rapper, Eryn Allen Kane, Lilli K, and Sidewalk Chalk. They are all highly influential to me in different ways.

Your first single, “Never Fall,” is consciously describing the feelings of love but perpetuates the lyrics, “I will never fall because of you…” Walk us through the meaning of “Never Fall”?

I wrote Never Fall based off of my favorite quote/idea, “There’s a way to rest in the trees.” It means that with the highs and lows of life, there’s always a way to get above it instead of falling to the ground when something goes wrong. I love leaving the song open to interpretation and hearing how people hear it. For me, Never Fall is about my relationship with God, and how I will never fall with his presence close in my life.

What new albums have been playing on your iPhone?

Lately, I’ve been listening to Process by Sampha, Blkswn by Smino, and Midnight Moonlight by Ravyn Lenae. I’ve really been riding the Sampha wave heavy lately.

If you can take one record from one of your favorite artists what would it be and why?

In the Lonely Hour by Sam Smith. When it came out, I was seventeen and was getting ready to move to Chicago and I really connected to each track. I think that album has a timeless sound and appeals to a very wide age. I watched him perform the song live while headlining Lollapalooza in the summer of 2014. I was surrounded by kids and adults of all ages. That moment really impacted my thoughts on how effective one artist’s music can be on humanity.

With Chance changing the way independent creatives in Chicago seek out making music how has he inspired your endeavors?

Chance The Rapper has really inspired my endeavors because of his mindset and intentions. He has taken creative risks not only for his art, but for a greater cause. I think he is the voice that our young creatives and country really need right now, and he has shown that being yourself and doing good can end in success, even in this industry.

Take us through your morning ritual: what do you do first?

My mornings always start with me waking up from an extremely weird dream, making coffee, and voice memo’ing any melodies that I thought of in my sleep. I like to turn on a new weekly playlist on Apple Music while I get ready and go to either class or rehearsals.

Advice to new singers in the scene?

Go to events that you usually wouldn’t go to, meet new people. Hear them out, and get to know what their lives look like. You’ll learn a lot about yourself through this, and you’ll experience a lot of life that will help you to grow along your journey.

photography by james branaman

DREAMS

goapele

Neo-soul songstress Goapele addresses her new EP ‘Dreamseeker,’ her thoughts on the politcal climate and how new artists’ are reframing R&B.

r e p r i s e d

Bay-area’s R&B gift Goapele entertained an intimate Chicago audience of 3oo at the City Winery mid-spring in support of her EP Dreamseeker. Goapele ran through beautiful records of her past and current projects including covers of Drake and PARTYNEXTDOOR. Accompanied with beautiful visuals casting across the stage and her instruments left an effort-

lessly clean experience while soulful vibes spread across the room. After Goapele’s set, I trekked to a upper level room where two leather chairs positioned towards one another while I awaited Goapele’s entrance.

When she entered the room, those same electric vibes carried from the stage to the room we shared as I began to ask her about her latest project.

INTERVIEW BY TERRELL JOHNSON

“I believe after election day it felt like a dark cloud was over me and I had to figure out how not carry that [bad] energy”

Your new EP Dreamseeker is available, what inspired this new project?

I had been working on it for awhile and just wanted to put it in a capsule. A lot of different things I wanted to get off my chest.

The current single, Power, was written about my daughter. My thought process behind the song was that children are born with open minds, sparkling eyes and waiting for the wonder of world until they get shut down by the consciousness of the world.

On top of the social climate in America right now…

Yeah, it can make you feel low. We were meant to shine as bright as the sun and feel like our potential is infinite. As long as we can try to remain that way or come back to that concept was something I felt was important to represent in this project. I just didn’t want to write relationship or love songs because that’s not what my life is. I wanted to show glimpses of my life. I wanted to do vibey things and reconnect with people that listened to my music from early on.

You performed both Drake’s Passionfruit and PARTYNEXTDOOR’s ‘Come And See Me’ are there any new R&B artists that you like to listen to in your spare time?

I like Anderson.Paak. I feel like Malibu was one of the best albums created last year. There has been a lot of new R&B. What about Syd? With The Internet? I love what she’s doing.

I like Bryson Tiller. I like music that is very vibey but also still hits hard. I come from a very wide spread music background and came up with the Hip-Hop generation sampling Soul music. So I like that edge just as much as I like the beauty of R&B.

Being that you’re in Chicago, you have a song with BJ the Chicago Kid on the EP called “Stay”. What’s ‘Stay’ about?

Do you understand how many people have freestyled over ‘Closer’?

Stay is more of a relationship record on how to hang in there…

That song and instrumental ‘Closer’ is like a staple and defining moment in hip-hop careers like this song represents how it’s supposed to feel like when you’re closer to your dreams.

In the era of Beyoncé’s Lemonade, staying together, I guess is not a foreign concept?

You never know what it takes to stay together nowadays but I believe some of the most beautiful couples you look up to, you never know the struggles it takes they move past in order to stay together. You never know how hard they have to love each other and when to give each other space. ‘Stay’ is more so about remembering the beginning and figuring out the future.

I’ll get little alerts! I’m always surprised.

I think it really captures the elements of where you are and where you want to be.

Segwaying into the next question, if you could take a song from an artist what would it be?

You know what song I loved last year? Let It Burn by Jazmine Sullivan.

What music influences really inspired you to get into the business of songwriter?

Well, when I was a little girl I was listening to, I specifically remember listening to Stevie Wonder, Nina Simone, Bob Marley, Billie Holiday and I remember finding the song “God Bless The Child” and singing it a camp. Something in it really touched me. I believe I was 8 years old. When I was around 10 I was truly into Whitney Houston. My parents also had many South African friends who were musicians and I remembering going to see them play on stage. Those moments brewed, “That’s what I want to do.”

What was your first concert experience?

My parents took me to see Harry Belafonte who was probably performing with Miriam Makeba at the Hollywood Bowl. I remember it being an important concert and important to my parents. I feel like it’s one of my earliest memories. I was maybe 4 or 5 but I remember being me and my brother being the only kids at the show. Everyone else had baby sitters.

Interestingly enough, aren’t you apart of Harry Belafonte’s Sankofa organization?

I did perform at his festival Many Rivers To Cross and I’ve done some work with his Sankofa organization. I love it because they’re promoting entertainment activism and how to utilize their platforms for positive change.

With Donald Trump being a representation of misogyny how are you navigating parenting your daughter in a post-Trump America as well as maintaining as sense of strong pride as a black woman?

Well, for one, I believe after election day it felt like a dark cloud was over me and I had to figure out how not carry that energy of, ‘oh, we lost and there’s nothing we can do’ to ‘we need to work harder’. We can’t be on auto-pilot. Racism is still real and there’s still a valid amount of amazing people doing amazing work and changing the world. I knew I had to put the song, “Stand,” out which I wrote years ago but I felt it was proper to say something now when it’s needed.

EVAN BROWN

photography by devion gardley

interview by terrell johnson

EYE 2 SKY

Chicago-based videographer Evan Brown is capturing things you wish you had on your camera roll. The Ear2Ground content producer tells us about creating content, his side hustles, his upcoming feature film and how he ended up in front of Chance The Rapper on a historical night in the city.

PORTRAIT BY KRISTEN THORNTON

Introduce yourself.

I’m Evan Brown. I eat a lot pizza during interviews. I’m part owner of a media that focuses on working with musicians and creatives doing photo/video for Ear2Ground.

When did your affinity for visual art begin?

Growing up I used to make home movies on my dad’s movie camera. That was my experience in grammar school.

My parents then bought me a Nikon Coolpix point-and-shoot camera. Six or seven years later, I just fucked up most of the time. I was doing nothing. Nothing really artist just was basically living my social life. I was working in television doing video work but I don’t count that as apart of my creative expression. I probably have had 25 different jobs between the ages of 16 to 24. You name it I’ve done it: Jimmy John’s delivery driver, bar backing, painting gas meters for power utilities, driving cars for car dealerships -- just a bunch of random stuff. I was a lost soul but staying busy. Doing the most while doing nothing at all. Then, Phone cameras got really good -- The iPhone 5.

Instagram became a thing...

Yeah, right at that same time Instagram was thriving and was sharing moments at the time was a cool thing. I just doing that because it was natural. My friend who was a photographer was telling me that I should get a camera cause you have a really good eye. I’m thinking to myself, “I don’t think so…” The only thing on my mind was money for the most part and sell weed. I was only trying to figure out what I wanted to do with my life. I couldn’t ‘pick up another hobby’ is basically what I was thinking.

When did you realize you wanted to document culture and art?

It started after my friend who told me to get the camera a week later because his aunt say my photos on Facebook and was like -- “Hey, do you take photos? I need photos for my floral arrangements…” I hit up my friend, “Aye, let me get that camera!” He was selling his old camera and I was thinking you’re not about to finesse me for $400.

Instantly it clicked, I didn’t even know how to work the camera but the photos came out decent she paid me $20 and a switch flipped in my head. Ever since, then I didn’t take any jobs that didn’t necessarily help my career.

Growing up in Springfield is very different but still diverse. It’s like a small version of Chicago. Everyone knows everyone in Springfield. I was the only one really taking artistic photos seriously. My homie Chris hit me and asked me about rebranding a tech company for arts & entertainment space so they can feed each other. This was a good place to start because I knew a lot of people in Chicago already so I moved up to here in June 2015.

That’s not that long ago.

I haven’t sleep in two years… [laughs] The first artist was Martin Sky at LPZ Studios. I didn’t understand the significance of any of that shit at the time. Like, I knew who Joey Purp, Vic Mensa, and Chance and heard their music but I went over there to meet with Eric cause he was in business with PZ who is one of the business partners of Ear2Ground who went to college with Chris. So, I go over there and this kid was making fire ass beats. I was like “Who is that?” and he said “Oh, that’s Martin Sky…” I heard his music on Soundcloud before but this all happened after the second day I moved to Chicago.

So instantly, after moving you were thrown in this space of early cultivation of Chicago newest artists on the scene?

Yeah, I was immediately thrown into a really good spot.

Not a lot of people have those types of relationship.

You had a inkling of what was possible…

Yeah, I knew. I was with the shits.

People build their artistic portfolios to be in those positions and pitch those ideas and you just slide into the situation.

In that regard, the music and energy that each artist gives off inspires each photograph of each particular artist and how they present themselves.

I’m still developing how I process a style of how I capture them. I just picked up a camera three years ago and to be honest, I’m pretty much done with photography. I haven’t taken photo jobs for awhile. Most of my work has been strictly video.

I’m finally getting better and there’s a lot of stuff that’s not out yet that I’m really proud of. Video is a whole other world that I’m in. I find that my true goal is to be like -- a director.

You want to do film?

Totally. I’ve had a lot of unique experiences which is why I believe I can just vibe with a lot people. Shooting people like Chance, Playboi Carti and other big artists is not to make them feel uncomfortable. Working with artists and creatives is like not fucking up the vibe. I think that’s a big part of it.

I want to make movies. I’m not sure but for sure a sci-fi movie. They’ve always been like the shit for me. A lot of them aren’t that great cinematically and some are kind of tacky but are awesome movies. I feel like there’s some space there where I can thrive.

Now that you’ve had so much experience in these past two years working and studying the art of photography -- who are some of your inspirations or work that you admire?

You want to do film?

I like to maintain that I’m most inspired by my own experiences of what I see in the world not just through other people’s work. I do get inspirations within all types of art whether it’s movies or whether it’s stand up comedy.

I’m definitely inspired by my peers too but not to a degree of the rest of life. All the people that are really good aren’t inspired to a degree by other people. But I am inspired

by Boogie: a serbian photographer. He has some really cool books on gang culture in the 1990s on gang culture in New York City. He also had a book A Wah Do Dem he went to Kingston for like a month -- he captures some really grimiest documentary and journalistic photography I’ve seen. I don’t think I’ll be putting myself in like insane scenarios. I don’t want to do that but it definitely inspires me to see that type of work.

Music is a big part of the photography you capture; what sounds help inspire those photos or moments for you?

The goal of a portrait is them through your perspective.

The goal is to express that person with not so much emphasis on myself. (continued)

I want to make movies. I’m not sure but for sure a sci-fi movie. They’ve always been like the shit for me. A lot of them aren’t that great cinematically and some are kind of tacky but are awesome movies. I feel like there’s some space there where I can thrive.

With Ear2Ground what’s the mission?

I want to make movies. I’m not sure but for sure a sci-fi movie. They’ve always been like the shit for me. A lot of them aren’t that great cinematically and some are kind of tacky but are awesome movies. I feel like there’s some space there where I can thrive.

Austin Vesely is also debuting a horror film Slice are you excited about that?

Super excited! I have another cool story about Austin. The second week I was here in Chicago, Chris invites me to Soho House, the dude who directs all Chance’s music videos are going to be here and sat down with Elijah Alvarado. (continued on next page)

“I’VE ALWAYS BEEN ABLE TO VIBE WITH PEOPLE, HALF OF IT IS NOT FUCKING UP THE VIBE...”

(continued from last page) I’m pretty sure I was the only one doing video stuff at the time. They taught me so much on their general knowledge on things and how cool they were was admirable. So, Slice is gonna be a huge deal!

As far as Chicago, what’s the most memorable moment that’s your favorite?

I would say Magnificent Coloring Day and went just to go. The morning of my homie hit me up to go. We were front row in the seats.

Great day except the kids trampling me when Kanye West came out and knocked over all my beers which was $14 each. Thanks Kanye. After incredible day and experience someone sent me a invite to Chance’s afterparty at Studio Paris. My homie had plug with security there so he said we were good. End of the show, everyone was saying they didn’t want to go after the long night. I was going -- he told me the name and I hopped on my scooter from the White Sox stadium, home in Hyde Park to grab my camera, changed clothes and went to River North. There were hundreds of people there waiting in line. Security was insane. They were not having it.

They were waiting on the people that pulled me in then we got escorted to Studio Paris and I was preparing to get video of the entire thing. I went to the DJ booth by MattBoyWhite. I stood there next to my boy Miles Hampton and was on stage and I found my spot to shoot from for the entire night. No one is telling me to move or get down -I’m just gonna hide behind this speaker and film.

No one tweaked at the last second security starts tweaking and said. “Who are you?! What are you doing?” Someone vouched for me then next thing you know -- Pat grabs my shirt pulls me back and Chance runs in front of me and starts performing then pushed back on stage. It was one of the most celebratory moment someone could really witness. I was just lucky enough by the craziest instance go to shoot that. I love Chicago.

That was a great story.

That was last Fall, now Taylor Bennett has lived here [at the house] for a few months. I actually enjoy living with all these younger kids for about 4 to 5 months. I got to meet some awesome talented younger creatives kids that kind of gave me some new life. I also feel like a big brother throughout all of it. I’m 27 but I’m really a 40-year old soul.

I bet the club was empty.

i’m 27 but I’m really a 40 year old soul.

Oh, it was like packed like Sardines in there. It was insane. It was ridiculous. I tried to get in and really bummed out. I went off to the side and was thinking about how horrible my friends were and there were three people standing there. I kind of recognized them but didn’t really know them. I knew we had crossed paths before -- they were there laughing at the situation. All of a sudden, a door swings open next to us and someone pulls them in and one of them waved me in like “Come on dude, just come with us…” So I literally followed them into this restaurant, I’m like this is better than standing outside and not getting into Studio Paris. I didn’t have any clue what this was going to be. I walked through the coolest restaurant pulled the curtains back and it’s Chance and his crew. I know Greg his drummer and Smoko Ono his friend and producer and a couple people he knows.

You were apart of Taylor’s album artwork composition right?

I took the photos. I did not conceptualize the album artwork. That was an Asian artist named Rowdy. He’s dope as fuck. I shoot the imagery for the tour and album. Rowdy did the design work.

Dope that’s so cool.

I think having my photo that I took of Taylor on NPR is one of my greatest life accomplishments.

Where do you see yourself going this year?

Doing another art show with some other talented photographers which I’m excited about. I’m going to directed my own film scored by Martin Sky and the company Ear2Ground launches.

Ear2Ground hasn’t launched yet?

No, but it’s the biggest thing I’ve done in my life.

I’ve done thousands of hours over the past two years and I love it. We’ve been building as a team.

I’m kind of the public face of it because I’m always out shooting and meeting people so I’m so excited.

I love the quiet cultivation of something and then you hit people over the head with it.

Right now, we’re just trying to be the vessel so people can see what’s going on in Chicago. I tend to tell people we’re a media and tech company and people don’t get it but you have to come correct or don’t come at all.

2017 SPRING/SUMMER ISSUE | PHOTOGRAPHY BY: SAM K. FARE

CHICAGO

VOLUME 003

SAHAR HABIBI MANO | CHANCE THE RAPPER | ANDREW BARBER | GOAPELE