Old Master, British and European Art Tuesday 27 September 2022

Tuesday 27 September 2022 at 10am

TUESDAY 4 OCTOBER | 10AM pictures@sworder.co.uk | 01279 817778

REMOVAL OF LOTS: To save you having to wait, we operate a mandatory booking system for collections. Please book your appointment 24 hours in advance, to ensure your items are ready when you arrive. Please see our website for details.

We will be offering viewing at our Stansted Mountfitchet saleroom as follows: Friday 23 September 10am - 5pm Saturday 24 September 10am - 1pm Sunday 25 September 10am - 1pm Monday 26 September 10am - 5pm

OLD MASTER, BRITISH AND EUROPEAN ART at the Stansted Mountfitchet Auction Rooms

Tuesday 27 September 2022 at 10am

ORDER OF SALE Lots 1 - 92 Old Master, British and European Art Lots 93 - 112 The Estate of Sir Jack and Lady Baer Lots 113 - 340 Old Master, British and European Art VIEWING TIMES

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FURTHER INFORMATION: Contact: Jane Oakley Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

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Lot After3 Raphael La Madonna della Sedia oil on canvas 92 x 71cm £400 - 600 After the original in the Pitti Palace, Florence.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

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Lot Spanish1 School, 17th century The Holy Family oil on panel 20 x 14cm, within the original integral frame £800 - 1,200 1

Lot After2 Raphael, Portrait of the artist, head and shoulders oil on board, oval 18 x 15cm £300 - 500 After the original in the Pitti Palace, Florence.

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1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 5 Lot Costa4 di Conti after Raphael (c.1870) La Madonna della Sedia with studio label verso, oil on canvas, tondo 32.5cm diameter, in the original carved Florentine frame £800 - 1,200 After the original in the Pitti Palace, Florence. Lot Manner5 of Raphael Madonna and Child oil on canvas, tondo 52cm diameter £300 - 500 4 5

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 6 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower6 of Neri di Bicci (Italian, 1418-1492) Madonna and Child enthroned egg tempera on panel with later oil additions, gilding and punchwork to the decorated edge and halo, arched top 88 x 62cm, within an integral frame £20,000-30,000 Neri di Bicci was a Florentine artist, active in the second half of the 15th century. The third generation of artist in his family, he was very successful and prolific, running a large studio. His works were often painted on a gold ground as in the present work and have their origins in the work of the 14th century Florentine, Giotto. He was referred to by the great art historian of the Italian Renaissance, Giorgio Vasari, as the last of the Giottoesque painters. His work retained lots of 14th century decorative features, yet also integrated more naturalistic elements to his figures, as was being developed by contemporaries such as Fra Angelico and Fra Filippo Lippi. He left meticulous records of his work and business, ‘Le Ricordanze’, which have provided a big insight into art practices of the 15th century and detailing materials, commissions, patrons and frames. He had many pupils and his studio is recorded as creating over 50 Madonna and Child paintings. The present work appears to be contemporary with the artist and is based on ‘Madonna and Child Enthroned’, Museum of Fine Arts, Budapest.

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 8 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot After7 Carlo Dolci, The Angel of the Annunciation inscribed verso ‘Medal of Distinction Italian Exhibition of Costa & Conti Artists, Gallery of Copies & Ancient Pictures Florence’, oil on canvas 70 x 54cm £400 - 600 After the original in the Pitti Palace, Florence. Lot Cuzco8 School, 19th century A drummer angel oil on canvas 58 x 41cm £200 - 300 Lot Italian9 School, 19th century St John the Evangelist with an eagle oil on canvas 153 x 98cm £400 - 600 Lot Russian10 School, 19th century The Last Supper oil on panel, tondo 37cm diameter £500 - 700 7 8 9 10

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 9 Lot Rembrandt11 Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etching with engraving plate 53 x 40.5cm £2,000 - 3,000

Literature: George ‘Rembrandt’sBiörklund,Etchings True and False’, Esselte Aktiebolag, Stockholm, 1955, cat no. BB 39-A, Christopherp.72; White and Karel G Boon, ‘Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts’, Vol XVIII, Rembrandt Van Rijn Text, Vangendt & Co., Amsterdam, 1969, cat.B.99, Erikp.54;Hinterding and Jaco Rutgers, ‘The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700’, Rembrandt Text II 1636-1665, ed. Ger Luijten, Sound and Vision Publishers, Belgium, 2013, cat. no.173, pp.39-41.

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

13 part lot

Lot Rembrandt12 Harmensz. van Rijn (Dutch, 1606-1669) ‘The Death of the Virgin’, 1639 etching, trimmed to plate image 39.2 x 31.2cm £300 - 500 Provenance: With Lilla Bukowski, June 2003.

Lot Jacob13Gole, after Cornelis Dusart, The Five Senses: Visus; Auditus; Tactus; Odoratus; Gustus a set of five mezzotints plate 23 x 18cm, unframed (5) £400 - 600 12

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1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 11 Lot Albrecht14 Dürer (German, 1471-1528) ‘Saint Francis receiving the Stigmata’, c.1503-05 (Bartsch 110; Meder-Hollstein. 224) imagewoodcut21.9 x 14.5cm £2,000 - 3,000

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 12 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Ada15Hunter (b.1860) Christ in Majesty with a crowd of worshippers - probably based on a 16th-century Flemish tapestry signed and dated ‘Ada Hunter 1904’ l.r., bodycolour 128.5 x 158cm £1,500 - 2,000

16 part lot 17 part lot

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 13 Lot Francesco17 Bartolozzi (Italian, 1727-1815) after Hans Holbein the Younger Edward, Prince of 48.5insix(MargaretMotherLadyLordCatherineJaneWales;Seymour;Howard;Vaux;Vaux;JakGiggs)stippleengravingscolourx27.5cm(6)

£400 - 600 ‘Ornatus Anglicanus’muliebrisprints were reproduced until the nineteenth century. According to Pennington, the different states are not clearly attributable to any particular issue (Pennington, p.292). However, this appears to be an earlier edition, possibly printed by Sayer c.1755-1794.

£600 - 800 Lot 1607-1677HollarWenceslaus16(Bohemian,) ‘Ornatus together13.2orsignedfivearecountrytheEnglishSeverallAnglicanus,muliebrisorTheHabitsofWomenfromNobilitie,tothewoman,astheyinthesetimes’etchings,eachanddated16391640intheplatex7cmandsimilar;with four etchings After Wenceslaus Hollar, from two9.5c.1890sMulierum’,‘Theatrumprintedx6cmandsimilar,unframed(9)

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot After18François Clouet

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Portrait of King Charles IX of France, head and shoulders, in a fur-trimmed doublet and plumed hat oil on canvas, laid on panel 33 x 27cm £400 - 600

Lot English19 School, 17th century Portrait of a lady, half-length, in a black dress with pearl and jewel detail oil on canvas 85 x 67cm £600 - 800 18 19

Lot English20 School, 1614 Portrait of a lady, said to be Lady Frances James (1563-1648), daughter of Martin James of Smarden, Kent, married to Sir Thomas Roberts of Glassenbury Place, Cranbrook, Kent, aged 51, together with a young child, half-length, she in a black dress, jewelled headdress, white ruff and pearls, holding gloves, the child in an embroidered dress and elaborate lace inscribedheaddress‘ANo 1614’ u.l., and ‘AET. SVÆ 51’ u.r., indistinctly inscribed on the frame verso, and transcribed on a later label, oil on panel 90.5 x 70.5cm £6,000 - 8,000

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 15

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 16 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot English21 School, 1616 Portrait of a lady, half-length, in a black lace-trimmed dress with a feathered hat inscribed ‘ÆTATIS SUÆ. 34/1616’, oil on panel 61 x 43.5cm £1,500 - 2,000

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 17 Lot English22 School, c.1626 A portrait a gentleman, standing three-quarter-length, in a red doublet with lace collar and cuffs inscribed and dated ‘Ætatis sua 36/anno 1626’ u.r., with later inscription ‘Zuchero PINXt.’ u.r., there is an indistinct inscription u.l., indicated by the small hand pointing, oil on canvas 73 x 59cm £5,000 - 7,000

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot Circle23of Michiel van Mierevelt (Dutch, 1566-1641) Portrait of a gentleman, bust-length, in a black doublet with lace collar oil on canvas 46 x 41cm £800 - 1,200

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Lot Flemish24 School, 17th century Head of a man - a fragment of a larger oilcompositiononcanvas laid down, oval 38 x 30cm, in a Swan carved gilt frame £500 - 700 23 24

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 19 Lot Follower25 of Pieter Cornelisz. van Slingelandt, Portrait of a lady, three-quarter-length seated, in a black dress and white ruff, a green curtain behind with inscription ‘Slingelandt/LEYDEN 1640/Dutch’ on a label verso, oil on copper 19.5 x 16.5cm £600 - 800

Lot Attributed26 to Domenico Tintoretto (Italian, 1566-1635)

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 20 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Provenance: Dorotheum, Vienna, Austria, 4 October 2006, Lot 12.

Literature: Paola Rossi, ‘I Ritratti femminili di Domenico Tintoretto’, Arte Illustrate, Anno III, 1970, pp.93-98, ill. II. p.98.

Portrait of a lady, three-quarter-length seated, in a red dress, with a child beside her oil on canvas 115 x 94cm £15,000 - 25,000

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

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Lot Italian28 School, late 17th century

Lot After27Sir Anthony van Dyck Portrait of Thomas Killigrew (1612-1683), three-quarter-length seated, in a black slashed coat oil on canvas 76.5 x 63.5cm £700 - 900 After the original in the Royal Collection, Windsor (detail).

Portrait of a gentleman, three-quarter-length, in a grey shirt and gloves, and a red and dark green cloak; Portrait of lady, three-quarter-length, in a white silk dress and green wrap a pair, oil on canvas 98 x 71cm and 96 x 71cm (2) £800 - 1,200 27 28 part lot

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 23 Lot After29Sir Peter Lely, Portrait of King Charles I, bust-length, dressed in black with a white sash oil on canvas 76 x 63.5cm £2,500 - 4,000

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 24 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Adriaen30 van Ostade (Dutch, 1610-1685) Study of a peasant in a brown coat and cap oil on panel 16 x Provenance:15cm Dr Leon Lilienfeld collection. Literature: Gustav Gluck, ‘Niederlandische Gemalde aus der Sammlung des Herrn Dr Leon Lilienfeld in Wien’, 1917. £5,000-7,000 We are grateful to Dr Fred G Meijer for confirming this as an autograph work by Ostade. Lot 31 Spare lot

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 26 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower32 of Mary Beale Portrait of a young lady, half-length, in a green dress with white trim and gold wrap, feigned oval oil on canvas 76 x 64cm £800 - 1,200

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 27 Lot Circle33of Sir Godfrey Kneller (1646-1723) Portrait of Elisabeth Sheldon, half-length, in a blue dress and red wrap inscribed with the sitter’s name, oil on canvas laid down on board, oval 75 x 63.5cm, in a carved giltwood frame £1,000 - 1,500 Lot English34 School, c.1700 Portrait of a young gentleman, half-length, in a white lace stock and red mantle oil on canvas, oval 73 x 60cm £400 - 600 33 34

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 28 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower35 of William Wissing Portrait of William of Orange, three-quarter-length, in armour holding a staff of office oil on canvas 155 x 116.5cm £4,000 - 6,000

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 29 Lot Studio36 of William Wissing (Dutch, 1656-1687) Portrait of Queen Anne as the Princess of Denmark, seated three-quarter-length, in a blue gown with red ermine-trimmed wrap, in a landscape oil on canvas 127 x 101cm, in a giltwood and composition Maratta frame £2,000 - 3,000

Portrait of an infant, seated three-quarter-length in a white dress and bonnet, with roses in her lap, holding a peach inscribed ‘Ætatis sua/XXIII weeken/1716’ u.r. below a painted coat of arms, oil on canvas 67 x 49cm £700 - 1,000 37 38 39

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower37 of Sir Peter Lely, Portrait of a girl, half-length, in a green and white dress and red wrap, holding an orange oil on canvas, painted oval 76 x 63cm, in a contemporary carved giltwood frame £1,000 - 1,500 Lot English38 School, c.1700

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Portrait of young lady, half-length, in a white dress and brown wrap, holding her pet spaniel oil on canvas 62 x 51cm £300 - 500 Lot Dutch39 School, 1716

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 31 Lot French40 School, 18th century Portrait of a nobleman, half-length, in armour oil on canvas 74.5 x 61cm £2,000 - 3,000

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4142

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Manner41 of Hyacinthe Rigaud Portrait of a nobleman, half-length, in armour and red mantle with inscription ‘Principe Hansen Frederick Lodewyk’ verso, oil on canvas 96 x 70cm £400 - 600 Lot Manner42 of Jean-Baptiste van Loo Portrait of John Noble, three-quarter-length standing, in a brown coat with blue gold-trimmed waistcoat oil on canvas 138 x 116cm £300 - 500

Portrait of a gentleman, three-quarter-length, in a red jacket and gold waistcoat oil on canvas 127 x 101cm, unframed £1,000 - 1,500

Lot Circle43of John Vanderbank (1694-1739)

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Lot English44 School, 18th century Portrait of a young girl, half-length, in a gold dress and red wrap, holding a basket of flowers oil on canvas 64.5 x 56cm £400 - 600 44 43

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 34 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot English45 School, early 18th century Portrait of a gentleman, three-quarter-length, in a brown coat, in a landscape oil on canvas 132 x 104.5cm £800 - 1,200

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 35 Lot Circle46of Enoch Seeman (1694-1744) Portrait of a young lady, half-length in a blue dress, her arms resting on a ledge oil on canvas 76 x 62.5cm, unframed £800 - 1,200

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 36 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot After47Sir Peter Paul Rubens Thetis receiving the arms of Achilles from Vulcan oil on canvas 49 x 55cm £1,000 - 1,500 47

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 37 Lot Italian48 School, 18th century The admonishment oil on canvas 67.5 x 93.5cm £400 - 600 Lot 49 Spare lot Lot After50Adriaen van der Werff The Banishment of Hagar and Ishmael oil on canvas 88.5 x 70cm £400 - 600 48 50

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 38 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower51 of Jacques Courtois, A horseman and other soldiers after a battle, a hilltop town beyond oil on canvas 37.5 x 48cm £1,000 - 1,500 5352 51 Lot Circle52of Carel van Falens (Belgian, 1683-1733) A hawking party oil on oak panel 23 x 27.5cm £400 - 600 Lot Circle53of Dirck Stoop (c.1618-c.1686) A landscape with figures and horses resting near a country house oil on panel

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 39 22 x 32.4cm £300 - 500 Lot Circle54of Jan Wyck (Dutch, 1640-1702) A stag hunt oil on canvas 116 x 169cm £5,000 - 7,000 Provenance: Phillips, 16 May 2002.

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 40 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Circle55of Mario Nuzzi, called ‘Mario dei Fiori’ (Italian, 1603-1673) Still life of tulips and other flowers tied with a red ribbon oil on canvas 40 x 30cm £1,000 - 1,500 Lot 56 J… Coleman (19th century) A game larder signed ‘J Coleman’ l.l., oil on canvas 63.5 x 76cm £500 - 8005556

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 41 Lot Tobias57 Stranover (Hungarian, 1684-1756) Still life of peaches, grapes, melons, hazelnuts, medlars and other fruit on a ledge oil on canvas 63 x 73cm £5,000 - 8,000

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 42 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Circle58of Adriaen van Diest (1655/56-1704) View of Plymouth with shipping in the Sound, figures and a horse-drawn coach in the foreground oil on canvas 70 x 119cm £1,500 - 2,000 Lot Flemish59 School, 18th century A wooded river landscape with figures loading a boat; A landscape with figures, a horse and cart and a adistant townpair,oilon copper, oval 8 x 10.3cm (2) £300 - 500 58 59 part lot

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 43 Lot Attributed60 to Gerard van Edema (Dutch, 1652-1700) Mountainous river landscapes with figures near ruined towers a pair, oil on canvas 90 x 103cm (2) £7,000 - 9,000 part lot

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 44 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Circle61of Adriaen van Diest (Dutch, 1655-1704) A river landscape with a fortified bridge, figures and boats in the foreground oil on canvas 65 x 123cm £1,500 - 2,000 Lot Manner62 of Pieter Casteels A golden pheasant, white-tailed pheasant and plover in a capriccio landscape with ruins oil on canvas 195 x 117cm £800 - 1,200 Provenance: Mr & Mrs J Jowitt, Taillefer, St. Puy, France. 61 62

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 45 Lot Follower63 of Jacob van Ruisdael A wooded landscape oil on canvas 54 x 62cm £400 - 600 Lot Follower64 of Joos de Momper An extensive river 21.5oillandscapeoncanvasx37cm £2,000 - 3,000 63 64

46 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Attributed65 to Giovanni Paolo Panini (Italian, 1692-1765)

A capriccio with classical ruins oil on canvas 129 x 108cm £15,000-20,000 Provenance: Dorotheum, Vienna, 4 October 2006, lot 45.

Giovanni Paola Panini was an 18th century artist and architect, who lived and worked in Rome. He is best known for his Roman views or ‘Veduti’, paintings which detailed the architecture of Rome, with a focus on the antiquities that are present throughout the city. Often, the inspiration of these ruins led him to create ‘capriccios’: made-up, often slightly fanciful grand imaginings, as in the present lot. He studied first as a painter of palaces, learning to use ‘trompe l’oeil’ effects and theatrical devices to create the illusion of perspective, carefully arranging compositions for the maximum dramatic effect. Through a high archway, we see the ruins of grand buildings and stone structures, stretching back one after another deep into the picture plane, the foreground crowded with broken columns, adorned with a variety of detailed decoration. Intermingled with this, we see nature re-asserting itself as plants and trees creep in between the stone blocks, foliage hanging from high arches and columns. There is a strong directional light that highlights the architectural elements and adds a layer of romanticism to the scene. 65 detail

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OLD MASTER, BRITISH AND EUROPEAN ART 1-92 48

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Portrait of a lady, three-quarter-length standing, in a blue dress with lace cuffs and trim, decorated with pearls, her arm resting on a mantelpiece oil on canvas 127 x 101cm £1,000 - 1,500

Portrait of James Mackie, half-length seated, in a brown coat and waistcoat oil on canvas 72 x 62.5cm £500 - 700 66 67

Lot Scottish67 School, mid-18th century

Lot Circle66of Thomas Bardwell (1704-1767)

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 49 Lot Attributed68 to Henry Pickering (fl.1740-1770) Portrait of a lady, half-length, in a lace-trimmed grey dress and blue cloak feigned oval, oil on canvas 77 x 63.5cm, in a carved giltwood William Kent frame £3,000 - 5,000

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 50 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Irish69School, 18th century Portrait of Mrs Vandeleur and her daughter in a landscape at Kilrush, County Clare, Ireland oil on canvas 126 x 100cm £2,000 - 3,000 Provenance: Gift of Mr C Messmore.

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 51 Lot Richard70 Westall RA (1765-1836) The young David and King Saul oil on canvas 72 x 52cm £2,000 - 3,000 Lots 71-77 Spare lots

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 52 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Follower78 of François Boucher, The fishing lesson oil on canvas 80 x 85cm £400 - 600 7978 Lot Italian79 School, 18th century Lovers in a garden oil on canvas 36.5 x 30.5cm £500 - 800

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 53 Lot French80 School, 18th century A fête champêtre in a vineyard oil on canvas 184 x 209cm £1,000 - 1,500

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 54 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Attributed81 to John Ralston (1789-1833) Men-of-war anchored off the coast, figures in a rowing boat in the foreground oil on canvas 66 x 91.5cm £600 - 800 Lot English82 School, 18th century, A frigate in a storm oil on canvas 42.5 x 49cm £300 - 500 Lot Circle83of Charles Brooking (1723-1759) Frigates off the coast oil on canvas 71 x 118cm, unframed £400 - 600 83 82 81

Lot English84 School, 18th century

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The clipper ‘Rangitiki’ off the coast signed with monogram and dated ‘1891’ l.l., oil on canvas 61 x 92cm £300 - 500

Lot Angl86o-Chinese School, c.1855 ‘Arabia’, a clipper, 333 tonnes, off the coast possibly of Hong Kong oil on canvas 46 x 59.5cm, in the original Chinese carved wood frame £300 - 500

The battle of Algeciras, Portugal inscribed ‘Arjel’, pen and ink and watercolour 43 x 90cm £1,200 - 1,500

In July 1801, there were two naval battles between a British squadron under the command of Rear-Admiral Sir James Saumarez and a smaller French squadron supported by Spanish gun batteries. Although the French and Spanish fleets, despite heavy losses, were able to reach Cadiz, the battles were to prove decisive in establishing British control of the Mediterranean.

8586 84

Lot New85Zealand School, late 19th century

The ship, built in Hull, was orignally named ‘Scimitar’, but was re-named ‘Rangitiki’ when she was bought by the New Zealand Shipping Company in 1873 for £25,000.

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 56 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Thomas87 Rowlandson (1756-1827) Enlisting recruits pencil, pen and ink and 22.5watercolourx36cm £4,000 - 6,000 Provenance: Col. no.SpinkwithSibthorp;Humphrey&Son,London,K310244. Lot English88 School, late 18th century ‘The Letter Board’ - a trompe l’oeil pen and ink and watercolour 35 x 48cm £800 - 1,200 Provenance: Acquired by the present owner from Gallery.withlot12Sale,AspleyBonhams’HouseBedfordshire,October1999,371;theRutland 87 88

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 57 Lot English90 School, c.1820 Portrait of a lady, half-length, in a white dress oil on canvas 76 x 63cm £400 - 600 Lot Adam89 Buck (Irish, 1759-1833) Portrait of a young lady, full-length seated, with a child signed and dated ‘Adam Buck 1813’ l.l., pencil and watercolour 36 x 28.5cm £700 - 1,000 Lot Follower91 of Sir Thomas Lawrence Portrait of a young lady, half-length, in a white dress and red wrap oil on canvas 35.5 x 30.5cm £300 - 500 91 90 89

OLD MASTER, BRITISH AND EUROPEAN ART 1-92 58 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Attributed92 to Sir William Beechey RA (1753-1839)

Thomas Young was appointed surgeon to the 1st Royal Regiment of Foot in November 1780, serving in the Caribbean during the French reoccupation of St. Kitts. Promoted to Garrison Surgeon at Grenada in 1792, he subsequently served as Staff Surgeon in Holland under HRH Duke of York. In 1795, he travelled back to the Caribbean as Inspector of Hospitals under Sir Ralph Abercrombie. In 1801, he was Principal Medical Officer to Abercrombie’s expedition to Egypt, where he witnessed the naval battle of Alexandria during which General Abercrombie was killed. Following the British victory, the British and French medical staff worked together to treat the wounded of both armies. Young later served in Malta and retired to Peebles where he died in 1836. 92 detail

Portrait of Inspector General Sir Thomas Young (1753?-1836), three-quarter-length, in a red military jacket bearing a gold Sultan’s medal for Egypt, his Ottoman sabre at his side, his right hand resting on a desk covered with papers relating to his office, including ‘General Return of Sick and Wounded’ oil on canvas 130 x 99.5cm; sold together with a box of documents and letters relating to Sir Thomas’s military and medical career including the ‘General Return of Sick and Wounded’ featured in the portrait. £7,000 - 10,000 Provenance: The family of the sitter by descent; Bonhams, 27 November 2013, lot 112.

1-92 OLD MASTER, BRITISH AND EUROPEAN ART www.sworder.co.uk 59 92

THE ESTATE OF SIR JACK AND LADY BAER

Fo r forty-six years fr om 1970, Jack was marrie d to Diana (née Do wnes Baillieu), daugh te r of the novelist M ollie Pan ter- Downes and her hus b a nd Clare Robinson. After w i nning a Vogue talent contest aged 17, Diana went to R A D A where her contemporaries were P et er O’Toole, Alber t Finney, and Alan B ates. She bought Ph i l limore Terrace, London, in 1955, which s he , together with Ja ck, used as a b ackdrop to their s hared p a ssion for collecting, fro m 1 9thc en tu ry French drawings to nautical folk art , contemporary ce ramics, textiles, p orcelain, a nd decorative objects, many of them bought fro m local antique sh ops and fairs.

Diana took up wate rcolour painting in th e 1980s and over t he years had several succe ssful shows at the gal l ery and the Fine Art Society. However, her grea test work of art was her a nd Jack’s home, which un til very recently wa s hung with hu ndreds of paintings, prints, and draw i ngs, both gifts and D i a na’s own works, layered wit h m any a ntiques and bric-abrac finds, all reflecting th e couple’s original eye and life l ong commitment to the arts.

Pictured Left Sir Jack Baer in the Drawing Room o f Phillimore Te rrace 60

Throughout this autumn, we are delighted to be offering a selection of works from the collection of Sir Jack and Lady Baer in a number of sales. Sir Jack Mervyn Frank Baer (1924-2016) was a British art dealer from the top tier. The man who built Hazlitt, Gooden & Fox into a world-class concern, he is remembered as one of the most enduringly successful and well-regarded London picture dealers of his generation. Born into a family of German Jewish émigrés, he was educated at Bryanston School in Dorset, where fellow pupils included a ‘rather frightening and sophisticated’ boy called Lucian Freud, and later at the Slade School of Fine Art. After serving in the RAF during the Second World War and a brief apprenticeship with the Piccadilly-based art dealer Max de Beer (ending abruptly when de Beer was jailed for fraud), Jack decided to break out on his own, always adhering to his personal motto: ‘honesty before all’. Ironically, Baer’s decades-long relationship with the Hazlitt Gallery began when he was asked to help in its closure after the owner, Hungarian dealer, Max Hevesi, unexpectedly died in 1947. It was instead agreed that Baer should take control of the business, and the result was the ‘world-class’ gallery we know today.

In 1973, a merger created H a z litt, Gooden & Fox, followed by t he opening of an affiliate g a l lery in New York. It wa s during this time and the fo l lowing decades that the ga l l ery and Jack built a s trong reputation, pa rti cularly for Ita l i an art, a nd formed close friendsh i p s with collectors, art historians, mu seums and the next gene r a tio n of art enthusiasts. H e s upp orted many other areas of the art world outside of th e trade, as a Trustee for Burlington magazi ne’s charitable fou ndation, a member o f the Reviewing Commit tee on the E xport of Works of Art, and Chairman of th e Acceptance in L i eu Panel. It is in this la tter position that Jack was sa i d to have saved around £150 m i llion of art for the n ation, and he w as recognised with a knighthood in 1997.

We are delighted to be offerin g a selection of paintings a nd sketches in this sale, inclu ding works by Theodore Rousseau (1812-1867) and Jean-François Millet (18 14 -1875), w i th further 20th century works to be sold in our Modern & Co ntemporary Art sale on t he 4 October.

His early exhibitions i n the 1950s and 60s focused on French Barbizon School p a i nters, Italian baroq ue an d rococo paintings, built on a col le ction of thirty-five wo rk s purchased d uring a trip to New Yo rk in 1955. On the day th at the Foreign E xchange Controls we re removed, Jack quic kly acquired these works by less-pop ul a r artists including Coro t, Millet, a nd Rousseau for just £10,000 (j ust under £240,000 today ), and by including these works in H azlitt’s exhibitions, he was a ble to influence the ma rket and rebuild their po p ularity.

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62 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 THE ESTATE OF SIR JACK AND LADY BAER 93-112 Lot Follower93 of Alessandro Turchi Venus and her attendants inscribed ‘Venus in her Bath/Parmigiana’ u.r., oil on slate 8 x 12cm £800 - 1,200 Lot Circle94of Richard Westall RA (1766-1836) A wounded female warrior oil on board, oval 28.5 x 21.5cm £300 - 500 94 93

www.sworder.co.uk 63 93-112 THE ESTATE OF SIR JACK AND LADY BAER Lot Giovanni95 Battista Piranesi (Italian, 1720-1778) ‘Teatro di Marcello’; Vedute di Piazza di Spagna’; ‘Portico Ottavia’ three engravings plate 40 x 54.5cm and similar, together with four further engravings Fragments from the Tomb Chambers XIII, XV, XLVIII, XlVL each plate 39 x 50.5cm (7) £700 - 1,000 Lot Charles96 Percier (French, 1764-1838) ‘Eléments d’architecture avec le sanglier Borghèse’ together17.5watercolourx19.5cm;witha hand-coloured print, ‘Palais et Maisons de Rome 1er Cahier’ (2) £2,000 - 3,000 95 part lot 96 part lot

64 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 THE ESTATE OF SIR JACK AND LADY BAER 93-112 Lot Michelangelo96A Maestri (Italian, fl.1802-1812) Allegorical figures inspired by Herculaneum frescoes three, gouache and watercolour each 41 x 31cm (3) £1,000 - 1,500

www.sworder.co.uk 65 93-112 THE ESTATE OF SIR JACK AND LADY BAER Lot Alexandre97 Calame (Swiss, 1810-1864) An extensive mountainous landscape with a distant lake signed with initials ‘AC’ l.r., oil on paper laid down on 16.3canvasx27.3cm £800 - 1,200

Exhibited: Galerie Jacques Dubourg, ‘A F Cals Rétrospective’, March-April 1943, no.10; National Gallery of Scotland, ‘Lighting up the Landscape: French Impressionism and its Origins’, 1 August-19 October 1986, no.38.

Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, and Hazlitt Gooden & Fox, ‘Loan Exhibition of Paintings, Drawings and Prints from English and Scottish Collections’, 12 Jan - 21 Feb 1982, no.17. Lot Adolph100e-Félix Cals (French, 1810-1880)

Lot Léopold98 Leprince (French, 1800-1847)

66 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

oilPaysageonpaper laid on board 10.8 x 33cm £1,500 - 2,000

Provenance: Wilstach Gallery, Philadelphia Museum of Art, USA. Exhibited: Hazlitt Gallery, London ‘Barbizon School Exhibition’, Summer 1956, no.35; Hazlitt Gallery, London, 1961, no.10.

‘The Plain of Colombes’ signed and dated ‘Cals 5 Auot 56’ l.l., oil on panel 10.5 x 40.5cm £700 - 1,000

Provenance: Comte A Doria.

THE ESTATE OF SIR JACK AND LADY BAER 93-112

‘Roof indistinctlyTops’titled, signed and dated ‘Leopold Leprince 1815’ verso, oil on board 12.3 x 31cm £600 - 800 Lot Théodore99 Rousseau (French, 1812-1867)

Literature: Apollo, May 1956 (ill.); Hazlitt exhibition catalogue, London, 1956, p.15; Hazlitt exhibition catalogue, London, 1961, p.10; Norwich and Hazlitt exhibition catalogue, 1982, p.44 (ill. pl.16); Burlington Magazine, Feb.1982, no.74 (ill.); Michael Schulman, ‘Théodore Rousseau 1812-1867 Catalogue Raisonné de L’Oeuvre Peint’, Les éditions de l’Amateur, Paris, 1999, no.115 (ill.), p.122.

1009998

102101

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THE ESTATE OF SIR JACK AND LADY BAER 93-112

Lot Attributed101 to Arthur Severn (1842-1931) watercolourSeascape heightened with white 8 x 13cm £200 - 300 Lot Edward102 Lear (1812-1888) Pietra signedSellaand dated ‘E Lear 1844’ l.r. and inscribed with title l.l., pencil and charcoal heightened with white 17 x 12cm £600 - 800

www.sworder.co.uk 69 93-112 THE ESTATE OF SIR JACK AND LADY BAER Lot Amédé103e-Julien Marcel-Clément (French, 1873-1950) The Tuileries Gardens, Paris signed ‘Marcel Clément’ l.r., oil on canvas 65 x 54cm £2,000 - 3,000

70 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 THE ESTATE OF SIR JACK AND LADY BAER 93-112 Lot French104School, 19th century Study of a nude arranging her hair oil on canvas 50 x 33cm £300 - 500 Lot Stanislas105 Lépine (French, 1835-1892) A river landscape with a village signed ‘S Lepine’ l.l., oil on board 20.5 x 28cm £400 - 600 105 104

www.sworder.co.uk 71 93-112 THE ESTATE OF SIR JACK AND LADY BAER Lot Jean106ACharles Joseph Rémond (French, 1795-1875) Valle signedd’Aosta‘Rémond’ l.r., indistinctly inscribed ‘No. 10. Vue prise a ****. Val d’Aost’ verso, oil on canvas 26 x 36cm £800 - 1,200 Lot French106School, late 19th century Fashionable figures with bathing machines and donkeys on a beach oil on canvas 61 x 107cm £700 - 1,000 106A106

THE ESTATE OF SIR JACK AND LADY BAER 93-112

Cals (French, 1810-1880)

Lot Adolph108e-Félix

Portrait sketch of a young girl, half-length, in a brown shirt oil on canvas 46 x 41cm £300 - 500 Lot Adolph107e-Félix

Portrait study of a young girl signed and dated ‘Cals/31 Aout 78’ l.l., pencil 32.5 x 26cm £400 - 600 Lot English109 School, 19th century

Portrait study of a woman stamped ‘Cals’ l.l., pencil 6.5 x 8cm £150 - 250 Provenance: Collection du Comte Doria, 596/45. Exhibited: Galerie Jacques Dubourg, Paris, ‘A F Cals Rétrospective’, March-April 1943, no.106. 109 108 107

72 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Cals (French, 1810-1880)

www.sworder.co.uk 73 93-112 THE ESTATE OF SIR JACK AND LADY BAER Lot 110 Jean-François Millet (French, 1814-1875) Girl signedsweepingwithinitials l.r., 22pencilx12.5cm £2,000 - 3,000

74 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 THE ESTATE OF SIR JACK AND LADY BAER 93-112 Lot Ernest111Ange Duez (French, 1843-1896) Blue signedhydrangeas‘E.Duez’ l.r., oil on canvas 74 x 54cm £1,500 - 2,000 Lot Henr112i-Joseph Harpignies (French, 1819-1916) The Seine from a Parisian balcony signed and dated ‘H Harpignies. 1882’ l.l. and inscribed ‘Paris’ l.r., watercolour 26 x 18cm £400 - 600 112 111

TUESDAY 4 OCTOBER | 10AM Highlights from the Collection of Sir Jack and Lady pictures@sworder.co.ukBaer

Clockwise from left | Mary Fedden . Duncan Grant . Louis Valtat . Eliot Hodgkin . Gwen John

76 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340

Lot Follower113 of George Romney

Portrait of a gentleman, bust-length in profile, wearing a black coat oil on canvas 76 x 63.5cm £300 - 400

Portrait of a young gentleman, believed to be a member of the Nelson family, half-length, in a dark blue coat and white stock oil on canvas 76 x 63cm £400 - 600 By family repute this is said to be a portrait of Admiral Nelson’s father, Rev. Edmund Nelson (1722-1802). The owner of the painting has a strong connection to the Nelson family; a direct ancestor was Bishop Fisher of Exeter and Salisbury. Bishop Fisher was well connected to the royal family and was chaplain to George III. Through his acquaintance with the royal family he knew Nelson, and was one of the few people invited to Nelson’s funeral where he received a memorial ring. This portrait has been in the possession of the owner’s family for the last two hundred years and has always been referred to as Nelson’s father. The costume of the portrait and the age of the gentleman, however, suggests a more likely sitter to be Edmund Nelson, brother of Admiral Nelson. 114 113 Lot English114 School, c.1800

www.sworder.co.uk 77 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Attributed115 to Friedrich Carl Gröger (German, 1766-1838) Portrait of Field-Marshal Prince Gebhard von Blücher (1742-1819), bust-length, in uniform with copy inscription ‘Gröger pinx 1816’ verso (on re-lining), oil on canvas 27 x 33cm £1,500 - 2,000

78 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Continental116 School, 19th century Portrait of an officer, half-length in dress uniform oil on canvas 26.5 x 22cm £300 - 500 Lot Circle117of Samuel Woodforde (1763-1817) Portrait of a lady, bust-length in profile, in a white dress oil on canvas 61 x 51cm £300 - 500 116 117

Portrait of a naval officer watercolour on ivory 6.2 x 5.1cm, in a gold case with blue glass back £300 - 500 This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: 29X6ABTA.

Portrait of a lady wearing a red coat and lace watercolourbonnet on ivory 4.2 x 3.5cm, mounted with a pendant ring, gold surround £200 - 300 This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: BCNHQYPC. 121120 119118

Lot Adam119Buck (Irish, 1759-1833)

Portrait of a girl, half-length in profile, in a black dress 14pastelx11.5cm £200 - 300 Believed to be the companion to the miniature by Anspach of Jasper Generheijden offered for sale by Christie’s, Amsterdam, 10 November 1999, lot 451.

Lot 121 Circle of William Egley (1798-1870)

Lot Attributed118 to Johannes Anspach (1752-1823)

Portrait of Mrs Sydney, née Eliza Vaughn, seated three-quarter-length, in a white dress and gloves 28pastelx22cm, unframed £800 - 1,200 Lot 120 Circle of William Wood (1768-1809/10)

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OLD

124 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 MASTER, BRITISH EUROPEAN ART 113-340

AND

Lot English122 School, c.1830 Portrait of a lady, half-length, in a red dress and feathered hat oil on canvas 91.5 x 71cm £300 - 500 Lot English123 School, c.1840 Portrait of a young gentleman, half-length, in a black coat; Portrait of a young lady, half-length in a blue dress, her arm resting on a stone ledge a pair, oil on canvas 77 x 64cm (2) £600 - 800 Lot English124 School, c.1830, Portrait of a young lady, half-length, in a blue dress and white lace cap oil on canvas 74 x 63cm £400 - 600 123 122

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Lot English125 School, early 19th century Portrait of James Henry Levin (1780-1857), half-length, in a dark coat and yellow waistcoat with later inscription verso, oil on canvas 76 x 63cm £300 - 500 Lot Continental126 School, early 19th century Portrait of a scientist in his study, three-quarter-length, holding a quill in one hand, a book in the other oil on canvas 108 x 79cm £400 - 600 Lot English127 School, c.1830 Portrait of a young lady and her two brothers oil on canvas 53.5 x 43.5cm £250 - 350 125

127126

www.sworder.co.uk 81 113-340 OLD MASTER, BRITISH AND EUROPEAN ART

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OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot English128 School, c.1840 Portrait of a lady, bust-length in a black dress, with lace bonnet and shawl oil on canvas 61 x 51cm £300 - 500 Lot Circle129of George Richmond (1809-1896)

Portrait of a lady, three-quarter-length seated, in a silver dress and a crimson shawl wearing a white lace bonnet with pink flowers oil on canvas 190 x 69cm £600 - 800 Lot English130 School, c.1840 Portrait of a gentleman, half-length seated, wearing a black coat with grey waistcoat and black stock oil on canvas 38 x 31.5cm £300 - 500 130128129

www.sworder.co.uk 83 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Scottish131 School, 19th century

131133 part lot132

Portrait of a young girl, full-length, in a brown dress and holding a straw hat, in a wooded landscape oil on canvas 127 x 102cm £600 - 800 Lot Attributed132 to Albert Edelfelt (Finnish, 1854-1905) A girl Studiesreading;offigures and trees (verso) indistinctly signed and inscribed verso, pencil 19 x 15cm £300 - 500 Provenance: Auktionswerk, Stockholm, 25 March 1995. Lot Alfred133Edward Chalon RA (1780-1860)

Portrait of Joanna Craufurd, three-quarter-length seated, in a white dress signed and dated ‘A.E. Chalon R.A. 1838’ l.l., watercolour heightened with white 36.5 x together28cm,with two further portraits by the artist, both signed and dated ‘1836’ and ‘1838’, watercolour, both 29.5 x 23cm (3) £300 - 500

84 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 135 H… Boughton (fl.1827-1872) Portrait of Sir Francis Lindley Wood, 2nd Bt (1771-1846), half-length, in a dark coat and white stock oil on canvas 76 x 63cm £300 - 500 Sir Francis served as High Sheriff of Yorkshire between 1814 and 1815. Lot Thomas134 Cooper Gotch (1854-1931) Portrait of a lady, three-quarter-length, in a blue dress signed ‘T C Gotch’ l.r., oil on canvas 118 x 89cm £2,000 - 3,000 Lot Follower136 of Nicolas de Largillière Portrait of a young lady, half-length, in a pink embroidered dress trimmed with lace, a black and gold wrap and a string of pearls through her hair oil on canvas 41 x 33cm £400 - 600 134 135 136

Lot English137 School, mid-19th century Portrait of a lady, seated full-length by a window, in a black dress, white flowery mobcap and embroidered shawl oil on board 32.5 x 27cm £300 - 500 Lot English138 School, early 19th century Portrait of two children with a dog signed, oil on canvas 61 x 74cm £300 - 500 Lot Circle139of James Sant (1820-1916)

Portrait of Emma Louisa Church, née Gould, three-quarter-length, in a white dress with lace collar oil on canvas 127 x 102cm £400 - 600 139 137 138

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86 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot George140 Peter Alexander Healey (1808-1894) Portrait of Miss Sophie Burnley and Miss Charlotte Heath Burnley, three-quarter-length, one holding a fan signed and dated ‘GPA Healey 1887’ u.l., oil on canvas 110 x 90cm £1,000 - 1,500

www.sworder.co.uk 87 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 141 Richard Jack RA (1866-1952) Portrait of Mrs C H B Forth, full-length, in a white dress, standing on a terrace, a dog at her signedfeetand dated ‘R. Jack/1900’ l.l., oil on canvas 231.2 x 126.4cm £6,000 - 8,000 Provenance: Anon. lot4Sotheby’s,sale;London,June1997,176. Exhibited: London, no.165.Academy,Royal1901,

88 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Wilhelm142 Carl Friedrich Trautschold (German, 1815-1877) Portrait of a lady in profile, bust-length, in a gold gown with purple wrap signed and dated ‘Trautschold 1864’ u.l., oil on canvas 60 x 50cm £1,500 - 2,000

www.sworder.co.uk 89 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Émile143Eisman-Semenowsky (French, 1857-1911) Portrait of a young lady, bust-length in profile, in a purple dress and large feathered hat signed, inscribed and dated ‘Paris 1888/Eisman-Semenowsky’ l.r., oil on panel 31 x 25cm £1,000 - 1,500

90 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 144 Frederick Victor Bailey (1919-1997) Still life of a basket of flowers on a stone ledge signed and dated ‘F V Bailey/1952’ l.l., oil on canvas 61 x 51cm £400 - 600 Lot Henry145George Todd (1846/7-1898) Still life of fruit signed and dated ‘HG. Todd/1897’ l.r., oil on canvas 40.5 x 30.5cm £300 - 500 Lot Continental146 School, early 20th century Still life of flowers in a vase on a stone ledge Oil on board 75 x 62cm £300 - 500 145 146 144

www.sworder.co.uk 91 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 147 J… Webb (20th century) Geese and parrot signed ‘J Webb’ l.r., oil on board 67.5 x 64.5cm £200 - 300 Lot Alexander148 (Ukrainian,Maximenko1916-2011) Roses and pansies in a vase signed and dated ‘92’ l.r., oil on canvas 50 x 40cm £300 - 500 Lot Vartika149 (Armenian,Karapetyan1927-2013) ‘Spring Flowers’, 1965 signed l.l., oil on canvas 73 x 90 cm £400 - 600 148147 149

92 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot William150 Hammer 1821-1889(Danish,) signedindistinctlyStrawberriesbelow the frame rebate l.r., oil on board 17 x 20.5cm £600 - 800 Lot b.1948)(Armenian,AmbartsumyanRuzana151 Apples and pears signed and dated ‘70’ l.r., oil on canvas 34.5 x 38.5cm £300 - 500 151 150

www.sworder.co.uk 93 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Alexandre152 Debrus (Belgian, 1843-1905) Pink and white roses signed and dated ‘A Debrus 1890’ l.m., oil on canvas 91 x 71cm £800 - 1,200

94 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Pascal153Blanchard (French, 1807-1900) A gypsy woman and child signed ‘Pascal Blanchard. 1891’ u.r., oil on canvas 73 x 61cm £500 - 700 Exhibited: A Guinchard & F Fourniret, Paris. Lot English154 School, late 19th century A gypsy dancer with a tambourine indistinctly signed l.l., oil on canvas 67 x 36cm, unframed £300 - 500 Lot Allan155Douglas Davidson (1873-1932) signedOdalisque‘Alan Davidson’ u.r., oil on board 36 x 25cm £600 - 800 154 155153

www.sworder.co.uk 95 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 156 *** Pigoul (c.1822) Portrait of a European in Arab costume reclining with a pipe by a river, a mosque in the distance inscribed ‘Pigoul/a Londre/Juillet 1822’ l.l., oil on canvas 50.5 x 61cm £600 - 800 Lot William157 James Muller (1812-1845) Portrait of a man in a red turban signed and dated ‘W Muller 18**’ l.r., oil on canvas laid down on board 58 x 48cm £400 - 600 Lot English158 School, 19th century, Othello and Iago on a Venetian terrace oil on canvas 73.5 x 61cm £300 - 500 Lot English159 School, 1906 The courtyard of an Indian palace signed with initials and dated ‘VN/06’ l.l., oil on canvas 51 x 71cm £300 - 500 159158 157156

96 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Continental160 School, c.1900 Camels and figures by the Nile, Gizah indistinctly signed and inscribed ‘Caire’ l.r., oil on canvas 51 x 70cm £250 - 350 Lot Angl161o-Chinese School, c.1900 Moonlit landscapes a pair, gouache 27.5 x 40cm (2) £300 - 500 161 part lot 160

www.sworder.co.uk 97 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot After162David Roberts RA ‘Isle of Graie’; ‘Greek Church of the Holy Sepulchre, Jerusalem’; ‘Remains of Triumphal Arch at Petra’; ‘El Deir, ‘ConventPetra’;ofSt Catherine, Mount Sinai’; ‘Saida, Ancient Sidon’ six lithographs from ‘the Holy Land, Syria, Idumea, Arabia, Egypt and Nubia’, some tinted and with hand-colouring, dated ‘1839’ within the plate, published image1842-184934x 49cm and similar (6) £1,000 - 1,500 Lot Follower163 of Thomas John Baines Port Elizabeth, South Africa from the sea; Views of Middelburg and further 12.5five,subjectstopographicalwatercolourx17.5cm,unframed (5) £300 - 500 162 part lot 163 part lot

98 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot William164 Mulready RA (Irish, 1786-1863) At the water pump signed ‘W Mulready RA’ l.l., oil on panel 32.5 x 26cm £600 - 800 Lot Edith165Hume (fl.1862-1906) The blackberry pickers signed ‘E. Hume’ l.l., oil on canvas 76.5 x 61cm £400 - 600 Lot Follower166 of Erskine Nicol Irish peasant with a glass of ale oil on canvas 28 x 23cm £400 - 600 Lot 167 Spare lot 166 165164

100 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 168 Lot Henry168Garland (fl.1854-1890) The boatbuilder’s gift signed ‘H. Garland’, oil on canvas 51 x 76.5cm £500 - 700

www.sworder.co.uk 101 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 169 Lot James169William Cole (fl.1849-1882) The pet rabbit signed and dated ‘Jas Cole/60’ l.l., oil on canvas 40.5 x 56cm £1,000 - 1,500 Provenance: Anon. sale, Christie’s, South Kensington, 23 May 2002, lot 289.

102 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Manner170 of Jan Both An Italianate landscape with figures in the foreground oil on canvas 37 x 47cm £400 - 600 Lot Marinus171 Adrianus Koekkoek (Dutch, 1807-1868/70) A woman washing clothes in a pool beside a wooded path signed ‘M A Koekkoek’ l.c., oil on panel 58.5 x 67.5cm £1,000 - 1,500 171 170

172173

www.sworder.co.uk 103 113-340 OLD MASTER, BRITISH AND EUROPEAN ART

A wooded landscape with figures and cattle on a path at dusk signed ‘J. Barker’ l.l., oil on canvas 76 x 63cm £300 - 500

Joseph173Barker

Dutch172School,

Lot early 19th century wooded landscape with a mounted figure driving cows and goats on a country road oil on canvas 51 x 61cm £300 - 500

A

Lot of Bath (early 19th century)

174175176

OLD MASTER, BRITISH AND EUROPEAN ART 113-340

Lot John175Berney Crome (1794-1842)

A wooded landscape with cattle oil on panel 26 x 39cm £600 - 800

A donkey by a cottage oil on canvas 51.5 x 68.5cm £400 - 600

104

Lot Circle176of Henry John Boddington (1811-1865)

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot Attributed174 to Edward Robert Smythe (1810-1899)

Provenance: With Mandell’s Gallery, Norwich, November 1968. With an exhibition label ‘Exhibition/Norwich School Oil Paintings and Watercolours from Saturday Oct. 19th to Saturday Nov. 9th/Daily 9.30am - 5.0 pm’.

A wooded landscape with figures near a pool and 40oilcottageonpanelx51cm £300 - 500

www.sworder.co.uk 105 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 177178Lot Edward177 Williams (1782-1855) A river landscape with cattle watering, a windmill beyond oil on panel 37 x 51cm £600 - 800 Lot Benjamin178 Williams Leader RA (1831-1923) Tintern Abbey signed and dated ‘B.W. LEADER. 1883.6’ l.l., oil on canvas 46 x 66.5cm £1,000 - 1,500

106 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Continental179 School, 20th century Ploughing with a pair of indistinctlyoxen signed l.l., oil on canvas 87 x 118cm £600 - 800 Lot 180 ** Tucker A long-horned cow in a 41oilsignedlandscape‘.er/Tucker’,oncanvasx60.5cm £250 - 350 180 179

www.sworder.co.uk 107 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot George181 Léon Little (1862-1941) ‘In the sweat of thy face thou shalt eat bread’ - a ploughing team in an extensive landscape signed and dated ‘G LEON LITTLE 1888’ l.r., oil on canvas 108 x 182cm £700 - 900 181

108 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Abraham182 Cooper RA (1787-1868) ‘Sir Rowland’, a bay hunter in an open landscape inscribed ‘Sir Rowland/Property of Thomas P**ne Esq.’ l.l., oil on canvas 72 x 92cm £1,000 - 1,500 182

www.sworder.co.uk 109 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Abraham183 Cooper RA (1787-1868) A chestnut hunter in an open landscape oil on canvas 68 x 88cm £1,000 - 1,500 Provenance: With Arthur Ackermann & Son Ltd. 183

110 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Follower184 of Harry Hall A racehorse held by a groom with trainer and jockey oil on canvas 48 x 62cm £800 - 1,000 Lot Edwin185Brown (1814-1891) ‘Newminster’, winner of the St Leger, 1851’ inscribed ‘Newminster 1857’ verso, and inscribed in pencil ‘E. BROWN/NOTTINGHAM/ PAINTED 1857’ on the stretcher, oil on canvas 63.5 x 76cm £500 - 800 Lot Heinrich186 Breling (German, 1849-1914) The stirrup cup signed and dated ‘H. Breling. 1878’ u.l., oil on panel 18.5 x 24.5cm £300 - 500 Provenance: John Fleming Collection, 1925. 184 186185

www.sworder.co.uk 111 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Albert187Clark (1843-1928) ‘Bury Victor Chief’, a shire horse in a stable; A grey shire horse in a stable a pair the first inscribed with title, the second signed ‘A Clark’ l.l., oil on canvas 30.5 x 40.5cm (2) £1,000 - 1,500 Lot Frederick188 Albert Clark (c.1821-1910) ‘Spion Kop’, winner of the Derby Stakes signed and dated ‘Frederick Albert Clark/1920’ l.r., oil on canvas 50.5 x 61cm £400 - 600 188189 187 Lot Benjamin189 Herring Jnr (1830-1871) A chestnut mare and foal in an extensive landscape signed and dated ‘Benjm Herring 1861’ l.l., oil on canvas 25.5 x 30.5cm £400 - 600

A hunting scene signed ‘V Colomanus’ l.r., oil on board 28 x 39cm £300 - 500

112

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 190 Harold Freckleton (1890-1979) Preparing for the ride signed ‘H Freckleton’ l.r., oil on canvas 63 x 76cm £600 - 800 Lot 191 Lionel Hamilton-Renwick (1917-2003)

190191192

‘Gold Red’, a racehorse in an extensive landscape signed ‘Hamilton Renwick’ l.r., oil on canvas 63 x 76cm £400 - 600 Lot 192 Vecsey Kalman Colomanus (Hungarian, 1925-1996)

www.sworder.co.uk 113 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 193 Malcolm Coward (b.1948) Point to point signed ‘M Coward’, oil on canvas 45.5 x 76cm £1,000 - 1,500 Lot 194 Malcolm Coward (b.1948) Mare and foal signed ‘M Coward’ u.r., oil on canvas 46 x 127cm £1,000 - 1,500 Lot H**195M** A racehorse with jockey up signed and dated ‘HM 1841’ l.l., oil on canvas 30.5 x 41cm £300 - 500 195 193194

114 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Rudolph196 Stone (1838-1914) Hunting scenes four, oil on board 10.2 x 22.5cm (4) £600 - 800 197 196 Lot Thomas197 lvester-Lloyd (1873-1942) Hunting scenes three, each signed ‘T. Ivester Lloyd’ l.r., watercolour 26 x 51cm (3) £300 - 500

www.sworder.co.uk 115 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Edward198 Benjamin Herberte (fl.1857-1893) Before the hunt signed and dated ‘E B Herberte/1889’ l.l., oil on board 23.5 x 30.5cm £400 - 600 198199200Lot Circle199of John Alfred Wheeler (1821-1903) A huntsman on a grey with hounds in full cry signed with a monogram and dated ‘73’ l.l., oil on canvas 36 x 51cm £500 - 800 Lot 200 John Sanderson Wells (1872-1955) Huntsmen and hounds at the edge of a wood signed ‘J Sanderson Wells’ l.l., pastel 38.5 x 57cm £300 - 500

201202203

Lot David202Cox OWS (1783-1859) A shepherd and his flock in a wooded landscape signed and dated ‘David Cox/1815’ l.r., 38watercolourx55.5cm £400 - 600 Provenance: Enoch Harvey, friend of the artist, by 1845. Exhibited: Liverpool Art Club, ‘David Cox Exhibition’, 1845; David Cox Birmingham,Exhibition,1890. Lot Anthony203 Vandyke Copley Fielding POWS (1787-1855) An extensive landscape with a distant lake and 15.5watercolourmountainsx22.5cm £400 - 600

Lot John201Joseph Cotman (1814-1878) Cattle grazing beside a country house signed ‘J J Colman’ l.l., watercolour 22.5 x 31.5cm £250 - 350

OLD MASTER, BRITISH AND EUROPEAN ART 113-340

Provenance: The residual contents of Bixley Manor, by instruction of the Executors of Sir Timothy Colman KG.

116 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot Edwin204William Sandys (late 19th century) A collection of sketches of Northern France, twenty-four,c.1891each inscribed with title, overallpencil34.5 x 26.5cm, mounted and unframed (24) £400 - 600 Lot Eliza205Ridley Sandys (late 19th century) Views of British landmarks and other eleven,sightseach inscribed with title and variously dated 1882-1890, watercolour overall 39 x 30cm and similar, mounted and unframed (11) £300 - 500 Lot Susanna206 Frances Faithful Fanshaw (1817-1898) A collection of thirty-six sketches of views in and around Rome, c.1865-66 watercolours stuck into a bound scrap book 18.7 x 25cm and similar £400 - 600 206 part lot 205 part lot204 part lot

www.sworder.co.uk 117 113-340 OLD MASTER, BRITISH AND EUROPEAN ART

118 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot (SylvesterHenry208JohnStannard1870-1951) ‘The River at Amberley, Sussex’; ‘In the Heart of 35watercolourStannard’signedaEngland’pair,both‘HSylvesterl.l.,x50cm(2) £400 - 600 Lot Jean207Jacques de Boissieu (French, 1736-1810) An elegant country house by a river, with figures in the foreground signed ‘J J de Boisseau’ verso, watercolour and gouache 19 x 29cm £1,200 - 1,800 Provenance: Sotheby’s, London, 5 July 1993, lot 79, when acquired by the present owner. 207 208 part lot

210211

www.sworder.co.uk 119 113-340 OLD MASTER, BRITISH AND EUROPEAN ART

View of the Old Town and Castle, signedStockholmand inscribed ‘Anna PalmStockholm’, watercolour and bodycolour 8.5 x 26.5cm £800 - 1,200 Lot 210 Sir David Young Cameron (1865-1945) Isles of Loch Maree signed ‘D Y Cameron’ l.r., pencil and watercolour 24 x 24cm £500 - 700 Provenance: With Alex Reid & Lefèvre Ltd., Glasgow. Lot 211 Sir David Young Cameron (1865-1945) Loch signedEiland inscribed ‘Loch Eil D Y Cameron’ l.r., pencil and 18watercolourx36.5cm £400 - 600 Provenance: With Alex Reid & Lefèvre Ltd., Glasgow. 209

Lot Anna209Palm de Rosa (Swedish, 1859-1924)

120 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Edward212 Lear (1812-1888) The Black Mountain, Cephalonia signed, inscribed and dated ‘Black Mountain/16 May 1863/6.30a.m. 168’ l.r., pen and ink and watercolour 32 x 48cm £3,000 - 5,000 212

The interior of Toledo Cathedral, with a choir passing the tombs of Don Álvaro de Luna and his wife signed and inscribed ‘P Fletcher-Watson’ and titled l.l., watercolour and bodycolour 22.5 x 33.5cm £250 - 350 Lot Bernard215 Neyt (Belgian, 1825-1880)

An elaborate pulpit in a cathedral interior; together with another church interior a pair, watercolour heightened with white 55 x 37cm (2) £300 - 500 Lot Pilford214Fletcher Watson (1842-1907)

Lot English213 School, 19th century

The interior of the Cathedral of St Michael and St Gudula, Brussels signed, inscribed and dated ‘b. Neyt.1865/ Bruxelles’ l.r., oil on canvas 71 x 63cm £600 - 800 214 215213 part lot

122 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340

www.sworder.co.uk 123 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot William216 Richardson (fl.1842-1877) Figures among the ruins of Kirkstall Abbey, signedLeeds 66oilRichardson’‘Willml.c.,oncanvasx56cm £250 - 300 Lot Samuel217 Hart Turpin (1837-1889) Children in a 44.21862’datedsignedchurchyardand‘SHTurpinl.l.,watercolourx34cm £250 - 350 Lot English218 School, 19th century Kirkstall Abbey, Leeds oil on canvas 36 x 51cm £300 - 500 218 216 217

124 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

219220221

OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 219 John Rattenbury Skeaping RA (1901-1980) signedGreyhoundsanddated ‘JOHN SKEAPING 83’ l.r., oil on canvas 46 x 65cm £700 - 900 Lot 220 Debbie Gillingham (b.1965) signedHounds‘Debbie Gillingham’ l.r., pastel 47 x 60cm £200 - 300 Lot Gabriel221 Blair (19th/20th century) ‘Siouxsie’, a Pekingese signed and indistinctly dated ‘Gabriel Blair’ l.r., inscribed with title verso, oil on canvas 40.5 x 51cm £400 - 600

www.sworder.co.uk 125 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 222 John Trickett (b.1952) Spaniel puppy signed ‘John Trickett’ l.r., oil on canvas 40.5 x 50.5cm £500 - 700 Lot 223 John Trickett (b.1952) Spaniel flushing a woodcock signed ‘John Trickett’ l.r., oil on canvas 40.5 x 50.5cm £800 - 1,200 Lot 224 John Trickett (b.1952) Labrador flushing a pheasant signed ‘John Trickett’ l.l., oil on canvas 51 x 61cm £800 - 1,200 222223224

OLD MASTER, BRITISH AND EUROPEAN ART 113-340

‘Slow but Sure’ signed ‘Andrew Beer’ l.l., and extensively inscribed ‘Slow but Sure./ Red Cheq. Cock. NU. RP. 30. R.T.S.23. Owner Mr T. Sealey. winner of Oil Painting for Best Young Bird Average/in the Russell Town H.S. 1930. with the following positions,., 6th Ashchurch,1st Barnt Green, 2nd Tamworth,/2nd Derby, 3rd Chesterfield, & 1st Normanton.’ l.c., oil on canvas 31 x 41cm £600 - 800 Lot 227 Andrew Beer (1862-1954) ‘Darran King’ signed ‘Andrew Beer’ l.l., inscribed ‘Darran King/Red Cheq Cock. NU. RP.30.P.H.605. Positions taken in Darranlas Homing Society.1932. 2nd Redhill, 4th Amiens, 1st. 2nd & 3rd. Nevers. all pools and O.B. Average (only bird home in race time.) Owner: Mr Bert Goss. Mountain Ash.’ l.c., oil on canvas 30.5 x 40.5cm £500 - 800 225 Lot 228 Andrew Beer (1862-1954) signed‘Ambition’‘Andrew Beer’ l.l., and inscribed ‘Ambition./Red Cheq Pied Cock. N.U. RP.25. P.3555. Won 2nd Ashchurch. 3rd Barnt Green. (optional races.)/ 5th Tamworth. 3rd Chesterfield, 1st Ripon. 3rd Durham. 2nd Berwick. also 3rd & 4th Banff. Nomination race. Winning Cup & Oil Painting for Best O. B. Average.1926. Barton Hill. H.S./Bred & flown by G. Taylor.’ l.c., oil on canvas 30 x 40cm £600 - 800 Lot 229 Andrew Beer (1862-1954) ‘Jubilee Lass’ signed ‘Andrew Beer’ l.r., inscribed ‘”Jubilee”/Blue cheq Hen. NURP.35.C. HX.60. Winner of 1st Lancaster. Glam. N R Fed. also Istnom. Vel.1421./Flown by T. Ramsay & Son. 1935.’, oil on canvas 40 x 40cm £600 - 800

126 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 Lot Catherine225 H Greig (20th century) signedJays ‘Catherine H Greig’ l.r., oil on canvas 46 x 61cm £400 - 600 Lot 226 Andrew Beer (1862-1954)

229 228 227 226

OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Samuel230 Palmer RWS (1805-1881)

‘The Early Ploughman, or The Morning Spread Upon the Mountains’ (Lister 9) imageetching13 x 19.7cm £300 - 500 Provenance: With Chris Beetles, London.

128

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot Follower231 of John Glover An extensive lakeland landscape oil on panel 28 x 38.5cm £300 - 500 Lot Captain232 John Duncan King (1789-1863)

‘Sugar Loaf Mountain from Dargle River, County Wicklow, Ireland’ signed and dated ‘J D King 1848.’ l.r., oil on canvas 43.5 x 53cm £300 - 500

230231232

www.sworder.co.uk 129 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Follower233 GiuseppeofZais A 35.5astreamfigureslandscapeAfigureslandscapemountainwithbyastream;mountainwithbesideaandcottagepair,oiloncanvasx47.5cm(2) £600 - 800 Lot Follower234 of Andrea Locatelli An figureslandscape,Arcadianwithbyruins and a oillakeon canvas 72.5 x 97cm £300 - 500 233 part lot 234

130 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Herman235 ten Kate (Dutch, 1822-1891) A kitchen scene; An two,interiorbothsigned and dated ‘Herman ten Kate ‘64’ l.r. and l.l., watercolour 27 x 46cm and 26.5 x 47cm (2) £500 - 700 Lot 236 Philippe Jullian (French, 1919-1977) A young musician at the virginals; verso, pencil sketches of a lute pen and ink and watercolour heightened with white 26.5 x 20cm £300 - 500 236 235

www.sworder.co.uk 131 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Carlton237 Alfred Smith (1853-1946) ‘Mother’s Darling’ signed ‘Carlton A. Smith’ l.r., watercolour 40 x 28.5cm £800 - 1,200 Lot Francis238William Topham (1808-1877) ‘The Sick Child’ signed and titled verso, watercolour in a circular mount 24.5 x 24.5cm £300 - 500 237 238

132 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Boris239Sporykhin (1928-2020) Seated male study signed and dated ‘-502’ l.r., pencil and wash 40 x 30cm £300 - 498 Lot Boris240Sporykhin (1928-2020) Standing male model, c.1950 inscribed l.r., pencil 59 x 40cm £400 - 600 Lot Italian241School, 19th century A young girl at her studies oil on canvas 67 x 54cm £300 - 500 241 240239

www.sworder.co.uk 133 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot William242 Etty RA (1787-1849) A reclining female nude oil on card laid down on 51panelx51cm £400 - 600 Lot Attributed243 to William Etty RA (1787-1849) A seated male nude oil on canvas 53 x 47.5cm, unframed £300 - 500 Lot Circle244of William Edward Frost (1810-1877) A nude in a landscape oil on canvas 65 x 52cm £300 - 500 243 244 242

An archery competition near Norwich inscribed and dated ‘CLN 1856’ (on the tent roof) far right, oil on canvas 35.5 x 61cm £600 - 800

The signedpicnic‘JD Volk’ l.r., oil on canvas 43 x 53cm £300 - 500

134

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

Lot Herbert245 Carmichael (Gustave Schmalz) (1856-1935)

The card game signed ‘H Carmichael’ l.l., oil on canvas 51.5 x 62.5cm £700 - 1,000

245246247

Lot English246 School, c.1866

OLD MASTER, BRITISH AND EUROPEAN ART 113-340

Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG. Lot 247 J. D. Volk (German, mid-19th century)

www.sworder.co.uk 135 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Gaetano248 Bellei (Italian, 1857-1922) A game of cards signed ‘G. Bellei’ u.l., oil on canvas 52 x 62cm £3,000 - 5,000 248

136 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Arthur249Howes Weigall (1836-1894) ‘He Married Beneath Him’ signed and dated ‘Arthur H Weigall, 1878’ l.l., oil on canvas 117 x 166cm £3,000 - 5,000 249

www.sworder.co.uk 137 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Marcus250 Stone (1840-1921) The Ancestor on the Tapestry signed and dated ‘Marcus Stone 1895’ l.r., oil on canvas 61 x 102cm £4,000 - 6,000 250

138 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot (ItalianCarlo251Ferranti,1840-1908) The signednecklace‘CFerranti Roma’ l.l., oil on canvas 41 x 56cm £1,000 - 1,500 Lot (ItaliaCarlo252Ferrantin,1840-1908) The signedbillet-doux‘CFerranti/Roma’ l.l., oil on canvas 41.5 x 56.5cm £800 - 1,200 252 251

www.sworder.co.uk 139 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Henry253Gillard Glindoni (1852-1913) ‘An Attentive Glance’ signed and dated ‘H Gillard Glindoni/1898’, oil on canvas 69 x 92cm £2,000 - 3,000 Lot Alexis254d’Ambrossi (19th/20th century) Portrait of a gentleman in a green coat with wide-brimmed hat; and a companion a pair, signed ‘A d’Ambrossi’ u.l. and u.r. respectively, oil on panel 33 x 22cm (2) £400 - 600 253 254 part lot

www.sworder.co.uk 141 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Henri255Baron (French, 1816-1885) Elegant figures drinking and dancing in a garden beside a fountain signed ‘H. Baron’ l.r., oil on canvas 83.5 x 106cm £2,000 - 3,000 255

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 113-340

Lot Henry258Thomas Schaefer (1815-1873)

Lot Follower256 of William Callow (1812-1908)

A street in Verona indistinctly initialled ‘C W H’, titled and dated ‘1840’ on the stretcher, oil on canvas 35.5 x together25cm,with a further street scene of Strasbourg bearing the same initials, framed as a pair (2) £300 - 500 Lot Manner257 of Jan Hendrick Verheyen

OLD MASTER, BRITISH AND EUROPEAN ART

Évreux, Normandy; St Ouen, Rouen signed ‘H Schaefer’ l.l. and l.r. respectively, each titled and signed with copy inscriptions verso, oil on canvas 30.5 x 20.5cm (2) £300 - 500

142

A Dutch market scene indistinctly signed l.r., oil on panel 51 x 40cm £300 - 500 258257 256

www.sworder.co.uk 143 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Charles262 Fullwood (fl.1888-1889) Gloucester Cathedral beside a river signed ‘C Fullwood’ l.r., oil on canvas 76 x 61cm £400 - 600 Lot John259Cheltenham Wake (1834-1882) A Continental market scene signed ‘Cheltenham Wake’ l.l., oil on canvas 76 x 63cm £500 - 800 Lot Alfred260Montague (1832-c.1883) A waterfront scene; Checking the lobster pots a pair, oil on board 22.5 x 17cm (2) £300 - 500 Lot Edward261 F D Pritchard (1809-1905) Boats on a canal, probably in a Belgian town signed ‘E.F.D Pritchard’ l.l., oil on canvas 36 x 48cm £300 - 400 262261 260259

263265264

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OLD MASTER, BRITISH AND EUROPEAN ART 113-340

144

Lot 263 B Haake (c.1916)

A market scene signed and dated ‘1916 - B HAAKE’ l.r., oil on board 35.5 x 46cm £400 - 600 Lot Vitaly264Petrovski (Ukrainian, b.1975)

A Continental riverside town signed ‘Salvador Martinez’ l.r., oil on canvas 46 x 61cm £300 - 500

The old bridge signed l.l., inscribed and dated ‘2000’ verso, oil on canvas 25 x 33cm £400 - 500 Lot Salvador265 Martinez (20th century)

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Lot Léon266Augustin

Bourges, the cathedral in the distance signed with initials l.l., pastel 31.5 x 23.5cm £1,000 - 1,500 Exhibited: Paris, Galerie Allard, Paris, 1920. Literature: Monique Le Pelley Fonteney, ‘Leon Augustin Lhermitte Catalogue Raisonné’, no 205. 267 266

Lot Léon267Augustin

A street in Bourges signed ‘Hermitte’ l.l., pastel 31.50 x 24cm £1,000 - 1,500 Exhibited: Paris, Galerie Allard, Paris, 1920. Literature: Monique Le Pelley Fonteney, Leon Augustin Lhermitte Catlaogue Raisonné’, no 209.

Lhermitte (French, 1844-1925)

Lhermitte (French, 1844-1925)

146 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Gustave270 Madelain (French, 1867-1944) View of the Seine, Paris oil on canvas 38 x 46cm £600 - 800 Lot Vitaly268Petrovski (Ukrainian, b.1975) ‘Busy signedDay’and dated ‘98’ l.l., further inscribed verso, oil on canvas 31 x 41cm £400 - 500 Lot Andrei269Kulakov (b.1958) ‘Boulevard Ring’ signed l, l., oil on canvas 40 x 30cm £300 - 500 270 269268

www.sworder.co.uk 147 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Maxime271 Camille Louis Maufra (French, 1861-1918) ‘Le Matin’, Les Andelys, on the Seine signed and dated ‘Maufra 1902’ l.r., inscribed with title on an old label verso, oil on canvas 47 x 55.5cm £4,000 - 6,000

148 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot John273Wallace Tucker (1808-1869) The River Teign, on Dartmoor inscribed, signed and dated ‘The River Teign, on Dartmoor,/ John Wallace Tucker/Bartholomew Road/Exeter/1848’ verso, oil on panel 25 x 32.5cm £300 - 500 Lot François272 Millet (French, 1851-1917) A mountain village with goats in the foreground signed ‘F. Millet, Flis’ l.r., oil on canvas 45 x 54cm £600 - 800 Lot English274 School, 19th century A river landscape with a figure in a punt, cattle watering beyond oil on canvas 60.5 x 96.5cm £300 - 500 274 273 272

www.sworder.co.uk 149 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 275 … Allan (late 19th century) A view of Windsor Castle from the WatermillThames;at Mapledurham, on the Thames a pair, both signed ‘Allan’ l.l., oil on canvas 45.5 x 76cm (2) £500 - 700 Lot English276 School, 19th century A fisherman on a wooded riverbank near a manor house oil on canvas 28 x 45cm £300 - 500 Lot European277 School, 19th century Figures on a road in a mountainous 38oillandscapeoncanvasx53cm £300 - 500 275276277

150 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot William278 Etty RA (1787-1849) A young girl with a dove oil on panel 35.5 x 26cm £700 - 1,000 Lot David279Fulton RSW (1848-1930) ‘A Look at the Papers’ signed ‘David Fulton RWS’ l.l., oil on canvas 46 x 30.5cm £400 - 600278279

www.sworder.co.uk 151 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot John280Robert Dicksee (1817-1905) ‘Il signedRiposo’and dated ‘J R Dicksee/1870’ verso, inscribed with title, oil on canvas 46 x 38.5cm £2,000 - 3,000

Lot (Henry281Redmore1820-1887)

Fishing boats at sea signed and dated ‘H Redmore/1884’ l.l., oil on canvas 38 x 60.5cm £800 - 1,200 Lot Ernest282Dade (1868-1936) Fishing boats at sea signed ‘Ernest Dade’ l.l., 49.5watercolourx74cm £400 - 600 281 282

152 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340

www.sworder.co.uk 153 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 283 284 Lot William283 Anslow Thornley (fl.1858-1898) St Michael’s Mount at sunset; A bonfire on the beach, figures waiting for the catch a pair, the first signed ‘W Thornley’ l.l., oil on canvas 35.5 x 30.5cm (2) £1,000 - 1,500 Lot (19thJohn284Grahamcentury) Fishing boats offshore signed ‘John Graham’ l.l., oil on canvas 83 x 115cm £300 - 500

Lot Attributed285 to Pierre Alexandre Poitevin (1782-1859) A French coastal scene at sunset oil on canvas 57.5 x 81.5cm £500 - 800

285286

154 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340

Lot John286Lewis Brown (French, 1829-1890) On the beach at Étretat signed ‘John Lewis Brown’ and dated ‘1874’ l.r., watercolour and 45bodycolourx54cm £300 - 500 Despite the English name, Brown was a French artist, of Scottish descent. He studied in Paris at the École des Beaux-Arts under Jean-Hilaire Belloc and Roqueplan.CamilleWhilst he is best known for his military and animal subjects, he cited Edgar Degas and Eugene Lami as major influences and was known to have painted with the impressionists. His prowess as an equestrian artist can be clearly seen here in the handling of horses.

www.sworder.co.uk 155 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot After287JM W Turner, ‘East Cowes Castle’ inscribed with title verso, pastel 90 x 120cm £800 - 1,200 After the oil painting in the Victoria & Albert Museum, London. Lot Frederick288 Calvert (c.1785-c.1845) Figures and barges by a lock, a church beyond oil on canvas 36 x 44.5cm £300 - 500 288 287

289290

156 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Attributed289 to William Shayer (1811-1892) Cattle beside a tree signed and dated ‘W C Shayer 1840’ l.c., oil on canvas 34 x 44cm £300 - 500 Lot (DunningJohn290Thomson1851-1931) A father daughterandon a country road, the sea beyond signed ‘J Thomson Dunning RBA’ l.r., oil on canvas 69 x 87cm £300 - 500

Lot

£400

www.sworder.co.uk 157 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Thomas291 Sidney Cooper RA (1803-1902)

‘Near Froggatt Edge, Derbyshire’ signed ‘Geo Turner’ l.r., also signed and inscribed with title verso, oil on paper laid down on panel 25 x 35cm £300 - 500 George293 Turner (1841-1910)

Morning, Canterbury Meadows signed and dated ‘T S Cooper 1836’ l.l., 30watercolourx45.6cm - 600 George292 (1841-1910)

291292293

‘Sweet Water Lane’ signed ‘Geo Turner’ l.r., also signed, inscribed with title and dated ‘1902’ verso, oil on board 30 x 39.5cm £400 - 600

Turner

Lot

158 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Joseph294Farquharson RA (1846-1935) A young woman fishing in a highland stream signed ‘J Farquharson’ l.r., oil on canvas 30 x 46cm £2,000 - 3,000

www.sworder.co.uk 159 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Sidney295Richard Percy (1821-1886) A mountainous river landscape with an angler; A river landscape with cattle watering, a figure resting in the foreground the first signed and dated ‘S R Percy 1871’ l.l., the second ‘S R Percy 61’ l.r. 28 x 48cm (2) £2,000 - 3,000

160 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot English297 School, 19th century Sheep on a heath oil on canvas 41 x 58.5cm £300 - 500 Lot William296 Scott (c.1904) Figures on a bridge before a hilltop town signed and dated ‘William Scott/04’ l.l., oil on canvas 81 x 108cm £500 - 800 Lot Frans298Keelhoff (Belgian, 1820-1891) Feeding the chickens signed and dated ‘F. Keelhoff 1864’ l.l., oil on canvas 41.5 x 58.5cm £400 - 600 298 296 297

A harvesting scene at sunset signed ‘H. W. Faulkner’ l.l., oil on canvas 35.5 x 61cm £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

OLD MASTER, BRITISH AND EUROPEAN ART 113-340

A view of Denmark across the Øresund from signedSweden‘Fern.Hernlund’ u.r., oil on panel 22 x 33.5cm £300 - 500 Lot Follower300 of Helene Schjerfbeck

162

A figure making tea over an open fire oil on canvas 30.5 x 41cm £300 - 500 Provenance: Auktionsverk, Stockholm, 20 April, 2020. It has been suggested that the present lot dates from the 1880s when Schjerfbeck was working in St Ives. Lot René301Xavier François Prinet (French, 1861-1946) Interior scene, with a daybed and painting above oil on canvas 33.5 x 41cm £400 - 600 Lot Herbert303 Waldron Faulkner (American, 1860-1940)

Lot 302 C… James (20th century) Figures on a beach with bathing tents signed ‘C James’ l.l., oil on canvas 50.5 x 61cm £300 - 500 Lot Ferdinand299 Hernlund (Swedish, 1837-1902)

301300299

www.sworder.co.uk 163 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 302303

164 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 304 Charles Henry Harrison Burleigh (1875-1956) indistinctlyHaymakingtitled and inscribed verso, oil on canvas 101 x 77cm £2,000 - 3,000

www.sworder.co.uk 165 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot William305 Frederick Witherington RA (1785-1865) ‘The Harvest Field’ signed ‘W F Witherington’ l.l., oil on canvas 45 x 60cm £4,000 - 6,000 Provenance: With The Royal Exchange Gallery, London. Lot Ernest306Charles Walbourn (1872-1927) ‘A Quiet Corner’ oil on board, with artist’s studio stamp ‘EW’ l.r. 34.2 x 22.7cm £200 - 300 Provenance: With the Bourne Gallery, Surrey; from the artist’s estate. 305 306

166 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Carlo307Brancaccio (Italian, 1861-1920) Fashionable figures in gardens of the Villa Nazionale, Naples signed and inscribed ‘C. Brancaccio/Villa Nazionale, Napoli’ l.r., oil on canvas 35 x 46cm £1,000 - 1,500

www.sworder.co.uk 167 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Loui308s-Robert Carrier-Belleuse (French 1848-1913) A young girl pushing a doll in a wheelbarrow through a garden signed ‘LOUIS CARRIER-BELLEUSE’ l.l., oil on canvas 52 x 72cm £2,000 - 3,000

168 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot George309 Clausen RA (1852-1944) ‘Cottages on a Frosty Evening’ signed ‘G. CLAUSEN’ l.r., inscribed and signed ‘COTTAGES/ON A FROSTY EVENING/G. CLAUSEN’ verso 40.5 x 51.5cm £4,000 - 6,000

170 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Continental310 School, early 20th century Mount Pilatus, Switzerland signed with initials ‘AJB’ l.r., oil on canvas 51 x 41cm £400 - 600 Lot 311 Fritz Laube (German, 1914-1993) An extensive alpine signedlandscape‘FLaube’ l.r., oil on canvas 61 x 49.5cm £300 - 500 311 310

www.sworder.co.uk 171 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Arthur312Bevan Collier (1832-1908) A Swiss Alpine landscape, probably in the Jungfrau region, with figures before a hut signed and dated ‘1873’ l.r., oil on canvas 78 x 70cm £1,500 - 2,500

172 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

MASTER,

AND

Snow along a riverbank at sunset signed ‘Guermacheff’ l.r., oil on canvas 46.5 x 55cm £2,000 - 3,000 WithProvenance:Frost& Reed, No. S653. Lot Michail314 (GuermacheffMarkianovic1867-1930) A snowy hillside at 46.5l.r.,signedsunset‘Guermacheff’oiloncanvasx56cm £2,000 - 3,000

313314

OLD BRITISH EUROPEAN ART 113-340 Lot Michail313 (GuermacheffMarkianovic1867-1930)

www.sworder.co.uk 173 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Michail315 (GuermacheffMarkianovic1867-1930) Sunset through the 46.5l.r.,signedtrees‘Guermacheff’oiloncanvasx56cm £2,000 - 3,000 WithProvenance:Frost& Reed, No. S628. Lot Michail316 (GuermacheffMarkianovic1867-1930) A still pool, sunset signed ‘Guermacheff’ l.r., oil on canvas 46.5 x 55cm £2,000 - 3,000 WithProvenance:Frost& Reed, No. S451. 315316

174 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186

319318317

A winter landscape with skaters and figures with sleighs signed ‘Wouter Janssen’ l.r., oil on panel 39 x 50cm £300 - 500 Lot 319 Wouter Janssen (Dutch, b.1946)

OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 317 Arthur Burgess (1879-1957) Launching a lifeboat signed ‘Arthur JW Burgess’ l.r., oil on panel 20 x 29cm £300 - 400 Lot 318 Wouter Janssen (Dutch, b.1946)

A winter landscape with skaters on a frozen river signed ‘Wouter Janssen’ l.l., oil on canvas 46.5 x 61cm £300 - 500

www.sworder.co.uk 175 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot David320Farquharson ARA (1839-1907) ‘The Tay - at Newburgh’ signed and dated ‘D. Farquharson/.89’ l.l., inscribed with title and initialled verso, oil on canvas 30.5 x 46cm £1,500 - 2,000 Lot 321 Osmund Pittman (1874-1958) A young girl gathering flowers in a wood signed ‘Osmund Pittman’ l.l., oil on canvas 51 x 61cm £400 - 600 320 321

176 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Serge322Marshennikov (b.1971) By the pond signed l.r., also signed and dated ‘2003’ verso, oil on canvas 55 x 100cm £4,000 - 6,000

www.sworder.co.uk 177 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 327325 324323 Lot 323 Ivy St. Abb Anderson (1897-1981) after John William Godward, signed‘Amaryllis’‘ISt. Abb Anderson’ l.l. and dated ‘1914’ verso, oil on canvas 49 x 67cm £400 - 600 Lot Grigori324 Azizyan (Armenian, 1923-2003) Washing day signed and dated ‘60’ l.r., oil on canvas 44.5 x 54cm £300 - 500 Lot Anatoly325 Yanev (Ukrainian, b.1945) A Mediterranean coastal scene signed l.r., oil on canvas 60 x 76cm £600 - 800 Lot 326 Spare lot Lot English327 School, late 19th century Figures at a vine-covered fountain oil on canvas 73 x 51cm £500 - 700

178 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot 329 Roy Perry (1935-1993) Old wharfs at Rotherhithe signed ‘Roy Perry’ l.r., oil on board 61.5 x 91cm £500 - 700 Lot John328Buckler (1770-1851) St Paul’s from the river signed and dated ‘J Buckler 1800’ l.l., watercolour 23 x 30cm £400 - 600 Provenance: With Spink, no. K37668; with Thomas Agnew & Sons Ltd., no. 43679. Lot Mikhail330 Zharov (Ukrainian, b.1969) River signedboats‘Zharov’ l.l., oil on canvas 51 x 61cm £500 - 700 328 329 330

www.sworder.co.uk 179 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 332 Ron Charles Mitchell (b.1960)

‘Mariquita’ and ‘Tuiga’ of the Royal Yacht Squadron, signedSouthampton‘RonC Mitchell’ l.l., titled verso, oil on canvas 60 x 89.5cm £700 - 1,000

332331

‘Mariquita’ and ‘Tuiga’ racing off Norris Castle in the Inaugural Westward Cup Challenge, 2010 signed ‘Ron C Mitchell’ l.l., and titled verso, oil on canvas 61 x 90cm £700 - 1,000 Lot 331 Ron Charles Mitchell (b.1960)

180 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 334333

www.sworder.co.uk 181 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot 333 Henry Scott (1911-2005) ‘Dreadnought - Early Morning, North signedAtlantic’‘HenryScott’ l.l., oil on canvas 35.5 x 51cm £1,000 - 1,500 Lot English334 School, early 20th century, A naval engagement oil on canvas 102 x 152cm £600 - 800 Lot Carlo335Brancaccio (Italian, 1861-1920) A view of the Bay of Naples with Mount Vesuvius in the signeddistanceandinscribed ‘Carlo Brancaccio/Napoli Impressione’ l.l., oil on canvas 35 x 46cm £800 - 1,200 335

182 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 337336

The Grand Canal, Venice signed ‘A Pollentine’ l.r., oil on canvas 40.5 x 60.5cm £600 - 800 Lot 338 Hugo Golli, known as ‘Vallin’ (Italian, b.1921) A Venetian backwater signed ‘Vallin’ l.l., oil on canvas 56 x 69cm £1,000 - 1,500 338

The Grand Canal, Venice, looking towards the Doge’s Palace and St Mark’s Square signed ‘A Pollentine’ l.r., oil on canvas 51 x 76.5cm £1,000 - 1,500 Lot Alfred337Pollentine (1836-1890)

www.sworder.co.uk 183 113-340 OLD MASTER, BRITISH AND EUROPEAN ART Lot Alfred336Pollentine (1836-1890)

184 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked  will be subject to an additional fee - please see ARR details on page 186 OLD MASTER, BRITISH AND EUROPEAN ART 113-340 Lot Georges340 Noël Bouvard (French, 1912-1972) A Venetian canal; A gondola on a Venetian canal signed ‘Bouvard’ l.l. and l.r. respectively, oil on canvas 27.5 x 35.5cm (2) £4,000 - 6,000 Lot 339 Antoine Bouvard (French, 1875-1957) A gondola on the Grand Canal, Venice signed ‘Bouvard’ l.l., oil on canvas 50.5 x 65cm £3,000 - 5,000 339

www.sworder.co.uk 185 113-340 OLD MASTER, BRITISH AND EUROPEAN ART 340

OF PICTURE CATALOGUING TERMS

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:

A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

ARTIST’S RESALE RIGHT (ARR)

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

• and it is sold in the UK or another country in the European Economic Area (EEA).

How are resale royalties calculated?

Circle of David Cox in our opinion a work from the period of the artist and showing his influence. Follower of David Cox in our opinion a work executed in the style of David Cox

Hammer Price Royalty From 0 to €50,000 4% From €50,000.01 to €200,000 3% From €200,000.01 to €350,000 1% From €350,000.01 to €500,000 0.5% Exceeding €500,000 0.25%

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered?

186GLOSSARY

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.

What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold. What nationality must an artist be to qualify?

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

• the artwork is a copyright protected work of graphic or plastic art; • it is sold for more than €1000; • it is sold in the secondary market with the involvement of an art market professional (e.g. auction house);

INDEX OF ARTISTS A Allan, ... 275 Ambartsumyan, Ruzana 151 Anglo-Chinese School, c.1855 86 Anglo-Chinese School, c.1900 161 Anspach, Attributed to Johannes 118 Azizyan, Grigori 324 B Bailey, Frederick Victor 144 Baines, Follower of Thomas John 163 Bardwell, Circle of Thomas 66 Barker of Bath, Joseph 173 Baron, Henri 255 Bartolozzi, Francesco, After Hans Holbein the Younger 17 Beale, Follower of Mary 32 Beechey, Attributed to Sir William 92 Beer, Andrew 226-229 Bellei, Gaetano 248 Blair, Gabriel 221 Blanchard, Pascal 153 Boddington, Circle of Henry John 176 Both, Manner of Jan 170 Boucher, Follower of François 78 Boughton, H… 135 Bouvard, Antoine 339 Bouvard, Georges Noël 340 Brancaccio, Carlo 307, 335 Breling, Heinrich 186 Brooking, Circle of Charles 83 Brown, Edwin 185 Brown, John Lewis 286 Buck, Adam 89, 119 Buckler, John 328 Burgess, Arthur 317 Burleigh, Charles Henry Harrison 304 C Callow, Follower of William 256 Calame, Alexandre 97 Cals, Adolphe-Félix 100, 107, 108 Calvert, Frederick 288 Cameron, Sir David Young 210, 211 Carmichael, Herbert (Gustave Schmalz) 245 Carrier-Belleuse, Louis-Robert 308 Casteels, Manner of Pieter 62 Chalon, Alfred Edward 133 Clark, Albert 187 Clark, Frederick Albert 188 Clausen, George 309 Clouet, After François 18 Cole, James William 169 Coleman, J… 56 Collier, Arthur Bevan 312 Colomanus, Vecsey Kalman 192 Continental School, early 19th century 126 Continental School, 19th century 116 Continental School, c.1900 160 Continental School, early 20th century 146, 310 Continental School, 20th century 179 Cooper, Abraham 182, 183 Cooper, Thomas Sidney 291 Cotman, John Joseph 201 Courtois, Follower of Jacques 51 Coward, Malcolm 193, 194 Cox, David 202 Crome, John Berney 175 Cuzco School, 19th century 8 D Dade, Ernest 282 d'Ambrossi, Alexis 254 Davidson, Allan Douglas 155 de Boissieu, Jean Jacques 207 de Largillière, Follower of Nicolas 136 de Momper, Follower of Joos 64 de Rosa, Anna Palm 209 Debrus, Alexandre 152 di Bicci, Follower of Neri 6 di Conti, Costa, After Raphael 4

Dicksee, John Robert 280 Dolci, After Carlo 7 Duez, Ernest Ange 111 Dunning, John Thomson 290 Dürer, Albrecht 14 Dutch School, 1716 39 Dutch School, early 19th century 172 E Edelfelt, Attributed to Albert 132 Egley, Circle of William 121 Eisman-Semenowsky, Émile 143 English School, 1614 20 English School, 1616 21 English School, c.1626 22 English School, 17th century 19 English School, c.1700 34, 38 English School, 18th century 44, 82, 84 English School, early 18th century 45 English School, late 18th century 88 English School, early 19th century 125, 138 English School, c.1800 114 English School, c.1820 90 English School, c.1830 122, 124, 127 English School, c.1840 123, 128, 130 English School, mid-19th century 137 English School, c.1866 246 English School, 19th century 109, 158, 213, 218, 274, 276, 297 English School, late 19th century 154, 327 English School, early 20th century 334 English School, 1906 159 Etty, William 242, 278 Etty, Attributed to William 243 European School, 19th century 277 F Fanshaw, Susanna Frances Faithful 206 Farquharson, Joseph 294 Farquharson, David 320 Faulkner, Herbert Waldron 303 Ferranti, Carlo 251, 252 Fielding, Anthony Vandyke Copley 203 Flemish School, 17th century 24 Flemish School, 18th century 59 Freckleton, Harold 190 French School, 18th century 40, 80 French School, 19th century 104 French School, late 19th century 106 Frost, Circle of William Edward 244 Fullwood, Charles 262 Fulton, David 279 G Garland, Henry 168 Gillingham, Debbie 220 Glindoni, Henry Gillard 253 Glover, Follower of John 231 Gole, Jacob, After Cornelis Dusart 13 Golli, Hugo, known as 'Vallin' 338 Gotch, Thomas Cooper 134 Graham, John 284 Greig, Catherine H 225 Gröger, Attributed to Friedrich Carl 115 Guermacheff, Michail Markianovic 313-316 H Haake, B 263 Hall, Follower of Harry 184 Hamilton-Renwick, Lionel 191 Hammer, William 150 Harpignies, Henri-Joseph 112 Healey, George Peter Alexander 140 Herberte, Edward Benjamin 198 Hernlund, Ferdinand 299 Herring Jun, Benjamin 189 Hollar, Wenceslaus 16 Hume, Edith 165 Hunter, Ada 15 I Irish School, 18th century 69 Italian School, late 17th century 28 Italian School, 18th century 48, 79 Italian School, 19th century 9, 241 lvester-Lloyd, Thomas 197 J Jack, Richard 141 James, C… 302 Janssen, Wouter 318, 319 Jullian, Philippe 236 K Karapetyan, Vartika 149 Keelhoff, Frans 298 King, Captain John Duncan 232 Kneller, Circle of Sir Godfrey 33 Koekkoek, Marinus Adrianus 171 Kulakov, Andrei 269 L Laube, Fritz 311 Lawrence, Follower of Sir Thomas 91 Leader, Benjamin Williams 178 Lear, Edward 102, 212 Lely, After Sir Peter 29 Lely, Follower of Sir Peter 37 Lépine, Stanislas 105 Leprince, Léopold 98 Lhermitte, Léon Augustin 266, 267 Little, George Léon 181 Locatelli, Follower of Andrea 234 M M**, H** 195 Madelain, Gustave 270 Maestri, Michelangelo 96A Marcel-Clément, Amédée-Julien 103 Marshennikov, Serge 322 Martinez, Salvador 265 Maufra, Maxime Camille Louis 271 Maximenko, Alexander 148 Millet, François 272 Millet, Jean-François 110 Mitchell, Ron Charles 331, 332 Montague, Alfred 260 Muller, William James 157 Mulready, William 164 N New Zealand School, late 19th century 85 Neyt, Bernard 215 Nicol, Follower of Erskine Nicol 166 Nuzzi, Circle of Mario, called 'Mario dei Fiori' 55 P Palmer, Samuel 230 Panini, Attributed to Giovanni Paolo 65 Percier, Charles 96 Percy, Sidney Richard 295 Perry, Roy 329 Petrovski, Vitaly 264, 268 Pickering, Attributed to Henry 68 Pigoul, *** 156 Piranesi, Giovanni Battista 95 Pittman, Osmund 321 Poitevin, Attributed to Pierre Alexandre 285 Pollentine, Alfred 336, 337 Prinet, René Xavier François 301 Pritchard, Edward F D 261 R Ralston, Attributed to John 81 Raphael, After 2, 3 Raphael, Manner of 5 Redmore, Henry 281 Rémond, Jean Charles Joseph 106A Richardson, William 216 Richmond, Circle of George 129 Rigaud, Manner of Hyacinthe 41 Roberts, After David 162 Romney, Follower of George 113 Rousseau, Théodore 99 Rowlandson, Thomas 87 Rubens, After Sir Peter Paul 47 Russian School, 19th century 10 S Sandys, Edwin William 204 Sandys, Eliza Ridley 205 Sant, Circle of James 139 Schaefer, Henry Thomas 258 Schjerfbeck, Follower of Helene 300 Scott, William 296 Scott, Henry 333 Scottish School, mid-18th century 67 Scottish School, 19th century 131 Seeman, Circle of Enoch 46 Severn, Attributed to Arthur 101 Shayer, Attributed to William 289 Skeaping, John Rattenbury 219 Smith, Carlton Alfred 237 Smythe, Attributed to Edward Robert 174 Spanish School, 17th century 1 Sporykhin, Boris 239, 240 St. Abb Anderson, Ivy, After John William Godward 323 Stannard, Henry John Sylvester 208 Stone, Rudolph 196 Stone, Marcus 250 Stoop, Circle of Dirck 53 Stranover, Tobias 57 T ten Kate, Herman 235 Thornley, William Anslow 283 Tintoretto, Attributed to Domenico 26 Todd, Henry George 145 Topham, Francis William 238 Trautschold, Wilhelm Carl Friedrich 142 Trickett, John 222-224 Tucker, ** 180 Tucker, John Wallace 273 Turchi, Follower of Alessandro 93 Turner, After J M W 287 Turner, George 292, 293 Turpin, Samuel Hart 217 V Vanderbank, Circle of John 43 van der Werff, After Adriaen 50 van Diest, Circle of Adriaen 58, 61 van Dyck, After Sir Anthony 27 van Edema, Attributed to Gerard 60 van Falens, Circle of Carel 52 van Loo, Manner of Jean-Baptiste 42 van Mierevelt, Circle of Michiel 23 van Ostade, Adriaen 30 van Rijn, Rembrandt Harmensz. 11, 12 van Ruisdael, Follower of Jacob 63 van Slingelandt, Follower of Pieter Cornelisz. 25 Verheyen, Manner of Jan Hendrick 257 Volk, J.. D.. 247 W Wake, John Cheltenham 259 Walbourn, Ernest Charles 306 Watson, Pilford Fletcher 214 Webb, J… 147 Weigall, Arthur Howes 249 Wells, John Sanderson 200 Westall, Richard 70 Westall, Circle of Richard 94 Wheeler, Circle of John Alfred 199 Williams, Edward 177 Wissing, Follower of William 35 Wissing, Studio of William 36 Witherington, William Frederick 305 Wood, Circle of William 120 Woodforde, Circle of Samuel 117 Wyck, Circle of Jan 54 Y Yanev, Anatoly 325 Z Zais, Follower of Giuseppe 233 Zharov, Mikhail 330 Lots marked with a ‘’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price. This royalty, where applicable, will be charged to the purchaser.

Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Condition reports

Ivory Lots marked  contain elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Spirits auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot.

Introduction

Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme.

Online bidding

IMPORTANT NOTICES

All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Commission bidding

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

Electrical Goods

The VAT included within the Premium is not recoverable as input tax.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Removal of Lots

1. INFORMATION FOR BUYERS

Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the description and condition of Lots set out in the Terms of Sale at clauses 12.2 and 12.4.

188 TERMS AND CONDITIONS These conditions of business consist of: 1. Information for Buyers; 2. Terms of Consignment (for Sellers); 3. Terms of Sale (for Bidders and Buyers).

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

Post 1950 Upholstered Furniture

‘Commission’ means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’ means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

189 ‘Auctioneer’ means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

‘Deliberate Forgery’ means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; ‘FCA’ means the Financial Conduct Authority; ‘Goods’ means the Goods that have been consigned to us for sale at our auction;

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

‘Terms of Consignment’ means these Terms of Consignment; ‘Terms of Sale’ means the Terms of Sale for Bidders or Buyers at our auctions; ‘Trader’ means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘Reserve’ means the minimum Price at which the Goods may be sold;

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

‘VAT’ means any value added tax or equivalent sales tax; and ‘Website’ means our Website available at www.sworder.co.uk.

7. Payment 7.1 Immediately following your successful bid on a Lot you 7.1.1will: give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot.

‘Hammer Price’ means the level of the highest bid for a Lot accepted by the Auctioneer; ‘Premium’ means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale; ‘Price’ means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Consumer Contracts Regulations’ means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Proceeds’ means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

TERMS OF SALE

2. Information that we are required to give to Consumers

8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

‘Bidder’ means a person who places a bid for Goods at our auction; ‘Buyer’ means the person who makes the highest bid for the Goods accepted by the Auctioneer;

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

‘Seller’ means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable); ‘Shipping Costs’ means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that 6.4claim.We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition and other 3.3characteristics.Ifyouinstruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 2 5 % plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Spirits Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

8. Title and collection of purchases

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

5 . VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further 5.2information.Wewillcharge VAT at the current rate at the date of the auction.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

190 9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of 9.1.2contract;reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where 9.1.7applicable;reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our 14.2auction.Inaddition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the L ot at 11.1.2auction;the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in 15.4writing.Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

11. Warranties

12. Descriptions and condition

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

16. Data Protection

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot in advance of the 12.3auction.Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction 17.4catalogues.Eachof the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

10. Health and safety

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

OFFICES AND CONTACTS CORPORATE RESPONSIBILITYSOCIAL

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Stansted Mountfitchet Auction Rooms Cambridge Road | Stansted Mountfitchet Essex | CM24 auctions@sworder.co.uk8GE | 01279 817778 Hertford 42 St Andrew Street | Hertford | SG14 1JA hertford@sworder.co.uk | 01992 583508 London 15 Cecil Court | London | WC2N 4EZ london@sworder.co.uk | 0203 971 2500 Kent kent@sworder.co.uk | 01732 757675

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