Lot Manner of Raphael

Lot 4 Costa di Conti after Raphael (c.1870) La Madonna della Sedia with studio label verso, oil on canvas, tondo 32.5cm diameter, in the original carved Florentine frame £800 - 1,200 After the original in the Pitti Palace, Florence.

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Lot 5 Manner of Raphael Madonna and Child oil on canvas, tondo 52cm diameter £300 - 500

Lot 6 Follower of Neri di Bicci (Italian, 1418-1492) Madonna and Child enthroned egg tempera on panel with later oil additions, gilding and punchwork to the decorated edge and halo, arched top 88 x 62cm, within an integral frame £20,000-30,000 Neri di Bicci was a Florentine artist, active in the second half of the 15th century. The third generation of artist in his family, he was very successful and prolific, running a large studio. His works were often painted on a gold ground as in the present work and have their origins in the work of the 14th century Florentine, Giotto. He was referred to by the great art historian of the Italian Renaissance, Giorgio Vasari, as the last of the Giottoesque painters. His work retained lots of 14th century decorative features, yet also integrated more naturalistic elements to his figures, as was being developed by contemporaries such as Fra Angelico and Fra Filippo Lippi. He left meticulous records of his work and business, ‘Le Ricordanze’, which have provided a big insight into art practices of the 15th century and detailing materials, commissions, patrons and frames. He had many pupils and his studio is recorded as creating over 50 Madonna and Child paintings. The present work appears to be contemporary with the artist and is based on ‘Madonna and Child Enthroned’, Museum of Fine Arts, Budapest.

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Lot 7 After Carlo Dolci, The Angel of the Annunciation inscribed verso ‘Medal of Distinction Italian Exhibition of Costa & Conti Artists, Gallery of Copies & Ancient Pictures Florence’, oil on canvas 70 x 54cm £400 - 600 After the original in the Pitti Palace, Florence. Lot 8 Cuzco School, 19th century A drummer angel oil on canvas 58 x 41cm £200 - 300

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Lot 9 Italian School, 19th century St John the Evangelist with an eagle oil on canvas 153 x 98cm £400 - 600 Lot 10 Russian School, 19th century The Last Supper oil on panel, tondo 37cm diameter £500 - 700

Lot 11 Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etching with engraving plate 53 x 40.5cm £2,000 - 3,000

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Lot 12 Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) ‘The Death of the Virgin’, 1639 etching, trimmed to plate image 39.2 x 31.2cm £300 - 500 Provenance: With Lilla Bukowski, June 2003. Literature: George Biörklund, ‘Rembrandt’s Etchings True and False’, Esselte Aktiebolag, Stockholm, 1955, cat no. BB 39-A, p.72; Christopher White and Karel G Boon, ‘Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts’, Vol XVIII, Rembrandt Van Rijn Text, Vangendt & Co., Amsterdam, 1969, cat.B.99, p.54; Erik Hinterding and Jaco Rutgers, ‘The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700’, Rembrandt Text II 1636-1665, ed. Ger Luijten, Sound and Vision Publishers, Belgium, 2013, cat. no.173, pp.39-41.

Lot 13 Jacob Gole, after Cornelis Dusart, The Five Senses: Visus; Auditus; Tactus; Odoratus; Gustus a set of five mezzotints plate 23 x 18cm, unframed (5) £400 - 600

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Lot 14 Albrecht Dürer (German, 1471-1528) ‘Saint Francis receiving the Stigmata’, c.1503-05 (Bartsch 110; Meder-Hollstein. 224) woodcut image 21.9 x 14.5cm £2,000 - 3,000

Lot 15 Ada Hunter (b.1860) Christ in Majesty with a crowd of worshippers - probably based on a 16th-century Flemish tapestry signed and dated ‘Ada Hunter 1904’ l.r., bodycolour 128.5 x 158cm £1,500 - 2,000

Lot 16 Wenceslaus Hollar (Bohemian, 1607-1677) ‘Ornatus muliebris Anglicanus, or The Severall Habits of English Women from the Nobilitie, to the country woman, as they are in these times’ five etchings, each signed and dated 1639 or 1640 in the plate 13.2 x 7cm and similar; together with four etchings After Wenceslaus Hollar, from ‘Theatrum Mulierum’, printed c.1890s 9.5 x 6cm and similar, two unframed (9) £400 - 600 ‘Ornatus muliebris Anglicanus’ prints were reproduced until the nineteenth century. According to Pennington, the different states are not clearly attributable to any particular issue (Pennington, p.292). However, this appears to be an earlier edition, possibly printed by Sayer c.1755-1794.

Lot 17 Francesco Bartolozzi (Italian, 1727-1815) after Hans Holbein the Younger Edward, Prince of Wales; Jane Seymour; Catherine Howard; Lord Vaux; Lady Vaux; Mother Jak (Margaret Giggs) six stipple engravings in colour 48.5 x 27.5cm (6) £600 - 800 16 part lot

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Lot 18 After François Clouet Portrait of King Charles IX of France, head and shoulders, in a fur-trimmed doublet and plumed hat oil on canvas, laid on panel 33 x 27cm £400 - 600

Lot 19 English School, 17th century Portrait of a lady, half-length, in a black dress with pearl and jewel detail oil on canvas 85 x 67cm £600 - 800

Lot 20 English School, 1614 Portrait of a lady, said to be Lady Frances James (1563-1648), daughter of Martin James of Smarden, Kent, married to Sir Thomas Roberts of Glassenbury Place, Cranbrook, Kent, aged 51, together with a young child, half-length, she in a black dress, jewelled headdress, white ruff and pearls, holding gloves, the child in an embroidered dress and elaborate lace headdress inscribed ‘ANo 1614’ u.l., and ‘AET. SVÆ 51’ u.r., indistinctly inscribed on the frame verso, and transcribed on a later label, oil on panel 90.5 x 70.5cm £6,000 - 8,000

Lot 21 English School, 1616 Portrait of a lady, half-length, in a black lace-trimmed dress with a feathered hat inscribed ‘ÆTATIS SUÆ. 34/1616’, oil on panel 61 x 43.5cm £1,500 - 2,000

Lot 22 English School, c.1626 A portrait a gentleman, standing three-quarter-length, in a red doublet with lace collar and cuffs inscribed and dated ‘Ætatis sua 36/anno 1626’ u.r., with later inscription ‘Zuchero PINXt.’ u.r., there is an indistinct inscription u.l., indicated by the small hand pointing, oil on canvas 73 x 59cm £5,000 - 7,000

Lot 23 Circle of Michiel van Mierevelt (Dutch, 1566-1641) Portrait of a gentleman, bust-length, in a black doublet with lace collar oil on canvas 46 x 41cm £800 - 1,200

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Lot 24 Flemish School, 17th century Head of a man - a fragment of a larger composition oil on canvas laid down, oval 38 x 30cm, in a Swan carved gilt frame £500 - 700

Lot 25 Follower of Pieter Cornelisz. van Slingelandt, Portrait of a lady, three-quarter-length seated, in a black dress and white ruff, a green curtain behind with inscription ‘Slingelandt/LEYDEN 1640/Dutch’ on a label verso, oil on copper 19.5 x 16.5cm £600 - 800

Lot 26 Attributed to Domenico Tintoretto (Italian, 1566-1635) Portrait of a lady, three-quarter-length seated, in a red dress, with a child beside her oil on canvas 115 x 94cm £15,000 - 25,000 Provenance: Dorotheum, Vienna, Austria, 4 October 2006, Lot 12. Literature: Paola Rossi, ‘I Ritratti femminili di Domenico Tintoretto’, Arte Illustrate, Anno III, 1970, pp.93-98, ill. II. p.98.

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Lot 27 After Sir Anthony van Dyck Portrait of Thomas Killigrew (1612-1683), three-quarter-length seated, in a black slashed coat oil on canvas 76.5 x 63.5cm £700 - 900 After the original in the Royal Collection, Windsor (detail).

Lot 28 Italian School, late 17th century Portrait of a gentleman, three-quarter-length, in a grey shirt and gloves, and a red and dark green cloak; Portrait of lady, three-quarter-length, in a white silk dress and green wrap a pair, oil on canvas 98 x 71cm and 96 x 71cm (2) £800 - 1,200

Lot 29 After Sir Peter Lely, Portrait of King Charles I, bust-length, dressed in black with a white sash oil on canvas 76 x 63.5cm £2,500 - 4,000

Lot 30 Adriaen van Ostade (Dutch, 1610-1685) Study of a peasant in a brown coat and cap oil on panel 16 x 15cm Provenance: Dr Leon Lilienfeld collection. Literature: Gustav Gluck, ‘Niederlandische Gemalde aus der Sammlung des Herrn Dr Leon Lilienfeld in Wien’, 1917. £5,000-7,000 We are grateful to Dr Fred G Meijer for confirming this as an autograph work by Ostade. Lot 31 Spare lot

Lot 32 Follower of Mary Beale Portrait of a young lady, half-length, in a green dress with white trim and gold wrap, feigned oval oil on canvas 76 x 64cm £800 - 1,200

Lot 33 Circle of Sir Godfrey Kneller (1646-1723) Portrait of Elisabeth Sheldon, half-length, in a blue dress and red wrap inscribed with the sitter’s name, oil on canvas laid down on board, oval 75 x 63.5cm, in a carved giltwood frame £1,000 - 1,500

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Lot 34 English School, c.1700 Portrait of a young gentleman, half-length, in a white lace stock and red mantle oil on canvas, oval 73 x 60cm £400 - 600

Lot 35 Follower of William Wissing Portrait of William of Orange, three-quarter-length, in armour holding a staff of office oil on canvas 155 x 116.5cm £4,000 - 6,000

Lot 36 Studio of William Wissing (Dutch, 1656-1687) Portrait of Queen Anne as the Princess of Denmark, seated three-quarter-length, in a blue gown with red ermine-trimmed wrap, in a landscape oil on canvas 127 x 101cm, in a giltwood and composition Maratta frame £2,000 - 3,000

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Lot 37 Follower of Sir Peter Lely, Portrait of a girl, half-length, in a green and white dress and red wrap, holding an orange oil on canvas, painted oval 76 x 63cm, in a contemporary carved giltwood frame £1,000 - 1,500

Lot 38 English School, c.1700 Portrait of young lady, half-length, in a white dress and brown wrap, holding her pet spaniel oil on canvas 62 x 51cm £300 - 500

Lot 39 Dutch School, 1716 Portrait of an infant, seated three-quarter-length in a white dress and bonnet, with roses in her lap, holding a peach inscribed ‘Ætatis sua/XXIII weeken/1716’ u.r. below a painted coat of arms, oil on canvas 67 x 49cm £700 - 1,000

Lot 40 French School, 18th century Portrait of a nobleman, half-length, in armour oil on canvas 74.5 x 61cm £2,000 - 3,000