Tuesday 12 July 2022
Monday 24 & Tuesday 25 October Entries Close 9 September design@sworder.co.uk | 01279 817778
Tuesday 12 July 2022 at 10am at the Stansted Mountfitchet Auction Rooms ORDER OF SALE Lots 1-51
Aesthetic Movement, Art Nouveau and Arts and Crafts Lots 52-163 Art Deco Lots 164-174D Rock ‘n’ Roll, Music and Guitars Lots 175-509 Modern Design, Furniture and Lighting
VIEWING TIMES Viewing will be held at our Stansted Auction Rooms, Cambridge Road, Stansted Mountfitchet CM24 8GE, as follows: Friday 8 July 10am - 5pm Saturday 9 July 10am - 1pm Sunday 10 July 10am - 1pm Monday 11 July 10am - 5pm
ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)
FURTHER INFORMATION Contact:
John Black Head of Design
Otto Billström Valuer
Telephone: 01279 817778 | Email: auctions@sworder.co.uk To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk
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AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS 1-51
Lot 1 A set of six Theresienthal Glassworks ‘flower form’ liqueur glasses, c.1900-5, each with a painted bowl, green glass stem and a circular foot, 14.4cm high (6) £250 - 350
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Lot 2 A Tiffany Favrile iridescent glass vase, early 20th century, designed by Louis Comfort Tiffany, decorated in blues and greens, the foliate cup with a scalloped edge, incised to the underneath ‘6329E L.C. Tiffany Favrile’, 27cm high £600 - 900 Lot 3 An Art Nouveau WMF claret jug and stopper, of slender tapering form, silver-plated and green glass, with a handle and mounts cast with sinuous fruit, two maidens to the base mount, raised on lily pad feet, faint stamped marks, 37.5cm high (2) £400 - 600
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1-51 AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS
Lot 4 A large Goldscheider painted terracotta clock, modelled as Pre-Raphaelite figures seated on a bench, the clock to the side, with an embossed copper dial and French movement, stamped marks, 58cm wide 57.5cm high £1,000 - 1,500
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Lot 5 A Linthorpe mottled majolica lily-pad-shaped dish, c.1885, designed by Dr Christopher Dresser, moulded in relief with crabs and frogs, impressed mark with facsimile signature, monogrammed ‘HT’ for Henry Tooth and numbered ‘457’, 28cm wide £150 - 200
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AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS 1-51 Lot 6 An R W Martin stoneware ‘bellarmine’ bottle, c.1880, of tapering form with incised ‘squiggle’ details, the handle with a mask, impressed ‘RW Martin Southall’ and incised ‘London 7.80’, 22cm high £400 - 600
Lot 8 A Martin Brothers’ stoneware vase, dated 1890, of globular form, incised with flowers in green and brown, with an incised collar and flared rim, inscribed ‘5-1890 RW Martin & Brothers London & Southall’, 17cm high £300 - 500
Lot 7 A Martin Brothers’ stoneware miniature vase, dated 1893, of flattened globular form, incised with fish and seaweed, on a mottled-blue ground, with a flared neck and rim, incised ‘4.93 Martin Bros London & Southall’, 8cm high £250 - 350
Lot 9 A pair of Doulton Lambeth stoneware vases, 1894, decorated by Mark V Marshall, each of ovoid form with a short flared neck, with tube-lined foliate decoration in green, brown and blue against a cream ground, incised with flower shapes to the sides, incised with artist’s monogram, numbered ‘5672’, and impressed with factory marks to the underneath, 21cm high (2) £300 - 500
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
1-51 AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS Lot 10 A Bombay School of Art pottery vase of Doulton interest, late 19th century, decorated with panels of flowers between geometric borders, with ‘Lambeth Pottery Museum’ label, 23cm high £300 - 500 Lot 11 A pair of Doulton Lambeth vases, dated 1882, by Frank Butler and Isabella Miller, each with jewelled banding with sgraffito foliage, impressed marks, incised artists’ monograms and dated ‘1882’, 35cm high (2) £300 - 500
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12 Lot 12 A William Moorcroft for Liberty & Co. Florian ware vase, of squat gourd form, with four handles, decorated with tube-lined flowers, with ‘W Moorcroft des’ in green and printed ‘Made for Liberty & Co.’ 14cm high £600 - 800
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Lot 13 A Macintyre Moorcroft Florian ware ‘Peacock Feather’ vase, c.1900-1902, designed by William Moorcroft, of bulbous form with a slender neck and flared scalloped lip, decorated in a green and blue foliate pattern against a yellow ground, signed ‘W. Moorcroft’ in green to the underneath, with painted Florian ware marks, ‘No. 347807’, with model no. ‘M1485’ to the inside of the foot, 16cm high £400 - 600
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Lot 14 A Tiffany & Co. Art Nouveau silver serving dish, c.1891-1902, in the ‘Chrysanthemum’ pattern designed by Charles Grosjean in 1880, the raised edges with foliate banding joined at the corners by a blossoming chrysanthemum, raised on tapering feet, each moulded as a chrysanthemum flower, struck to the underneath with date letter ‘T’ (1891-1902) and impressed ‘Tiffany & Co. 13372 Makers 9657 Sterling Silver 925-1000’, the centre of the dish engraved with a monogram, 32cm wide, 24.5cm deep, 7cm high, 27.94ozt £4,500 - 6,000
Lot 15 Clovis Edmond Masson (French, 1838-1913), a bronze and marble mouse, nibbling on a piece of alabaster ‘cheese’, signed ‘C Masson’, on a marble plinth, 9.4cm wide 9.5cm high £300 - 500
17 16 Lot 16 An Art Nouveau American silver canteen of cutlery, by Reed & Barton, c.1902, there is a slight variation in the patterns, comprising: 6 dinner forks, 6 dinner knives, 6 dessert spoons, 6 smaller forks, 6 smaller knives, 6 teaspoons, and 6 cake forks, each piece marked ‘Sterling’ and the majority marked ‘PAT. APR. 15. 1902’, weighable silver 44ozt approximately (42) £1,000 - 1,500
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Lot 17 Pierre-Jules Mêne (French, 1810-1879), a bronze group of two greyhounds with a ball, raised on a cast scroll decorated plinth, signed, 21.3cm wide 16cm high £400 - 600 Lot 18 Henri Louis Levasseur (French, 1853-1934), a patinated bronze of a worker, bare-chested and holding a hammer, signed and numbered with foundry stamp, 47cm high £300 - 500
18 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
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Lot 22 An Art Nouveau bronze bust of a lady, after Henry Jacobs, on a marble plinth, signed, 18cm high £200 - 300 Lot 23 A set of twelve matched silver owl place card holders, by Sampson Mordan and Co., Chester 1905-1912, each with glass eyes, stamped with registration marks, 3.5cm high (12) £1,000 - 1,500
Lot 20 An Art Nouveau silver belt buckle, by William Comyns, London 1900, the pierced plates with flowers, with registration marks, 9cm wide, 5.3cm high £150 - 200 Lot 21 A pair of silver photograph frames, by Arthur and John Zimmerman, Birmingham 1903, each embossed with stylised irises on a hatched ground, stamped with registration marks, and with easel backs, aperture 13 x 8.5cm, 20.5 x 16cm overall (2) £250 - 450
Lot 24 An Arts and Crafts silver-plated desk clock, of hammered oval form, with cast satyr head masks on monopedia supports, an Arabic dial and French movement, stamped ‘1752’, 20cm high £250 - 350
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Lot 25 A set of six oak Gothic Revival dining chairs, late 19th century, in the style of AWN Pugin, each with a studded leather back and seat, over octagonal faceted supports united by stretchers, the front supports terminating in castors, 50cm wide 54cm deep 91cm high, seat 48cm high (6) £500 - 700
Lot 26 A set of four oak and rush-seated chairs, designed by William Birch, each with turned supports, 42cm wide 42cm deep 99cm high, seat 46cm high (4) £150 - 250
Purportedly designed by AWN Pugin and from Langley Castle, owned by Lord Carlisle.
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Lot 27 An inlaid mahogany side table, c.1890, with a shaped rectangular top, with ring-turned supports and stretchers, with an enamelled label and stamped and numbered ‘2067’, 55cm wide 57cm deep 67.5cm high £250 - 350
Lot 28 An ebonised Arts and Crafts ash side chair, early 20th century, the design attributed to Ford Maddox Brown for Morris & Co., the backrest joined by turned spindles, with a central cruciform spindle motif, the front legs with ring-turned decoration, joined between the legs with turned spindles, 42cm wide 41cm deep 83cm high, seat 44cm high £200 - 300
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
1-51 AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS Lot 29 A painted metal hall lantern, with a dome top, over mottled glass panels with caged outer, 22cm square 58cm high £150 - 200 Lot 30 A Newlyn copper tray, 20th century, of circular form with a petalled edge, centred with a galleon, 34cm diameter £100 - 200 Lot 31 An Arts and Crafts brass standard lamp, with a square column, raised on a tripod base, 116.5cm high, and a brass table lamp, 34cm high (2) £150 - 250
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Lot 32 An Arts and Crafts wrought iron and copper fire screen, embossed with stylised designs, with an offset aperture, now fitted with a Moët & Chandon menu, 48cm wide 71cm high, a six-panel embossed card fire screen, 46cm wide 62cm high, and a narrow oak five-tier bookcase, 38cm wide 22.5cm deep 119.5cm high (3) £200 - 300
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Lot 33 An Arts and Crafts steel and horn casket, c.1900, the hinged handle and cover with pierced fret-cut panels, raised on scrolled supports and petal feet, 26cm wide 16.5cm deep 21.5cm high £500 - 700 Lot 34 An Art Nouveau ‘Amphora’ porcelain table lamp, by Riessner, Stellmacher & Kessel, painted with a female head in profile, with tube-lining and gilt, against a painted forest scene, with a two-light mount and a stepped base, stamped ‘Amphora’ and numbered ‘631’, remnants of printed mark, drilled, 72cm high £200 - 300
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AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS 1-51 Lot 35 A World War I propaganda poster, c.1915, poster No. 128, inscribed ‘Which? Now! - Have you a reason or only an excuse for not enlisting?’, published by the Parliamentary Recruiting Committee, colour lithograph, printed by the Abbey Press, 75.5 x 49.5cm £120 - 150 Lot 36 A World War I propaganda poster, c.1915, poster No. 96, inscribed ‘Enlist To-Day. He’s Happy & Satisfied. Are You?’, published by the Parliamentary Recruiting Committee, colour lithograph, printed by Turner & Dunnett, 76 x 50.5cm £150 - 250
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Lot 37 An Arts and Crafts brass kettle on stand, by Benham & Froud, the squat kettle with a handle, mounted on a scrolled stand with burner, stamped to the underside of the kettle, 30cm high £200 - 300
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Lot 38 A Gothic brass wall light, 20th century, fitted with a five-branch candelabra, 42cm deep 55cm high £100 - 200 Lot 39 An Austrian Goldscheider figurine, c.1910, modelled as a dancer in a brown dress, surmounted on a circular base, the base impressed ‘Latour’, with raised factory mark, artist’s cypher and impressed serial number ‘3982 2’ to the side of the base, 43cm high £150 - 250
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Lot 40 An Austrian Art Nouveau Imperial Amphora porcelain figurine, c.1910, modelled as an elephant surmounted by an Arabian scout wearing a feathered turban, signed to the base ‘Vogt’ and impressed to the underneath with factory marks ‘S214’, 56cm wide 65cm high £500 - 800 Lot 41 A pair of Continental orange glass table lustres, late 19th/early 20th century, in the manner of Loetz, each base hung with two graduated tiers of cut glass lustres above a slender turned column, decorated throughout in black enamel with figures of maidens chasing birds and flying insects, 37cm high (2) £400 - 600
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41 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
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Lot 42 Rudolf Podany (Austrian 1876-1963), early 20th century, an unusual stoneware vase, with a rectangular opening, depicting figures reaping wheat, impressed with artist signature and ‘Depose 310’, 40cm high, and an Austrian Goldscheider figurine, modelled as two huddling naked women, partially wrapped in a towel, in a crackled cream glaze, 52.5cm high (2) £200 - 300 Lot 43 A pair of unusual iron chambersticks, c.1900, each mounted with a petal drip pan, the supports modelled as dragon heads, the handle as a crested bird, 12cm high (2) £150 - 200 Lot 44 An Arts and Crafts twin-handled Tudric pewter rose bowl, designed by David Veasey for Liberty & Co., with a band of stylised trees and with the verse ‘And the mask of the rose is blown and the woodbine spices are wafted abroad’, raised on a low foot, stamped ‘TUDRIC 011’, 31cm diameter £200 - 300
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Lot 45 A Liberty Tudric tea caddy or biscuit box, early 20th century, designed by Archibald Knox for Liberty & Co., stamped marks and numbered ‘0257’, 11cm wide 14cm high £300 - 500
Lot 46 An Arts and Crafts wrought iron and brass five-branch candelabra, attributed to Sir Ambrose Heal (1872-1959), c.1932, with a ‘W’ shaped panel, fitted with conical sconces, on ball feet, 28cm wide 28.2cm high £200 - 300 Provenance: Private collection; with Fine Art Society, 2004. Literature: Illustrated in Heal & Son’s Christmas Catalogue, 1933.
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AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS 1-51
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Lot 47 A Liberty & Co ‘Thebes II’ oak stool, late 19th century, designed by Leonard Wyburd for Liberty & Co., with a ‘D’ shaped seat raised on splayed tripod supports, labelled with a plaque to the underneath, 35.5cm wide 19cm deep 35.5cm high £400 - 600
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Lot 48 A Heal’s oak single bed frame, with a castellated head and foot boards, with carved panels of knights, with ‘Heal & Sons’ ivorine label, 93cm wide 196cm deep 106cm high £200 - 400
48 detail Lot 49 An oak cake stand by Alan ‘Acornman’ Grainger, after a Gimson design, with four tiers, dated ‘1960’ to the underside of the top of the stand and with a carved acorn signature, 95cm high £300 - 500
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
1-51 AESTHETIC MOVEMENT, ART NOUVEAU AND ARTS AND CRAFTS Lot 50 A Robert ‘Mouseman’ Thompson oak dining suite, comprising: a refectory table, with an adzed top, raised on octagonal turned supports, with mouse signature, on sledge supports, united with a stretcher, 183cm wide 86.5cm deep 74cm high, a pair of Coxwold armchairs, each with a latticed back, tan leather seat and stud details, each with mouse signature, 52cm wide 56cm deep 106cm high, seat 47cm high, and six dining chairs, each with a latticed back, tan leather seat and stud details, each with mouse signature, 44.5cm wide 46cm deep 90cm high, seat 47cm high (9) £6,000 - 8,000
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Lot 51 A hardwood toy trunk, c.1950-55, carved with a frieze to the front depicting boys holding a beach ball, digging with spades, fighting, playing football and riding a bike, flanked with angels to the corners, and centred with a cartouche carved with an ‘R’, the top edge carved with locomotives, the base inscribed: ‘To my beloved son Richard, who is depicted in all the groups (aged 6) and on the plaque (aged 4 months and 18 months) J S Cooke 1950-55’, 106.5cm wide 50.5cm deep 57.5cm high £400 - 600
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ART DECO 52-163
52 Lot 52 A Clarice Cliff ‘Orange Trees and House’ Lotus jug, with a band of stylised trees and cottages, between orange and black banding, with a printed ‘Bizarre’ mark, 29cm high £400 - 600
53 Lot 53 A Clarice Cliff ‘Forest Glen’ Lotus jug, with a stylised tree and cottage landscape below a tonal red Delecia streaked sky and streaked interior, printed ‘Bizarre’ mark, 28.5cm high £400 - 600
54 Lot 54 A Clarice Cliff ‘Branch and Squares’ Lotus jug, with green, orange and brown within an orange and black border, with a large printed ‘Bizarre’ mark, 29cm high £400 - 600
Lot 55 A Clarice Cliff ‘Morning’ Lotus jug, with flowers and with coloured banding, unmarked, 29cm high £200 - 300
Lot 56 A Clarice Cliff ‘Inspiration Clovre Waterlily’ Lotus jug, painted with flowers on a purple/blue ground, with a streaked turquoise interior, hand-painted ‘Clovre’ and with ‘Bizarre’ printed mark, 29cm high £400 - 600
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59 Lot 57 A Clarice Cliff ‘Delecia Citrus’ bowl, with a band of fruit on a streaked glaze, with a printed ‘Bizarre’ mark, 21.5cm diameter £150 - 200
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Lot 58 A Clarice Cliff ‘Mowcop’ Lotus jug, with trees in brown and blue, on a matt ground, with a printed mark, 29cm high £200 - 300 Lot 59 Three Clarice Cliff ‘Crayon Scenes’ plates, 1930s, decorated with a castle, two trees, or an alpine village, each with printed ‘Bizarre’ marks, 23cm diameter (3) £250 - 300 Lot 60 A Clarice Cliff ‘Blue Autumn’ Odilon bowl, shape number 441, with four stepped triangular legs, integral handles with orange edges, and an orange interior, with a printed ‘Fantasque Bizarre’ mark, 24cm diameter £300 - 500
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Lot 61 A Clarice Cliff ‘Inspiration’ vase, shape number 390, decorated in shades of cream, pink and brown on a turquoise ground, with ‘Inspiration’ in brown and with a printed mark, 22cm high £200 - 300 Lot 62 A Clarice Cliff ‘Tralee’ Isis vase, with a cottage and flowers, blue smoke from the chimney and with a streaked interior, with a printed ‘Bizarre’ mark, 24cm high £200 - 300
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ART DECO 52-163 Lot 63 A Clarice Cliff ‘Secrets’ jar and cover, of octagonal squat form, with a printed mark, 15.5cm high (2) £200 - 300 Lot 64 A Clarice Cliff ‘Secrets’ vase, numbered 74/5(?), with printed marks, 12.5cm high £150 - 200
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Lot 65 A Clarice Cliff ‘Pompadour’ Lotus jug, with floral sprays within a yellow border, with a blue printed mark and ‘Pompadour’ in brown, 29.5cm high, and a ‘Pompadour’ vase, with floral sprays within a green border, with a printed mark, 17.5cm high (2) £150 - 200
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66 Lot 66 A Clarice Cliff ‘Rhodanthe’ Lotus jug, with a stylised tree landscape in tonal orange and brown with a streaked interior, printed ‘Bizarre’ mark, 28.5cm high £300 - 500
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Lot 67 A Clarice Cliff Isis jug, with flowers issuing from rockwork, on a matt ground, printed mark, 25cm high £150 - 250
Lot 68 A Clarice Cliff ‘Sliced Fruit’ Lotus jug, the band of fruit within a border of orange, yellow and brown, large printed ‘Bizarre’ mark, restored, 29cm high £200 - 300
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
52-163 ART DECO Lot 69 A Clarice Cliff ‘Delecia Citrus’ Lotus jug, with a streaked ground to the body and the interior, with a printed ‘Bizarre’ mark, 29cm high £250 - 350 Lot 70 A Clarice Cliff ‘Sunrise’ Lotus jug, bordered within yellow and orange, with a printed ‘Fantasque’ mark, 29cm high £300 - 500 Lot 71 A Clarice Cliff ‘Orange Toarmina’ Lotus jug, with birds in flight above a blue sea and yellow beach, the brown trunk of the trees extending to orange leaves, with a streaked interior, printed mark, 20cm high, and a Clarice Cliff ‘Dryday’ Lotus jug, with a tree, and orange, yellow and white flowers, with a blue printed mark, 20cm high (2) £300 - 500
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72 Lot 72 A Clarice Cliff ‘Nasturtium’ Isis jug, with flowers and a mottled-brown ground, with a yellow and orange neck, a printed ‘Bizarre’ mark, 24.5cm high £200 - 400
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73 Lot 73 A Clarice Cliff floral pattern Lotus jug, with a band of stylised flowers, within bands of orange, yellow and blue, with a large printed ‘Bizarre’ mark, 29.5cm high £350 - 450
74 Lot 74 A Clarice Cliff ‘Yellow Japan’ Isis jug, with a stylised garden scene with trees before a pagoda beneath a yellow sky, with a printed ‘Bizarre’ mark, 24.5cm high £250 - 350
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Lot 75 A Clarice Cliff ‘Autumn Crocus’ Isis jug, with large crocus sprays between green, yellow and brown banding, hand-painted ‘Crocus’ in green and a large printed ‘Bizarre’ mark, 24.5cm high £250 - 300
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Lot 78 A Clarice Cliff ‘Blue Chintz’ Isis jug, with stylised flowers and foliage in blue, green and pink with matched banding, printed ‘Bizarre’ mark, 24.5cm high £400 - 600
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Lot 76 A Clarice Cliff ‘Rudyard’ Isis jug, one side with a large tree with green trunks and pink and blue foliage, within a border of blue, green and pink, with a printed ‘Fantasque Bizarre’ mark, 24.5cm high £300 - 500
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Lot 77 A Clarice Cliff ‘Secrets’ Isis jug, with stylised trees and cottages in landscape, within a green and yellow border, printed ‘Fantasque Bizarre’ mark, 24.5cm high £400 - 600
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Lot 79 A Clarice Cliff ‘Appliqué Idyll’ Isis jug, the band of a landscape with a cottage, within a banded blue, green and pink border, with a printed ‘Bizarre’ mark, 24.5cm high £250 - 350
Lot 80 A Clarice Cliff ‘Branches and Squares’ vase, shape no.186, with printed ‘Fantasque’ marks, 14.5cm high £150 - 200
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
52-163 ART DECO Lot 81 An Art Deco ceramic glazed centrepiece, ‘The Stretch’ by Carvin, depicting a gilt borzoi stretching on a silvered plinth, signed ‘Carvin’ and stamped ‘France’, 40.5cm wide 24.5cm high £500 - 700 Lot 82 A Tiffany and Co. sterling silver three-pint cocktail shaker and cover, No.20622, 24cm high 27ozt approximately (2) £200 - 300
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Lot 83 *George Henry Paulin ARSA (1888-1962), a bronze bust of a man, wearing a bow tie, waistcoat and jacket, signed ‘GH Paulin 1937’, mounted on a stepped marble plinth, 69.5cm high £450 - 550 Lot 84 A pair of German Art Deco mahogany bedside tables, each with a dished top, over a shelf and two drawers, with brass handles, 59.5cm wide 42cm deep 48cm high, and a pair of matching low chairs, 51cm wide 59cm deep 71cm high, seat 39cm high (4) £300 - 500 Lot 85 A German Art Deco mahogany cabinet, in two parts, the upper section opening to reveal a central cupboard with parquetry details to the inside of the doors, fitted with a glass shelf over four further drawers, flanked with an arrangement of seven further slides, and fitted with two pull-out slides, the lower section enclosing shelves, 134.5cm wide 50.5cm deep 125cm high £400 - 600
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Lot 86 An Art Deco glass and copper-mounted standard lamp, the column mounted with glass rods, with a mirrored plinth, 162cm high £250 - 350 Lot 87 A twin-handled glass vase, c.1930s, possibly Bohemian, with internal mottled decoration, 29cm high £200 - 300
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ART DECO 52-163 Lot 88 A French ‘jazz dancers’ cocktail set, attributed to Sudre, modelled as a dancing couple, with six cocktail sticks mounted on wire between posts, on an amboyna plinth, 15cm wide 5cm deep 13.5cm high £200 - 300
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Lot 89 An Art Deco silver minaudière, import marks for 1924, of flattened cylindrical form, with sapphire catches, opening to reveal three compartments, one inset with a mirror, with black woven cord wristlet and tassel, with an incomplete lipstick holder, 9.5cm long 51cm overall £150 - 250 Lot 90 A pair of art metal squirrel bookends, by Max Le Verrier (French, 1891-1973), each modelled as a squirrel, cast ‘M. Le Verrier’, on a marble plinth, 15cm high (2) £200 - 400
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Lot 91 A French ‘Maurice Chevalier’ cocktail set, attributed to Sudre, modelled as the entertainer smiling and wearing a yellow hat and walking stick, with six cocktail sticks mounted with hat terminals, on an amboyna plinth, 14cm wide 5cm deep 13cm high £150 - 250 Lot 92 *Pierre Le Faguays (French, 1892-1962), a gilt-bronze figure of a dancer, holding garlands of flowers and bells, raised on a stepped marble plinth, 40cm high £600 - 900 Lot 93 *Pierre Le Faguays (French, 1892-1962), a pair of gilt-bronze figures of dancers, wearing short dresses, one holding ivory cymbals, the other an ivory tambourine, each raised on a stepped marble plinth, 39 and 40cm high (2) £1,000 - 1,500 IMPORTANT NOTE This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: KRR53DYF. Please be advised that several countries, including those in the EU and the USA, prohibit the importation of ivory items in most cases. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.
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This lot is subject to CITES regulations when exporting outside the UK. Potential purchasers should be aware that, under UK guidance, it is possible that you may not be able to obtain a CITES export permit for this lot.
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
52-163 ART DECO Lot 94 An Art Deco pink-tinted oval mirror clock, the central clock fitted with a movement, with a bevelled edge mirror, labelled ‘Mirror-Clocks Patent Applied for’, 60cm wide 40cm high £200 - 300 Lot 95 A Hagenauer bronze speedboat, modelled with its stern on silvered waves, stamped marks, 32cm long £150 - 200 Lot 96 Josef Lorenzl (Austrian, 1892-1950), an Art Deco cold-painted bronze figure of a dancer wearing a blue coat, on a domed stand, signed ‘Lorenzl’, raised on a stepped onyx plinth, 24cm high £1,000 - 1,500
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96 Lot 97 Josef Lorenzl (Austrian, 1892-1950), an Art Deco cold-painted bronze figure of a dancer wearing a ruff, signed ‘Lorenzl’, raised on an onyx plinth, 21.7cm high £700 - 900 Lot 98 Josef Lorenzl (Austrian, 1892-1950), an Art Deco cold-painted bronze figure of a dancer wearing red coat and breeches, signed ‘Lorenzl’, raised on an onyx plinth, 25cm high £400 - 600
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ART DECO 52-163 Lot 99 An Art Deco-style walnut and chrome pedestal desk, the black Formica top, with three drawers to each side, one fitted with a hinged slide, 149cm wide 80cm deep 74.5cm high £300 - 500 Lot 100 Harry Tittensor for Royal Doulton, ‘Spook’, a rare ceramic model c.1916-1936, with a black cap and a mottled red and blue cape, painted mark ‘Painted by Doulton and Co. Ltd., Spook, incised probably 714, printed Doulton stamp, 10.5cm high £400 - 600
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Lot 101 An Art Deco walnut ‘surprise’ cocktail table, c.1930, the circular top with a central pop-up section with white Bakelite trays and shelves, over a cylindrical body concealing the mechanism, the base with reeded edges, raised on three block feet, 76cm diameter 59cm high £300 - 500 Lot 102 An Art Deco silver-plated cocktail shaker, by Hukin & Heath, with a stopper and removable conical section, stamped marks, 23cm high £150 - 200
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Lot 103 A pair of Art Deco silvered bronze bookends, each mounted with a cat and mounted on a marble plinth, signed ‘C Charles’, each 18cm wide 17cm high (2) £300 - 500
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52-163 ART DECO
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Lot 104 A French ‘circus’ cocktail set, attributed to Sudre, modelled as a tiger and a tamer, with twelve sticks forming the cage, mounted on a wooden plinth, 15.5cm wide £150 - 200
Lot 105 A French ‘barmaid’ cocktail set, attributed to Sudre, modelled as a barmaid, the stand as a table and the stick handles as the glasses, mounted on a wooden plinth, 13cm wide £150 - 200
Lot 106 A Louis Wain pottery model of ‘Lucky Haw-Waw’, a futurist cat, the design registered in 1914, modelled seated smoking a pipe, with a facsimile signature and painted marks ‘RD. No. 638317’, printed ‘Made in England’, 13cm high £300 - 500
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Lot 107 Georges Morin (German, 1874-1950), ‘Hoop Dancer’ a gilt-bronze figure of a girl dancing through a hoop, signed ‘Morin’, with bands of circles to the base, raised on a marble plinth, 35cm high £400 - 600
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Lot 108 An Art Deco silver-plated ‘The Barman’ cocktail shaker, partially gilded, the glass sleeve with recipes, with a stirring spoon, stamped marks, 21.5cm high £250 - 350
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ROCK ART DECO ‘N’ ROLL, 52-163MUSIC AND GUITARS 164-174D Lot 109 An Art Deco crackle-glazed porcelain figurine, 1930s, a recumbent fox as modelled by Jean de la Fontinelle (French, 1900-1974), 42cm wide 10cm deep 22cm high £300 - 500 Lot 110 Lucille Sévin (French, fl.1920-1940), ‘Nu Longs Cheveux’, an opalescent glass figure of a nude with flowing hair, moulded ‘Etling France 86’, 22cm high £700 - 900 Lot 111 Lucille Sévin (French, fl.1920-1940), ‘Isadora’, an opalescent glass figure of a nude wearing a cloak, moulded ‘Etling France 50’, raised on a chrome metal plinth, 22cm high £800 - 1,200
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In collaboration with Edmund Etling, Sévin produced several works in bronze, glass and ivory. This is believed to represent the American dancer Isadora Duncan. Sévin exhibited in Paris at the Salon des Artistes Français, winning a bronze medal in 1932, a silver medal in 1937, and a gold medal at the Exposition Universelle in Paris.
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Lot 112 A Sabino opalescent glass figure, of a nude with two doves, on a square base, engraved ‘Sabino Paris’, 15cm high £150 - 200 Lot 113 A Lalique ‘Tete d’Aigle’ clear glass car mascot, designed in 1928, modern with frosted details, engraved ‘Lalique R France’, 11cm high £200 - 300
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
164-174D ROCK ‘N’ ROLL, MUSIC 52-163 ANDART GUITARS DECO Lot 114 René Lalique (French 1860-1945), a ‘Georgette’ opalescent glass box and cover, moulded with dragonflies, moulded ‘R Lalique’ and etched ‘France No.51’, 21.5cm diameter £800 - 1,200 Lot 115 René Lalique (French 1860-1945), a ‘Gui’ moulded glass bowl, No.2 pattern, No. 3224, with a wheel engraved ‘R Lalique France’ and etched ‘No.3224’, 20.7cm diameter £300 - 500 Lot 116 A Lalique ‘Pissenlit’ glass bowl, centred with a moulded mark ‘R Lalique France’, 24cm diameter, and six matching glass dishes, each stencilled ‘R Lalique’, 20.5cm wide (7) £400 - 600
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118 117 Lot 117 A René Lalique ‘Ondines’ opalescent glass plate, designed in 1921, moulded with six nudes, wheel engraved ‘R. Lalique’ and etched ‘No 3003’, 27.8cm diameter £500 - 700
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Lot 118 A Lalique ‘Tête d’Aigle’ clear glass car mascot, modern, designed in 1928, with frosted details, engraved ‘Lalique France’, with a label ‘Made In France’, 11cm high £200 - 400
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ART DECO 52-163
Lot 119 A French Art Deco maple coffee table, with an inlaid top with a moulded edge, raised on a ‘U’ shaped stand with ebonised bolsters, on a platform stand and bun feet, 133cm wide 53cm deep 44cm high £300 - 500
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120 Lot 120 A Shelley Queen Anne ‘Arch of Roses’ six-setting dinner service, c.1928, bone china, comprising: 6 dinner plates, 6 starter plates, 6 side plates, 6 tea plates, 6 cups and saucers, 6 egg cups, 2 cake plates,
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2 vegetable dishes with lids, a gravy boat, 3 diamond-shaped serving plates of various sizes, a large sugar bowl, a small sugar bowl, and a milk jug, the largest serving plate 44 x 36cm (53) £400 - 600
Lot 121 An inlaid oak armchair, in the manner of Heal’s, with chamfered supports, the back with chequer inlaid panels, with a moulded seat rail, united with an ‘H’ stretcher, 57cm wide 56cm deep 93cm high, seat 43.5cm high £400 - 600 Lot 122 A French plaster sculpture of the Madonna and Child, 1930s, with an inscription to the plinth, 52cm high £200 - 300
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52-163 ART DECO Lot 123 A Murano glass chandelier, probably by Venini, c.1930s, with four branches, 41cm high £400 - 600
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124 Lot 124 A large French Art Deco walnut sideboard, with a marble top, over a slight bow front with cupboards, mounted with an ebonised panel of deer on each door, opening to reveal an oak-lined interior with drawers and shelves, flanked with further cupboards with shelves, with cast shaped handles, raised on an ebonised ‘moustache’ plinth, 220.5cm wide 54cm deep 105cm high £600 - 800
Lot 125 A London Underground poster, ‘From Winters Gloom to Summers Joy’, 1927, by Edward McKnight Kauffer (1890-1954), numbered ‘262-1000-9-3-27’ l.l., printed by Vincent Brooks, Day & Son of London, 62 x 98cm, linen backed 72 x 108cm overall, unframed £200 - 300
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ART DECO 52-163 Lot 126 A collection of Clarice Cliff ‘Aurea’ items, c.1930, designed by Clarice Cliff for Wilkinsons Pottery, comprising: a shape 280 flared vase, a shape 565 ribbed vase, the vases inscribed ‘Handpainted Bizarre by Clarice Cliff Wilkinson Ltd. England’, and a Bon Jour shape preserve pot, marked ‘Bizarre’ to the underneath and stamped ‘Made in England’, largest 15.5cm high (4) £200 - 300
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Lot 127 A collection of Clarice Cliff ‘Forest Glen’ items, 1930s, decorated with a cottage set within a forest scene against a red ground, comprising: an Athens shape jug with faceted sides, a Lynton shape ribbed coffee pot, a Lynton shape coffee cup and saucer, a Leda plate, an octagonal cereal bowl, and a small bowl, some bearing ‘Bizarre’ marks to the underneath, some examples with underglaze factory marks, largest 20cm high (8) £300 - 500
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Lot 128 A collection of Clarice Cliff ‘Sungold’ items, 1930s, decorated in an orange and yellow sunburst pattern with green geometric lines, comprising: a tankard, a Leda plate, and a pin dish, all stamped with ‘Bizarre’ marks to the underneath, largest 22.5cm diameter largest 16cm high (3) £300 - 500 Provenance: The Leda plate - Christie’s, ‘The Barry Jones Collection of Clarice Cliff’, 25 February 2000, lot 132.
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52-163 ART DECO Lot 129 A collection of Clarice Cliff ‘Sungay’ items, 1930s, decorated with blue, green, and yellow flowers against a yellow and cream ground, comprising: a teapot, a teacup and saucer, a side plate, a dinner plate, and a salt shaker, all with hand-painted floral motifs in yellow, green and blue, to the underneath with ‘Bizarre’ marks and inscribed ‘Sungay Handpainted, Bizarre by Clarice Cliff - Newport Pottery England’, largest 24.5cm diameter teapot 10.5cm high (6) £200 - 300
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Lot 130 A collection of Clarice Cliff ‘Bizarre’ hand-painted items, late 1920s/early 1930s, with hand-painted geometric designs in blue, green and orange, comprising: a small charger with a scalloped edge, a pair of dwarf candlesticks, a pair of egg cups, and a marmalade jar modelled as an orange, with hand-painted ‘Bizarre’ marks to the underneath, the charger stamped with underglaze factory marks in green, 22cm diameter largest 11cm high (7) £200 - 300
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Lot 131 A Clarice Cliff ‘Newlyn’ Athens jug, 1930s, of octagonal form with faceted sides, decorated with a hilltop house, on a splayed foot, painted with ‘Bizarre’ mark to the underneath, 15.5cm high, and a ‘Newlyn’ Biarritz dinner plate, 1930s, for Royal Staffordshire, of rectangular form with a central circular well, decorated with a cottage set amongst a rolling landscape, 23 x 19.5cm (2) £300 - 500
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ART DECO 52-163 Lot 132 A collection of Clarice Cliff ‘Autumn Crocus’ pattern items, 1930s, all pieces with hand-painted decoration of crocus sprays, comprising: a shape 36 Coronet water jug, a beehive-shaped honey pot, an apple-shaped preserve pot, a tapering preserve pot, a toast rack, and a sandwich tray, all with ‘Bizarre’ marks to the underneath, some items labelled ‘Crocus’, largest 29cm wide largest 15.5cm high (9) £200 - 300
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Lot 133 A pair of Clarice Cliff ‘Gayday’ ziggurat candleholders, c.1930, each of stepped square form, decorated with hand-painted polychrome floral motifs against a cream ground, both stamped with ‘Bizarre’ marks internally and labelled ‘E Gayday’, 9cm square 9cm high (2) £200 - 300
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Lot 134 Two Clarice Cliff ‘Autumn Crocus’ pattern cauldrons, 1930s, one larger, one smaller, both of bulbous form with a flared rim, the body decorated with polychrome crocus sprays and with angular handles, each raised on three tapering supports, with ‘Bizarre’ marks to the underneath, 11 and 7cm high (2) £200 - 300
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Lot 135 A collection of five Clarice Cliff ‘Gayday’ preserve pots, c.1930s, decorated with polychrome flowers against a cream ground, comprising: two orange-shaped marmalade jars, a beehive-shaped honey pot, a flared jam pot with moulded berries to the lid, and a cylindrical jar, all with painted and stamped ‘Bizarre’ marks to the underneath, largest 9.5cm high (10) £200 - 300
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52-163 ART DECO
Lot 136 A Clarice Cliff ‘Gayday’ tankard coffee pot, 1930s, of slightly tapering form, decorated with polychrome flowers against a cream ground, stamped with ‘Bizarre’ marks to the underneath, 19cm high, and a ‘Gayday’ tankard water pot, 1930s, of tapering form, stamped with ‘Bizarre’ marks to the underneath, 15cm high (3) £200 - 300
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Lot 137 Two Clarice Cliff ‘Gayday’ sabots or clogs, 1930s, one larger and one smaller example, both decorated with polychrome floral motifs against a cream ground, stamped with ‘Bizarre’ marks, 14 and 11.5cm wide (2) £200 - 300
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Lot 138 A collection of four Clarice Cliff fern planters, c.1930s, comprising: one octagonal and one circular example in the ‘Autumn Crocus’ pattern, one octagonal ‘Gayday’ example, and one octagonal ‘Secrets’ example, all marked with ‘Bizarre’ marks to the underneath, largest 9cm high (4) £200 - 300
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Lot 139 A Clarice Cliff ‘Autumn Crocus’ tankard coffee pot, 1930s, of slightly tapering form, decorated with crocus sprays against a cream ground, stamped with ‘Bizarre’ marks to the underneath, 18cm high, and an ‘Autumn Crocus’ tankard water pot, 1930s, of tapering form, stamped with ‘Bizarre’ marks to the underneath, 17.5cm high (3) £200 - 300
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ART DECO 52-163 Lot 140 An Art Deco walnut revolving cocktail cabinet, the burr walnut veneered top over three drawers and a cupboard one side, opposite a hinged cupboard opening to reveal three divisions, over two hinged cupboards each opening to reveal twelve glass holders, two fret-cut holders, cocktail stick holders and a bar to the base, on a revolving stand, 48cm square 97cm high £400 - 600
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Lot 141 A Danish three-seater settee, 1940, with red and cream striped upholstery, the back with buttoned detailing, with beech armrests, raised on block beech supports, 180cm wide 80cm deep 85cm high, seat 43cm high £300 - 500 Lot 142 An Art Deco oak ‘Tank’ armchair, with bentwood arms on sledge feet, with floral upholstery, worn, 62cm wide 92cm deep 68cm high, seat 30cm high £200 - 300
141 142 Lot 143 A Canadian Art Deco-style ‘Elysée’ zebrawood desk, 1980s, designed by Lucien Rollin and manufactured by cabinetmaker William Switzer for William Switzer Collection, the oval top over three frieze drawers - one central drawer, flanked on either side by a drawer to the apex of the curved ends - each drawer with a reeded hoop handle, the top with an insert cream leather writing surface with gilt decoration, raised on square tapering legs terminating on to cast metal supports, with manufacturer’s labels to the underneath, 192cm wide 87cm deep 79cm high £1,500 - 2,000
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Literature: Vincent Bonneyrat-Rollin, ‘Lucien Rollin Architect-Decorator, 1906-1993’, Éditions William Switzer, 1998, p.83. Lot 144 A Royal Copenhagen vase and cover, of oval ovoid form with a crackle glaze and gilt borders, with an underglaze blue wave mark, a green printed factory mark and inscribed ‘212/3490’ and ‘fx’, 30.5cm high (2) £250 - 350
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52-163 ART DECO
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Lot 145 A Wedgwood pottery bowl, decorated by Millicent Taplin, painted with bands of flowers, impressed marks and painted ‘CMH5806 H’, 21.2cm diameter £150 - 200
Lot 146 A stoneware bowl, c.1940, by Agnete Hoy (1914-2000) for Bullers, painted with a band of flowers, 15cm diameter 9cm high £100 - 150
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Lot 147 A Gustavsberg ‘Argenta’ ware vase, c.1940, designed by Wilhelm Kåge, of globular form, with silver deposit fish and a mermaid decoration, impressed marks and silvered ‘Argenta 1042’, 17cm high £200 - 300
Lot 148 An Art Deco silver-plated coffee set, 1930s, comprising: a coffee pot, teapot and sugar bowl, all of reeded cylindrical form, each with a stepped lid surmounted by a spherical finial, largest 19cm high (3) £200 - 300 Lot 149 An Art Deco figure of Pierrot, by Max Le Verrier, with a cream crackle glaze, signed ‘M Le Verrier’ to the plinth, 43cm high £400 - 600
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Lot 150 An Art Deco ceramic table lamp, designed by Marcel Bouraine, modelled as a sea lion balancing the glass ball shade on its nose, signed ‘Bouraine’, 56cm high £700 - 900
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ROCK ART DECO ‘N’ ROLL, 52-163MUSIC AND GUITARS 164-174D
151 Lot 151 An ‘Arabian Nights’ night light, signed Limogue and Amelin, modelled as a man and a lady, holding a fan, with two perforations to the back, blue glazed mark and inscribed ‘Amelin’, 31cm high £150 - 250 Lot 152 An Art Deco ceramic night light, modelled as dancers, in blue, gold and red details, inscribed in green and printed ‘La Maitrise and Ayme’, 27cm high £250 - 350
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152 Lot 153 An Art Deco ceramic crackled glaze figure, ‘L’Automne’, modelled as a lady crouching on a plinth adorned with flowers, signed ‘Guerbe’, 31cm high £300 - 500 Lot 154 *René Abel Philippe (French, 1898-1978), an Art Deco ceramic centrepiece ‘Baigneuse au Drape’ (Bather with a Drape), modelled as a lady seated on a plinth, signed in the mould ‘R Abel Philippe’ and with a printed mark ‘HBCM’, 51.5cm high £600 - 900
Lot 155 A French Art Deco gilt and painted metal uplighter, 1940s, in the manner of Gênet et Michon, the flared body with fine perforations, raised on a gilt scalloped stem and a cream-painted foot, 17cm diameter 51cm high £400 - 600
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52-163 ART DECO
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156 Lot 156 *René Herbst (French, 1891-1982), an Art Deco decanter and stopper and a plate, designed for the wine merchants Cusenier, each with a green-glazed ground, and red ‘cloud’ details, inscribed ‘Cusenier’ and monogramed ‘RH’, decanter 27cm high plate 31cm diameter (3) £150 - 200 Lot 157 A Hagenauer wood and metal centrepiece, modelled as a limed wood female seated on a scrolled stand, stamped marks, 46cm wide 29cm high £500 - 700 Lot 158 *Victor H Seifort (Austrian, 1870-1953), a patinated terracotta figure of Salome, signed to the plinth, stamped marks ‘R & T Mgdbg Gesetzl Geschibz’ and numbered ‘1687-1-25’, 68cm high £300 - 500 Lot 159 *Stéphane Gisclard (French, b.1966), a Longwy faience Art Deco-style ‘Vitesse’ ball vase, with a crackle glaze and silvered and gold details, limited edition of 22/50, signed and numbered, and signed to the body ‘S Gisclard’, 38.5cm high, boxed, with certificate and pamphlet £1,800 - 2,000 Lot 160 An Art Deco marble and onyx clock garniture, modelled as a medieval chryselephantine lady reading a book, standing beside a lozenge-shaped dial, signed ‘Scribe’, with a pair of garniture vases, 32cm wide 26cm high vases 20cm high (3) £1,000 - 1,500
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ART DECO 52-163 Lots 161-163 The following three lots formed part of the interior of Sea Lane House, the only house in Britain to have been designed by Marcel Breuer, the Bauhaus-trained architect. Sea Lane House was designed in 1936, by Breuer and British architect FRS Yorke, for James Macnabb, who never actually occupied it. It was subsequently bought in 1943 by Richard Papelien, an engineer and celebrated figure in the automotive industry. The house was constructed with brick and concrete, and the three lots for sale here are believed to have been designed and made specifically for the building. Marcel Breuer briefly studied art in Vienna before joining the Bauhaus in the 1920s. First a student and then a teacher, he became head of the celebrated furniture workshop. On leaving the Bauhaus, Breuer practised as an architect in Berlin before fleeing the Nazi regime and moving to London in 1935, where he stayed for two years. In 1939, he was invited by Walter Gropius (the founder of the Bauhaus and former teacher of Breuer) to work at Harvard University.
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Lot 161 A suite of burr maple wall furniture, comprising: a glazed cabinet, with sliding cupboard over three drawers, and cupboards below, on a low plinth, 107cm wide 30.5cm deep 107cm high, a low bookshelf with an end cupboard, 131cm 23.5cm deep 68.5cm high, a cupboard, enclosing two drawers and with divisions below, 36cm wide 38cm deep 68.5cm high, a bookshelf, 81cm wide 28cm deep 72.5cm high, another bookcase section, 133cm wide 23.5cm deep 68.5cm high, a cupboard section, with a metal-lined base, hinged cupboard/ waste bin, and a cupboard with a shelf and divisions, 78.5cm wide 38cm deep 68.5cm high (6) £400 - 600 Provenance: Sea Lane House, Littlehampton, West Sussex.
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52-163 ART DECO
Lot 162 An Art Deco burr maple sideboard, with three frieze drawers, over two cupboards, each enclosing a single shelf, 137cm wide 50cm deep 90.5cm high £200 - 300
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Lot 163 Seven Art Deco maple drawing chairs, (2+5), each with a tan leather seat, armchairs, 58cm wide 58cm deep 89cm high, seat 49cm high, singles, 49cm wide 57cm deep 88cm high, seat 49cm high (7) £300 - 500
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ROCK ‘N’ ROLL, MUSIC AND GUITARS 164-174D
164 part lot
Lot 164 Of Rolling Stones and Brian Jones interest, 1965-1966, a collection of five handwritten letters from Brian Jones, all addressed to Miss Megan Jones, most accompanied by signed magazine pages and newspaper clippings, together with a machine-typed and hand-signed letter signed by the Rolling Stones’ secretary, the letters postmarked between 2 June 1965 and 7 December 1966 (qty.) £3,000 - 5,000 Provenance: A ll correspondence was sent between the vendor and Brian Jones directly during her time at boarding school. The letters have remained in her possession since the mid-1960s.
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164-174D ROCK ‘N’ ROLL, MUSIC AND GUITARS
165 Lot 165 A signed Dire Straits ‘Live in 85’ tour programme, with seven autographs of Mark Knopfler, John Ilsley, Alan Clark, Guy Fletcher, Jack Sonni, Terry Williams and Chris White, together with a copy of the LP ‘Hello, I must be going!’, signed by Phil Collins and other members of his production team and band (2) £200 - 300
167 part lot Lot 167 A collection of Marvel & DC comics, including the UK publications of Moon Knight 1, 2 and 3, The Invincible Iron Man, Captain America, Batman, Superman, Spiderman, The Justice League etc. (qty.) £300 - 500
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166 Lot 166 A group of sixteen early picture disc records, American, 1940s, including twelve Vogue picture records, SAV-WAY Industries, Detroit. R719, R722, R725, R726, R734, R754, R 755, R758, R767, R771, R780, R781, together with four Saturne, and a book about Vogue Records (17) £150 - 250
168 part lot Lot 168 A collection of vinyl albums and singles, of 1960s and 70s classic and prog rock interest, including examples by The Beatles, Led Zeppelin, The Who, Bad Company, Rush, Carlos Santana, David Bowie, Wings, The Stranglers, Caravan, Emerson, Lake & Palmer etc. (qty.) £300 - 500
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ROCK ‘N’ ROLL, MUSIC AND GUITARS 164-174D
Lot 169 A Pearl Masters Custom drum kit, comprising a bass drum, 6 x toms, 1 x snare drum, 1 x hi-hat, assorted cymbals, a stool, with stands and cases for most of the drums, the maple veneer in a dark green finish (qty.) £400 - 600
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170 Lot 170 A 2005 Gibson Custom Shop BB King 80th Birthday ‘Lucille’ ES-355 electric guitar, serial no. CS5***6, limited edition, numbered 7/80, of typical Gibson ES shape, autographed by BB King, in a fitted hard case, with ticket stubs from the concert from which the signature was acquired, with certificate of authenticity £8,000-12,000
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171 Lot 171 A 2010 Gibson Custom Shop Randy Rhodes ‘74 Les Paul Custom electric guitar, limited edition serial no. 0*1 of typical form, fitted with NOS Gibson ‘74 Super Humbuckers, with heavy reliced finish in faded white, in a fitted original hard case, with certificate of authenticity £7,000 - 9,000
172 Lot 172 A 2010 Gibson Custom Shop Eric Clapton ‘Beano’ Les Paul electric guitar, serial number *1, of typical form, lacquered in aged Beano burst, bearing autograph to the reverse of the headstock, with certificate of authenticity, in a fitted hardcase, with a wooden plaque bearing a reproduced front cover of Beano No. 1242 £10,000-15,000
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164-174D ROCK ‘N’ ROLL, MUSIC AND GUITARS
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Lot 173 A 2004 Burns ‘The Marvin’ Hank Marvin Anniversary Edition electric guitar, serial number 0**2, of Stratocaster-style form, in a white finish with faux tortoiseshell pickguard, complete in original faux crocodile hardcase, with certificates, leather strap, accessories etc £700 - 900
Lot 174 A 1996 Fender Stratocaster Hank Marvin Signature electric guitar, made in Japan, serial number V0***7, of typical form in Fiesta Red finish, complete with hard case and assorted accessories £400 - 600
174B Lot 174B A Benedetto ‘Benny’ electric guitar, c.2000, in a natural finish with a fitted case £1,000 - 1,500
174C Lot 174C A Charles Fox C Fox S J Napa acoustic guitar, c.2000, serial number **0, in a natural finish, complete in a fitted case £700 - 900
174A Lot 174A A 2014 Taylor 320e SLTD Baritone electro acoustic guitar, of dreadnought form, complete with a Taylor fitted hardcase £500 - 700
174D Lot 174D A 2004 Godin A6 electro acoustic guitar, serial number 04*****9, the body of Telecaster form in a black gloss finish, complete with a Godin gig bag £400 - 600 Provenance: From the collection of Slim, the guitarist with the blues/rock band The Hamsters.
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
Lot 175 A 1930s-style pedal car for the 1983 stage production of ‘Bugsy Malone’, starring the young Catherine Zeta-Jones as Tallulah aged 14, which ran at Her Majesty’s Theatre in the West End for over 8 months with some 300 performances, the open top pedal car was restored by The Restoration Shop, Leyburn, North Yorkshire, finished in cream and red livery with brown leather-trimmed seats, three-spoke steering wheel and wooden dash, rubber sills and metal bumpers and grille, 12v electric lights, black-painted wire wheels and rubber tyres, 310cm long £2,000 - 3,000 The stage production was based on the popular 1976 British film of the same name, featuring a cast that was played solely by child actors. A musical gangster comedy set in the 1920s, Bugsy Malone follows the eventful life of the title character, a boxing promoter, during the violent gang wars that plagued America at that time. Viewers watch as Bugsy pursues romance and financial prosperity, and see him overcome adversity as he strides towards his final goal of reaching Hollywood with Blousey Brown, his love interest.
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 176 A beautiful couture dress, designed and donated by Kruszynksa Couture of Knightsbridge, worn by Rose Ayling-Ellis in ‘Hello’ magazine after winning Strictly Come Dancing 2021, size 10/12 £400 - 600 The proceeds of the sale of the dress will be donated to Addenbrookes Charitable Trust, Caroline House in Norwich, and Icanho Liveability in Stowmarket. Maria Black is raising money for these charities that helped her through her rehabilitation after she suffered a life-changing stroke in 2020. To date, she has raised over £30,000 for these charities.
Lot 177 A pair of silver-gilt Royal National Lifeboat Institution commemorative dishes, by Aurum Ltd., London 1974, each with sides impressed with a wave motif, at the centre with a gilt medallion depicting the rescue of the crew of the ‘St George’ off Douglas, Isle of Man, on the 20th of November 1830, limited edition numbers 531 and 532 of 750, 16cm diameter (2) £300 - 500
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Lot 178 A pair of silver-gilt Ely Cathedral commemorative goblets, by Aurum Ltd., London 1973, each tapering bowl mounted with a mermaid holding the keys of Ely, raised on an octagonal tapering column, produced to commemorate the Thirteenth Centenary of the Foundation in AD 673, limited edition numbers 426 and 427 of 673, 16.5cm high (2) £400 - 600 Lot 179 A sterling silver novelty toucan salt caster, by Meka, with red guilloché enamel and black tail feathers, perched on a ball, stamped ‘Meka Denmark Sterling’, 5.8cm high £120 - 180
178 Lot 180 *A silver-gilt and enamel ‘Surprise’ egg, by Stuart Devlin, London 1978, with a textured surface and a polished central band, opening to reveal a hedgehog beneath a bush on a green enamel base, numbered ‘212’, 7.5cm high, in a fitted ‘Boodle & Dunthorne’ case (2) £200 - 300 Lot 181 *A novelty silver-gilt and enamel ‘Surprise’ box, by Stuart Devlin, London 1977, ‘I Saw Three Ships’, numbered 225, 7.2cm high £150 - 250
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
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Lot 182 *A stoneware vase, by Lucie Rie (Austrian-British, 1902-1995) and Hans Coper (German-British, 1920-1981), of slightly flared form, in a matte-brown glaze with linear sgraffito decoration, impressed to the underneath with artists’ marks for both Hans Coper and Lucie Rie, 11cm high £600 - 800
Lot 183 *Gillian Montegrande (b.1960), ‘Solitude’, a two-part sculpture, in ‘Y’ material and grogged vulcan stoneware clay, incised with monogram and dated ‘22’, 38.5cm high £200 - 300
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Lot 184 *Gillian Montegrande (b.1960), ‘Going Forth’, a pot with concentric circles, in ‘Y’ material and grogged vulcan stoneware clay, incised with monogram and dated ‘22’, 28cm high £150 - 200
185 Lot 185 *Gillian Montegrande (b.1960), ‘Shakti’, a pot and cover, in ‘Y’ material and grogged vulcan stoneware clay, raised monogram and dated ‘22’, 38.5cm high (2) £150 - 200 Lot 186 A set of eight Italian ‘Soli e Lune’ ceramic coasters, 1960s, designed by Piero Fornasetti, each decorated with different variations on sun and moon motifs against a white ground, each with an underglaze blue ‘F’ and stamped with factory marks to the underneath, 10cm diameter (8) £400 - 600
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186 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 187 A Gustavsberg stoneware bowl, 1971, by Stig Lindberg, of slightly flared form, decorated in a high-temperature-fired oxblood and celadon glaze, incised with signature and the studio hand, the date mark consistent with 1971, 13cm diameter 7.5cm high £300 - 400
Lot 188 *David Leach (1911-2005), an ovoid vase with a short of collar, with a tenmoku glaze, impressed artist’s mark, 21cm high £300 - 500
188
187 Lot 189 *David Leach (1911-2005), a stoneware charger, with radiating combed decoration, impressed artist’s mark, 40cm diameter £300 - 500
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190 two views
Lot 190 *Horst Antes (German, b.1936), a ceramic bowl, made by Horst Kerstan of Kandern, painted to the interior with a humanoid rabbit with a penis, the body with further figures, dated ‘5.5.67’ and signed ‘Antes’, also inscribed in green ‘Für Erika sehr sehr herzlich’ (For Erika very, very warmly’), stamped ‘Kerstan Kandern 1967’, 21cm diameter £400 - 600 This was made for Erika Brausen, owner of the Hanover Gallery in London.
190 detail www.sworder.co.uk
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Lot 191 *Peter Collingwood (1922-2008), ‘M.92 No.22’, a microgauze wall hanging of woven linen and steel, signed on label and stamped ‘M.92 No.22’, 47.5cm wide 178cm high £3,000 - 5,000 Peter Collingwood (1922-2008) was at the forefront of weaving for fifty years. His wall hangings use the traditional craft to create visual abstraction and are admired worldwide. Trained, after national service, by the master weaver Ethel Mairet, he worked with Alastair Morton, who became the visionary Artistic Director at the Edinburgh Weavers. In 1952, Peter set up a studio at Archway in North London and sold his work in Liberty’s and Heal’s. He also exhibited at the Red Rose Guild and the Arts and Crafts Society. He later moved to Digswell Arts Trust in Hertfordshire, where he met and exhibited with Hans Coper. Collingwood moved to Nayland near Colchester in 1964, where he worked until his death in 2008.
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 192 A four-fold ebonised canework screen, 20th century, 240cm wide 178cm high £200 - 400
193 Lot 193 A high-back ‘Safari’ chair, designed by Erik Wørts, with a painted frame and slung tan leather seat and arms, 64cm wide 60cm deep 96cm high, seat 39cm high £400 - 600
192
Lot 194 A Swedish elm marquetry cabinet, the cupboard inlaid with flowers, opening to reveal three drawers and a shelf, raised on a turned and carved stand, 108cm wide 43cm deep 127cm high £1,000 - 1,500
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 195 § A pair of ‘Model 209’ rosewood Diplomat chairs, designed by Finn Juhl for Cado in 1965, each with a leather seat and back, 69cm wide 58cm deep 83.5cm high, seat 46cm high (2) £1,000 - 1,500
Lot 196 A Danish two-tier serving trolley, 1960s, designed by Laurids Lønborg, with two yellow enamel trays, on a black stand with wicker handles, with castors, labelled, 44.5cm diameter 60.5cm high £150 - 200
195 196 Lot 197 An ‘Emmanuelle’ wicker peacock chair, c.1970s, of typical form, with a woven edge, on a waisted drum stand, 94cm wide 75cm deep 128cm high, seat 43cm high £300 - 500
Lot 198 A set of two Neoponti ash stools, 1990s, Italian, manufactured by Constantini after an original design by Gio Ponti, both with rushed seats, 43cm square largest 80cm high (2) £300 - 500
198
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
197 50
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 199 A pair of Spanish oak safari chairs, 1960s, by Almazan, each collapsible oak frame with brass mounts, and with a slung leather seat, back and armrests, the leather impressed with manufacturer’s marks, 61cm wide 58cm deep 89cm high (2) £600 - 900
Lot 200 An extended glass top dining table, of rectangular form, raised on bronzed metal supports, 172.5cm wide 109cm deep 75cm high £300 - 500
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201
Lot 201 A wrought iron console table, with a block top, the stand with a cross stretcher and centred with a branch, 135cm wide 75cm deep 92.5cm high £250 - 350
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Lot 202 A teak coffee table, by Aase Dreieri, Norway, with a rectangular top, a sliding undershelf, and raised on turned supports, labelled, 149cm wide 55cm deep 48cm high £200 - 400
Lot 203 *William Klein (American-French, b.1928) ‘Hat and Five Roses, Paris, Vogue’, 1956 monochrome photograph, signed ‘William Klein’ in pencil verso, inscribed with title and dated verso 44 x 34.5cm £400 - 600
203 www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
205 Lot 204 A Fornasetti shop poster, 1960s, for ‘Themes and Variations’, 135.5 x 87.5cm £200 - 300
204
Lot 205 An American ‘The Clash’ poster, 1982, the Casbah Club Tour, Providence Civic Centre, Providence, Rhode Island, US, Saturday 28 August 1982, inscribed ‘The Future is Unwritten, Know Your Rights’, 84 x 53cm £150 - 250
206 Lot 206 A set of four British United Airways posters, 1960s, various images, rolled (4) £200 - 300
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 207 A pair of Italian ‘Model 2021/1’ brass wall lights, 1960s, by Stilnovo, each with a white glass shade, with maker’s stamp, 13.5cm wide 17cm deep 34cm high (2) £2,000 - 3,000
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208 Lot 208 An Italian rosewood sideboard, by Dassi, 1950s, of serpentine form with a glass shelf and a reeded panel back, the central cupboard carved with a figure, birds, dice, chess pieces and playing cards, enclosing a mirrored interior, flanked with further cupboards over an open shelf, backed with a reeded panel on a plinth box, 199cm wide 46cm deep 125cm high £600 - 800
209
210 Lot 210 § A Gordon Russell ‘Marwood’ rosewood extending dining table, designed by Martin Hall, with one extra leaf, 197cm closed, 247cm extended 108cm wide 72cm high £1,200 - 1,500
www.sworder.co.uk
Lot 209 A pair of ‘JH713’ oak lounge chairs, designed by Hans Wegner for Johannes Hansen in 1957, labelled, 66cm wide 58cm deep 90cm high, seat 45cm high (2) £1,000 - 1,500
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 211 A Danish oak-framed armchair, 1940s, with blue velour upholstery, worn, 87cm wide 90cm deep 80cm high, seat 40cm high £200 - 400
Lot 212 A French Maison Baguès coffee table, c.1950, with a rectangular marble top, raised on brass faux bamboo supports terminating on to hoof feet, the supports joined by an ‘X’ shaped stretcher, surmounted to the centre with a flame-topped finial, 122cm wide 46cm deep 42.5cm high £300 - 500
211 212
213 Lot 213 § A Norwegian extending rosewood dining table, 1960s, designed by Hans Brattrud, with two leaves, raised on chrome hairpin legs, extended 198cm wide 92cm deep 73cm high £700 - 900
214 Lot 214 A pair of ‘Butterfly’ chairs, 1960s, each with a painted metal frame and carved back, one lacking a seat, 41cm wide 50cm deep 106cm high, seat 43cm high (2) £200 - 300
54
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
Lot 215 An Italian modernist standard lamp, 1950s, designed by Oscar Torlasco for Lumen, with three joined brass arms of staggered heights, each terminating with a lacquered metal shade, on a round marble base, 189cm high £1,800 - 2,000
215 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 216 Three Italian ceiling lamps, 1950s, by Stilnovo, each with an adjustable arm and black enamel shade, 140cm (x2) and 108cm high (3) £1,000 - 1,500
217 Lot 217 A pair of ‘JH713’ oak lounge chairs, designed by Hans Wegner for Johannes Hansen in 1957, labelled, 66cm wide 58cm deep 90cm high, seat 45cm high (2) £1,000 - 1,500
216
Lot 218 A Danish teak circular dining table, by C J Rosengaarden, with two extra leaves, branded, 130cm diameter, 230cm extended 72cm high (3) £200 - 300
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Lot 219 A Danish settee, 1950s, upholstered in cotton velour with gold stripes, 172cm wide 80cm deep 98cm high, seat 42cm high approximately £300 - 500
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www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 220 Three French wall lights, 1950s, comprising: a pair of single-branch lights, fitted with cylindrical shades, one cracked, 7cm deep 37cm high, and a twin-branch light, 22cm wide 8.5cm deep 38.5cm high (3) £200 - 400
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Lot 221 A walnut side chair, designed by Norman Cherner for Plycraft, labelled, 43cm wide 53cm wide 79.5cm high, seat 45.5cm high £200 - 300
221
Lot 222 A Danish oak cabinet, 1960s, with a fall front enclosing two divisions, each with a single shelf, over two drawers, raised on turned supports, 116cm wide 27cm deep 78.5cm high £150 - 200 Lot 223 A Swedish handwoven Rölakan rug, 1950s, by Anna Johanna Ångström, the cream ground with a border of geometric shapes, monogrammed ‘A’, 165 x 235cm £300 - 500
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Lot 224 Four ‘Les Arcs’ chairs, originally designed by Charlotte Perriand for the Les Arcs ski resort in the 1960s, each with a slung tan leather seat, on a tubular steel frame, 48cm wide 53cm deep 86cm high, seat 46.5cm high (4) £1,000 - 1,500 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
225
Lot 225 A Danish ‘Model 8112’ three-seater settee, by Fritz Hansen, the curved back with buttoned detail, raised on tapering supports, with cream striped upholstery, 178cm wide 85cm deep 85cm high, seat 41cm high £300 - 500
Lot 226 A Danish beech armchair, 1950s, with a beige upholstered seat and back, the turned supports mounted with brass caps, 65cm wide 80cm deep 101cm high, seat 42cm high £200 - 400
226
Lot 228 A perspex and chrome ‘Flower’ standard lamp, designed by Hans von Klier, on a moulded and weighted stand, 165cm high £200 - 300
229 227 Lot 227 A Danish teak four-drawer chest, with cut handles, raised on turned supports, 80cm wide 38.5cm deep 77cm high £150 - 250
www.sworder.co.uk
Lot 229 A military tripod stand, 20th century, fitted with a caged light, 108cm high £100 - 200
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 230 A US Army Field Headquarters desk/chest, converted to a coffee table with castors, the top converting to a table, with two stools, the chest containing seven drawers, 68cm wide 60cm deep 51.5cm high £150 - 200 Lot 231 An Hungarian studio side chair, by Szedleczky Design, painted black, with a white leather seat and headrest, 59cm wide 55cm deep 94cm high, seat 43cm high £250 - 350
231 230
Lot 232 A Danish black leather two-seater settee, by Stouby, raised on stained beech supports, 142cm wide 85cm deep 80cm high, seat 43cm high £300 - 500
234
232
Lot 234 A Danish copper outdoor light, in the manner of Henningsen, with a glass insert, on a metal mount, light 27cm diameter 20cm high overall 118cm high £150 - 200
233
Lot 233 A pair of Swedish ‘Safari’ chairs, designed by Börje Johansson, each with a leather slung seat and back, 62cm wide 61cm deep 76cm high, seat 40cm high (2) £300 - 500
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 235 A Swedish walnut cabinet, 1940s, designed by Axel Larrson (1898-1975), with a central cupboard enclosing four drawers and two shelves, flanked with further side cupboards, each enclosing two shelves, 185cm wide 45cm deep 11cm high £700 - 900
236
235
Lot 236 A ‘Louisa’ folding chair, designed by Marcello Cuneo (1933-2015), with a slung chocolate seat and headrest, 67cm wide 88cm deep 90cm high, seat 38cm high £500 - 800
Lot 237 § A Danish rosewood modular wall system, designed by Rud Thygesen and Johnny Sørensen, and manufactured by Hansen and Goldborg HG Furniture, comprising: seven glass-fronted cabinets, 89.5cm wide, 30cm deep, 40cm high, two fall-front cabinets, 89.5cm wide, 30cm deep, 40cm high, one chest of four drawers, 89.5cm wide, 40cm deep, 50cm high, four sliding cupboards, 89.5cm wide, 40cm deep, 50cm high, one hinged top cabinet, 89.5cm wide, 40cm deep, 49.5cm high, two shelves, 89.5cm wide, 30cm deep, six shelves, 89.5cm wide, 22cm deep, four brackets, 28.5cm deep, twelve brackets, 21.5cm deep, and thirteen uprights, 237cm high (qty.) £700 - 900
237 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
www.sworder.co.uk
238 239 Lot 238 A pair of Danish oak and black-lacquered console tables, designed by Rud Thygesen and Johnny Sørensen for Magnus Olesen, labelled, each 140cm wide 70cm deep 72cm high (2) £400 - 600
Lot 239 A ‘Paddle’ armchair, designed by George Nelson for Herman Miller, with black vinyl seat and back, 66cm wide 62cm deep 78cm high, seat 46cm high £500 - 700
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Lot 240 A Swedish three-door ash veneered side cabinet, 1940s, designed by Axel Larsson (1898-1975) for Bodafors, with canted corners veneered in burr oak, the lower section of the doors with marquetry scrolling, opening to reveal shelves and three slides, 152cm wide 44cm deep 115cm high £800 - 1,200
240
Lot 241 A set of four Italian leather and chrome chairs, 1970s, each with a stitched and slung seat, stamped variously with dates, 43cm wide 53cm deep 80.5cm high, seat 45cm high (2) £300 - 500
241 Lot 242 A pair of unusual iron and leather armchairs, probably French, each with polished brass finials, one missing, with a stitched seat and back, 65cm wide 55cm deep 87.5cm high, seat 50cm high (2) £250 - 350
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Lot 243 A Danish armchair, 1960s, reupholstered in blue fabric, 73cm wide 83cm deep 110cm high, seat 41cm high £500 - 700
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 244 A British South American Airways travel poster, 1940s, designed by K F Meyer, inscribed ‘London to South America 24 hours’, 76 x 50cm £200 - 300 Lot 245 A Trans World Airlines travel poster, c.1955, designed by David Klein (1918-1968), inscribed ‘Ireland FLY TWA Jets’, rolled, 102 x 64cm £200 - 300 Lot 246 A Trans World Airlines travel poster, c.1955, designed by David Klein (1918-1968), inscribed ‘London FLY TWA Jets’, linen-backed, 102 x 64cm £400 - 500
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Lot 247 An American Airlines travel poster, 1948, designed by Edward McKnight Kauffer (American, 1890-1954), depicting a seated sailor carving a model ship, inscribed ‘American Airlines, East Coast, Washington, Baltimore, New York, Boston, Providence, New England’, signed to the plate ‘E McKnight Kauffer’ and dated ‘48’, 76 x 102cm, framed £400 - 500
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www.sworder.co.uk
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Lot 248 A Murano ‘Cordonato d’Oro’ lamp base, c.1950, by Barovier & Toso, the tapering fluted pink and opaque glass stem, surmounted on a knopped base with four applied feet, the clear glass sections with gold inclusions, 104cm high £400 - 600
Lot 249 A large Murano glass vase, in the manner of AVeM, decorated with latticino canes and aventurine inclusions to a red ground, 36cm high £200 - 300
Lot 250 A Murano art glass fish, in the manner of Flavio Poli (1900-1984), mid-20th century, possibly by Seguso Vetri d’Arte, labelled, 28cm long £400 - 600
250 Lot 251 Pietro Chiesa (Italian, 1892-1948), a Murano glass ‘Fazzoletto’ bowl, 1950s, by FontanaArte, 25.5cm high £200 - 300
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Lot 252 A Murano glass vase, in the manner of Dino Martens, c.1950, with mezza filigrana decoration, 23.5cm high £200 - 300
Lot 253 *Ermanno Nason (Italian, 1928-2013), a Murano glass vase, c.1970, with applied decoration, 25cm high £200 - 300
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Lot 254 A Murano ‘Scavo’ glass bowl, designed by Alfredo Barbini, with an acid-etched body, in purple and blue, etched ‘Barbini Murano’, 26.5cm wide £150 - 200 Lot 255 An Italian glass pendant lamp, designed by Toni Zuccheri (1937-2008), manufactured by VeArt Murano, 36cm high, and a Murano cased and cut glass pendant hanging shade, 49.5cm high (2) £200 - 300
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255 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 256 A collection of Murano-type glassware, comprising three speckled vases and one with a canne inclusions, largest 32cm high (4) £300 - 400 Lot 257 A Murano glass jug, in the manner of Moretti, 24cm high, and an iridescent glass bowl, 11.5cm high (2) £200 - 300
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Lot 258 A Scandinavian glass vase, possibly Finnish, in the manner of Saara Hopea or Kaj Franck, with controlled air bubble decoration, cased in blue over amethyst, 20.5cm high, together with a matched bowl, 15cm wide, and two Iittala-style vases, 11cm high (4) £200 - 300
Lot 259 A Murano angel decanter, mid-20th century, possibly from the workshops of Archimede Seguso, 36.5cm high £300 - 500 Lot 260 A Murano art glass fish, in the manner of Flavio Poli (1900-1984), mid-20th century, possibly Seguso, 49cm long £250 - 350
258 259 Lot 261 A Murano glass bowl, c.1970s, in the manner of Nason Moretti, with applied strapping to a frosted green ground, 18cm diameter £200 - 300
260 Lot 262 A Swedish birch and burr walnut coffee table, 1950s, the rectangular top raised on fluted supports, 116cm wide 55.5cm deep 48.5cm high £200 - 400
261 Lot 263 An Orrefors ‘Fish-Graal’ glass vase, c.1945, designed by Edward Hald, of footed globular form, internally decorated with fish, engraved signature ‘Orrefors Sweden 1945 Graal 2230 Edward Hald’, 10cm high £200 - 300
262 263 www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 264 A Swedish cased glass ‘Wave’ vase, 1980s, by Annette Krahner for Skruf, 19.5cm high £100 - 150
Lot 266 A teak and leather ‘Safari’ chair, designed by Kaare Klint, with a stitched and buckled seat and back, with a seat cushion, 57cm wide 65cm deep 80cm high, seat 31cm £300 - 500
Lot 265 A bentwood wall divider, 1960s, designed by Ludvik Volak for Devopodnik Holešov, 89.5cm wide 225cm high £400 - 600
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Lot 267 A Swedish handwoven flat-weave rug, 1950s, the centre with a diamond-shaped decoration, within a geometric border, monogramed ‘GK’, 146 x 205cm £200 - 400
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Lot 268 Two Stolab ‘Yngve’ side tables, designed by Marit Stigsdotter, modern, each in ebonised birch, 61cm wide 40cm high, and 90cm wide 45cm high (2) £300 - 500
Lot 269 A set of six bentwood stacking chairs, designed by Gigi Sabadin for Stilwood, 41.5cm wide 48.5cm deep 74cm high, seat 41cm high (6) £1,000 - 1,500
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 270 *Christopher Horace Steele-Perkins (b.1947) two reportage photographs image 60 x 90cm overall 87.5 x 106cm, framed (2) £200 - 300 Chris Steele-Perkins moved from Rangoon to London with his family in 1949. He graduated with honours in psychology from the University of Newcastle-upon-Tyne (1967-70) while working as a photographer and picture editor for the student newspaper. In 1971, he moved to London and began working as a freelance photographer, starting his first foreign work in 1973 in Bangladesh, followed by work for relief organisations and travel assignments.
270 Lot 271 *Christopher Horace Steele-Perkins (b.1947) four black and white reportage photographs largest 38.5 x 58cm overall 55 x 66cm, framed (4) £300 - 500
Chris Steele-Perkins moved from Rangoon to London with his family in 1949. He graduated with honours in psychology from the University of Newcastle-upon-Tyne (1967-70) while working as a photographer and picture editor for the student newspaper. In 1971, he moved to London and began working as a freelance photographer, starting his first foreign work in 1973 in Bangladesh, followed by work for relief organisations and travel assignments.
271 part lot Lot 272 A Howard Keith modular corner settee and table suite, 1980s, in black leather with cream edging, comprising seven chairs and two corner tables, two 82cm wide, 95cm deep, 75cm high four 60cm wide, 95cm deep, 75cm high one 59cm wide, 95cm high, 75cm high tables 95cm square, 47cm high (9) £1,000 - 1,500
272 www.sworder.co.uk
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273 274 Lot 273 A ‘PH5’ hanging pendant light, designed by Poul Henningsen for Louis Poulsen, in white with red and blue reflectors, labelled, 50cm diameter £200 - 300
Lot 274 An Italian ‘Clitoquattro’ coat and hat stand, 1960s, designed by Sergio Mazza for Artemide, of four-pronged design, each prong terminating with a hoop, 75cm wide 10cm deep 30cm high £200 - 300
Lot 275 An Italian modernist vanity mirror, 1970s, designed by Romeo Rega, of square form, the chrome surround panels with brass detailing, 41.5cm square £300 - 500
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Lot 276 An Iittala glass ‘Kantarelli’ vase, c.1957, designed by Tapio Wirkkala, with a flared rim and slender body, the whole with linear cut decoration, engraved signature ‘Tapio Wirkkala. Iittala. 57’, 9cm high £200 - 300
Lot 277 An Iittala glass ‘Tatti’ vase, c.1955, designed by Tapio Wirkkala, of mushroom form, with linear cut decoration, engraved signature ‘Tapio Wirkkala - Iittala - 55’, 19.5cm high £300 - 500
Lot 278 A Baccarat glassware service, of modern manufacture, comprising a decanter, six high ball glasses and six tumblers, with a cut reeded design to the sides, marked with manufacturer’s marks to the underneath, largest 32cm high (13) £800 - 1,200
Lot 279 A Murano glass vase, by Seguso Vetri d’Arte, with a corroso-type finish, labelled, 23.5cm high £200 - 300
278 part lot 66
279 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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280 Lot 280 A pair of modernist lacquered rosewood bedside tables, 1980s, each rectangular top over a single drawer, raised on tubular supports and cruciform feet, 57cm wide 34cm deep 44cm high (2) £400 - 600 Lot 283 A Danish teak dining suite, comprising: a dining table, by Sorø Stolefabrik, with three extra leaves, labelled, 120cm diameter, 270cm extended 73cm high, and eight chairs, each with a ladder back and reupholstered seat, 47cm wide 282 50cm deep 98cm high, seat Lot 282 47cm high (12) A Danish oak ‘Gyngestol No. 3’ rocking chair, £400 - 600 designed by Illum Wikkelsø for Niels Eilersen, with original printed fabric cushion and slung back, traces of an old label to the underneath, Lot 284 58cm wide A pair of metal and gilt 73cm deep hanging ceiling lights, 91cm high, seat 42cm high 20th century, each with £200 - 300 glass drops, 86cm high approximately (2) £300 - 500
Lot 281 A Danish ‘PH5’ pendant light, designed by Louis Poulsen in 1958 for Poul Henningsen, with white lacquered shades, 50cm diameter £200 - 300
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Lot 285 A Mastercraft console table, with a burr wood top, brass details, and raised on three cluster columns, 160cm wide 40cm deep 74.5cm high £300 - 500
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284 www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 286 A pair of ‘Infinity’ polished aluminium table bases, each with brass ribbon detail, 55cm wide approximately 75cm high (2) £300 - 500 Lot 287 Two French umbrella stands, one with woven string details, 37.5cm high, the other of drum form, 34.5cm high (2) £200 - 300 Lot 288 A pair of French wrought iron ‘buckle’ firedogs, 19.5cm wide 43cm deep 37cm high (2) £100 - 150
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Lot 289 A carved and gilt armchair, 20th century, reupholstered in Maharam’s ‘Dot Pattern’ by Charles and Ray Eames, 67cm wide 70cm deep 102cm high, seat 46cm high £300 - 500
Lot 290 An Italian blondewood trolley, the etched glass top with stars and moons, over an undertier, raised on castors, 88cm wide 46.5cm deep 71cm high £300 - 500
289 290
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Lot 291 A pair of white-painted armchairs, each with a fabric seat, back and arms, 60cm wide 60cm deep 84cm high, 45cm seat high (2) £200 - 300 Lot 292 A set of ‘His’ and ‘Hers’ Danish high and low lounge chairs, 1960s, each upholstered in olive-coloured cotton velour, on turned teak legs, 87cm wide 83cm deep 83 and 91cm high, seat 39cm high £200 - 400
294 Lot 293 A Danish three-seater settee, 1960s, with olive-coloured cotton velour upholstery, with piped edging, on turned teak supports, 200cm wide 86cm deep 80cm high, seat 39cm high £300 - 500 Lot 294 A pair of grey-painted chests, each with three drawers, cylindrical handles and turned supports, 71.5cm wide 45cm deep 74cm high (2) £200 - 300 www.sworder.co.uk
293
295
Lot 295 Four metal and vinyl string chairs, in green, red, yellow or blue, 39.5cm wide 50cm deep 80cm high, seat 45cm high (4) £150 - 200 Lot 296 Seven Paul Smith green chairs, each with a plain white back and seat, 46cm wide 63cm deep 97cm high, seat 49cm high (7) £300 - 500
296 part lot
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297
298 Lot 297 A pair of painted wrought iron garden chairs, with squab cushions upholstered in ‘Swirl’ and ‘Rose’ fabric by Paul Smith, 48cm wide 50cm deep 86cm high, seat 38cm high (2) £150 - 250 Lot 298 A pair of two-tier side tables, each with a lacquered top, raised on brass supports, 45.5cm wide 27cm deep 60.5cm high (2) £200 - 300
299 Lot 299 A set of four Chiavari brass side chairs, after a design by Giuseppe Gaetano Descalzi, each upholstered in ‘Dots’ by Maharam, 40cm wide 47cm deep 96cm high, seat 45cm high (4) £150 - 200 Lot 300 A set of six Chiavari brass chairs, after a design by Giuseppe Gaetano Descalzi, each with different velvet silk upholstered seats, 40cm wide 47cm deep 96cm high, seat 45cm high (6) £300 - 500
300
Lot 301 A set of four white-painted armchairs, each with a purple velvet seat, back and arms, 56cm wide 50cm deep 86cm high, seat 47cm high (4) £300 - 500
301
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 302 Twelve cast steel balustrades, of foliate form, largest 95cm high (12) £200 - 300 Lot 303 A pair of massive wood slice centre tables, late 20th century, each raised on a cast concrete base, 163m wide 80cm high approximately (2) £1,500 - 2,000
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306
304 Lot 304 A faux bamboo wall mirror, 97cm wide 136cm high £150 - 200 Lot 305 A pair of large lucite chess ‘king’ and ‘queen’ stands, 44cm square 260cm high (2) £600 - 800
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305
Lot 306 A contemporary gilt display stand, with a ‘pagoda’ top fitted with leaf finials and tassels to the sides, with glass shelves, 74cm wide 38cm deep 190cm high £300 - 500
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
Lot 308 A Brueton dining table, with a limed wood top, raised on a metal stand, 208cm wide 112cm deep 73cm high £500 - 700
Lot 307 A Moorish-style brass-mounted bookcase, by Rodolfo Dubarry, each tier with a double arabesque arch and a mirror back, signed, 135.5cm wide 48cm deep 213cm high £800 - 1,200
308
307
Lot 309 A wrought iron display stand, with two glass tiers, of swirling form, 145cm wide 46cm deep 200cm high £400 - 600
309
Lot 311 A red-painted wall mirror, modern, with gilded details, 70cm wide 164cm high £200 - 300
310 Lot 310 A modern walnut bench, with three frieze drawers, 182.5cm wide 42cm deep 43cm high £200 - 400
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311 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
312
313
Lot 312 An oak desk, mid-20th century, with a painted grey top, with two frieze drawers, 138cm wide 76cm deep 76cm high £150 - 200 Lot 313 A French lacquered and tubular-framed side table, with a purple lacquer top, 75cm square 42cm high £200 - 300 Lot 314 A banana-shaped settee, possibly Danish, of concave form, upholstered in ‘Base Tiree Elephant’ by Bute Fabrics, raised on ebonised bun feet, 132cm wide 70cm deep 100cm high, seat 50cm high £300 - 500
314
Lot 315 A mosaic wall mirror, 100cm wide 61cm high, and another (2) £100 - 150 Lot 316 A Danish teak wall mirror, 38cm wide 119cm high £100 - 150
315
316 www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
317
Lot 317 A pair of side chairs, each with orange velvet upholstery, with carved painted and gilt terminals, rose stud details and fringing, 58cm wide 50cm deep 100cm high, seat 50cm high (2) £250 - 350
318
Lot 318 A pair of Italian painted armchairs, 20th century, each upholstered with a printed fabric seat and back, 59cm wide 60cm deep 106cm high, seat 49cm high (2) £200 - 400
Lot 320 A pair of oak ‘cinema’ chairs, 1920s, each reupholstered in ‘Point’ by Paul Smith, 52cm wide 65cm deep 88cm high, seat 46cm high (2) £250 - 350
Lot 319 A pair of painted oak stools, each of kidney shape, with cut details to the seat, 40cm wide 27cm deep 46cm high (2) £150 - 200
Lot 321 A floating French side table, the top printed with Chinese ceramics, on a tubular frame with brass caps, 60.5cm square 38.5cm high £250 - 350
319
320
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321
Lot 322 A steel spiral three-tier side table, in the manner of Jean Royère, with glass tiers, 57cm wide 41cm deep 68.5cm high £200 - 300
322
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 323 A black ash and steel table, by Joel Furniture, labelled, 101cm wide 50.5cm deep 68cm high £100 - 150
323
324 325
Lot 324 A ‘Grenelle’ side chair, with red wool upholstery, spiral-turned supports and mask-head arm terminals, 55cm wide 46cm deep 91cm high, seat 52cm high £150 - 200
Lot 325 A pair of painted wood stools, each with a cream fabric seat, carved supports and painted details, 49cm square 43cm high (2) £200 - 300
Lot 326 A pair of Italian stools, 1950s, each with an embossed lattice seat, raised on turned and brass-mounted legs, 54cm wide 33cm deep 42cm high (2) £200 - 300
327 326 Lot 327 An Italian side chair, in the manner of Augusto Bozzi, with a red wool seat, raised on a steel brass-mounted stand, 59cm wide 55cm deep 70cm high, seat 29cm high £250 - 350 Lot 328 A pair of ebonised armchairs, each with printed Paul Smith ‘Rose’ pattern seat, back and arms, 62cm wide 60cm deep 90cm high (2) £250 - 350
328
www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 329 A French oak side chair, 20th century, centred with a carved panel support with iron brackets, the seat with ‘Rhythmic Stripes’ by Paul Smith for Maharam, with carved front legs, 48cm wide 42cm deep 110cm high, seat 54cm high £200 - 300
330
Lot 330 An Italian modernist table lamp, 1950s, by Stilnovo, the flat disc-shaped shade with an opaque Perspex diffuser, raised on a brass and black-lacquered metal column, on a marble base with a tapering edge, with partial remnants of a label to the inside of the shade, 36cm diameter 39cm high £800 - 1,200
331
Lot 331 A blondewood armchair, 20th century, with Maharam ‘Double Triangles’ fabric by Alexander Girard, 63cm wide 53cm deep 83cm high, seat 53cm high £200 - 300
329
Lot 332 An Italian walnut drinks cabinet, 1950s, designed by Vittorio Dassi, with two sycamore-lined cabinets, flanking an illuminated central glazed and mirrored section with glass internal shelves, raised on shaped side supports terminating with brass sabots, with a cream glass inset top, dated ‘1957’ to underside, 178cm wide 41cm deep 148cm high £400 - 600
332
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 333 An Italian brass ceiling light, 1950s, designed by Oscar Torlasco for Lumi, fitted with fourteen branches, 115cm wide 72cm high £2,000 - 3,000
Lot 334 A Danish ‘Minerva’ teak side table, designed by Peter Hvidt and Orla Mølgaard-Nielsen for France & Søn, with a glass shelf, beneath the shaped top, labelled, 77cm wide 77cm deep 64cm high £200 - 300
333
334
335 Lot 335 § An Archie Shine rosewood dining group, late 1950s, designed by Robert Heritage, comprising: a set of six ‘Hamilton’ dining chairs, each seat and back upholstered in grey velour, raised on tapering rosewood supports, 46cm wide 54cm deep 82cm high, seat 44cm high, and, an extending rosewood dining table, raised on rectangular supports with rounded edges, with two leaves, 228cm wide (extended) 121cm deep 73cm high (7) £400 - 600
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
www.sworder.co.uk
336 Lot 336 A suite of Danish Holmegaard glassware, comprising five different sizes of twelve, including red wine glasses, white wine glasses, dessert wine glasses, liqueur glasses, and beer glasses, 14.5, 16.5, 18, 18.5 and 20cm high (60) £150 - 200
337 part lot Lot 337 § A Danish rosewood circular extending table, by Heltborg Møbler, with two extra leaves, raised on a strut stand, branded, 129cm diameter, 228cm extended 52cm deep 71.5cm high, and 86cm high, seat 49cm high, a set of eight afrormosia dining chairs, singles 47cm wide (6+2), in the manner of Arne Vodder, each 51cm deep with reupholstered seats, 86cm high, seat 49cm high (11) armchairs 54cm wide £600 - 800
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 338 A Danish teak chest of drawers, with six drawers with green glass button handles, 82cm wide 42cm deep 116cm high £200 - 400
Lot 340 A mid-20th century teak-framed armchair, with sweeping arms and legs, and shaped armrests, with striped upholstery to the back and seat, 69cm wide 83cm deep 87cm high, 40cm high to top of seat £150 - 250
Lot 339 An ‘ES105’ lounge chair, designed by Charles and Ray Eames, recovered with corduroy fabric, raised on a revolving stand, unmarked, 73cm wide 72cm deep 80cm high, seat 42cm high £400 - 600
Lot 341 § A pair of ‘Model 209’ rosewood Diplomat chairs, designed by Finn Juhl for Cado in 1965, each with a leather seat and back, 69cm wide 58cm deep 83.5cm high, seat 46cm high (2) £1,000 - 1,500
339
340
338
341
Lot 342 § A rosewood cocktail cabinet, designed by Torbjørn Afdal for Mellemstrands Trevareindustri, Norway, the doors opening to reveal a mirrored back, a pull-out slide, and seven bottle compartments, labelled, 110cm wide 42cm deep 124.5cm high £800 - 1,200
342 two views
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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345 346
Lot 343 An American ‘Rockaway Marlin’ fighting chair, with a chromed steel base and supports, teak seat, armrests, and footrest, with the seat and back cushion upholstered in white leather, 70cm wide 130cm deep 100cm high, seat 66cm high £500 - 800 The chair is modelled on the iconic fighting seat from the ‘Orca’, the fishing boat used in Steven Spielberg’s 1975 film ‘Jaws’.
Lot 344 A pair of Danish oak and chocolate leather armchairs, each with a black leather seat and back, 88cm wide 82cm deep 80cm high, seat 48cm high (2) £200 - 400 Lot 345 A Danish leather three-seater settee, 1970s, upholstered in tan leather, raised on square beech supports, 213cm wide 80cm deep 80cm high, seat 42cm high £300 - 500 Lot 346 A Danish teak cabinet, 1960s, with three sliding cupboards, enclosing two shelves to two compartments and five slides to the third, with routed drawer fronts, raised on an integral stand, 170.5cm wide 47cm deep 116.5cm high £250 - 450
347
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Lot 347 A Danish walnut chest of drawers, 1960s, with six drawers fitted with hoop handles, with a moulded top and sides, and reeded detail to the stand, 72.5cm wide 41.5cm deep 115cm high £200 - 300 Lot 348 A Danish three-seater settee, 1950s, with diamond-patterned velour upholstery, on teak supports, 206cm wide 80cm deep 74cm high, seat 39cm high £300 - 500
348
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Lot 349 An Italian brass and enamelled desk lamp, 1950s, in the manner of Arteluce, with an adjustable yellow shade, fitted with a pull cord, on a weighted plinth, 41.5cm high £200 - 300
349
350
Lot 350 Four Italian beech side chairs, designed by Gio Ponti, each with reupholstered seats, 43cm wide 49cm deep 82cm high, seat 45cm high (4) £2,000 - 3,000
Lot 351 A pair of Italian oak side chairs, designed by Gio Ponti, each with reupholstered seat and back, 43cm wide 49cm deep 83cm high, seat 45cm high (2) £1,000 - 1,500
351
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
352 353 Lot 352 A Danish teak and oak desk, 1960s, with a hinged top opening to reveal a baize-lined interior, and fitted with three drawers to the side, 116cm wide 48cm deep 72cm high £200 - 300
Lot 353 Three Danish teak wall mirrors, one fitted with a tile frieze, 64.5 x 132cm, and two plain, 32.5 x 75cm 35 x 67cm (3) £150 - 200
354
355
Lot 354 A ‘Pretzel’ bamboo lounger, designed by Paul Frankl, with a cream seat and back, 81cm wide 98cm deep 80cm high, seat 38cm high £600 - 800
Lot 355 A pair of Danish bentwood and tan leather lounge chairs, each with a suede-mounted seat, 73cm wide 87cm deep 97.5cm high, seat 42cm high (2) £300 - 500
Lot 356 A Danish revolving desk chair, designed by Jacob Jensen for Labofa Møbler, with leather arms and a red-upholstered seat and back, with a rise/fall action, the stand with castors, 60.5cm wide 58cm deep 89cm high, seat 57cm high £150 - 250
356
www.sworder.co.uk
Lot 357 A ‘Kroken’ bentwood lounge chair, 1970s, designed by Åke Fribytter, with a leather headrest, arms and seat, 76cm wide 100cm deep 88cm high, seat 38cm high £250 - 350
357
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 358 A Danish oak three-seater settee, with paddle arms and olive-coloured seat and back cushions, 188cm wide 83cm deep 71cm high, seat 41cm high £300 - 500
358
359 360 361 Lot 359 A Danish walnut desk bureau, 1960s, of serpentine form, with a raised top with a shelf and drawers, the sliding writing surface over three further drawers, 86.5cm wide 47cm deep 112cm high, and an oak desk chair, with a grey back and seat, 58.5cm wide 55cm deep 85cm high, seat 50cm high (2) £200 - 300
Lot 360 A Danish oak ‘CH23’ chair, designed by Hans Wegner, with a paper cord seat, 53cm wide 50cm deep 80cm high, seat 43cm high £100 - 150
Lot 362 A ‘Falcon’ lounge chair, designed by Sigurd Ressell for Vatne Møbler, with a red leather seat, 78.5cm wide 85cm deep 99cm high, seat 47cm high £250 - 450
362
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Lot 361 Three Danish two-light standard lamps, 1970s, with copper, silver and brown enamel finish shades, 140cm high (3) £150 - 200
Lot 363 A pair of Danish leather lounge chairs and an ottoman, 1970s, all with revolving stands, chairs 77cm wide 90cm deep 90cm high, seat 42cm high, ottoman 59cm wide 50cm deep 42cm high (3) £300 - 500
363 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 364 A Danish armchair, 1950s, with a green upholstered seat with a latticed design, raised on turned and reeded supports, 68cm wide 85cm deep 113cm high, seat 45cm high £250 - 450
Lot 365 A Danish teak longcase clock, the dial with brass spacers and hands, with a tapering case, opening to reveal four shelves, fitted with a ‘Kienzle’ battery clock movement, 45cm wide 23.5cm deep 176cm high £400 - 600 Lot 366 *Silva Palmeira (Portuguese, b.1934) ‘Barcos’ signed and dated, and inscribed to label verso ‘1977’, a woven tapestry 101 x 172cm wide £200 - 300
364
365 366
Lot 367 *Silva Palmeira (Portuguese, b.1934) ‘Andorinhas’ (Swallows) signed and inscribed on label verso, a woven tapestry 121 x 182cm £200 - 300
Lot 368 A ‘Siesta’ lounge chair, designed by Ingmar Relling for Westnofa, 60cm wide 80cm deep 95cm high, seat 39cm high £150 - 200
368 367 www.sworder.co.uk
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370
Lot 369 Two Danish hanging light pendants, in copper and white with black enamelled shades, copper 26.5cm diameter, 29cm high white 30cm diameter, 24cm high (2) £100 - 150 Lot 371 A collection of Danish lighting, comprising: two glass ceiling lights, 40cm diameter, two hanging light pendants,
Lot 370 Two Danish light pendants, one white, the other with a metallic finish, 48 and 47.5cm diameter (2) £100 - 150
369
with amber glass and lucite mounts, 30 and 38cm diameter, and a pair of wall lights, 23cm wide 28cm high (6) £150 - 200
371 part lot
372 Lot 372 A Danish tan leather three-seater settee, with stained supports, 194cm wide 80cm deep 79cm high, seat 41cm high £300 - 500
Lot 373 A Danish teak six-drawer chest, with top moulded handles, on turned supports, 77.5cm wide 41cm deep 99.5cm high £200 - 400
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374
Lot 374 A Swedish ‘Amigo’ three-seater settee, by Ekornes, with red leather back, arms and seats, with a stained frame, 202cm wide 82cm deep 72cm high, seat 42cm high £300 - 500
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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376
Lot 375 A pair of Italian ‘Pipe’ LED suspension lights, designed by Herzog & de Meuron for Artemide, each with a fully flexible stem terminating to a cone-shaped perforated diffuser, 115cm high (2) £300 - 500
Lot 376 Two Holmegaard glass light pendants, 1970s, one in white, the other blue, 35.5cm and 23cm diameter (2) £150 - 200
Lot 377 A pair of Danish ‘Model 4/3’ hanging pendant lights, designed in 1966 by Poul Henningsen for Louis Poulsen, each with a white-lacquered metal shade, 40cm diameter (2) £150 - 250
375
Lot 378 A ‘Victoria and Albert’ sofa, c.2000, designed by Ron Arad for Moroso, in boucle, 205cm wide 95cm deep 107cm high, seat 43cm high £400 - 600
378
Lot 379 A ‘Model 2480’ dining table, designed by Florence Knoll in 1961 for Knoll International, Knoll Studio edition, with an oval Carrara marble top, raised on an ‘X’ shaped support, marked ‘Knoll Studio’ and with facsimile signature to the support, 243cm wide 73cm high £1,500 - 2,000
379
www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 380 § A Swedish Troeds rosewood dining suite, designed by Nils Jonsson, an extending table, with three leaves, 155.5cm wide, 320cm extended 100cm deep 73cm high, and six chairs, each with upholstered seat, 47.5cm wide 49cm deep 80cm high, seat 45cm high (7) £400 - 600
380 Lot 381 A Danish leather and teak ‘Model 110’ lounge chair, designed by Illum Wikkelsø for Søren Willasden, with a black leather seat and headrest, labelled, 82cm wide 90cm deep 95cm high, seat 37cm high £800 - 1,200
Lot 382 A Bang & Olufsen BeoSound Ouverture, with a pair of speakers, two remotes and paperwork £200 - 400
381
382 Lot 383 A wrought iron wall panel, with welded geometric shapes, mounted on a linen back, 102 x 51.5cm, framed £150 - 200 Lot 384 An ‘Antelope’ chair, designed by Ernest Race for the Festival of Britain in 1951, painted green with a bentwood seat, 55.5cm wide 565cm deep 77cm high, seat 46cm high £150 - 200
384 383 86
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 385 A Swedish teak cabinet, 1960s, with a three-quarter gallery, over two cupboards, enclosing five bentwood slides and a drawer, beside three further slides, labelled ‘Nordiska Kompaniet, Stockholm Made in Sweden’, 90cm wide 44.5cm deep 108.5cm high £250 - 350
386 Lot 386 *Claës E Giertta (Swedish, 1926-2007), a pair of brass wall lights, each mounted with candle sconces, stamped ‘The Elephant Giertta’, 21.5cm wide 40cm high (2) £300 - 500
385
387 Lot 387 § A Danish ‘V11’ settee, designed by Illum Wikkelsø, with a black leather seat, raised on tapering block rosewood supports, 230cm wide 80cm deep 65cm high, seat 38.5cm high £2,000 - 3,000
Lot 388 A Swedish maple, inlaid and copper-mounted table, with a shaped rectangular top with line inlay, raised on rounded supports, united with a stretcher, 105cm wide 65cm deep 74cm high £400 - 600
388
www.sworder.co.uk
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
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389
Lot 389 A ‘V’ Type armchair, mid-20th century, designed by Pierre Jeanneret (1896-1967) for Chandigarh administrative buildings, teak and cane, 50cm wide 54cm deep 81cm high, seat 43cm high £1,200 - 1,500 Provenance: P rivate collection, London. Arnold Andre Pierre Jeanneret-Gris was born in Geneva in 1896. He began his formal training at the École des Beaux-Arts in Geneva, graduating in 1921. Jeanneret was close friends with his older cousin Le Corbusier (born Charles-Édouard Jeanneret) and, in 1922, the two opened a design atelier in Paris where Jeanneret was an active writer for the landmark avant-garde publication, ‘L’Esprit Nouveau’. Jeanneret and Le Corbusier collaborated on numerous projects including Villa Savoie, the Pavillon de l’Esprit Nouveau for the Exposition Internationale des Arts-Décoratifs et Industriels Modernes, and the Cité de Refuge. In 1940, Jeanneret and Le Corbusier parted ways over differences brought on by the war. Jeanneret started his own firm in Grenoble, where he worked with fellow designer Jean Prouvé to create new concepts for prefabricated housing. Le Corbusier and Jeanneret reconciled following the end of World War II and, in 1947, they received a commission to design the entire city of Chandigarh, India. Jeanneret moved to Chandigarh, and provided on-the-ground supervision, with the set-up and construction of the buildings, for more than fifteen years. Jeanneret designed the Governor’s Palace, the State Library, and the City Hall, in addition to fabricating much of the furniture and interiors after Le Corbusier decided to abandon the project mid-way through its construction. Following the completion, Jeanneret stayed on in India as the head of the architectural department at the University of the Punjab. In his later years, Jeanneret was particularly interested in urban planning and the mechanical means of controlling the environment.
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 390 A pair of ‘Low Easy Chair’ armchairs, mid-20th century, designed by Pierre Jeanneret (1896-1967) for Chandigarh administrative buildings, teak and cane, with later squab cushions, 53cm wide 70cm deep 75.5cm high, seat 37cm high (2) £5,000 - 7,000 Provenance: Private collection, London.
Lot 391 Six ‘V’ Type armchairs, mid-20th century, designed by Pierre Jeanneret (1896-1967) for Chandigarh administrative buildings, teak and cane, four with inscriptions to the back of the seats, 49cm wide 55cm deep 80cm high, seat 45.5cm high (6) £8,000-12,000
390
Provenance: Private collection, London.
391
www.sworder.co.uk
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509
Lot 392 A large ‘Rubus’ vase, designed by Gunnar Nylund for Rörstrand, incised marks and numbered ‘9’, 49.5cm high £200 - 300
Lot 393 A Swedish brutalist brass wall light, designed by Svend Aage Holm Sørensen, of petalled form, labelled, 33cm wide 38cm high £250 - 350
392
Lot 394 A Scandinavian maple stool, 1960s, with a webbed saddle seat, 51.5cm wide 35cm deep 42cm high £150 - 200
393
394
Lot 395 A pair of Swedish two-door teak cabinets, designed by Kirke Nielsen for Abrahamssons Möbelfabrik, each with routed details to the cupboard, enclosing two shelves and four drawers, 103cm wide 43cm deep 146cm high (2) £1,500 - 2,000
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175-509 MODERN DESIGN, FURNITURE AND LIGHTING
397 396 Lot 396 An unusual cubist-style table, the fret-cut stand painted with faces and hands, with a circular etched glass top, 50cm diameter 62cm high £250 - 350
Lot 397 A set of four G Plan teak dining chairs, designed by Ib Kofod-Larsen, each with a brown faux leather seat and backs, labelled, 48cm wide 52cm deep 78cm high, seat 46cm high (4) £200 - 300
Lot 398 A Swedish three-seater ‘Paradise’ settee, designed by Kerstin Hörlin-Holmqvist for Nordiska Kompaniet, with original pink velvet upholstery, with birch supports, 210cm wide 85cm deep 88cm high, seat 40cm high £1,200 - 1,500
398
Lot 399 A pair of Italian modernist ‘Model 2020’ wall sconces, designed in 1955 by Stilnovo, each with a red Perspex diffuser mounted on a black-lacquered arm, with a white metal shade, manufacturer’s label to the reverse, 32cm wide 17cm deep 55cm high (2) £1,500 - 2,000
399
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400 Lot 400 A pair of hardwood and leather folding chairs, designed by Angel Pazmino for Muebles de Estilo, Ecuador, each with an embossed leather back, stamped ‘Tiahuanaco’ and ‘Huiracocha’, 70.5cm wide 75cm deep 75cm high, seat 42cm high (2) £600 - 800
Lot 401 § A Danish rosewood coffee table, 1970s, designed by Poul Cadovius of France and Søn, with a square top, chrome banding and raised on tubular supports with caps, labelled, 70cm square 45.5cm high £300 - 500
Lot 402 § A Pieff rosewood ‘Eleganza’ dining table and eight chairs, designed by Tim Bates, comprising two armchairs and six single chairs, table 250cm wide 90cm deep 73.5cm high, singles 53cm wide 70cm deep 110cm high, seat 50cm high (9) £700 - 900
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Lot 403 *Shirley Russell (1935-2002) Costume designs for ‘Mrs Gould in Nostromo’ two, signed, inscribed and dated 1990, pen and ink with watercolour and each with a fabric sample 40.5 x 30.5cm, mounted and framed (2) £200 - 300 Given to the vendor by Shirley Russell in the 1990s. Shirley Russell (1935-2002), Shirley was married to the film director Ken Russell between 1956 and 1978, and designed and collaborated with him on over ten films. Russell was known for the weight and authenticity her design leant to characters. Her designs were detailed and nuanced, and she cleverly used costume to show subtle distinctions in class. She was nominated for Academy Awards twice for her costume designs: on ‘Agatha’ in 1979 and ‘Reds’ in 1981.
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‘Nostromo - A Tale of the Seaboard’ is a 1904 novel by Joseph Conrad and is set in the fictitious South American Republic of ‘Costaguana’. The designs were intended for the film that was going to be made by David Lean, with Steven Spielberg producing it for Warner Brothers. Tragically, Lean died a few weeks before the principal photography was to begin in Spain and the production was cancelled.
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 404 § Charles and Ray Eames for Herman Miller, a ‘Model 670’ lounge chair and ‘Model 671’ ottoman, in laminated rosewood veneer with black leather button-back upholstery, each raised on a metal frame, chair labelled, armchair 85cm wide 85cm deep 85cm high, seat 40cm high, ottoman 66cm wide 57cm deep 41.5cm high (2) £3,000 - 5,000
404 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
Lot 405 An afrormosia teak dining group, designed by Richard Hornby for Fyne Lady, comprising: an extending dining table, with a reeded edge, raised on square tapering supports, 132cm wide, 184cm extended 88cm deep 74cm high, and a set of four chairs, each of ladder-back design, with a seat cushion upholstered in striped fabric, 41cm wide 46cm deep 86cm high, seat 50cm high (5) £200 - 300
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Lot 406 A Danish teak coffee table, 1960s, with curved sides, raised on turned tapering legs, with a slatted newspaper shelf to the underneath of the top, 120cm wide 52cm deep 52cm high £200 - 300
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Lot 407 A French ‘Cubique’ lounge chair, designed in 1968 by Olivier Mourgue for Airborne International, the wire frame upholstered in green wool fabric, raised on chromed supports, 79cm wide 70cm deep 64cm high £800 - 1,200
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Lot 408 A Danish white opaline glass lamp, 1960s, designed by Svend Aage Holm-Sørensen Light, of shouldered form, with a slender tapering neck, raised on a gilt-metal foot, 18cm diameter 66cm high £500 - 700
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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Lot 409 *Mark Brazier-Jones (b.1956), a ‘Jaba’ chaise longue, c.1997, 240cm wide 91cm deep 73cm high, seat 38cm high £3,000 - 5,000
Lot 410 *Mark Brazier-Jones (b.1956), a ‘Flightfile’ writing desk, the rectangular steel top with an inset cowhide top, raised on cast bronze cabriole legs moulded as antlers, to the right with a bank of graduated drawers, each drawer with a moulded handle in the form of a winged orb, signed and dated ‘1996’, numbered ‘14/50’, 120.5cm wide 75.5cm deep 76cm high £2,000 - 3,000
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 411 A pair of wall-mounted metal western and eastern hemispheres, 1980s, by Curtis Jeré, 70cm diameter (2) £400 - 600 Lot 412 An afrormosia teak sideboard, 1960s, designed by Richard Hornby for Fyne Lady, two panelled doors opening to reveal internal shelving, flanked on the right-hand side by a bank of four drawers, each with a reeded front, raised on rounded, tapering legs, 191cm wide 49cm deep 82cm high £300 - 500 Lot 413 A Danish rosewood dining suite, comprising: eight ‘Juliane’ dining chairs, designed by Johannes Andersen for Uldum Møbelfabrik, each with an oatmeal seat, labelled, 50cm wide 53cm deep 78cm high, seat 47cm high, and an extending circular dining table, no labels, 120cm diameter 220cm extended 71cm high (9) £1,500 - 2,000 Lot 414 § A Danish rosewood sideboard, by Skovby Møbelfabrik, with a plain top over four cupboards, one enclosing five drawers, the others with shelves, 204cm wide 46.5cm deep 82.5cm high £400 - 600
Lot 415 A Danish teak sideboard, by Bernhard Pedersen and Son, with a tambour front, enclosing four central slides and three further shelves to the sides, labelled, 210.5cm wide 51cm deep 79.5cm high £300 - 500
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412 413 dining table
413 dining chairs
415 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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Lot 416 A Danish leather three-seater settee, 1960s, in the manner of Børge Mogensen, 190cm wide 77cm deep 67cm high, seat 45cm high £300 - 500
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
Lot 417 A CFC Silkeborg teak nest of tables, 1960s, designed by Johannes Andersen and Illum Wikkelsø for CFC Silkeborg, each table raised on square supports, the smallest with a rattan newspaper shelf, 65cm wide 37cm deep 52.5cm high (3) £400 - 600
Lot 418 A pair of Danish ‘Fire’ barrel-back chairs, designed by Kai Kristiansen, each with a vinyl upholstered back and seat, 49cm wide 50cm deep 75cm high, seat 45cm high (2) £300 - 500
Lot 419 § Charles and Ray Eames for Herman Miller, a ‘Model 670’ lounge chair and ‘Model 671’ ottoman, in laminated rosewood veneer with black leather button-back upholstery, each raised on a metal frame, chair and ottoman labelled, stamped to ottoman ‘Mar 15 1976’ armchair 85cm wide 85cm deep 85cm high, seat 40cm high, ottoman 66cm wide 57cm deep 41.5cm high (2) £3,000 - 5,000
419
www.sworder.co.uk
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Lot 421 A Danish teak dining table, by Elsteds Møbelfabrik Agerbæk, with an extra leaf, branded, 235cm extended 93cm deep 74cm high, and eight teak dining chairs, by KS Mobler, branded, 46cm wide 50cm deep 98cm high, seat 45cm high (10) £500 - 700
420 Lot 420 A Pierre Chapo ‘T14c’ elm table, the rectangular top with bevelled edges, the two panel supports joined by a high fitted stretcher, 183cm wide 87cm deep 73cm high £3,000 - 5,000
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Lot 423 An unusual amber-mounted silver sculpture, of modern manufacture, the body made from a large piece of raw amber, surmounted by three heads, each head set with imitation rubies, the wings set with a mosaic of polished amber pieces, engraved throughout with scale patterns, the sculpture surmounted on a burlwood base, 38cm wide 26cm deep 33cm high £1,500 - 2,000
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Lot 422 A ‘123 System’ easy chair, c.1974, designed by Verner Panton for Fritz Hansen, with a blue fabric seat and a chrome frame, on a cast revolving stand, 59cm wide 68cm deep 76cm high, seat 42cm high £259 - 359
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The sculpture is accompanied by a purchase order and receipt from C W Sellors, dated 22/05/08.
423 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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Lot 424 A Lalique ‘Ispahan’ vase, of modern manufacture, of tapering form, the amber-coloured glass with etched recess decoration of roses and thorns, signed to the base ‘Lalique France’, with manufacturer’s label to the inside of the rim, 19.5cm diameter 24cm high £400 - 600
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
425 Lot 425 A set of eight walnut Campanino Chiavari chairs, by Fratelli Levaggi, each reupholstered with a blue fabric seat, 43cm wide 48cm deep 87cm high, seat 46cm high (8) £800 - 1,200
Lot 426 § A rosewood ‘Model 3514’ coffee table, designed in1971 by Arne Jacobsen for Fritz Hansen, labelled, 120cm diameter 46.5cm high £400 - 600
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Lot 427 A ‘Tulip’ dining suite, designed by Eero Saarinen for Knoll International, comprising: a circular top table, with a white top, raised on shaped stand, cast ‘Knoll International’, 136cm diameter, and a set of five revolving dining chairs, each with a mustard-coloured fabric seat, 49.5cm wide 55cm deep 80cm high, seat 43.5cm high (6) £300 - 500
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www.sworder.co.uk
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428 Lot 428 Eight contemporary Lee Brom ‘Decanter’ lights, 16 to 20.5cm high, boxed (8) £200 - 300
Lot 429 An Italian chrome ‘Esporia’ wall light, 80cm square £250 - 350
Lot 430 A pair of wall lights, 1950s, each with a white-lacquered adjustable shade of tapering form, 22cm deep (2) £100 - 150
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Lot 431 A circular modern red wool pouffe, 50cm diameter 49cm high £150 - 200 Lot 432 Miles Aldridge, ‘I Only Want You To Love Me’, two copies, published by Rizzoli, New York, designed by Graphic Thought Facility, 2013 (2) £100 - 150 Lot 433 A set of five Italian ebonised dining chairs, in the manner of Carlo di Carli, each reupholstered with grey fabric with white geometric patterns, 45cm wide 55cm deep 101cm high, seat 49cm high (5) £300 - 500
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 434 A wrought iron bench, in the style of Jean Royère, the seat in ‘Venom’ Elgin by Bute Fabrics, 136cm wide 43cm deep 58cm high, seat 45cm high £300 - 500
434 Lot 435 A set of six pine corbels, of modern manufacture, in the Gothic taste, 78cm deep 107cm high (6) £250 - 350
Lot 436 An ‘Oxford’ chair, designed by Arne Jacobsen for Fritz Hansen, 2003, in ‘Bespoke Stripe’ by Paul Smith for Maharam, 59.5cm wide 73cm deep 113cm high, seat 42cm high £250 - 350
435 part lot
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437 Lot 437 An oak and ebonised centre table, with a revolving top, raised on a column base, 170cm diameter 83cm high £800 - 1,200
Lot 438 A pair of oak and ash settles, designed by William Birch, each with refinished supports and replaced seats in ‘Cymbeline’ by Tibor Fabrics, 126cm wide 63cm deep 115cm high, seat 49cm high (2) £600 - 800
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 439 A modern wood slice coffee table, raised on a tubular frame, 156cm wide 57cm deep 47.5cm high £200 - 300
Lot 440 A French oak armchair, designed by Guillerme et Chambron for Votre Maison, in ‘Point’ by Paul Smith for Maharam, 77cm wide 90cm deep 109cm wide, seat 40cm high £600 - 800
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Lot 441 Three brass cavalier boot umbrella stands, 1970s, of various designs, 51cm, 54cm and 55cm high (3) £300 - 500
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441 Lot 442 An olive wood desk and chair, desk 79.5cm wide 51cm deep 71.5cm high, chair 35cm wide 47cm deep 98cm high, seat 49cm high (2) £250 - 350
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Lot 443 A circular mirror-mounted coffee table, with cut edges and reverse painted scrolling border, on carved cabriole supports, 93.5cm diameter 54cm high £300 - 500
Lot 444 A white-painted two-tier table, each tier with carved block details to the edges, inscribed to the underside ‘A Joel Nottingham 2015’, 94cm wide 69cm deep 75.5cm high £200 - 300
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
Lot 445 A Louis XV-style mahogany-framed settee, with Paul Smith designed upholstery, 220cm wide 60cm deep 120cm high, seat 54cm high £600 - 800
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447 446 Lot 446 A circular wall mirror, with two-tone glass, 71.5cm diameter £100 - 150
Lot 447 A pair of wrought iron tables, each with a glass top, raised on scrolling supports, 77cm wide 66cm deep 54cm high (2) £300 - 500
Lot 448 An ebonised wall mirror and a matching frame, each with ribbon moulding, 110 x 140.5cm aperture 69 x 99cm (2) £200 - 300
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449 Lot 449 A modern glass-topped table, with a painted top beneath glass, raised on cabriole legs, 107cm wide 82cm deep 73cm high £300 - 500
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Lot 450 A pair of ‘Bata’ aluminium stools, designed by Roger Talon in 1977, each with a perforated seat, recoated, 74cm wide 30.5cm deep 34cm high (2) £200 - 300
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451 Lot 451 A Swedish ‘Satellite’ glass bottle vase, 1990s, designed and manufactured by Bertil Vallien for Kosta Boda, of mallet form with a tapering neck, with polychrome applications against a red mottled ground, signed to the base ‘Kosta Boda Artist’s Col’ and numbered ‘89725’, 18cm wide 30cm high £200 - 300
Lot 452 *Bob Crooks (b.1965), contemporary, a collection of three frosted glass vases, in various colours, each of tapering form, two with pinched sides, with a high clear glass rim with black webbing, each signed ‘Bob Crooks’ to the base, 32cm high (3) £300 - 400
Lot 453 *Bob Crooks (b.1965), contemporary, a frosted green glass vase, of tapering form, with a high clear glass rim with black webbing, signed ‘Bob Crooks’ to the base, 39.5cm high £200 - 300
Lot 454 *Bob Crooks (b.1965), a frosted blue glass vase, of tapering form with pinched sides, with a high clear glass rim with black webbing, signed ‘Bob Crooks’ to the base, 39.5cm high £200 - 300
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454 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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Lot 455 A Cassina ‘Maralunga’ three-seater settee, designed by Vico Magistretti in 1973, modern, with striped fabric, labelled, 240cm wide 80cm deep 70cm high, seat 37cm high £800 - 1,200
Lot 456 A pair of Cassina ‘Maralunga’ armchairs, designed by Vico Magistretti in 1973, modern, each with striped fabric, labelled, 100cm wide 80cm deep 70cm high, seat 37cm high (2) £800 - 1,200
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Lot 457 An impressive brass-framed baguette chandelier, of modern manufacture, by Rocco Borghese, the three-tiered frame hung with drop prisms of various lengths, suspended on brass chains, the frame wired for LED lights, 293.5cm wide 60cm deep 110cm drop (largest) £2,000 - 4,000
Lot 458 A Dutch Motnis ‘Loge’ armchair and ottoman, designed by Gerard Van Den Berg, upholstered in chestnut leather (2) £600 - 800
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Lot 459 A pair of brass-mounted ship’s tables, 20th century, each with a circular embossed leather top, raised on a wood column, 60cm diameter 62cm high (2) £200 - 400
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING
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Lot 460 A pair of composite cement planters, designed by Willy Guhl, each raised on a painted iron stand, numbered, 80cm diameter 50cm high (2) £400 - 600
Lot 461 A large composite cement planter, designed by Willy Guhl, on a partially-painted metal stand, numbered, 150cm diameter 58cm high £500 - 700
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Lot 462 A Urastone composition planter, mid-20th century, of rectangular form, with a moulded scalloped front, 121cm wide 22.5cm deep 20.5cm high £200 - 400
Lot 463 A composition diabolo-type planter, in the manner of Willy Guhl, 53cm diameter 61cm high £200 - 300
463 www.sworder.co.uk
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464 Lot 464 A contemporary bicycle coffee table, in the manner of Jasper Morrison, with handlebar supports on a diagonal stem, surmounted by a circular glass top, 87cm diameter 71cm high £400 - 600
465 Lot 465 A folding four-part oversize candelabra, 1970s, in the manner of Nagel, 145cm wide 101.5cm high £300 - 500 Lot 466 A Perspex table lamp, c.1970, designed by Roger Rougier for Maison Rougier, with maker’s label ‘Canada’, 72cm high £800 - 1,200
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Lot 467 An Italian ‘Model Lib 2’ bookcase, c.1980, designed by Ignazio Gardella and made by Azucena, lacquered wood with brass detailing, 110cm wide 32cm deep 220cm high £2,000 - 3,000
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 468 An Art Deco-style ‘X’ framed stool, the seat upholstered in grey velvet, raised on a wrought iron frame, 55cm wide 42cm deep 43.5cm high £300 - 500
Lot 469 A set of three Italian, modernist, gilt metal and glass coat hangers, 1950s, each of conical form, surmounted by a glass disc, 15cm high (3) £200 - 400
Lot 470 A set of three Italian, modernist, copper and glass coat hangers, 1950s, each of conical form, surmounted by a glass disc, 14cm high (3) £300 - 500
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Lot 472 A pair of Series 7 ‘Model 3217’ swivel chairs, designed by Arne Jacobsen for Fritz Hansen, 1997, each with red upholstery and arms, labelled, 64cm wide 51cm deep 82.5cm high, seat 47cm high (2) £300 - 500
Lot 471 A contemporary ‘Sunburst’ wall mirror, 20th century, by Alan Wallis, painted composite with relief, centred with a circular plate, 140cm diameter £400 - 600
Lot 473 A set of six Danish teak dining chairs, by Benny Linden, each with a shaped back and fabric seat, 47cm wide 52cm deep 96cm high, seat 47.5cm high, and a dining table, with one extra leaf, 171cm extended 115cm deep 71cm high (7) £500 - 700
473 www.sworder.co.uk
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Lot 474 Three silver-plated and glass wall lights, by Baulmann Leuchten, each curved brass top above four shaped glass fins, one labelled ‘Form Leuchte’, 30cm wide 22cm high (3) £150 - 200
475 Lot 475 *Gilbert Valentin (French, 1928-2001) A glazed seven-tile picture, 1970s, depicting seven burning candles on a tree, with the sun and a dove with an olive branch, all above waves signed l.r., and inscribed verso ‘Les Archanges Vallauris’, 61 x 100cm, framed £250 - 350
Lot 476 An Italian four-branch standard lamp, by Studio Smania Interni, with brass supports fitted with four free-form glass shades with aventurine details, raised on a maple plinth, 186cm high, and an en suite twin-branch table lamp, labelled, 75cm high (2) £200 - 400 Lot 477 A pair of Series 7 ‘Model 3217’ swivel chairs, designed by Arne Jacobsen for Fritz Hansen, 1997, with red upholstery and arms, labelled, 64cm wide 51cm deep 82.5cm high, seat 47cm high (2) £300 - 500
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Lot 478 § An HK Furniture ‘Ambassador’ rosewood coffee table, 1970s, designed by Howard Keith, of square form with a bevelled edge, with two drawers to the side, raised on a square plinth, 160cm wide 95cm deep 38cm high £400 - 600
Lot 479 A ‘Sinus’ chair and footstool, 2008, designed by Reinhold Adolf & Hans-Jürgen Schröpfer for COR, in black leather, embossed ‘Cor’, 73cm wide 90cm deep 94cm high, seat 46cm high, stool 73cm wide 57cm deep 47cm high (2) £500 - 800
Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
Lot 480 A ‘Falcon’ table, designed by Sigurd Ressell for Vatne Møbler, with a circular slate top and chrome stand, 90cm diameter 49.5cm high £200 - 300
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481 Lot 481 A set of six Italian brass dining chairs, 1970s, in the manner of Romeo Rega, each with a green velvet seat and back, with rattan panels to the sides, 60cm wide 56cm deep 91cm high, seat 49cm high (6) £800 - 1,200
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Lot 482 An Italian chrome, brass and mirrored centre table, the octagonal top inset with mirrored panels, raised on an octagonal mirrored column and brass plinth, 124cm diameter 76.5cm high £300 - 500
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483 Lot 483 A ‘Le Meurice’ chaise longue, 1990s, designed and manufactured by Christopher Guy, the scrolling mahogany frame upholstered in silk fabric with buttoned detail, 170cm wide 78cm deep 82cm high £1,000 - 1,500 Lot 484 A leather settee, 1980s, designed by Joseph D’Urso for Knoll International, in two parts, with a large seat cushion and nine back cushions, 246cm wide 123cm deep 86cm high, seat 49cm high £300 - 500
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 485 A Cenedese Murano glass table lamp, late 20th century, with a tapering a canne shade, over a six-part corroso glass column, and black glass base, original label to the underside, 48.5cm high £300 - 500
Lot 487 A stained glass diptych, 1980s, made by John Speake in Cambridge after an early 20th century Glasgow School design, with polychrome decoration of a veiled woman with a mountain in the background, set within a folding pine frame, 112 x 86cm £400 - 600
485 Lot 486 An Italian ‘Model No. 480’ two-light standard lamp, by Luci, with a twin pulley and string rise/ fall mechanism, raised on chrome supports, on a metal plinth, labelled, 209cm high £300 - 500 Lot 489 A Willy Rizzo laminated and chrome side cabinet, 1970s, with a central bank of five drawers, flanked with cupboards, each enclosing shelves, signed, 224.5cm wide 45cm deep 70.5cm high £500 - 700
Lot 488 A set of six Danish ‘Model No. 7’ side chairs, 1980s, designed by Jørgen Gammelgaard for Sorø Stolefabrik, each with a black vinyl seat and back, labelled, 56.5cm wide 47cm deep 71.5cm high, seat 45cm high (6) £300 - 500
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 490 An Italian cast aluminium bar cart, 1970s, designed by Lorenzo Burchiellaro, of cube form, with two glass tiers, on castors, 53cm square 61cm high £600 - 800
Lot 491 An Italian cast aluminium bar cart, 1970s, designed by Lorenzo Burchiellaro, of cube form, with two glass tiers, on castors, stamped to the top ‘Burchiellaro’, 53cm wide 54cm deep 60.5cm high £600 - 800
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Lot 492 A Danish pine chest of four drawers and a cupboard, by Domino Møbler, each raised on turned supports, labelled, 89cm wide 43cm deep 81.5cm high (2) £200 - 300
Lot 493 A pair of Norwegian bentwood lounge chairs, by Westnofa, each with a tan leather seat, on a canvas slung support, labelled, 65cm wide 76cm deep 80cm high, seat 45cm high (2) £300 - 500
Lot 494 A pair of Italian ‘Pipe’ LED suspension lights, designed by Herzog&deMeuron for Artemide, each with a fully flexible stem terminating to a cone-shaped perforated diffuser, 115cm high (2) £300 - 500
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Lot 495 A ‘Victoria and Albert’ sofa, c.2000, designed by Ron Arad for Moroso, in bouclé, 205cm wide 95cm deep 107cm high, seat 43cm high £400 - 600
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 496 A pair of Danish leather two-seater settees, each with a dark brown leather seat and back, raised on stained supports, 150cm wide 80cm deep 75cm high, seat 41cm high (2) £400 - 600
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Lot 497 A Danish leather and bentwood cantilever armchair, 1970s, with button back, arms and seat, 69cm wide 84cm deep 89cm high, seat 43cm high £200 - 300 Lot 498 A collection of four gallery posters, comprising: ‘Howard Hodgkin Old Money’, two different versions of ‘Richard Hamilton Prints at Waddington Graphics’, ‘Patrick Caulfield Bodilly Galleries’, largest 85 x 60cm, all framed (4) £200 - 300
498 part lot
499 Lot 499 A collection of three gallery posters, comprising: ‘Tilson - Studio Marconi, in Collaborazione Con il British Council’, ‘Jim Dine - The London Monotypes’, and ‘Jim Dine - Recent Prints, Paustian Copenhagen’, largest 126 x 80cm, all framed (3) £200 - 300
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500 Lot 500 A Danish two-part open bookcase, with two divisions, the upper section with three adjustable shelves, the lower part with single shelves, 150cm wide 25.5cm deep 186.5cm high £250 - 450 £250 - 450 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
175-509 MODERN DESIGN, FURNITURE AND LIGHTING Lot 501 A pair of ebonised picture frames, each with ribbon moulding, 110 x 143.5cm aperture 69 x 99cm (2) £200 - 300 Lot 502 § A pair of rosewood ‘Model 209 Diplomat’ chairs, designed by Finn Juhl for Cado in 1965, each with a leather seat and back, 69cm wide 58cm deep 83.5cm high, seat 46cm high (2) £1,000 - 1,500
501 Lot 503 A cast aluminium and leather chair, designed by Marcello Cuneo (1933-2015), with a stitched back and arms, 64.5cm wide 90cm deep 95cm high, seat 43.5cm high £400 - 600
502
503
504 Lot 504 A pair of brass table lamps, each mounted with an urn issuing with branches, and fitted with a cream shade and two bulbs, 56cm high (2) £250 - 350
www.sworder.co.uk
§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).
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MODERN DESIGN, FURNITURE AND LIGHTING 175-509 Lot 505 *David Michie (1928-2015) a constructivist wall mirror, mounted with geometric blocks and centred with a square mirror 58.5cm wide 102cm high £200 - 400
505
Lot 506 A pair of ‘JH713’ oak lounge chairs, designed by Hans Wegner for Johannes Hansen in 1957, labelled, 66cm wide 58cm deep 90cm high, seat 45cm high (2) £1,000 - 1,500
Lot 507 A pair of Danish oak open shelves, each with an arrangement of shelves, one fitted with a drawer, both with a laminated backboard, 54cm wide 36cm deep 204cm high (2) £250 - 350
507
506
508
Lot 508 A set of eight brown leather conference chairs, by Klöber, Germany, each with a swivel seat, raised on pad feet, 56cm wide 65cm deep 95cm high, seat 53cm high (8) £800 - 1,200
Lot 509 An Italian ‘Bean’ American cherrywood desk, designed in 1990 by Roberto Lazzeroni for Ceccotti Collezioni, the curved top with a central red leather insert, lifting to reveal internal compartments, with a recessed utensil holder to either side, above the insert top with three recessed compartments, to either side with a bank of four lockable drawers, each with recessed handles, raised on swept legs, 181cm wide 88cm deep 76cm high £1,500 - 2,000
509
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 119
FINE INTERIORS Tuesday 13 & Wednesday 14 September fineinteriors@sworder.co.uk | 01279 817778
F R E E A U C T I O N VA LUAT I O N S
Sworders London Gallery Jewellery | every Tuesday
Pictures | every Wednesday
Asian Art | every Friday
10am - 3pm Contact To Arrange An Appointment 15 Cecil Court | London | WC2N 4EZ | london@sworder.co.uk | 020 3971 2500
GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.
Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.
Circle of David Cox in our opinion a work from the period of the artist and showing his influence.
The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.
Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist
A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750. All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing. Condition reports are not included in the descriptions.
ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right? Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more. This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale. How are resale royalties calculated? The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate. The royalty is worked out according to a sliding scale from 4% to 0.25%. Hammer Price
Royalty
From 0 to €50,000
4%
From €50,000.01 to €200,000
3%
From €200,000.01 to €350,000
1%
From €350,000.01 to €500,000 Exceeding €500,000
0.5% 0.25%
What is the qualifying threshold? An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.
What nationality must an artist be to qualify? The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom. Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs. Are all sales of artwork covered? The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •
the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).
This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.
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TERMS AND CONDITIONS
Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.
These conditions of business consist of:
Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.
1.
Information for Buyers;
2.
Terms of Consignment (for Sellers);
3.
Terms of Sale (for Bidders and Buyers).
1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand. Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away. Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale. Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day. Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer. Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive. Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Spirits auctions when it is 15%. In addition, VAT is charged on these Premiums (see below). VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax. Shipping Costs are liable for VAT and are payable by the Buyer. Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the description and condition of Lots set out in the Terms of Sale at clauses 12.2 and 12.4. Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.
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Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory. Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time. Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.
IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made. Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number. It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.
TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.
3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition and other characteristics. 3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).
‘Auctioneer’
means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;
‘Bidder’
means a person who places a bid for Goods at our auction;
‘Buyer’
means the person who makes the highest bid for the Goods accepted by the Auctioneer;
‘Commission’
means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;
‘Consumer’
means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;
‘Consumer Contracts Regulations’
means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;
‘Deliberate Forgery’
means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;
‘FCA’
means the Financial Conduct Authority;
‘Goods’
means the Goods that have been consigned to us for sale at our auction;
‘Hammer Price’
means the level of the highest bid for a Lot accepted by the Auctioneer;
‘Premium’
means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;
‘Price’
means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;
‘Proceeds’
means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;
‘Reserve’
means the minimum Price at which the Goods may be sold;
‘Seller’
means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);
‘Shipping Costs’
means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);
‘Terms of Consignment’
means these Terms of Consignment;
‘Terms of Sale’
means the Terms of Sale for Bidders or Buyers at our auctions;
‘Trader’
means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);
‘VAT’
means any value added tax or equivalent sales tax; and
‘Website’
means our Website available at www.sworder.co.uk.
2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.
5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment. 7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website. 8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.
2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.
3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.
2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.
3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.
2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.
3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.
2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.
3.7 We may refuse to accept any bid if it is reasonable for us to do so.
8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot.
2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.
3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).
2.7 If you have any complaints, please send them to us directly at the address set out on our Website.
8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.
4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Spirits Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.
8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.
3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.
8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.
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9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence. 11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.
12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot in advance of the auction. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.
11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.
15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.
12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).
15.2 Any notice referred in Clause 15.1 may be given:
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15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website. 17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.
15.2.2 by first class pre-paid post or recorded delivery; or
17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.
15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.
These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers
15.2.1 by delivering it by hand;
OFFICES AND CONTACTS
Stansted Mountfitchet Auction Rooms Cambridge Road | Stansted Mountfitchet Essex | CM24 8GE auctions@sworder.co.uk | 01279 817778 Hertford 42 St Andrew Street | Hertford | SG14 1JA hertford@sworder.co.uk | 01992 583508 London 15 Cecil Court | London | WC2N 4EZ london@sworder.co.uk | 0203 971 2500 Kent kent@sworder.co.uk | 01732 757675
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