Sworders Design Tuesday 4 May 1pm, and Wednesday 5 May 2021

Tuesday 4 and Wednesday 5 May 2021

INCLUDING PHOTOGRAPHY TUESDAY 13 JULY 2021 entries close 28 May johnblack@sworder.co.uk | 01279 817778

Live Online - Tuesday 4 May at 1pm and Wednesday 5 May at 10am ORDER OF SALE Day One - Tuesday 4 May, from 1pm Lots 1-84

Arts & Crafts

Lots 85-93

An Arts & Crafts Collection from the Estate of Fiona MacCarthy

Lots 94-257

Art Deco

Day Two - Wednesday 5 May, from 10am Lots 258-310

The Trevor Coldrey Collection of Studio Pottery

Lots 311-700

Modern Design and Lighting

VIEWING TIMES Due to current social distancing restrictions, we will be offering viewing by appointment only. You can book an appointment on our website.

Thirty-minute time slots will be available from: Friday 30 April 9am - 5pm Saturday 1 May 10am - 2pm Sunday 2 May 10am - 2pm Monday 3 May 10am - 2pm

COLLECTIONS

We operate a booking system for collections at www.sworder.co.uk/appointments. You must book your appointment 24 hours in advance, to ensure your items are ready when you arrive: Furniture and Carpets Furniture and Carpets will be available to collect from Friday 7 May at The Grain Barn, Harps Farm, Bedlars Green, Great Hallingbury CM22 7TL. Please select ‘Collection/Furniture’ as your appointment type when booking your collection time. Lots not collected by 5pm Friday 28 May will incur storage charges.

All Other Items All other items will be available to collect from the day after the sale at our Stansted Auction Rooms. Please select ‘Collection’ as your appointment type when booking your collection time.

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

FURTHER INFORMATION Contact:

John Black Head of Design

Otto Billström Valuer

Telephone: 01279 817778 Email: auctions@sworder.co.uk To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

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ARTS & CRAFTS 1-84

2 Lot 2 A WMF silver-plated card tray, of shaped circular form, moulded with a lady with sinuous hair and dress, the handle formed as an iris, unmarked, 30cm wide 28cm deep £200 - 300

1 Lot 1 Joseph-Théodore Deck (French, 1823-1891), an Iznik-style faience charger, decorated with flowers and foliage within blue and turquoise banded borders, impressed ‘T.H. Deck’ in red, 50cm diameter £300 - 500

4 3 Lot 3 A pair of WMF silver-plated vases, each with engraved green glass sleeves, cast with stylised flowers and twin handles, stamped marks, 15cm high (2) £250 - 300 4

Lot 4 A secessionist copper ewer and cover, with brass mounts and a handle, embossed with stylised panels each side, unmarked, 36.5cm high, and a tapering copper vase, with brass mounts and twin handles, embossed with a lady seated on a sinuous cloud, stamped ‘Made in England’, 31cm high (2) £150 - 250

1-84 ARTS & CRAFTS

Lot 5 An Arts and Crafts oak book trough, with shaped and pierced ends, over a shelf, 61.5cm wide 24cm deep 76cm high, and an oak and brass coat rack, mounted with a pair of bevelled edge mirrors flanking a central embossed brass and pierced panel, with eleven hooks, 100cm wide 43cm high (2) £200 - 300

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6 Lot 6 A set of six walnut dining chairs, c.1900, each with a shaped rail and moulded frame, vertical splats and a strung seat, 44.5cm wide 46cm deep 100cm high, seat 46cm high (6) £250 - 350

Lot 7 Agathon Léonard (French, 1841-1923), an Art Nouveau patinated bronze nude, holding a chalice and wearing a cold-painted headdress, on an alabaster plinth, signed ‘A Leonard’ to the plinth and inset foundry medallion ‘AL Paris JL’, 34cm high £1,400 - 1,600

Lot 8 A secessionist brass pendant light, with a scrolled and pierced mount, with a green silk fringe, 46cm diameter 63cm high £250 - 350

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ARTS & CRAFTS 1-84

Lot 9 A WMF silver-plated liqueur set, comprising: a ewer and cover, with shaped panels with holly, the handle with pierced holly leaves, with a hinged cover, stamped ‘OX WMF’, 36cm high, and six beakers, with matching designs, stamped variously ‘WMFB’, 11.5cm high (7) £1,000 - 1,500

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Lot 10 An Art Nouveau art glass vase, in the manner of Loetz, decorated with flower heads on an iridescent ground, unsigned, 36cm high £200 - 300 Lot 11 A secessionist oak mantel clock, with a raised bell cover, the embossed dial with Arabic numerals and flowers to the centre, with a fourteen-day striker, Wurtemberg, with brass mounts and a chrysoprase-coloured glass panel, 36cm high £100 - 200

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12 Lot 12 An Orivit sterling silver four-piece tea and coffee set, each piece with a faceted body, embossed with sinuous flower heads, stamped ‘Orivit’, ‘sterling silver’ and ‘925’ with numbers ‘112’/’113’/’114’/’115’, 54ozt approximately (4) £2,500 - 3,000

Lot 13 A pair of secessionist copper twin-handled vases, each of tapering form, with engraved details and gilt-bronze handles, unmarked, 36cm high (2) £200 - 300

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Lot 14 An Otto Heintz bronze vase, early 20th century, of tapering form, with inlaid silver detail in the form of an iris, numbered ‘3595 C’, 22cm high £200 - 300

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ARTS & CRAFTS 1-84 Lot 15 Maurice Bouval (French, 1863-1916), an Art Nouveau gilt-bronze bust of a young woman, signed ‘M Bouval’, 22.5cm high £500 - 800

Lot 16 An ‘erotic’ cold-painted bronze lady, probably by Carl Kauba (Austrian, 1865-1922), her dress springing open to reveal her naked body, on a square marble base, unsigned, 23cm high £500 - 700

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See Joseph Zobel, ‘Antique Vienna Bronzes’, Schiffer 2008, p. 230 for a similar model.

Lot 17 An Armor Bronze Art Nouveau-style lamp, in the manner of Tiffany, a central bronze column with a spiralling grapevine relief, the top with a painted glass shade with a motif of leaves and berries, 61cm diameter 182cm high £500 - 700

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

1-84 ARTS & CRAFTS Lot 18 A Linthorpe Pottery jardinière, designed by Christopher Dresser (1834-1904), decorated with a yellow glaze to the outside and with a green glaze to the inside, applied with flower heads and with small lug handles and depressed sides below a wavy rim, stamped ‘Linthorpe’ and numbered ‘534’, 21cm high £150 - 250

18 Lot 19 A South Kensington pottery charger, 1887, of circular form with a blue ground, painted with flowers, signed with initials ‘GR’, labelled verso ‘Howell & James, Art-Pottery Exhibition 1887’, with further handwritten inscriptions on other labels, numbered ‘312’ in the rim, 39cm diameter £300 - 500

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Lot 20 A Doulton Lambeth stoneware ewer, attributed to Mark V Marshall, modelled in the form of an eagle, with buff, green and golden glazes, the handle formed as an entwined branch, the rim mounted with a silver collar, by Brockwell & Son London 1894, and marked ‘Regd 228737’, the beak and two claws also mounted, unmarked, with glass eyes, impressed mark Doulton Lambeth ‘221’ and inscribed ‘EV’, 33cm high £700 - 1,000

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21 Lot 21 A Barnard Bishop & Barnard cast iron fireplace insert, designed by Thomas Jekyll, rectangular, cast in low relief with Japanese fans and mons on a geometric ground, flanked with long vertical panels, with a rise/fall hood, indistinct Registration number, 45cm wide 91.5cm high £400 - 600

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ARTS & CRAFTS 1-84 Lot 22 An Aesthetic ebonised child’s rocking chair, after E W Godwin, with ring turned supports, a rush seat on long rails, 49cm wide 68cm deep overall 78cm high, seat 36cm high £250 - 350

23 Lot 23 An Aesthetic ebonised wall cabinet, with a raised and ridged back, centred with a bevelled glass cupboard, flanked with shelves with pierced ball friezes, with shaped brass hinges and mounts, 67cm wide 22cm deep 53cm high £150 - 200

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Lot 24 After George Hemming Mason (1818-1872) ‘The Harvest Moon’ lithograph, titled in gilt on the mount 31 x 84.5cm, mounted, glazed and oak-framed £250 - 350

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Lot 25 A silver pyx, maker’s marks for John Hardman & Co., Birmingham, 1848, attributed to a design by A W N Pugin, of circular form engraved with a crucifix, wheat and vine motifs within a quatrefoil, the hinged cover opening to reveal a gilt interior, the base concave, 5.3cm diameter £400 - 600

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LOTS 26-30 This and the following five lots were removed from the Burtonwood Brewery, Warrington.

The scenes depicted are Pre-Raphaelite in taste and are secular images, possibly depicting the Field of the Cloth of Gold where Henry VIII of England met Francis I of France, designed to improve relations between the two rival kingdoms.

Cardinal Thomas Wolsey orchestrated the event and Henry and Francis met south of Calais for eighteen days of tournaments and diplomacy.

Feasts, masquerades and religious services were set amidst a sea of specially-built tents, banqueting houses and ‘portable palaces’.

Amongst these panels are what appears to be a jousting tournament, with damsels admiring a knight on horseback (Lot 26), John Tuchet, 8th Baron Audley, 5th Baron Tuchet (1483-1557) (Lot 27), merchants trading and bishops in front of a tent with the White Cliffs of Dover in the background (Lot 28), Eastern traders (Lot 29), and knights on a drawbridge (Lot 30).

Lot 26 A large stained glass panel, c.1890-1910, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting a knight on horseback with admiring ladies alongside, possibly a jousting scene, fitted in a lightbox, with a mounted frame, 48cm wide 7cm deep 79cm high £1,200 - 1,500

26 Lot 27 A large stained glass panel, c.1890-1910, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting knights on a drawbridge, fitted in a lightbox with a mounted frame, 48cm wide 7cm deep 79cm high £1,200 - 1,500

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Lot 28 A large stained glass panel, c.1890-1910, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting merchants, fitted in a lightbox with a mounted frame, 41cm wide 7cm deep 75cm high £1,200 - 1,500

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Lot 29 A large stained glass panel, c.1880-1910, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting merchants and figures with the White Cliffs of Dover in the background, 41cm wide 7cm deep 74cm high £1,000 - 1,200

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Lot 30 A large stained glass panel, c.1880-1890, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting John Tuchet, 8th Baron Audley, 5th Baron Tuchet (1483-1557) wearing the Audley arms, on horseback, the groom appears to wear the arms of England, with courtiers behind, fitted in a lightbox, with a mounted frame, 48cm wide 7cm deep 79cm high £1,200 - 1,500

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Lot 31 A large stained glass panel, c.1880-1910, attributed to Williams, Gamon & Co. or Shrigley & Hunt, depicting a bishop in front of a procession with the White Cliffs of Dover in the background, 48cm wide 7cm deep 79cm high £1,000 - 1,200

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Lot 34 A Liberty & Co. Tudric pewter vase, of tapering form with a bulbous base, mounted with heart details, stamped ‘English Pewter Made by Liberty & Co, 01430’, 24cm high, and two similar waisted vases, each mounted with coloured cabochons, with sinuous handles, stamped ‘Tudric 050’ and ‘English Pewter made

by Liberty & Co. 030’, 18.5 and 18cm high (3) £150 - 200

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32 Lot 32 An embossed silver easel-back photograph frame,

by W I Broadway & Co., Birmingham,1909, the arched frame, with an offset aperture, embossed with a lady picking fruit from a tree, sheep and birds to the foreground, aperture: 13.5 x 19.5cm 26.6cm wide 34cm high £600 - 800

Lot 33 An Arts and Crafts silvered mantel clock, c.1890-1900, of ogive form, the front with a relief of a tavern scene, with an enamelled dial with Arabic numbers, internally with a bronze pendulum, 20cm wide 11.5cm deep 26.5cm high £300 - 500

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35 chest

Lot 35 An Arts and Crafts oak chest and washstand, the chest of tapering form with two short and two long drawers, with brass escutcheons and handles, with a glass top, 122cm wide 68cm deep 80cm high the washstand with a tiled back and marble top, over four drawers, flanked with a cupboard enclosing four pine drawers, 115cm wide 70cm deep 118cm high (2) £300 - 500

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35 washstand

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

Lot 36 Three Kelim rugs, 150 x 340, 106 x 205 and 130 x 380cm, and two cushions (5) £250 - 350 Provenance: The Estate of Fiona MacCarthy (1940-2020).

37 Lot 37 An Arts and Crafts copper five-branch electrolier, with a central column applied with shaped panels, with a central dome mounted with five Ruskin-type pottery cabochons, riveted branches and collar, with a central boss terminal, recently rewired, 65cm diameter 80cm high approximately £700 - 900

Lot 39 A ‘Viceroy’ armchair, designed by Sir Edwin Lutyens, upholstered in an embroidered blue/grey fabric, with scrolled back and arms, carved spandrels, on front cabriole legs, 92cm wide 85cm deep 82cm high, 46cm seat high £1,000 - 1,500

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Lot 38 Three Glasgow School designs, each watercolour, unsigned, mounted on card and framed, 36 x 36, 32 x 32 and 33 x 22.5cm overall (3) £200 - 300

Lot 40 An Arts and Crafts oak refectory table, in the style of Robert Lorimer, the three-plank top raised on shaped supports and a stretcher, 152.5cm wide 81.5cm deep 73.5cm high £300 - 500

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Lot 41 An Arts and Crafts oak bookcase, c.1890, by Shoolbred & Co., with a raised back with a sectional shelf, over a central lattice panelled cupboard, flanked with adjustable shelves, labelled to the back, 183cm wide 45.5cm deep 142cm high £300 - 500

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Lot 42 C F A Voysey (1857-1941), a pair of brass log tongs, with a turned handle and spade-shaped nippers, 65cm long £300 - 500

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Lot 43 A carpet, in the style of William Morris, with a burgundy ground, with stylised designs, 295 x 410cm £400 - 600

45 Lot 44 A ruby lustre plate, after a design by William De Morgan, on a Bodley & Son blank, depicting two fish on a ‘water’ effect, the underside with rings and squiggles, impressed marks, 23.5cm diameter £200 - 300

Lot 45 An Arts and Crafts pewter and copper mounted four-piece tea set,

by George Lee & Company, each piece with a copper rim with a fleur-de-lys motif, on a hammered body, stamped ‘English Pewter G. L & Co.S’, teapot 14.5cm high (4) £140 - 180

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44 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

1-84 ARTS & CRAFTS Lot 46 A Scottish Arts and Crafts white metal jewellery box, of rectangular form, with hammered decoration of Celtic knots, mounted with blue fabric, 18cm wide 13cm deep 10cm high £200 - 300

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Lot 47 A brass table lamp, in the style of W A S Benson, of scroll form with a cranberry glass shade, 51cm high, and another table lamp, with scrolled leaf supports surrounding a central column, with a matched shade, 52cm high (2) £150 - 250

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Lot 48 An Arts and Crafts mahogany fire screen, the arched top centred with leaded stained glass panels, raised on arched supports, 645cm wide 96cm high £150 - 250

49 Lot 49 A Liberty mahogany lamp table, the square top over square tapering supports, labelled ‘Liberty & Co. Ltd, London W.’, with label inscribed ‘Col Hartley’, 38cm square 61.5cm high £150 - 250

www.sworder.co.uk

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50 Lot 50 An Arts and Crafts copper mirror, of rectangular form, with hammered detail, the top with a brass relief in the form of a swag, bevelled glass plate, 51cm wide 41cm high £200 - 300

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51 Lot 51 ‘Song’ and ‘Poetry’, a pair of embroidered panels, depicting ladies representative of these arts, with gold thread on linen, 75 x 25cm, in carved Keswick School frames, 86.5 x 36.5cm overall (2) £200 - 300

Lot 52 An Art Nouveau cast iron jardinière stand, with a turned mahogany dished top, on three legs with copper mounts, supported with a pierced undertier, cast ‘No. 1/ Rd No. 435872’, 70cm high £200 - 300

Lot 53 A walnut and maple compactum, c.1880, the inverted top with a carved frieze, over a felt-backed shelf and fleur-de-lys cut apron, over a cabinet enclosing four slides and a base drawer, flanked with hanging cupboards, green cloth lined with base drawers, each door painted with a silhouette roundel of German literary and musical figures: Goethe, Handel, Haydn and Schiller, the cupboards flanked with carved figures, each holding a globe, a book, a serpent or an hourglass, raised on turned columns, raised on an inverted stand with block feet, 242cm wide 74cm deep 179cm high £400 - 600 Exhibited: Liberty, 1996.

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1-84 ARTS & CRAFTS Lot 54 An Arts and Crafts silver-plated tea caddy, c.1915, by Edward Spencer for the Artificers’ Guild, of barrel form, borders with a laurel and bead motif, the sides with cast handles modelled as grapevines, the lid with a cast handle with decor of a flowering rose tree, stamped and numbered ‘2022’, 18cm high £400 - 600 Lot 55 Herbert Hampton (1873-1936), ‘Choir Boy’ a marble figure, signed ‘Herbert Hampton Sculptor, London 1908’, 35cm high £600 - 800

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56 Lot 56 An Arts and Crafts oak gateleg table, in the Liberty style, with a plain top, with fret cut details to the end supports, 43cm wide, open 140cm approximately 89cm deep 73cm high £200 - 300

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Lot 57 A Gordon Russell oak dining table, the plain rectangular top, raised on octagonal column supports, on block plinths united with a stretcher, with a metal label ‘Gordon Russell Ltd Broadway, Worcs’, 136cm wide 75.5cm deep 74cm high £300 - 500

Lot 58 An Arts and Crafts embossed copper coal scuttle, embossed with an arched front, domed cover, with liner, and carrying handles, 46cm wide 24cm deep 28cm high £100 - 200

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Lot 59 An Arts and Crafts oak mirrored wardrobe, with a dentil cornice over a full mirror door, flanked with a half mirror door and three fixed shelves, over two drawers with copper strap hinges, copper escutcheons, one brass handle, raised on a shaped and moulded apron plinth, 149cm wide 59cm deep 197cm high £250 - 350 Lot 60 Spare lot Lot 61 Four Cotswold oak gateleg tables, 1930s, with plain chamfered tops, and square supports, 76.5cm wide 26.5cm deep, open 100cm 76cm high (4) £300 - 500 Lot 62 An Arts and Crafts brass standard lamp, designed by W A S Benson, stamped ‘Regd No. 127090’, with a central screw, raised on an ‘X’ stand with gadrooned feet, with applied chains, 138.5cm high £700 - 900

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Lot 63 An Arts and Crafts oak sideboard, with two carved blind tracery panelled cupboard doors, with wrought-iron strap hinges, on a tapering base, 137cm wide 50cm deep 79cm high £600 - 800

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64 closed 64 open Lot 64 An Arts and Crafts oak wardrobe,

by Brynmawr Furniture Makers Ltd., with panelled cupboards and sides, opening to reveal two sections with shelves, over a hanging space with a shoe rack, with five drawers to the right-hand side, the door fixed with a mirror and tie rail, unmarked, on a stand, 112cm wide 54cm deep 176cm high £1,000 - 1,500

www.sworder.co.uk

Brynmawr Furniture Makers Ltd was a furniture manufacturing company set up amid the Great Depression as part of the Brynmawr Experiment in Brynmawr, Wales.

Following the General Strike 1926, Brynmawr had been particularly badly affected and was left with high levels of unemployment. Brynmawr Furniture Makers factory was set up as part of Quaker-led effort to tackle the issues starting in 1929 it closed in 1939.

A small group of Quakers arrived in Brynmawr in 1928-9 intending to provide relief supplies and encourage social work. The group was led by Peter Scott, who began developing ways to encourage industries and employment.

These were at first incorporated as Brynmawr and Clydach Valleys Ltd and included knitting, Welsh tweed, boot-making, and furniture-making in a former boot factory.

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65 66 Lot 65 An Arts and Crafts oak stool,

by Arthur Simpson of Kendal, with a slightly bowed leather seat with brass studs, raised on square supports, with stepped details, labelled ‘Arthur W. Simpson The Handicrafts Kendal’, 40.5cm wide 30.5cm deep 30.5cm high and another oak stool, with a slightly bowed leather bi-colour slatted seat, with turned finials, on chamfered tapering supports, engraved to the front rail ‘19 T 33’, stamped ‘Made by T Philipson’, 41cm wide 31cm deep 37cm high (2) £200 - 400

Lot 66 Two Arts and Crafts oak stools,

by Arthur Simpson of Kendal, each with slightly bowed, slatted leather seats, worn, on tapering supports, one with a metal label and stamped ‘7144’, 40.5cm wide 30cm deep 30.5cm high (2) £200 - 300

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Lot 67 An Arts and Crafts oak stool, attributed to Arthur Simpson of Kendal, the slatted concave leather seat, with tapering supports, united with an ‘H’ stretcher, 47cm wide 36cm deep 40.5cm high £150 - 200

Lot 68 An oak blanket chest, in the manner of Robert ‘Mouseman’ Thompson, with a panelled hinged top, front and sides, 110cm wide 35cm deep 49.5cm high £500 - 800

Lot 69 An Arts and Crafts embossed copper mirror, of rectangular form, with a bevelled edge plate with embossed and punched details, the sides mounted with Ruskin-type cabochons, 67.5cm wide 58cm high £300 - 500

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Lot 70 An Arts and Craft oak wall mirror, with a pierced arch top with a flat cornice, carved panels and shelves flanking the cushion bevelled mirror, 126cm wide 77cm high, and a three-tier wall cabinet, with a shelf each side, 60cm wide 20cm deep 59cm high (2) £200 - 300

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Lot 72 An Arts and Crafts inlaid oak bureau, the pierced three-quarter gallery, over arabesque mounted openings flanking a central cupboard, with a drop-down writing surface to reveal pigeonholes and a baized writing surface, over a drawer and a shelf, 69cm wide 44cm deep 165cm high £200 - 400

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Lot 71 An oak stool,

by Liberty and Co., in the Moorish style, with a fret cut arched apron and a straw seat cushion, worn, 41cm wide 29cm deep 51cm high £150 - 250

Lot 73 A brass standard lamp, in the manner of W A S Benson, with three scrolled supports with acanthus leaf detail, with a pleated shade, 180cm high, together with a steel and brass fire screen, the centre embossed with a crowned rose enclosed by a scrolled frame, 56cm wide 75cm high (2) £200 - 300

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Lot 74 A pair of Liberty & Co. silver candlesticks,

by Liberty & Co., Birmingham 1912, of tapering reeded form, the feet with engraved floral decoration, 19.5cm high, loaded (2) £450 - 650

75 Lot 75 A Tudric pewter twin-handled bowl, designed by David Veasey for Liberty & Co., with a band of stylised trees and with the verse ‘And the mask of the rose is blown and the woodbine spices are wafted abroad’, later engraved ‘Upper School Gymnastics 1954 LV’, raised on a low foot, stamped ‘011 Made by Liberty & Co English Pewter’, 31cm diameter £200 - 300

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Lot 76 An Arts and Crafts copper and steel-mounted fire screen, embossed with a stylised peacock, flanked with two inset green-glazed Ruskin cabochons, the arched top with a pierced handle, raised on split scroll supports, 51cm wide 66cm high £250 - 350

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Lot 77 An Art Nouveau mahogany inlaid bureau, with a shaped and fret cut back, pierced panels to the side, over a fall front, revealing an oak interior over a shelf, on swept front supports, 81.5cm wide 32cm deep 134.5cm high £200 - 300

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78 top Lot 78 An Arts and Crafts pewter jewellery box, c.1910, embossed with vines and flowers, with an enamelled plaque to the lid, internally lined with blue velvet, 31cm wide 11cm deep 11cm high £400 - 600

Lot 79 An Arts and Crafts silver-plated wall mirror, c.1910, of oval form, with copper mounts in the form of flowers, with a bevelled glass plate, 54cm wide 76cm high £200 - 300

79 Lot 80 An Art Nouveau mahogany inlaid armchair, in the manner of Shapland & Petter, with a scrolled and pierced splat, inlaid with flowers and highlighted with penwork, with swept arms, an oval seat upholstered in green raised scrolling fabric, with turned legs united with an ‘X’ stretcher, 66.5cm wide 56cm deep 115cm high, seat 40cm high £250 - 350

Lot 81 A large Kayserzinn silver-plated mirror, the circular bevelled edge mirror, in a pierced and cast frame, mounted with a figure of a lady standing on the shaped dish plinth, cast mark and ‘5200’ and ‘K V’, 57cm high £1,200 - 1,500

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Lot 82 An Arts and Crafts embossed planter, attributed to Margaret Gilmour, with stylised designs, with a liner, 51cm wide 21cm deep 16.5cm high, and a similarly embossed tapering candlestick, 26cm high (2) £250 - 350

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Lot 83 A collection of Tudric pewter items, designed by Archibald Knox, comprising: a Tudric pierced comport, stamped ‘0276’, with later glass liner, 13cm high, 17cm overall, a small sleeve vase, with later glass liner, 16.5cm high overall, and a small cast pin dish, stamped ‘0231’, 14cm diameter (3) £140 - 180 Lot 84 A pair of Arts and Crafts circular oak wall mirrors, attributed to Sidney and Ernest Barnsley for Rodmarton (Manor), Gloucestershire, each with circular glass panels, with cedar backs, one with a faint stamp ‘Heal’s and Son London W.’, 62cm diameter (2) £400 - 600 Provenance: The Vicarage, Welford, Northamptonshire, Shakespear McTurk & Graham 1977, Lot 412, ‘A pair of oak framed plain circular mirrors, 24in made by the Barnsley Brothers and Ernest Gimson for Rodmarton (Manor), Gloucestershire’; Gildings, 24 March 2015, Lot 34.

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AN ARTS AND CRAFTS COLLECTION FROM THE ESTATE OF FIONA MACCARTHY 85-93

Lots 85-93 The collection of Arts and Crafts furniture in the following nine lots comes from the estate of Fiona MacCarthy (1940-2020) who was married to David Mellor (1930-2009), the Sheffield-based designer.

MacCarthy’s background as a journalist for House and Garden magazine and the Guardian lay the foundations in her seminal biographical works on S R Ashbee, William Morris, Eric Gill and ‘Walter Gropius, Visionary Founder of the Bauhaus’ which was published in 2019.

Involved across the arts, she curated exhibitions such as ‘Homespun to High-speed: British Design 1860 to 1960’ at Sheffield Museums and Art Galleries in 1979; ‘Eye for Industry: Retrospective of the Royal Designers’ at the Victoria and Albert Museum in 1986, and ‘Anarchy and Beauty, William Morris and his Legacy’ at the National Portrait Gallery in 2014.

Lot 85 A Heal and Son oak wardrobe, designed by Sir Ambrose Heal, with a plain top over a panelled cupboard with a heart-shaped escutcheon, above a panelled door enclosing a rail, with a shaped lockplate and a knob handle, with an oval metal label ‘Heal & Son 196 Tottenham Ct Road London’, 107cm wide 52cm deep 189.5cm high £1,000 - 2,000

85 Lot 86 A Heal and Son oak wardrobe, designed by Sir Ambrose Heal, the plain top with a block cornice, panelled sides centred with a mirror door enclosing a hanging rail, over a single drawer, with wrought iron hinges, a latch to the door, the drawer with a heart-shaped escutcheon and hoop handles, with a gilt oval metal label ‘Heal & Son 196 Tottenham Ct Road London’, 137cm wide 58.4cm deep 203cm high £1,000 - 2,000

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Lot 87 A Gordon Russell ‘Stow’ oak chest of four drawers, design No. 609, the drawer fronts with chamfered fronts and laburnum carved handles, flanked with octagonal columns carved with rectangular details, the carcass with chip carved details, panelled sides and cedar-lined drawers, labelled ‘The Russell Workshops Broadway Worcs This piece of furniture design No. 609, was made throughout The Gordon Russell Workshops Broadway Worcestershire Designer: Gordon Russell Foreman: Edgar Turner Cabinet Maker: S.G. Gilbert Timber used English oak Laburnum handles’, 75.5cm wide 49.5cm deep 91.5cm high £3,000 - 5,000 Our grateful thanks to Jonathan Gibbs and the Gordon Russell Museum for allowing us to use the design for No. 609.

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Lot 88 A Gordon Russell oak two-part cabinet and chest, design No. X113, the panelled cupboard with radiating panelling, opening to reveal two compartments each with a shelf, over four drawers, and raised on a bracket plinth, labelled to the underside of the top drawer, ‘The Russell Workshops Broadway Worcs This piece of furniture design No. X113, was made throughout The Gordon Russell Workshops Broadway Worcestershire Designer: Gordon Russell Foreman: Edgar Turner Cabinet Maker: C Beadle Timber used: English brown oak Date 18.5.1929’, 78.5cm wide 41cm deep 167.5cm high £3,000 - 5,000 X113 was a special order and a unique commission, the purchaser being a Mrs Laws, according to records held at the Gordon Russell Museum, ‘special orders’ only started in 1929.

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85-93 AN ARTS AND CRAFTS COLLECTION FROM THE ESTATE OF FIONA MACCARTHY

Lot 89 A Gordon Russell oak side table, with an arched back, the rectangular top with rounded corners, over a tapering base, united with a ‘X’ stretcher and an undertier, 118cm wide 54cm deep 86.5cm high £800 - 1,200

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Lot 90 A Gordon Russell ‘Stow’ oak dressing cabinet, with a cupboard over two drawers, cedar-lined, flanked with octagonal column supports, 81cm wide 51.5cm deep 72cm high £2,000 - 3,000

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Lot 91 An Arts and Crafts oak armchair, attributed to Arthur Romney Green, with a chamfered back and arms, a dished seat with a chip carved front edge, and outswept supports united with an ‘X’ stretcher, 58cm wide 47cm deep 84cm high, seat 46cm high £700 - 1,000

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Lot 92 An Arts and Crafts oak armchair, with an inlaid tablet back, turned supports with a rush seat, 54.5cm wide 44cm deep 84cm high, seat 44cm high £600 - 800

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AN ARTS AND CRAFTS COLLECTION FROM THE ESTATE OF FIONA MACCARTHY 85-93 Lot 93 The Polymath, Frank Brangwyn Frank Brangwyn was born in Bruges, but moved to London as a child. He became a polymath and an artist-craftsman who created murals, oils and watercolours, furniture, textiles, ceramics, stained glass, and prints. His artistic output was huge and it is estimated that he created over 10,000 works.

The design of this sideboard is very much in the Arts and Crafts style – embracing both simplicity and function. The raised back is cut for sighting plates, the drawer handles are fret cut with a chamfer to the base - a simple design addition - and the cupboards and sides are emphasised with carved details flanking a plain panel. On the market for the first time since 1976, where it is believed Fiona MacCarthy purchased it at auction, it is a fabulous piece showing Brangwyn’s ethos, of which he wrote in 1934, ‘An artist’s function is everything: he must be able to turn his hand to everything, for his mission is to decorate life…he should be able to make pots and pans, doors and walls, monuments or cathedrals, carve, paint, and do everything asked of him’.

Lot 93 An oak sideboard, designed by Sir Frank Brangwyn in 1926, the raised back with a grooved plate rail on a pierced back, over a panelled surface, with three frieze drawers with round pierced handles, leather backing, four cupboards each with chevron carved details, conforming sides, the back with a hardboard panel, 178.5cm wide 60cm deep 124.5cm high £6,000 - 10,000 Provenance: Purchased from Sotheby’s Belgravia in 1976.

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Lot 94 A Clarice Cliff ‘Aurea’ pattern sandwich set, comprising: a sandwich tray, 29.5cm wide, and six side plates, 14.5cm wide (7) £120 - 180 Lot 95 A Clarice Cliff ‘Red Trees and House’ teapot stand, printed Bizarre marks, 18.2 x 16.5cm, a Lydiat inkwell, shape 457, printed marks, 7cm high, and a geometric decorated bowl, printed marks, 19.2cm diameter (3) £140 - 180 Lot 96 A Clarice Cliff geometric water jug, printed marks, 16cm high, and a circular ashtray, printed marks, 11cm diameter (2) £140 - 200

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95 Lot 97 A Clarice Cliff ‘Sungay’ wall charger, painted with a band of flower heads, within a yellow, black line and green border, printed marks, 46cm diameter £600 - 800

Lot 99 A Clarice Cliff ‘Lily’ Lotus jug, painted with a band of lotus flowers each side, with bands of orange, green, blue and brown, moulded ‘Lotus/Shape’ and printed marks and ‘Lawleys’ in gold, 30cm high £600 - 800

Lot 98 A Clarice Cliff ‘Applique Idyll’ biscuit barrel and cover, shape 478, with a silver-plated rim, cover and swing handle, with printed ‘Bizarre’ and ‘Newport Pottery’ marks, 15.5cm high (2) £150 - 200

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Lot 100 An Art Deco chrome standard lamp, with a stepped glass shade, with a ‘Z’ shaped mount to the column, 180cm high £500 - 700

Lot 101 A figural table lamp, 1930, designed by Josef Lorenzl, in the form of a dancing girl, holding aloft a sphere of frosted crackled glass, mounted on an onyx plinth, signed to the foot, 60cm high £800 - 1,000

Lot 102 Herbert Sidney Foxwell (1890-1943) an original ‘Teddy Tail’ illustration 1940s, signed Foxwell l.r., watercolour on board 19 x 44cm, with an original book cover illustration ‘Saturday Night and Sunday Morning’ indistinctly signed ‘H. Holiday’ l.r., gouache on board 30 x 26cm, and Alan Sillitoe ‘Saturday Night and Sunday Morning’, 1960 London: Pan Books, 2nd. Edn, colourcast and weathered pages, internally the text is very clean and sharp, cover with above illustration (3) £150 - 250

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101 Lot 103 An Art Deco mantel clock, mounted in a mahogany case, with a rectangular dial, stamped ‘Henry Browne & Son Ltd., Barking & London, Sugar Line Ltd’, a chrome bezel and mounts, with a recessed handle, 39.5cm wide 11cm deep 26.5cm high £250 - 350

Lot 104 Three Art Deco side tables, a rectangular two-tier walnut veneered table, 76.5cm wide 45.5cm deep 52cm high, a circular three-tier walnut veneered table, 58.5cm diameter 55.5cm high, and a three-tier oak veneered book table, 51cm square 53cm high (3) £250 - 350

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Lot 105 An Art Deco burr maple dining suite, comprising: a table, with a shaped rectangular top, raised on a ‘U’ shaped stand, 183cm long 92cm wide 78cm high, a set of six chairs, upholstered in tan leather, with cloud tops and veneered backs, painted edges and legs, 50cm wide 53cm deep 91cm high, seat 51cm high, and a sideboard, with a shaped front, centred with a raised fluted cupboard, flanked with further cupboards, raised on a ‘U’ shaped stand, 175cm wide 59cm deep 104cm high (8) £2,000 - 3,000

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106 Lot 106 *Morris Kestelman (1905-1998) ‘Clowns (Bertram Mills Circus Olympia)’ signed and dated 1937, pastel 17.5 x 24cm £200 - 300

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Lot 107 *Elsie March (1884-1974), ‘The Bathing Girl’, bronze, signed ‘Elsie March’, on a marble plinth, 41cm high £800 - 1,200

Lot 108 An Amsterdam School oak and coromandel sideboard, with a raised back, over a breakfront, centred with a shelf over three lined drawers, flanked with cupboards, 140.5cm wide 53cm deep 114cm high £800 - 1,000

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Lot 109 Three Art Deco stained glass panels, 1920s, each centred with ‘cloud’ panels, in amber, green and amethyst, comprising a pair and a single panel, pair 46cm wide 81cm high, and 60cm wide 81.5cm high (3) £250 - 350

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110 Lot 110 An Art Deco upholstered ottoman, in its original fabric, the circular bolster end and main seat lifting to reveal compartments, labelled ‘Relyon Reg’d Design 786566/33’, 163cm wide 62cm deep 58cm high £200 - 400 Lot 111 An Art Deco burr walnut and ebonised dressing table,

by Waring & Gillow, with a triptych-shaped mirror, over three drawers, stamped to lockplate, drawer and label, on columnar supports, with chrome handles, 107cm wide 54cm deep 163cm high £500 - 800

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Lot 112 A pair of Art Deco walnut bedside tables, each with a drawer to the top, the lower half with a door opening to interior shelves, 37cm wide 36cm deep 68 cm high (2) £300 - 500 Lot 113 A pair of Art Deco-style grey leather armchairs, each with button backs, raised on ebonised block supports, 89cm wide 100cm deep 82cm high, seat 40cm high (2) £400 - 600

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Lot 114 An Art Deco burr walnut dining suite, attributed to Epstein, comprising: a dining table, of rectangular form, raised on a U-shaped base, 183.5cm wide 91cm deep 75cm high, six dining chairs, cloud back model, upholstered in blue faux leather, 52cm wide 60cm deep 85cm high, seat 43cm high, two carvers, cloud back model, upholstered in blue faux leather, 61cm wide 60cm deep 85cm high, seat 47cm high, and a sideboard, with a central pair of doors opening up to four drawers with faux ivory mounts, the left and right-hand doors opening up to shelving and drawers respectively, raised on a U-shaped stand, 153 cm wide 58cm deep 107cm high (10) £2,000 - 3,000

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Lot 115 A French Art Deco armchair, recently upholstered in a purple velvet fabric with gold piping and a tasselled fringe, 80cm wide 90cm deep 75cm high, seat 39cm high £300 - 500

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Lot 116 A pair of Art Deco-style ‘Cinema’ wall lights, each with a cast crested top, a white plastic shade, the lower section with glass discs and a ball finial, 13cm wide 65cm high (2) £500 - 700

Lot 117 A modern model of a C-47 Dakota ‘Skytrain’, raised on an aluminium stand, stamped ‘AM 2014 No. 2528’, 100cm wide 65cm long 40cm high £200 - 300

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Lot 118 An Art Deco burr walnut and maple cocktail cabinet, with two pairs of doors, the upper opening up to a mirrored interior with shelves and extending serving board, the lower to shelves and bottle racks, internally labelled ‘Hospitality Cabinet’ on a plaque, raised on a plinth, the upper section with wiring for internal lighting, 99cm wide 55cm deep 138cm high £800 - 1,200

Lot 119 An Art Deco walnut coffee table, with a quarter veneered square top, with canted corners on plain strut supports, 60cm square 41cm high £250 - 350

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120 Lot 120 A French oak sideboard, the stepped parquetry top over four cushion panelled cupboards, flanked with columns, opening to reveal two drawers and shelves, centred with gilt-bronze roundels, raised on octagonal supports and a stepped plinth, 234cm wide 52cm deep 106cm high £1,000 - 1,500

121 Lot 121 A Shelley ‘Sunset and Tall Trees’ part tea service, comprising: 9 tea cups, 7.3cm high, 11 saucers, 13.5cm wide, 10 side plates, 16.3cm wide, a cream jug, 14cm wide, and a sugar bowl, 12.5cm wide, each with printed marks (32) £400 - 600

Lot 122 A Berlin porcelain figure of Eve, in the mannerist style, underglaze mark and later script, 41cm high £200 - 300

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Lot 123 A Pilkington’s Royal Lancastrian pottery vase, designed by Richard Joyce, shape No. 88, the ovoid shouldered vase, moulded with stylised deer amongst trees, signed with monogram, stamped ‘Royal Lancastrian’, ‘Made in England’, 27.5cm high £300 - 500 The vendor is a direct descendant of William Burton (1863-1941). Burton was a chemist at Wedgwood, but moved to Pilkington to oversee the production of fine pottery in the style of ancient Persian and Chinese potters, commissioning work from some of the top designers of the time. Burton was inspired by the Arts & Crafts Movement, and in particular, the workings of William Morris and John Ruskin.

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Lot 124 Two Pilkington’s Royal Lancastrian bowls, designed by Richard Joyce and E T Radford, an insect bowl, painted monogram and printed marks, 22cm diameter, and a cream glazed tazza, with a central spiral, on a low foot, printed mark, shape 8714a and initials, 24.5cm diameter (2) £200 - 300

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Lot 125 A Wedgwood Fairyland lustre bowl, c.1920, pattern No. Z4968, designed by Daisy Makeig-Jones, the exterior in the ‘Poplar Trees’ pattern, the interior with a central ‘mermaid’ roundel surrounded by the ‘Woodland Bridge’ pattern, printed Portland vase mark and inscribed ‘Z4968 D’, 28.5cm diameter £700 - 900

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Lot 126 Two Goldscheider pierced eye pottery wall masks, No. 6427/3, modelled as a lady, with orange curling hair and lips, pierced eyes, with a turquoise shoulder, impressed and printed marks, 25cm high, and No. 7089/65, modelled as a lady with curling turquoise hair and eyeliner, with a white and blue trimmed collar, 26cm high (2) £300 - 500

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Lot 127 A Goldscheider pottery wall mask, No. 7089/65, with windswept turquoise hair and eyes, orange lips, a yellow scarf with turquoise edging, impressed and printed marks, 29.5cm high £300 - 500 Lot 128 A Goldscheider pottery wall mask, No. 6660, modelled as a lady with black curling hair, orange lips and collar, incised and printed marks, 28cm high £300 - 500

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Lot 129 Two Goldscheider pottery wall masks, No. 6427, modelled as a lady with gold curling hair, orange lips, pierced eyes and with a blue beaded necklace, impressed and printed marks, 24cm high, and No. 6428, modelled as a lady with orange curling hair and lips, pierced eyes, and a turquoise hat, incised number and printed marks, 22cm high (2) £400 - 600

Lot 130 A Goldscheider pottery wall mask, No. 6775, modelled as a lady with curly orange hair and lips, green eyelids, and a turquoise collar, with original silvered label, impressed number and printed marks, 26.5cm high £300 - 500

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131 Lot 131 A Lalique ‘Muguet’ glass dish, of circular form with a wavy rim, moulded with lily of the valley flowers with opalescent blue, stencilled ‘R.Lalique France’, 32.5cm diameter £600 - 800

Lot 132 A pair of Lalique ‘Charmes’ glass wall lights, designed in 1924, moulded and frosted glass, each mounted with a single light fitting, each with moulded signature ‘R. Lalique’, 34cm wide (2) £500 - 800 Lot 133 A Lalique ‘Poissons’ opalescent glass dish, moulded with fish, stencilled mark ‘R. Lalique France’, 30cm diameter £200 - 400

Lot 134 A Lalique ‘Ondines’ opalescent glass bowl, No. 381, moulded with sirens, wheel cut ‘R Lalique’ and etched ‘No. 381’, 21cm diameter £500 - 700

Lot 135 A Lalique ‘Poissons’ opalescent glass vase, No. 925, of globular form moulded with fish, with a collar and rim, moulded ‘R Lalique’ to the base rim, 23cm high £800 - 1,200

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Lot 136 A Lalique ‘Coquilles’ clear glass bowl, No. 385, moulded with shell details, moulded mark and engraved ‘France’, 30cm diameter £250 - 350 Lot 137 A Lalique ‘Lys’ opalescent glass bowl, No. 385, the bowl moulded with flowers forming the feet, moulded and wheelcut ‘R Lalique France’, 24cm diameter 12.3cm high £400 - 600

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Lot 138 A Lalique ‘Poissons’ opalescent glass dish, moulded with fish, moulded ‘R Lalique’, 25.5cm diameter £250 - 350 Lot 139 A Lalique ‘Algues’ opalescent glass dish, stencilled ‘R Lalique France’ mark, 36.5cm diameter £300 - 500 Lot 140 A Lalique ‘Coquilles’ glass bowl, with an opalescent base, wheel cut ‘R Lalique France’, 23.8cm diameter £250 - 350

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Lot 141 A Lalique ‘Ceylan’ opalescent glass vase, No. 905, designed 1924, opalescent and blue staining to the moulded body, wheelcut ‘R Lalique France’ and etched ‘No. 905’, 24.5cm high £3,500 - 4,500

Lot 142 A Lalique ‘Medici’ opalescent glass dish, No. 280, of rectangular form with rounded ends, moulded with nudes and flowers, moulded ‘R.Lalique’ and etched ‘R. Lalique France No. 280’, 15 x 9cm £150 - 200

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143 Lot 143 A Lalique ‘Tête d’Aigle’ clear glass car mascot, design 1928, modern with frosted details, engraved ‘Lalique R France’, 11cm high £250 - 350 Lot 144 A pair of Lalique ‘Tête de Coq’ car mascots, No. 1137, both moulded ‘Lalique France’, and mounted on polished black plinths, with stencilled marks, 18.5cm wide 20.5cm high (2) £1,000 - 1,500

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144 Lot 145 A set of four Lalique ‘Angel’ champagne glasses, engraved ‘Lalique France’, 21cm high, with original box (4) £120 - 180

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Lot 146 Two Lalique frosted glass partridges, each etched ‘Lalique France’, one with a silvered Lalique label, 17 and 13cm high (2) £200 - 300 Lot 147 A Lalique glass ‘Mossi’ candleholder vase, with original candle, signed, 12cm high, with original box £100 - 150 Lot 148 A Lalique glass ‘Duncan’ scent bottle, with moulded figural centre, signed, 20cm high, in original box £150 - 200

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Lot 149 A Lalique ‘Coq Nain’ glass car mascot, inscribed ‘Lalique France’, 20.5cm high £150 - 200

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Lot 150 Two Sabino opalescent glass paperweights, a moulded shell, etched ‘Sabino, Paris’, 8.5cm wide, and a fish, moulded ‘Sabino, France’, 12.5cm wide (2) £150 - 200

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ART DECO 94-257 Lot 151 An Art Deco brass fender, with leather seats, re-covered, 136cm wide, aperture 105cm 43cm deep 43cm high £200 - 300

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Lot 152 A ‘Bibendum’ black leather armchair, after a design by Eileen Gray, with a barrel bolster back, raised on a tubular cantilever stand, 95cm wide 60cm deep 72cm high, seat 43cm high £250 - 350 Lot 153 A polished steel desk, with a mounted writing surface, over slides and drawers, labelled ‘Cuacier (FNMA) Bruxelles’, 154cm wide 86.5cm deep 78.5cm high £600 - 800

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Lot 154 *Elsie March (1884-1974), an untitled bather, bronze, the female figure stood on one leg, towel raised above her head, on a square spreading base with incised wave decoration, signed, 39cm high £700 - 900 Lot 155 Bruno Zach (Ukrainian-Austrian, 1891-1935), ‘Clown’, modelled in bronze and ivory, wearing a hat and goggles, gesturing with his thumb up, holding a parasol beside him, raised on an oval marble plinth, unsigned, 28.5cm high £300 - 500

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Lot 156 A set of eight French folding bistro or garden chairs, each with an iron frame, a beechwood fan-shaped back and a slatted seat, 42.5cm wide 51cm deep 85.5cm high (8) £600 - 800

Lot 157 A pair of maple veneered revolving bookcases, each of circular form, with movable mahogany shelves and ebonised rims, 60cm diameter 88cm high (2) £400 - 600

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Lot 158 An Art Deco walnut console table, the shaped top with a moulded edge over a cushion frieze, centred with a frieze drawer, the canted corners with carved details, on a twin column stand, 112.5cm wide 56cm deep 93cm high £400 - 600

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Lot 159 *Skule Waksvik (Norwegian, 1927-2018), three sculptures of bear cubs or ‘Bjornunger’, bronzes, each signed and numbered: ‘2/30’, ‘38/100’ and ‘30/100’, 15, 14 and 9cm wide (3) £600 - 800 Waksvik is particularly known for his animal sculptures and has many on public display in his native Norway.

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Lot 160 *John McKenzie (1897-1972) ‘13 Music’; ‘Moonshot’ signed with initials, carved slate 18cm high overall (2) £300 - 500 Provenance: T he John McKenzie Collection.

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Lot 161 *John McKenzie (1897-1972) ‘The Wedding’ signed with initials and in pen verso, carved Welsh slate 35 x 29.5cm £300 - 500 Provenance: With Abbott & Holder, 30 Museum Street, London and Liss Fine Art.

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Lot 162 *John McKenzie (1897-1972) ‘Dance Records’; ‘The Apprentice’ signed with initials, both inscribed in pencil verso, carved slate, mounted on softwood 21.5 and 17.5cm high overall (2) £300 - 500

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Lot 163 An Art Deco bird’s-eye maple daybed, with cream calico upholstery, with a raised end with arms, tapering supports with veneered sabots, 186cm long 70cm deep 70cm high, seat 45cm high approximately £400 - 600

163 Lot 164 An Art Deco French tabletop football game, 1930s, with a teak frame on an ebonised plinth with metal edges, with metal figures in white and red jerseys, 148cm wide 70cm deep 87cm high £600 - 800

Lot 165 Two Art Deco chrome table lamps, one with a mottled yellow three-tier shade, the other with a pink drum shade, 52 and 45cm high (2) £200 - 300

Lot 166 An Art Deco walnut longcase clock, the square painted and pierced dial with a Bakelite face, a three-train movement, in a cushion-framed case, on block supports, dial 29.5cm diameter 70cm wide 27cm deep 191.5cm high £300 - 500

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Lot 167 An Art Deco chrome table lamp, the base modelled with a yacht, with a multifaceted frosted globe shade, 46.5cm high £150 - 250

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168 Lot 168 A Rowley Gallery inlaid picture, ‘Pastorale’ titled on an A J Rowley label verso 87.5 x 62cm, in a carved frame £150 - 250

Lot 169 A pair of oak side tables, in the manner of Heal and Son, each with a circular top and two tiers, with moulded supports, 55cm diameter 52cm high (2) £250 - 350

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Lot 170 An Art Deco burr walnut console table, designed by Salaman Hille for S Hille & Co. Ltd. London, of serpentine form with two drawers, signed to one drawer side ‘S Hille & Co. Ltd. London’, over a cupboard, on a shaped plinth, with label to reverse ‘Maples Birmingham from S Hille…’, 127cm wide 48cm deep 88cm high £1,500 - 2,000

Lot 171 An Art Deco burr walnut sideboard, designed by Salaman Hille for S Hille Co. Ltd., London, of serpentine form, with three cupboards, the left enclosing two cutlery drawers, signed ‘S Hille & Co. Ltd. London’, and a revolving bottle carousel, the centre and right-hand side with shelves, on a shaped stand, 176cm wide 54cm deep 98cm high £2,500 - 3,500

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94-257 ART DECO Lots 170-172 Salaman Hille & Co. Ltd., London Salaman Hille arrived in London from Ukraine and initially worked in a wine company in the City before setting up his furniture-making firm in Bethnal Green, in about 1906. He started the business with a woodcarver and a cabinetmaker in Rutland Street, Whitechapel and he managed to mastermind the production of some high-quality furniture, later moving to Derbyshire Street, Bethnal Green and then Old Street.

By 1914 he employed eighty people, mainly cabinetmakers and carvers.

He ran a craft apprenticeship training scheme in his workshop and he insisted that all staff belong to a trade union.

His private customers were mainly Jewish, but the high prices meant that his furniture was bought by those living in the North London suburbs rather than the East End. He also supplied high quality goods to department stores like Hamptons, Maples & Waring and Gillow.

Salaman retired in 1932 and died in 1940. His designer daughter, Ray, then took over the business, after which it became a household name, with the firm working with designers such as Robin Day. The suites offered here are all probably from the late 1920s and, unusually, are carved to the top-drawer runners with the inscription ‘S Hille and Co. Ltd.’. These were retailed by Maples in Birmingham and were removed from a property near Cleobury Mortimer in Shropshire, where they had resided since they were purchased.

Lot 172 An Art Deco burr walnut dining table, designed by Salaman Hille, for Hille & Co. Ltd., with a shaped multiple strut base, 245cm long, extended 307cm 92cm deep 77cm high £3,000 - 5,000

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Lot 173 A set of eight Art Deco burr walnut dining chairs, each with a green leather seat and back, with a veneered bow back, comprising: a pair of carvers and six singles, carvers 57cm wide 52cm deep 99cm high, seat 47cm high, singles 48cm wide 48cm deep 95cm high, seat 47cm high (8) £600 - 800

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ART DECO 94-257 Lot 174 An Art Deco gilt metal figural table lamp, modelled as a seated lady holding a pink glass globe, on an onyx plinth, 36cm high £250 - 300

Lot 175 A plaster bust of a man, 48cm high £150 - 250

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Lot 176 An Art Deco walnut cocktail cabinet, the raised centre with a hinged and fall-down concave front, revealing a mirrored and fitted interior, over a bow front cupboard, flanked with cupboards either side, each with two shelves, the left-hand side with a cutlery drawer, 152.5cm wide 52cm deep 111cm high £400 - 600

Lot 177 Franz Peleska-Lunard (Austrian, b.1873), an Art Deco ivory and cold-painted bronze of a lady wearing a tasselled dress, signed ‘Peleska RuM’, on a marble plinth, 26.5cm high £1,500 - 1,800

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Lot 178 *Norbertine Bresslern-Roth (Austrian, 1891-1978) Riders and camels linocut, signed and inscribed in pencil l.r. and ‘Handdruck’, print 17.5 x 26cm 50 x 38.5cm, mounted and framed £400 - 600

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Lot 179 Curwen Press, a set of six endpapers, of various designs executed between 1925-1937, with designs by Paul Nash, Thomas Lowinsky, Enid Marx, and Diana Wilbraham, from the Elizabeth and Robert 179 part lot Simon Collection, 50 x 64cm (6) £150 - 250 Lot 180 English School, c.1920 A Jester, faun and children dancing in a landscape unsigned, watercolour 24.5 x 74.5cm £200 - 300

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Lot 181 A polished steel desk, with a mounted writing surface, over a slide and four drawers, 76.5cm wide 67cm deep 75cm high £300 - 500

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Lot 182 ‘La Raphaëlle Liqueur Bonal’, designed by J Rosetti, 1908, lithograph in colours, printed by ‘Imp I.Lang - 3 rue du Platre - Paris’, 158 x 116cm 167.5 x 124.5cm, framed £500 - 700 Lot 183 A five-tier oak bookcase,

by Minty of Oxford, with sliding glass fronts, 89cm wide 29cm and 23cm deep 161.5cm high £300 - 500

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Lot 184 Two stained glass panels, 1920s, one centred with the city arms of Manchester, the other with the arms of Newcastle, each within a lead framework with green glass panels, 56 x 70cm (2) £300 - 500

Lot 185 Two stained glass panels, 1920s, one centred with the city arms of Cardiff, the other with the arms of Liverpool, each within a lead framework with green glass panels, 56 x 70cm (2) £300 - 500

Lot 186 A pair of Art Deco uplighters, of trumpet form, mounted on glass balls and ebonised plinths, with copper insets, 31cm diameter 62cm high (2) £200 - 400

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ART DECO 94-257 Lot 187 A pair of Murano glass wall lights, each with an opaque glass shade, spiralling clear glass tail and silvered mount, 47cm high (2) £300 - 500 Lot 188 An Art Deco walnut coffee table, the top with inlaid cross-grain parquetry, raised on a ‘U’ shaped stand, 70cm wide 50cm deep 65cm high £300 - 500 Lot 189 An Art Deco burr walnut dining suite, comprising: a dining table, with a rectangular top, rounded ends, raised on a ‘U’ shaped stand, with a glass top, 198.5cm long 92cm wide 78.5cm high, and a set of six dining chairs, with cream leather seats and burr walnut backs, 54cm wide 65cm deep 91cm high, seats 51cm high (7) £2,000 - 3,000

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193 Lot 190 An Art Deco rug, attributed to Jules Leleu, of shaped circular form, with a border of pink circles, centred with a buff ground, 360cm diameter £400 - 600 Lot 191 An Art Deco patinated bronze Ane Mon Colin mantel clock,

by M Paignant, the arched case cast with flowers and vases, centred with a convex enamelled dial inscribed ‘Ane Mon Colin. Paris’, with pierced coil hands, striking the half-hours, with a cast hexagonal pendulum, signed ‘M Paignant’ with foundry mark, 33cm high £800 - 1,200

Lot 192 An Art Deco maple cocktail cabinet, with a hinged revolving front, revealing rose-tinted glass and mirror-clad shelves with railing, 95cm wide 44cm deep 140cm high £1,000 - 1,500 Lot 193 An Art Deco cinema ceiling light, of octagonal form, with etched glass panels, centred with four lights, 51cm diameter 38cm high £400 - 600

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Art Deco figures by Josef Lorenzl Josef Lorenzl (1882-1950) was born in Vienna in 1882, where he later worked at a foundry at the Vienna Arsenal, learning the techniques of bronze casting. A gifted sculptor, he produced bronze, chryselephantine and ivory figures in the Art Deco style, and many of his best-known works are of the female form.

Lorenzl also worked with Goldscheider Pottery, Keramos Porcelain and Hertwig and Co. The dancer in this lot is believed to be the largest model that he produced.

Lot 194 Josef Lorenzl (Austrian, 1892-1950), ‘Scarf Dancer’, c.1930, a large Art Deco cold-painted bronze figure of a dancer, modelled with a scarf draped around her waist, raised on a green onyx plinth, signed ‘Lorenzl’ in the cast, 68.5cm high £10,000 - 15,000

194 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

94-257 ART DECO Lot 195 Ernst Seger (German, 1868-1939), an Art Deco carved alabaster figural table lamp, in the form of a nude female seated on a conch shell, on a rectangular base, with an engraved signature, 34cm wide 25cm deep 46cm high £800 - 1,200 Lot 196 An Art Deco marble centrepiece, modelled as a lady lying down with a borzoi dog, indistinctly signed, on a stepped, veined marble plinth, 62cm wide 22cm deep 40cm high £400 - 600

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Lot 197 An Art Deco walnut and bird’s-eye maple cocktail cabinet, in two parts, of demilune form with fluted cupboards, the top opening to reveal a fitted pink tinted glass interior, with two shelves, a mirrored slide, stuck, the base with a drawer and a shelf, 123cm wide 44cm deep 171cm high £3,000 - 5,000

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ART DECO 94-257 Lot 198 Albert Terry (French, c.1930) A lady and a cat etching with aquatint, signed in pencil 26 x 23cm, mounted and framed 60 x 44cm overall £150 - 200

Lot 199 An Art Deco maple dressing table,

by Maurice Adams, fitted with a large plate glass full height mirror, with a cylindrical light and shade, mounted to one side with a cabinet, opening to reveal four drawers with three shelves to the inside of the door, two glass shelves mounted in front of the mirror, labelled, 91cm wide 55cm deep 183cm high £1,000 - 1,500

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Lot 200 An Art Deco oak standard lamp, with a reed column, a square shelf, with canted corners over a square cushion plinth, on scrolled feet, 160cm high £150 - 200

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Lot 201 A large French Art Deco walnut sideboard, with a marble top, over a slight bow front with cupboards, mounted with an ebonised panel of deer, opening to reveal an oak-lined interior with drawers and shelves, flanked with further cupboards with shelves, with cast shaped handles, raised on an ebonised ‘moustache’ plinth, 220.5cm wide 54cm deep 105cm high £1,200 - 1,500

Lot 202 A pair of Lorenzl figures, 1930s, both gold painted metal, in the form of musicians, one of a man with a lute, one of a woman with a tambourine, mounted on onyx plinths, 26cm high (2) £400 - 600 Lot 203 An Art Deco-style side table, on chromed supports with a red glass top, 51cm diameter 49.5cm high £150 - 250

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Lot 204 An Italian black fold-over table, of demilune form on square tapering legs, brass mounts and sabots, 115.5cm wide 58cm deep 74cm high £300 - 500

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Lot 205 A William Moorcroft ‘Pomegranate’ vase, of inverted baluster form, on a blue ground, with impressed marks and green monogram signature, 16cm high £100 - 150

Lot 207 A William Moorcroft ‘Pomegranate’ vase, of meiping form, on a blue ground, with impressed marks, green monogram, and numbered ‘M72’, 19cm high £200 - 240

Lot 206 Two William Moorcroft ‘Pomegranate’ vases, each of inverted baluster form, on a dark blue base, both with impressed marks, one with green signature and one with blue monogram, 19cm high (2) £200 - 240

Lot 208 A William Moorcroft ‘Pomegranate’ vase, of inverted baluster form, on a blue ground, with impressed marks, green signature, and numbered ‘M17’, 22cm high £250 - 300

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Lot 209 A William Moorcroft ‘Pomegranate’, vase, on a blue ground with stamped marks and green signature to the underneath, 15cm high, and a William Moorcroft ‘Pomegranate’ miniature urn, of inverted baluster form, on a blue ground, with stamped marks and green monogram to the underneath, 9.5cm high (2) £100 - 150 Lot 210 A William Moorcroft ‘Pomegranate’ urn, with a blue ground, impressed marks and blue monogram, 16cm high £100 - 150

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Lot 211 A Berlin porcelain figure of two children, attributed to Max Esser, c.1929, incised No. 13668, underglaze mark, 12.5cm high £200 - 300 See Margarette Jarchow, ‘Berlin Porcelain in the 20th Century’, p.275 for a sketch - Löber.

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Lot 212 A porcelain figure of a monkey observing a ladybird,

by Heubach Gebrüder, printed and impressed marks, 20.5cm high £200 - 300

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Lot 213 A porcelain figure of a monkey, modelled by E Cleinow for Schwarzburger Werkstätten für Porzellankunst, seated on a plinth, incised ‘E Cleinow’ and printed and impressed fox marks, 24.5cm high £200 - 300 Lot 214 A small Goldscheider pottery wall mask calendar, No. 6880, modelled as a lady with black hair, on an orange mount, with perforated holes for a paper calendar, impressed number and printed marks, 11cm wide 12cm high £200 - 300

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Lot 215 A small Goldscheider pottery wall mask, No. 6774, modelled as a lady holding an apple, her hair in orange, her robe in turquoise, impressed number, 21cm high £200 - 300

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Lot 216 A Goldscheider pottery wall mask, No. 7950, modelled as a lady with flowing turquoise hair and eyes, orange lips and with a yellow beaded necklace, incised and printed marks, 24cm high £300 - 500

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Lot 217 A Goldscheider pottery wall mask, No. 6911, modelled as a lady with orange flowing hair and turquoise eyes, orange lips with a yellow scarf trimmed in turquoise, impressed and printed marks, with original silver label, 26.5cm high £300 - 500

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Lot 218 Demétre Chiparus (Romanian-French, 1886-1947), an Art Deco patinated bronze ‘Les Trois Filles’, signed ‘Chiparus’, on a marble plinth, 48cm wide 29cm high £1,500 - 2,000

Lot 219 An Art Deco gilt metal figure of a dancer, in a long flowing dress, on a stepped onyx plinth, unsigned, 30cm high £150 - 200

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Lot 220 An Art Deco burr walnut serpentine sideboard, the raised central cupboard, with a fluted bow front, opening to reveal a mirrored and shelved interior, with a glass side over a drawer, flanked with further cupboards enclosing a drawer and a shelf, raised on a ‘U’ shaped stand, 178cm wide 50cm deep 112cm high £2,500 - 3,000 Lot 221 An Art Deco gilt metal figure of a nude dancer, her arms aloft, on a marble socle plinth, unsigned, 38.5cm high £200 - 300 Lot 222 An Art Deco wall mirror, etched with latticing, mounted with a clock, 102 x 101cm, another similar, pink tinted, 121 x 116cm (2) £200 - 300

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Lot 223 An Art Deco walnut desk, the three-quarter gallery over three cupboards, the centre pair enclosing pigeonholes, over a pull-out writing surface with faux shagreen top, a drawer below and three further drawers, with vertical butterfly handles, 92cm wide 52cm deep 115cm high £350 - 550

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Lot 224 An Art Deco walnut octagonal display cabinet, with a glazed door flanked with clear glass panels, enclosing three glass shelves, on a wedge-shaped plinth, 112cm wide 28cm deep 126cm high £250 - 350

224 Lot 225 An adjustable chrome side table, after Eileen Grey, 51cm diameter 90cm high approximately £200 - 300

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Lot 226 An Art Deco Vitascope electric automaton clock, the black Bakelite case with silvered dial, below a window revealing a three-masted ship on stormy seas, 32cm high £200 - 300

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John Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.

His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.

He was also active as an illustrator for the women’s magazines ‘La Donna’ and ‘Cose’, and as an advertising designer for the fashion and perfumery sectors.

Lot 227 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a white fur coat with black trimming signed ‘Jo’, mixed media 29 x 21cm £200 - 300

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Lot 228 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a black evening gown holding a pink feather signed ‘John’ and numbered ‘920’, mixed media 46 x 32cm £200 - 300

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Lot 229 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a long black coat with a yellow chequered dress and a white hat signed ‘John’ and numbered ‘931’, mixed media 70.5 x 50cm £200 - 300

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Lot 230 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a checked two-piece suit signed and dated, inscribed ‘una giacca con effector gi quautetti la blouse nella gonna’ paper size 70.5 x 50cm £150 - 200

Lot 231 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a tuxedo jacket with a long black skirt, waistcoat and gloves. signed ‘John’ and numbered 931, mixed media paper size 70.5 x 50cm £200 - 300

Lot 232 *John Guida (Italian, 1897-1965) A Fashion Design - a lady in a blue chequered jacket and skirt ensemble signed ‘John’ and numbered ‘914’, mixed media 70.5 x 50cm £200 - 300

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Lot 233 An Art Deco hexagonal ceiling light, mounted with moulded and frosted glass panels depicting fledgling birds, the central dish moulded as a nest, each panel moulded ‘Muller Freres Luneville’, 60cm diameter 65cm high approximately £1,000 - 1,500

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Lot 234 Jules Leleu (French, 1883-1961), an Art Deco mahogany dining suite, comprising: a table, with ripple moulded panels and details, with sabots, signed, 220.5cm long 110cm deep 71.5cm high, eight chairs (6+2), armchairs 56cm wide 60cm deep 100cm high, seat 47cm high, singles 47.5cm wide 56cm deep 100c high, seat 47cm high, and a sideboard, with five ribbon moulded cupboards, with pierced gilt-bronze roundels, opening to reveal a blonde wood interior with shelves, the end cupboards each with five drawers, on sabots, signed and stamped ‘22498’, 285.5cm wide 52cm deep 97cm high (10) £6,000 - 8,000

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Lot 235 A pair of Art Deco walnut bedside cabinets, each with a slight bow front, with a drawer over a cupboard, enclosing shelves, 39cm wide 39cm deep 66.5cm high (2) £350 - 450

Lot 236 A pair of bistro tables, each with a circular top, later numbered, with embossed edge, a column support on a cast plinth, each cast ‘MD’, 60.5cm diameter 75cm high (2) £200 - 300

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Lot 238 A Heal and Son mahogany and satinwood bedroom suite, comprising: a dressing table, with a rectangular mirror, flanked by two drawers with glass tops, on an ebonised plinth, with ivorine label, 108cm wide 44cm deep 121cm high, a stool, on ebonised feet, 48cm wide 34cm deep 35cm high, a large wardrobe, the plain doors enclosing a hanging space and top shelf to the side, on ebonised feet, 91cm wide 51cm deep 181cm high, a small wardrobe, the doors enclosing a hanging space and shelves to the side, on ebonised feet, with glass top, with ivorine label in top drawer, 76cm wide 50cm deep 131cm high, and a bedside table, with shelf and storage compartment, on an ebonised plinth, 33cm wide 33cm deep 68cm high (5) £400 - 600

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Lot 237 A French marble and painted spelter clock garniture, the octagonal face, now painted silver, with blue hands, the case cast as a fruiting bundle held aloft by two seated nudes, on a two-colour marble plinth, on gilt pads, 38cm wide 31cm high, and a pair of garnitures, 28cm high (3) £300 - 500

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Lot 239 A Danish armchair, 1940s, with olive and machine embroidered upholstery, with turned supports and brass sabots, 65cm wide 70cm deep 80cm high, seat 43cm high £200 - 300

Lot 240 Louis Icart (French, 1888-1950) Allegories for the Four Seasons a set of four Art Deco hand-coloured etchings, all signed l.l., all editioned out of 100 l.r.

19 x 28cm (4) £800 - 1,200

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Lot 241 Louis Icart (French, 1888-1950) ‘Eve’ hand-coloured etching and aquatint of a reclining goddess, signed l.r., numbered 309, with the blind stamp of the artist, copyright and date in plate, published

by Jaubert, Paris 35 x 50cm £300 - 500

Lot 242 Louis Icart (French, 1888-1950) ‘Venus’ hand-coloured etching and aquatint of a reclining goddess, signed l.r., numbered 216 with the blind stamp of the artist, copyright and date in plate, published

by Jaubert, Paris 35 x 50cm £300 - 500

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Lot 244 A Paye & Baker Art Deco silver-plated teapot, c.1928, designed by Ilonka Karasz, of cylindrical form with fluted design, with a walnut handle and knob, 12.5cm high £700 - 1,000

243 Lot 243 An ivory-mounted silver bowl,

by Hukin & Heath, Birmingham 1931, of oval form with ivory-mounted handles, 23cm wide, 13.9ozt approximately £450 - 650

244 Best known for her designs for the covers of ‘The New Yorker’, Hungarian-American designer Ilonka Karasz was one of the 20th century’s first female design powerhouses, working in all forms of media including metalwork, ceramics, textiles, graphic and furniture design. This teapot marries together her early influences of Wiener Werkstätte, Bauhaus, and high Art Deco.

Lot 245 An archive of photographs, documents, pamphlets and books relating to David Burkle & Sons Ltd., cabinetmakers, shopfitters and furniture makers, Cabinet and Joinery Works, 34 Osnaburgh St. NW1, detailing the range of furniture made by the firm, together with a further collection of material relating to the architect and designers, Sidney Houghton OBE, contained in approximately twenty-five albums (qty.) £300 - 500

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Lot 246 An archive of photographs, documents, pamphlets and books, relating to David Burkle & Sons Ltd, cabinetmakers, shopfitters and furniture makers, Cabinet and Joinery Works, 34 Osnaburgh St. NW1, early 20th century and later, detailing works carried out on behalf of major architects and designers of the time, projects include: the Private Offices and Pullman car of Mr Henry Ford, the Art Deco refit of Eltham Palace, the Berkeley Hotel, Gatwick Airport, London Heathrow, the Bank of England and others, all contained in albums (qty.) £300 - 500

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Lot 247 *George Frederick Morris Harding (1874-1964), a prowling panther, patinated bronze, signed ‘Morris-Harding 1925’, on a marble plinth, 36.5cm wide £800 - 1,200

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Lot 248 An Art Deco burr walnut drinks cabinet, of rectangular form, with two drawers, a pair of doors opening up to a mirrored interior with bottle racks, with faux ivory mounts, 87cm wide 38cm deep 122cm high £200 - 400

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Lot 249 *Éric Bagge (French, 1890-1978) Designs for monuments for victims of the Holocaust two, labelled ‘Eric Bagge et Henri Durand Architectes 3D Faillet…’, pencil and watercolour 47.5 x 61.5cm and 70.5 x 50.5cm (2) £300 - 500 An architect as well as an interior designer, Eric Bagge designed furniture, wallpaper, fabrics, accessories, jewellery and silver. His furniture was produced in precious woods in geometric motifs inspired by cubist art.

For the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, he designed the Hall of Jewellery at the Grand Palais and the bedroom and bath of the French Ambassade, as well as exhibitions for Les Gobelins and Beauvais. A member of the Groupe des Architectes Modernes and of the Societe d’Encouragement a l’Art et l’Industrie, he designed furniture for La Maitrise, Saddier Frères, Mercier Frères, and Dennery.

249 part lot Lot 250 An Art Deco burr walnut cocktail cabinet, in two sections, the lower half with a pair of doors opening on to bottle racks, the upper half with a pair opening to a mirrored interior with glass shelves and an extending serving board, with faux ivory fittings, 106cm wide 52cm deep 170cm high £700 - 900 Lot 251 French School, c.1925 ‘L’Homme Chic’ five men’s winter fashion pochoir prints, published

by Kossuth, blind-stamped to each l.r., ‘L’Homme Chic a Paris’ 24.4cm wide 32cm high (5) £200 - 300

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Lot 252 An Art Deco chrome cheval mirror, with a bevelled edge plate, on castors, 46cm wide 146cm high £200 - 300

Lot 253 An Indian marble pietra dura coffee table, of octagonal form, with a moulded edge, inlaid with a border of coloured inlays and mother-of-pearl, centred with a circular panel, 92cm diameter 46cm high £300 - 500

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Lot 254 An Art Deco oak side table, in the chinoiserie style, with three tiers, the centre of quadrilobed form, each support with a white painted hoop to the top, on ball feet, 68cm wide 71cm high £250 - 400

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Lot 255 A model ‘Riva Super Aquarama’ launch,

by Authentic Models BV, on a wood stand, 65cm long £200 - 300

Lot 256 Josef Lorenzl (Austrian, 1892-1950), a cold-painted bronze figure of a dancer, signed ‘Lorenzl’, on an onyx plinth, 30.5cm high £1,500 - 2,000

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Lot 257 A pair of Art Deco-style walnut stools, each with book matched backs, with circular cream leather seats, with piped details, 58cm wide 51cm deep 121cm high, seat 86cm high (2) £300 - 500

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it started with a click London couple furnish house in lockdown auctions

For Rosie Millard, writer and broadcaster, it started with a Google search for ‘mid-century light’.

She and her partner were moving to a Georgian town house in North London and refurbishment plans were forming. ‘I knew I didn’t want to buy new and the architects we were working with suggested lighting that in my eyes was too typical of things used by bars and cafes over the last decade. I particularly liked the Mid-Century look so that’s where it began.’

The search engine took Rosie to a ceiling light by Sciolari listed for sale in an upcoming Sworders’ Design auction. It was just the look she had in mind and the estimated price was agreeable. A second search took her to a biography of Gaetano Sciolari (1927-1994), the owner of Sciolari Lighting and designer for the Italian manufacturer Stilnovo in the 1950s. She was hooked.

It was lockdown and we all had a little extra time on our hands. Rosie had begun by creating mood boards, often taking inspiration from the pages of World of Interiors, Elle Decoration and Country Life.

‘I would spend hours creating my wish lists then would research the names of designers. I really enjoyed that.’

‘Amazingly, there were no unpleasant surprises. I didn’t worry too much about measurements, but surprisingly everything fitted perfectly, probably because I was furnishing an empty house,’ she beams. The circular orange, brown and beige wool carpet, designed by Verner Panton in 1970, makes a real statement. It was bought in October at £800 and is the perfect size. The brutalist Syroco mirror above could have been designed for the space it inhabits.

Managing a budget, Rosie chose to mix ‘investment’ pieces such as this, by leading makers and designers, with more budget-conscious furnishing items that helped achieve the right look. The set of rosewood dining chairs in the kitchendiner are the apogee of Danish style seminal designs by Johannes Andersen for Bernhard Pedersen & Son. The two elbow and four single chairs, all retaining their original upholstery, were the couple’s most expensive single purchase at £2,000.

However, the walnut table they sit around - made by the Virginia firm Lane Altavista was secured with a bid of just £150. Rosie deems it her best buy.

‘I would spend hours creating my wish lists then would research the names of designers. I really enjoyed that.’

Part of her research was to compare objects and prices available from retailers and those at other auction houses. She decided to focus on Sworders’ Design sales. ‘I like the price points at Sworders and I like that the sale catalogues are “curated” with all the Mid-Century items placed together.’ It allowed Rosie to visualise the pieces in her home, make judgments about which would sit well together and offered suggestions on accent furnishings. Alongside the Sciolari light (£520) Rosie added a brutalist giltwood resin wall mirror by Syroco (£650) and colourful glass bowls and vases by Whitefriars and Murano.

Buying at auction was unfamiliar. ‘Before lockdown I had never purchased items to furnish my home at auction,’ said Rosie. ‘I had bought houses at auction but not art, antiques or collectables.’

Covid restrictions meant that the doors were closed to public, but - with the help of new technology - this was seldom an impediment to purchasing.

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‘Viewing the items in person was not an option but I then suppose I didn’t know any different,’ Rosie muses. On sale day I chose to bid live through the Sworders’ website and I arranged collection myself from Sworders’ auction room.

The whole experience was just so easy,’ said Rosie.

She found her auction purchases blended seamlessly with some contemporary furnishings the couple were keen to own. For example, the brass and steel brutalist table lamp by Maurizio Tempestini (bought for £260) in the loft room has a shade by the Monkey Puzzle Tree, a Leeds-based company with a strong social conscience that seeks to support local artists and manufacturers.

It all makes for a home that is bursting with style and personality. Proof that whether your taste is for Victorian aestheticism or post-war Scandinavian design, decorating your house with period furnishings could be just a few clicks away.

Rosie Millard OBE is a British journalist, writer and broadcaster.

She is Chair of BBC Children in Need and Chair for Firstsite gallery in Colchester.

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DAY 2

Modern Design / Studio Ceramics, Works of Art, Furniture and Lighting

THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 258-310

Lot 258 *Robert Johnson Washington (1913-1997) a tall stoneware vase, of tapering waisted form with painted brown figures, impressed monogram ‘RJW 81’, and inscribed ‘1132’, 60cm high £600 - 800

Lot 259 *Robert Johnson Washington (1913-1997), a tall stoneware vase, of tapering waisted form with painted brown figures, impressed monogram ‘RJW 81’, and inscribed ‘1019’, 58cm high £600 - 800

Lot 260 *Bernard Charles (b.1930) a stoneware bowl, with a rippled rim with a banded grey glaze, incised with fish designs to the inner bowl, the outside with vertical designs, incised artist’s monogram, 36.5cm diameter £150 - 200

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258-310 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY

Lot 261 *Michael Cardew (1901-1983) a stoneware dish, with a combed central decoration, impressed artist’s monogram and Wenford Bridge mark, 28.5cm diameter £100 - 150

261 263 Lot 262 *Jim Malone (b.1946), a stoneware vase, of shouldered form with vertical ribbed decoration, impressed artist’s mark and Ainstable stamp, 21.5cm high £150 - 200

Lot 263 *Mike Dodd (b.1943) a stoneware squat vase, with a trailing crackle glaze, impressed artist’s monogram, 20.5cm high £150 - 250

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Lot 264 *Phil Rogers (b.1951) a stoneware bottle vase, with a facet body, a trailing glaze with impressed latticework, impressed artist’s monogram, 38cm high £200 - 300

Lot 265 *Mike Dodd (b.1943) and Phil Rogers (b.1951), five stoneware yunomi, with facet and impressed details, impressed artists’ monograms, 9 to 10.5cm (5) £150 - 250

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 258-310 Lot 266 *James Campbell (b.1942) a bottle vase, decorated with a view of a coastline with a church, opposite a similar view with a boat, of oval form with rounded shoulders with lug handles and a narrow neck, incised ‘Campbell M 10:10’ and impressed artist’s monogram, 35cm high £400 - 600

Lot 267 *William Marshall (1923-2007) a stoneware bowl, with a facet body, with a grey glaze and turquoise streaks, impressed artist’s monogram, with old exhibition number labels, 25cm diameter £200 - 300

266 267 Lot 268 *Marcio Mattos (b.1946), a stoneware slab built jug, in a mottled blue glaze, incised signature, 35.5cm high, and a large stoneware slab built vase, with an ochre vertical band, incised signature and with artist’s label, 51.5cm high (2) £150 - 250

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Lot 269 *Mike Dodd (b.1943) a large stoneware vase, with lug handles, incised shoulder band with a part facet body, in a two-tone glaze, glaze filled artist’s monogram, 36.5cm high £250 - 350

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258-310 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 270 *Micki Sclossessingk (b.1949) two stoneware vases, with brushed and incised bodies, impressed artist’s monograms, 23.5 and 21.5cm high (2) £140 - 180

Lot 271 *William Marshall (1923-2007) a stoneware bottle, of cylindrical triangular form, with a trailing cream glaze over a blue/ grey ground, impressed artist’s monogram with a Leach Pottery seal, 27.5cm high £250 - 350

271 270

Lot 272 *Julian King-Salter (b.1954), a hand-built vase, of flattened mallet form with a fish tail neck, in turquoise with purple and green flecks, impressed artist’s monogram and incised ‘E4’, 36.5cm high, and a squat vase, in mottled blue and turquoise glazes, impressed artist’s monogram and incised ‘D129’, 19cm high (2) £150 - 200

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273 Lot 273 *Dan Kelly (b.1951), a black stoneware vase, of tapering form with an inverted rim, with a thumb impression, with a cream glaze, unmarked, 27.5cm high £200 - 300

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Lot 274 *Dan Kelly (b.1951), three white glazed stoneware vases, unsigned, 13.5cm, 12cm and 9.5cm high (3) £200 - 300

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 258-310 Lot 275 *Micki Schloessingk (b.1949), thirteen salt-glazed stoneware items, to include vases, dishes and a vase, impressed artist’s monogram (13) £150 - 200

275 Lot 276 *Ursula Mommens (1908-2010) a stoneware vase, with a trailing tenmoku glaze, impressed artist’s monogram, 29.5cm high £120 - 180

Lot 277 *Dan Kelly (b.1953), a large black stoneware vase, of tapering form with pinched, impressed and pierced details, and a trailing white glaze, with an inverted rim, unmarked, 77cm high £300 - 500

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Lot 278 *Mark Griffiths (b.1956), a handled bowl, with a flecked glaze and brushed designs, impressed artist’s monogram, 39.5cm diameter £100 - 150

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278 Lot 279 *David Leach (1911-2005), a bowl, with a grey powdered glaze, incised with feather designs, impressed artist’s monogram, 28cm diameter, and a vase, of tapering waisted form, with a dark brown glaze with vertical stripes, impressed artist’s monogram, 27.3cm high (2) £140 - 180

280 Lot 280 *Poh Chap Yeap (Chinese-British, 1927-2007), a stoneware vase, in a tenmoku glaze with nuka-like poured decoration, painted signature, 32cm high, a stoneware charger, in a celadon glaze, with brush strokes to the centre, painted signature, 38cm diameter, a stoneware bowl, with brush strokes to the centre, painted signature, 33.5cm diameter (3) £150 - 250

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

258-310 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY

Lot 281 *Bernard Charles (b.1930). a stoneware vase, with incised horizontal bands and glaze, the inside with a sprayed manganese glaze, with a pinched rim, artist’s incised monogram, 21cm high £150 - 200

Lot 282 *Reginald Wells (1877-1951), a stoneware vase, with a trailing blue glaze, impressed ‘Soon’, 26cm high £100 - 150

281 282 Lot 283 *Marcio Mattos (b.1946), a stoneware squat vase, with a simple trailed glaze, artist’s label, 29.5cm diameter, and a stoneware slab-built censor, incised artist’s monogram, 30cm wide (2) £140 - 180

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Lot 284 *Bernard Charles (b.1930), two stoneware vases, each with a mushroom and grey glaze, a tall arrow head form, incised with a spiral vortex, incised with artist’s monogram, 45cm high, a globular vase, incised with fish, incised with artist’s monogram, 22cm high (2) £120 - 150

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Lot 285 *William Marshall (1923-2007), a large stoneware jug, with a flat-combed body, incised artist’s monogram, 41cm high £300 - 500

Lot 286 *Patrick Sargent (1956-1998), a stoneware bowl, with a pooled green glaze, with thumb impressions, unsigned, 28cm diameter £120 - 180

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 258-310

Lot 288 *Julian King-Salter (b.1954), a handbuilt vase, with a shouldered triangular neck, with a brushed and trailing blue glaze, impressed rope mark and incised ‘A140’, 41.5cm high £150 - 200

287 Lot 287 *Marcio Mattos (b.1946), a stoneware vase, of tapering form with a square inverted unfinished rim, with brushed vertical bands, with artist’s label, 30.5cm high, and a low stoneware bowl, of discus form, with a blue glaze, the inside mushroom-coloured, with artist’s label, 27cm diameter (2) £200 - 300

Lot 289 Suleyman Saba (Australian, contemporary), two fine stoneware items, a vase and a bowl, with a contrasting celadon and black glaze, impressed artist’s monogram, 26.5cm high and 20.5cm diameter (2) £120 - 180

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289 Lot 290 *Micki Schloessingk (b.1949), a stoneware vase, with a facet body with a trailing lustrous green glaze, impressed artist’s monogram, 22cm high £120 - 150

290

Lot 291 *Marcio Mattos (b.1946), a stoneware slab-built vase, of tapering form with a two-tone body, with an ochre circle, incised artist’s monogram, 33.5cm high £100 - 150

291 Lot 292 *Patrick Sargent (1956-1998), three stoneware vases, with slip trailed glazes and incised details, all unmarked, 25cm, 24.5cm and 24cm high (3) £200 - 300

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258-310 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY Lot 293 *Dan Kelly (b.1953), a large stoneware black and bronze slip-glazed vase, with a rough cut rim, of slight waisted form, a vertical inclusion and impressing, unmarked, 67cm high £300 - 500

Lot 294 *Phil Rogers (b.1951), two stoneware yunomi, both impressed with artist’s monogram, 8cm and 6.5cm high, and a stoneware bottle vase, impressed with artist’s monogram, 15cm high (3) £150 - 200

Lot 295 *Jim Malone (b.1946), a stoneware bottle vase, with a facet body, and a trailing tenmoku glaze, impressed artist’s monogram and Ainstable stamp, 34.5cm high £200 - 300

294 293

295 Lot 296 *Poh Chap Yeap (Chinese-British, 1927-2007), four stoneware vases, a bulbous vase, with tenmoku glaze, signed, 20.5cm high a stoneware vase, with a mushroom glaze and an with olive slip decoration, signed, 22.5cm high a slab vase, with a part tenmoku glaze, signed, 19cm high, and a mallet shaped vase, with a tenmoku and green trailing glaze, signed, 24cm high (4) £250 - 350

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Lot 297 *Ursula Mommens (1908-2010) a large stoneware vase, of shouldered form, with a tenmoku trailing glaze, impressed artist’s monogram, 21.5cm high, and a stoneware vase, with a trailing mushroom glaze, with a low rim, impressed artist’s monogram, 27.5cm high (2) £140 - 180

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Lot 298 *Dan Kelly (b.1953), a black stoneware vase, of cylindrical waisted form, with a pinched rim, unsigned, 24.4cm high £200 - 300

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THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 258-310

Lot 299 *Jim Malone (b.1946), a stoneware jug, with a trailing milk glaze, with thumb details, impressed artist’s monogram and Ainstable mark, 35cm high £200 - 300

Lot 300 *Jim Malone (b.1946), a stoneware jug, of tapering form with a trailing green/brown glaze, with combed details, impressed artist’s monogram and Ainstable mark, 33.5cm high £200 - 300

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Lot 301 *Julian King-Salter (b.1954) a hand-built vase, of oval form, with a slender neck with a fishtail rim, with panelled glazes, impressed artist’s monogram and incised ‘H21’, 52cm high £150 - 200

Lot 302 *John Higgins (b.1947), a slab-built vase, of elliptical form with additional slab ‘sails’, in a white, yellow and peach glaze, impressed ‘IH’, 31cm wide 24.5cm high £150 - 250

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303 Lot 303 *Katharine Pleydell-Bouverie (1895-1985), a stoneware vase, with combed decoration, incised ‘233’ and with impressed artist’s monogram, 16.5cm high, and a stoneware vase, with a spiral combed decoration, with impressed artist’s monogram, 11.5cm high (2) £100 - 150

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304 Lot 304 Micki Sclossessingk (b.1949), three salt-glazed stoneware yonomi, largest 8.5cm high, two stoneware bowls, 5.5cm high, and Phil Rogers (b.1951), a stoneware yonomi, 8.5cm high all with impressed artists’ monograms (6) £150 - 200

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

258-310 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY

Lot 305 William Marshall (1923-2007) and Phil Rogers (b.1951), two stoneware coffee pots and covers, with trailing glazes, with impressed artists’ monograms, 16 and 16.5cm high (2) £150 - 200

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Lot 306 *Julian King-Salter (b.1954), a hand-built vase, with a brushed and spotted glaze, impressed monogram and incised ‘D66’, 35cm high, and another vase, with a pinched rim and body, in mottled blue glazes, impressed artist’s mark and ‘M157’, 27cm high (2) £150 - 250

Lot 307 *William Marshall (1923-2007), a stoneware coffee pot and cover, with a cream brushed glaze, impressed artist’s monogram, 16.5cm high £200 - 300

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Lot 308 *Jim Malone (b.1946), a stoneware jug with a black tenmoku glaze and combed vertical lines and incised details, impressed with artist’s monograms and Ainstable mark, 27cm high £150 - 250

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Lot 309 *Mike Dodd (b.1943), a large stoneware vase, of ovoid form with a flared rim, with a trailing glaze, impressed artist’s monogram, 37cm high £200 - 300

310 Lot 310 *Julian King-Salter (b.1954), a hand-built vase, with layered glazes of blue and orange on a buff ground, impressed artist’s seal within a coil, incised ‘B94’, 46cm high £150 - 200

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MODERN DESIGN & LIGHTING 311-700

Lot 311 *Simon Carroll (1964-2009), an earthenware jug, 2002, with a spiral incised body, a waffle impressed neck and a scrolled pink handle, on a raised lower section, in brown and pink trailing glazes, with a painted artist’s monogram ‘SPC’ and dated, 39cm high £300 - 500 Exhibited: ‘ Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

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Lot 312 *Simon Carroll (1964-2009), an earthenware jug, 2002, with a spiral incised body a pinched spout and a scrolled pink handle, on a raised foot, in green and pink trailing glazes, with a painted artist’s monogram ‘SPC’ and dated, 38.5cm high £300 - 500 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

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Lot 313 *Simon Carroll (1964-2009), three earthenware yunomi, each hand-built with impressed designs, with yellow/cream, purple and white glazes, signed with artist’s monogram and dated 2003 and 2004, 12.5cm, 10.5cm and 8cm high (3) £250 - 350 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

311-700 MODERN DESIGN AND LIGHTING

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Lot 314 *Simon Carroll (1964-2009), an earthenware slab-built vase, 2003, of square section, with incised details, with a trailing brown glaze, with pink and brushed details, on four prong feet, painted artist’s monogram and dated, 42.5cm high £300 - 500 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

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Lot 315 *Simon Carroll (1964-2009), an earthenware slab-built vase, 2003, with a square cylindrical body, with brown and pink trailing glazes, on four prong feet, with a painted artist’s monogram ‘SPC’ and dated, 41cm high £300 - 500 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

Lot 316 *Simon Carroll (1964-2009), an earthenware vase, 2004, of square section, with incised and pierced details with hand modelling, with a trailing light brown and pink glaze, on four prong feet, painted artist’s monogram and dated, 42.5cm high £300 - 500 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

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Lot 317 *Simon Carroll (1964-2009), a massive stoneware slab-built vase, 2005, of square section, with a pinched rim, thumb impressed and incised details in a brown, cream glazes, with brushed motifs, unmarked, 61cm high £600 - 800 Exhibited: ‘ Simon Carroll: New Ceramics’, Tate St Ives, 2005-06.

In 2004, Carroll rented a disused Nissen hut on an old airfield near Padstow, where he prepared for an exhibition at Tate St Ives, the series featuring pots of immense proportions.

Lot 318 *Simon Carroll (1964-2009), an earthenware ewer, 2007, slab-built with a pinched spout, scrolled details, over a squat globular body, with a brown glaze, the lower section in white with brushed details, painted artist’s monogram and dated, 30cm high £300 - 500 Exhibited: ‘Simon Carroll: Expressionist Potter’, V&A and Ruthin Craft Centre, 2015.

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311-700 MODERN DESIGN AND LIGHTING Lot 319 *Alan Caiger-Smith (1930-2020) Genii Cucullati or The Hooded Spirits signed and inscribed on backboard ‘A.Caiger-Smith, King’s College, Cambridge’, watercolour 33 x 44.5cm £400 - 600 Provenance: P rivate collection, Suffolk.

In 1949, Caiger-Smith took up a scholarship at King’s College, Cambridge, to study history, switching to English. He continued to draw and paint whilst studying and sold his work.

The ‘Genii Cucullati’ is a carving displayed at Housesteads Roman Fort, on the Hadrian’s Wall and depicts cloaked figures from the early 3rd century. It is unclear of their significance, but possibly fertility figures, often seen in Romano-Celtic sculpture from this time.

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Lot 320 A collection of modern studio ceramics books, Lucie Rie, Hans Coper et al (qty.) £100 - 150

Lot 323 ‘The Wood-engravings of John O’Connor’, with commentary by Jeannie O’Connor, The Whittington Press, 1989 £100 - 150

Lot 321 A collection of modern studio ceramics books, catalogues and exhibition booklets (qty.) £100 - 150

Lot 324 Five books on art and engraving, Robert Gibbings, ‘Sweet Thames, Run Softly’, two copies, 1941 and 1946, Henry Warren, ‘Adam was a Ploughman’, Thomas Balston, ‘English Wood-Engraving 1900-1950’, 1951, ‘A Clowder of Cats’, Westhouse, 1946 (5) £100 - 150

Lot 322 A collection of books relating to studio ceramics, including ‘A Potter’s Book’ by Bernard Leach, second edition, and further books about Bernard Leach and Shoji Hamada (14) £100 - 150

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322 www.sworder.co.uk

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Lot 325 *A silver-gilt ‘Surprise’ present,

by Stuart Devlin, London 1979, modelled as a rectangular textured box, with a ribbon on the top, revealing a man in a top hat and tails holding up a holly bouquet, numbered ‘430’, 7cm high £200 - 300 Lot 326 A silver four-branch candelabra,

by Garrards, Birmingham 1978, with three sconces mounted on ‘S’ shaped reeded supports, the fourth sconce mounted on the central tapering plinth, 11.5cm high, 11.5ozt approximately £200 - 300 Lot 327 A modernist sterling silver vase or ewer,

by Brandimarte, Florence, of slender tapering form, with a cut neck and a pinched rim, stamped marks, 44.3cm high, 22ozt approximately £400 - 600

Lot 328 *A matched silver-gilt condiment set,

by Stuart Devlin, London 1969, 1972 and 1974, comprising: a pair of salts and spoons, of circular form, with dished centres, with bark sides, 6cm diameter, a pair of pepperettes, of cylindrical form with bark collars, 8.5cm high, and a salt and pepper, of tapering form with bark banding, 8.5cm high (6) £300 - 500 Lot 329 *A silver-gilt novelty ‘Surprise’ Easter egg,

by Stuart Devlin, London 1972, No. 223, with a vermiculated shell, opening to reveal a sprung jester bursting through a drum, 7.5cm high £200 - 300

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311-700 MODERN DESIGN AND LIGHTING

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332 Lot 330 A Whitefriars’ ‘Totem’ glass vase, designed by Geoffrey Baxter, No. 9671, in tangerine, 26.5cm high, and a ‘Mobile’ or ‘Calculator’ glass vase, in tangerine, 16.5cm high (2) £150 - 250 Lot 331 A Whitefriars’ ‘Drunken Bricklayer’ vase, designed by Geoffrey Baxter, in tangerine, 21.5cm high, and a ‘Knobbly Range’ glass vase, in streaky green, No. 9609, designed by William Wilson and Harry Dyer, with Whitefriars’ label and numbered, 17.5cm high (2) £200 - 300

www.sworder.co.uk

Lot 332 A Mdina Glass ‘Fish’ vase, dated 1975, designed by Michael Harris, the central compressed globe and shaft section decorated with pale streaking with a blue and green ground, etched ‘Mdina’ signed and dated, also with label ‘Made in Malta’, 27.5cm high £200 - 300 Lot 333 An iridescent glass vase, dated 1980, of slender form with iridescent and feathered panels, with a trumpet neck, on a circular foot, etched ‘V450-108 1980’, 35.5cm high £100 - 150

Lot 334 A contemporary Desiree Hope art glass ‘Fossil’ vase, dated 2009, in white and black, with a silvered edge, on a low foot, etched ‘Desiree ‘09’, 14cm high £100 - 150

333

Founded by Peter Layton in 1976, London Glassblowing is one of Europe’s most prominent studio glass galleries and longest running hot-glass studios.

Louis Thompson is an artist who has worked with glass for over thirty years. During his career, he has taught and worked internationally, as well as being invited to create installations for various museums.

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Founded by Peter Layton in 1976, London Glassblowing is one of Europe’s most prominent studio glass galleries and longest running hot-glass studios.

Hanne Enemark graduated from the Royal College of Art and has represented Denmark at the European Glass Context in the Emerging Artist category. She has also worked with Louis Thompson, an artist who has worked with glass for over thirty years.

During his career, he has taught and worked internationally, as well as being invited to create installations for various museums.

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336 Lot 335 *Louis Thompson (contemporary), London Glassblowing Studio, ‘DNA Markers: Thermodynamic Cold’, blown glass, with engraved signatures, 31 and 36cm high (2) £300 - 500 Lot 336 *Louis Thompson (contemporary), London Glassblowing Studio, ‘DNA System Allel 2 TPOX’, blown glass, with engraved signatures, 27.5, 32 and 22.5cm high (3) £300 - 500 Lot 337 *Louis Thompson (contemporary), London Glassblowing Studio, ‘DNA System Allel 2 TPOX’, blown glass, with engraved signatures, 19.5, 34 and 31cm high (3) £300 - 500

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Lot 338 *Hanne Enemark and Louis Thompson (contemporary), London Glassblowing Studio, ‘Extracted Ununoctium 118’, blown glass, with engraved signatures, 37 and 33cm high (5) £400 - 600 Lot 339 *Hanne Enemark and Louis Thompson (contemporary), London Glassblowing Studio, ‘Penumbra’, blown graduated yellow to clear glass, engraved signature, 24.5cm high £300 - 500 Lot 340 *Hanne Enemark and Louis Thompson (contemporary), London Glassblowing, ‘Penumbra’, blown in graduated amethyst to clear glass, engraved signature, 34cm high £300 - 500

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340 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 341 An Hille coffee table, with a trapezoid shaped top, raised replacement turned supports, labelled, 75cm wide 49cm deep 49cm high £150 - 200 Lot 342 A ‘Sierra’ teak sideboard, 1970s, G Plan, with a pair of doors opening on to one shelf, with three drawers, a forward-folding bar cabinet with internal shelving, 206cm wide 46cm deep 80cm high £200 - 300

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342

Lot 343 A carved and lacquered table lamp,

by Christian Wallis, signed, 38cm wide 34cm high £200 - 300 Lot 344 A plaster bust, of Lady Coburn, modelled wearing her hair in a bun, 40cm high £200 - 300 Lot 345 A contemporary ash and Indian rosewood dining table, designed by Andrew Varah (1945-2012), with a rectangular top with inlaid panels, the corners cut exposing the concave columnar supports, signed with triangular monogram, 183.5cm wide 78cm deep 74cm high £350 - 450

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700

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Lot 346 Two English handwoven rugs, each of brown striped design, one signed, 89 x 153cm and 89 x 242cm (2) £200 - 400 Provenance: T he Estate of Fiona MacCarthy (1940-2020).

Lot 347 A ‘Tecta’ Range settee, designed by Eric Lyons and G A Jenkins, for Packet Furniture Ltd., reupholstered, 118.5cm wide 68cm deep 80cm high, seat 35cm high £700 - 900

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Lot 348 *Vanessa Pooley FRBS (b.1958), a reclining figure, signed and numbered 6/19, with artist’s monogram, a marble patinated bronze, 25.5cm wide 21cm high £1,000 - 1,500 Lot 349 An Eames ‘DAX’ upholstered chair, for Herman Miller with a fibreglass shell, 63cm wide 56cm deep 83cm high, seat 45cm high £150 - 250

348 Lot 350 A set of six modern stacking chairs,

by Howe, each with maple-veneered backs and seats, on chrome supports, 45cm wide 52cm deep 76.5cm high, seat 45cm high (6) £200 - 300

350 part lot Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

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351 352

Lot 351 A George VI wall-mounted postbox, the letter aperture cast with ‘Post Office’, with front and rear door, 35cm wide 38.5cm deep 85cm high £200 - 300 Lot 352 An industrial stool, with a brown Rexine oval seat, on cast aluminium legs, 53cm high £150 - 250

354

Lot 353 An English oatmeal-coloured handwoven rug, 98 x 480cm £200 - 400 Provenance: T he Estate of Fiona MacCarthy (1940-2020).

Lot 354 *Clifford Ellis (1907-1985) Abstract composition in orange and grey lithograph in colour, unsigned 76 x 59cm £100 - 200 Lot 355 *Ian Marshall (1933-2016) ‘Tunnel Refineries - Greenwich’ coloured screenprint, published 1973 64.5 x 40.5cm, and two further abstract screenprints, signed l.l., and dated 1968 l.r.

43 x 67cm (3) £150 - 250

www.sworder.co.uk

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Lot 356 *John Hoskin (b.1921), ‘Creature’, unsigned, welded steel, 64cm wide, with Bonhams’ sale catalogue, 1997 (2) £200 - 300 Provenance: Bonhams Knightsbridge, 1997, lot 120; with Gillian Jason Gallery; The Trevor Coldrey Collection.

356

Lot 357 A G Plan ‘Librenza’ sideboard, 1950s, by E Gomme, now painted midnight blue, with a glass top over three drawers, the centre fitted with a baize-lined cutlery drawer, the two bi-folding cupboards mounted with ‘Tema e Variazioni’ wallpaper, designed by Piero Fornasetti, manufactured by Cole & Son, now discontinued, on sputnik legs, with brass caps, labelled, 149cm wide 46cm deep 86.5cm high £1,200 - 1,500

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311-700 MODERN DESIGN AND LIGHTING Lot 358 A teak fold-over side table, designed by Sir Terence Conran, the plain top over two drawers, with recessed brass handles, 114cm wide 61cm deep 74cm high £400 - 600 Illustrated in Dennis and Barbara Young, ‘Furniture in Britain To-day’, No. 156.

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Lot 359 An eight-setting Mappin & Webb cutlery canteen, 1960s, stainless steel with curved ebony handles, comprising; 8 dinner forks, 8 dinner knives, 8 dinner spoons, 8 dessert forks, 8 dessert knives,

8 dessert spoons, 8 pairs of fish cutlery, 4 serving spoons, a carving fork, a carving knife, and a sharpening steel, in a two-tiered mahogany canteen, internally lined in green fabric (79) £300 - 500

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360 part lot

www.sworder.co.uk

Lot 360 A Gordon Russell mahogany bedroom suite, comprising: a dressing table, with a triptych mirror, with three drawers, all with brass handles, 120cm wide 46cm deep 131cm high, a cheval mirror, 58cm wide 145cm high, two chests, one with three drawers, one with six, both with brass handles, 84cm wide 46cm deep 72cm and 115cm high, and two wardrobes, with two doors each, each opening on to a hanging rail, 106cm wide 61cm deep 176cm high (6) £400 - 600

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Lot 361 A pair of Eames ‘EA105’ chairs, designed by Charles and Ray Eames in 1958, also called the ‘Aluminium Chair’, manufactured by Vitra, chrome-plated die-cast aluminium, upholstered in black leather, 54cm wide 56cm deep 85cm high, seat 46cm high (2) £1,200 - 1,500

Lot 364 A brutalist circular centre table, with a blue leather-mounted circular top, raised on chrome cylindrical supports, 122cm diameter 76cm high £300 - 500

Lot 362 A pair of Eames ‘EA105’ chairs, designed by Charles and Ray Eames in 1958, also called the ‘Aluminum Chair’, manufactured by Vitra, chrome-plated die-cast aluminium, upholstered in black leather, 54cm wide 56cm deep 85cm high, seat 46cm high (2) £1,200 - 1,500

Lot 365 A pair of Arkana mirror top tables, each with circular mirror tops, raised on powder-coated stands, each with cast weights to the undersides, cast ‘Arkana 12’, 44.5cm diameter 39cm high, and an Arkana oval table, with a white top, cast weight to the underside ‘Arkana 15’, 75cm wide 50cm deep 39cm high (3) £200 - 400

Lot 363 A stoneware table lamp base,

by Bernard Rooke (b.1938), of flattened circular form, with cylindrical impressions both sides and further designs, on a buff ground, signed with initials, 40cm high overall £200 - 300

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311-700 MODERN DESIGN AND LIGHTING Lot 366 A G Plan teak coffee table, with a square smoked glass top, raised on a bowed frame, with a slatted undertier, 79cm wide 71cm deep 41.5cm high £150 - 200 Lot 367 A Leabank machinist’s chair, 1950s, on a revolving stand, 41cm wide 40cm deep 83cm high, seat 53cm high £100 - 200

366

Lot 368 A five-piece English willow conservatory suite,

by Marston & Langinger, comprising: a two-seater settee, 108cm wide 68cm deep 82cm high, seat 45cm high, a pair of tub armchairs, 76cm wide 67cm deep 86cm high, seat 41cm high, and two side tables, 52 and 53cm diameter (5) £400 - 600

367

Lot 369 *A reclaimed wood settle, designed and constructed by Andrew Holmes, 109cm wide 63cm deep 112cm high £300 - 500

368

In 1974, Andrew Holmes began making assemblages from materials found on demolition sites in Stoke-on-Trent, using original colour and patination.

In the early 1980s, he began to concentrate on more functional pieces of furniture and clock cases, as well as exterior landscaped work in brick, stone and tiles.

In the past, he has exhibited in major galleries in London and Manchester, but for the past ten years, he has sold most of his work by private commission.

Lot 370 *Edla Spencer-Churchill, Duchess of Marlborough (b.1968), a stoneware figural sculpture, unsigned, 32.5cm high £200 - 300

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MODERN DESIGN AND LIGHTING 311-700 Lot 371 A pottery jar and cover, modelled as an Asian head, by Lindsay B, 1984, moulded marks, 31cm high £150 - 250 Lot 372 *Nicholas Rena (b.1963), a ceramic form with water-gilded gold leaf, 54cm wide 28cm deep 26cm high £300 - 500 Born in 1963, Nicholas Rena was educated at Eton College where he studied art under the ceramicist, Gordon Baldwin. Rena studied first as an architect at Cambridge before completing an MA in Ceramics and Glass at the Royal College of Art in London in 1995.

His work consists of thick earthenware, press-moulded, oversize, vessel forms with precise, smooth finishes. The clay body is often deeply stained with colour, sometimes creating violently contrasting interiors and exteriors to the vessels, and each piece is finished by sanding and polishing.

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Lot 373 A pair of Troika Pottery wall pockets, decorated by Louise Jinks and Alison Brigden, of moulded rectangular form, with six perforated holes, in green and brown glazes, inscribed ‘Troika Cornwall’ with artists’ monograms, 16cm wide 21cm high (2) £500 - 700 Lot 374 *Mark Brazier-Jones (b.1956), 1998, an aluminium ‘Lunar’ lounge chair, a rare first edition large-scale version, cast in ‘studio finish’ aluminium with white wool upholstery, cast ‘Mark Brazier-Jones’ and dated, 78cm wide 68cm deep 78cm high £3,000 - 5,000

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375 376 Lot 375 A contemporary ash cantilever chair, upholstered in a grey wool fabric, 66cm wide 80cm deep 88cm high, seat 40cm high approximately £400 - 600 Lot 376 Eight matched Merrow Associates cantilever dining chairs, six with salmon pink upholstery, two in purple, 45cm wide 48cm deep 87cm, seat 44cm high (8) £250 - 450 Lot 377 Robert Harpley (20th century), a metal construction, a sculpture panel, in a wood frame, 21cm wide 24cm high £150 - 250

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www.sworder.co.uk

Lot 378 Graham Sutherland (1903-1980), ‘Homage to Senefelder’, exhibition poster, Felix H Man Collection, Victoria & Albert Museum, 4 November 1971-30 January 1972, printed by Curwen Studio London, 76 x 50cm, and Graham Sutherland (1903-1980), ‘Drawings of Wales’, exhibition poster, National Library of Wales, Aberystwyth, 5-26 October 1963, printed by Gordon House, Kelpra Studio, 76 x 50cm (2) £100 - 200 Lot 379 A pair of Boss Design ‘Toto’ chairs, designed in 2013 by James Hodson, with an upholstered low profile seat, on a white metal frame, with oak legs, 60cm wide 54cm deep 67cm high, seat 47cm high (2) £300 - 500

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MODERN DESIGN AND LIGHTING 311-700 Lot 380 A white leather armchair, 1970s, white leather button back seat, raised on a revolving stand, 87cm wide 85cm deep 91cm high, seat 40cm high £250 - 300 Lot 381 A laminated wood chaise lounge, with tubular chrome supports and stand, with suspension ties each side, 191cm long 60cm wide 126cm high £250 - 450

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Lot 382 A Midoran ‘Markant’ coffee table, designed in 2008 by Alejandra-Areta Mata Vidosa and James Hodson for Midoran, laminated oak veneer legs, UV bonded on a flat glass top, 128cm wide 77cm deep 37cm high £500 - 700 Lot 383 An English handwoven rug, designed by Roger Oates, in terracotta and brown colours, 98 x 368cm £200 - 400

382

Lot 384 A teak and maple cocktail cabinet, c.1960, the moulded teak carcass, with a maple tambour front section, enclosing shelves and two drawers, with a printed Formica slide, over a pair of slides enclosing a shelf, raised on turned ebonised supports, with a double hoop stretcher, labelled ‘CWS Ltd Cabinet Factory Radcliffe’ with British Trade Standard logo, 101.5cm wide 45.5cm deep 140cm high, slide 83cm high £400 - 600

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Lot 385 A teak writing table, 1950s, with an inset turquoise leatherette writing panel, over two drawers fitted with copper waisted handles, with an ‘H’ shaped stretcher, 84cm wide 53cm deep 75cm high £200 - 300 Lot 386 W… Hall (contemporary), untitled, a bronze sculpture, stamped twice ‘W Hall 1986’, 26cm wide 18cm deep 21.5cm high £300 - 500 Lot 387 A pair of Boss Design ‘Toto’ club chairs, designed in 2013 by James Hodson for Boss Design, upholstered seats, black metal frame on black painted oak legs, 60cm wide 54cm deep 82cm high, 47cm seat high (2) £300 - 500

387

This pair of chairs was uniquely developed for the ‘Fabricate’ exhibition at the London Design Festival, 2015, held in conjunction with A W Hainsworth.

The offered pair has been upholstered in different colourways of the premium Hainsworth wool fabric, the same as used for the uniform for, amongst others, the Royal Horse Guards.

Lot 388 A Midoran ‘Markant’ coffee table, designed 2008 by Alejandra-Areta Mata Vidosa and James Hodson for Midoran, laminated Macassar veneer legs, UV bonded on a flat glass top, 128cm wide 77cm deep 37cm high £500 - 700

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311-700 MODERN DESIGN AND LIGHTING Lot 389 A Scandinavian functionalist ceiling light, 1930s, possibly manufactured by Asea, of spherical form, opaque glass with chromed fixtures, 42cm diameter 83cm high £200 - 300 Provenance: T he Estate of Fiona MacCarthy (1940-2020).

Lot 390 Leonetto Cappiello (French, 1875-1942), a Mossant poster, designed 1938, linen-backed and mounted on a frame, marked ‘Les Éditions Nouvelles Cappiello’, 160 x 119cm £800 - 1,200 Lot 391 ‘Monk’ a marble sculpture, in the style of Jacob Epstein, labelled ‘Jacob Epstein Sculptor in stone & bronze, 18 Hyde Park Gate, SW7’, indistinct title and date and stamped ‘Copyright the Artist’, 21.5cm wide 16cm deep 31cm high £1,000 - 1,500 Lot 392 A walnut crossbanded chest of drawers,

by Heal and Son, with an arrangement of three short and four graduated drawers, ivorine button to drawer, raised on a moulded apron and bracket feet, 77cm wide 48cm deep 112cm high £500 - 700 Lot 393 *Guy Taplin (b.1939), ‘Swan’, a carved and painted sculpture, incised ‘Guy Taplin Swan Wivenhoe’, 101cm wide 34cm deep 43cm high £2,000 - 3,000 Lot 394 A Gordon Russell fiddleback mahogany dining table, c.1950, designed by Frank Whitton, No. X6772, the slightly barrelled top over a shaped frieze mounted with yew wood circular bosses, on four turned and fluted tapering legs, with an additional leaf, labelled, 170cm, extended 229.5cm 99.5cm wide 76cm high, together with a set of six chairs, comprising: a pair of armchairs and four singles, armchairs 56cm wide 55cm deep 84cm high, seat 48cm high, singles 47cm wide 52cm deep 82cm, seat 47cm high (8) £400 - 600

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Lot 395 A set of six teak dining chairs, designed by Arne Hovmand-Olsen for Mogens Kold, with string cord seats, labelled, 49cm wide 43cm deep 76cm high, seat 46cm high (6) £200 - 300 Lot 396 A pair of Gordon Russell armchairs, each with oatmeal reupholstery and arms, bentwood back and seat supports, on tubular chrome supports, 64cm wide 68cm deep 90cm high, seat 49cm high (2) £250 - 350

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Lot 397 An Heal’s oak desk, with an embossed leather top, with an arrangement of nine drawers, each with a slightly chamfered front and block handles, raised on tapered supports, with the Heal’s ivorine label, 107cm wide 47cm deep 75.5cm high £200 - 400

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MODERN DESIGN AND LIGHTING 311-700 Lots 398-408 The following eleven lots come from the retired studio of Marie Machen SPS SWA. Marie was born in Manchester, but has lived in Hertfordshire for the last twenty years. Trained at Kennington School of Art and the Sir John Cass College, Marie has shown in numerous galleries and is an elected member of the Society of Women Artists and the Society of Portrait Sculptors.

Lot 398 *Marie Machen SPS SWA (contemporary), figure of a reclining nude in a hammock, with a separately cast wide brimmed hat resting on her torso, bronze, signed ‘M.Machen’, raised on a black marble plinth, 43cm wide 18cm deep 23cm high £150 - 250

Lot 400 *Marie Machen SPS SWA (contemporary), figure of a lady seated on a chair, bronze, with Morris Singer foundry stamp, signed to the base ‘M. Machen’, raised on brushed slate plinth, 17.5cm wide 17.5cm deep 32.5cm high £150 - 250

Lot 399 *Marie Machen SPS SWA (contemporary), figure of a seated nude on a cushioned bench, bronze, with Morris Singer foundry stamp, 23cm wide 19cm deep 33cm high £150 - 250

Lot 401 *Marie Machen SPS SWA (contemporary), bust of a young lady, bronze, signed with monogram, 44cm high £100 - 200

Lot 402 *Marie Machen SPS SWA (contemporary), standing lady in a dress, hand-built earthenware, 97cm high £100 - 200

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402 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 403 *Marie Machen SPS SWA (contemporary), bust of a lady, bronzed resin, raised on wooden plinth, 46cm high, a plaster shoulder length bust, 48cm high, a plaster bust of a boy, 29cm high, a stylised torso, bronze, 13cm high (4) £100 - 150 Lot 404 *Marie Machen SPS SWA (contemporary), bust of a young lady, bronzed plaster, raised on teak plinth, 43cm high £100 - 150 Lot 405 *Marie Machen SPS SWA (contemporary), a face and hand, carved stone, 37cm high £150 - 250

403 404

Lot 406 *Marie Machen SPS SWA (contemporary), bust of a young woman, bronzed plaster, signed verso ‘M.Machen’, raised on a teak plinth, 44cm high, together with another bust, signed verso ‘M.Machen’, 37cm high (2) £100 - 150 Lot 407 *Marie Machen SPS SWA (contemporary), figure of a slouching nude female on chair, bronze, with a Morris Singer foundry stamp and signed to the base ‘M.Machen’, 36cm wide 23cm deep 31cm high £150 - 250

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Lot 408 *Marie Machen SPS SWA (contemporary), a bust of a lady, bronze, raised on a black marble base, signed verso ‘MM 1/4 M5’, 19cm high, together with a figure of a child’s head, bronze, raised on a black marble base, signed verso ‘M Machen’, 15.5cm wide plaster, the matched cast raised on a black marble base, 15.5cm wide, and a figure of a lady beside an umbrella, bronzed resin, 26.5cm high (4) £100 - 200

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Lot 409 A contemporary deer antler coffee table, designed by the Gabbertas Studio, of circular form with flocked Scottish deer antlers mounted on stainless steel disks, ultravioletly bonded to a glass top, 100cm diameter 37cm high £3,000 - 5,000

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311-700 MODERN DESIGN AND LIGHTING Lot 410 A set of contemporary walnut tapering shelves, with smoked glass tops, 89cm wide 32cm deep 175cm high £200 - 300

Lot 411 A teak and maple bureau, 1960s, by Vanson, with a tapering front, opening to reveal a writing surface with sliding pigeonholes, over two drawers, on a stand, labelled, 76cm wide 40.5cm deep 104cm high £200 - 300

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Lot 412 A contemporary ‘Han’ dining table, designed in 2018 by Mark Gabbertas as a prototype for Boss Design, London, of rectangular form, an oak frame with an opaque glass top, 160cm wide 70cm deep 75cm high £700 - 900 Lot 413 An American brutalist centre table, 1970s, with a flat glass top, on a chromed metal and burled cork stand, 121cm wide 81cm deep 75cm high £400 - 600

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MODERN DESIGN AND LIGHTING 311-700 Lot 414 *Nicholas Pratt (b.1951), ‘Puma’, carved and polished Cornish steatite, signed underside, 54cm wide 27cm high £600 - 800

414

Lot 415 § A ‘Wharfeside’ rosewood dining suite, comprising: an extending dining table, with two extra leaves, 150cm long, extended 250cm 105cm deep 85cm high. and eight dining chairs, (6+2), with cream backs and seats, 58cm wide 50cm deep 88cm high, seat 46cm high (11) £600 - 800

415

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Lot 416 A contemporary glass ‘Wave’ stool/table, designed by Dan Yeffet and Lucie Koldova for Haymann, 2013, with a cork plinth, 28cm diameter 39cm high £200 - 300

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311-700 MODERN DESIGN AND LIGHTING

418

417 Lot 417 *Ian Monroe (b.1972) ‘Untitled’ a polychrome silkscreen print, signed and dated on verso 36 x 36cm £200 - 300

Lot 418 Roxanne Lowit (American, b.1965) ‘Parks with Parks - NYC - 1983’ printed in 1990, photo collage silver gelatin print, signed, numbered, and dated on verso 40.6 x 50.3cm £200 - 300 Lot 419 Roxanne Lowit (American, b.1965) ‘Diana Vreeland - NYC - 1980’ printed in 1990, silver gelatin print, signed, numbered, and dated on verso 50.3 x 40.6cm £200 - 300

419

www.sworder.co.uk

Lot 420 Kenneth R Mackenzie (mid-20th century) ‘Dining room & Terrace in club within a Country Park’ signed and dated 1954 and titled verso, l.r., pen, watercolour and collage 38 x 50cm, and ‘Proposed Town Hall & Art Centre at Elgin, Scotland, Ground Floor Plan’ signed and dated 1955 and titled verso, also inscribed ‘ Final Year Student of Architecture, Aberdeen, April 1955’ 61 x 51cm (2) £200 - 300

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421 Lot 421 *Bob Crooks (b.1965), a longitudinal glass vase, a clear glass mass, of abstract form with two perforations, internally with a maroon ripple pattern, signed and dated ‘08, 38cm wide 42cm high £150 - 200 Lot 422 *William Selby (b.1933) ‘Kyung Wha Chung’ signed l.l., oil on board 31 x 33cm £200 - 300

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422 Lot 423 *Thomas J Coates (b.1941) ‘Religious Festival, Brittany’ signed with monogram, oil on canvas 31 x 26cm £200 - 300 Lot 424 *Ivor Johns (1924-1993) ‘Life Class’ signed and dated ‘60, inscribed verso, oil on canvas 46 x 61cm, framed £200 - 300

424 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

425 Lot 425 Wayne D Filan (American, b.1946), two glass vases, both with etched signatures and dated 1971, one 17cm high, the other 29.5cm long (2) £150 - 200

427 Lot 426 A set of eighteen Lucite and gilt metal folding chairs, each with a shaped and moulded back and slatted seat, 42cm wide 65cm deep 90cm high, seat 44cm high (18) £500 - 700

Lot 427 *George William Leech (1894-1966) The Imperial Airways Empire Terminal, London signed and dated ‘52, oil on canvas 51 x 41cm £150 - 250

426 www.sworder.co.uk

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428 Lot 428 A ‘Model 4675’ magazine rack, 1970s, designed in 1972 by Giotto Stoppino for Kartell, comprising six sections in a staggered arrangement, red plastic, labelled, 40cm wide, 27cm deep 44cm high, together with a 1960s coffee table, of quadratic form, moulded orange plastic 72cm wide 72cm deep 33cm high, a 1960s mushroom table lamp, for four bulbs, orange plastic, 32cm high, 50cm diameter, a 1960s side chair, moulded orange plastic, with a filled foot, 48cm wide, 46cm deep 80cm high, a 1960s telephone, Italian, FATAP mod. Vanguard, orange plastic, 10cm high, and a 1960s ice bucket, in the form of an apple, moulded orange plastic, 19cm high (6) £400 - 600 Lot 429 Peter Max (German-American, b.1937), a collection of thirteen cushions, each with printed designs both sides, 39 x 39cm (13) £250 - 450 Lot 430 Peter Max (German-American, b.1937), a collection of thirteen cushions, each with printed designs both sides, 39 x 39cm (13) £250 - 450 120

Lot 431 A yak hair and felt wall hanging, c.1968, woven in contrasting vertical bands, 220cm wide 165cm high £300 - 500

429

Apparently bought in a Paris boutique in 1968, then bought through Sothebys, 13 May 1998, lot 80.

Lot 432 A pair of plastic four-drawer chests, designed by Marc Held for Edition Prisunic, 1960s, each with moulded orange plastic drawer fronts, 38cm wide 33cm deep 74cm high, and a matching set of eight drawers, 76cm wide 33cm deep 74cm high (3) £300 - 500

430

Lot 433 A Dedalo umbrella stand, 1960s, designed in 1966 by Emma Gismondi Schweinberger for Artemide, Milano, orange plastic with seven perforations for umbrellas or walking canes, labelled to the underneath, 36cm diameter 34cm high, together with a ‘4670’ wastepaper bin, 1960s, designed by Gino Colombini for Kartell Binasco, orange plastic, of cylindrical form, labelled to the underneath, 25cm diameter 38cm high (2) £200 - 300 Lot 434 Two Componibili storage units, designed in 1962 by Anna Castelli Ferrieri, one orange in two sections, one green in a singular large section, both on castors, all units with sliding doors and removable tops for stacking, 42cm diameter 49cm high, and two vintage ice buckets, moulded plastic in the shape of apples, 18cm high (4) £200 - 300 Lot 435 A JVC Videosphere television, designed 1970, a CRT television, orange plastic with glass and metal components, on a plinth, with suspension chain, 36cm high £150 - 300

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436 Lot 436 A Danish ‘Rainbow’ circular rug, designed by Højer Eksport Wilton, labelled, 190cm diameter £150 - 200 Bought from Tommy Roberts, owner of the 1960s/1970s ‘Mr Freedom’ boutique on Carnaby Street.

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437 Lot 437 Harry Gordon (American, 1930-2007) ‘Poster Dress - Cat’, a disposable paper dress 1st Edition, 1968, screenprinted tissue, wood pulp and rayon mesh, with internal ‘Poster Dresses’ label, in the original packaging, with an orange tab, ‘by Poster Dresses Ltd., London, England Made in the USA by Nadina Products Corporation’ 30 x 39cm £500 - 700

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Lot 438 Harry Gordon (American, 1930-2007) ‘Poster Dress - Eye’ a disposable paper dress, 1st Edition, 1968, screenprinted tissue, wood pulp and rayon mesh, with internal Poster Dresses label, in the original packaging, with an orange tab, by Poster Dresses Ltd, London, England Made in the USA by Nadina Products Corporation 30 x 39cm, together with a copy of Life Magazine April 5 1968 with a two page advert ‘Fashion/Put-on Posters’ (2) £500 - 700 American graphic artist Harry Gordon created his poster dresses in a series of five designs - Mystic Eye, Giant Rocket, Rose, Pussy Cat and Hand. Mystic Eye was said to be the kohl-rimmed eye of Audrey Hepburn. The manufacturer stated ‘Throw it away? Never!

When you’re finally tired of wearing it, why not…Cut open all the seams and hang it on your wall as a poster…or cover pillows…or wrap packages…or as your collection grows, sew them together and make a bedspread or curtains or a tablecloth’.

439

Lot 439 Harry Gordon (American, 1930-2007) ‘Poster Dress - Rose’ a disposable paper dress, 1st Edition, 1968, screenprinted tissue, wood pulp and rayon mesh, with internal Poster Dresses label, in the original packaging, with an orange tab, by Poster Dresses Ltd, London, England Made in the USA by Nadina Products Corporation 30 x 39cm £500 - 700

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Lot 440 An ‘Amanta’ coffee table, designed in 1967 by Mario Bellini for C&B Italia, white moulded fibreglass, labelled, 120cm wide 60cm deep 35cm high, and four ‘Plia’ folding chairs, designed by Giancarlo Piretti, for Castelli in 1967 (5) £250 - 350

Lot 441 John Lennon (1940-1980) and Yoko Ono (Japanese, b.1933), ‘This Is Not Here’, 1971, lithographic poster, from the artists’ first exhibition at the Everson Museum of Art, 61.5 x 46.5cm £100 - 150

441 Lot 442 A set of four Polish motivational posters, 1970s, by various artists for the Polish State Publishing Institute, promoting solidarity and safety in the workplace, 67 x 48cm each (4) £200 - 300

442 Lot 443 A set of four Polish motivational posters, 1970s, by various artists for the Polish State Publishing Institute, promoting solidarity and safety in the workplace, 67 x 48cm each (4) £200 - 300

443

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445 Lot 444 Jamie Reid (b.1947), ‘Holidays in the Sun’, 1977, lithographic poster promoting the Sex Pistols’ 1977 single of the same name, published by Virgin Records UK, 70 x 99cm, framed £300 - 500 Lot 445 A ‘Flower Power’ poster, 1960s, featuring John Lennon and Yoko Ono, designed by Ivan Ripley, proof coloured lithographic poster, published by Big ‘O’ Posters Ltd, numbered (BAT 8407), 66 x 50.8cm £150 - 250 Lot 446 A pair of Raymond Loewy ‘DF-2000’ bedside tables, 1960s, each with three silvered front drawers,

by Compagnie d’Esthetique Industrielle, France, 53.5cm wide 40cm deep 65cm high, together with a white plastic double bed frame, attributed to Marc Berthier, 1960s, vacuum-formed white plastic with plywood top, labelled ‘Made in France’, 140cm wide 190cm long (3) £250 - 450

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Lot 447 ‘Conan the Barbarian’, Marvel Comics first comic book appearance of Conan, 1st October 1970, and No. 3 ‘Conan the Barbarian vs. The Grim Grey God’, 3rd February 1971 (2) £250 - 350

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 448 A collection of ice buckets, 1960s, nine ice buckets, all in the shape of apples, moulded plastic, 19cm high (9) £80 - 120 Lot 449 An Ercol dining table, 163cm long 71cm deep 72cm high, a table extension, 48cm long, five chairs, (1+4) and a cocktail cabinet, 96cm wide 46cm deep 116.5cm high (8) £400 - 600

448

Lot 450 A Nathan teak long sideboard, with a raised back, centred with three drawers, the top fitted with a baized cutlery division, and flanked with bi-fold cupboards each side, labelled, 214cm wide 45cm deep 77.5cm high £300 - 500

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450

Lot 451 *Gordon House (1932-2004) ‘Triangle G’, 1971 colour screenprint, signed and dated l.r.

86 x 43.5cm £150 - 250 Lot 452 A collection of five brass and chrome coat hangers, 40cm wide 16cm high (5) £200 - 300

451

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Lot 454 An Indian rosewood and teak sideboard, designed by Robert Heritage for Archie Shine, with three moulded drawer fronts, over a central fall front cupboard, flanked with cupboards each enclosing shelves, 168cm wide 45cm deep 76cm high £500 - 700

Lot 455 John G Pickles ‘All Saints Episcopalian Church in Bloomfield Hills’ a set of eight oil on board architectural studies, labelled ‘Ideas for Future Cities’, dated 1960 70 x 120cm (8) £400 - 600

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311-700 MODERN DESIGN AND LIGHTING

Lot 456 A large fourteen-branch hanging ceiling light, 1950s, with tapering painted glass shades, with blue collars, brass branches with leaf details, centred with a cowling, with a ball terminal, 125cm diameter, and four wall lights, each with three branches, on a grey triform mount, two with tapering painted glass shades, two others with only two shades, each 50cm high approximately (5) £400 - 600

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MODERN DESIGN AND LIGHTING 311-700 Lot 457 An A H McIntosh Indian rosewood dining suite, comprising: six chairs, (2+4), labelled ‘9513’, a dining table, with two folding leaves, ‘patent number 1012786’, 160cm, extending to 236cm, and a long sideboard, 213cm wide 45cm deep 75cm high (8) £500 - 700

457 dining table and chairs

Lot 458 A set of four wall lights,

by D W Windsor, Ware, Herts, with black painted hoods, clear plastic pear drop shades, each with a single bulb with reflectors, terminating with cast mounts, labelled, 58cm diameter 85cm high approximately (4) £300 - 500

457 sideboard

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Lot 459 A suite of maple bedroom furniture, comprising: a pair of bedside chests, 58cm wide 36cm deep 53.5cm high, a four-drawer chest, 75cm wide 46cm deep 90cm high, a dressing table, with a revolving rectangular glass mirror, 126cm wide 40cm deep 170cm high, and a headboard, 145cm wide 92.5cm high overall labelled ‘Timeless trend Furniture supplied

by Perring’ (5) £250 - 450

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 460 A contemporary faux shagreen dressing table, with a central drawer, bevelled glass mounts, raised on chrome supports, 100.5cm wide 50cm deep 76cm high, and a pair of en suite bedside tables, each with a drawer, 51cm wide 41.5cm deep 52cm high (3) £300 - 500

Lot 461 *Richard Chapman (contemporary), ‘Mystic Warrior’, a bronzed resin sculpture, 136cm high, on a cast plinth £300 - 500

460

Lot 462 A contemporary trunk desk, in the manner of Tom Richards, the top with three drawers in the shape of an antique trunk, raised on a chromed metal stretcher, 154cm wide 70cm deep 84cm high £600 - 800 Lot 463 A pair of Thorn EMI uplighters, 1980s, with white metal semicircular shades and plinths, on powder-coated metal supports, 24cm wide 35cm deep 185cm high, with original cardboard boxes (2) £300 - 500

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464 Lot 464 A Kingston faux white leather sofa, designed by William Plunkett, with a double bolster back, raised on a brushed aluminium stand, 180cm wide 74cm deep 67cm high, seat 45cm high £350 - 450

Lot 465 A contemporary light oak ‘Iona’ cheval mirror, designed by Russell Pinch for Heal’s, with an oval mirror over a drawer, on a strut stand, 74cm wide 40cm deep 160cm high £300 - 500

465

Lot 466 A Lyndon ‘120’ coffee table, designed in 2017 by Tobias Pitcher and Sandro Lopez for Lyndon Design, white stained oak frame, with a circular smoked glass top, 83cm diameter 37cm high £300 - 500

466

Lot 467 A Swedish black leather armchair, 1950s, on a lacquered oak base, with loose back and seat cushions, 85cm wide 80cm deep 78cm high, seat 40cm high £250 - 350

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Lot 468 A Danish chocolate leather settee, in the style Mogen Hansen, with stained beech supports, 196cm wide 75cm deep 66cm high, seat 43cm high approximately £300 - 500

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

469

Lot 469 § A Norwegian fold-over rosewood table, the fold-over top over drawers, with a gateleg action, with brass escutcheons, two drawers to the side, each with recessed brass handles, 175cm wide 60cm deep, 120cm extended 74cm high £800 - 1,200

470

Lot 470 A Danish beech-framed curved settee, with part wood arms, red machined upholstery with stylised designs, with turned supports and sabots, 165cm wide 85cm deep 80cm high, seat 45cm high approximately £200 - 400

www.sworder.co.uk

Lot 471 A set of six silver-gilt and enamel coffee spoons,

by David Andersen, stamped ‘Ela Denmark Sterling 925S’, and a set of six pickle forks, en suite, 9.5 and 10.5cm long, both cased, and two sets of six coffee spoons, 9 and 10cm long (24) £150 - 200

471

472

Lot 472 A Danish Skovmand Andersen extending teak dining table, 1960s, of super-elliptical form, with two leaves, 250cm wide, extended 110cm deep 73cm high £300 - 500

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Lot 473 § A Danish rosewood ‘Flip-Top’ desk, designed by Peter Løvig Nielsen, the back section hinged to create a flat surface, over four drawers, the back frieze with three open shelves, 162cm wide 73cm deep 73cm high, 86.5cm back section £2,000 - 3,000

473

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all postwar rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Lot 474 A teak armchair, with an olive upholstered back and seat, 72cm wide 74cm deep 70cm high, seat 40cm high approximately £200 - 300 Lot 475 A Danish teak dining suite, designed by Niels Otto Moller, comprising: eight model 85 dining chairs, re-covered, 50cm wide 46cm deep 84cm high, seat 45cm high, and a dining table, with two extra leaves, stamped ‘Gudme’, model No. 5884, 201cm extended 71cm high (11) £1,400 - 1,600

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311-700 MODERN DESIGN AND LIGHTING

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Lot 476 § A Danish rosewood serving table, with a sliding top opening to reveal a hotplate, over four frieze drawers, 214cm wide 54cm deep 75cm high £400 - 600 Lot 477 Heine Vilhelm Larsen (Norwegian) Vindersol (Winter sun) signed l.r., oil on canvas laid on board 68 x 83cm £300 - 500

Lot 478 A Danish Randers Mobelfabrik PS teak wall system, 1960s, comprising four uprights, four shelves, one unit with drawers, one larger and one smaller cupboard with sliding doors, and a glazed cupboard, with brass fittings and brackets, internally labelled, each unit 80cm wide, uprights 150cm high (qty.) £200 - 300

477 Lot 479 A Danish chocolate leather three-seater settee, 180cm wide 80cm deep 76cm high, seat 44cm high £250 - 350

Lot 480 A ‘Bachelor’ chair and footstool,

by Verner Panton for Fritz Hansen, with brown suede slung seats, 51cm wide 70cm deep 75cm high, seat 34cm high approximately, footstool 51cm wide 54cm deep 38cm high (2) £400 - 600

478

479 480

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481 482 Lot 481 An ‘Annika’ table, designed by Bruno Mathsson for Karl Mathsson, Sweden, with a square burrwood top with rounded corners, raised on laminated birch supports, branded ‘Firma Karl Mathsson Made in Varnamo’ and ‘Bruno Mathsson Design Made in Sweden’, 95cm square 60.5cm high £500 - 700

Lot 482 Four wire chairs, designed by Harry Bertoia, each with a black pad seat, 56cm wide 57cm deep 74cm high, seat 44cm high, and another chrome example, with a pad seat, 54cm wide 52cm deep 70cm high, seat 42cm high (5) £200 - 400

483 Lot 486 A Finnish Anki handwoven cream rug, labelled, 97 x 340cm £200 - 300 Provenance: The Estate of Fiona MacCarthy (1940-2020).

The Anki company was set up by Anja Harju and Eevi-Kirsti Järvelä in 1968.

486

Lot 484 § A Danish rosewood sideboard, 1960s, designed by Poul Hundevad for Hundevad and Co., with a sliding pair of doors to the front, opening on to internal shelving, with maker’s mark and ‘Danish Furniture Makers’ Control’ stamp, 136cm wide 43cm deep 66cm high £200 - 300

485

484

Lot 485 A Danish oatmeal armchair, 1940s, with turned front supports, 70cm wide 72cm deep 76cm high, seat 41cm high £200 - 300

Lot 483 A Dutch leather slung chair, 1970s, by Harvink, raised on a tubular frame, 73cm wide 80cm deep 125cm high, seat 46cm high £350 - 450

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

487 Lot 487 A set of four Dan-Form ‘Dolphin’ chairs, designed in 2004 by Bjarke Nielsen, upholstered in white faux leather, on chromed legs, 55cm wide 50cm deep 83cm high, seat 47cm high (4) £150 - 250 Lot 488 A Danish teak dining suite, 1960s, comprising: a table, with two extra leaves, 153cm long, 263cm extended 100cm wide 75cm high, and a set of eight chairs, 47cm wide 48cm deep 99cm high, seat 47cm high (11) £400 - 600

Lot 489 A jacaranda and brass side table, attributed to Poul Nørreklit, Sweden, with two drawers, raised on a brass stand, 106.5cm wide 40.5cm deep 347.5cm high £300 - 500 Lot 490 A set of four Danish teak dining chairs,

by Mogens Kold, with turned splats and cord seats, labelled, 46cm wide 48cm deep 99cm high, seat 46cm high (4) £200 - 400

488

489 490

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700 § FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Lot 491 A Danish leather button back armchair, with turned legs with brass sabots, 82.5cm wide 84cm deep 90cm high, seat 44cm high £200 - 300

Lot 494 § A Danish tambour-fronted rosewood sideboard, 1980s, two tambour doors opening on to shelves, internally branded ‘Made in Denmark’, with ‘Danish Furniture Makers’ Control’ sticker, 139cm wide 43cm deep 67cm high £200 - 300

Lot 492 § A Danish rosewood bookcase, 1960s, designed by Poul Hundevad for Hundevad & Co., the bottom with sliding doors opening up on to shelving, the top with a vitrine section and movable glass shelving, with maker’s mark and ‘Danish Furniture Makers’ Control’ stamp, 138cm wide 43cm deep 198cm high £400 - 600

Lot 495 An IKEA ‘Axvall’ lounge chair, designed in 2002 by Niels Gammelgaard, a white lacquered tubular steel frame upholstered with cording, with later faux fur cushions, 103cm wide 108cm deep 80cm high £200 - 300

Lot 493 § A Danish Dyrlund rosewood extending dining table, 1980s, with an oval top, on two V-shaped stands, with two leaves, with label, 160cm wide, 260cm extended 114cm deep 72cm high £200 - 300

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497

Lot 496 § A ‘Modus’ modular sofa and table suite, designed by Kristian Solmer Vedel for Søren Willadsen, Denmark, in rosewood and black leather, one seat without arm, 55cm wide 55cm deep 76cm high, seat 32cm high approximately, two seats with one arm, 65cm wide table 35cm high (4) £1,700 - 1,900 Lot 497 *Alfred Madsen (Danish, 1923-1986) ‘Composition’ signed and dated 1961 verso, oil 101 x 51cm £150 - 250

498

Lot 499 An Arne Johansen silver ‘Brutalist’ ring, mounted with abalone in a circular mount, stamped marks ‘AJ 925S Denmark’, head 30mm diameter, 20.49g, Finger size L¼ £200 - 300

Lot 500 An Arne Johansen silver ‘Brutalist’ ring, mounted with abalone in a square mount, stamped marks ‘AJ 925S Denmark’, head 27mm diameter, 22.10g, Finger size L¼ £200 - 300

Lot 501 *Hakan Engstrom (Swedish, 1908-1987) Venetian scene with gondola signed l.r., oil on canvas 61 x 61cm £200 - 300

499

Lot 498 *Finn Johansen (Danish, 1942-2006) ‘Abstract Composition’ appears unsigned, oil and mixed media on board 29 x 59cm £150 - 250

500 501

www.sworder.co.uk

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502

503 Lot 502 Six official posters from the XVI Olympic Winter Games, Sarajevo, Yugoslavia, 1984, featuring works by James Rosenquist, Gottfried Helnwein, Mimmo Paladino, Howard Hodgkin, Jean-Michel Folon and Gabrijel Stupica, on wove paper, each the full sheet, each sheet 84.7 x 62cm, unframed (6) £600 - 800

Lot 503 A Florence Knoll white leather sofa, modern, with buttoned back and seat cushions, 227cm wide 80cm deep 58cm high, seat 40cm high approximately £300 - 500

Lot 504 A woven rug, with a brown ground, with a central field of lozenges, detailed in buff and brown, 300 x 200cm £250 - 450 Provenance: The Estate of Fiona MacCarthy (1940-2020).

Lot 505 An industrial-style side table, with a lacquered wooden top, on a spiralled stand with brass ends, on a lacquered cast iron foot with a brass rim, 80cm diameter 69cm high £400 - 600

505 504 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

506 Lot 506 *Hakan Engstrom (Swedish, 1908-1987) Harbour scene with steam boat signed l.r., oil on canvas 47 x 51cm £200 - 300 Lot 507 *David Hicks (1929-1998) ‘Mrs Bluey Mavroleon’ signed and dated 67, l.r., inscribed ‘No. 9/MBM’, with David Hicks’ catalogue ‘Portrait Drawings and Sculptural Objects 1967’, inscribed ‘For No. 5 with love from David’, pen and ink 32.5 x 31.5cm £200 - 300 Lot 508 A Patent ‘Paddock Tidy’ record storage system,

by Power Judd & Co. Ltd. of London, designed with cone-shaped springs on steel rods that support the seven shaped plywood panels, with a gold label, 74cm wide 45cm deep 30cm high £120 - 180

507

Lot 509 A pair of chocolate brown lounge chairs, 1970s, on revolving stands, 85cm wide 85cm deep 83cm high, seat 42cm high, with a matching ottoman, on a revolving stand, 60cm wide 38cm high (3) £400 - 600 Lot 510 A Danish teak bureau, the slope front enclosing pigeonholes, over three turned bun handles, 76.5cm wide 43cm deep 102cm high £200 - 300

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511

Lot 511 § A Danish rosewood sideboard, designed by Henry Rosengren Hansen for Brande Mobelindustri, offset with five drawers, two baize-lined, flanked with three cupboards, each enclosing a shelf, 240cm wide 48cm deep 80cm high £1,500 - 2,000

512

Lot 512 A circular chrome table, 1970s, the top with a concentric ring of reducing squares, on a brown ground, 79cm diameter 41cm high £200 - 300

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

140

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Lot 513 A Kosta Boda glass vase, designed by Bertil Vallien, of faceted form, with an orange trailed inclusion to the base, engraved signature, 20cm high, together with an Orrefors ‘Odyssey’ bowl, designed by Lars Hellsten, of faceted octagonal form, engraved signature, 21cm wide (2) £80 - 120 Lot 514 A Holmegaard milk glass ‘Gulvase’, designed by Otto Brauer, unmarked, 30cm high £100 - 150 Lot 515 A Venini ‘Filo Girato’ tubular vase, c.1955, designed by Fulvio Bianconi, of slightly uneven cylindrical form, marked indistinctly, 25cm high £400 - 600

513

Provenance: S otheby’s ‘Out Takes from the Collections of Stanley J Seeger’, 13 December 2002, Lot 299.

Lot 516 An ‘Autumn’ glass vase, 1970s, designed by Kjell Engman for Kosta Boda, of circular compressed form, with a mottled white and green ground, etched with birds and trees, etched marks, 9.8cm high £100 - 150

514

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700 Lot 517 § A rosewood coffee table, with a faux quartz lucite top, raised on a rosewood stand, with brass caps, 225cm wide 25cm deep 26.6cm high £400 - 600

Lot 518 A Danish beech armchair, with an olive-banded machine-embroidered back and seat, stamped ‘France and Daverkosen, Danmark’, 63.5cm wide 75cm deep 80cm high, seat 46cm high £200 - 300

518

517

Lot 519 A Danish silver-plated centrepiece,

by Hugo Grün, the circular ring mounted with six tapering candleholders, stamped ‘HGr Denmark’, 21cm diameter £150 - 200 Lot 520 § A Danish circular rosewood coffee table, 1960s, with a circular etched copper top, on a triform base, 120cm diameter 50cm high £350 - 450

520

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§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 521 A set of four moulded brown chairs, 1970s, designed by Steen Ostergaard for Cado, each with a padded seat, with moulded marks, 51.5cm wide 50cm deep 79cm high, seat 46cm high (4) £300 - 500 Lot 522 A Danish teak wall cabinet, designed by Peter Løvig Nielsen for Løvig Dansk, the upper section with an arrangement of eight adjustable shelves, over a cupboard opening to reveal two shelves to one side, with brass strap hinges and vertical ‘T’ handles, raised on tapering supports, branded ‘Løvig Dansk’ to the backboards, 120cm wide 45cm and 26cm deep 178cm high £500 - 700 Lot 523 § A pair of Danish rosewood triangular tables, designed by Illum Wikkelsø for CFC Silkeborg, each with a triangular top on a hinged stand, each with button labels, 47.5cm wide 53.5cm deep 42.5cm high (2) £300 - 500

522

www.sworder.co.uk

521

Lot 524 A Nordiska Kompaniet fabric panel, designed by Stig Lindberg for Nordiska Kompaniet (NK), 1950s, mounted on a board, 152 x 101cm, framed £300 - 400

524

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MODERN DESIGN AND LIGHTING 311-700

526

525 Lot 525 A set of eight ‘Series 7’ chairs, designed in 1955 by Arne Jacobsen for Fritz Hansen, all dated 1971, with black leather seats, chrome supports, with moulded caps ‘FH Made in Denmark 1971’ with ‘Danish Furniture Makers’ Control’ stamp, 47cm wide 48cm deep 79cm high, seat 46cm high (8) £1,000 - 1,500 Lot 526 A wool rug, with a buff ground, with a central lozenge field and white and black detailing, 245 x 165cm £200 - 300 Provenance: T he Estate of Fiona MacCarthy (1940-2020).

Lot 527 § A Danish extending rosewood dining table, 1960s, attributed to Niels Otto Møller for Gudme Møbelfabrik, of super-elliptical form, raised on an X-shaped stretcher, with two leaves, 160cm wide, 257cm extended 105cm deep 73cm high, and a set of eight Danish rosewood dining chairs, 1960s, model No. 83/66, designed by Niels Otto Møller for J L Møllers Møbelfabrik, the seats upholstered in a cream wool fabric, 50cm wide 46cm deep 84cm high, seat 45cm high (11) £1,500 - 2,000

528

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527 Lot 528 A pair of Danish teak ‘Moduline’ lounge chairs, designed in 1962 by Ole Gjerløv-Knudsen and Torben Lind for France & Son, each with a buttoned seat and back, upholstered in black leather, 53cm wide 73cm deep 71cm high, seat 39cm high (2) £800 - 1,100 Lot 529 An ‘Annika’ coffee table, designed in 1936 by Bruno Mathsson for Firma Karl Mathsson, model Mi591, ash veneered top, on birch legs, 60cm wide 60cm deep 40cm high £500 - 700

§ FURNITURE MADE OF BRAZILIAN ROSEWOOD (DALBERGIA NEGRA) To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all postwar rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers.

For confirmation of the certificate number, please refer to our website (www.sworder.co.uk).

529 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 530 A rose quartz sculpture, indistinctly signed, mounted on a wood plinth, 45cm high overall £300 - 500 Lot 531 A black three-seater leather sofa, 1980s, with loose seat and back cushions, on castors, 190cm wide 82cm deep 70cm high, seat 40cm high, and a black leather ottoman, with buttoned cushion, on castors, 68cm wide 64cm deep 40cm high (2) £250 - 350 Lot 532 § A Danish rosewood highboard, designed by Omann Jun, with four sliding cupboards, enclosing four rosewood-fronted drawers, one baize lined, the other three sections each with three adjustable shelves, over two drawers, raised on turned supports, 180.5cm wide 45.5cm deep 120.5cm high £600 - 800

531

530

532

Lot 533 A set of seven Fritz Hansen ‘Model 3107’ chairs, designed in 1955 by Arne Jacobsen, each with a beech ply seat, on tubular steel legs, labelled ‘FH’ to the underside, 46cm wide 54cm deep 83cm high, seat 44cm high (7) £700 - 900

533

Lot 534 § A Danish extending rosewood dining table, 1960s, attributed to Niels Otto Møller for Gudme Møbelfabrik, of circular form, raised on an X-shaped stretcher, with two leaves, 222cm long extended 120cm wide 70cm high, and six ‘Model 83/66’ rosewood dining chairs, 1960s, designed by Niels Otto Møller, seats upholstered in a beige fabric, 50cm wide 46cm deep 84cm high, seat 45cm high (9) £1,200 - 1,500

534 www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700 Lots 535-536 Picasso and Madoura Pottery On a visit to Vallauris in 1946, Picasso met Georges and Suzanne Ramié, the owners of the Madoura Pottery studio. This was the start of a friendship and creative partnership with the Ramiés that would last until Picasso’s death. The Ramiés introduced him to various techniques and, together with the artist’s own distinctive style, they were able to produce editions of the objects Picasso created. It was at Madoura that Picasso met his second wife, Jacqueline Roque, who was working in the pottery.

Picasso was well known for his exhaustive energy and he produced over three thousand different works. The majority were editions made in the workshop at Madoura, but there were also some unique pieces that he carved and other items painted by hand.

Lot 535 *Pablo Picasso (Spanish, 1881-1973), Bird with worm (Oiseau au ver) (AR 172), a white earthenware dish, 1952, painted in black with turquoise highlights, inscribed ‘Editions Picasso’ and with impressed mark, 16cm diameter £800 - 1,200

535

Lot 536 *Pablo Picasso (Spanish, 1881-1973), ‘Quatre poissons polychromes’ (AR 31), stamped, marked and numbered ‘Edition Picasso/ Madoura Plein Feu/7/200’, white earthenware ceramic dish with a coloured glaze, 39cm wide £4,000 - 6,000 Conceived in 1947 and executed in a numbered edition of 200.

536 146

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Lot 537 A Seyei porcelain plate, centred with a faun, printed and facsimile signed ‘Jean Cocteau 1962’, with a facsimile text to the reverse, printed mark, 24.4cm diameter £150 - 200

537

Lot 538 *Jean Cocteau (French, 1889-1963) ‘The Griffin’, 1957 colour lithograph, signed and dated to the plate l.r., with artists stamp l.r.

60 x 44cm £150 - 250 Lot 539 A pair of Fornasetti condiment dishes, 1970s, each of pointed oval form, partially gilt, decorated with variations of meandering borders, stamped marks, 15cm wide 9cm deep 4cm high, and a Fornasetti vase, 1970s, of pointed oval form, partially gilt, decorated with variations of meandering borders, stamped marks, 10cm wide 5cm deep 7cm high (3) £100 - 200

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539

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MODERN DESIGN AND LIGHTING 311-700 Lot 540 A pair of terracotta panels, 1950s, with cubist-type designs, panels 41 x 61cm, in moulded teak frames, 51 x 71cm (2) £250 - 350 Lot 541 A Markaryd ‘Model T-449/12’ steel twelve-branch hanging chandelier, 1960s, Sweden, designed by Hans-Agne Jacobsson, with amethyst glass globe shades, labelled in the cap, 92cm diameter 193cm high approximately £500 - 700 Lot 542 A Dansk ‘Viking’ teak salad bowl, designed by Jens Quistgaard, branded mark, 47cm wide 34cm deep 25cm high £100 - 200 Lot 543 A pair of Italian brass étagères, 1970s, each of rectangular form, with an 18mm square glass top, 42cm wide 42cm deep 122cm high (2) £500 - 700

540

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Lot 544 An Italian ‘lips’ shaped sofa, 1950s, upholstered in grey and pink velvet, on wooden feet, 180cm wide 100cm deep 100cm high, seat 47cm high £2,000 - 3,000 Lot 545 A Romeo Rega lucite table lamp, the lucite base raised on a chrome plinth, the shade with a polished central reflector, stamped mark, 40.5cm wide 28.5cm deep 60.5cm high £400 - 600 Lot 546 § A Danish rosewood circular dining table, designed by Niels Otto Møller, with a flip-up extension leaf, labelled and with ‘Danish Furniture Makers’ Control’ label, 123cm diameter 274cm extended £700 - 900 Lot 547 § A Danish rosewood ‘Cube’ bar, designed by Leif Alring, with four hinged cube sections, opening to reveal two sets of shelves, three drawers and a nine-bottle rack, raised on chrome ball castors, 80.5cm square 49.5cm high £800 - 1,200

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311-700 MODERN DESIGN AND LIGHTING

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MODERN DESIGN AND LIGHTING 311-700 Lot 548 A pair of Italian brass table lamps, 1970s, each with split pedestal arms, for two light sources each, 72cm high (2) £200 - 300 Lot 549 A pair of Romeo Rega side tables, 1970s, each with a chromed steel and brass frame, with a smoked glass top, 59cm wide 50cm deep 35cm high (2) £200 - 300

Lot 550 Fourteen unassembled Pierre Cardin dining chairs, 1970s, each with a brass frame, loose seat and back, upholstered in a white Art Deco-style fabric, two high back chairs, 45cm wide 59cm deep 93cm high, seat 45cm high (14) £200 - 300

549

548 Lot 551 A contemporary chrome coffee table, with an ‘X’ framed support, with a glass top, 130cm wide 65cm deep 39cm high, and a set of four-tier chrome and glass shelves, with a mirrored base, with three clear glass shelves, 80cm wide 40cm deep 117cm high (2) £200 - 300

550 part lot

Lot 552 A two-tone lamp, in the style of Romeo Rega, 34cm high £100 - 150

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Lot 553 A chrome table lamp, in the Guzzini style, with a smoked glass adjustable shade, with three lights, 77cm high £300 - 500 Lot 554 An Italian brass standard lamp, 1970s, of rhombic form, with spheres to the base, mounted on a stone base, 181cm high £500 - 700

553

Lot 555 An Italian ceiling lamp, in the manner of Stilnovo, 1950s, of brass structure with white lacquered shades, 40cm diameter 40cm high approximately £600 - 800

555

Lot 556 A Romeo Rega side table, 1970s, with a granite, glass and brass top, on a cruciform chromed steel base, 60cm wide 60cm deep 64cm high £400 - 600 Lot 557 A chrome and brass coffee table, designed by Romeo Rega, with a smoked glass top, 125cm wide 70cm deep 35cm high £350 - 450

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MODERN DESIGN AND LIGHTING 311-700 Lot 558 A pair of American wing back chairs, with printed floral upholstery, raised and stitched, 61.5cm wide 62cm deep 113cm high, seat 53cm high (2) £300 - 500 Lot 559 An Italian brass ceiling light, 1950s, with two spherical opaque glass shades, 47cm wide 87cm high shades 18cm diameter £300 - 400

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559

Lot 560 A wheatsheaf coffee table, with a circular glass top, on a brass base in the form of a wheatsheaf, 100cm diameter 46cm high £250 - 350

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561

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Lot 562 A pair of Italian glass table lamps, 1960s, with inclusions of cracked blue glass, 29cm high excluding shades (2) £200 - 300

Lot 561 A pair of French rope wound bar stools, 1950s, each with a circular oak seat and a wrought iron footrest, 78.5cm high (2) £300 - 500

562

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 563 A brutalist copper ceiling light, 1960s, Swedish, with five cylindrical copper splash shades, suspended from a copper fixture, 30cm wide 8cm deep 112cm high shades 25cm long 6cm diameter £300 - 500 Lot 564 A Cassina ‘Sesann’ coffee table, 1970s, designed by Gianfranco Frattini, with a smoked glass top, on a chromed steel frame with rounded legs, 80cm wide 80cm deep 40cm high £300 - 400

564

Lot 565 A group of four Galerie Maeght exhibition posters, all offset lithographs, published by Maeght Editeur, unframed, comprising; Eduardo Chillida, ‘Expo 61’, 1961, 61 x 44cm, Jean Bazaine, ‘Aquarelles et dessins’, 1968, 66 x 51cm, Zoltan Kemeny, ‘Kemeny’, 1970, 60 x 40cm, and ‘Tal-Coat’, 1960s, 61 x 44cm (4) £200 - 300

563

Lot 566 A ‘Cosmo Light Model 5’ pendant light, 1960s, designed by Preben Jacobsen for Quality System, composed of multiple white plastic rhombuses, unassembled in original box, 29cm wide 29cm deep 31cm high £200 - 300

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565

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567

Lot 567 Ten Vitra Meda desk chairs, designed by Alberto Meda in 1996, each with a ‘hi-back’ aluminium frame, 51cm wide 52cm deep 113cm high, seat 60cm high approximately (10) £500 - 700

Lot 570 A pair of Italian Arteluce ‘Tango’ lamps, 1990s, designed in 1989

by Stephen Copeland, on powder-coated metal bases, with adjustable metal and rubber arms, with blue plastic shades, 107cm high (2) £200 - 400

Lot 568 Ten Vitra Meda desk chairs, designed by Alberto Meda in 1996, each with a ‘hi-back’ aluminium frame, 51cm wide 52cm deep 113cm high, seat 60cm high approximately (10) £500 - 700

Lot 571 An Italian Renato Zevi dining table, 1970s, with a chromed steel and brass-bound square top, resting on a black-lacquered brass-bound base, 140cm wide 140cm deep 73cm high £300 - 500

Lot 569 A three-piece modular settee and a matching armchair, 1970s, with brown, orange and beige upholstery, with folded backs, raised on ball supports, each section 84cm wide approximately, overall 248cm wide 92cm deep 63cm high, 32cm seat high approximately (4) £500 - 800

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Lot 572 A pair of contemporary walnut veneered bedside tables, each with a drawer and a shelf below, 69.5cm wide 54.5cm deep 66cm high (2) £300 - 500

572 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 573 A contemporary glass hoop chandelier, with overlapping glass hoops, on an octagonal frame, each of triform section with black inclusions, concealing six bulbs, 70cm diameter 40cm high, overall drop 100cm approximately £600 - 800

573

Lot 574 A puzzle dining table or console table, after Gabriella Crespi, each of the five sections with smoked bevel glass panels, 152.5cm wide 110.5cm deep 73cm high, and two other sections, 110.5cm wide 56cm deep (5) £1,500 - 2,000

Lot 575 A large Italian oval wall mirror, with a shaped central bevelled plate, mounted within teal-tinted bevelled panels, with brass bosses and edging, 101cm wide 150cm high £400 - 600

The image shows the small dining table in three sections.

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574

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MODERN DESIGN AND LIGHTING 311-700 Lot 576 A circular stainless steel ceiling light, comprised of two tiers, the top tier with hanging prisms, and with a central basket of prisms, 17cm high 63cm diameter £1,000 - 1,500 Lot 577 Two contemporary chests, 1980s, each black-lacquered and brass-bound, with a glass top, one with four drawers, one with a pair of doors, both internally lined with plush velvet, 100cm wide 47cm deep 74cm high (2) £400 - 600

576

Lot 578 A contemporary purple upholstered settee, with vertical piping, on black supports, 230cm wide 105cm deep 80cm high, seat 44cm high £300 - 500

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Lot 579 A French brass and steel nest of tables, 1970s, in the manner of Pierre Vandel, brushed steel with brass corners, all with clear glass tops, one 48cm wide 38cm deep 41cm high, one 58cm wide 38cm deep 46cm high, and one 118cm wide 58cm deep 43cm high (3) £200 - 300

Lot 580 A Zanotta ‘Onda’ three-seater sofa, designed in 1985 by Gionatan De Pas, Donato D’Urbino, Paolo Lomazzi, with black leather upholstery on a chromed tubular steel frame, 195cm wide 85cm deep 71cm high £700 - 900

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Lot 581 An Arteluce ‘Aurora’ pendant light, designed in 1982 by Perry King and Santiago Miranda, textured glass and carbon fibre, for three bulbs, 61cm diameter 106cm high £400 - 600

Lot 582 *Elio Garis (Italian, b.1954), untitled, a bronze sculpture, 108cm long 40cm high 35cm wide, on a stand 184cm high overall £2,000 - 3,000

581

Lot 583 A ‘Semana’ bucket chair, designed in 1999 by David Weeks for Habitat, with a leather seat slung over a brushed steel base, 90cm wide 99cm deep 79cm high, seat 39cm high £200 - 400

583

582

MODERN DESIGN AND LIGHTING 311-700 Lot 584 A chrome nest of three tables, in the style of Milo Baughman, each of ‘D’ form, with glass shelves, largest 53cm wide 40cm deep 43cm high (3) £140 - 180

584

Lot 585 A contemporary folding two-tier trolley,

by Creations Alpac, France, with a brass finish and ‘ice’ lucite tiers, on castors, 65.5cm wide 42cm deep 70cm high, and a nest of two brass side tables, 40cm wide 44cm deep 42cm high (3) £200 - 300

Lot 586 A Renato Zevi étagère, 1970s, of rectangular form, a chromed steel and brass frame with three glass shelves, 76cm wide 37cm deep 72cm high £400 - 600 Lot 587 An Artifort ‘F437’ or ‘Orange Slice’ lounge chair, designed in 1960 by Pierre Paulin for Artifort, upholstered in red textile, on polished steel legs, 84cm wide 80cm deep 70cm high, seat 41cm high £250 - 350

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311-700 MODERN DESIGN AND LIGHTING Lot 588 A woven and painted ‘Peacock’ armchair £200 - 400 Lot 589 A Cesca ‘B32’ chair, designed 1928 by Marcel Breuer, a chromed tubular steel frame with caned black beech seat, back, and armrests, 56cm wide 58cm deep 80cm high, seat 46cm high £150 - 250

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589

Lot 590 An Italian fruitwood coffee table, with a mirror glass top, a moulded and rippled frieze, raised on shaped legs, 74cm wide 49cm deep 49cm high £400 - 600

590

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Lot 591 A Brazilian ceiling light, designed by Enrico Furio Dominici, with an oval brass frame, with eighteen branched light fittings with individual glass baguette-shaped shades, 110cm wide 43cm deep £2,000 - 3,000

591 Lot 592 A set of four ‘Gronda’ mirrors, designed in 1971 by Luciano Bertoncini for Elco, of rectangular shape, three with a tilting panel serving as a coat hanger, each 20cm wide 200cm high (4) £1,500 - 2,000 Lot 593 A set of four ‘Gronda’ mirrors, designed in 1971 by Luciano Bertoncini for Elco, of rectangular shape, three with a tilting panel serving as a coat hanger, each 20cm wide 200cm high (4) £1,500 - 2,000 Lot 594 A Stilwood ‘Lara’ sofa, designed by Roberto Pamio, with navy upholstery, 318cm wide 249cm deep 54cm high, seat 38cm high (2) £1,000 - 1,500

Lot 595 A Stelton ‘Cylinda’ coffee set, 1970s, designed in 1967 by Arne Jacobsen, stainless steel with sculpted plastic handles, comprising: coffee pot, teapot, sugar bowl, and creamer, teapot 23cm high (4) £150 - 250 Lot 596 A contemporary deer antler coffee table, designed by the Gabbertas Studio, of quadratic form with lacquered Scottish deer antlers mounted on stainless steel disks, ultravioletly bonded to a glass top, 100cm wide 100cm deep 37cm high £3,000 - 4,000

The Lara sofa, was designed by Roberto Pamio, Renato Toso and Noti Massari for Stilwood. Like ‘Paulin’, the Lara sofa is an example of foam being used structurally, in this case to make a low-slung L-shape, with the two pieces fitting together like an organic jigsaw.

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597

Lot 597 A pair of Arkana tables, each with a white circular top and raised on a slender support, cast weights to the base ‘Arkana 12’, 44.5cm diameter 51cm high (2) £300 - 500

597

Lot 598 *Denis Mitchell (1912-1993), ‘Gwenap’, bronze, polished and with a green patina, on a slate plinth, signed with initials, inscribed, numbered and dated ‘DAM Gwenap No. 2 1968’, 33cm high £5,000 - 8,000 Denis Mitchell (1912-1993) was an English abstract sculptor who worked mainly in bronze and wood. He moved to Cornwall in 1930 and became a prominent member of the St Ives Group of artists. For many years he worked as an assistant to Barbara Hepworth. Gwennap is a village in Cornwall, a few miles south-east of Redruth. In the 18th century, it was the richest copper-mining district in Cornwall, and was called the ‘richest square mile in the Old World’.

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Lot 599 A beech and olivewood daybed, 1940s, attributed to Paolo Buffa, the ends with a carved detail of intertwined pointed ovals, upholstered in fabric designed by Lorenzo Rubelli, 220cm wide 51cm deep 85cm high, seat 55cm high £600 - 800

599

Lot 600 A set of six Italian ebonised dining chairs, 1950s, in the manner of Ulrich Guglielmo, each with a brass-studded black leather seat, 50cm wide 45cm deep 82cm high, seat 48cm high (6) £600 - 800

600

Lot 601 A modern chrome and brass low side table,

by Maison Jansen, with two glass tiers, 70cm square 50cm high £250 - 350

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602 Lot 602 A pair of Italian shell-shaped lounge chairs, 1950s, upholstered in two tones of grey fabric, with piped detail, on brass feet, 98cm wide 80cm deep 80cm high, seat 35cm high (2) £1,200 - 1,500

Lot 603 An Italian Stilux table light, 1950s, with a pivotal circular green plexiglas and brass diffuser support, and a circular marble base with an integral switch, 47cm high £300 - 500

Lot 604 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, comprising three rows: four uprights, 262cm high four shelves, 91cm wide, 37cm deep, three shelves, 91cm wide, 23cm deep, ten shelves, 66cm wide, 18cm deep, two shelves, 66cm wide, 23cm deep, two shelves, 66cm wide, 31cm deep, ten returns, eight adapted wall brackets (qty.) £500 - 700 Lot 605 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, with three rows, comprising: four uprights, 262cm high, seven shelves, 66cm wide, 18cm deep, seven shelves, 66cm wide, 37cm deep, seven shelves, 66cm wide, 23cm deep, ten returns, eight adapted wall brackets (qty.) £500 - 700

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Lot 606 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, with three rows comprising: four uprights, 262cm high, seven shelves, 66cm wide, 18cm deep, seven shelves, 66cm wide, 23cm deep, five shelves, 91cm wide, 23cm deep, two shelves, 91cm wide, 37cm deep, ten various side returns, eight adapted wall brackets (qty.) £500 - 700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Max Ingrand (French, 1908-1969) Taking over from Pietro Chiesa as the artistic director of FontanaArte in 1954, Max Ingrand would lead the Italian design house to previously unseen frontiers, setting the artistic tone which defines the company to this day. Riding the wave of the economic boom of the post-war, the company, founded twenty-two years earlier by Gio Ponti, would come to define an epoch in modern design, spearheaded by innovation and natural forms.

With a background as a master glazier and designer, Ingrand revolutionised the production by experimentally fusing classical ideas of glass manufacture, with the liberated design language of the era. One of his earliest conceptions, the Fontana table lamp - designed in 1954 became an instant classic and is still manufactured by the company to this day. This, however, was only the beginning for Ingram, whose designs grew more organic and bolder throughout his tenure. Working alongside a team of specially recruited apprentices, craftsmen, and engineers, their artistic vision continuously sought to push the materials used to the extent of their capabilities. This saw a phasing out of wood and Bakelite in favour of metals and glass, materials in which he saw a greater creative potential. Gone also were the straight lines and precision of his predecessors in favour of more natural shapes, allowing the material to dictate form, and not vice versa.

Ingrand famously referred to glass an ideal complement to light, and by working with thicker glass than any of his predecessors, his designs stand out as almost sculptural with their organic flowing forms, as seen clearly in this extraordinary ‘Model 1748’ ceiling light. Featuring a tapering brass stem, the focus is on the shade which appears sprawled at the base. The shade in turn is partially acid etched to diffuse the light coming through, sections chipped beneath the light sources allowing them to reflect throughout the rough surface.

This highly advanced system of refraction lies surprisingly close to Ingrand’s origins as a stained glass artist. Following the end of the Second World War, he worked diligently on multiple churches and cathedrals across France, restoring the stained glass windows destroyed in the antecedent years.

The Design Department at Sworders are extremely proud to be able to offer for sale this extraordinary piece by one of Modern Design’s foremost visionaries, whose work not only set the tone for FontanaArte, but lighting design in general.

Lot 607 A Fontana Arte ‘Model 1748’ ceiling light, designed by Max Ingrand for Fontana Arte in 1957, with hand bevelled and etched glass shade, with a lacquered waisted cylindrical mount, 55cm wide 40cm high £6,000 - 8,000

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MODERN DESIGN AND LIGHTING 311-700 Lot 609 An Italian brass coffee table, 1970s, of rectangular form, with a glass top, 130cm wide 65cm deep 40cm high, and

a brass side table, 1970s, of quadratic form, with a glass top, 80cm wide 80cm deep 45cm high (2) £400 - 600

Lot 610 An Italian spoon back settee, 1970s, with a buttoned back, upholstered in red velvet with piped edges, with a central loose red cushion, on brass feet, 184cm wide 69cm deep 94cm high, seat 63cm high £1,200 - 1,500

609

610

Lot 611 An oval bevelled panel wall mirror, with a clear central panel, with pink-tinted glass panels, 61cm wide 77cm high £200 - 400

Lot 612 An Italian chromed steel console table, 1970s, of rectangular form, on L-shaped legs, with a smoked glass top, 120cm wide 40cm deep 74cm high £250 - 350

611

Lot 613 A chrome and ginger upholstered armchair, 1970s, raised on chrome supports, with loose seat and back cushions, the seat, back and armrests upholstered in orange velvet, 75cm wide 85cm deep 75cm high, seat 45cm high £300 - 500

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Lot 614 An Italian Vistosi ‘Guibilia’ ceiling light, designed in 2017 by Vetreria Vistosi, with a gilt metal fitting for five lights, with a frosted and textured shade, 60cm diameter 44cm high £200 - 400

Lot 615 A Venini glass vase, of tapering cylindrical form with bubble inclusions, against a cased blue ground, 24cm high £200 - 300

617

Lot 616 A pair of Italian Vistosi ‘Diamante’ ceiling lights, modern, designed by Barbara Maggiolo, with bulbous clear glass shades and chromed fittings, 33cm diameter 17cm high excluding suspension (2) £200 - 400

Lot 617 A coffee table, designed by Peter Ghyczy, with a thick glass top supported by four heavy brass legs, 120cm wide 90.5cm deep 45cm high £400 - 600

615 Lot 618 An Italian frosted glass table light, 1960s, of baluster form, with mounted glass flowers and brass fittings, with a square textile shade, 58cm high £250 - 350 Lot 619 ‘Union’, a patinated bronze two-part torso sculpture,

by Fili Plaza, Spain, signed and numbered 253/500, on a marble plinth, 18cm wide 21cm high £500 - 700

619 618

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Lot 620 *Michel Haillard (French, b.1959), late 20th century, a ‘Boulba’ settee with antelope and cow horns, mounted with an eagle to the centre, 165cm wide, 80cm deep 115cm high, seat 49cm high approximately £2,000 - 3,000 For further reading, see ‘Tribale Pours Suite’, 2000, by Jean-Luc Cormier, Michel Haillard and Renaud Siegmann.

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621

Lot 621 An Italian Vistosi ‘Redentore’ ceiling light, modern, designed by Vetreria Vistosi, with a gilt metal fitting for four lights, with a frosted and granulated shade, 54cm diameter 40cm high £200 - 400

624 Lot 622 An Italian mahogany coffee table, designed by Ico Parisi (1916-1996) manufactured by Cassina in 1951, with an oval glass top, raised on an ‘X’ frame stand, 120cm wide 53.5cm deep 49.5cm high £800 - 1,200

Lot 624 Six Murano millefiori glass clown figures, c.1960, four signed ‘Franko Toffolla’, largest 45cm high (6) £1,000 - 1,500

Lot 623 A pair of Sabattini vases, 1984, after designs by Charles Rennie Mackintosh, both of rectangular form, one with brushed steel and copper, one with brushed and polished steel, both labelled, 5cm wide 5cm deep 40cm high (2) £500 - 700

622

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Lot 625 A glass drop chandelier, 1970s, with four tiers, 95cm high 45cm diameter, and a matching pair of wall lights, with two tiers, 25cm wide 52cm high approximately (3) £800 - 1,200

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311-700 MODERN DESIGN AND LIGHTING Lot 626 A tan leather lounge chair, 1970s, raised on chrome supports, 70cm wide 90cm deep 86cm high, seat 40cm high £300 - 500

Lot 627 A pair of Italian three-tier lacquered steel and glass occasional tables, designed by Alessandro Albrizzi (1934-1994), 61cm wide 61cm deep 61cm high (2) £300 - 500

Lot 628 A French bowl chandelier, in the manner of Maison Bagues, with a central brass column with sixteen arms, eight adorned at the end with a glass spire, eight with crystal foliage, with opaque inner bowl and fittings for eight lights, 67cm diameter 84cm high £2,000 - 3,000

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Lot 629 An Italian coffee table, 1940s, designed by Pier Luigi Colli, with an elliptical marble top with black granite crescent inlays, on a bronze base in the form of leaves, 118cm wide 60cm deep 49cm high £500 - 700

629

Lot 630 Bruno Bruni (Italian, b.1935), 1970, a lithographic exhibition poster for ‘Galerie Mikro, Berlin’, 84 x 60cm, and Bertrand Dorny (French, 1931-2005), 1995, a lithographic exhibition poster for ‘Espace Jacques Prévert ‘, Aulnay-sous-Bois, 60 x 40cm (2) £100 - 150

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631

632

Lot 632 A French brass coffee table, 20th century, of rectangular shape, with an inset glass top, glass mounts and raised on tapering square supports, 94cm wide 49cm deep 50cm high £200 - 300 172

Lot 631 A steel and glass chandelier, 1960s, a central column with transparent blown glass spheres, the arms of cruciform shape, each with a glass sphere and an opaque glass shade, 46cm diameter 54cm high £400 - 600

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Lot 633 A Kienzle polished brass clock, 1960s, centred with an eight-day movement, a pierced hour hand, the minute hand with two balls, within a silvered and chamfered bevel, mounted with stars on the hours, 17cm high £600 - 800 www.sworder.co.uk

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Lot 634 A Jaeger-LeCoultre ‘Atmos’ clock, 526-5 calibre, No. 563729, with a white chapter ring with Arabic numerals, 22.2cm high £300 - 500

Lot 635 A Jaeger LeCoultre Art Deco mantel clock, in an onyx case, with a black circular dial with Arabic minutes, surrounded by a red painted chapter ring with Arabic numerals, the back inscribed ‘LeCoultre Co. 2550’, 17cm high £250 - 350

Lot 636 A Jaeger-LeCoultre ‘Atmos’ clock, No. 344932, having a white dial with black Roman numerals, 18cm wide 13.2cm deep 22.2cm high £400 - 600

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Lot 637 A Guzzini standard lamp, with a chrome support, 165cm high £200 - 300

Lot 638 A Pierre Paulin ‘F444’ armchair, designed in 1963 for Artifort, a chromed steel frame, with a leather seat and back, 82cm wide 75cm deep 96cm high £1,000 - 1,500

Lot 639 A film poster for ‘The War Games’, a quad poster, designed in 1965

by Romek Marber for the Peter Watkins directed sci-fi production, 76 x 101cm £150 - 250

638

Lot 640 An embossed panel, modelled as a fish coloured in copper, brass and silvered finish, signed ‘Giovanni’, mounted on a brown linen panel, 117.5cm wide 64cm high, framed £200 - 400

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Lot 641 An Italian folding screen, 1970s, in four sections, chromed steel and brass frames, with wallpapered panels with floral motifs, 172cm wide 161cm high £400 - 600

Lot 642 A pair of Guzzini ‘Faro’ table lamps, designed by Harvey Guzzini, both labelled, one ‘SH Harvey Guzzini and iGuzzini’, 61cm high (2) £250 - 350

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642

Lot 643 An Italian tear-shaped resin and red lacquered chaise, 1970s, 150cm wide 76cm deep 78 cm high £1,000 - 1,500

644

Lot 644 A pair of Italian ‘Romeo Moon’ table lamps, designed by Phillippe Starke for Flos, with moulded conical shades, 70.5cm high (2) £250 - 450

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Lot 645 A contemporary Macassar four-drawer cabinet, each drawer mounted with chrome cube handles, on bracket supports, 140cm wide 45cm deep 66cm high £300 - 500

645

Lot 646 A French brushed aluminium three-light swivel table lamp, a cylindrical revolving tower, the top fitted with a lucite disc, 51cm high £250 - 350

Lot 647 A reclining steamer chair, 1950s, a solid teak frame, with rope seat, back, and footstool, on two wheels, 160cm long 73cm wide 82cm high, seat 34cm high £750 - 1,000

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648

Lot 648 Jacques Villon (French 1875-1963), ‘Cent Tableux de Jacques Villon’, 1961, a lithographed exhibition poster, Gallerie Charpentier, 76 Faubourg, Saint-Honore, Paris VIII, printed by Mourlot IMR, 65 x 49cm, framed £100 - 200

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Lot 649 A set of six Art Deco ‘Cloud’-style grey leather dining chairs, (4+2), raised on ebonised supports, armchairs 57cm wide singles 52cm wide 61cm deep 88cm high, seat 50cm high (6) £1,000 - 1,500

Lot 650 A massive circular glass panelled dining table, 1970s, with four mirrored sections flanking an octagonal centre plate, raised on four lucite columns, on a conforming chrome and brass plinth, 183cm diameter 78cm high £2,000 - 3,000

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Lot 651 A large abstract metal wall sculpture, 1970s, probably French, 201cm wide 91cm high £400 - 600 Lot 652 An Italian floor lamp, attributed to Ico Parisi, with a plexiglas shade, supported on a wooden frame with steel splayed legs, 173cm high £500 - 700 Lot 653 A pair of unusual brass ‘U’ shaped table lamps, 1970s, probably Italian, 29.5cm wide 17.5cm deep 36.5cm high (2) £400 - 600

Lot 654 A set of three Italian plinths, 1980s, in the style of Alessandro Mendini, forming a console or three separate plinths, each with a turquoise finish, 50cm square 90cm high (3) £800 - 1,200

Lot 656 A ‘Metafora’ coffee table, designed by Massimo and Lella Vignelli for Casigliani, Italy, with a thick glass top supported by four heavy wooden geometric shapes, 100cm square 20cm high approximately £400 - 600

Lot 655 An French plaster sculpture, on a painted wooden plinth, 56.5cm wide 28.5cm deep 36cm high overall (2) £250 - 350

Lot 657 A folding lounge chair, c.1960, designed by H W Kline, in corduroy with leather armrests, 67cm wide 130cm long 101cm high, seat 37cm high £500 - 700

Lot 658 A ‘Balance Chair’, 2018, designed by Oddvin Rykken, with a turquoise adjustable back and seat, stamped to the runners and stencilled, 62.5cm wide 108cm deep 82cm high £250 - 350

Lot 659 Two wood and painted table lamps, in the Memphis Group style, with turned supports and speckled bases, 58 and 57cm high (2) £400 - 600

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658

Lot 660 A pair of Italian chocolate leather armchairs,

by Elle Salotti, with stained beech frames, 98cm wide 84cm deep 77.5cm high, seat 43cm high (2) £500 - 700

660

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

651

655 653

654

657

652

656

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700

Lot 661 A teak and ebonised table, with a shaped rectangular glass top, raised on four balls, with a leatherette undertier, on facet tapered supports, 169cm wide 84.5cm deep 81cm high £300 - 500

Lot 662 A pair of contemporary glass side tables, 1980s with circular glass tops, raised on blue gadrooned glass columns, with shaped plinths, 52cm diameter 51cm high (2) £300 - 500

661

662

663 Lot 663 Two sculptural forms, cast aluminium, unsigned, 19cm high (2) £150 - 250

Lot 664 An Alfredo Barbini glass sculpture, a black glass mass, of abstract form with two perforations, on a black glass plinth, signed, 44cm high £200 - 400

664 Lot 665 An Italian glass frame, dated 1988, by Marcello Furlan, in clear glass with a lilac inclusion, with a black top band, signed and dated ‘Marcello Furlan 88’, 22cm wide 29cm high £150 - 250

665 Lot 666 A Venetian-style mirror, with an etched and bevelled blue and yellow glass frame, 90.5cm wide 122cm high £250 - 350

666

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING

Lot 667 A pair of Italian ebonised side chairs, attributed to a Gio Ponti design, 46cm wide 46cm deep 90.5cm high, seat 48cm high (2) £200 - 400

Lot 668 An Italian ‘Perla’ table lamp, c.1980, designed by Bruno Gecchelin for Oluce, with a glass shade, strut support, and on a chamfered circular marble plinth, 40cm high £300 - 500

667 668

Lot 669 A Florence Knoll white leather sofa, modern, with buttoned back and seat cushions, 227cm wide 80cm deep 58cm high, seat, seat 40cm high approximately £300 - 500

669

Lot 670 A set of six Italian teak ‘model 602’ dining chairs, designed by Gio Ponti in 1954, with light green backs and seats, 42.5cm wide 50cm deep 86cm high, seat 48cm high (6) £2,000 - 3,000

670

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700 Lot 671 A FontanaArte-style ceiling light, 1960s, an eight-armed brass structure, each having a curved tapering glass shade, 119cm diameter 30cm high £400 - 600

671

Lot 672 A pair of Italian walnut mirrors, 1950s, attributed to Paolo Buffa, each of rectangular form, with carved blonde wood mounts, 58cm wide 171cm high (2) £900 - 1,200

672

Lot 673 A De Sede DS600 ‘Non-Stop’ brown leather sofa, with twelve sections, including four end sections, 314cm long approximately 100cm deep 73cm high, seat 36cm high £6,000 - 8,000 Lot 674 A pair of ‘Superleggera’ chairs, designed by Gio Ponti for Cassina, No. 699, with woven rush seats, 40.5cm wide 41cm deep 83.5cm high, seat 46cm high (2) £200 - 300

673

675

674 part lot

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

311-700 MODERN DESIGN AND LIGHTING Lot 675 An ‘Antelope’ coffee table, designed by Dikran Khoubesserian for Fondica, with a cast and polished base, stamped ‘Dikran’ and ‘Fondica France’, with a rectangular glass top, 117cm wide 62.5cm deep 43cm high £600 - 800

Lot 676 An Italian ebonised folding screen, 1970s, in six sections, each with an arched opening over a tapering shelf, 30cm wide 19cm deep 183cm high £600 - 800

676

677 Lot 677 An Italian chrome mirror, 1970s, with a spiral chrome frame, 60cm wide 80cm high £250 - 350

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MODERN DESIGN AND LIGHTING 311-700 Lot 678 A Salviati glass vase, 1997, with white trailed decoration to a deep amethyst ground, acid marked and dated, 33cm high, together with a globular glass vase, with Corroso-style finish, signed indistinctly, 22.5cm high, a similar amber example, 17cm high, a Murano La Murrina glass bowl, with white inclusion, with a murrine signature cane, 18.5cm diameter, and a Fazzoletto form vase, with textured moulded finished, 23.5cm high (5) £150 - 200

678

Lot 680 A ‘pulled’ lucite sculpture, of three terminals mounted with brass balls, 50cm wide 40cm high £150 - 250

681

Lot 679 A pair of Italian ceiling lights, modern, with bulbous clear glass shades and chromed fittings, 35cm diameter 25cm high, excluding suspension (2) £200 - 400

Lot 681 An Italian red lacquer and brass dining table, 1970s, of oval form, mounted on an oval plinth, 150cm wide 80cm deep 73cm high £250 - 350

Lot 682 A pair of glass standard lamps, probably French, each with semicircular glass inserts enclosing light fitments within, mounted with gilt metal plates and glass spheres, 35cm diameter 166cm high (2) £1,200 - 1,500

682

679

680

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

311-700 MODERN DESIGN AND LIGHTING Lot 683 Abstract composition, 1970s, a painted plaster relief with geometric shapes, plaster and acrylic on board, signed indistinctly to the l.r., 60 x 90cm £300 - 500

683

Lot 684 A contemporary bronze of a masked head,

by Maura Early, signed ‘Maura Early’ inscribed and dated ‘DAF ’85’, on a rough cut onyx plinth, 27cm high £300 - 500

684

Lot 685 An Italian oval wall mirror, 1960s, with an etched and gilt edge, 64cm wide 92cm high £400 - 600

Lot 686 *Irina Ionesco (French, b.1930) ‘Le Tinense de Cartes’ 1972 lithograph, signed in pencil and numbered 6/15 and dated 40 x 30cm, framed 62 x 46cm £100 - 200

685

686

www.sworder.co.uk

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MODERN DESIGN AND LIGHTING 311-700

687 part lot

Lot 687 A set of eight Italian teak ‘model 110’ dining chairs, designed by Ico Parisi (1916-1996) manufactured by Cassina in 1961, each with a horizontal slatted back infilled with light green upholstery, with a matched seat, 46cm wide 46cm deep 79cm high, seat 48cm high (8) £2,000 - 3,000

Lot 688 An Italian brutalist brass bed frame, 1970s, the headboard and footboard with circles and squares, 200cm long 169.5cm wide 103cm high £800 - 1,000

Lot 689 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, two separate rows, comprising: four uprights, 261cm high, eight shelves, 66cm wide, 23cm deep, eight shelves, 66cm wide, 37cm deep, eight adapted wall brackets (qty.) £250 - 350

Lot 690 A ‘606 Universal’ shelving system, designed by Dieter Rams, in 1960, for Vitsoe, two separate rows, comprising: four uprights, 261cm high, eight shelves, 66cm wide, 18cm deep, eight shelves, 91cm wide, 31cm deep, eight adapted wall brackets (qty.) £250 - 350

688

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

Lot 691 A pair of ‘Logo’ floor lamps, designed by Mario Barbaglia and Marco Colombo for PAF, 32cm wide 193cm high (2) £200 - 300

Lot 692 An Italian brass standard lamp, 1970s, on a square brushed and polished foot, for two lights, 158cm high, and two further brass table lamps, 1970s, one for two lights, one for one light, 75cm high (3) £250 - 350

692 691 691

693

Lot 693 An Arkana dining suite, comprising: a dining table, with a circular top, raised on a white powder-coated stand, cast weight underside ‘Arkana 22’, 121cm diameter, and six chairs, (2+4) with lime green cushions, armchairs 65cm wide singles 49.5cm wide seats 44cm high approximately (7) £300 - 500

Lot 694 An Italian Renato Zevi dining suite, 1970s, comprising; a ‘Sconosciuto’ dining table, with a rectangular smoked glass top, resting on a chromed steel and brass semicircular base, 200cm wide 100cm deep 72cm high, and eight brass dining chairs, with orange corduroy upholstery, 48cm wide 47cm deep 117cm high, seat 46cm high (9) £800 - 1,200

694 www.sworder.co.uk

MODERN DESIGN AND LIGHTING 311-700

Lot 695 A pair of Italian Cristal Arte wall lights, 1960s, of semi-spherical form, with cut glass shades, with acid etched detail, 20cm diameter (2) £200 - 300

Lot 696 A large disco ball, 1980s, of spherical form, with mirrored squares and suspension hoops, 50cm diameter £400 - 600

695

697

696

Lot 697 An Italian table lamp, 1930s, with a directional steel shade, with a domed textured glass inner shade, on a black lacquered metal arm, 55cm wide 45cm high £200 - 300

699

Lot 699 A set of four Italian bar stools, 1950s, attributed to Giulio Minoletti, each with a swivel seat upholstered in red fabric, with a chrome metal footrest and coat hanger, on mahogany legs, 64cm high (4) £400 - 600

698 Lot 698 A French chromed steel and lucite console, 1970, in the manner of Pierre Vandel, of rectangular form, on an H-shaped stretcher, with a clear glass top, with brass corners, 140cm wide 42cm deep 74cm high £250 - 350

188

Lot 700 An Industrial brushed metal cabinet, with two glazed doors, with four adjustable shelves, fitted with a mirror back and base, 100cm wide 44cm deep 185cm high £400 - 600

700

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on page 192

THE SIR JOHN HURT AND SWORDERS ART PRIZES The Holt Festival takes place every year - it is a celebration of music and art; The Sir John Hurt and Sworders Art Prizes are an integral part of the festival.

The Sir John Hurt Art Prize is for artists over the age of 23, whilst the Sworders Art Prizes are specifically aimed at younger artists and comprise two categories 16-18 years old and 19-23 years old.

THE SIR JOHN HURT ART PRIZE

THE SWORDERS ART PRIZES

The winner receives a cheque for £2,000 and the winning entry is exhibited at The Sainsbury Centre for Visual Arts in the autumn.

19-23 Years Old Category The winner receives a cheque for £750 and the artist is offered a commission-free exhibition at The Gallery, Holt.

16-18 Years Old Category The winner receives a cheque for £500.

Winner of the John Hurt Art Prize 2020 Eleanor Wood, Realignments 2, watercolour

Winner of the Sworders Art Prize 2020 Grace Alexander, Self Image, oil on MDF

All entries must be submitted online by midnight on Sunday 20 June The shortlist for all prizes will be announced by midnight on Sunday 27 June For more information visit www.holtfestival.org/artprizes

THE

Sally Hunter & I a n Po s g a t e

COLLECTION

Gallery owner Sally Hunter came to Badgemore Grange - a Victorian home sited in a little over nine acres of land on the outskirts of Henley on Thames - in 1990 when she and owner Ian Posgate (19322017), an insurance underwriter at Lloyds of London, were married.

Sally Hunter had run a gallery in St Ives in the early 70s, later taking over a gallery on Motcomb Street in Knightsbridge where she chose to specialise in Modern British art. “We bought the best examples of their type, but then artworks were affordable £1,500 was considered a lot of money to pay for a painting” she recalls.

Furnishing Badgemore was a joy. “With a gallery in Knightsbridge, the business of arranging, hanging, and moving were part

of my stock in trade - it was just that the area to be filled at Badgemore was so much bigger.”

From Margaret Thomas to Joan Warburton and Lucy Harwood, many of the pictures and artists are associated with East Anglia - a reflection perhaps of Sally’s early life in Suffolk (she was brought up in Woodbridge).

Sworders are pleased to offer the entire contents of Badgemore Grange. The sale will be comprised of 450 lots of pictures, furniture and works of art which capture the style and taste of the owners. “It is a collection which we hugely enjoyed putting together and living with for many years.”

The Sally Hunter & Ian Posgate Collection, Badgemore Grange auction will take place on Tuesday 18 May, for more information about the sale please contact Jane Oakley janeoakley@sworder.co.uk | 01279 817778

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000 Exceeding €500,000

0.5% 0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met: • • • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

Please make sure that you read our Terms of Sale carefully before bidding in the auction.

If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000.

Usually any cheques will need to be cleared before you can take the Goods away.

Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale.

Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive.

Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax.

Shipping Costs are liable for VAT and are payable by the Buyer.

Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for.

Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4.

Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time.

Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable.

Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

4. The purchase price As Buyer, you will pay:

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

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a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the total amount due in any way that we agree to accept payment.

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or recorded delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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www.sworder.co.uk The Stansted Auction Rooms Cambridge Road Stansted Mountfitchet Essex CM24 8GE 01279 817778 auctions@sworder.co.uk Hertford Office 42 St Andrew Street Hertford SG14 1JA 01992 583508 hertford@sworder.co.uk London Office 15 Cecil Court London WC2N 4EZ 0203 971 2500 london@sworder.co.uk