No 59 - Winter 2019
UPCOMING SEASON FASHION PREVIEW
EXCLUSIVE
NICOLE SCHERZINGER The woman who has it all
Nicole is wearing Balmain, (luisaviaroma.com) and D1 Milano watch
EDITOR’S LETTER
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he new year is always a time of fresh starts and good intentions, often involving giving up something. A fresh beginning often implies swearing off things and, in the process, denying ourselves many of life’s little pleasures. For others, a new year means a fresh start, in love, work, and friendship… life in general. Our cover star, Nicole Scherzinger is a great example. Having lived the dream of global stardom with one of the most famous girl groups, the Pussycat Dolls, her artistic talents and her charisma, made her build a successful career in TV as well. And while many wondered what would the future hold for Scherzinger after the X-Factor, she came back strong with another TV show that could be the next big thing on TV: “The Masked Singer”. And speaking of remarkable women, we talk to Silvia Damiani, who tells us the story of her family, one of the last independent family businesses in the world of jewellery. We also talk to HRH Princess Noura Bint Talal Al Saud, and Mrs. Al Johara Al Sleiteen, co-founders of JINO, a Saudi fashion brand that was launched in 2003 and established itself as a well-respected and loved brand in the region. A success story echoing the journey of Kuwaiti designer and entrepreneur Montaha Al Ajil. This new year, we also shed the light on new comers and young Arab designers who are making their mark from the very first collections. Among those, Hissa Haddad, Ohanna, and Huwa, to name only a few. It is also the time for big resolutions, the kind that affect more than your own personal life, but change the world for hundreds, and maybe thousands of people. That is the story of Mohamad Al Jounde, the 17 year old Syrian refugee who built a school for 200 refugee kids, winning The International Children’s Peace Prize. Today, he tells his story on our pages and earns his place in our hearts. On the fashion front, our Great Expectations shoot, shows you all the ways to wear fashion’s freshest offerings, while going on a romantic journey inspired from the Hollywood hit movie. There are also many trends to choose from, as we curate for you several stories shot by our creative collaborators. Meanwhile, for the real fashionista in you, all the spring and summer trends of 2019 in our trend reports, and a detailed section highlighting some of the most prominent ready-to-wear collections. Happy reading and a happy new year from our Velvet family to yours… H.H. Hend F. Al Qassemi Editor-in-chief
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Issue #58 | Fall 2018
PUBLISHER AND EDITOR-IN-CHIEF Sheikha Hend Al-Qassemi (hend@velvet-mag.com)
DISTRIBUTION AND CIRCULATION Al Nisr Publishing, UAE, Kuwait
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CONTENT DIRECTOR Souha Abbas (souha.abbas@velvet-mag.com)
FASHION EDITOR Ameni Shafik (ameni@velvet-mag.com)
Velvet Mexico and Latinoamerica Cristina Mayca (Editor-in-Chief) Cristina.mayca@velvet-mag.lat
ART EDITOR Ifteqar Ahmed Syed
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ADMINISTRATION SUPPORT Sheila Fernandez Joyce Bito-on Denver Dividina
Paris London New York Events LLC P.O. Box 68800; Sharjah, UAE Phone: +971 6 525 4114 l Fax: +971 6 525 4224 www.velvet-mag.com l www.velvet-mag.ru l www.velvetmagazine.it l www.velvet-mag.lat Velvet Magazine is published by PLNY Events & Publishing. Reproduction in whole or part of the magazine without permission from the publishing house is strictly prohibited. Velvet magazine is fully independent and its views are those of any company mentioned herein. All copyrights and trademarks are recognised and all images are used to the purpose of review only. For subscription rates please contact. info@velvet.ae
Issue #59 | Winter 2019
CONTENTS
Cover: Nicole Scherzinger Styling & Fashion: Luisaviaroma.com
02
Editor’s Letter
38
Guerlain First Boutique in Saudi Arabia
08
Style News
12
SS 2019 Runway Trends
40
Capture Youth: The Magical Solution!
16
Christian Louboutin Black Tie Party
42
Wellbeing journey at Cheval Blanc
18
Fendi Peekaboo
46
20
Louis Vuitton Accessories SS2019
Van Cleef & Arpels Alhambra Timepieces
47
22
Hottest Bags Trends
Diamond Earrings Trends
26
Emerging Designer: Hissa Haddad
48
Interview: Sylvia Damiani
28
Emerging Label: Ohanna
52
HUWA: Emerging Men’s Jewelry Label
32
Lancôme Teint Idole
54
34
Giorgio Armani Beauty Matte lipstick
Cartier Stunning Timpieces
56
Trendy Black Watches
35
Gucci’s Alchemist’s Garden
58
Meet the Stars of Bad Snappers
36
Dior Forever
Page 155 Spring Summer 2019 RTW Collections
Valentino RTW Spring Summer 2019
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Page 26 Designer Hissa Haddad
CONTENTS Page 140 Fashion Influencer Noonoouri
60
In the world of Hardeep Pendhal
62
Latin Americans at Miami Art Basel
64
Hotel: The Franklin London
66
Six Romantic Hideaways
70
Cover Girl: Nicole Scherzinger
80
Great Expectations
96
Beauty Shoot: Timeless
102 Bright Days 110
Valentine
118
Before The Spring
132
Royal Interview: HRH Princess Noura Bint Talal Al Saud
136 Tunisian Diva Ghalia
Binali: A tribute to Um Kulthum
140 Fashion Influencer : Noonoouri
144
True Story : Mohamad Al Jounde
150 Saint Laurent Celebrates Belle De Jour
152
HSH Prince Albert de Monaco’s Fundraiser
155
Velvet Special : Spring Summer 2019 RTW Collections
Page 132 HRH Princess Noura Bint Talal Al Saud VELVET
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Hend F Al Qassemi
The Black Book of Arabia Third Edition
Hend F Al Qassemi presents The Black Book of Arabia, a collection of true stories, who live and love in the Middle East. They tell tales of love, lust, betrayal, and heroism of the private lives of contemporary Arabian Gulf women. These candid, moving and inspirational tales will resonate with readers around the world- discovering characters who preserve, learn and grow under the most extraordinary situations. You will discover a lady whose best friend literally tries to steal her wedding, down to her bridal shoes and fiancÊ, a bride who mysteriously goes blind on her wedding day and stays blind for years, and a young woman who finds herself blackmailed by high-tech deviant. Whereas another story is of a wife who tests husband’s fidelity, by luring him into a relationship with another woman. Every tale is full of mixed feelings with unexpected endings, that captures the sprit and wisdom of truths of contemporary Arabian Gulf women.
#TheBlackBookOfArabia
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www.blackbookofarabia.com
STYLE
SEASON TRENDS
From the runway to your wardrobe: the latest trends to keep an eye on for the upcoming spring and summer season.
IN THE SPOTLIGHT Hissa Haddad, Ohanna
Versace SS2019
LATEST
THE LATEST IN FASHION, BEAUTY, AND LIFESTYLE
BURBERRY’S CHINESE NEW YEAR CAMPAIGN Burberry has unveiled its new Chinese New Year campaign, celebrating family traditions and togetherness during the festive period. The campaign, shot and directed by photographer Ethan James Green, stars Chinese actresses and Burberry brand ambassadors Zhao Wei and Zhou Dongyu, who make their Burberry campaign debut. Inspired by classic portraiture, the campaign is reimagined in an informal urban environment, juxtaposing the old and the new, the traditional and the contemporary. The campaign features classic Burberry pieces including archive-print scarves, the trench coat and tailoring, contrasting with urban staples including hoodies, t-shirts and joggers.
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RYAN REYNOLDS, THE NEW FACE OF ARMANI CODE FRAGRANCE Giorgio Armani beauty announced Ryan Reynolds as the new face of its Armani Code fragrances. The new Armani Code campaign starring the Canadian actor and producer will be released worldwide in February 2019. “With his status of modern male figure of self-fulfillment, Ryan Reynolds perfectly embodies the modern sensuality of the Armani Code man: someone with charisma, authenticity,
an effortless style, and the right dose of irony”, said Mr. Giorgio Armani. The first campaign starring the actor will be dedicated to Armani Code Absolu, the new Armani Code fragrance. The film was directed by Reed Morano, Emmy Award winner for the series “The Handmaid’s Tale”, and the shots were made by photographer Matthew Brookes. Originally introduced in 2004, Armani Code is the modern
embodiment of self-fulfilment and personality, of a man who effortlessly masters the art of seduction. The fragrance ranks in the top 10 of men’s fragrances worldwide.
GIVENCHY’S WORLD LARGEST STORE The new Dubai Mall Givenchy store, one of the largest Givenchy stores worldwide, is located in the fashion avenue. With its sleek black granite in pleated shapes over the full facade height and gold lettering, the Givenchy boutique makes a striking statement. Inside the 331 square-meter space, and 4-meter-high ceilings the store houses Clare Waight Keller’s women’s and men’s ready-to-wear and accessories collections displayed in line with
the Brand’s DNA. The store also boasts a VIP room with dedicated fitting rooms made of mirror and pink velvet walls. Like the Givenchy runway, the retail space keeps a modern focus with architectural rigor and a black ground even as it brings out certain details of the House’s heritage. For example, herringbone oak flooring with natural finish has been installed in the spirit of traditional Parisian parquet. VELVET
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LATEST
GUIRLANDE DE CARTIER Cartier is captivated by its most iconic object: the case. Taking it in new directions, the Maison once again lays claim to a creative vision that unveils beauty in all its forms, from function to design. More than just a bag, Guirlande de Cartier is the very essence of a Maison infused in a formidable form with eight clean-cut facets carved into luxuriant supple calfskin and stamped with a gold frieze. The collection currently showcases three sizes of a single silhouette, soon to be enriched in
GUERLAIN ABSOLUS D’ORIENT Encens Mythique and Bois Mystérieux join Guerlain’s Absolus d’Orient collection. They are held in a lacquered bottle in a brown shade for Encens Mythique and an orange-toned hue for Bois Mystérieux. Within the same collection, “Encens Mythique”, a flourish of frankincense that caresses a spicy rose with ardent accents. “Bois Mystérieux”, a radiant jasmine that dares to fuse with the distinguished, ten-
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ebrous strength of a deep leather and two of the most precious woods – cedar and patchouli. “Oud essential”, a charismatic oud wood note, with powerful leather notes and the softness of a bouquet of Bulgarian and Turkish roses. “Santal Royal”, sandalwood with dark leather notes and floral notes of jasmine and rose. And “Musc Noble”, warm and powdery musk, with rose, saffron and cedar wood.
Spring 2019. The same three colours of leather found historically on cases adorned with a golden wreath – “garland of flowers” or “butterfly” – reminiscent of the century. The set finishes off with an exquisite edition of a miniature bag in patent crocodile. The black velvet inside the bags has been turned into a leather lining. The Maison’s persona runs deep in this collection. Its three native cities – Paris, London, and New York – are stamped on the front of a mirror that slips into a secret slot.
GETTING PHYSICAL If you chose to start the New Year right with a refreshed activewear wardrobe, then you’d probably want to also get strong in style with Net-a-Porter’s curation of sleek sportswear. There is an array of pieces tailored for high-impact trainings with Koral, Vaara and Tory Sport along with comfortable cropped shapes ideal for yoga and dance from Nagnata and Year Of Ours. With styles from Fendi and Heronie Sport that will take you effortlessly from boxing to brunch, and those finishing touches from Nike, Adidas and La Vie Boheme to get you 100% workout ready for the year ahead. net-a-porter.com
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STYLE
TOP TRENDS FOR SPRING SUMMER 2019 From Paris and Milan to London and New York, every fashion week featured outstanding outfits and lust-worthy looks for the upcoming spring and summer 2019 season. Here, we’ve rounded up the top trends from the season for you to add to your shopping list.
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LEOPARD PRINT
Surprised to see leopard print all over again for spring 2019? It could be easy to sense that animal motifs have reached their peak already this year, but according to the runways— and the statistics that go with them— fashion’s best friend is still very much at your side.
1980S.. AGAIN
The eighties come back for yet another round of inspirational looks, with strong shoulders, lamé, glitzy party dresses, skirt suits, logos, and gaudy accessories that all echo the eighties most outrageous trends.
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STYLE
BEIGE
There is a certain relaxed elegance that subtly threaded its way through many shows—often coming in simple, demure silhouettes rendered in equally soft colours like oatmeal, biscuit, blush and off-white. In basic terms, we’re looking at a spectrum of beige, but in fashion terms, that’s one of the chicest things a girl can wear. This colour palette looks grown-up, sophisticated and expensive.
NEON
Reflective of both the 1980s comeback and a growing interest in cyberpunk, every kind of highlighter-bright colour hit the runways across New York, Paris, Milan and London. Some designers used satins and lace, others kept things casual in cotton. The trend has already managed to make its way onto the streets, offering IRL inspiration for what can seem like a daunting palette to tackle.
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PRAIRIE DRESS
Yet another continuation from this summer (and, therefore, more good news for the potential to re-wear things you already own), the prairie dress is about to become an even bigger deal for summer 2019. These long-sleeved, long-length, often floral or broderie anglaise styles are just the kind of “throw on” dresses we’ve been craving for years.
HUGE ACCESSORIES
If your accessories for spring/summer 2019 aren’t big enough to warrant their own postcode, fashion isn’t interested. Although mini bags and barely there will still be present, the most outrageous It pieces of the season are going to, quite literally, be huge, think hats, chunky necklaces, and statement shoes, earrings, etc.
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STYLE
CHRISTIAN LOUBOUTIN’S BLACK TIE:
LET’S PARTY! With Christian Louboutin, the New Year’s celebration is only the beginning of a non-stop party season!.. Check out the Black Tie collection for the ultimate party footwear. By: Mona Salem
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DEMONSTRATING HIS SINGULAR HUMOUR, CHRISTIAN REVEALS NEW STYLES WITH BOWS AND TIES DIVERTED FROM MEN’S WARDROBE.
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hristian Louboutin’s Black Tie collection is an open invitation to celebrate! A collection that diverts the codes of formal parties: Iconic signature styles are turned around, reinvented, forever compelling. The most daring embellishments are on display with strass, embroideries and fine lace. Women’s shoes are adorned with unusual features. Demonstrating his singular humour, Christian reveals new styles with bows and ties diverted from men’s wardrobe.
Covered in luminous strass and gleaming Louboutin signature, the Marie fane Bucket is the ultimate party accessory. As for men, they are gifted this season with fancy loafers. Luxurious statement, the extravagant Laperouse style stands out with unquestionable chic. On top of pitch-black velvet, the initials C.L are embroidered in a brightly lit arrangement of golden strass and coloured gems. With the Ascot boy, men can now also walk the parties like they were awarded eye-popping decorations. Get prepared for some spectacular entrances!
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STYLE
FENDI PEEKABOO X-LITE A TIMELESS LUXURY ICON The X-Lite takes Peekaboo to the next level, showcasing once again Fendi’s savoir-faire and limitless creativity with the research of high-quality materials and attention to details.
T Naomi Watts at the 75th Venice Film Festival
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he Peekaboo X-Lite, is the latest member of Fendi’s Peekaboo family and evolution of the iconic bag designed by Silvia Venturini Fendi in 2008 which is now unveiled in an unexpected unstructured version. Whilst maintaining its emblematic look and allure, the Peekaboo’s design is deconstructed in a modern and functional hobo-shaped silhouette which is x-lightened from the original central bar and middle frame that have always been part of the bag. The result is a strong yet extremely soft at sight and at touch structure, a perfect balance that infuses this timeless bag with a new contemporary and relaxed attitude.
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1. Naomi Watts 2 & 3. Clémence Poesy both wearing Fendi Cut Eye sunglasses and carrying the Peekaboo X Lite bag
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The softest and smoothest leather is used both for the outside and the inside of the bag, exasperating the “smiley look” of the Peekaboo and focusing the concept of preciousness on the use of high-quality materials and minimalism. Hand-painted sides further highlight the pure and artisanal aspect of this luxurious creation. The colour palette of the Peekaboo X-Lite reflects the minimal and urban felling of the bag, with neutral hues – such as black, moss green, brown and beige – colour-contrasted by the only internal pocket in pastel, neutral tones or iconic FF logo jacquard. In some variations, the FF logo also embellishes the internal lining in soft shearling. The gold and silver metal accessories are inherited by the relative Essential, fitting the con-
temporary need of functionality with aesthetics. The frontal closure, characterized by the iconic Peekaboo twist lock, is in a chic ‘bite’ version, while the details on the side feature an aerodynamic diamond-cut design. Pure expression of the Mai-
son’s expertise and craftsmanship in the leathergoods world, this latest declination of the Peekaboo perfectly adapts to a cool and contemporary woman in search of an effortlessly chic and versatile every day bag. #FendiPeekaboo VELVET
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STYLE
LOUIS VUITTON: INVENTING NEW LANDSCAPES Louis Vuitton’s Spring Summer 2019 accessories collection reconnects the luxury fashion house with a history deeply rooted within the world of travel and adventures.
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By: Mona Salem
ith a play on graphics and volumes, a conquering silhouette sets off on an adventure of pure sartorial exploration; Louis Vuitton’s accessories collection for the new season evokes souvenirs of expeditions to faraway lands. Classicism counterbalances exotic locales; the refinement of savoir-faire contrasts with the hardiness of nomadic equipment. The clothes’ reliefs create panoramas unto themselves; the confrontation of colours and motifs recount a tale of adventure. This absolute voyager conveys a world she has made her own. The Louis Vuitton House crosses and blends territories, creating an illusion of ideal geography. louivuitton.com
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THE REFINEMENT OF SAVOIR-FAIRE CONTRASTS WITH THE HARDINESS OF NOMADIC EQUIPMENT.
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STYLE
HISSA HADDAD:
STEPPING UP IN STYLE Hissa Haddad grew up in house full of brothers, her love for design comes from her father and his sketches, but also from her mother who was always coming up with creative ideas to add her personal touch to her clothes and accessories. Today, with her name brand, Hissa Haddad is already making waves in the world’s top fashion cities. By: Mona Salem
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issa Haddad is a luxury footwear label of Italian made shoes designed by female entrepreneur and designer Hissa Al Haddad. After two years of meticulous research and design, the ‘Hissa Haddad’ brand was launched during Paris Fashion Week, October 2017 with its first Capsule Collection of 10 designs. The brand was also selected by the British Fashion Council to be part of the London Fashion Week Designer Showrooms in which the brand launched their second collection Capsule Collection II of gem stone inspired shoes. Inspired by historical art, architecture and the love of fine jewellery, each pair is draped with the finest materials of satin and leather, and hand encrusted with gems. Shoe design is quite an unusual direction for women designers, especially in our region. How did you chose this category? I have selected shoe designing based on my love for shoes and the love for making it perfect. The other thing I have always dreamed of is having a comfortable high heel that fits me perfectly, heels that I can walk in all day long. I also perceive shoes as the most important accessory to what a woman is wearing and they should stand out. I have started my career as an engineer and shifted to design while I was doing my master degree studies. This category of design is unusual in our region but that motivated me to do it even more. That is why I make sure my designs have that special aesthetic touch linked to our region. What was the first design you have ever made? What was your feeling seeing it as a ready product? I have drawn many designs. However, I have only started the sampling/manufacturing pro-
cess with my capsule collection. Although the first sample was not as per my requirements and required me to work through it and through the design again. I have seen it as an achievement to see the progress. Tell us about your latest collection, what was the inspiration behind it? The Signora collection is inspired by the Arabic/Islamic architecture with a modern and simple touch. How much time does it take to prepare a new collection? Within the process research, designing and sampling it takes between 8 – 10 months to get the final samples. How important is it in shoe design to follow the main season trends? It is very important as the seasons trends are changing and the customers would be looking for the trends promoted for that specific season. What are the main traits that distinguish your creations in your opinion? Our signature design of cutout and the way we have developed the shoes to be comfortable. Who are the designers who influenced you most in your career? I am mostly inspired by the success stories rather than designs, such as Salvatore Ferragamo, who was considered a visionary. How do you see the design scene in general in the Arab region? It is continuously improving and many designers are being introduced to the market and having the strategy to become international. What are you plans for the future? To launch the brand in different countries around the world.
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STYLE
OHANNA: ULTRA MODERN EGYPTIAN FASHION LABEL FOR INDEPENDENT WOMEN
The Egyptian fashion scene is changing, fast, and a new generation of ready-to-wear designers are adding a new flavour to the Arab fashion ecosystem. On this new map, a name stands out: Ohanna. 24 | VELVET
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ounded in Alexandria, Ohanna is inspired by ancient Egyptian history and its powerful human civilization. The brand pays tribute to its ancient kingdom through the revival of pharaonic iconic designs in their first collection. The FW’19 collection presents comfortable yet luxurious pieces that offers uniquely edgy day and night looks, from jogger sets to dresses. Through its transformable and versatile designers, the collection gives women the opportunity to express uniqueness, diversity and beauty through its glamorous practicality. The FW collection
garment linings are made from silk and satin, embodying the ancient Egyptian designs found in temple wall art, transforming them into modern patterns and refined motifs. Rebirth of the Nile features a variety of pieces that can be mixed & matched, and deconstructed into several different looks getting the most out of each piece. The “KISSA” jogger set, meaning Twins in Ancient Egyptian as it comes in two colors, Neon and Beige, is a set of a cool joggers and a shirt that can be transformed through its adjustable strings, wear it as a jacket in the morning and a cropped one at night. The “TUYA” look meaning Sunbeam, has pane-
OHANNA IS INSPIRED BY ANCIENT EGYPTIAN HISTORY AND ITS POWERFUL CIVILIZATION.
ling neon details similar to sun rays, can be zipped and worn as a dress for a day look or transformed into a night look by unzipping the piece and turning it into a crop top and matching skirt, folding the shoulders of the shirt to showcase the patterns for the extra edge. www.ohanna.co
CREDITS: Photography & Art direction: @malakelsawi Model: @helene.selam.prosperitee MUA: @dianaharbymua Hair: @_mayden_hell_ Assistants: @ghadahesham, @wanderholic, @jamilaayman,@varatenseva Fashion Assistant: @salmasangary VELVET
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STYLE
6 HOTTEST BAG TRENDS The coming season has loads of unique bag styles that you will be sure to see all over the place once spring 2019 rolls around. Take note of the 6 trends that you will need this season. By: Lina Chehab
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TRANSPARENT
Transparent handbags will continue to be a popular choice through the spring and summer season. Some may see this as a liberating opportunity to let their choices out there for all to see.
Emporio Armani
Fendi
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STYLE
Alberta Ferretti
Fendi
BELT BAG
If you haven’t tried the belt-bag trend yet, now is your chance. The look will be sticking around through spring 2019.
Alberta Ferretti
DRAWSTRING
The mini drawstring clutch is probably something you haven’t thought about since your high school dance, but the vintage silhouette is making a huge comeback.
Giorgio Armani
Ikks
Balmain
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Gedebe
Hermes Alberta Ferretti
Philip Lim
CROCHET
Crochet handbags are surprisingly low-key for how many trend brackets they cover, with the ideal one being more structured than your average one flap crossbody.
Alberta Ferretti
BUCKET BAG
These efficient totes come in all shapes and sizes, making them easy to work into any look.
Mansur Gavriel
J,W Anderson
Hugo Boss VELVET
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STYLE
Jill Sander
Ermanno Scervino
HELD-AT-THE-HIP
Not only is the supersize shoulder bag trend on the upswing, but this 2019 style isn’t shy about taking up space and occupying a bit of hip support in order to carry it around.
Stella McCartney
Versace
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BEAUTY
ALL ABOUT THE FACE From revolutionary skincare solutions, to finding the best foundation.
SPA-CATION Spa and activities at Cheval Blanc Courchevel and Randheli
Papaya is one of the natural ingredients in Dior’s Capture Youth
BEAUTY
TEINT IDOLE ULTRA WEAR LIFEPROOF BY LANCÔME With a formula distinguished by its superlative colour expertise, longwearing perfection, and maximum coverage, Teint Idole Ultra Wear liquid foundation by Lancôme works all day long to give a zero-defects complexion tailored for you. And now, Lancôme is introducing the Teint Idole Ultra Wear Lifeproof routine.
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TEINT IDOLE ULTRA WEAR LIFEPROOF BY LANCÔME INTRODUCES FOUR NEW BEAUTY BOOSTERS.
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uilding on its expertise in perfecting the complexion, Teint Idole Ultra Wear Lifeproof by Lancôme introduces four new products that are real beauty boosters, helping amplify and reinforce the qualities of Teint Idole Ultra Wear liquid foundation for everyday wear. Prep & Matte is for skins that tend to get dehydrated, Lancôme introduces a mattifying and refreshing foundation primer. Applied under Teint Idole Ultra Wear liquid foundation, it provides skin with all-day moisturisation while also reducing the appearance of pores and minimising shine.
Blur & Go Stick is your best ally for touching up on the go. Used whenever you like during the day, it lets you touch up your look wherever you are. It contains light-reflecting particles that blur imperfections with just one stroke. Thanks to its invisible universal coverage, it reduces the appearance of lines and little blemishes on the skin – all without using any colour, or altering your make-up. Long Time No Shine Setting Powder is an essential beauty aid. Applied to the skin over liquid foundation, its comfortable, invisible imperceptible formula enhances any look by eliminating shine. Available in a trans-
parent shade for light to medium skins, and a deeper shade for those with darker skin, it boosts the hold of your foundation while maintaining its colour throughout the day. Finally, Fix It Forget It Setting Mist is a fixative spray that holds make-up in place for 24 hours, offering a transparent, non-sticky and sheer formula that protects skin thanks to its anti-pollution barrier. Sprayed on after applying make-up, it not only offers long-lasting protection – it also takes care of skin throughout the day thanks to its beneficial ingredients and the anti-pollution properties of its Vitamin C, moringa and hyaluronic acid.
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BEAUTY
ROUGE D’ARMANI MATTE
EIGHTEEN SHADES OF SEDUCTION Giorgio Armani beauty introduces a new generation matte for the trailblazing Armani woman: Rouge D’armani Matte, in 18 shades.
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n defiance of convention, Rouge D’armani Matte pushes the limits of possibility with a groundbreaking formulation process. Intense, long-lasting colour and comfortable feel are now united with an extreme matte finish – all in a single stroke. Renowned for matte lipsticks expertise, Giorgio Armani beauty unveils a new makeup accomplice set to make matte irresistible.
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The Concept Rouge D’armani Matte lipstick promises comfortable, yet intense coverage, with a lasting matte finish thanks to a micronized pigments process. Containing up to 50% more pigments than a traditional matte lipstick, the secret to the Rouge D’armani Matte formula lies in the amount of dry materials within it. Giorgio Armani beauty laboratories were able to limit the amount of oil in the
formula, optimizing pigments and oil-absorbing fillers.The high concentration of pigments takes matte to new heights, dressing lips in more even, extreme colour and maximum coverage. The easy-wear matte finish comes courtesy of a newly optimized filler-to-oil ratio that does not feel dry. A light-diffusing gel makes up ¼ of the formulation: diffusing and scattering the light, it turns lips soft focus, for a rich matte finish
that looks smooth and supple, rather than dry. An emollient paste agent, ester oils and a hydrogenated jojoba oil make for a creamy, glide-on application sensation. A unique formula, the addition of spherical powders delivers a lip-filling effect on the surface for powerfully seductive smooth lips every time. The Colours Rouge D’armani Matte comes in 18 on-trend shades, a spectrum of sophisticated nudes, pinks, oranges and powerful reds. All packaged in Armani elegance with a red and black motif; a mattified lipstick with sleek, graphic lines and the iconic magnetic click come together to complete lips’ new one-stroke secret.
THE ACHEMIST’S GARDEN BY “GUCCI” Inspired by the science of alchemy, Alessandro Michele reimagines the path of transformation from lead into gold with the art of fragrance making to create seven eaux de parfum, four oils, three acque profumate and a candle.
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or Gucci’s latest high perfumery collection, The Alchemist’s Garden, Alberto Morillas worked with Alessandro Michele’s vision using pure natural plants and flowers layered with modern molecules. Blended through rediscovery, a hero ingredient is magnified for each scent: Oud, Amber, Violet, Iris, Mimosa, Rose and Woods. Every fragrance and every formula is created as an unicum, telling the story of a place, a moment, a season, and a smell of memory. “The oils and acque profumate create individual statements. Personalize your beloved scent with an oil or a floral water to build a unique sillage. Each oil or floral water of the collection can be layered with each eau de parfum. Just play with the scent to find your favorite, as an alchemist would work to find the gold formula,” Alberto Morillas. The design of the bottles is
inspired by the bottles found on wooden shelves of a vintage apothecary, curious pharmacy jars and the first perfumery containers. Gold lettering, decoration and animal symbols appear on the seven eaux de parfum contained in lacquered glass bottles with stoppers. All of the scent flacons are white except for The Voice of the Snake which is black, and A Song for the Rose—in a shade of blue chosen by Alessandro Michele. The blue bottle recalls one he saw in his mother’s bathroom, that was filled with the essence of roses. The three acque profumate are in a specially designed white lacquered glass bottles decorated with Gucci’s feminine and whimsical pink rose print. The four oils are in sage green toned lacquered glass bottles and reveal a touche oreille, a glass pipette style applicator. A candle imbued with the scent of The Virgin Violet is in an ornate white porcelain jar, richly decorated with real gold. VELVET
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BEAUTY
FOREVER SUBLIME Not simply concealing, but truly revealing all the skin’s sensuality – therein lies the true magic of foundation. In 2019, Peter Philips, Creative and Image Director for Dior Makeup, reinvents this seduction and self-confidence booster with Dior Forever.
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he iconic Dior Forever fluid foundation, a longtime reference thanks to its high-perfection, imperceptible and long-wearing formula, now goes even further by offering all women longer 24hour wear with comfort thanks to a reinforced skincare action. A new, highly desirable, Dior Forever Skin Glow foundation has been added to the now-cult natural matte finish. Women’s hearts will oscillate between Dior Forever and Dior Forever Skin Glow, depending on their style, their mood and the time of day. A well-calibrated range of 67 shades matches every subtle nuance of all skin tones. The palette of beiges is available with hues and tones of rose, amber, olive, and peach to fuse with every skin tone, from the lightest to the darkest. Forever enhances and cares for the skin of every woman, giving them the opportunity to reveal the best of themselves. Women will love their skin in Dior. THE SECOND SKIN EFFECT To create a second skin that stays true all day long, Dior laboratories have perfected the already cult Forever formula, incorporating new structural agents. The first is hydrophilic, creating a perfect adherence to the skin as well as an elasticity that renders the makeup film even more fusional. The second prevents the foundation from becoming destabilized by heat or humidity, enabling it to stay perfectly in place with unrivalled comfort. Both the Forever and Forever Skin Glow finishes also contain specific ingredients that reinforce their high-fidelity finish. THE ICONIC DIOR FOREVER MATTE Spherical powders ensure glide, while absorbant beads
WHATEVER RELATIONSHIP WOMEN HAVE WITH THEIR MAKEUP, EVERYONE WANTS THAT PERFECT, SUBLIME COMPLEXION THAT FOUNDATION GIVES THEM. — PETER PHILIPS
help neutralise shine and create an ideal velvety finish. Transparent particles comfortably fix the foundation and reveal an absolutely perfect colour finish while avoiding a mask-like effect. DIOR FOREVER SKIN GLOW Lightweight oils, chosen to add glide and sensoriality, evaporate upon application. Hydrating agents add luminosity and offer a plump skin
sensation while improving adherence to the skin. A radiant powder boosts ideal light reflection. Thanks to Peter Philips’s colour expertise, Forever and Forever Skin Glow provide a colour palette that adapts to every skin tone. 67 shades reveal tones of cool, rosy, neutral, warm, peachy and olive beiges and browns for all different skin colours, whether light or dark. Its beautifying veil is undetectable on the face, so all that can be
seen is the sensuality of perfect skin. The pigments benefit from a plant-derived hydrophobic coating, which resists humidity. The colour doesn’t move, doesn’t change and doesn’t fade. THE CAMPAIGN Natalie Portman, free and joyful, is back in front of David Sims’s camera. Her foundation is more than skin deep. Confident of having beautiful skin, seduction becomes a game which she’s sure to win. VELVET
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BEAUTY
GUERLAIN OPENS FIRST BOUTIQUE IN THE MIDDLE EAST Located in Riyadh Park, Saudi Arabia, Guerlain opens its first store in the Middle East and it is entirely dedicated to fragrance.
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he newly opened Guerlain store pays tribute to the profession to which our House owes its renown since 1828 : the profession of Perfumer. Through a fabulous presentation display, made possible thanks to the previously unseen archives from its heritage, Guerlain invites you to discover the World and Wonders of the perfumer. Alchemist, botanist, explor-
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er, creator : the Perfumer is a fascinating, mysterious being, the fruit of whose work – the creation of a fragrance – has unique qualities. A scent leaves a lasting impression, arouses emotions, evokes sensations. Jicky, L’Heure Bleue, Mitsouko, Shalimar, Vétiver, Samsara, Mon Guerlain, Santal Royal etc. are all iconic creations with the ability to take the imagination on a journey through time and space. To nourish his art, the Per-
fumer explores the world on the hunt for the most remarkable natural raw ingredients; elements that distinguish a true fragrance trail. From the founder, Pierre-François-Pascal Guerlain, exploring Imperial Russia in a stage coach on the search for his birchessence, through Jacques Guerlain and his Indonesian Benzoin, to Thierry Wasser and his Indian Vetiver, for which he developed a sustainable and ethical supply channel, the perfumer
GUERLAIN’S 110 CREATIONS ARE PRESENTED AS 110 CHAPTERS IN THE HISTORY OF FRENCH PERFUMERY.
leads us to magical lands where dream and reality, the conscious and the imaginary become one, all the better to blend together. Guerlain’s new boutique, served by an exceptional heritage, showcases the richness and unique profusion of Guerlain’s world: 110 fragrances are available out of the 1,100 created since 1828. It offers visitors a customisation and fragrance consultation service to guide them in their choices. The colored bee bottles which are exclusively available at the Guerlain Parfumeur boutique, can be refilled at the fountains, which highlights our commitment to the environment and sustainability. With 110 immediately available fragrances, one thing is clear : fragrance is Guerlain. Designed as a fragrance library, the only one of its kind in the world, Guerlain’s 110 creations are presented as 110 chapters in the history of French perfumery, classed according to the perfumer’s 14 favourite raw materials. These natural raw materials so beloved by Guerlain, known as the “Guerlinade”, perfectly expresses its spirit of creativity, its sense of daring, the art of overdosing and short formulas. A digital consultation to find your fragrance. Discover your fragrance profile thanks to a digital consultation. Fun, fast and
incredibly accurate and effective, the digital consultation designed by Guerlain enables you to create your unique and personal olfactory profile in just a few clicks, to guide you in your search and find your signature fragrance. A unique fragrance cellar that takes account of the light and ideal temperature (to the degree) for keeping Guerlain fragrances – just like grand cru wines – in the legendary Bee bottle. Enjoy without moderation! 27 fragrance fountains for filling and refilling your Bee bottle while protecting the planet. Jacques Guerlain was in the
habit of coming down from his office to the boutique at 68 Champs - Élysées to listen to his customers’ remarks, have them smell his creations in progress and gather their impressions. The Perfumer’s workshop is a place overflowing with creations, colours and materials, where Guerlain expertise and the creative imagination of its clients comes together. True to this spirit of exchange and conversation,the Riyadh Park Boutique is now offering the unique experience of being able to choose the look of your fragrance as you wish. Bottles, colours, per-
fumes, neck bows, tissue paper… Guerlain provides the materials and shares its know-how with the artist that lies in everyone. In this Boutique dedicated to the art of fragrance,everyone can choose their colour for the iconic Bee bottle from a new collection specially created for this location in a -125ml size*. Three sizes** are available in the white and golden Bee bottle collection. You can then have your bottle filled at one of the twenty-seven perfume fountains, each containing one of the house’s iconic fragrances. It is then time for the personalised decoration. VELVET
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BEAUTY
CAPTURE YOUTH DELAYIG AGE EFFECTIVELY Inspired by predictive medicine, Capture Youth by Dior is the first proactive mix & match regimen. This state-ofthe-art customized program is capable of boosting the skin›s youth capital and delaying signs of aging . 40 | VELVET
STRENGTHEN THE MIX & MATCH APPROACH WITH A NEW SERUM DEDICATED TO STRESSED SKIN.
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ith Capture Youth, Dior targets the weakest skin through a rescue serum that acts in synergy with the Age-Delay Advanced Creme to repair on the surface and protect the skin’s youth capital deep within. Everywhere in the world, there is an upsurge in the number of people with very dry skin, particularly linked to our increasingly more extreme climates. Sooner or later, all skin types are subject to aggressions (due to the cold, air conditioning, etc.) or seasonal stressors. A pillar of the Capture Youth program, the Age-Delay Advanced Creme doubles the antioxidant power in 2 hours, to protect the skin’s youthful beauty for as long as possible. In addition, targeted active
serums (plumping, mattifying, soothing, illuminating or lifting) meet the needs of every skin type. By expanding on its logic of the hyper-personalization of cosmetic routines, the Capture Youth regimen has been strengthened with three new innovations. Strengthen the mix & match approach with a new serum dedicated to stressed skin Designed as a hero product, Intense Rescue, the Age-Delay Revitalizing Oil-Serum, helps restore lipids and protect skin that is extremely dry or fatigued by seasonal stress, for a “reset” effect in record time. Complete the Youth routine with two expert steps: the treating lotion & the eye treatment Dior reinvents resurfacing with a proactive lotion. The Age-Delay Resurfacing Wa-
ter helps clarify the skin daily, strengthen its barrier and stimulate cellular activity. Developed as a result of 3D computer modeling of the eye area, the Age-Delay Advanced Eye Treatment transforms the skin deep within for exceptional anti-fatigue and youth-boosting results on the surface. On the campaign front, Cara Delevingne returns to speak directly with women directly, faceto-face. She confidently shares her Capture Youth beauty routines. She explains precisely the “mix and match” youth regimens adapted to the reality of women’s lives and portrayed in 3 lively films: “Start Me Up” for an express skin rescue, “Eye Opener” to revive your eyes’ freshness and lastly, “A Brighter Solution” to boost radiance and skin quality.
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WELLNESS
A SENSORY JOURNEY TO WELLBEING AT CHEVAL BLANC Two different natural surroundings, two different moods, but the result is the same as both Cheval Blanc Randheli and Courchevel offer you a sensory experience that will make you recharge your batteries in no time and regain your energy, wellbeing, and focus as you carry on with your life on a more serene tempo. 42 | VELVET
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ocated in the serene setting of Maldivian archipelago, Cheval Blanc Randheli proffer their private spa island overlooking the crystal clear waters of the lagoon, offering guests peace and relaxation; while in the prestigious Jardin Alpin of Courchevel, with direct access to the world’s largest ski domain, the Trois Vallees, Cheval Blanc Courchevel Spa invites guests to embark upon an unparalleled sensorial journey that pampers the body and mind – a true immersion into Guerlain’s world of beauty and well-being resides in both Maison’s. YOGA AND MEDITATION Cheval Blanc Randheli’s experience starts by setting sail
aboard a traditional dhoni to the Maison’s dedicated Spa Island, where six thatched villas overlook the crystal clear waters of the lagoon. While the guests enjoy their stay on the Spa Island, they are also invited to taste the healthy dishes of the Spa Bar, to relax in the fresh water of the swimming pool and to enjoy the sun and sand on the island’s private beaches. They can book themselves in for an Aerial Yoga class, combining Indian discipline and acrobatics, recently developed by Szilvia Rung, Yoga and Meditation Teacher on the Cheval Blanc Spa Island. In a 45-minute group or individual session, guests make figures guided and advised by the expert and supported by long silky sheets like yellow rubans. One metre from the
ground, the body moves free from pressure and defies gravity, reversing the gravitational effect. The body feels light and eased of any tension, allowing it to curve and gently become stronger. While Aerial Yoga offers a greater feeling of fulfilment and serenity than traditional yoga, it above all provides improved flexibility of the body and sustained concentration, as the person finds themselves in an unusual situation, suspended in the air. Established on the Cheval Blanc Spa Island, the pavilion dedicated to yoga offers a 360-degree view over the ocean and its crystalline waters so characteristic of Maldivian atolls. In this idyllic setting, yogis can reach a state of absolute well-being and a feeling of calm, caressed by a gentle breeze. Ideal for recharging your batteries, re-energising body and making the most of this stay at Cheval Blanc Randhel HOT AND COLD Cheval Blanc Courchevel Guerlain Spa has drawn inspiration from the specific needs generated by cold temperatures and high altitude to develop a series of exclusive signature treatments and massages, specially designed for winter sports. Besides wonderfully comforting treatments, guests may also enjoy a swim in the infinity-edge pool, an invigorating moment in the ice water plunge pool, or relaxation in the rain shower, the steam room or the sauna. Meanwhile, a newly
BESIDES WONDERFULLY COMFORTING TREATMENTS, GUESTS MAY ALSO ENJOY A SWIM IN THE INFINITYEDGE POOL.
renovated state-of-the-art 65m² Technogym fitness centre overlooking the legendary Courchevel slopes as well as private aquabiking and Pilates sessions are a sporty alternative to a day on the slopes. To complete the wellbeing experience try the
Russian Banya, installed at the foot of the slopes, the Russian banya is the latest amenity provided for our guests’ well-being and enjoyment at Cheval Blanc Courchevel. This dry-heat sauna reaches temperatures of 90 centigrade, it combines the in-
tensity of heat with the power of winter in the woods. As is traditional in Northern latitudes, you purify body and soul with the heat, then tone yourself with the shock of the cold when you roll in the soft snow. chevalblanc.com
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JEWELLERY
HIGH JEWELLERY
Cartier’s “Coloratura”, Tiffany & Co’s “Paper Flowers”, Dior Jewellery’s “Tete de Mort”, and more.
FASHIONABLY YOURS Catching up with custom jewellery creator Mawi Keivom.
Coloratura ring in pink sapphire, morganite, opal and diamonds, Cartier.
WATCHES
VAN CLEEF & ARPELS SWEET AND VINTAGE ALHAMBRA
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historic emblem of Van Cleef & Arpels, the Alhambra collection has constantly renewed itself over time with new creations marked by a timeless elegance. It has taken on a broad palette of natural materials and adopted a variety of symbols, colors, stones and different-sized motifs. The Maison has drawn on the iconic symbol of luck to also enrich its watchmaking universe with the distinctive aesthetic of Sweet and Vintage Alhambra; two beautiful timepieces that interpret the Alhambra symbol with exquisite delicacy. These creations with the allure of jewelry, reaffirm the timeless elegance of Alhambra motif taking up a permanent place in the collection seamlessly complementing other creations from the Maison.
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JEWELLERY
FOR YOUR EARS ONLY
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Make a statement with a pair of high jewellery earrings that will add timeless glamour to any outfit, from the little black dress, to the ballroom couture gown.
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5 1. VAN CLEEF & ARPELS “Victoire” earrings in white and yellow gold, diamonds and yellow diamonds. 2. ESCOBAR DIAMONDS Chandelier arrings in sapphire, white gold, and diamonds. 3. RITZ PARIS BY TASAKI “Glow of the Day” earrings in platinum and diamonds. 5. PIAGET Earrings in white gold, tourmaline and diamonds, from the “Sunlight journey” collection.
5. BOUCHERON “Serpent Boheme” earrings in white gold and diamonds. 6. HARRY WINSTON “Central park mosaic” earrings in platinum, sapphires, aquamarines, emeralds and diamonds. 7. GRAFF Earrings in white gold, diamonds and emeralds from colombia. 8. TIFFANY & Co. “Tiffany Victoria” mixed cluster drop earrings, white gold and diamonds.
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LEGACY
S I LV I A D A M I A N I :
A WOMAN OF SUBSTANCE BY SOUHA ABBAS
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D. Side collection by Damiani
As a child, she was always mesmerized by gems and fine jewellery, and when she joined her family’s company in 1985, promoting the quality and elegance of their creations became a passion. With her creative mind and charismatic personality, Silvia Grassi Damiani became a symbolic name in the world of jewellery and luxury. For the launch of Damiani’s D. Side collection, we talk to Silvia Damiani about business in the Arabian Gulf, media changes, and family ties…
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very day, on her return from school, Silvia Grassi Damiani would stop in her parents’ workshop in Valenza, which was under their house at the time. Every day she would cradle what she then called the ‘little green horse’, a brooch in gold, emeralds and diamonds, under her father’s watchful eyes. She would happily pin the brooch to her dress and look at herself in the mirror; it was only then that she would go upstairs. Her brothers Guido and Giorgio remember family holidays in Asia where the choice of destination depended on the visits to dealers
in precious stones from whom their father would buy. Damiani is one of the few international brands still managed by the founder’s direct descendants - the third generation of the family, Guido, Giorgio and Silvia Grassi Damiani. Today, Silvia Damiani, is Vice President of the Damiani Group. Since 1985, she has been responsible for the external relations and the image of the Group’s brands, contributing occasionally in the design process, winning a Diamonds International Award for one of her creations, the Damiani Blue Moon earrings. The Damiani family love Dubai, the city they often visit, and where Guido owns a house.
I ALWAYS LIKE TO DEFINE JEWELLERY AS THE PRECIOUS DETAIL THAT EMPHASIZES YOUR STYLE AND ELEGANCE. - SILVIA DAMIANI
However, the ties with the Arabian Gulf region go years back, as Damiani has been associated for a long time with reputed local business partners. The jewellery house even opened its first independent boutique last year at The Dubai Mall with further
regional expansion plans in the pipeline. “For a long time we were told it was better to have partners with great reputation in the region and we were quite happy with it, but a year ago, we decided it was the right moment
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LEGACY
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1. Blue Moon earrings, Diamonds International Award 1996. 2. Jaw Bracelet, Diamonds International Award 1976. 3. Emozioni, from the Damiani Masterpieces collection.
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to do it ourselves and to have a standalone Damiani boutique in Dubai as a strategic point from which we can expand in the Middle East. We have a plan in the very near future to open two more boutiques and I am sure that in a couple of months, my brother Guido who loves coming to Dubai, will announce the new openings. More and more we are considering the Arabian Gulf as a very strategic market for our brand”, says Silvia Damiani right after an event that was recently held in Dubai to unveil Damiani’s latest collection ‘Damiani D Side’ consisting of modern daily wear pieces. Designed in 2001 by Hollywood star Brad Pitt and crafted by Damiani’s Master goldsmiths in Valenza, the original D. Side collection also drew inspiration from the circle, with a pair of concentric rings, joined by bril-
liant-cut diamonds. With shimmering white mother-of-pearl, streaky green malachite, deep blue lapislazuli and jet black
wear creations, which means that we can target not only the local clientele in the region, but also the expats, tourists and visitors coming to the GCC from all over the world. At the same time we want to communicate the message to the people who are looking to buy jewellery as an investment. Just like you wouldn’t wear an evening dress if you want to go to the beach, but still want to look beautifully dressed for the day, the same rule applies for jewellery, not only for the young generation, but any stylish woman who is looking for chic and luxurious jewellery that is not too heavy for her daily activities.” The D. Side collection comes not only with Damiani’s signature elegance and style, but also the high quality that made the Italian house’s reputation. “The quality of diamonds and gems in our creations has always been essential. My father was obsessed with quality, and this is something that we carry on in everything that we do. Not every company is so keen on only using stones that are perfectly cut. To us the cut is of great importance as it adds brilliance to the piece. Jewellery is not something you need in your life. It something of beauty for yourself, and the moment you
I ALWAYS LIKE TO DEFINE JEWELLERY AS THE PRECIOUS DETAIL THAT EMPHASIZES YOUR STYLE AND ELEGANCE. - SILVIA DAMIANI
onyx combined with gold and diamonds, the new creations provide a fascinating new interpretation of the famous collection. “Of course we have amazing pieces of high jewellery”, says Damiani, “but we also are diversifying our lines with more daily
decide to buy something special, it should really be special, and that’s the meaning of jewellery. Also as an investment, the best diamonds are certified and that is very important for the future as you will want to pass it on to your children.”
5 Despite their trendy look and feel, the new D. Side collection pieces have nevertheless a certain timeless quality to them. A fact that was explained by Silvia Damiani: “Fashion trends play an important role in our artistic direction when we are about to launch new products or a new line. I always like to define jewellery as the precious detail that emphasizes your style and elegance, so it really depends on your personality. We keep an eye on the fashion trends when we design new pieces, but we also take into consideration that while fashion trends are short lived, jewellery lasts longer, so whenever we create a piece a jewellery, we reflect today’s style, but in a way that makes you wear it for a long time without getting tired of it. That’s why, as a service, we continue our collections. So whereas fashion trends change completely from one season to another, when we add to a collection, we add some elements without changing the design and style drastically. We make it possible for the customer to mix and match, so that if you buy a new piece you combine it with the old one and you get a whole new look.” Among the Masterpiece creations that were shown on that day, the famous Shark bracelet which was designed by Silvia’s mother and won the world Jewelry oscar in 1976. “My mother, Gabriella Damiani, was not a proper jewellery designer”, says Silvia. “She always had plenty of ideas, but when she came up with the idea of the Shark bracelet everybody was surprised because not only did she come up with a new design, but also a new mechanism that is still modern since 1976! I remember that my father was quite happy, because in our family, he was the creative person, and he was not expecting my mother to come up with that, but he was very happy. My mother was mostly a people’s person, she always knew how to talk to people, and how to take care of the customers. But she wasn’t some-
4. Butterfly ring, Damiani Animalia. 5 & 6. Damiani Emozioni rings. 7. Damiani Sophia Loren Necklace.
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one who would be involved in the creative part. Now my mother is eighty four, and she still calls our clients on special occasions, she even remembers the names of some of our clients’ daughters or grand-daughters. She’s the ultimate customer service person, even at eighty-four, I don’t know how she can do that! For myself, I feel very lucky to be working in a family company because I can also spend time with my son, Leonardo, who just turned fifteen.” Silvia Damiani’s main achievement has been guiding the jewellery world out of a static tradition into a dynamic and contemporary dimension, introducing an innovative, high profile strategy for the company’s communication. She selected as brand ambassadors, big celebrities such as Isabella Rossellini, Brad Pitt, Nastassja Kinski, Chiara Mastroianni, Milla Jovovich and Jennifer Aniston, all portrayed by internationally famous photographers like Fabrizio Ferri, Dominique Isserman and Peter Lindbergh. Nowadays, her strategy is adapting to the changes that are witnessed on the media scene. “Social media influencers are very important nowadays, but at the same time, trends are changing drastically and very fast, so by the
WE ARE DIVERSIFYING OUR LINES (…) WHICH MEANS THAT WE CAN TARGET NOT ONLY THE LOCAL CLIENTELE IN THE REGION, BUT ALSO THE EXPATS, TOURISTS AND VISITORS COMING TO THE GCC FROM ALL OVER THE WORLD. - SILVIA DAMIANI
time you figure out how to follow a certain path, there is a new one. There is no other choice but to keep track on what is happening, and to keep forecasting in order to continue. However, I think it’s important to be in connection with the celebrities who are promoting your brand because they really like it. There must be something real in all that, especially as young people get tired easily of influencers who promote everything. So you have to be careful. I think people understand when there is sincerity in what you are pro-
moting and the people promoting it. On the other hand, the old fashioned approach is still beautiful and more prestigious so I don’t think we should abandon this at all. It is important to be famous for doing something, unlike those who are famous because they invent themselves in a certain way and get followers. I think those people saw an opportunity and took it, so that’s smart, but I prefer projects and jobs that are more tangible, and that’s what I hope for the future generation, to be smart and to create.” VELVET
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JEWELLERY
HUWA BY HISHAM WALI JEWELLERY FOR THE MODERN MAN In its latest men’s jewellery collection “Kings and Crowns”, Egyptian label HUWA features a series of creations inspired by symbols from prominent historic eras. By: Mona Salem
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orn in Kuwait, raised in Saudi Arabia, educated in London where he graduated from Richmond University, London, England with a degree in Mass Communications followed by a master’s degree in International Marketing and Management at Westminster University. Egyptian designer Hisham Wali decided to go back to Cairo where he launched HUWA, a fine accessories brand for men after years of personal passion for pins and cufflinks and overall elegant menswear, thus paving the way for aspiring male designers to make their mark in Egyptian fashion. His latest collection “Kings and Crowns” launched for the FW 2018 season, features a series of the brand’s signature lapel pins and cufflinks among
HISHAM WALI PAVES THE WAY FOR ASPIRING MALE DESIGNERS TO MAKE THEIR MARK IN EGYPTIAN FASHION.
other accessories such as bracelets and cigar holders, each inspired by a different historic era. Each creation is made of sterling silver and brass, either plated in gold or platinum, and embellished with precious and semi-precious stones. Set to shed a light on the royal spirit in each one of its wearers, the collection pieces include majestic elements of all kinds from crowns to weaponry
and iconic mythical symbols. The idea of this collection came to designer Hisham Wali after paying a visit to the state-ofart galleries hosed by the V&A museum of London. He likes to consider this collection “a moment of nobility�. Every piece in the collection will add sophistication and take your outfit from regular to regal. huwadesign.com
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WATCHES
CARTIER’S NEW TAKE ON WATCHMAKING DESIGN Cartier’s 2019 watch edition expands the Maison’s expressive capacities. Watchmaking creativity is placed under tension and challenged to faithfully interpret Cartier’s style and to reveal, through this singular vision, beauty in all its guises. 54 | VELVET
Cartier Dual Time Zone Skeleton XL
2 1. Cartier Tank Chinoise Red 2. Panthère de Cartier manchette watch 3. Cartier Révélation d’Une Panthère Watch 4. Cartier Baignoire Allongee.
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n a letter sent to Jeanne Toussaint in the 1930s, Louis Cartier described “a founding concept (...) that lends itself to countless different applications. I think that if suitably handled, it’s destined to become a great success.” A founding concept – that is to say a powerful idea that holds the potential for infinite variations: a vision and momentum that define an endless sphere of creativity. Cartier finds meaning in the decision to cultivate its difference and to delve into themes through a process with endlessly renewable results. This year, Cartier highlights the idea of constant reinvention through the Panthère de Cartier and Santos de Cartier watches. These iconic Cartier creations continue along their respective trajectories, reinventing themselves with every new interpretation. By unleashing this dynamic, Cartier can additionally explore the beauty of the pure form behind one of
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CARTIER HIGHLIGHTS THE IDEA OF CONSTANT REINVENTION THROUGH THE PANTHÈRE DE CARTIER AND SANTOS DE CARTIER WATCHES.
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Cartier’s most iconic models: the Baignoire. It also presents the opportunity to imagine new interpretations of the figurative panther viewed through artistic crafts and jewellery – territories in which Cartier progresses with a careful balance of research and innovation. VELVET
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WATCHES
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DIAMOND EVENING WATCHES When it comes to choosing the right diamond watch for you, simplicity, elegance, and refinement are all key design features. It goes without saying that luxury materials and beautiful craftsmanship are also a must.
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By Mona Salem
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1. Chaumet “Links Lumière” watch in white gold and diamonds, powdered satin strap. 2. Harry Winston “Premier Hypnotic Star Automatic” watch in white gold, diamonds, spinels and rubies. 3. Breguet “Reine de Naples” watch in white gold, diamonds, motherof-pearl, satin strap. 4. Chanel Jewelry “Mademoiselle Private Skeleton Camellia” watch in white gold, diamonds, satin strap.
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5. Graff “Spiral” watch in white gold and diamonds, satin strap. 6. Jaeger LeCoultre “Reverso One Duetto High Jewelry” watch in gold and diamonds, satin strap. 7. Louis Vuitton “Tambour Slim Tourbillon” watch in gold, diamonds and mother-of-pearl, alligator strap. 8. Piaget Piaget Emperador watch in white gold, diamonds.
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LIFESTYLE, ART & CULTURE
SIX ROMANTIC HIDEAWAYS Winter destinatons in the northern hemisphere.
HOMEGROWN TALENTS Meet the stars of Comedy Central Arabia’s Bad Snappers
Palazzina Grassi, Venice, Italy
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ima Iskandarani and Frial Abdelrazek are among the latest talent to join Comedy Central Arabia in its continuing mission to produce more local content, having landed starring roles in the short-form, online show Bad Snappers, which is exclusively made for Instagram, Facebook and online. The production is digitally native and lives entirely on the web. Based on the Comedy Central UK series of the same name. It features five 1-minute long episodes, posted weekly, that follow two young, Social Media-obsessed girls, Rima Iskandarani and Frial Abdelrazak, and chronicles the successes (or lack, thereof!) of their desperate measures to engage their social following. During the 5 weeks the show ran, the short form reached 2 078 000 video views in total. Velvet meets Rima and Frial, to discuss the show, social media, and the recent “BroadcastPro Award” they were awarded in Dubai. In your own words, tell us about this web series? FRIAL: This web series is a depiction of what’s happening now in real life on social media, in a sarcastic and funny way.
RIMA ISKANDARANI AND FRIAL ABDELRAZEK:
COMEDY CENTRAL’S AWARD WINNING FUNNY LADIES To what lengths would people go for the perfect selfie? And how perfect a social media ‘influencer’s life really is? In the critically acclaimed Comedy Central production, Bad Snappers, Rima Iskandarani and Frial Abdelrazek reveal the real face of social media. By: Souha Abbas
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RIMA: It’s a sarcastic depiction of the reality we are living today when it comes to social media and how it affects our lives. How do you prepare for each episode? RIMA: Pulling in from real experiences that I have witnessed be it myself or from friends, influencers…etc FRIAL: All I needed to do was have a look at each episode story board and then recall some real situations that I had seen on social media. How did you prepare for this persona? RIMA: I always remind myself of the humor of the situation. I also try to add more reality through in a humorous and sarcastic way.
FRIAL: Personally I didn’t do much because I have a strong sense of humor and I always like to transfer everything into comedy, so I go through the story board and then I add my personal touch. What was your favorite part of shooting Bad Snappers with Comedy Central? RIMA: It was the set and team itself. We truly enjoyed filming the episodes. It didn’t feel like a job or a chore, in fact it was a lot of fun and we laughed a lot through it. FRIAL: My favorite part was being part of the team and the spirit among us! It was so much fun! What were your expectations when you first started, and what are your hopes now for the future given the success of the series? RIMA: When I first started, I was hoping that the topics be true examples of real life situations and that was very well met. As for the future, I have high hopes that the show will continue to successfully speak to the masses, delivering our message as well as raising awareness on social media realities and impacts, while also making people smile and laugh! FRIAL: At the very beginning, I hoped we were going to be something like Key & Peele (another Comedy Central production) and I was super excited. And then once we started shooting I wanted us really to shoot more episodes with more stories. For the future, I would like to expand and invest this success in longer series mocking different real life problems in the same sarcastic funny way. My big dream is to make a project that combines Arabic Comedy Central and Hollywood styles. That would be very diverse and funny. The series focuses on social media, what is your own take on social media influencers? FRIAL: In Egypt, I would say Yasmin Abd el Aziz or Mona Zaki. I love their comedy style and how they can put some sense of humour even in serious movies. As
for social media influencers, my only take on it is that they only create a perfect picture about what they do. RIMA: Social Media influence has become a job in today’s world. When I was a radio host, I used to interview Influencers on my show and they were all confirming the same message we are communicating through Bad Snappers, which is that what they are portraying is not a reality – it’s not real life and they put a lot of time and effort behind every post, story. However, I also feel that some of the influencers are creating positive impact in the world. In your opinion, how do you think social media affect people’s lives? RIMA: It has taken over their minds and plans. Nowadays a lot of people forget to enjoy the moment as they become more concerned about showing it off to people - it’s almost like they are going out to share it on social media, rather than to actually enjoy it with friends and family. FRIAL: Social media influencers can exaggerate sometimes because they give a fake image of what life should be. They make people think their lives are perfect, which could make some people try to imitate that perfectness ending up with a big disappointment for sure. Comedy Central recently won an award in recognition of the success of Bad Snappers. As the main cast members, how did that make you feel? RIMA: It made me feel proud to be part of a strong and successful team that is making an impact and creating smiles. FRIAL: It made me feel happy and proud and it makes me feel that I am on the right track and of course excited for more projects and more success . What do you think about the locally produced content, what needs to be done in general to
WE TRULY ENJOYED FILMING THE EPISODES. IT DIDN’T FEEL LIKE A JOB OR A CHORE, IN FACT IT WAS A LOT OF FUN AND WE LAUGHED A LOT THROUGH IT.
enrich the Arab locally produced content? RIMA: Some of the content is good and has a message and a meaning. However, sometimes I feel that some of the content is very low quality, with no assigned purpose and thus simply mind numbing. FRIAL: I think that we need to have more faith and to believe in our abilities. We should fo-
cus more on real things that are more related to our Arab world, because normally an audience would like to watch or follow the content that touches them most. And of course. advertising is very important…you have to put great content out there because now the world is coming together and you need your content not only to be locally successful but also internationally. VELVET
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ART
Delving Into The ‘Parodic Parallel Worlds’ Of Hardeep Pandhal The Phantom BAME is a new solo exhibition by artist Hardeep Pandhal which confronts post-colonial traumas with testing humour. By Mona Salem
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ommissioned by New Art Exchange and Primary and curated by Melanie Kidd and Niki Russell, Paranoid Picnic: The Phantom BAME is a cross-site exhibition taking place across two sites in Nottingham (England): New Art Exchange (NAE) and Primary. This dual setting creates what the artist describes as ‘parodic parallel worlds’ into which he projects his frustration of societal structures. Pandhal typically works with non-linear forms of digital video which layer lurid hand drawn cartoons, psychedelic and disorienting narratives with his own deadpan rap music. For Paranoid Picnic, Pandhal has created a new video installation to be presented at Primary. The piece, exploring themes of heritage, acts of remembering and nostalgia, samples scenes from the BBC mini-series Cranford (2007), a Neo-Victorian adaption of Elizabeth Gaskell’s classic fiction.
BY REPRESENTING THE PAST, ALBEIT IN OFTEN FARFETCHED OR WHIMSICAL WAYS, MY INTENTION IS TO PLAYFULLY EVOKE A SENSE OF ANACHRONISM. - HARDEEP PANDHAL
‘By representing the past, albeit in often far-fetched or whimsical ways, my intention is to playfully evoke a sense of anachronism - the act of attributing something to a period to which it does not belong - as a way of writing back or confronting the past,’ explains Hardeep Pandhal. The works presented at NAE continue this dialogue, drawing on a range of historical influences to further Pandhal’s interest in ‘dissonant heritage’ - the way in which societal stories and identities are subject to conflicting realities that warp and shift through time. The exhibits at NAE include an oversized hoodie, redefined by the artist as a cloak. Knitted by Pandhal’s mother, the cloak was then adorned with his own hand
embroidery. Pandhal’s suggestive designs pull the threads tightly together, creating bodily-like protrusions. Pandhal and his mother are divided by language, he speaks little Punjabi, while she speaks little English. What is lost in translation is found, hinting at things that are known without being spoken. The cloak is displayed unfinished, amongst a series of sculptural foregrounds. Perforated with semi-functional head holes, the foregrounds invite visitors to perform and play with identity. However, whilst the sculptures borrow from the distinctly British aesthetic of Victorian-era seaside amusements, the imagery at play comprises Karni Bharni (depictions of hell in popular Indian print culture), an adaptation of
2Pac’s posthumous album cover Makaveli, and an imagined collector character from the collaborative fiction, Monster Portraits, by novelists Sofia and Del Samatar. Hand-drawings, the mainstay of Pandhal’s practice, frame the installation at both NAE and Primary. These include initial sketches for an ongoing graphic novel by Pandhal, tentatively entitled Desi Thugs. Ranging from works on paper to doodles-in-the margins type illustrations drawn freely on the gallery walls, the imagery offers a glimpse into Pandhal’s wider thinking and extends the social commentary feel of his practice. nae.org.uk weareprimary.org hardeeppandhal.com
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ART
ART BASEL MIAMI BEACH 2018 MOVED ALL SOUTH FLORIDA Just as the concept of art cannot be made by a single type of expression, Art Basel Miami Beach goes beyond what the institution represents. The official fair started on December 6 and ended on the 9th of the same month, but the vibes lasted much longer.
By: Fabianny Crespo / Photos: Fabianny Crespo and Reinaldo Ramírez
A
rt Basel Miami Beach had the honour of being one of the first events to take possession of the Convention Center of Miami Beach, Florida. It gathered more than 250 art galleries that brought together world-class artists. The four-day exhibition featured prominent pavillions that would provide the visitor a better experience, such as “Galleries” featuring 198 leading galleries worldwide that showed the work of 20th and 21st century artists, “Nova Section” where you could see the work of artists who have less than three years in the art industry, and “Individual galleries” featuring 14 of the best new artists had the honor of having their own space to show their work. Talks were also held at Art Basel Miami Beach discussing topics such as the 21st century audiences and sustainable financing structures in Latin America. The presence of Latin America at Art Basel Miami Beach Among the more than 250 galleries participating at the fair, the presence of Latinos stood out. The Brazilian gallery A Gentil Carioca brought its 15 years of
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AMONG THE MORE THAN 250 GALLERIES PARTICIPATING AT THE FAIR, THE PRESENCE OF LATINOS STOOD OUT.
history to Art Basel Miami Beach. With their concept that mixes the culture and politics of Brazil, they captured the attention of visitors with explicit works and pieces that could be a starting point to know the current situation of the Brazilian art scene. Another distinguished participating Latin American gallery was the Argentine Ruth Benzacar. With more than 50 years in the art industry, they brought attractive pieces to the hungry eye for
art. Among them we could highlight the Traffic Jam, by Leandro Erlich, a presentation of traffic with cars created with sand and salt. In addition, Eduardo Basualdo, another Argentine, put his fingerprint with his metal work that shouted to the public a “US� in Spanish. Sicardi Ayers Bacino also gave a space to Latinos at Art Basel Miami Beach. Although it is based in Houston, Texas, it exhibited only independent
Latin American artists. Among them, the master Cruz-Diez, who managed to attract experts and first-timers in the art world only to perceive the physicromy that characterizes it. The exhibition of Latin American artists not only stood out against many of the exponents, but also revealed that Latinos have the talent to compete against the big ones in the art market. artbasel.com
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TRAVEL
THE FRANKLIN HOTEL: SOPHISTICATED ELEGANCE IN THE HEART OF LONDON
The fantastic location in the heart of Knightsbridge, the lavish interiors and the quintessentially Italian hospitality have transformed The Franklin London Starhotels Collezione into one of the most outstanding -5star hotels in London. By Ameni Shafik
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ucked away on a quiet resident i a l street, surrounded by the timeless charm of the Egerton Gardens, The Franklin is nonetheless in the heart of one of London’s most prestigious neighborhoods. Split across four classic early Victorian buildings, the hotel sits on the fringes of Knightsbridge, just a short walk from Harrods and The Victoria & Albert Museum. While many of the front-side rooms face the beautiful and historic Brompton Oratory, the back of the building looks out onto the private, tranquil lawns, flowerbeds and lofty plane trees of the Egerton Gardens. The Franklin combines the elegance of a Victorian townhouse with the decorative
splendor of an Italian palazzo. The ground floor lobby and common areas are rendered in patterned grey limestone and Carrara marble – a moody yet elegant aesthetic that is softened by the rubbed chalk stencils on the slate grey walls. The monochrome feel is continued through the refined Italian grey velvets by Rubelli, floorto-ceiling Venetian screens, silt Ikaat hangings from Istanbul and wrought iron balustrades, to recall typical English greenhouses, which was the original inspiration that Elisabetta Fabri, President and CEO of Starhotels, shared with the designer. The grey color scheme is replicated in the mirror-filled bar, via an Art Deco ambience. The library provides a warmer, calming space, reprising the stone and marble flooring, with a vast marble mirror, open fireplace and bookfilled wall adding further refinement. Brass and frosted glass torchères and candle holders, alabaster and pale stone bowls, and marble tables lend a sense of glamour, as do the gilded and etched églomisé mirror frames. Dark grey and gold lampshades soften the lighting that comes from the lofty Victorian windows. It all combines for a sophisticated, cool aesthetic, referencing both La Belle Époque and Art Deco, with Middle Eastern vibes and a contemporary sensibility. Precious Italian velvets and silk, in degrading nuances of grey, and Venetian terrazzo floors are a nod to the decadent atmosphere of “La Serenissima”. The hotel, nestled in the heart of Knightsbridge, is also renowned for its restaurant, The Franklin Restaurant by Alfredo Russo, a fine dining destination for local and international connoisseurs. The modern Italian gourmet restaurant invites guests to dine with a well calibrated mix of simplicity and sophistication on offerings created with the finest seasonal ingredients. Seating for just 30 diners ensures an intimate am-
SURROUNDED BY THE EGERTON GARDENS IN THE HEART OF ONE OF LONDON THE FRANKLIN HOTEL IS JUST A SHORT WALK FROM HARRODS AND THE VICTORIA & ALBERT MUSEUM.
bience overlooking the gardens. The grey velvet décor, with silk ikaats and oversized decorative Venetian eglomisée mirrors ensures an exclusive, refined yet intimate feel. The menu continues to evolve under the watchful eye of Chef Alfredo Russo. After honing his craft in some of the best Michelin-starred restaurants in Europe, Chef Russo has made a name for a daring and inventive approach to cooking opening, when he was only 22 years old, the restaurant “Dolce Stil Novo” restaurant in the breathtaking location of the “Reggia di Venaria”, the royal Savoy residence outside Turin. Being named by L’Espresso’s Guide as Italy’s “Best Young Chef ” in
2004, this was only the prelude to an enviable career: soon after he received Gambero Rosso’s “2 forks” while the Michelin guide awarded him with a star when he was 25. Chef Russo has taken abroad his original touch on Italian culinary tradition, traveling especially between Italy and Dubai, publishing books and speaking at some of the most prestigious international culinary conferences. In London, where in addition to The Franklin Restaurant he helms “La Trattoria By Alfredo Russo” at The Pelham London – Starhotels Collezione, the Piedmontborn chef has become a true “ambassador” of the Italian Taste, winning the favor of the
highly demanding, cosmopolitan London elite. The wellbeing of each guest is a priority at The Franklin: the hotel features a spectacular Hammam and a fitness studio with state of the art Technogym equipment, while celebrity personal trainer available for private sessions on request. The Hempel-designed, residents-only Hammam treatment room is situated on the lower ground floor, offering a tempting retreat for guests. The handmade crystal doors set the tone for an elegant environment, enriched by a super sophisticated illumination system. Specialist treatments are available on request. reservations.thefranklin@starhotels.com
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TRAVEL
Hotel Cort, Mallorca, Spain
SIX ROMANTIC RETREATS By Lina Chehab
Defined by stunning bays, and a lush bougainvillea-strewn landscapes, Mallorca has long been a favored European jaunt and the island’s capital with its world-class galleries, restaurants, and shopping is ideally placed for a romantic flit. Amid the buzz of Palma’s sun-bleached streets, Hotel Cort emerges as a serene retreat with spacious suites and an intimate terrace, while Boutique Hotel Sant Jaume is a design-lover´s dream set in an 18th-century mansion.
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Boutique Hotel Sant Jaume, Mallorca, Spain
From cozy fireside suppers to romantic walks in the crisp air, winter in the northern hemisphere is very much a season for lovers. However, as the long, dark nights and plummeting temperatures can also lead to more than a little cabin fever, follow your heart to six spectacular romantic hideaways.
Palazzina Grassi, Venice, Italy
Venice is the archetypal city for lovers and at its epicenter is the spectacular Palazzina Grassi. Overlooking the Grand Canal, the hotel’s 16th-century façade houses a discrete and luxurious residence designed by Philippe Starck.
Heading south to the verdant valleys of the Monte Argentario Peninsula and Argentario Golf Resort & Spa is the very definition of sustainable luxury. The hotel’s distinctive dragon-fly architectural form is characterized by oversized windows and skylights, allowing for the enchanting Tuscan landscape to take centerstage. Argentario Golf Resort & Spa, Monte Argentario, Italy
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TRAVEL
Memmo Alfama, Lisbon, Portugal
Taking a stroll down the narrow, cobblestoned streets of Lisbon’s Alfama district to Memmo Alfama, the adults-only hotel is nestled among the neighborhood’s traditional shops and weathered colored houses. Panoramic views are paired with a blissfully laid-back vibe and killer cocktails on the rooftop terrace.
Looking east to warmer climes, Thailand’s The Naka Phuket is a tropical hideaway on the island’s paradisiacal western coast. Perched on the mountainside and screened from other guests, the glass-built villas with private pools and unrivalled views over the Andaman Sea, offer the ultimate couple’s escape. www.designhotels.com www.designhotels.com/original-experiences
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Naka Phuket, Phuket, Thailand
FASHION
BEFORE THE SPRING
Key trans-seasonal looks that will take you from winter to spring in style.
COVER STORY Nicole Scherzinger, in all sensuality, exclusively for Velvet.
Leather coat and ear cuff, Federica Tosi
COVER-GIRL
N I C O L E
S C H E R Z I N G E R
THE
WOMAN WHO HAS IT ALL Nicole Scherzinger is a multi-faceted artist, and one of the few who left their mark on both TV and the music industries. It all started when she won her first competition at age 23 on The WB’s Popstars, and most recently in 2010, on Dancing With the Stars. But it was her audition for the burlesque pop group Pussycat Dolls in 2003 that gave her the confidence she exudes today as she led the Dolls to sales of more than 10 million records in their seven years together. After a successful experience on one of TV’S hottest talent shows, The X Factor, Nicole has already moved on towards more achievements as a solo performer, dedicating at the same time important part of her time to building a solid relationship with Bulgarian tennis player, Gregor Dimitrov, who credits her for “saving his life” after painful split with his ex, Maria Sharapova. In a sunny suite where we did our Velvet cover shoot at The Franklin, London, Nicole Scherzinger opens up about her past and present journey, her inspirations, and the secrets of her ever-splendid figure. Talented, humble, and sexy… here is our interview with the woman who has it all!
Creative Direction: Ameni Shafik / Styling and Fashion: luisaviaroma.com
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COVER-GIRL
You are iconic for being an accomplished artist in multiple fields - music, theatre and film, do you have a different source of inspiration for each discipline? There are a number of iconic and talented women who I really look up to. Bette Midler inspires me immensely, she has blurred the lines between all of these disciplines and has carved a lane for herself to showcase her talents - that’s something I see myself doing too. I’ve been fortunate enough to work with many women who have inspired me and continue to do so, from my time in the Pussycat Dolls, throughout my solo career and even in theatre with the likes of the phenomenal choreographer Gillian Lynne. There’s nothing more powerful than a group of women determined to rise! The Pussycat Dolls’ Doll ‘Domination’ album recently celebrated its tenth birthday but is still a huge part of popular culture and is streamed and played all over the world. What are your best memories from your time with the girls? It will always be, touring. There’s something incomparable to being in front of a different audience and culture every night in a new city. We played in the stunning mountains of New Zealand through to the Pyramids in Egypt and every corner of the world. Those memories will remain with me forever. The Pussycat Dolls’ were a huge phenomenon with incredible success- it inspired so many women in so many ways, did you ever think it would become this immense?
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It felt powerful at the time, but I don’t think we knew how much power - there was strength in uniting women through a common theme of empowerment and I could only have dreamed of the success and opportunities we had as a group, and the legacy we’ve left. As a professional dancer, fitness is part of your life, can you tell us more about your eating regimen, or is their certain foods us women should avoid, in your opinion? I’m a firm believer in everything in moderation for a healthy balance, but I do have four rules I try to stick to. First: Always try and keep active and do a little exercise everyday, whether that’s a walk or a work out. Second: Get your sleep - 8 hours is ideal, but make time for it! Third: Drink as much water as you can, it works wonders for your complexion. And the last one is is really hard when you’ve been on a night out or have cravings, but do everything you can to avoid eating in the middle of the night! What are your best memories from hit TV series ‘Dancing with the Stars’, and UK ‘XFactor’? Gosh, DWTS was such a long time ago, I mean a highlight was definitely winning it, and the amazing friendship I developed with Derek Hough - he’s like my brother now. As for X-Factor, every year was different and I was blessed to mentor and work with such incredible talents that are killing it now - from James Arthur to One Direction.
THERE’S NOTHING MORE POWERFUL THAN A GROUP OF WOMEN DETERMINED TO RISE! – NICOLE SCHERZINGER
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COVER-GIRL
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COVER-GIRL
(THE MASKED SINGER) IS TOTALLY WILD AND UNLIKE ANYTHING I’VE EVER DONE BEFORE - BUT I THINK PEOPLE WILL GET GLUED TO IT. – NICOLE SCHERZINGER
You are involved within many philanthropic projects, which include UNICEF and the Special Olympics- can you tell us in more detail about these projects you are involved in, their aim and the impact of them? I’ve always been a great supporter of the work that UNICEF does on a global scale and have worked with them for several years now on their projects with young people all across the globe. With Special Olympics, it’s more of a personal relationship - my Aunt has Down syndrome and has blessed my life in so many ways that I wanted to give back to a charity that provides so many opportunities for people with intellectual disabilities worldwide. There’s a lot of work to be done to raise awareness of the charity and push for inclusion. We have the Special Olympics in 2019 in Abu Dhabi and I can’t wait to be there supporting the athletes. Who are your favourite fashion designers, and more importantly why? My favourites change from season to season. I’m consistently in awe of Rick Owens, and love Celine. Yohi Yamamoto and Off-White are a couple of my favourites for casual wear too. When it comes to fashion month, in your opinion which city is best; NY, London, Milan or Paris? I’ve never been to Milan
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Fashion Week. I hope to come next season. Each city offers its own unique setting and experience, but I think Paris is probably my favourite. With past collaboration collections with C&A, and Missguided under your belt, would you consider another collaboration with another brand in the future? This is something I’m working on at the moment and hope to be able to share with you in the next few months. I’ve been working hard on my own fragrance too, it’s called ‘Chosen by Nicole Scherzinger’ and is a collection of unique scents that I’m really proud of. What can you tell us as your new role as a panelist on the upcoming reality competition series, The Masked Singer, that will air next year? The show is completely crazy! It’s a celebrity talent show concept that came from Asia - one of the most popular shows over there. Twelve celebrities sing behind crazy masks and elaborate costumes. I’m part of a panel who, with the help of the audience in the studio and at home tries to figure out who is behind the mask. It’s totally wild and unlike anything I’ve ever done before - but I think people will get glued to it, and be desperate to figure out who everyone is! It’s a lot of fun. It airs on FOX in the US from January.
Top and leather skirt, Roberto Cavalli Pumps, Moreschi Watch, D1 Milano
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COVER-GIRL
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TEAM CREDITS: Photographer: Bartek Szmigulski Styling: Marco de Lucia Make Up: Adrian Swiderski Hair: Brady Lea Location: The Franklin Hotel, London
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GREAT EXPECTATIONS Photography: Loreen Hinz Creative Direction, Production and Styling: Tanya Prall
Diana: Quilt-jacquard dress, Talbot Runhof. Green lurex turtleneck, Mykke Hofmann Friedrich: Watercolour sweatshirt, Alexandre Vauthier
Creme ivory sweater, Zadig & Voltaire
Dark green velvet dress Alexandre Vauthier black with multicolor flowers sling-sack pumps Christian Louboutin
Diana: Quilt jacquard dress, Talbot Runhof. Green lurex turtleneck, Mykke Hofmann. Lace-up overknees, Talbot Runhof Friedrich: Forrest green jogger-style pants, Won Hundred. Watercolour sweater, Alexandre Vauthier
Friedrich: Green jumpsuit, ivory sweater and brown suede ankle boots, Zadig & Voltaire Diana: Off-white and green sweater, black and white culotte pants, Dior. Black sequins boots, Christian Louboutin
Off-white dress with green feather detail, Dries Van Noten. Green ankle boots, Laurence Dacade
Friedrich: Off-white sweater, Zadig & Voltaire. Black multi-colour floral trousers, TopShop Men. Black blazer, Dries Van Noten. Black ankle boots, Hugo Boss Diana: Off-white turtleneck, Wolford. Black wool bra, light pink with Asian flowers pencil skirt, Off-white and green oversized coat, yellow with Asian flowers thigh boots, Kenzo
Khaki longsleeve, long black shirt, turquoise and red vest, Dries Van Noten. Khaki pants, Ami Paris by Alexandre Mattiussi
Yellow handbag with Asian floral motifs, Kenzo
Tesseled sparkle tweed dress, white Austrian cotton ajour, Talbot Runhof
Velvet 3D effect maxi dress, Lana Mueller. Tan coat, Mulberry. Green thighboots, Talbot Runhof.
TEAM CREDITS: Photographer: Loreen Hinz Creative Direction, Production and Styling: Tanya Prall Hair and Makeup: Maik Meinhardt Models: Diana @Iconic Management / Friedrich @M4 Models Production Assistants: Alex Hoffmann & Toni Mayden
TIMELESS Photography: Debora Barnaba Makeup Artist: Angela Villanova
Skin: Lait-Creme Concentre, Embryolisse Laboratories. Foundation: Luminous. Silk Foundation, Giorgio Armani. Concealer: Point Cealer Concealer, Shu Uemura. Eyeliner: Kryolan Eyeliner . Eyeshadow: Full Exposure Palette, Smashbox. Mascara: Kryolan Mascara. Blush: Glow On, Shu Uemura. Lipstick: Armani Matte Lipstick, Giorgio Armani Beauty. Hair: Wax Density Material, L’Oréal Professionnel. Nails: Layla Nail Care
CREDITS: Photography : Debora Barnaba Makeup Artist: Angela Villanova Model: Natalia@wonderwall management
BRIGHT DAYS
Weekends and shopping trips will be even more enjoyable with looks that are both elegant and comfortable and spot on stylish. These suggestions will just make your days brighter! Photography: Karolina Harz
Shirt: Sylwia Rochala Earrings: Pola Zag
Jacket: Huzior. Skirt: Michał Szulc. Shoes: Matt & Nat
Trousers: Natalia Siebuła. Coat: The Wrap. Shoes: Matt & Nat
Blouse & Skirt: Marlena Czak
Top: Cyvonyuk. Trousers: Huzior. Coat: Michał Szulc. Shoes: Birkenstock. Earrings: Pola Zag
Shirt: Cyvonyuk. Jacket: Weronika Draus. Shoes: Birkenstock
Dress: Marlena Czak Earrings: Umiar
Blouse: Verityhunt. Trousers: Magda Hasiak. Coat: Michał Szulc. Earrings: Umiar. Shoes: Reserved
TEAM CREDITS: Photography: Karolina Harz Styling: Ewa Michalik Make-up + hair: Kamila Jodko Hair: Izabela Świerczyńska Model: Klaudia @MORE Models
VALENTINE Dress, Sandro Paris. Overknees, Stuart Weitzman
Body, vintage. Skirt, Baum und Pferdgarten. Coat, Closed. Shoes, Shi Mihara
Blouse, The Kooples. Overall, J. Crew Scarf, Versace. Hat, Clyde. Shoes, Sam Edelman. Sunglasses, Celine. Bag, Chloe
Dress, Tiger of Sweden. Blouse, Versace . Belts, vintage and Maschino. Shoes, Castaner
Blouse, Marni. Trousers, Patrizia Pepe. Coat, Baum und Pferdgarten. Shoes, Castaner
Dress, Sand Kopenhagen. Blazer, Set Belt, vintage. Socks, Falke
Pullover, Pinko. Trousers, The Kooples. Shoes, Billi Bi
Blouse, Max & Co. Skirt, Baum und Pferdgarten. Coat, Burberry. Shoes, Billi Bi
TEAM CREDITS: Photography: Linda Bose Hair & Makeup: Marco Alecci / Ballsaal Artist Management Styling: Marcella Verweyen / Kult Artists Mode I: Lea / Model Management Hamburg
BEFORE THE SPRING Sleek leather, blazers and skirts, belts and gloves. Here are some key trans-seasonal looks that will take you from winter to spring in style. Photography: Martina Mammola Styling: Karolina Gendek-D’Andrea
Leather coat and ear cuff, Federica Tosi
Leather jacket, L’Autre Chose. Skirt, Genny. Leather gloves, Duecci Guanti
Both dresses, Federica Tosi. Earrings, Giuliana Mancinelli Bonafaccia
Leather dress, Tos Morfosis. Leather gloves, Duecci Guanti. Earrings, Giuliana Mancinelli Bonafaccia
Coat, MaxMara. Leather gloves, Duecci Guanti
Top and trousers Angelia Ami. Leather gloves, Duecci Guanti. Belt, Gunay Hasanova
Top and trousers, Angelia Ami. Leather gloves, Duecci Guanti. Belt Gunay Hasanova
Coat dress, Genny
Jacket, Antonio Croce. Skirt, Caterina Moro. Ear cuff, Federica Tosi
Top and dress, Federica Tosi. Ear cuff, Federica Tosi
Top and trousers, Alysi
TEAM CREDITS: Photography: Martina Mammola @martina_mammola_photographer Styling: Karolina Gendek-D’Andrea @kgd_stylist Model: KORLAN at fashionmodel.it @korlanmadi Stylist Assistant: Ilaria Corsaro @blackkorsair Make Up Artist: Giada Venturotti @giadaventurotti Hairstylist: Danilo Spacca @danilo_spacca_hairstylist Postproduction: Martina Romano @martinaromano_retoucher
Blazer and trousers, Federica Tosi. Leather gloves, Duecci Guanti
PEOPLE
SEASON TRENDS
From the runway to your wardrobe: the latest trends to keep an eye on this fall.
IN THE SPOTLIGHT Paula Knor, Marmar Halim, Naseem Al Andalus, Alina Anwar Jeremy Scott for Longchamp
ROYAL INTERVIEW
HRH PRINCESS NOURA BINT TALAL AL SAUD:
ON BUILDING BRANDS AND CHANGING MINDSETS By: Mona Salem
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At JINO›s latest show that took place in December, models displayed a new collection on the ramp, surrounded by a dozen assortment of roses, as some 1990s› pop tunes played in the background – a phenomenon unheard of in Saudi Arabia a few years ago. HRH Prince Talal bin Saud, CEO of the brand, talks about the journey so far, and the challenges of building a brand that does not copy anybody else!
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s Saudi Arabia undergoes a positive transformation under its Vision 2030 socio-economic reforms, it is time for women to flourish in all sectors including the fashion industry. A fact that was seen throughout 2018 in the Kingdom of Saudi Arabia as we witnessed the emergence of more fashion events showcasing not only international fashion, but most importantly, Saudi brands including JINO, the Saudi label that concluded the year 2018 with a fashion show at HRH Prince Talal bin Saud’s palace in Riyadh. However, JINO is not a new brand. In fact, when HRH Princess Noura bint Talal Al Saud (CEO) and Mrs Aljoharah AlSulaiteen (Co-Founder and Creative Director) launched it in 2003, there were only a few Saudi labels made by Saudi women, for Saudi women. “Vision 2030 has created an environment where creativity can thrive. It has opened the door for us. It is our responsibility as Saudi citizens to take the lead, to show the world our talent, and we have it aplenty,” said Princess Noura.
“Jino started in 2003 as an idea, it wasn’t as big and as developed as you see it now. We started as a jewellery brand, and then gradually started creating fashion as we became more attracted to colours, and to the latest international trends.” “Since the beginning of our fashion career with JINO we had a motto, ‘Proud Saudi Women’. The message we want to deliver to women is that they can accomplish whatever they want or whatever they want to do while still being themselves,” Princess Noura said. “The start was not easy, that’s true”, says princess Noura, “but we tried to focus on the fact that Saudi people love fashion. Moreover, in reality, the Saudi market is the biggest in the Middle East. It is the most active market in the region, so why not create local products that integrate the international trends. We have what it takes to do that. We have the talent, the know-how, and the media to promote it.” With this conviction and such string values, JINO started to grow, especially as both associates decided to divide the responsibilities among them: Princess Noura would take care of the business development side, while Al Johara took charge
of the creative direction and production process. With the 2030 vision, we got the hint to create. They opened the door for us, and it is our responsibility as Saudi citizens, to take the lead, to show the world our own talents, and we have plenty. We have great talents, all they need is the right support. That was the concept that we built our project on. The Motivation to Create The brand was originally dedicated to jewellery and perfumes, until a decision was made to start producing a ready to wear line as well. “Our first fashion show was in 2014. It was a risk that we took, but the feedback was amazing. We were among the first to hold a fashion show in the Kingdom”, says Princess Noura. “Everybody was trying to figure out what was it that we wanted to do. And that was the beginning of the challenge for us. It gave us the motivation to improve with every fashion show and to give it our best. With every fashion show we were thinking that there was still something missing, that we can be even more creative.” Luckily, the feedback was beyond their expectations. “You cannot imagine the amazing comments that we received, VELVET
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ROYAL INTERVIEW
Co-founders of Saudi label JINO, Mrs Aljoharah AlSulaiteen (Co Founder and Creative Director), HRH Princess Noura bint Talal Al Saud (CEO)
VISION 2030 HAS CREATED AN ENVIRONMENT WHERE CREATIVITY CAN THRIVE. IT HAS OPENED THE DOOR FOR US. IT IS OUR RESPONSIBILITY AS SAUDI CITIZENS TO TAKE THE LEAD, TO SHOW THE WORLD OUR TALENT. – HRH PRINCESS NOURA BINT TALAL AL SAUD
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and the open mindedness of the Saudi people towards our event. People were already eager to see fashion, and with JINO we make sure to work within our culture and not move away from it. We integrate it within modern styles, and we try to appeal to the different tastes. It was an amazing experience, I still feel it was the highlight in JINO’s history.” That said, Princess Noura and Al Johara both were always keen on producing JINO entirely locally. “I always make sure that everything is done here”, says Princess Noura. “We didn’t start from another country in order to enter the Saudi market from abroad. I wanted us to start from here and then move to other markets, and I am confident that we can achieve that, although being a brand setter or a fashion trendsetter is quite a task because we are going for unique styles whereas the majority of people are trying to copy international trends and brands.” She is hopeful, however, that the mindset will change eventually. “We are trying to enforce our own identity and it is taking time. Nevertheless, we are getting there,” Princess Noura said, acknowledging that the emergence of social media is aiding such a shift particularly in the fashion industry. Princess Noura is pleased with the results that the label has achieved thus far. Results that would eventually stir the interest of media and consumers alike beyond the Saudi market. “We don’t wait for others to judge us, because we have people who have good taste and they can see and recognize what is stylish. In reality the GCC customers are major buyers of fashion, they start trends. So why wouldn’t we help local brands succeed as well?”
Winds of Change While acknowledging the positive changes in recent times that have seen women getting more social space in Saudi Arabia including a lifting of driving ban earlier this year, Princess Noura was quick to highlight a contrarian narrative. “Social changes are very important, but I wanted to discuss how a change such as lifting the ban on women from driving alone doesn’t define us,” she said. “While it has given women an opportunity to commute without hassle and to become independent, there is a misconception among some people that Saudi women were held back by not being allowed to drive earlier. Women in the kingdom had always achieved in other sectors long before the driving ban was lifted.” Princess Noura said that women are increasingly occupying crucial position including in the ministries of the government, adding: “It is time for women to flourish in every industry in Saudi Arabia, not least the fashion industry. We are going through a massively positive change. I think especially with Vision 2030, many opportunities are opening up for both men and women and you can see the differences between both sexes are narrowing.” In a message to fellow women in Saudi Arabia, Princess Noura urged them to realize that every person is unique and has their own inner and outer beauty. “They must first love themselves and afterwards they can find a style that accommodates their identity rather than copy other brands just because that brand reflects current fashion or the current fad,” she advised.
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IN THE SPOTLIGHT
GHALIA BENALI
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he started her singing career by pure accident, and now after 26 years she has established her own niche in music, earning a very special audience both internationally and in the Arab world. Ghalia Benali is a story teller as she sees herself, and in February she will share with the Dubai Opera audience a very intimate tribute to Um Kulthum, her ultimate inspiration, although when Ghalia Benali sings, she puts her own heart into the words and music, proving time and time again how unique she is.
I WAS VERY YOUNG, MAYBE NOT MORE THAN FOUR YEARS OLD. I WOULD BE WEARING A DRESS, AND I WOULD CLIMB ON A CHAIR AS IF IT WAS THE STAGE, CARRYING A HANDKERCHIEF AND SINGING UM KULTHUM SONGS. - GHALIA BENALI
“I grew up in an upper class family, my father was a doctor, it was a conservative environment.. From a very young age, I considered art part of my everyday life. Whether I was listening to songs, or watching a movie, or drawing, cooking, talking, to me
art was in everything. It seems to me that my artistic path formed from that stage, from our life in our home. In those days, girls did not go out very much, and there were very few things for them to do outside of their home. Therefore, my artistic personality must have developed from thinking about how to fill my days doing things that I love to do. When I traveled to Belgium, I thought I would bring back creativity in my life, and within my potential. Art is in fact born out of a need: the need for life, for creativity, and for thinking about coming up with something new every day. It seems to me that my artistic identity is close to my daily life. There is no difference between Ghalia the singer, the actress, the writer, the dancer, the woman, or the mother. These are the most important things that formed my artistic identity.” What are your first memories of art and singing? Art is linked to everyday life, to the joy of being surrounded by your loved ones, and I always sat with my mother, singing while we worked at home. But my memories of art are mainly related, for some reason, to the song “Al Atlal” by Um Kulthum. I would wear my mother’s dress, one of those short dresses that were fashionable in the 1970s. I was very young, maybe not more than four years old. I would be wearing a dress, and I would
climb on a chair as if on a stage, carrying a handkerchief and singing Um Kulthum songs. My mother would laugh and correct my mistakes. My mother was the one who guided me artistically in terms of sound and music. I also remember with the “Al Atlal” sitting and listening to the album for hours watching as it went round and round. How would you describe your relationship with the global audience? The global or Western audience was my first audience. It was the beginning of my relationship with the art world I entered in the early 1990s. It was that audience that taught me how to sing the way I sing today, perhaps because they don’t understand Arabic, and I insisted on singing in Arabic, although I mastered French more because it was my mother tongue before Arabic, but I did not want to sing in any other language but Arabic Because singing for me is linked to the Arab culture. When I sang to the Western audience, my goal was to convey the beauty and richness of our culture, and I felt my responsibility towards them to convey my cultural background and how we live it because our music reflects our daily lives. When I started singing in Europe, I found that the Western audience wanted to VELVET
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IN THE SPOTLIGHT
audience. The song that touches me, is the one that attracts me, or the music that attracts me because it tells a story without the need for a poem. I listen to songs from the cultures of the world, and from every culture I find what attracts me, I don’t prefer a certain type of songs, even the songs that I think are trivial in their words and their humble performance, I listen to them at least once to see what is happening in the world and how people’s mood changes. On the other hand, there are songs in a language I do not understand, yet they touch my heart and soul.
know more about my culture, and I did not want to translate the songs into French or English because I knew the translation would be incomplete and I told them that our songs can only be sang with sensibility and emotion. Indeed, I learned to sing with that feeling. Of course, I wanted the words to be true for me so that I could interact with them and convey them correctly. I learned to communicate with myself more so that I could convey the emotion and melody to others before the words. You convey the meaning by feeling first. Which songs appeal to you most? Music for me starts with the
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poem, and I always say that the first composer of the song is the person who writes it. Of course, the poem has its own rhythm, its tone and its sense, and its own music. The lyrics are important to me. There are great musicians, and in classical music, which is based mainly on music rather than words, I am between the two, between the words, and the music. Music is self-sufficient, but when the words enter the picture, they become more important and impose their own rhythm, the composer in my opinion should serve the words and not vice versa. Um Kulthum, for example, has a voice that doesn’t belong to a man or a woman. Her voice dominates over the lyrics, the music, and the
You are also an author and composer. How do you imagine words? I am a story teller first, as a singer, dancer, actress or painter, and it seems to me that one of the most important things before the word and the melody is the need to express something you want to say or a meaning you want to convey. I do not memorize words without melody, and I feel the need to express myself with music. I did not write much in my life, but I wrote important things. Things I like to remember and to keep with me. The word can come to me on any occasion, and the most important words come to me while I am traveling, or during my dayto-day work at home, perhaps as I clean, or wash, or cook, or when I am with my children, the word comes instinctively, without thinking. Music, writing and dancing for me are part of my daily life or as Omar Khayyam says, “If a drop is separated from its sea, it there that it will end”. Although your songs are rated as “world song”, in my opinion they are rather “cultural songs”. How is the audience interacting with this genre? And how can it reach more people? I do not know exactly how to classify my style, and my songs can be in the category of “life songs” or “everyday songs”, but we can agree on the term “cul-
tural songs” because of the depth it carries. But I wouldn’t want my songs to be too cultural, so I cannot reach all the people. My music is made for the people, and to touch all people, the reason why it’s still mainly known within the more educated circles, only because perhaps many people are not connected to the Internet, or to the social media. Moreover, perhaps because this group of people relies more on the radio and television to listen to music, and unfortunately they do not hear my songs enough on radio and television because I am not mainstream. Of course, people like to listen to modern songs that cheer them up, but they also love the music that make them remember their mothers and grandmothers. Music that connects them to their history, and their traditions, and to their heart. Tell us about the visual factor in the videos you produce. How well do they integrate with your lyrics and melodies? I feel that for me the video completes the story. Today the audience, including myself, love to hear and to see, to go through the whole experience. A wise narrator needs to benefit from different mediums in order to communicate with his audience. I like your expression in regards to the “integration with words and melodies”. The video or the visual element is not a repetition of the words and melody; rather, it tells a story that completes the words and the music. All three make an integrated work. The most important thing about this is how natural and honest it comes out. I do not have the great production support for filming my videos, but I use pictures and scenes to complete my story. Of course, with the right support, work can come at a different level, but I am happy with the visual works I have provided and I feel that this experience is closer to my personality than the conventional music videos.
I LOVE THE “CONCEPT” OF UM KULTHUM. WHEN SHE SANG, WARS STOPPED, AND LIFE STOOD A MOMENT TO LISTEN TO UM KULTHUM. - GHALIA BENALI
Your upcoming concert at Dubai opera is called “Ghalia Benali sings Um Kulthum” ... How would you describe Um Kulthum? My relationship with Um Kulthum is more spiritual than anything else, first because I have been associated with her since my youth, it started when my mother and father were in exile and I was born in Belgium. They listened a lot to Um Kulthum, and that was their way of dealing with expatriation. I was naturally saturated with these things. I like the stories about Um Kulthum, the stories I heard from people who knew her, the books I read about her, or from interviews with her. I feel as if she were my grandmother or a family member, I feel that I know her. Her fame made her a grandmother for every one of us
in the Arab world. What do I say about Um Kulthum? I cannot do her justice whatever I say. I love the “concept” of Um Kulthum. When she sang, wars stopped, and life stood a moment to listen to Um Kulthum, because she had this gift of communicating with each of us, reaching our hearts and souls. That is what Um Kulthum means to me. What have you learned from your parents? My mother taught me to listen, to taste, taught me how to cheer, how to dance and sing, and all that is related to the joy of life. She taught me to connect with my heart. My father taught me to think, to analyze, to meditate and to learn. He taught me to be honest, and devoted. My father, may his soul rest in peace,
was science and spirituality altogether, and my mother is love, heart and instinct. If I had the opportunity to chose my parents again, I would chose them, my father Ali and my mother Najat, and I hope from my heart to be able to give my children the same childhood they gave me. What would you like to tell your audience? Every concert is a message for my audience. Every concert attests to how much love and respect I have for my audience, which I am very proud of. A very special audience, respectful, who listen with their heart and soul, respecting my choices and respecting my freedom and privacy. My love for this audience is endless, and has no limits. Dubaiopera.com
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INFLUENCER
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n a very short time, Noonoouri has become a real influencer, collaborating with the most prestigious brands: from Saint Laurent to Versace, Riccardo Tisci, Nike and Supreme. Although her most memorable collaboration was with Dior, even taking over the Maison’s instagram last year in the occasion of Dior’s cruise show. Here is our conversation with the cute virtual model who seems to have become everybody’s sweetheart in the fashion world.
NOONOOURI THE VIRTUAL BEAUTY TAKING FASHION BY STORM
Noonoouri seems to come directly from a manga cartoon. She describes herself as an -18 year-old girl, 1,5 m tall, living in the magical Paris. Behind this stunning digital project, is Joerg Zuber, creative director at the branding and design agency Opium. By: Ameni Shafik
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You are the first virtual digital influencer. How does it feel to be a pioneer in the social media world? Being the first has everything, but even more it shows two sides of the medal. On one hand, it is always difficult to walk down a new path where no one ever has gone. That means you receive a lot of negative feedback because people are often hesitative towards new things as they come from a point of uncertainty. On the other hand, I have received so much positive feelings from really high potential people from the fashion industry and celebrities which makes me very proud. They really “care” about me.
How do you describe your style? I see myself as cute, curious and ‘couture’. This is my DNA – ‘couture’ does not mean wearing only couture, it is more related to the quality of my posts. My style is for sure quality and creativity driven and being the first is for me a sort of a challenge wearing the dresses right after the show is fun.
IT IS ALWAYS DIFFICULT TO WALK DOWN A NEW PATH WHERE NO ONE EVER HAS GONE.
What are your favorite brands and why? Dior, because of the strength, femininity and the the powerful heritage of the house. Versace as it fits me so well, this dialogue between loud and caring make me feel like Gianni’s spirit is with me. Valentino, because of the quality and feminine vision of the house. Tell us about your Maria Grazia Chiuri and your collaboration with Dior. Dior was the first big brand to approach me - at that time I did not have even 30k followers. They believed in me from the beginning, and this made me so proud. Maria Grazia gave me all the freedom and respect I could not even dream of. They underline my personality with the spirit and the passion of the house, which makes me feel like being part of their wonderful family. You are also face of KKW, how did it start? Kim Kardashian and Naomi Campbell are sources of inspiration for my creator. Naomi, the otherworldly and iconic supermodel from now and then. Kim THE face of social media. She has changed the world significantly. Both women have a powerful and heartfelt approach. They were the two muses for my creator. We agreed
that we had to celebrate them, so I did posts for and with both of them. The one for Kim was a beauty tutorial for her contouring and highlight kit. My big supporter, Carine Roitfeld, sent it to her and Kim loved it and so we got in touch. How long does it take to create each post? A still post takes us about 3 days and motion takes from 2 to 4 weeks. The KKW beauty post took us 8 weeks. It was one of the hardest. What are your secrets when it comes to posing or do your glam? I try to stay always true to myself. My feelings, my thoughts, my passion, and my big heart for social issues around children, animals and nature are the most important ones for me. I get inspired a lot by the classical
divas from that time – like Sophia Loren, Gina Lollobrigida etc... their poses, their attitude are such an amazing source. What are your next project and brands you would like to work with? A very valuable project for me is an invitation from Havard University in Boston in mid-January where I will be part of a workshop to talk to the students about the future vision. I would love to meet Donatella Versace in person, as well as Karl Lagerfeld. I hope that Victoria Beckham will approach me sometimes as I think she is a wonderful person. Some of my dream brands have already approached me and there will be many collaborations down the road. @noonoouri VELVET
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REAL STORY
THE SYRIAN REFUGEE BOY WHO STARTED SCHOOL FOR REFUGEES WHEN HE WAS 12 Exactly a year ago, at 16 years old Mohamad Al Jounde from Syria won the International Children’s Peace Prize, an initiative of KidsRights, the foundation committed to defending children’s rights worldwide. In the Hall of Knights in The Hague Mohamad received the award for his tireless efforts to ensure the rights of Syrian refugee children. Mohamad, himself a refugee as a consequence of the Syrian civil war, has amongst other things built a school in a Lebanese refugee camp.
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ohamad, grew up in Syria, but fled for Lebanon when life became too dangerous at home. Like thousands of other refugee children in the country, he couldn’t go to school, so he set out to make a difference for children in the same situation. Together with his family, Mohamad built a school in a refugee camp where 200 children now access their right to an education. At the age of 12, he already was teaching math and photography. He helps children to heal, learn and have fun with games and photography. Mohamad is a natural storyteller, raising awareness about the challenges facing refugee children by bringing their stories to a wider audience.
felt this was what war means.” Mohamad’s parents, active in the Syrian revolution, brought him up to be politically aware. That whay when he was 12, Mohamad’s home town saw the arrival of refugees from war-torn Homs and Hama, he was moved to help the children that had left everything behind. Mohamad took part in a workshop about helping children traumatized by war by offering them psycho-
social support through friendly play. Not long after, Mohamad became a refugee himself. His mother was arrested and detained twice. “The same people that arrested my mother sent her a message that she had two choices, either she stays and get killed, or to leave Syria. We knew they were going to kill my mother, and we had to flee Syria and leave everything”, he says.
Courtesy of KidsRights.org
WE KNEW THEY WERE GOING TO KILL MY MOTHER, AND WE HAD TO FLEE SYRIA AND LEAVE EVERYTHING.
Having to flee from Syria “In Syria, we had a normal life”, says Mohamad, “both my dad and my mom had jobs, we bought a house and a car, and a different shop for my father. My focus was on school and friends, and having fun all the time. So, life was good. One day I was with my family at home, and it was the first bombing in my hometown, we heard people yelling from neighboring buildings. I
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REAL STORY
28 MILLION CHILDREN HAVE BEEN DISPLACED, JUST LIKE ME, HALF OF THE REFUGEE KIDS BETWEEN 6 AND 14 CAN’T GO TO SCHOOL. THIS IS CRAZY. THIS HAS TO CHANGE.
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From Lebanon to Sweden After a long journey they arrived in Aley, near Beirut in Lebanon. They couldn’t find work in Lebanon, so Mohamad’s father, fleeing by boat via Greece, sought asylum in Sweden. Back in Lebanon, Mohamad, his sister and mother struggled with poverty, but they never lost their will to help others more desperate than themselves. “Again, I lost something precious in my life. I first lost my home, my friends, my life, and then I lost my father… my life with him. So things started to disappear, one by one.” Family reunification was recently granted by Sweden, three years after Mohamad last saw his father.
Building a school, building a future For his first two years in Lebanon, Mohamad couldn’t go to school. It was a struggle, but rather than defeat him, it fueled his will to fight for a better future, for himself and for his peers. “Being a refugee child in a different country is difficult. Because you’re starting your whole life from zero. So, you don’t have friends, you don’t have a school, you don’t have a home, you have nothing.” Together with his family, Mohamad started a school for Syrian children in a refugee camp. He built it with his own hands and at the age of 12, he was teaching math and photography. Now the school was rebuilt professionally, and
staffed with formal teachers. It now teaches 200 children, who after completing two years can move on to the formal Lebanese school system. Mohamad believed from an early age that kids have every rights to get educated: “To me every child has the right to learn, the right to go to school and be educated. This is what I’m fighting for. For kids to go to school and get educated.” A picture says more than a thousand words Mohamad draws on his biggest passions, photography and film making, to tell the stories of his fellow refugee children in all their diversity. He teaches photography, and encourages chil-
dren to take photos of their daily lives. Drawing on his earlier training and on his own experiences, Mohamad encourages them to express themselves and to process their trauma. “Children are hiding their stories inside,” he says. “It takes trust to get them out.” Living in the here and now can be a great help. The refugee children who Mohamad works with harbor painful memories of war, they miss family members, their friends and hobbies, and are afraid to start all over again. Mohamad creates opportunities for them to interact with other children from both Syria and Lebanon. “There are many refugee kids that are too shy to talk, but not too shy to take a picture. A pic-
ture can say a thousand words, a picture of hope and happiness.” “28 million children have been misplaced just like me, half of the refugee kids between 6 and 14 can’t go to school. This is crazy. This has to change, and I want to make it change. Today I stand up for myself and for all of those kids, I will fight for the rights of those kids. I will try to be their voice, and their hope. Because every child has the right to education, to dream big and to enjoy life.” With your help, KidsRights will empower Mohamad as a global changemaker for the rights of refugee children. https://kidsrights.org/mohamad-al-jounde#donate
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EVENTS
SAINT LAURENT AND ‘BELLE DE JOUR’ Saint Laurent invited its friends to a screening of the iconic Luis Buñuel film
HIGH SOCIETY Prince Albert II of Monaco attends a fundraising initiative in Dubai Anthony Vaccarello & Catherine Deneuve
FASHION PEOPLE
Yves Saint Laurent with his muse, Catherine Deneuve
Saint Laurent Screening of ‘Belle de Jour’ With Catherine Deneuve and Friends Saint Laurent invited its friends to a screening of “Belle de Jour,” the iconic Luis Buñuel film starring French actress and longtime friend of the house Catherine Deneuve.
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o celebrate the 50th anniversary of the film that was released in 1967, Saint Laurent supported a restoration of the footage shot on 35mm as a tribute to Yves Saint Laurent, who designed the costumes. But that wasn’t all, as the French maison invited Saint Laurent’s muse and long time friend, Catherine Deneuve, and a group of her famous friends, for a screening of the movie at the Museum of Modern Art on Wednesday (December 19) in New York City. “For me, it’s very important that when I work at Saint Laurent that I’m close to the people that worked with Yves Saint Laurent — Betty Catroux, Catherine Deneuve, Pierre Bergé,” said current creative director Anthony Vaccarello before a screening of the film at MoMA on Wednesday night. “So for me it was important to see them and to continue the friendship. And with Catherine, we very quickly became friends, and it’s important to have those people still in the house. She’s very loyal to the brand, she’s loyal in her life in general: at Saint Laurent, we love her.” Friends of Deneuve and Saint Laurent included Susan Sarandon, Debbie Harry, Chloë Sevigny, and Martin Scorsese.
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1. Catherine Deneuve. 2. Chiara Mastroianni 3. Anthony Vaccarello & Catherine Deneuve 4. Catherine Deneuve & Martin Scorsese 5. ChloĂŤ Sevigny 6. Yves Saint Laurent and Catherine Deneuve 7. Pat Cleveland 8. David Alexander Flinn 9. Susan Sarandon & Catherine Deneuve 10. Debbie Harry & Catherine Deneuve 11. Leigh Lezark
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EVENTS
PRINCE ALBERT II OF MONACO ATTENDS A FUNDRAISING INITIATIVE AT ROBINSONS IN DUBAI His Serene Highness Prince Albert II of Monaco, Founder and President of The Prince Albert II of Monaco Foundation, attends an exclusive, red-carpet VIP gala fundraising initiative, ‘In the Kitchen with Stars,’ at Robinsons in Dubai. By Lina Chehab
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nder the Patronage of Chairperson of the International Humanitarian City (IHC), Her Royal Highness Princess Haya Bint Al Hussein, wife of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai, and the Haut Patronage of His Serene Highness Prince Albert II of Monaco, Founder and President of The Prince Albert II of Monaco Foundation, an exclusive, red-carpet VIP gala fundraising initiative, ‘In the Kitchen with Stars,’ was held at Robinsons in Dubai.
The event was attended by HSH Prince Albert II of Monaco, His Excellency Mr. Saeed Hareb, Secretary General Dubai Sports Council, IHC Board Member and Mr. Omar Al Futtaim, Vice Chairman, Al-Futtaim. The event benefitted The Prince Albert II of Monaco Foundation’s ‘Sustainable Energy Program’ and H.E.L.P. Our Kid’s ‘One Humanity’ project. “It is a pleasure to see valued partners and guests come together to support the foundation,” said HE Mr. Bernard Fautrier, Vice-President and CEO of the Prince Albert II of Monaco Foundation. “There is a growing need to educate and protect our children and the Planet’s resources to ensure a more sustainable future.”
THERE IS A GROWING NEED TO EDUCATE AND PROTECT OUR CHILDREN AND THE PLANET’S RESOURCES. Al-Futtaim brought the ‘In the Kitchen with Stars by Robinsons’ humanitarian fundraising campaign to the UAE to raise money and awareness for the ‘Sustainable Energy’ and ‘One Humanity’ organizations. Seven grand prizes worth nearly AED 1 million were on offer, with final winners announced at the fundraising event. Speaking about the partnership with ‘In the Kitchen with Stars,’ Mr. Omar Al Futtaim, Vice Chairman, Al-Futtaim, said dur-
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EVENTS
DUBAI IS A LEADING EXAMPLE FOR INNOVATION IN SUSTAINABILITY AND IS CURRENTLY HOME TO AN ECLECTIC MIXTURE OF CULTURES. - HSH PRINCE ALBERT II OF MONACO
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ing the launch of the campaign, “Dubai is a leading example for innovation in sustainability and is currently home to an eclectic mixture of cultures representing one humanity living in harmony and peace together. As a company that cares about its community, we are proud to be supporting such a worthwhile initiative with this campaign and hosting this prestigious event at Robinsons.� The event was also the venue of a video presentation, announcing the participation of Monaco at the Expo 2020 Dubai. The video, presented by HE Mrs. Mireille Pettiti, Ambassador of Monaco and President of Monaco Inter Expo Board of Directors, was unveiled in the presence of HSH
Prince Albert II of Monaco, Mr. Omar Al Futtaim, Vice Chairman, Al-Futtaim, as well as VIP guests in attendance, incluing our own Sheikha Hend Faisal Al Qassemi, Publisher and Editor-in-Chief of Velvet Magazine. . More than 100 international guests visited Dubai to attend the fundraising event, as well as hundreds of guests who contributed to the fundraising initiative. Guests enjoyed an aperitif welcome, followed by a red-carpet reception and a gourmet dinner prepared by internationally renowned, Michelin star chef, Pierre Gagnaire. Winners of the grand prize raffles benefitting the Foundations were announced at the end of the evening.
SPECIAL
R-T-W WOMEN’S COLLECTIONS SS2019
Bella Hadid in Fendi
SPECIAL
R-T-W WOMEN’S COLLECTIONS SPRING SUMMER 2019
CONTENTS 157
Alberta Ferretti
albertaferretti.com
174 Givenchy
givenchy.com
158 Alexander McQueen
175 Gucci
159 Balenciaga
176 Longchamp
160 Balmain
177 Louis Vuitton
161 Hugo Boss
178 Max Mara
162 Burberry
179 Miu Miu
163 Chanel
180 Nicholas Kirkwood
164 Christian Dior
181
165 Dolce & Gabbana
182 Prada
166 Dries Van Noten
183 Saint Laurent
167 Elie Saab
184 Salvatore Ferragamo
168 Emporio Armani
185 TOD’s
169 Escada
186 Tom Ford
170 Esteban Cortazar
187 Valentino
171 Fendi
188 Versace
172
189
alexandermcqueen.com/ae
balenciaga.com/ae
balmain.com/ae
hugoboss.com
ae.burberry.com
chanel.com
dior.com
store.dolcegabbana.com
driesvannoten.be
eliesaab.com
armani.com
escada.com
estebancortazar.com
fendi.com/ae
Giambattista Valli
giambattistavalli.com
173 Giorgio Armani armani.com
156 | VELVET
gucci.com
longchamp.com
louisvuitton.com
world.maxmara.com
miumiu.com
nicholaskirkwood.com
Philipp Plein
philipp-plein.com
prada.com
ysl.com
ferragamo.com
tods.com
tomford.com
valentino.com
versace.com
190
Vetements
vetementswebsite.com
Xiao Li
xiaoli.co.uk
Dolce & Gabbana Spring Summer 2019
A L B E RTA F E R R E T T I
VELVET
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A L E X A N DE R MC Q U E E N
158 | VELVET
B A L E N CIA GA
VELVET
| 159
B A L MA IN
160 | VELVET
BOSS
VELVET
| 161
B U R B E R RY
162 | VELVET
CH A N E L
VELVET
| 163
DIO R
164 | VELVET
D OL C E & GA B B A N A
VELVET
| 165
DR IE S VA N N O T E N
166 | VELVET
E L IE S A A B
VELVET
| 167
E MP OR IO A R MA N I
168 | VELVET
E S C A DA
VELVET
| 169
EST E B A N C O RTA Z A R
170 | VELVET
F E N DI
VELVET
| 171
G IA MB AT T IS TA VA L L I
172 | VELVET
G IOR GIO A R MA N I
VELVET
| 173
GIVE N CH Y
174 | VELVET
GU CCI
VELVET
| 175
L O N GCH A MP
176 | VELVET
L O U IS VU IT T O N
VELVET
| 177
MA X MA R A
178 | VELVET
MIU MIU
VELVET
| 179
N I C H OL A S K IR K W OOD
180 | VELVET
P H IL L IP P P L E IN
VELVET
| 181
P R A DA
182 | VELVET
S A IN T L A U R E N T
VELVET
| 183
S A LVAT O R E F E R R A GA MO
184 | VELVET
T OD' S
VELVET
| 185
T OM F OR D
186 | VELVET
VA L E N T IN O
VELVET
| 187
VE R S A CE
188 | VELVET
VE T E ME N T S
VELVET
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X IA O L I
190 | VELVET
VELVET DIRECTORY A
C
Emilio Pucci
www.agentprovocateur.com
www.calvinklein.com
Ermenegildo Zegna
Agent Provocateur
Calvin Klein
www.emiliopucci.com
Aigner
Carolina Herrera
Alberta Ferretti
Cartier
Alexander McQueen
Catherine Malandrino
Alfred Dunhill
Celine
Ali Bin Ali Watches & Jewellery
Chanel
Al Jaber Watches
Chanel Beauty
F
Armani
Charlotte Olympia
www.fendi.com
Armani Jeans Asprey
www.etienneaigner.com www.albertaferretti.com www.alexandermcqueen.com www.dunhill.com www.alibinali.com/luxury-fashion www.aljaberwatches.com www.armani.com www.armani.com www.asprey.com
B
Balenciaga
www.balenciaga.com
Bally
www.bally.com
www.carolinaherrera.com www.cartier.com www.catherinemalandrio.com www.celine.com www.chanel.com
www.zegna.com
Estee Lauder
www.esteelauder.com
Hyatt Regency Dubai
www.dubai.regency.hyatt.com
I
Iceberg
www.iceberg.com
Escada
Ingie Paris
Etoile ‘La Boutique’
Isabel Marant
www.escada.com www.etoilelaboutique.com
Etro
www.etro.com
www.ingieparis.com www.isabelmarant.com
J
Jason Wu
www.jasonwustudio.com
Fendi
Jean Paul Gaultier
Chloe
Four Seasons Hotel Jumeirah Beach
Jenny Packham
Christian Dior
Four Seasons Hotel DIFC
www.jimmychoo.com
Christian Louboutin
Furla
www.chanel.com www.charlotteolympia.com www.chloe.com www.dior.com
www.christianlouboutin.com
Coach
www.coach.com
D
www.fourseasons.com/dubaijb
www.fourseasons.com/dubaidifc www.furla.com
G
Galeries Lafayette
www.galerieslafayettedubai.com
www.jeanpaulgaultier.com www.jennypackham.com
Jimmy Choo Just Cavalli
www.justcavalli.com
K
Kenzo
www.kenzo.com
Damas
Giambattista Valli
L
Bambah Boutique
David Morris
Gianfranco Ferre
www.lancome.com
BCBG MaxAzria
Diane Von Furstenberg
Gina
Bloomingdales Dubai
Diesel
Giorgio Armani
Bottega Veneta
DKNY
Givenchy
Boutique 1
Dolce & Gabbana
Grand Hyatt Hotel Dubai
Boucheron
Donna Karan
Gucci
Browns Fashion
The Dubai Mall
Balmain
www.balmain.com www.bambah.com www.bcbg.com
www.bloomingdales.com www.bottegaveneta.com www.boutique1.com www.boucheron.com www.brownsfashion.com
Bugatti B More
www.maisonbmore.com
Burberry
www.burberry.com
Bulgari
www.bulgari.com
www.damasjewellery.com www.davidmorris.com www.dvf.com
www.diesel.com www.dkny.com www.dolcegabbana.com www.donnakaran.com www.thedubaimall.com
E
www.giambattistavalli.com www.gianfrancoerre.com www.gina.com www.armani.com
www.givenchy.com www.dubai.grand.hyatt.com www.gucci.com
H
Harvey Nichols
www.harveynichols.com
Lancôme Lanvin
www.lavin.com
Loewe
www.loewe.com
Longchamp
www.longchamp.com
Look Fantastic
www.lookfantastic.com
Louis Vuitton
www.louisvuitton.com
M
The Mall of the Emirates
www.malloftheemirates.com Maria Luisa @51 East M
Edun
Hermès
www.hermes.com
www.mpatmos.com
Elie Saab
House of Hend
Marc by Marc Jacobs
www.edun.com www.eliesaab.com
www.houseofhend.com
Patmos
www.marcjacobs.com
VELVET
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VELVET DIRECTORY Marni
www.marni.com
Mary Katrantzou
www.marykatrantzou.com
Matches Fashion
www.matchesfashion.com
Michael Kors
www.michaelkors.com
Missoni
www.missoni.com
Miu Miu
Prada
www.prada.com
R
Ritz-Carlton Hotel Dubai
Tommy Hilfiger
www.wdubaialhabtoorcity.com
www.ritzcarlton.com/en/hotels/dubai/dubai-beach#Resort
Ritz-Carlton Hotel Roberto Cavalli
Mr Porter
Rodeo Drive
www.mulberry.com
My Wardrobe
www.My-wardrobe.com
N
www.robertocavalli.com www.rodeodrive-uae.com
S
The St.Regis Hotel Dubai www.stregisdubai.com
S*uce
www.shopatsauce.com
Net-a-Porter
Saks Fifth Avenue
Nicholas Kirkwood
Salvatore Ferragamo
Nina Ricci
Shana London
O
www.sergiorossi.com
www.oscardelarenta.com
www.sergiorossi.com
www.net-a-porter.com www.nicholaskirkwood.com www.ninaricci.com
www.saksme.com
www.ferragamo.com
www.shanalondon.com
Sergio Rossi
Oscar de la Renta
Sonia Rykiel
O Concept
Stella McCartney
www.oconceptstore.ae
P
www.stellamccartney.com
Stéphane Rolland
www.stephanerolland.com
Palazzo Versace Dubai Hotel
Stephen Webster
Paris Gallery
www.bysymphony.com
www.palazzoversace.ae www.parisgallery.com
Paul Smith
www.paulsmith.com
www.stephenwebster.com
Symphony
Saint Laurent Paris www.ysl.com
People Tree
T
Peter Pilotto
www.temperleylondon.com
www.peopletree.com www.peterpilotto.com
Prabal Gurung
www.prabalgurung.com
192 | VELVET
www.victoriabeckham.com
www.tomford.com
Victoria Beckham
W
Moschino
Mulberry
Tom Ford
Tom Ford Beauty
www.ralphlauren.com
www.miumiu.com
www.mrporter.com
www.versace.com
www.tods.com
Ralph Lauren
www.ritzcarlton.com/en/hotels/dubai/difc#Hotel
www.moschino.com
Tod’s
Temperley London Tiffany & Co.
www.tiffany.com
www.tomford.com/beauty www.tommy.com
Topshop
www.topshop.com
V
Valentino
www.valentino.com
Vera Wang
www.verawang.com
Versace
W Hotel Al Habtoor City
Y
Y-3
www.y-3.com
YSL Makeup
www.yslbeautyus.com
OUTDOOR LIVING
#CLIFFCOLLECTION DESIGN BY LUDOVICA+ROBERTO PALOMBA
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